- 5 months ago
In this charming 1951 romantic western, a Hollywood singing cowboy gets tangled in a whirlwind romance with a sharp, savvy lawyer. What begins as a marriage of convenience soon turns into a series of comedic misadventures, playful banter, and unexpected sparks. With its mix of cowboy charm and witty romance, The Groom Wore Spurs is a delightful throwback to the golden age of cinema.
Category
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Short filmTranscript
00:00:00Yip-yip-yip-yip
00:00:09He's a Hollywood cowboy
00:00:12With a silver saddle
00:00:14But he's afraid of his horses
00:00:17And he don't like cattle
00:00:20Just a Hollywood cowboy
00:00:23Full of western glamour
00:00:26He's a dangerous gent
00:00:29In a Miller crammer
00:00:33The girls propose
00:00:36Take me!
00:00:37A dozen every day
00:00:39No, take me!
00:00:40But he just stands there pointing
00:00:42Saying I went that away
00:00:45He's a standalone hero
00:00:47Moving cool and lazy
00:00:50Just a flick of his wrist
00:00:53And the girls go crazy
00:00:57When bandits appear
00:01:00He's always full of boys
00:01:03He shoots them full of bullets
00:01:06But he just can't stand the noise
00:01:13Like a Hollywood hero
00:01:16He got his gas
00:01:18He hurt
00:01:19And the days they were married
00:01:23I'll never forget
00:01:25That the group was first
00:01:46I think Mr. Castle is expecting me
00:02:04I'm A.J. Furnival, attorney at law
00:02:06Oh, yes
00:02:07You come in, please
00:02:16This is the castle
00:02:18He outside on the terrace
00:02:20This way
00:02:23Prince!
00:02:24Prince!
00:02:25Prince!
00:02:26Prince!
00:02:27Prince!
00:02:28Prince!
00:02:29Prince!
00:02:30Prince!
00:02:31Prince!
00:02:32Prince!
00:02:33Prince!
00:02:34Prince!
00:02:35Prince
00:02:42Prince
00:02:43Prince!
00:02:44Take me!
00:02:44Hey!
00:02:46Hey, oh!
00:02:47Hey, oh!
00:02:53Sorry.
00:02:55I didn't know you were there, little gal.
00:02:57Some people have been riding in the studio saying I've been getting a little slow on the draw.
00:03:05Stuck.
00:03:06I'm A.J. Furnival.
00:03:09And Mr. Castle, I don't think you're slow on the draw.
00:03:12Well, thanks.
00:03:14You're the lawyer?
00:03:16That's right.
00:03:17And before we get down to business, I would like to tell you how much I've enjoyed you in pictures.
00:03:23I think your movies are really the best entertainment of all.
00:03:26What's more, they've done so much to influence the youth of America.
00:03:30They have?
00:03:31Mm-hmm.
00:03:32As a matter of fact, my nephew, Arnold, who's all of the seven years old,
00:03:36he won't even go to bed without his Ben Castle spurs.
00:03:41Must be a little higher than the sheets.
00:03:42Uh, I meant that he, he has them on a chair beside his bed.
00:03:47Oh, sure.
00:03:49Say, do you mind if we sit down?
00:03:51These darn high-heeled cowboy boots can be terrible pains in the arches.
00:03:54Not at all.
00:03:54Here.
00:03:55Well, uh, Mr. Grant said that you had some slight legal problem.
00:04:20Yes, sort of.
00:04:21I, it's, it's kind of hard to talk to a woman.
00:04:25I, I mean, it's, it's hard to talk business to a woman.
00:04:29Well, you, you mustn't think of me as a woman.
00:04:31You must think of me as a lawyer.
00:04:36Yeah.
00:04:36Uh, well, uh, uh, the fact is.
00:04:42Yes.
00:04:46But, you, you see, uh, this case involves.
00:04:50Yes.
00:04:53Where was I?
00:04:55You were thinking of me as a lawyer.
00:04:57Silly.
00:04:58I was.
00:05:01Is this a, uh, uh, criminal case, Mr. Castle?
00:05:05No.
00:05:05Uh, I mean, not yet.
00:05:07You see, I was in Nevada.
00:05:09I, uh, I was over on location in Las Vegas.
00:05:11There was a friend of a little dice game between me and a fellow called Harry Callan.
00:05:17Oh.
00:05:17Uh, how friendly?
00:05:19$60,000 friendly.
00:05:22Well, was the, uh, game honest?
00:05:25Mr. Callan didn't seem to think so.
00:05:28Oh.
00:05:29Well, why not?
00:05:30Well, at the time, I didn't have the $60,000.
00:05:32And he got a little excited, naturally, so I signed a note, and now it's past due, so.
00:05:40Mr. Castle, in Nevada, gambling debts are collectible.
00:05:43Oh, yes.
00:05:43However, in the case of Sunshine Parlor v. McHenry, the California courts ruled that such debts are not collectible in this state.
00:05:50When you signed this note, was it, uh, witnessed?
00:05:54Uh-huh.
00:05:57You all right?
00:05:58Uh-huh.
00:06:00Well, then, I think we may logically presume that no exchange of benefits occurred.
00:06:05You may or may not feel morally obligated to repay this, Mr....
00:06:09Callan.
00:06:10Callan?
00:06:11Uh-huh.
00:06:11Uh, but I don't believe that this would come within the compass of a court action, even in the state of Nevada.
00:06:18So it is my opinion that you really have nothing to worry about.
00:06:23But you don't know Mr. Callan.
00:06:25He has friends with guns.
00:06:27Oh.
00:06:30Well, what about the police?
00:06:32Like I said, you don't know Mr. Callan.
00:06:35I see.
00:06:37Well, why are you hesitating to make...
00:06:39Well, I don't have the $60,000.
00:06:42Well, not that I'm extracting it.
00:06:44As you can see, I'm a man of very simple taste, but...
00:06:46In these days, every little thing adds up.
00:06:51So I thought maybe you could have a little conference with Mr. Callan and...
00:06:54Uh...
00:06:55Read some sort of settlement.
00:06:57Well, I certainly think it's worth a try.
00:06:59Good.
00:07:00What's your address?
00:07:01We can fly to Vegas tonight.
00:07:02My man will pick you up at 7.
00:07:05Fly to Vegas...
00:07:06Is there any reason why you can't make it?
00:07:10I...
00:07:10Well, I...
00:07:11Of course not.
00:07:12I...
00:07:13Of course there isn't.
00:07:15Here's my address.
00:07:19I'll try to be ready in time, Mr. Castle.
00:07:22And...
00:07:23Goodbye.
00:07:24I hope our association will be satisfactory and mutually beneficial.
00:07:28Oh, yes.
00:07:30And Mr. Castle...
00:07:31I still don't think you're slow on the draw.
00:07:42What do you think?
00:07:43He says you pick you up at 7.
00:07:45Hi, Alice.
00:08:02Hi.
00:08:03Well, that's what I like about this room.
00:08:05It always looks lived in.
00:08:06Come on.
00:08:10Let's not milk this gag now.
00:08:12Let's go.
00:08:13Oh, you'd think a couple of gals like us could afford more luxurious quarters.
00:08:21Oh, but I guess we'd rather put our paychecks on our backs.
00:08:24Oh, would you hand me that sweater, Alice, please?
00:08:29I think I'm psychic, A.J., but are you by chance going somewhere?
00:08:33Las Vegas.
00:08:34Las Vegas?
00:08:35You?
00:08:36Mm-hmm.
00:08:36Just for overnight.
00:08:38It's a business conference.
00:08:40I'm going with a client.
00:08:41Incidentally, Mr. Grant recommended me to him.
00:08:44Oh, him.
00:08:45A suit or suing?
00:08:47Married or single?
00:08:48Come on.
00:08:48Give me the details.
00:08:49The relationship between attorney and client is one of strictest confidence.
00:08:53Now, look.
00:08:53Would you get my nail polish, please?
00:08:55Well, who have you got more confidence in than your roommate?
00:08:57What kind of a taste is it?
00:08:59Oh, my stockings, too, huh?
00:09:01Oh, loosen up, A.J.
00:09:03What sort of a guy is he?
00:09:05Here.
00:09:06You know, I kind of like your new short haircut.
00:09:09Don't change this subject.
00:09:10I was trying to...
00:09:11You do?
00:09:13Well, the girls at the shop said since I cut my hair so short,
00:09:16they don't look like a little old lady anymore.
00:09:18No?
00:09:19No.
00:09:20I look like a little old man now, don't I?
00:09:24Would you get the buzzer for me, please?
00:09:26Okay.
00:09:26Hello?
00:09:31Mr. Castle, say pick up your lady.
00:09:32Take to the airport.
00:09:38How's that again, please?
00:09:39Mr. Castle, call here.
00:09:40Speak English.
00:09:42We ain't caught downstairs.
00:09:43You hurry up, please, quick.
00:09:44Okay.
00:09:44She'll be right there.
00:09:47Strict confidence, huh?
00:09:49And with a foreign accent.
00:09:51Oh, that couldn't have been him.
00:09:52That must have been his chauffeur.
00:09:54Chauffeur?
00:09:55What?
00:09:55Say, who is this client?
00:09:58Well, if you won't say anything, it's Ben Castle.
00:10:04Oh, oh.
00:10:05I better help you pack.
00:10:07Oh.
00:10:07Say, you better take your bathing suit, boy.
00:10:10Yeah, now.
00:10:10A little dancing.
00:10:11Wait a minute.
00:10:12What am I saying?
00:10:13You're going to Las Vegas with wild Ben Castle?
00:10:16Look, I don't need those things.
00:10:17Now, come on.
00:10:17Give me a hand.
00:10:18Give me a hand.
00:10:18Oh, Alice.
00:10:19No, it's not.
00:10:19Huh?
00:10:20That thing there.
00:10:20Well, you better listen to your Aunt Alice.
00:10:22I've heard plenty about that guy.
00:10:24Don't the beauty parlor.
00:10:25Every dame in Southern California's been out with him.
00:10:28Oh, I know.
00:10:28He's been a perfect gentleman with me.
00:10:30And besides, it's just a business trip.
00:10:31Yeah, well, you've got an awful lot of stuff in there for just an overnight hop.
00:10:34Well, I don't know what I'll be called upon to do.
00:10:37That's what I mean.
00:10:38Oh, Alice.
00:10:39Goodbye.
00:10:39Now, wait a minute.
00:10:40I'm telling you, A.J., you take care of yourself.
00:10:43Watch that cowboy.
00:10:45He's got away with women.
00:10:46Briefcase, briefcase.
00:10:48Yeah, and you take care.
00:10:49That he doesn't forget that you're a lawyer.
00:10:51Coat, coat.
00:10:52Yeah, you take care of that coat.
00:10:54It's mine, you know.
00:10:56Wow.
00:10:57Wild Ben Castle.
00:11:00It should happen to me.
00:11:01I suppose you're the part of Ben's taking to Las Vegas tonight.
00:11:05Oh, I beg your pardon.
00:11:07I was hunting for a different girl.
00:11:09Oh, no, I think you might be hunting for me.
00:11:11I'm A.J. Furnival, Mr. Castle's attorney.
00:11:13Oh, yeah, sure.
00:11:14Glad to meet you.
00:11:15I'm Steve Hall, his pilot.
00:11:18Oh.
00:11:19Oh, aren't we going on a commercial flight?
00:11:21No, I'm taking you on my ship.
00:11:23Ben likes to travel in style.
00:11:26Tonight, he's traveling in better style than usual.
00:11:30Oh, thank you.
00:11:35Well, hello, honey.
00:12:03How are you?
00:12:03Good evening, Mr. Castle.
00:12:07Will it be the usual accommodations?
00:12:09Why, shucks, partner.
00:12:09You know I don't need nothing but a fence post a time a guy used to.
00:12:13A piece of dry ground to throw my bedroll on.
00:12:16In the morning, of course, I may need little greasewood to cook up a mess of flapjacks.
00:12:20Yeah.
00:12:23Oh, you won't need to register, miss.
00:12:26I'll just put down Mr. Castle and party.
00:12:28Oh, but don't you think I should?
00:12:29I mean, I don't know the municipal code of Las Vegas, but most cities have a section similar
00:12:35to Los Angeles 47.01, which requires that every hotel guest to register.
00:12:41Of course, unless they're a man and wife.
00:12:46What?
00:12:47Yeah, Miss Furnival happens to be my attorney.
00:12:51Oh, well, in that case, sir, may I help you?
00:12:53Mr. Castle's key.
00:12:57Yes, sir.
00:13:03Oh, uh, Mr. Castle.
00:13:04Hmm?
00:13:05If you were planning on entertaining any friends in the hotel this weekend, uh, remember, hotel
00:13:10furniture costs money, too.
00:13:12Why, showman.
00:13:18Go along, boy.
00:13:20You're such a convincing actor.
00:13:30Well, thank you, honey.
00:13:31It is fantastic.
00:13:33Yes.
00:13:35Hey, where's your gun, Struple-on?
00:13:40Smile when you say that, partner.
00:13:42Oh, my, this is very attractive.
00:14:01Yeah, it'll sort of shell you from the winds off the prairie.
00:14:04You, uh, you bet in there, little gal.
00:14:07Oh, fine.
00:14:08Give me the key.
00:14:13I'll, uh, I'll fend for myself, boy.
00:14:16Oh, Mr. Castle, if you don't mind, not boy.
00:14:20Hmm?
00:14:21Don't call me boy.
00:14:24Oh, well, sure.
00:14:26Sure, anything you say, son.
00:14:28You know, young lady, I just come out here from Vermont.
00:14:38That Mr. Castle, he's the first movie star I've ever seen, close to.
00:14:43Oh, really?
00:14:44Yep.
00:14:44And he's just as natural off the screen as he is on it.
00:14:48Well, I'll put this in the closet.
00:14:50Operator.
00:14:52Honey, this is Ben Castle.
00:14:54Oh, yes, Mr. Castle.
00:14:56Ah, honey, you know, you've got an awful sweet voice.
00:15:01Are you married?
00:15:02Yes, I am, Mr. Castle.
00:15:05Oh.
00:15:06Well, say hello to your husband for me.
00:15:08And, honey, uh, could you get me one of those drive-yourself cars, you know, a convertible?
00:15:12Yes, sir, Mr. Castle.
00:15:15Ah, ha, ha.
00:15:16Hey, do you know if Harry Callen's around the hotel tonight?
00:15:19I put a call through to him in the Golden Horseshoe Room a little while ago, Mr. Castle.
00:15:23Thanks, honey.
00:15:35Oh, well, I keep a sort of a wardrobe here with the management, you see.
00:15:41Whenever I'm away from Hollywood, I gotta wear this get-up.
00:15:44It's in my contract.
00:15:45I can't help it.
00:15:46Oh, my, you look beautiful.
00:15:49Ah, I mean, love it.
00:15:52Fine.
00:15:53Well, you like it, really?
00:15:55Mm-hmm.
00:15:55Oh, I guess it's not too bad.
00:15:57It's, uh, my initials there, see, B.C.
00:16:00There.
00:16:01My name is on the back.
00:16:02See, Ben Castle.
00:16:04It's kind of cute, huh?
00:16:05Ha, ha, ha.
00:16:06What's it?
00:16:08Oh, I, uh, I bed down in there.
00:16:11Well, you see, it's all in one cottage, and I always, I, well, I mean, I usually, well,
00:16:20if you'd rather, I can make different arrangements.
00:16:24No, no, that's, that's quite all right.
00:16:26I, I, I trust you.
00:16:28You do?
00:16:30Implicitly.
00:16:31Implicitly.
00:16:55Come in.
00:17:22Oh, it's unlocked.
00:17:25Yeah, so it is.
00:17:26I, uh, I lost count.
00:17:31Well, I, I forgot to tell you, Callum's in the dining room, so anytime that you're ready, why?
00:17:35Oh, well, if you'll just give me, uh, about ten minutes.
00:17:39Yeah, sure.
00:17:40See, maybe you better keep this thing locked at that.
00:17:41You know, this is still a pretty wild country.
00:17:44You mean the waste is still pretty wild, Sheriff?
00:17:47No, I mean, there's still a lot of wolves in them in our hills, gal.
00:17:50Good evening, Mr. Callum, the stable, please.
00:18:16Yes, sir.
00:18:23Oh, hey.
00:18:24About time you showed up.
00:18:25Yeah, I want you to meet my attorney, Miss Furnival.
00:18:28How do you do?
00:18:29A.J. Furnival.
00:18:31A.J. Furnival?
00:18:32Yeah, her name is Abigail Jane, but everybody calls her A.J.
00:18:38Nice to know you, Miss Furnival.
00:18:39Won't you sit down?
00:18:50Why did you have to bring a lawyer?
00:18:51Well, uh, I understand that Mr. Castle has given you a note, and I'm here to...
00:19:01I don't need a lawyer to tell me that his note is no good.
00:19:08Well, in that case, I...
00:19:10And I'm quite sure that Ben wouldn't feel comfortable if he didn't pay his gambling debts.
00:19:15Well, I want to know what's right, Harry.
00:19:17I want you to, Ben.
00:19:18Mr. Callum.
00:19:28Ricky.
00:19:32I'm afraid you'll have to excuse us.
00:19:35We've just found out that there's someone in town that we don't want to run into.
00:19:39Funny, there's always people that you don't want to see.
00:19:43Isn't that so, Ben?
00:19:45You didn't want to have to see me, did you?
00:19:48Not really, no.
00:19:51But, Mr. Callum, uh, I would like to discuss my client's problem.
00:19:56Perhaps we, we might reach a, uh, a settlement of some kind.
00:20:00Yes, perhaps we could.
00:20:02I'll be back here about two o'clock in the morning.
00:20:06It'll be quieter then.
00:20:08And it's been nice meeting you, Miss, uh, A.J. Furnival.
00:20:12That's right.
00:20:14Well, have fun.
00:20:16Enjoy yourselves.
00:20:18It's a short life.
00:20:20How come a nice girl like you should be having fun is wasting her life tied down to a lot of dull law books and mortgages and, uh, baby assist corpuses or whatever you call them?
00:20:38Well, it's very easy to explain.
00:20:41My, my father wanted a boy.
00:20:43He did?
00:20:44He must have been pretty stupid.
00:20:45Well, uh, do you like to dance?
00:20:53I'd love to.
00:20:54Well.
00:20:54Hi, Mr. Castle.
00:20:58Uh, I figured you'd want the usual, two Ben Castle specials.
00:21:01Uh, well, uh, thanks, Irene.
00:21:03Just put them on the table, huh?
00:21:19Ah, this is more like it.
00:21:21Mm-hmm.
00:21:24You know, it's kind of funny.
00:21:27What?
00:21:27About me and the law.
00:21:29Listen, you can take it from me.
00:21:30There's nothing funny about the law.
00:21:31No, no, you just said because I was a lawyer, I, I wasn't able to really enjoy myself.
00:21:36Uh-huh.
00:21:37And I was thinking that if I hadn't studied my Blackstone and, uh, you hadn't needed counsel, you wouldn't have fired me and we wouldn't be in Las Vegas.
00:21:51And I wouldn't be dancing with Ben Castle.
00:21:54Enjoying myself.
00:21:57Yeah, well, I, I guess that could make some logic.
00:22:04I'll bet you wish this was a square dance, don't you?
00:22:06Me?
00:22:07A square dance?
00:22:08Well, you know, like the one you did in Danger Pass.
00:22:12I saw it in Westwood last week.
00:22:14Danger Pass?
00:22:14Uh-huh.
00:22:15Oh, Danger Pass.
00:22:16Let's see, now, whose side was I on tonight?
00:22:18One, the cattlemen or the sheep herders?
00:22:20Well, don't you remember?
00:22:22Well, it was you against four or five outlaws and, and just before the end of the picture there was a great big fight and...
00:22:28Well, it was this.
00:22:29And after the fight, why, you and the rancher's daughter, I think her name was Jenny, wasn't it?
00:22:37No, it was her, sir.
00:22:38Well, you both walked to the edge of the canyon and she looked up at you and said, because of you, everything will be different tomorrow.
00:22:49Sure, sure, I remember now.
00:22:52And then I said, uh, there's one thing about the West, Jenny.
00:22:56The West is tomorrow.
00:22:58That's right.
00:23:02You know, uh...
00:23:04You know, there was something in that scene that sort of puzzled me.
00:23:08Uh-huh.
00:23:09Um, well, um, you, you were sitting so close to her and, and you, you sort of took her hand and, uh, and then you said, uh...
00:23:18How about going for a ride in the moonlight?
00:23:20How about going for...
00:23:21See, I, I rented a car.
00:23:26I mean, kind of silly to waste it.
00:23:30Come to think of it, that's right.
00:23:40Here's two more of the same.
00:23:42What's the matter, Mr. Castle?
00:23:44You're a little behind schedule tonight.
00:23:46Oh, I, I wouldn't say that, Ivory.
00:23:51Come on.
00:24:04Now, on your left, ladies and gentlemen, we see Hoover Dam.
00:24:08One of the largest structures in the world, an engineering feet unferalowed in the history of mankind.
00:24:13Besides, it has a mighty pretty view.
00:24:18You want to take a look at it, don't you?
00:24:21Well, that's what we came for, isn't it?
00:24:24I don't know, it makes you feel so insignificant.
00:24:29Yeah, it does, but not you.
00:24:32You're a mighty significant to me.
00:24:35Here in this moonlight.
00:24:39Moonlight is wonderful.
00:24:42It's so mysterious and so romantic.
00:24:49AJ.
00:24:51Did anybody ever tell you that...
00:24:56What?
00:24:58I said...
00:25:00What?
00:25:01Thanks.
00:25:17You know, I...
00:25:18I never kissed a lawyer before.
00:25:28How was it?
00:25:30Well...
00:25:33I just happen to think that kissing a lawyer might bring along a long string of consequences.
00:25:38I'm not interested in consequences.
00:25:39Well, you should be.
00:25:41Why?
00:25:42Well...
00:25:47What would be the legal consequences if a...
00:25:49If a guy should take a girl in his arms in the moonlight and...
00:25:53And kiss her.
00:25:54And there was nobody around for miles and...
00:25:55Miles and miles.
00:25:56No...
00:25:57No witnesses?
00:25:58That's right.
00:25:59No witnesses.
00:26:00And suppose this guy...
00:26:02It will call...
00:26:03Uh...
00:26:04The party of the first part.
00:26:05Yeah, yeah.
00:26:06The party.
00:26:07Well, suppose...
00:26:08Suppose...
00:26:09Suppose this guy...
00:26:10Should say to the girl...
00:26:11I love you.
00:26:12And...
00:26:13Uh...
00:26:14And...
00:26:15Uh...
00:26:16Suppose this guy...
00:26:17Should say to the girl...
00:26:18I love you.
00:26:19And...
00:26:20Uh...
00:26:21Suppose the girl should...
00:26:22Look up to the guy and say...
00:26:24I think I love you too.
00:26:25And...
00:26:26Uh...
00:26:27Then suppose the guy should say to the girl...
00:26:28Will you marry me?
00:26:30No.
00:26:31No.
00:26:32No.
00:26:33No.
00:26:34No.
00:26:35No.
00:26:36No.
00:26:37No.
00:26:38No.
00:26:39No.
00:26:40No.
00:26:41No.
00:26:42No.
00:26:43No.
00:26:44No.
00:26:45No.
00:26:46No.
00:26:47No.
00:26:48No.
00:26:49No.
00:26:50No.
00:26:51No.
00:26:52No.
00:26:53No.
00:26:54What would her answer be?
00:26:59Yes.
00:27:02Yes.
00:27:05Yes.
00:27:08You know...
00:27:10You took the words right out of my mouth.
00:27:24No.
00:27:25No.
00:27:26No.
00:27:27No.
00:27:28No.
00:27:29No.
00:27:30No.
00:27:31No.
00:27:32No.
00:27:33No.
00:27:34No.
00:27:35No.
00:27:36No.
00:27:37No.
00:27:38No.
00:27:43No.
00:27:44No.
00:27:45No.
00:27:46No.
00:27:47No.
00:27:48No.
00:27:49The direct approach, man to man.
00:27:51I mean, the woman, you know, well, you know what I mean.
00:27:54I know what you mean.
00:27:57Darling.
00:27:58For luck.
00:28:00Oh, yeah, sure.
00:28:05Dear friend, there's one thing I want to know.
00:28:08Do you really like this girl?
00:28:11Do I really?
00:28:12Well, sure, I like her.
00:28:17Oh, hello.
00:28:18Hello.
00:28:19This is my office, won't you sit down?
00:28:24Vicki.
00:28:31Well, let's get on with it, shall we?
00:28:34You know, that sounded exactly like your father.
00:28:38My father?
00:28:39Did you know my father?
00:28:41Yeah.
00:28:43Swell guy, fine attorney.
00:28:45He represented me many times.
00:28:48I heard he had some financial trouble a few years ago.
00:28:50I should have stepped in then, but...
00:28:51I put it off and then it was too late.
00:28:54That's right, but...
00:28:56How...
00:28:57How did you know?
00:28:58I find it pays to check with people that I'm about to do business with.
00:29:01I have friends in Los Angeles, so I checked.
00:29:06But my friends in Los Angeles left out something.
00:29:11Didn't tell me anything about this.
00:29:12Oh, well, I...
00:29:16I just got this.
00:29:20Tonight.
00:29:22Cowboy.
00:29:23Hmm?
00:29:24He's a lucky guy.
00:29:27The more I think of it, he's a very lucky guy.
00:29:32Excuse me, I want to congratulate the groom.
00:29:33Well, congratulations, Ben.
00:29:42Congratulations?
00:29:43For what, Harry?
00:29:45You just got married, didn't you?
00:29:47Oh, yeah, sure.
00:29:48Thanks.
00:29:49Thanks a lot.
00:29:49Under the circumstances, I think I ought to give you a wedding present.
00:29:53You can forget that 60,000, Ben.
00:29:55I'll tear up the note.
00:29:57Good luck, Mrs. Castle.
00:29:58And if the cowboy turns out to be the wrong kind of a husband, you know where to find me.
00:30:04Well, this time you've really surpassed yourself.
00:30:07Of all the cheap, dirty, low-down, double-crossing...
00:30:10What?
00:30:10I said double-crossing.
00:30:12Wait a minute, Steve.
00:30:13What are you trying to say?
00:30:14Nothing, I think.
00:30:15I've already said it.
00:30:16Wait.
00:30:17I don't believe I quite understand.
00:30:20Forget it.
00:30:22Just sour grapes.
00:30:24I, uh...
00:30:25I wouldn't pay any attention to that bird man if I were you.
00:30:28Well, then why don't you explain to me what he means, Ben?
00:30:33Me?
00:30:33Well, I...
00:30:34I haven't the biggest idea.
00:30:39Well, I, uh...
00:30:41I think I'm beginning to get one.
00:30:47You knew all the time.
00:30:49You knew all the time that there was some past connection between my father and Harry Callan, didn't you?
00:30:53Well, when Mr. Grant suggested you as an attorney, he...
00:30:57He might possibly have mentioned it.
00:31:02Did he, uh...
00:31:03Suggest that you marry me, too?
00:31:07Oh, no.
00:31:09That was my idea.
00:31:10Yes, I'm certain it was.
00:31:13Steve, take me back to Los Angeles.
00:31:15Steve, you know, wait a minute.
00:31:16You got to look at it from my side.
00:31:29Fill it up again and mix one for yourself, boy.
00:31:31Now, don't call me boy.
00:31:33Oh, I'm sorry.
00:31:34Well, fill it up anyway.
00:31:35Well, I don't know if I should, cowboy.
00:31:37Hey, don't...
00:31:38Don't call me cowboy.
00:31:39I'm not...
00:31:40You know, I'm going to celebrate my wedding.
00:31:42I just got married, you know.
00:31:44I'm going to celebrate him if I haven't got a wife.
00:31:47Well, here's the luck, cowboy.
00:31:48Here's...
00:31:49I said, please don't call me cowboy.
00:31:53You know, she walked out of me.
00:31:55She's my wife, I'm telling you.
00:31:56Very nice girl.
00:31:58Pretty smart, too.
00:31:59She could say I wasn't the right kind of a guy for her.
00:32:02Well, take it easy, cowboy.
00:32:04Now, do you mind?
00:32:05Please don't call me cowboy.
00:32:06I'm not a...
00:32:07Don't call me cowboy.
00:32:09Sure, sure.
00:32:10Anything you say, son.
00:32:36I'm asleep.
00:32:37Oh, Alice, I'm sorry.
00:32:39Well, I certainly didn't expect you home at this hour.
00:32:42It must have been a short conference.
00:32:45Yeah.
00:32:48Well, prepare yourself for a shock.
00:32:51It wasn't just a conference.
00:32:54Huh?
00:32:56He married you?
00:32:58Castle?
00:32:59Well, congratulations.
00:33:00I think it's just wonderful, H.A.
00:33:03I never would have believed that you and he...
00:33:06But you're here, and you just got married, and shouldn't the groom be around somewhere?
00:33:13He's marrying me with just a planned, cheap trick.
00:33:18He's a cynical, egotistical movie star.
00:33:24Thank heavens, I discovered it before I fell in love with him.
00:33:29Oh, sure.
00:33:30Before you fell in love.
00:33:32But you married him.
00:33:34Huh?
00:33:36Well, all right.
00:33:37Maybe he wasn't on the up and up.
00:33:39But nobody twisted your arm and forced you to say yes, did they?
00:33:43Do you remember me?
00:33:44I'm the girl that tried to warn you about that cowboy.
00:33:47And whose fault is it?
00:33:50Whose fault is it?
00:33:52If you didn't read all the fine print in the contract.
00:33:55Look, I don't want to talk about it anymore.
00:33:58Besides, I'm going to get an annulment tomorrow.
00:34:03An annulment?
00:34:05Gee whips, an annulment.
00:34:08Why?
00:34:10I know you pretty well, H.A., and you never would have married him unless you loved him.
00:34:15What's the matter, honey?
00:34:18Are you too proud and dignified to fight for him?
00:34:21Oh, he doesn't want a wife.
00:34:23He doesn't need one.
00:34:26What he needs is somebody to grab hold of him and make a man out of him.
00:34:31Oh, don't they call those things wives?
00:34:35What are you suggesting?
00:34:38Oh, nothing.
00:34:45Uh, what do you think of me and Bangs?
00:34:49What do you think?
00:34:52I couldn't do it.
00:34:55Maybe over one eye.
00:34:58Hmm?
00:34:59I don't care that much about him.
00:35:03Do you want this all one-sided?
00:35:05Are you suggesting that I live in the same house with him?
00:35:12Some brides do.
00:35:15Well, not me.
00:35:17My only hope is that someday somebody will make him as miserable as he's made me.
00:35:24Don't you know the one way a woman can really get even with a man is by living with him?
00:35:29Good morning, Ignacio.
00:35:43Good morning, Missy.
00:35:44Very nice to see you again.
00:35:46Thank you, Ignacio.
00:35:48You make me feel very welcome.
00:35:50Oh, yes.
00:35:51Mrs. D'Bendcastle gave us the right order.
00:35:54Everybody welcome.
00:35:55Especially the young lady.
00:35:57Oh, yes.
00:36:01Is Mr. Castle up yet?
00:36:03Oh, no.
00:36:04Boy, she's still sleeping.
00:36:06He came home very late last night.
00:36:09Yes, I know.
00:36:12There's some luggage and some law books out in my car.
00:36:15Would you go out and get them, please, and put them in the spare bedroom?
00:36:20Are you moving in here?
00:36:23Well, you see, this is my house now.
00:36:27Oh, you buy house?
00:36:29Oh, no, not exactly.
00:36:31You see, Mr. Castle and I were married last night, and I am Mrs. Castle.
00:36:34Oh, no.
00:36:35You go away.
00:36:36Boy, she's still sleeping.
00:36:38You go away.
00:36:39You come back later.
00:36:40I'm sorry, Ignacio, but I'm staying here.
00:36:43I live here.
00:36:43This is my house.
00:36:45So if you'll be good enough to go out and get my things and bring them in, I'll sort of look around and make myself at home.
00:36:52Yes, Missy.
00:36:53Yes, Missy some Missy.
00:37:02To Ben with all my love, Linda.
00:37:04Are you a cook here?
00:37:14Mm-hmm.
00:37:15Name's Forbes.
00:37:16Well, how do you do, Mrs. Forbes?
00:37:17Is, uh, is breakfast ready?
00:37:24Cowboy's is.
00:37:25Where?
00:37:26Oh, there.
00:37:28Where?
00:37:29Right there!
00:37:31You see, Thursday in the morning.
00:37:35Seven on the eight.
00:37:38Red Queen and the Black King.
00:37:44Well, while I'm sort of, uh, waiting, I may as well learn the routine of the house.
00:37:52The laundry days, the menus, and the, uh, monthly accounts.
00:37:58Who's been talking to you about my accounts?
00:38:01No one.
00:38:02You have no right to come in here and accuse me of stealing.
00:38:04I didn't accuse you.
00:38:06You're going to be that kind of a wife, watching every penny, I'll...
00:38:09You'll quit?
00:38:10Yes, I will!
00:38:11I had your touch spotted the minute you came through the door.
00:38:14Menus, accounts.
00:38:16Believe you me, there isn't room for two women in this house.
00:38:20Well, if that is your decision, believe me, I heartily concur.
00:38:23Wait a minute!
00:38:24You can't fire me!
00:38:26You are so right, because you have just quit.
00:38:28And we'll leave it that way, shall we?
00:38:30Thank you, please.
00:38:35Oh, excuse.
00:38:36Poor Missy.
00:38:37Poor, poor Missy.
00:38:39Well, what's the matter?
00:38:40Publicity man.
00:38:41He called from studio.
00:38:43He say Mr. Bergen very angry when he find out you and Mr. Ben Castle get married.
00:38:48Oh, Mr. Bergen?
00:38:49Who's Mr. Bergen?
00:38:50He's an A-number-one bossy at studio.
00:38:53Have a very bad temper.
00:38:54Publicity man say you and Mrs. Ben Castle take picture this afternoon.
00:38:59Oh, well, we'll be ready, Ignacio.
00:39:02You not ask Mr. Bergen permission to get married?
00:39:07No.
00:39:08Oh, poor Missy.
00:39:10Poor Mrs. Ben Castle.
00:39:13Poor Ignacio.
00:39:14Ignacio.
00:39:14Mr. Castle, your breakfast is ready.
00:39:44Mr. Castle, your breakfast is ready.
00:39:51Now, put it in the bucket.
00:39:56Oh, my head.
00:39:58What is it?
00:40:01What is it waiting for me so early for?
00:40:04I didn't get to bed until 7 o'clock.
00:40:10Close the curtains.
00:40:14Mrs. Forbes, close the curtains.
00:40:19There's still much light in here.
00:40:24They are closed.
00:40:26They're closed?
00:40:28Oh, they are?
00:40:29Well, keep them closed.
00:40:31And Mrs. Forbes,
00:40:34please don't let anybody else in this room
00:40:36all of it.
00:40:40Oh, who is it?
00:40:42Will you please go away?
00:40:44Please?
00:40:45Mr. Castle,
00:40:46may I have your autograph, please?
00:40:48Look, I...
00:40:49Autograph?
00:40:52Autograph?
00:40:52How did you give a...
00:40:53Mrs. Forbes, Ignacio,
00:40:55get these people out of here!
00:40:56Oh, Mr. Castle,
00:40:57please give me your autograph.
00:40:59Didn't your mother ever tell you
00:41:01that I don't give autographs?
00:41:04I think you need some coffee.
00:41:06No, no, I don't need any coffee.
00:41:08What I need...
00:41:09I think you don't have coffee.
00:41:12But I need somebody to talk to them.
00:41:15You don't know what I did, do you?
00:41:17No.
00:41:18I got married.
00:41:19Yes.
00:41:20I know.
00:41:21That's not even half of it.
00:41:23My wife left me.
00:41:25But she's back then.
00:41:29Somebody else.
00:41:30Well,
00:41:31what difference can one more make?
00:41:35Come in!
00:41:36Mr. Castle!
00:41:40I want a few words with you.
00:41:43I think you should be informed
00:41:45that I've just received notice.
00:41:47Yes.
00:41:48Hmm?
00:41:48I've just received notice!
00:41:52Notice?
00:41:54But aren't you a little too old for the draft?
00:41:56I'm not talking about the draft, Mr. Castle.
00:41:59I've just been discharged!
00:42:01Already?
00:42:04But...
00:42:04How could you be discharged before you're drafted?
00:42:09Please try to understand me, Mr. Castle!
00:42:12This is as far as I am doing the very best I can.
00:42:16I was in the kitchen,
00:42:17slaving my fingers to the bone over a hot stove...
00:42:20I knocked you out of my head aches!
00:42:23Look, come back later.
00:42:25Hmm?
00:42:26Over a hot stove
00:42:28when your wife came in
00:42:30and told me to get out!
00:42:33Now look at here, cowboy.
00:42:35I've been with you for three long years.
00:42:38And no gal in the house
00:42:40can tell me what to do,
00:42:41much less fire me!
00:42:43It may interest you to know, Mrs. Forbes,
00:42:46that under the law,
00:42:47the kitchen is the special and peculiar province of the wife.
00:42:50As in the case of Perkins v. Perkins,
00:42:53Justice McCarthy ruled for the plaintiff, Jennifer Perkins...
00:42:56Perkins?
00:42:56I've never heard of them.
00:42:57...and granted her full jurisdiction
00:42:59in the matter of dismissing domestic employees.
00:43:03Ah.
00:43:04That's right.
00:43:05That's the law.
00:43:07Perkins v. Pickles.
00:43:10So I suggest, Mrs. Forbes,
00:43:13that you start packing immediately.
00:43:15It may be a little while
00:43:17before I can leave.
00:43:20I've got a few things cooking.
00:43:37Oh, it's nice.
00:43:39Where'd everybody go?
00:43:41Hmm?
00:43:42Oh, well, where's my breakfast?
00:43:44Yes.
00:43:45Yes.
00:43:45Yes.
00:43:53Must be on the other side.
00:44:03Ah.
00:44:05Another one.
00:44:06Must be ladies' day.
00:44:10Ah.
00:44:11How do you do?
00:44:12You're married soon, huh?
00:44:17Whatever happened to my wife, you know?
00:44:20A vanished thing.
00:44:21You see?
00:44:26Hey, Shane.
00:44:28That's funny.
00:44:29I was just talking about you.
00:44:31I was...
00:44:32Oh.
00:44:33Oh, what's the matter?
00:44:35Oh, you should have been here earlier.
00:44:38It was a sellout.
00:44:40Harmony,
00:44:41will you send up
00:44:42three cans of tomato juice,
00:44:43a bottle of Worcestershire sauce,
00:44:45some spirits of ammonia,
00:44:46and two raw eggs.
00:44:50Pardon me.
00:44:51Caption.
00:44:57Caption.
00:44:58The cowboy star
00:44:59with his two dearest possessions,
00:45:00his bride and his horse.
00:45:01How's that sound to you, Ben?
00:45:02It's all right with me
00:45:03if Pancher doesn't mind.
00:45:04One, two, three.
00:45:11Got it.
00:45:11Oh, now.
00:45:12Oh, boy.
00:45:13Take it easy.
00:45:13Okay, now, Ben,
00:45:14let's get a couple of shots
00:45:15with you in the saddle.
00:45:16Oh, no, not today, Jake.
00:45:17After what I've been through,
00:45:18I can't take it.
00:45:18Ah, but your fans expect it.
00:45:20We'll get Sam
00:45:20to help you on the horse.
00:45:22To help him?
00:45:24What does he mean,
00:45:25help him?
00:45:26Why, in his last picture,
00:45:28the sheriff of Dead Man's Gulch,
00:45:29he jumped from the second story
00:45:30right onto Pancho's back,
00:45:32didn't you?
00:45:33Well, no, not exactly.
00:45:35That was my double.
00:45:37What?
00:45:37You might as well know it right away.
00:45:40I hate horses.
00:45:42Yeah, this is Sam Taylor, Abigail.
00:45:44He's Pancho's stablemate.
00:45:45He's what Ben Cashel should be,
00:45:47a real cowboy.
00:45:48How do you do, Sam?
00:45:49Glad to know him, ma'am.
00:45:50Yes, sir, a real cowboy.
00:45:51Bow-legged, born in the saddle,
00:45:54shoes to back him.
00:45:57Well, let's get this over with you, Sam.
00:46:00Hold on, I know, Jake.
00:46:01Well, let him go.
00:46:02Oh, you know what a beast he is.
00:46:03All right, Sam.
00:46:05Hold on to me, don't let me go now.
00:46:06I won't.
00:46:07Wait a minute.
00:46:07Who?
00:46:08Take it easy, Pancho.
00:46:09That's it.
00:46:10I'm not going to hurt you.
00:46:16All right.
00:46:17I made it.
00:46:18All right, Abigail.
00:46:19One, two, three.
00:46:23Got it.
00:46:24Okay, now Mrs. Castle,
00:46:25a shot at you on Pancho
00:46:26and back up then.
00:46:27Let's see what's a different angle.
00:46:28No, no, it's crowded enough
00:46:29up here already.
00:46:30Don't make a good shot.
00:46:31Turn the horse around, Sam.
00:46:33Now look, nothing fancy.
00:46:39I'll help you.
00:46:44Well, now, take it easy.
00:46:47Hold on.
00:46:48Come on, smile, Dan.
00:46:49Look happy.
00:46:49Look at Pancho.
00:46:50He's smiling.
00:46:51Can I look sad in this picture?
00:46:52I feel happier that way.
00:46:54Oh, well.
00:46:55All right, Abigail.
00:46:56One, two, three.
00:46:58Got it.
00:46:59Mrs. Castle, Mrs. Castle,
00:47:00news of paper, man.
00:47:01He come.
00:47:01Lay off, I need lay off.
00:47:02Oh, I got to get out of here.
00:47:03What's the matter?
00:47:04Where are you going?
00:47:04The reporters are here.
00:47:05Help me down.
00:47:06Hold me.
00:47:06Hold me.
00:47:07What about me?
00:47:11Now listen, Mrs. Castle.
00:47:13You're new to all this,
00:47:14so don't say much.
00:47:15Let me and Ben do the talking.
00:47:16They're only interested in the cowboy.
00:47:18You just happen to be married to them.
00:47:20Hiya.
00:47:21Howdy, boys.
00:47:22Hiya, Ben.
00:47:22Congratulations.
00:47:23Thank you kindly.
00:47:24Why not nice of you to pass this little visit.
00:47:26Come on.
00:47:26I want you to meet my new little filly, Abigail.
00:47:28Honey, meet my good friends of the press.
00:47:32Well, go on.
00:47:33Say howdy.
00:47:36Howdy.
00:47:36Howdy.
00:47:37Say, Ben, how'd you two happen to get acquainted?
00:47:39Well, was this the way, partner?
00:47:40I hired her to represent me in a little legal matter.
00:47:43Legal matter?
00:47:43Yeah.
00:47:44Are you a lawyer, Mrs. Castle?
00:47:46I was A.J. Furnival.
00:47:48I had offices in Beverly Hills.
00:47:50Furnival?
00:47:51Off of Furnival's daughter?
00:47:52That's right.
00:47:53This is an angle.
00:47:53Get your camera over here, Bill.
00:47:55Solo shots of Mrs. Castle.
00:47:56You take a mighty pretty picture, too.
00:47:58Do you mind getting out of the picture, Ben, please?
00:48:01Huh?
00:48:01I said, would you mind getting out of the picture, please?
00:48:03Oh, no, no, no.
00:48:05I guess not.
00:48:10Mrs. Castle, what do you think of the Barton case?
00:48:13Oh, I think it's an open and shut case.
00:48:14There was a similar case before the Supreme Court last April.
00:48:17The majority opinioned by the Chief Justice, six Associate Justices...
00:48:20Do you ever consider going into politics?
00:48:22Oh, no.
00:48:23How do you think a career in a home will make?
00:48:25How about some domestic stuff, honey, inside the house with Mrs. Castle?
00:48:27Yeah, yeah.
00:48:28Come on, Danny.
00:48:29I need you.
00:48:30Oh, you too, Ben.
00:48:31We may need you.
00:48:32If you don't think I'll be in the way...
00:48:34I've got to hand it to you, cowboy.
00:48:36You really lassoed quite a girl.
00:48:37Yeah, well, that's just the kind of a prairie flower I've always been looking for.
00:48:41Yeah?
00:48:42You're going to fool me.
00:48:43Oh, I sold a few wild oats, maybe, but shucks, I don't mean nothing.
00:48:47Put the cowboy hat on, Mrs. Castle.
00:48:50Now, smile.
00:48:52Thank you, Mrs. Castle.
00:48:53Now we'd like a few shots on the terrace.
00:48:55Good idea.
00:48:56I'll round up some props.
00:48:56What's the joint he's got here?
00:49:04Just as he always says, nothing too good with a cowboy.
00:49:07Fire, all was he lady now, Mr. Halliday.
00:49:09Well, boys, here I am.
00:49:11Yeah, what can we have to do now, Jake?
00:49:13Oh, there must be a million shots we can get out here on the terrace.
00:49:16Let's see.
00:49:17How about one of her sitting on the couch reading a magazine?
00:49:19Hey, how about that?
00:49:21Mr. Castle.
00:49:22Huh?
00:49:23I haven't finished packing yet.
00:49:25There's been some telephone calls.
00:49:27Old friends?
00:49:28Well, never mind that right now, Mrs. Forbes.
00:49:31I'll tell her you'll call back later.
00:49:35Ben.
00:49:36Hmm?
00:49:37How about putting a little romance in these shots?
00:49:39Know what I mean?
00:49:41Yeah, sure.
00:49:42Well, I don't mind if Abby doesn't.
00:49:46Do you, Abby?
00:49:47No.
00:49:48I don't mind at all.
00:49:50After all, she's my wife.
00:49:51Yeah, that's right.
00:49:53That's right.
00:49:53I'm his wife.
00:49:55Well, I don't mind.
00:49:59No, Ben.
00:50:00Kiss her.
00:50:25All right, all right. That'll be enough for you. Let's give them a break
00:50:51You know it seems a shame
00:50:55Let a fire like this go to waste
00:50:59Yes
00:51:00It's a very good one
00:51:02Yeah
00:51:02You, uh, do you like the chuck wagon food?
00:51:05Mmm
00:51:07You?
00:51:08That's the only thing about the West I do like
00:51:11Turn it off
00:51:25Hmm?
00:51:26Turn off the radio
00:51:28Don't you, uh, remember that?
00:51:34Hmm
00:51:35You don't remember that song?
00:51:37No
00:51:38Well, that was out of your picture Deadwood Dick
00:51:41Yeah, sure
00:51:42Would you, uh
00:51:45Would you do me a favor?
00:51:48Yeah, sure
00:51:50Anything
00:51:51Anything
00:51:53Would you sing it for me?
00:51:57No
00:52:00Well, I, uh
00:52:01I don't remember that that song very well after
00:52:03After all that, that was a long time ago
00:52:05You know
00:52:06Oh, please, please
00:52:07Well, uh, I have to get my guitar
00:52:14Ignacio
00:52:15Come here
00:52:18Put on a record
00:52:22Now, uh
00:52:24I want you to close your eyes, little gal
00:52:26And try to use your imagination
00:52:28No more wandering around
00:52:40Since I've found my true love
00:52:43No more hitting the trail
00:52:46Looking for a new love
00:52:49No more wandering around
00:52:53Rounding up the cattle
00:52:56Let them have a stampede
00:52:59They can all skedaddle
00:53:02So, goodbye, old paint
00:53:06My guns ain't spittin' lead
00:53:09I'm through with chasin' rustlers
00:53:13Gonna chase my gal
00:53:15Instead, I'll be settlin' down
00:53:18You can keep the prairie
00:53:21I'll be happy in town
00:53:24With the girl
00:53:26With the girl I'm married
00:53:28Flower
00:53:29Flower
00:53:31Flower
00:53:36No more wandering around
00:53:37Since I've found my true love
00:53:39No more getting the trail
00:53:40Looking for a new love
00:53:42No more wandering around
00:53:43Rounding up the cattle
00:53:44Let them have a stampede
00:53:46They can all skedaddle
00:53:47So, goodbye, old paint
00:53:49My guns ain't spittin' lead
00:53:50I'm through with chasin' rust
00:53:52Gonna chase my gal
00:53:53I'll be settlin' down
00:53:55You can keep the prairie
00:53:56He likes to join us sometimes
00:53:58With the girl I'm married
00:53:59And there's no more wandering around
00:54:02I'll be settlin' down
00:54:05You can keep the prairie
00:54:08I'll be happy in town
00:54:11With the girl I'm married
00:54:15I guess I should've told you about it
00:54:26I don't do my own singing in pictures
00:54:30You see, I just pretend
00:54:32They get another guy
00:54:33And they dub in his voice and guitar
00:54:35It's not that I don't like music
00:54:39It's just that I
00:54:40I can't carry a tune
00:54:43Somebody else rides poncho
00:54:46Somebody else sings for you
00:54:48Isn't there anything that you can do for yourself?
00:54:51You will
00:54:52Hey, here they are, everybody
00:54:54The newlyweds
00:54:55Hi, here they are
00:54:56Hi, what do you got that I haven't got?
00:54:58What is she doing?
00:54:59This is her, isn't it?
00:55:00Yes
00:55:01Hello, honey
00:55:02Abby, these are some friends of mine
00:55:04I wish to meet my wife, Abigail
00:55:07Abigail?
00:55:08Hey, that calls for a drink
00:55:09Yeah, yeah, come on
00:55:10Oh, now will you look at what I found
00:55:14He's been giving her his old record routine
00:55:18Oh, no
00:55:19He's late for me that night down by the swimming pool
00:55:21Remember, Ben?
00:55:22I remember the night the needle got stuck
00:55:24Tell me, how did you meet the little lady?
00:55:26Well, I...
00:55:27A liar
00:55:28Never mind
00:55:29Hey, you haven't forgotten
00:55:30You promised me a part in your next picture
00:55:32Listen, honey, I never went back in a promise on you yet
00:55:34Hey, let's all go to the Macombo, wouldn't you say?
00:55:36Oh, that's a great idea
00:55:37They have a new singer there you'd like, Ben
00:55:39She's just your type
00:55:40Look, you all run on ahead
00:55:43I'll join you later at the place
00:55:45Hurry up, will you?
00:55:46We'll be waiting for you
00:55:47This is a studio, Mr. Castle
00:55:49Well, tell him I'll call back later
00:55:50But this is Jay Norman Biggin
00:55:51Big... oh, Bergen, yeah
00:55:54Hello?
00:55:55Hello, Jay-Ann
00:55:56I can't talk to you right now, I'm sorry, I...
00:55:59Yes, Jay-Ann
00:56:01Yes, Mr. Bergen
00:56:02Yes, sir, I know what my contract says
00:56:06I'll see you in the morning
00:56:09No, no, I...
00:56:10I don't think I can bring my lawyer with me
00:56:12I... I don't...
00:56:14Hey, wait a minute
00:56:18Wait a minute, maybe I can
00:56:21Jay-Ann
00:56:21You're absolutely right
00:56:22That's the thing to do
00:56:24I'll see you in the morning
00:56:32Now, remember, A.J.
00:56:44He's a man with a very strong will
00:56:47A very determined nature
00:56:49And...
00:56:49He irritates very easily
00:56:52Besides all that, he's...
00:56:54My boss
00:56:55If you would prefer another counsel
00:56:57No, no, no, no, you stay where you are
00:56:58I'll see if I can round him up
00:56:59I sure hope this is one of his good days
00:57:01We'll work on him out here, Mr. Bergen
00:57:17Oh, hello, Sam
00:57:19Howdy
00:57:19Hello, Poncho
00:57:23Some horse, huh?
00:57:24Yes, he certainly is
00:57:28He's the most valuable actor at Apex Allied
00:57:33Oh?
00:57:35You know how many people paid to see his picture last year?
00:57:3825 million
00:57:40Oh, that's it, you talked to him
00:57:47Mr. Bergen
00:57:49Where are you?
00:57:49Yeah, I can hear you, but...
00:57:55Where are you?
00:57:59Now, stop bumbling
00:58:01Where are you?
00:58:03Where?
00:58:05I see that you two have already gotten together
00:58:09This woman with you?
00:58:10Well, in a way, J. Ann, sometimes
00:58:13She's...
00:58:15She's my wife
00:58:16Your wife?
00:58:17Well, what's she doing here?
00:58:19I told you to be a lawyer
00:58:20Well, she's also my lawyer
00:58:23Right now, I'm a justice lawyer
00:58:27Well...
00:58:28Since you managed to find out how I feel about your...
00:58:31Client
00:58:33Here's his contract
00:58:35Do I tear it up, or do you?
00:58:38On what grounds?
00:58:40Grounds
00:58:44Take a look at it
00:58:44You'll find plenty of grounds
00:58:46Paragraph 33
00:58:48He can't get married without permission of the studio
00:58:52Mr. Bergen
00:58:54I'm afraid that you'll find that these are very...
00:58:56Unusual clauses
00:58:58And I doubt that they will stand the test of a court action
00:59:01I'll take that, Chet
00:59:03Telephone call for you, Mr. Castle
00:59:05Thank you
00:59:06But...
00:59:07Go ahead, Ben
00:59:08I'm almost finished with Mr. Bergen
00:59:11But, A.J., shouldn't I stay?
00:59:13After all, it is my contract
00:59:15It was your contract
00:59:21Tomorrow morning, I shall file suit
00:59:24On behalf of my client against Apex Allied Studios
00:59:27For the sum of a hundred and fifty thousand dollars
00:59:29What?
00:59:30I feel confident the courts will sustain such an action
00:59:34For breach of contract
00:59:36And award damages to the plaintiff
00:59:39Well, he's the one that broke the contract, not me
00:59:43What about Clause 17?
00:59:45What about Clause 17?
00:59:50The corporation will give the artist, that's Ben
00:59:53Solo star credit above the title of each picture
00:59:55He's had it
00:59:57And, uh, in all paid advertising and publicity
01:00:00Furthermore, no other member of the cast may appear in the same size of type
01:00:06As large as that accorded the name of the artist
01:00:11That's what it says
01:00:13Uh, did you notice this over here, Mr. Bergen?
01:00:15There are two names above the title
01:00:19But, that's Poncho's name, he's a horse
01:00:23But, uh, his name is the same size as Ben's
01:00:28As a matter of fact, I think it's a little bit larger
01:00:32But he's an animal, not an actor
01:00:35Didn't you tell me just a few moments ago
01:00:37That Poncho was the most valuable actor you had in your studio?
01:00:42All right, all right
01:00:44I'm stuck with that no-talent cowboy for another 40 weeks
01:00:49But when his next option comes up, it's gonna drop with a thud
01:00:54Sure, sure, any, any time at all, it's fine
01:00:58Yeah, swell
01:01:00Bye
01:01:03Hey, AJ
01:01:05We gotta get back to town right away
01:01:06Yes, but there's something I want to tell you first
01:01:09Mr. Bergen and I have just torn up your contract
01:01:11Oh, swell, everything happens to me at once
01:01:14No, we've reached a new agreement
01:01:15At that call, I was Harry Callan on the phone
01:01:17He's in town
01:01:18He might drop in on us, and if you weren't there
01:01:21Sorry, I won't be there
01:01:22You can't do this to me
01:01:24What's the good of saving my career if you won't save my neck?
01:01:26Here you are, Mrs. Castle
01:01:28Notes on what we agreed to, and a check as an advance against Ben's salary
01:01:33Thank you, thank you very much, Mr. Bergen
01:01:36You know, you're not as smart a lawyer as I thought you were
01:01:39I'd have given a $75,000 advance instead of $60,000
01:01:43Well, $60,000 would be quite sufficient
01:01:50Well, there's your contract
01:01:53And if Mr. Callan is really in town, you can give him this
01:01:57Now that all of your problems are solved, you don't need a lawyer
01:02:00And I'm sure you don't want a wife
01:02:04So, why don't you give a big party tonight and celebrate
01:02:08But
01:02:14Look, AJ, I don't want to celebrate
01:02:16I want you, it isn't only because of Callan
01:02:18Wait a minute, how am I going to get home?
01:02:20Pontro's in there!
01:02:22Ride him, cowboy!
01:02:32What's this?
01:02:34Oh, that's a picture of me when I won a bathing beauty contest
01:02:38What year was it?
01:02:40Uh, 1922
01:02:44And what's this?
01:02:46That, uh, that's me when I graduated charm school
01:02:52Oh
01:02:53Oh, there I go fogging up your glasses again
01:02:56Mm-hmm
01:02:59Hello, AJ
01:03:00Hello
01:03:01Uh, we were kind of, uh, we were sort of, you're back!
01:03:06I hope I'm not interrupting anything
01:03:09Oh, perish the thought
01:03:10Uh, this is...
01:03:12Oh, this is Austin Tisdale
01:03:14How do you do?
01:03:15How do you do?
01:03:16How do you do?
01:03:17Uh, he's assistant cashier, uh, at my bank
01:03:20They sent him over to check up on my account, they think I got more liabilities than assets
01:03:24Isn't that right, Austin?
01:03:25Well, uh, in a way
01:03:26Yeah
01:03:27Oh, here
01:03:29Oh, Alice, wait a minute
01:03:31Don't answer that
01:03:33Oh, I...
01:03:34I think that's, uh, uh, one of my clients and I don't want to talk to him
01:03:38You mean it's me?
01:03:39No
01:03:40But he was, why not?
01:03:41Because he misrepresented the facts and I walked out on the case
01:03:44Are you a little late?
01:03:46Well, no, but I, I found out in time
01:03:49Now, you just let that ring, I'm going downstairs and get my law books out of my car
01:03:52Oh, no, Austin will get them for you, it's a black coupe, the oldest job on the street, you can't miss it
01:03:58Now, you just tell Aunt Alice what that cowboy did
01:04:02That thing is liable to ring for hours
01:04:05I hope it does
01:04:09This place gets more like a firehouse every day
01:04:21Hello
01:04:22Hello
01:04:24If that's who I think it is, I'm not at home
01:04:29You're wasting your time, cowboy
01:04:32Oh, how do you do?
01:04:33I'm looking for Miss Furnival, uh, Mrs. Castle
01:04:35Well, I'll have to see if she's in and then, and now she was just a moment
01:04:40Hey, it's a man, and a fresh one, I better let him in
01:04:46Entree
01:04:47Hi, Abby
01:04:49Steve, what are you doing here?
01:04:51Well, I, I just saw the morning papers and, uh, I
01:04:53Oh, this is my roommate, Aunt Alice
01:04:55How do you do? The and part is just a courtesy title
01:04:58Hi, Aunt Alice
01:04:59Uh, here's a picture of you with a cowboy, with only a horse between you
01:05:02What gives?
01:05:03Why
01:05:05You're wasting your time, cowboy
01:05:09Oh, it's Austin
01:05:12Hi
01:05:14Oh, uh, Mr. Tisdale, Mr. Hall
01:05:17How are you? How are you doing?
01:05:18Uh, I suppose you got some plans, huh?
01:05:20Plans?
01:05:21Uh, did you come to fix the toaster this morning?
01:05:23Well, no, I fixed it last night, don't you remember?
01:05:25Today I'm supposed to start working on the alarm clock
01:05:27Yeah
01:05:28What are you gonna do?
01:05:30Well, I
01:05:31Plan to stay here with Aunt Alice for the rest of my life
01:05:34Oh, but
01:05:35You can't do that
01:05:38A girl like you needs a man to
01:05:44Well, I don't need Ben
01:05:46But you'll want a home and a, and a guy who'll
01:05:56A guy who'll work for you, make you happy
01:05:58But Ben is not that kind
01:06:01Who said anything about Ben?
01:06:13Hello?
01:06:14What?
01:06:16Why, no, our phone is working perfectly
01:06:19Can't you hear it ring?
01:06:23You're welcome
01:06:27I don't know, it
01:06:28Seems like I always try to come in for a landing
01:06:30When there's a
01:06:31Another plane on the runway
01:06:33Well
01:06:35Well, if you need somebody to fly you to Reno
01:06:38You know where to find me
01:06:40Thank you, Steve
01:06:43Bye
01:06:44Bye
01:06:49What can I do for you, cowboy?
01:06:51I
01:06:52I
01:06:53I could save you a trip up to my home, so
01:06:55I
01:06:56I brought
01:07:00I told you to forget about paying this
01:07:02When you got married, things changed
01:07:04Things have changed back
01:07:06Abigail's not with me anymore
01:07:09Why?
01:07:11Well
01:07:14A lot of reasons
01:07:15You look as though you miss her, cowboy
01:07:17I do
01:07:19It was all my fault, I guess
01:07:22I've tried everything I could think of
01:07:24Well, there's always some sort of an angle that you can use on a woman
01:07:27I thought I knew them all
01:07:28But what kind of an angle can you use on a woman who's an attorney at law
01:07:34Yes, you have a problem
01:07:37As a matter of fact, I've got a few of them myself
01:07:42And your sixty thousand dollars
01:07:45Can't help solve them
01:07:46Good night, cowboy
01:07:51Thanks, Harry
01:07:53Harry
01:07:57Now, boy, here's an angle you can use on your wife
01:08:03Operator?
01:08:04Huh?
01:08:05Operator?
01:08:06Get me Mrs. A.J. Ben Castle-Fernival
01:08:09At Camp Kilgare in the San Bernardino Mountains
01:08:12Now, this is a matter of life and death
01:08:14Mostly death
01:08:15No!
01:08:17I'm stoned
01:08:26Hello?
01:08:28I'm stoned
01:08:31Hello?
01:08:35Wait, no
01:08:37No!
01:08:38I'm stoned
01:08:40Oh, I'm stoned
01:08:42Oh, you're stoned
01:08:44Hello?
01:08:45Hello.
01:08:49Come in.
01:08:51Mrs. Castle.
01:08:53Hello, Uncle George.
01:08:55Kitten, darling.
01:08:56Uncle George?
01:08:57Yes, Abby always calls me Uncle.
01:08:59I've known her ever since she was a little girl.
01:09:02Well, Kitten, I guess the boys have told you
01:09:04that Ben here is in pretty serious trouble.
01:09:06Harry Callan's been murdered, and his bodyguard
01:09:09found Ben at the scene of the crime.
01:09:11He wouldn't even make a statement without his lawyer.
01:09:13So if you want to talk to him alone before...
01:09:16I think I had better confer with him alone.
01:09:23I hate to do this to you, little gal.
01:09:25I guess you don't stand a chance of winning the case.
01:09:27That's nonsense, Ben.
01:09:28You didn't kill Harry Callan.
01:09:29Of course not.
01:09:30But look at the evidence against me.
01:09:32I had a motive.
01:09:33I owed him $60,000.
01:09:35But you had a check to pay him.
01:09:36Yeah, but he wouldn't take it.
01:09:36He burned it.
01:09:37Then the guy stepped through the window and shot him.
01:09:39You were just a witness.
01:09:41But I picked up the gun, and I was still holding it
01:09:43when Ricky walked in.
01:09:45Oh, that's still circumstantial and not too serious.
01:09:49I do think you ought to have a good criminal lawyer, though.
01:09:51And a friend of my father...
01:09:52No, no, no.
01:09:53I don't believe in changing horses in the middle of a stream.
01:09:56But I...
01:09:57Well, there's so little to go on, and my experience is very limited.
01:09:59Of course, if you're afraid to tackle a criminal case.
01:10:02Well, that's ridiculous.
01:10:03I'll have you cleared in 24 hours.
01:10:05They won't even get an indictment.
01:10:07That's more like it.
01:10:08That's my wife talking.
01:10:09Correction.
01:10:10That's your lawyer talking.
01:10:12Now, just one more thing.
01:10:13Would you recognize the killer if you were to see him again?
01:10:16Well, I just got a glimpse of him, but...
01:10:18I guess I might.
01:10:19Good.
01:10:22Uncle George.
01:10:24Abby, you know Mr. Hillman from the DA's office.
01:10:26Abby, how are you all?
01:10:27Hello.
01:10:27Mr. Castle, Mr. Hillman.
01:10:28Mr. Castle.
01:10:29How are you?
01:10:30Well, let's get on with it, shall we?
01:10:33I've just had a talk with my client, and I'm not only convinced of his innocence, but
01:10:38I'm also in possession of certain information which will enable us to produce the real killer
01:10:44within 24 hours.
01:10:46So if you will just release Ben and...
01:10:48Release him?
01:10:49He's our only suspect.
01:10:51Well, I could wake up Judge Martens and ask for a writ of habeas corpus, but then it'd
01:10:57be in all the papers that you've been holding an important person like Ben without sufficient
01:11:02evidence.
01:11:03Sufficient evidence?
01:11:04Heh.
01:11:05Abby, he was found with a gun in his hand.
01:11:08I suppose you've given him the paraffin test?
01:11:11Mm-hmm.
01:11:12Sure.
01:11:13Kind of messy, too.
01:11:14I've still got something under my fingernails.
01:11:15Well, has he fired a gun in the past 72 hours?
01:11:18No.
01:11:19But the paraffin test isn't conclusive.
01:11:21Well, in addition, I can prove that he had in his possession a check to pay Harry Callen
01:11:25what he owed him.
01:11:28Fred, can she really build a defense out of this?
01:11:30Her father would have.
01:11:32Well, Abby, if you do have any information about the killer, we'll run it down for you.
01:11:37Uh-uh.
01:11:38Just give us until morning, and we'll bring in the killer ourselves.
01:11:42If it's okay with you, Fred.
01:11:43Sure.
01:11:44Send a couple of the boys with him.
01:11:45We won't be taking much risk.
01:11:46Abigail, the district attorney's office seems to...
01:11:48Now, wait a minute.
01:11:49Wait a minute.
01:11:50It's entirely up to you, Chief.
01:11:51Now, you know it.
01:11:52Mr. Castle is under your jurisdiction.
01:11:54Oh, thank you, Uncle George.
01:11:55Thank you, Fred.
01:11:56You both have been just wonderful.
01:11:57Come on, Ben.
01:11:58Remember, you just have four hours.
01:11:59Oh, that'll be quite sufficient.
01:12:00That'll do it.
01:12:01Come on, Ben.
01:12:02Hold on, little gal.
01:12:03I sure can't thank you enough, Uncle George.
01:12:04Oh, thanks.
01:12:06Boys.
01:12:08Stay with them.
01:12:09Don't let them out of your sight.
01:12:10And have them back here at 2 a.m.
01:12:11Yes, sir.
01:12:15Wait a minute.
01:12:16Where do you think you're going?
01:12:17Well, uh...
01:12:18The Chief said we could have four hours to be...
01:12:19Yeah, with us as chaperones and in the police car.
01:12:21Oh, wait a minute.
01:12:22Oh, Ben.
01:12:23What?
01:12:24Ben, help me.
01:12:25What happened?
01:12:26Oh.
01:12:27Oh, I've been having these spells and I...
01:12:29I didn't want to tell you.
01:12:31Tell me what?
01:12:32Well, the doctor isn't sure yet.
01:12:35Daddy.
01:12:36Da...
01:12:37You...
01:12:38You mean...
01:12:39Oh, that's...
01:12:40I mean, that's...
01:12:41That's almost impossible.
01:12:42Get rid of the cops.
01:12:43Yeah, sure.
01:12:44Boys.
01:12:45Boys, you gotta help me.
01:12:46What's wrong, Mr. Castle?
01:12:47First, I...
01:12:48I feel kinda funny myself.
01:12:49Well, I know how you feel.
01:12:50I've had five.
01:12:51Yeah, well, you shouldn't...
01:12:52Water!
01:12:53Water!
01:12:54Water!
01:12:55Oh, I'm so hungry.
01:12:57If only I had something to eat, like...
01:13:00Like...
01:13:01Strawberries and...
01:13:02And pickles...
01:13:03Or something.
01:13:04Well, I haven't got any strawberries, but I might have some pickles.
01:13:06Oh, look, will you, please?
01:13:07Okay.
01:13:08Of course.
01:13:20Hey, hey, they're gone.
01:13:21Maybe he took them to the hospital.
01:13:22Yeah, that must be it.
01:13:24Hey, we could catch up and clear a path.
01:13:25Oh, sure.
01:13:26Wait a minute.
01:13:27Wait a minute.
01:13:28What's the matter?
01:13:29How long have those two been married?
01:13:30Don't you remember?
01:13:31It was in the papers just last...
01:13:32Yeah.
01:13:33How about that?
01:13:34We've been tricked.
01:13:35Come on, let's get in the car.
01:13:37You weren't serious when you told the chief we'd bring the killer in, were you?
01:13:40I...
01:13:41This is a pretty big town.
01:13:42I think I know where we might get a lead.
01:13:47Strawberries and pickles.
01:13:54So Callum got his tonight, huh?
01:13:58Ah, figured.
01:14:00Well, uh...
01:14:01Mr. Callum must have had quite a few enemies.
01:14:03Enemies?
01:14:04Mm-hmm.
01:14:06You want names?
01:14:08Don't look at me.
01:14:10You know I've got a bad memory for names.
01:14:12Yeah, me too.
01:14:13Boys, you don't understand.
01:14:15This is Abigail Furnival.
01:14:18Arthur's daughter.
01:14:20You know, he did all of us a few good turns.
01:14:26I'd say, uh, Tony Lomack was our pigeon.
01:14:29Uh-uh.
01:14:30Lomack didn't do it.
01:14:32I just finished bailing him out of jail about 15 minutes ago.
01:14:37Wait a minute.
01:14:39What time was Callum bumped off?
01:14:41Oh, I reckon it was a little after 8.
01:14:43And Lomack was picked up by the cops about 8 to 30.
01:14:46You know he could have done it at that.
01:14:50Sure.
01:14:52That's why he was in such a big hurry to get out of town.
01:14:55To get out of town?
01:14:56Where was he going?
01:14:57He called the airport from my joint.
01:14:59Something about hiring a plane to get to Mexico.
01:15:02To Mexico?
01:15:03Well, where's the phone?
01:15:04Over there.
01:15:06He gave me a thousand bucks for his bail.
01:15:08I figured he would run away from something more than a traffic rap.
01:15:13You know, I want to thank you boys for what you're doing.
01:15:15I want you to know you're helping an innocent man.
01:15:17What's that got to do with it?
01:15:22Well, nothing.
01:15:24As long, fellas.
01:15:26Yes, that's right, Steve.
01:15:27It's a plane chartered for Mexico and it's due to leave any minute,
01:15:29and you've got to keep it from taking off.
01:15:32Why? What happened?
01:15:33Well, we're on our way right now.
01:15:34Okay.
01:15:38Dixon.
01:15:39Yeah?
01:15:41You flying that plane to Mexico City?
01:15:43Yeah, why?
01:15:45Well, I'll tell you.
01:15:49Why are we going this way?
01:15:50Well, this is a shortcut to the airport.
01:15:53Wait a minute.
01:15:55What if we're after the wrong guy?
01:15:57I mean, how can we be sure that Lomack is there?
01:15:59Well, we won't know until you see him.
01:16:08Hey, where's the plane?
01:16:09It's that Cessna right across from the hangar.
01:16:10It's all revved up and ready to take off.
01:16:11What about the passenger?
01:16:12Well, he hasn't shown up yet.
01:16:13Where's the pilot?
01:16:14Well, he's sort of taken care of.
01:16:15He's waiting on a long-distance call.
01:16:16Come on, come on, come on.
01:16:18What's that?
01:16:19Anybody here?
01:16:20I guess we beat him, huh?
01:16:21Well, so far, so...
01:16:22Is there some way that we can...
01:16:23Is there some way that we can...
01:16:24What about the passenger?
01:16:25Well, he hasn't shown up yet.
01:16:26Where's the pilot?
01:16:27Wait a minute.
01:16:28But...
01:16:29Come on, come on.
01:16:31Come on, come on.
01:16:32Come on, come on.
01:16:33Come on, come on.
01:16:34Come on.
01:16:35Come on.
01:16:36Come on, come on.
01:16:37Come on, come on.
01:16:38Come on.
01:16:40Come on, come on.
01:16:41Come on, come on.
01:16:42Come on, come on.
01:16:43Come on, I'm not here.
01:16:44No, nobody's here.
01:16:45I just...
01:16:46What's that?
01:16:47Good to see him?
01:16:48Anybody here?
01:16:49I guess we beat him, huh?
01:16:50So far, so.
01:16:51Is there some way that we can signal somebody?
01:16:52Well, I don't...
01:16:53I don't know about...
01:16:54Hey!
01:16:55Hey, duck!
01:17:01I chartered a plane for Mexico City.
01:17:03Is this it?
01:17:04Yeah, you're the guy I'm waiting for.
01:17:06Lock the door and I'll take care of you.
01:17:12Castle, what's going on here?
01:17:15You get up there and fly this crate.
01:17:16I'm not a pilot.
01:17:17I never flew a plane in my life.
01:17:19Look, pilot, I'm expecting you to fly me to Mexico.
01:17:22Now get going.
01:17:23Sister, what are you doing here?
01:17:24Get up on your feet.
01:17:25Come on, get up here with him.
01:17:27Come on, move.
01:17:28Get ready to get this plane going.
01:17:30Well, I...
01:17:31Get this airplane in the air.
01:17:32Yeah, take it off.
01:17:33Run.
01:17:34Well, off we go into the wild blue yonder.
01:17:42Tower of pilot.
01:17:43Tower of pilot Cessna C-706.
01:17:47Tower of pilot Cessna C-706.
01:17:49Are you having trouble?
01:17:50Am I having trouble?
01:17:52Oh, no!
01:17:53Oh!
01:17:53Oh!
01:17:54Oh!
01:17:54Oh!
01:17:56Ben!
01:17:56Ben, no!
01:17:58Where do I go?
01:17:58Where's my double?
01:17:59I can't find without a double.
01:18:05Ben, I don't know how to find it.
01:18:06I didn't read the instructions.
01:18:09AJ, I got it!
01:18:14Get your tail down.
01:18:16Get your tail down.
01:18:17What?
01:18:18Well, I'm trying to go.
01:18:37Oh!
01:18:43Follow you!
01:18:44Well, that's what I'm trying to do!
01:18:46No!
01:19:06Oh, Ben!
01:19:07You all right, AJ?
01:19:08Yeah, I'm all right! He got away!
01:19:16Which way did he go?
01:19:29I don't know.
01:19:30Oh, Ben, you're not going to start showing off now.
01:19:33Well, I gotta do something.
01:19:34Just remember how I captured Billy the Kid and, uh...
01:19:36Billy the Kid is captured?
01:19:38Eh?
01:19:39Keep it careful.
01:19:46Ben!
01:19:51Ben!
01:19:52Look out! Look out for that gun!
01:19:53Oh, Ben!
01:19:55Ben, Ben, be careful!
01:20:00Oh!
01:20:01Hey!
01:20:02It worked!
01:20:05Okay, boys, take him away.
01:20:07Mighty brave thing you did, Ben.
01:20:09If I could...
01:20:10Just one more now.
01:20:11The hero and his wife.
01:20:12Take like I congratulated him, Mr. Castle.
01:20:14You really were brave, Ben.
01:20:16Here, Ben.
01:20:17Put on your hat.
01:20:23Is that better?
01:20:24Mm-hmm.
01:20:25I want to know one thing.
01:20:26What?
01:20:27Do you really like strawberries and pickles?
01:20:30I could learn to.
01:20:44You really like that?
01:20:45No one?
01:20:46Let's go!
01:20:47You're mad, Bill!
01:20:48Let's go!
01:20:49Yeah!
01:20:59Go, Bill.
01:21:00Go, Bill.
01:21:01Go, Bill!
01:21:02Go, Bill.
01:21:03Go!
01:21:04Go, Bill.
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