- 7 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31It was really great.
00:02:01Now I'm going to show you what's going to be like.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:31I'm going to show you what's going to be like.
00:02:41Darling.
00:02:42Hello.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:46Mmm.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:52Thanks.
00:02:53Bye, Criona.
00:02:54Ciao.
00:02:55Try to have a nice trip.
00:02:56I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:05No.
00:03:06Hmm.
00:03:07I know that look.
00:03:08It really is beautiful.
00:03:20Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:39I feel strange all of a sudden.
00:03:46Hmm?
00:03:47I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah.
00:03:52It's beautiful.
00:03:53You were right.
00:03:54I just cannot imagine what it is like to do it here.
00:03:59You know?
00:04:24Hi.
00:04:25Hi.
00:04:36Hey, Priola.
00:04:37Ah, ciao.
00:04:38Hi.
00:04:39How's it going?
00:04:40How?
00:04:41Any news?
00:04:42No.
00:04:43Nothing yet.
00:04:44I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:04:54Good luck.
00:04:55You're welcome.
00:04:56And I get it.
00:04:57Oh.
00:05:00Oh.
00:05:01Oh.
00:05:02Oh.
00:05:03Oh.
00:05:04Oh.
00:05:05Oh.
00:05:06Oh.
00:05:07Oh.
00:05:08Oh.
00:05:18Oh.
00:05:19Oh, my God.
00:05:49Oh, my God.
00:06:19Oh, my God.
00:06:49Oh, my God.
00:07:19Oh, my God.
00:07:49Oh, my God.
00:08:19Oh, my God.
00:08:48Oh, my God.
00:09:19Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:25Let's see.
00:09:25If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:35So it is.
00:09:36Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:40No, he's got other things to worry about.
00:09:40He's looking for his fiancee.
00:09:42That's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:47Mm.
00:09:48Just think, just think, they were going to get married, and not long before the wedding, she went on holiday with some friends from work, and they came here to Santo Domingo as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on.
00:10:03Come on.
00:10:03Really?
00:10:04Mm-hmm.
00:10:04Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:12But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15The tropics can do funny things, especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:29This music can make you think again.
00:10:32And besides, who knows?
00:10:35She might have met a guy she, um, liked more.
00:10:38You know, simple islander.
00:10:41Oh, come on.
00:10:43That's only in fiction.
00:10:45Love is everywhere.
00:10:47If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:58Ready to talk to him?
00:11:00Okay.
00:11:02Marco.
00:11:08How are you?
00:11:10This is my husband.
00:11:11Hi, love.
00:11:14Very kind of you.
00:11:17Would you like something to drink?
00:11:19Yeah, I'll have what you're having.
00:11:21Whatever it is.
00:11:22How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:30But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:39Uh, you two carry on.
00:11:41Excuse me, I, uh, I'll be right back.
00:11:43And where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:46Um, my magazine editor wants a weekly report.
00:11:52Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59Uh, I'm not too good at dancing.
00:12:01Just let the music do the work.
00:12:12No, I haven't danced in years.
00:12:14Well, we're going to have to make up for lost time, then.
00:12:20Yeah.
00:12:24Listen, Criella, maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Your dancing is great.
00:12:36Come on, listen up.
00:12:44Uh, I, I feel uncomfortable.
00:12:50Well, no need.
00:13:03What is it?
00:13:04I don't know, it's just that your Andy could be watching us.
00:13:06Well, the truth is that I'm doing it so that he can watch us.
00:13:15Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:42And I'll do anything.
00:13:52He likes to think I'm quite faithful.
00:13:55Please, help me.
00:13:55I understand.
00:14:01You know, love can be a strange thing.
00:14:05Inearo, suavechivo, inearo.
00:14:35Well, the light is not the best, but we shall do what we can.
00:14:52It's a beautiful island, an absolutely amazing place.
00:14:56Full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, Brian told me such a lot about it.
00:15:03I feel like I know it by heart.
00:15:05It's in the form of a turtle.
00:15:07A turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:14You better start praying that you don't end up reincarnated as a turtle.
00:15:21Huh, huh.
00:15:23Sometimes you're a real asshole.
00:15:26Oh, for God's sake.
00:15:30I was joking.
00:15:32Get away.
00:15:34What a warped for the day.
00:15:35What's wrong?
00:15:40Are you nervous?
00:15:42Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:47I feel strange.
00:15:49This boat.
00:15:51That man up there.
00:15:57Haven't you noticed he hasn't said a word since we left?
00:15:59You hired him to keep up a conversation with us, all right?
00:16:05Look at him.
00:16:06Look at him.
00:16:08The hat, his base.
00:16:09He's a pirate.
00:16:11I've been told he's a very good sailor.
00:16:14Honest and completely trustworthy who knows these islands.
00:16:17He looks like he doesn't watch.
00:16:18He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:24Oh, my God.
00:16:26He's a great day.
00:16:26Ah, my God.
00:16:26He looks like he gets married.
00:16:26He looks like he doesn't know what he doesn't know what he does.
00:16:27He looks like, don't worry.
00:16:28He looks like he doesn't know what it means.
00:16:29Oh.
00:16:29like it what a place guaranteed primitive yeah hey it's wide open there's no key
00:16:58nobody locks doors here we said a hundred dollars right this is true keep it one's enough adios
00:17:28uh is it far to the fishing village 500 meters down that way okay
00:17:39i'm gonna go to the village okay i prefer to stay here whatever you like
00:17:59i can't wait to take a swim go ahead see you later all right
00:18:09so long bye
00:18:16hi
00:18:43hi well so you came at last
00:18:48hi there hello
00:18:56wait good morning good morning
00:19:05no thanks
00:19:13thank you
00:19:19thank you
00:19:31Good morning, Consuelo.
00:20:01What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol or would you prefer some soft drinks?
00:20:13Well, a little of both.
00:20:15I won't be long.
00:20:31Here are some models.
00:20:45Who's that woman there?
00:20:47A very well-known American writer.
00:20:51Joanne Sullivan?
00:20:52Mm-hmm.
00:20:52I know her.
00:20:54The two of us were at the same school.
00:20:56I think I'll say hello.
00:21:05Joanne?
00:21:06Mm-hmm.
00:21:07Who is it?
00:21:08Remember Andy the Nerd?
00:21:11Oh, Andy the Nerd.
00:21:14Oh, my God.
00:21:15Is it really you?
00:21:17Uh-huh.
00:21:18How are you?
00:21:21Fine.
00:21:21Great to see my old valedictorian.
00:21:23Great to see you.
00:21:25What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine.
00:21:28Oh, fantastic.
00:21:29Come and sit down.
00:21:30What are you doing?
00:21:32Escaping.
00:21:33But don't ask me from what, because I don't know.
00:21:36Maybe from myself.
00:21:37Well, I imagine you're writing something now.
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:47Gymnastics.
00:21:50And I drink.
00:21:54I tend the garden.
00:21:56I read.
00:21:59Don't you like long for New York at all?
00:22:04No.
00:22:05America is in an advanced state of decomposition, Andy.
00:22:10Like the whole of the West.
00:22:12It's no good.
00:22:13I have no nostalgia.
00:22:16Only for company, that's all.
00:22:18Here there aren't any men that I like.
00:22:22That's probably a good thing.
00:22:25I like everything sophisticated or complicated.
00:22:30I suppose I'm in a crisis.
00:22:32Is that a plea for help, I guess?
00:22:33Oh, come on.
00:22:35It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine.
00:22:43And I'm doing a story on this island.
00:22:46And you know it pretty well.
00:22:48Yes, I do.
00:22:49You could help me.
00:22:51Whenever you want.
00:22:53My pleasure.
00:22:54Great.
00:22:55Here comes the food.
00:23:01Oh, good.
00:23:01We can try the local cuisine.
00:23:03Here it is, the chef's special.
00:23:06Mmm.
00:23:07Mmm.
00:23:07That looks...
00:23:09Enjoy your food.
00:23:10I'm starving.
00:23:11Oh, that looks good.
00:23:15Consuelo's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:22She's already had the cream of the young men on the island.
00:23:26If I could only get used to going to bed so easily.
00:23:30Yes.
00:23:32It's knowing how to start it up.
00:23:33Yeah.
00:23:35The warm-up.
00:23:38It's simple as to make it with someone you know.
00:23:41The first up's taken already.
00:23:43Are you making advances?
00:23:47I'm attempting to find you an answer.
00:23:50I don't think Criela thinks it's such a good idea.
00:23:55It might be more fun if we didn't leave her out.
00:23:58Since when's three of the crowd?
00:24:00Oh, Andy, come on.
00:24:02I thought you were emancipated.
00:24:04But you're still stuck in the 70s.
00:24:06Sex, lib, dreaming.
00:24:08That's all, Dad.
00:24:09You disappoint me.
00:24:18Esa mujer tiene el corazón duro.
00:24:21Con MFP.
00:24:33It's very at home here in this setting.
00:24:45Been here long, do you know?
00:24:46Only a few years, but it's as if he was.
00:24:50The girl arrived a few months ago, that's all.
00:24:53Oh, not bad.
00:24:54Oh, you dance almost like a native.
00:25:06Is she his woman?
00:25:08His steady date.
00:25:09She sits all day and waits for her.
00:25:12I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:22Hey, maybe that person is the girl, that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then, it must be her on the plane I met her boyfriend.
00:25:37He came here to look for her.
00:25:40He'll go back empty-handed, I'm sure.
00:25:41Leon is like a drug.
00:25:44He doesn't conquer, he dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:51I hope he doesn't find her.
00:25:53It's like I said, this isle, it wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:09Since you feel so sorry for the poor guy,
00:26:11why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage.
00:26:16But it'd be terribly easy for you to make an oaf like that.
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanized, and your friend will get back his girlfriend.
00:26:28Have you gone haywire?
00:26:30I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole, I completely, Joanne.
00:26:39And besides, you'll just have to fake it, right?
00:26:43Go on, ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm gonna go.
00:26:51This music's getting on my nerves.
00:26:52Sorry.
00:27:11I wasn't serious.
00:27:13It was a joke.
00:27:14I love you, Andy.
00:27:18I love you more than anything else in the world.
00:27:26Me too.
00:27:31I love you too.
00:27:34God.
00:27:39It's okay.
00:27:41If you're tired.
00:27:44It's happened before.
00:27:48It'll pass.
00:28:14It'll pass.
00:28:15It'll pass.
00:28:16It'll pass.
00:28:18It'll pass.
00:28:18Oh, my God.
00:28:48Oh, my God.
00:29:18Oh, my God.
00:29:48Oh, my God.
00:30:18Oh, my God.
00:30:20Let's go.
00:30:22Let's go.
00:30:24Let's go.
00:30:26Well, it's a good thing you came.
00:30:34I guess I should say thanks.
00:30:38You don't have to.
00:30:40Thanks, anyway.
00:30:42You know, you should go around by yourself.
00:30:48Let's ask him for trouble, especially dressed like that.
00:30:52I can't have any fun shutting a bungalow.
00:30:56It's your life.
00:30:58Do what you want.
00:31:00What are you doing?
00:31:04What are you doing?
00:31:06What are you doing?
00:31:18Offering you a little hospitality.
00:31:20Here.
00:31:22Have a drink.
00:31:30Here.
00:31:36Here.
00:31:38Here.
00:31:40Here.
00:31:50Here.
00:31:52Here.
00:32:02Here.
00:32:04Here.
00:32:06Here.
00:32:16Here.
00:32:18Here.
00:32:19Criola?
00:32:20Criola?
00:32:21Criola?
00:32:22Criola?
00:32:23Have you seen Criola?
00:32:24No.
00:32:25There's no sign of her on the beach.
00:32:26The bungalow's empty.
00:32:27She's disappeared.
00:32:28She's probably gone off extremely well.
00:32:29No.
00:32:30No.
00:32:31No.
00:32:32No.
00:32:33No.
00:32:34No.
00:32:35No.
00:32:36No.
00:32:37No.
00:32:38No.
00:32:39No.
00:32:40No.
00:32:41No.
00:32:42No.
00:32:43No.
00:32:44No.
00:32:45No.
00:32:46No.
00:32:47No.
00:32:48No.
00:32:49No.
00:32:50No.
00:32:51No.
00:32:52No.
00:32:53No.
00:32:54I'm quite like exploring the island.
00:32:55I expect you're right.
00:32:56Thanks, Criola.
00:32:59Ciao.
00:33:00Where the hell have you been?
00:33:01I looked all over for you.
00:33:02I got bored here all along, so I took off to look around.
00:33:04All right?
00:33:05Well, you'd have had more fun if you'd been with me.
00:33:10Come about this, come about this.
00:33:12coins to me.
00:33:13This he had great، verschiedenen coins.
00:33:16Not too late, but not too late to find anyھی lakeses.
00:33:17I'm just analyzing on this by two webinars that we've requested,
00:33:18Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures.
00:33:26Things I'd never have found without her.
00:33:33Andy.
00:33:34Yeah?
00:33:35I gotta tell you something.
00:33:37Go ahead, shoot.
00:33:38Let's go away from here.
00:33:40Why, something the matter?
00:33:42Yeah.
00:33:43Let's go away.
00:33:45We can't yet.
00:33:47I still have photos to do.
00:33:49Besides, I got a little money in advance.
00:33:52I can't let the magazine down.
00:33:54I'd never work again.
00:33:55No way.
00:33:55Forget it.
00:33:57Well, I can't forget it.
00:33:58I want to go away.
00:34:01I want to go back to America.
00:34:03You're not being reasonable.
00:34:09I know, but I can't stay here another minute.
00:34:12I suppose it's my fault, huh?
00:34:13No, of course not.
00:34:16I'll be all right again soon.
00:34:18I swear.
00:34:19No, it's...
00:34:20There's nothing to do with you.
00:34:21I don't know.
00:34:22It's just...
00:34:23Look.
00:34:25I'm counting on the erotic atmosphere of this place to do the trick, and I'm sure it will.
00:34:30It's only a question of time.
00:34:32I know it.
00:34:33All you have to do is be patient.
00:34:38Just a little longer.
00:34:39We'll be happy again.
00:34:41And then...
00:34:42I'll be able to give you what you need so badly.
00:34:45I'll be able to give you what you need.
00:34:46I'll be able to give you what you need.
00:34:47I'll be able to give you what you need.
00:34:48I'll be able to give you what you need.
00:34:49I'll be able to give you what you need.
00:34:50I'll be able to give you what you need.
00:34:51I'll be able to give you what you need.
00:34:52I'll be able to give you what you need.
00:34:53I'll be able to give you what you need.
00:34:54I'll be able to give you what you need.
00:34:55I'll be able to give you what you need.
00:34:56I'll be able to give you what you need.
00:34:57I'll be able to give you what you need.
00:34:58I'll be able to give you what you need.
00:34:59Let's go.
00:35:29Let's go.
00:35:50Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right.
00:36:03But who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:12One day, I'll get know you actually.
00:36:18One day, I'll get another chance.
00:36:19Do you want a drink?
00:36:41No, not for me.
00:36:44How come?
00:36:45One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this?
00:37:04The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:11I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course you include yourself in that sweet statement.
00:37:24Don't you tell the truth?
00:37:29I don't know.
00:37:31But I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:40It's a broken heart.
00:37:51It's a broken heart.
00:37:51Yes.
00:38:13I was sure you'd come.
00:38:14You were?
00:38:15You want to make love with me again?
00:38:21Yes.
00:38:26Well, not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:37Well, answer me!
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:53Are you quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here in King Consuelo.
00:39:00Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:05Hey, I'm always lying.
00:39:08It's not true.
00:39:12I'm not going to stay around and talk about it.
00:39:13I'm going to give you goodbye.
00:39:14Adios.
00:39:14Adios.
00:39:14Adios.
00:39:15Adios.
00:39:16Adios.
00:39:16Adios.
00:39:17Adios.
00:39:18Adios.
00:39:19Adios.
00:39:20Adios.
00:39:21Adios.
00:39:22Adios.
00:39:23Adios.
00:39:24Adios.
00:39:24Adios.
00:39:25Adios.
00:39:54Adios.
00:39:54Adios.
00:39:55It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:14Since you made a sound.
00:40:17Sorry, Joanne, but the places you've shown me have been so dazzling.
00:40:22I was too busy to talk.
00:40:25I forgot to mention Criola.
00:40:29She's the real reason for this.
00:40:31You always find the truth, don't you? I'm desperate.
00:40:34She's changed, and if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:41You better hurry, or you'll be too late.
00:40:44I'll take you back.
00:40:55I bet you're enjoying it. Joanne gave me one too with a dedication. I sobbed my eyes out.
00:41:10For a romantic novel, it's not bad.
00:41:16Is a model a fun thing to be, Criola?
00:41:19I wouldn't recommend it to my friends, but I'm not complaining.
00:41:23I asked because when I was a little girl, I dreamed of being a dancer or a model, but I ended up with overweight tits.
00:41:32So you snuck away to live on an island.
00:41:33Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:44Yeah.
00:41:45Hi, Marco.
00:41:46Hi, Criola. I imagined bumping into you here.
00:41:48Did you just get here?
00:41:49Yeah. Wow, it's great.
00:41:51Yes, can I help you?
00:41:52Well, I need a place to stay.
00:41:55I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:02Okay, that's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris.
00:42:16You mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:22Oh, God.
00:42:27You.
00:42:29Who is it?
00:42:31Don't worry.
00:42:33What do you want?
00:42:35I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I'm leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:51Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:57Leon.
00:42:59Leon.
00:43:01Don't go.
00:43:04Damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:12Don't you understand, Marco?
00:43:13I'm no longer the girl that you knew.
00:43:15Now I'm another person.
00:43:17I love another man.
00:43:18I'll wait.
00:43:19I'm patient.
00:43:20Iris, you'll get over it once we're together again.
00:43:21I'm not leaving this island without you.
00:43:21I'm not leaving this island without you.
00:43:31I'm not leaving this island without you.
00:43:33I'm not leaving this island without you.
00:43:59Can I stay on board?
00:44:00I'm not leaving this island without you.
00:44:01I'm not leaving.
00:44:16Hey.
00:44:17It must be forever.
00:44:24I know.
00:44:27So, stay.
00:44:40She's not a Consuelo. She's not on the beach. She's gone.
00:44:43There's no other explanation. I knew it. She's gone back to the States.
00:44:51How? Wearing a pareo?
00:44:53Andy, look!
00:44:55She hasn't gone. Her stuff's still here.
00:45:09Andy, you're not to worry.
00:45:12I'm sure that Criola will soon come back.
00:45:15Do believe me.
00:45:21I gotta be off now.
00:45:22So long. See you at dinner?
00:45:24Mm?
00:45:25Mm-hmm.
00:45:26Mm-hmm.
00:45:27Mm-hmm.
00:45:28Mm-hmm.
00:45:29Mm-hmm.
00:45:30Mm-hmm.
00:45:33Mm-hmm.
00:45:34Have you seen Leon?
00:45:58Sorry to the stern I want a word with him I'll leave you two together wait
00:46:18What do you want iris iris you got her you don't want iris iris is free to do what
00:46:27she wants adios
00:46:57I'll leave you two together
00:47:04I'll leave you two together
00:47:11I'll leave you two together
00:47:18I'll leave you two together
00:47:22I'll leave you two together
00:47:26No, it's not true
00:47:41I don't believe you
00:47:44You're only saying that to convince me to come with you
00:47:48Come with me
00:47:49I tell you I saw them with my own eyes it's true
00:47:53Forget him
00:47:56You'll suffer a little at first but then but then it'll pass
00:48:03I'll help you to forget
00:48:04No, I don't want to forget
00:48:07It doesn't make sense
00:48:09Why don't you believe me?
00:48:10He's with someone else now
00:48:13It's over
00:48:15Don't you understand?
00:48:17He'll get tired of her quickly
00:48:20It's already happened other times
00:48:23I know him
00:48:26It's me he loves
00:48:29I'll wait
00:48:31Oh, Christ
00:48:34Oh, Christ
00:49:01Get out of here and stop bothering the customers
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time but she came back in the past
00:49:26Playing with fire
00:49:28One can be burned in the end
00:49:33I blame myself
00:49:34My unnatural desire to see the excitement men get in seeing a...
00:49:38In seeing a naked woman
00:49:41Perverted, I guess
00:49:43I proposed it to her
00:49:46I must be an asshole
00:49:48Because now she's gone for good
00:49:51She did it because she knew you liked it
00:49:53Not for herself
00:49:56She's not the kind of woman who sleeps around a lot
00:49:59Are you serious?
00:50:01Yes, I am
00:50:03Whatever she became
00:50:04Was to please you
00:50:07She realized simply that she had to go to bed with other guys
00:50:09In order to try to keep your interest in her going
00:50:12And look what happened
00:50:14Fate set a trap for her
00:50:15Oh, God
00:50:17I'm the one who went and trapped her
00:50:20Yep
00:50:21Now you're trapped
00:50:23It started as a...
00:50:24A game, that's all
00:50:27It wasn't serious
00:50:30Games can be dangerous to play if you don't keep to the rules
00:50:37Good evening
00:50:38Good evening
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen
00:50:42Thanks
00:50:44You've forgotten?
00:50:45We met one night in San Domingo
00:50:48I'm married to Creola
00:50:50Oh, yes
00:50:51Now I remember you
00:50:52Hi
00:50:53I'm, uh...
00:50:54I'm sure she'll be delighted to know you're here
00:50:56She already knows
00:50:58But you mean to say you...
00:51:00You've seen her?
00:51:01Yes
00:51:02Briefly
00:51:04Yeah, but where?
00:51:05You haven't said
00:51:06I have to know immediately
00:51:07Immediately
00:51:15Surely you can guess
00:51:18She's on...
00:51:19Leon's boat
00:51:20Don't go
00:51:21Don't go
00:51:22Don't go
00:51:23Don't go
00:51:24Don't go
00:51:25Don't go
00:51:26I have to
00:51:27I have to know you're going to be amazing
00:51:28Let me know you're going to be there
00:51:29Thank you
00:51:30You know you're gonna be right
00:51:31You're going to be right
00:51:32Please
00:51:33You're hurting me.
00:52:03Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:28In his boat.
00:52:30Thanks.
00:52:33I'm not sure.
00:52:36I'm not sure.
00:52:39I'm not sure.
00:52:44I'm not sure.
00:52:49Oh, my God.
00:53:19Put it in the pail.
00:53:46You know how to cook it?
00:53:49Mm-mm.
00:53:50You'll have to learn.
00:53:51You'll have to learn.
00:53:53Hey, what are you doing here?
00:54:20Criola?
00:54:23Criola?
00:54:26Criola?
00:54:28What do you want?
00:54:29I've come to get her.
00:54:32Leon!
00:54:33No, what are you doing?
00:54:35Criola, I never thought it would come to this.
00:54:38Please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:43It's too late.
00:54:45No, it's not too late.
00:54:48It's not.
00:54:49It's too late, Andy.
00:54:51No, it's not.
00:54:53Please, we must begin again.
00:54:55I can't.
00:54:56No.
00:54:57Don't tell me you're going to stay here.
00:54:59Jesus, Criola, with a bastard like that.
00:55:03I have no more strength.
00:55:05No more desire to go on.
00:55:07It's finished.
00:55:08You don't know what you're saying.
00:55:10You're coming back.
00:55:10No.
00:55:11Yes.
00:55:12No.
00:55:12It can't be finished.
00:55:14God damn it.
00:55:15Leave me alone.
00:55:18It's finished.
00:55:20With Leon, I'm alive.
00:55:21He satisfies me.
00:55:22No.
00:55:23No.
00:55:24I don't believe it.
00:55:27I'm terribly sorry, Ant.
00:55:31Really.
00:55:32It's ridiculous.
00:55:36Ridiculous.
00:55:37My life is meaningless without you.
00:56:03I'm sorry.
00:56:04I didn't mean to disturb you, but...
00:56:07I just wanted something to drink.
00:56:10No problem.
00:56:11Really.
00:56:12I don't mind having a break.
00:56:15Why don't you stick around?
00:56:17You might even keep us company if you like.
00:56:23Thanks.
00:56:24But not tonight.
00:56:26Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:37I'm going to do this.
00:56:41I call it gin-balling.
00:56:43It's a very silly game.
00:56:45For what?
00:56:47Serves to calm the nerves.
00:56:49Try it.
00:56:50Okay.
00:56:50Okay.
00:56:52Mmm.
00:56:54Mmm.
00:56:55Okay.
00:56:57Tell Mother everything.
00:56:59I'm all ears.
00:57:02Look.
00:57:02I have no intention of fighting with you.
00:57:07You're a kind, sweet patient.
00:57:09Get to the point.
00:57:10The question is, will she tire of that dope?
00:57:13That's what you want to know.
00:57:15Is that it?
00:57:17She's bound to tire of it.
00:57:18She always does.
00:57:19This place plays tricks on one sometimes.
00:57:28Even I fell once, you know?
00:57:31There's no truth in all that shit.
00:57:33I surely don't need to prove it, do I?
00:57:36You're up against an example.
00:57:38And you know it.
00:57:40It's not a person who casts a spell on one at all, but this island.
00:57:45It intoxicates people's minds.
00:57:47It may not be happiness.
00:57:50God only knows happiness.
00:57:51It's hard enough to find anywhere.
00:57:53But it's a narcotic that makes them feel they found paradise.
00:57:57Yeah.
00:57:58It's blinded Eve in Creole.
00:58:01She used to hate dirt.
00:58:03The invention of squalor made her sick for days.
00:58:06Mm-hmm.
00:58:06A Puritan.
00:58:08It's usual when they eventually rebel, that's it.
00:58:12They reject the previous moral values they had.
00:58:15And abandon themselves, falling into the arms of someone like Leon.
00:58:19But you see, I can't understand how she could learn to make love like that.
00:58:25Oh, yes, you can.
00:58:27Please.
00:58:29Right.
00:58:30Let's not say anymore.
00:58:31You want to sit here all night?
00:58:39I...
00:58:40That's not going to do any good.
00:59:01Hey, what's the matter?
00:59:02You've suddenly developed morals?
00:59:04I'm as immoral as you are.
00:59:09But there is such a thing as the right moment.
00:59:14Night.
00:59:15It's way past my bedtime.
00:59:16Is it ready?
00:59:38Is it cooked?
00:59:39There's a time for love.
00:59:45There's a time for food.
00:59:48Now we eat.
00:59:49It's good.
01:00:00I'm...
01:00:04You...
01:02:04I don't know anymore, Iris.
01:02:34How can you humiliate yourself this way?
01:02:38How can you accept all this?
01:02:39Because I love him like I never loved anyone.
01:02:42How about us then?
01:02:44Don't I count for anything?
01:02:46Perhaps you've forgotten that we were supposed to get married in a month.
01:02:49You don't understand, Marco.
01:02:52I'm not able to leave Leona.
01:02:54My God.
01:02:55How is this possible?
01:02:58Go away from here.
01:02:59It's useless.
01:03:00I'll never give Leona, for any reason.
01:03:05I'll never give Leona.
01:03:06I'll never give Leona.
01:03:07I'll never give Leona.
01:03:08And when you look at me, you look at me and you're loco.
01:03:12You're so tired.
01:03:14I don't want you to love me.
01:03:17You're a circus.
01:03:18You're a star.
01:03:20You're a star.
01:03:25You're a star.
01:03:26You didn't know me, or did you know me?
01:03:29In a pocket of the pantalons,
01:03:32because it's so cold,
01:03:34like the snow...
01:03:40Like a beer?
01:03:41Sure.
01:03:45There's got to be a better life someplace.
01:03:47Right.
01:03:48I wonder if all tropic paradises are such hell.
01:03:52That bastard.
01:03:56Fucks our women.
01:03:58And we are here.
01:04:01Getting drunk.
01:04:05If only we had any guts,
01:04:08we'd do something about it.
01:04:22Hello?
01:04:26Don't look at me like that.
01:04:28I was just...
01:04:30admiring you.
01:04:31Then don't admire me that way.
01:04:33Are you alone?
01:04:35No.
01:04:36No.
01:04:37No.
01:04:38No.
01:04:39No.
01:04:40No.
01:04:41No.
01:04:42No.
01:04:43No.
01:04:44No.
01:04:45No.
01:04:46No.
01:04:47No.
01:04:48No.
01:04:49No.
01:04:50No.
01:04:51No.
01:04:52No.
01:04:53No.
01:04:54No.
01:04:55No.
01:04:56No.
01:04:57No.
01:04:58No.
01:04:59I'd like to hire the boat from Leon.
01:05:02I'm mad about you.
01:05:03Nothing can make me change ever.
01:05:07Nothing can make me change, ever.
01:05:11I put your things in a bag.
01:05:14What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do? Keep it?
01:05:24Burn it. I'm not coming back.
01:05:27You're lying.
01:05:30Hey! What do you want?
01:05:37I need you, Leon, a ride to the mainland, so I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party, so bring Creole along as well.
01:05:54It's better if Creole stays at home.
01:05:57She's got work to do, and I want something to eat when I get back.
01:06:03Anyway, it's okay.
01:06:05It's okay. I'll accompany you.
01:06:23Don't you realize the life you're leading?
01:06:26I'm fine here.
01:06:35Come back with me, Iris.
01:06:38No, Marco. Not now, not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:45Now, leave me alone. I have work to do.
01:06:50You win. Okay.
01:06:51Okay.
01:06:52Okay.
01:07:21Bye.
01:07:22Bye.
01:07:51I hope it's enough don't worry no problem it's surely more than enough I'm looking for Mark not
01:08:11here he left with Leon and Andy oh my god I have a terrible feeling he came to me this morning and
01:08:20he had a strange evil look in his eyes he said some awful things about Leon yesterday when he was
01:08:25drunk but when I saw him this morning he wasn't drunk hey what's all the mystery let me in on it
01:08:50so
01:08:57so
01:09:04so
01:09:11so
01:09:18so
01:09:25so
01:09:32so
01:09:39shit
01:10:04there must be something caught in the propeller I'm going down to have a look
01:10:22come on let's go
01:10:51so
01:10:58so
01:11:03so
01:11:10so
01:11:17so
01:11:19so
01:11:26have you seen iris she and cruella were very upset they left
01:11:31cruella
01:11:32what the hell's going on nothing
01:11:39iris
01:11:46iris
01:11:48iris
01:11:58iris
01:12:05iris
01:12:12iris
01:12:14iris
01:12:16iris
01:12:23iris
01:12:46iris
01:12:47iris
01:12:49iris
01:12:53iris
01:13:00iris
01:13:02iris
01:13:03iris
01:13:04iris
01:13:05iris
01:13:06iris
01:13:13iris
01:13:15iris
01:13:17iris
01:13:18iris
01:13:19iris
01:13:20iris
01:13:24iris
01:13:25iris
01:13:26iris
01:13:27iris
01:13:31iris
01:13:32iris
01:13:34iris
01:13:38iris
01:13:39iris
01:13:41iris
01:13:45iris
01:13:47iris
01:13:48iris
01:13:52iris
01:13:53iris
01:13:54iris
01:13:55iris
01:13:56iris
01:13:57iris
01:13:59iris
01:14:00iris
01:14:01iris
01:14:02iris
01:14:03iris
01:14:04iris
01:14:05iris
01:14:06iris
01:14:07iris
01:14:08iris
01:14:09iris
01:14:10iris
01:14:11iris
01:14:12iris
01:14:13iris
01:14:14iris
01:14:15iris
01:14:16iris
01:14:17iris
01:14:18iris
01:14:19iris
01:14:20iris
01:14:21iris
01:14:22iris
01:14:23iris
01:14:24iris
01:14:25iris
01:14:26iris
01:14:28yes it is banal but the truth often is i honestly think it's time you took stock of your life
01:14:35and faced up to it the truth may hurt you so you need courage
01:14:49hello andy
01:14:50we thought
01:15:00well he thought that island would help us escape from reality
01:15:06we must accept the place assigned us on this earth come here
01:15:20you were right jack there's magic everywhere here kiss me
01:15:31it's in the very air can't you feel it i know that if we stay here long something wonderful will
01:15:37happen to us they say these islands cast a spell on lovers
01:15:50we get
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