- 5 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:52Well, it was really great.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09Salam.
00:02:22Darling.
00:02:43Hello, hello, hello.
00:02:45Ciao.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:53Thanks.
00:02:53Bye, Criella.
00:02:55Ciao.
00:02:55Try to have a nice trip.
00:02:57I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:06No.
00:03:07Hmm.
00:03:08I know that look.
00:03:22It really is beautiful.
00:03:33Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:38I feel strange all of a sudden.
00:03:47I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah, it's beautiful.
00:03:53You were right.
00:03:55I just cannot imagine what it is like to do it here, you know?
00:03:59Hi.
00:04:12Hi.
00:04:22Hey, Priola.
00:04:38Joe.
00:04:39Hi.
00:04:40How's it going?
00:04:41No, nothing yet. I can't find anyone who recognizes her name or her picture.
00:04:45I'm sorry.
00:04:47I know.
00:04:48Good luck.
00:05:11Good luck.
00:05:41Good luck.
00:06:11Good luck.
00:06:29I thought you'd never get here.
00:06:31No.
00:06:32Seems like an eternity.
00:06:34No, that's more like it. Where are you taking me tonight?
00:07:04Come back here.
00:07:08Come back here.
00:07:10Come on.
00:07:12Come,aan.
00:07:14electronically.
00:07:16Come,a man.
00:07:18That's four ones.
00:07:19Keep him working.
00:07:21Oh, yeah.
00:07:22Take them all changed.
00:07:24Take him home, buddy.
00:07:26Nathan!
00:07:27mid!
00:07:29Save me.
00:07:30Watch me.
00:07:31Come now.
00:07:32Will you place the same number, madame?
00:07:42Sure.
00:07:43I'll put it for you.
00:07:49Number 13, right there.
00:08:02Ladies and gentlemen.
00:08:16Let's please, ladies and gentlemen.
00:08:32Hey, excuse me, have you, have you ever seen this girl?
00:08:54No, I'm sorry, never seen her before in my life.
00:08:57You got an offer to make for the Children of the Sun?
00:09:00Okay, here, will that do?
00:09:02Sure, keep the literature, that might help you spiritually.
00:09:17Are you trying to get me drunk?
00:09:19Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:25Let's eat.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:34You didn't understand a thing.
00:09:35So it is.
00:09:36Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:40He's looking for his fiancee. That's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:47Mm.
00:09:48Just think.
00:09:49They were gonna get married.
00:09:51And not long before the wedding, she went on holiday with some friends from work.
00:09:56And they came here to Santo Domingo as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on.
00:10:03Really?
00:10:04Mm-hmm.
00:10:05Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:11But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15The tropics can do funny things.
00:10:17Especially to anyone who's been under some kind of stress.
00:10:20The misery and anguish of living in what we laughingly call civilization.
00:10:24Taxes, overwork, crime, pollution, traffic.
00:10:28This music can make you think again.
00:10:31And besides, who knows?
00:10:34She might have met a guy she, um, liked more.
00:10:38You know, simple islander.
00:10:40Oh, come on.
00:10:42That's only a depiction.
00:10:45Love is everywhere.
00:10:46If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Mm.
00:10:52Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:57Ready to talk to him?
00:10:59Okay.
00:11:00Marco.
00:11:02How are you?
00:11:05This is my husband.
00:11:06Hi, love.
00:11:07What?
00:11:08Very kind of you.
00:11:09Would you like something to drink?
00:11:11Yeah, I'll have what you're happy.
00:11:12Whatever it is.
00:11:13How's the search going?
00:11:14Did I find anything yet?
00:11:15No, I'm afraid nothing much yet.
00:11:16But, they remember what you're happy.
00:11:17I'm happy.
00:11:18I'm happy.
00:11:19I'm happy.
00:11:20I'm happy.
00:11:21I'm happy.
00:11:22I'm happy.
00:11:23I'm happy.
00:11:24I'm happy.
00:11:25I'm happy.
00:11:26I'm happy.
00:11:27I'm happy.
00:11:28I'm happy.
00:11:29I'm happy.
00:11:30But, they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:39You two carry on.
00:11:40Excuse me.
00:11:41I'll be right back.
00:11:43Where are you going?
00:11:44I have to make a telephone call to New York.
00:11:47My magazine editor wants that weekly report.
00:11:52Well, that was rather sudden, wasn't it?
00:11:55Let's dance.
00:11:59I'm not too good a dancer.
00:12:01Just let the music do the work.
00:12:12No, I haven't danced in years.
00:12:14Well, we're going to have to make up for lost time then.
00:12:16Yeah.
00:12:17Listen, Criela.
00:12:18Maybe we should go back to the table, huh?
00:12:19Why?
00:12:20Your dancing is great.
00:12:21Come on, listen up.
00:12:22I feel uncomfortable.
00:12:23Well, no need.
00:12:24I feel like it's not too bad.
00:12:25I feel uncomfortable.
00:12:27Why? Your dancing is...
00:12:30Great!
00:12:36Come on, loosen up!
00:12:48I feel uncomfortable.
00:12:50Well, no need.
00:12:57What is it?
00:13:04I don't know. It's just that your auntie could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:15Let's keep dancing like this. Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:31He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him. And I'll do anything.
00:13:43He likes to think I'm quite faithful. Please help me.
00:14:01I understand.
00:14:02You know, love can be a strange thing.
00:14:32Well, the light is not the best, but
00:14:42we shall do what we can.
00:14:52It's a beautiful island, an absolutely amazing place.
00:14:56It's full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, if Ryan told me such a lot about it, I feel like I know it by heart.
00:15:05It's in the form of a turtle, a turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:14You better start praying that you don't end up reincarnated as a turtle.
00:15:21Ha, ha.
00:15:23Sometimes you're a real asshole.
00:15:27Oh, for God's sake.
00:15:29I was joking.
00:15:32Get away.
00:15:34What a warped for the day.
00:15:38What's wrong?
00:15:40Are you nervous?
00:15:42Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:47I feel strange.
00:15:49This boat.
00:15:50That man up there.
00:15:52Haven't you noticed he hasn't said a word since we left?
00:16:00I hired him to keep up a conversation with us, all right?
00:16:05Look at him.
00:16:06Look at him.
00:16:08The hat, his base.
00:16:09He's a pirate.
00:16:10I've been told he's a very good sailor, honest and completely trustworthy, who knows these islands.
00:16:17He looks like he doesn't watch.
00:16:20He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:24Like it?
00:16:44like it what a place guaranteed primitive yeah hey it's wide open there's no key nobody
00:16:58locks doors here looks like florida what a disappointment we said a hundred dollars right
00:17:08this is true keep it one's enough adios
00:17:24is it far to the fishing village 500 meters
00:17:37down that way okay
00:17:39i'm gonna go to the village okay i prefer to stay here whatever you like
00:17:59i can't wait to take a swim go ahead see you later all right
00:18:09so long bye
00:18:16hi
00:18:29hi hi well so you came at last
00:18:48wait good morning good morning
00:19:05no thanks
00:19:13thank you
00:19:19thank you
00:19:22I don't have remedio que amarte más
00:19:24Dime, muñeca linda, que tú me hiciste
00:19:42Que cada día que pasa te quiero más
00:19:44Dime si son tus besos o tus caricias
00:19:46O tu forma de caminar
00:19:48Adoro tu sonrisa, tus sentimientos
00:19:50O tu forma de acariciar
00:19:52Tu has robado todos tus sentimientos
00:19:54Tu comandante menos que amarte más
00:19:56Uh, good morning, Consuelo
00:20:00What can I do for you today?
00:20:05I've got an empty refrigerator to load up
00:20:07I'll bring you a few drinks
00:20:08For instance, would you like some alcohol
00:20:11Or would you prefer some soft drinks?
00:20:13Mmm, well, a little of both
00:20:15I won't be long
00:20:16Here are some bottles
00:20:44Uh, who's that woman there?
00:20:47A very well-known American writer
00:20:49Joanne Sullivan?
00:20:52Mm-hmm
00:20:52I know her
00:20:54The two of us were at the same school
00:20:56I think I'll say hello
00:20:57Joanne?
00:21:06Mm-hmm
00:21:07Who is it?
00:21:08Remember Andy the nerd?
00:21:11Oh, Andy the nerd
00:21:14Oh, my God
00:21:15Is it really you?
00:21:17Uh-huh
00:21:17Oh
00:21:18How are you?
00:21:20Fine
00:21:21Great to see my old valedictorian
00:21:23Great to see you
00:21:24What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine
00:21:27Oh, fantastic
00:21:28Come and sit down
00:21:29What are you doing?
00:21:33Escaping
00:21:33But don't ask me from what
00:21:35Because I don't know
00:21:36Maybe from myself
00:21:37Well, I imagine you're writing something now
00:21:40Checks, that's all
00:21:41As long as the cash lasts
00:21:43How do you spend your time if you don't write?
00:21:47Gymnastics
00:21:47And I drink
00:21:51I tend the garden
00:21:56I read
00:21:56Don't you like long for New York at all?
00:22:04No
00:22:05America is in an advanced state of decomposition, Andy
00:22:09Like the whole of the West
00:22:11It's no good
00:22:13I have no nostalgia
00:22:15Only for company, that's all
00:22:17Here there aren't any
00:22:19Men that I like
00:22:22That's probably a good thing
00:22:24I like everything sophisticated
00:22:27Or complicated
00:22:28I suppose I'm in a crisis
00:22:31Is that a plea for help, I hear?
00:22:34Oh, come on
00:22:35It wasn't a proposition
00:22:36I see
00:22:37Well, in that case
00:22:38I'll offer you a proposition
00:22:39What kind?
00:22:41Like I told you
00:22:42I'm working for a magazine
00:22:43And I'm doing a story on this island
00:22:46And you know it pretty well
00:22:47Yes, I do
00:22:48If you could help me
00:22:50Whenever you want
00:22:52My pleasure
00:22:53Great
00:22:55Here comes the food
00:23:01Oh, good
00:23:01We can try the local cuisine
00:23:03Here it is
00:23:04The chef's special
00:23:05Mmm
00:23:05Mmm
00:23:06Enjoy your food
00:23:10I'm starving
00:23:11Oh, that looks good
00:23:14Consuelo's such an extrovert
00:23:16She's always bright and sunny
00:23:17She's just my opposite
00:23:20I like her
00:23:21She's already had the cream
00:23:23Of the young men on the island
00:23:25If I could only get used to going to bed
00:23:28So easily
00:23:29Yes
00:23:31It's knowing how to start it up
00:23:33Yeah
00:23:34The warm-up
00:23:36It's simple as to make it with someone you know
00:23:40The first sub's taken already
00:23:42Are you making advances?
00:23:47I'm attempting to find you an answer
00:23:49I don't think Criela thinks it's such a good idea
00:23:52It might be more fun if we didn't leave her out
00:23:57Since when's three of the crowd?
00:24:00Oh, Andy, come on
00:24:01I thought you were emancipated
00:24:03But you're still stuck in the seventies
00:24:06Sex, lib, dreaming
00:24:07Hmm, that's all to add
00:24:09You're disappointing
00:24:10Hey
00:24:10Esa mujer tiene el corazón duro
00:24:20Con MFP
00:24:22Yeah, it's very at home here in this setting
00:24:44Been here long, do you know?
00:24:47Only a few years
00:24:48But it's as if he was
00:24:49The girl arrived a few months ago
00:24:52That's all
00:24:52Huh, not bad
00:24:54You dance almost like a native
00:24:59Is she his woman?
00:25:08His steady date
00:25:09She sits all day and waits for us
00:25:12I believe she's Italian
00:25:14Poor thing
00:25:15Came here on vacation
00:25:17Took one look and got stuck
00:25:19Stuck on him
00:25:20Hey, maybe that person is
00:25:24Is the girl, that air steward
00:25:26Was so desperately seeking
00:25:28You said she's Italian?
00:25:31Yes, why?
00:25:33But then
00:25:33It must be her
00:25:35On the plane I met her boyfriend
00:25:37He came here to look for her
00:25:39He'll go back empty-handed, I'm sure
00:25:41Leon is like a drug
00:25:44He doesn't conquer
00:25:45He dominates
00:25:46Your friend had better resign himself
00:25:49To losing her
00:25:49I hope he doesn't find her
00:25:52Like I said, this aisle
00:25:54It wants to put
00:25:55Evil spells on sexy girls
00:25:58Poor guy
00:26:00He must love that girl a lot
00:26:02To come all this way
00:26:03Since you feel so sorry for the poor guy
00:26:11Why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage
00:26:15Could it be terribly easy
00:26:17For you to make an oak like that
00:26:20You know, come chasing after you
00:26:22Like a beast in heat
00:26:24She's a womanized
00:26:25And your friend will get back his girlfriend
00:26:27Have you gone haywire?
00:26:30I think it's a magnificent idea
00:26:32Don't you?
00:26:33It's a little risky
00:26:35What, you mean I might lose her?
00:26:36I trust Creola completely, Joanne
00:26:39And besides, she'll just have to fake it
00:26:41Right?
00:26:43Go on
00:26:43Ask him to dance
00:26:44Have a heart
00:26:45Hey, look, have you finished?
00:26:48I've had enough
00:26:49I'm gonna go
00:26:50This music's getting on my nerves
00:26:52Sorry
00:27:09I wasn't serious
00:27:12It was a joke
00:27:14I love you, Andy
00:27:16I love you more than anything else in the world
00:27:21I love you more than anything else in the world
00:27:26Me too
00:27:27Me too
00:27:28I love you too
00:27:33God
00:27:35It's okay
00:27:40If you're tired
00:27:43It's happened before
00:27:46It'll pass
00:27:50I love you more than anything else in the world
00:27:54I love you more than anything else in the world
00:27:55I love you more than anything else in the world
00:27:56I love you more than anything else in the world
00:27:57I love you more than anything else in the world
00:27:58I love you more than anything else in the world
00:27:59I love you more than anything else in the world
00:28:00I love you more than anything else in the world
00:28:01I love you more than anything else in the world
00:28:02I love you more than anything else in the world
00:28:03I love you more than anything else in the world
00:28:04I love you more than anything else in the world
00:28:05I love you more than anything else in the world
00:28:06I love you more than anything else in the world
00:28:07I love you more than anything else in the world
00:28:08I love you more than anything else in the world
00:28:09I love you more than anything else in the world
00:28:10I love you more than anything else in the world
00:28:11Oh, my God.
00:28:41Oh, my God.
00:29:11Oh, my God.
00:29:41Oh, my God.
00:30:11Oh, my God.
00:30:12Stop it.
00:30:13You're hurting me.
00:30:14Stop it.
00:30:15Stop it.
00:30:16Leave me alone.
00:30:18Put me down.
00:30:19Stop it.
00:30:20Let me go.
00:30:21Let's go.
00:30:22Let's go.
00:30:24Let's go.
00:30:28Well, it's a good thing you came.
00:30:36I guess I should say thanks.
00:30:38You don't have to.
00:30:40Thanks, anyway.
00:30:43You know, you should go around by yourself.
00:30:49Let's ask him for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:56It's your life.
00:30:57Do what you want.
00:30:58It's your life.
00:30:59Do what you want.
00:31:01What are you doing?
00:31:02Offering you a little hospitality.
00:31:08Here.
00:31:09Have a drink.
00:31:17What are you doing?
00:31:18What are you doing?
00:31:19What are you doing?
00:31:20Offering you a little hospitality.
00:31:21Here.
00:31:22Have a drink.
00:31:46You there?
00:32:06We are up there.
00:32:11Criola!
00:32:18Criola!
00:32:23Criola!
00:32:25Criola!
00:32:26Criola!
00:32:40Criola!
00:32:42No!
00:32:44There's no sign of her on the beach! The bungalow is empty! She disappeared!
00:32:48She's probably gone off exploring the island!
00:32:53I expect you're right! Thanks, Consuela!
00:32:54Ciao!
00:32:56Oh, where the hell have you been? I looked all over for you.
00:33:08I got bored here all along, so I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:21Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures.
00:33:26Things I'd never have found without her.
00:33:33Andy.
00:33:34Yeah?
00:33:35I got to tell you something.
00:33:37Go ahead, shoot.
00:33:38Let's go away from here.
00:33:40Why, something the matter?
00:33:42Yeah.
00:33:43Let's go away.
00:33:45We can't yet.
00:33:47I still have photos to do.
00:33:49Besides, I got a little money in advance.
00:33:52I can't let the magazine down.
00:33:54I'd never work again.
00:33:55No way.
00:33:55Forget it.
00:33:57Well, I can't forget it.
00:33:58I want to go away.
00:34:01I want to go back to America.
00:34:03You're not being reasonable.
00:34:04I know, but I can't stay here another minute.
00:34:12I suppose it's my fault, huh?
00:34:13No, of course not.
00:34:16I'll be all right again soon, I swear.
00:34:18No, it's, there's nothing to do with you.
00:34:21I don't know.
00:34:22It's just...
00:34:24Look, I'm counting on the erotic atmosphere of this place to do the trick, and I'm sure it will.
00:34:30It's only a question of time.
00:34:31I know it.
00:34:35All you have to do is be patient.
00:34:38Just a little longer.
00:34:40We'll be happy again.
00:34:41And then, I'll be able to give you what you need so badly.
00:34:45I'll be able to give you what you need so badly.
00:35:15I'll be able to give you what you need so badly.
00:35:45Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:05I do.
00:36:05One day, I guess I'll get another chance.
00:36:12Fifth part.
00:36:12Here.
00:36:12First gereal.
00:36:13Well, first gereal.
00:36:25Take care of water.
00:36:26Take care.
00:36:26Take care of Eva.
00:36:28Take care of Eva.
00:36:29Take care of Eva.
00:36:30Take care of Eva.
00:36:32Take care of Eva.
00:36:34Take care of Eva.
00:36:35You always have to give...
00:36:35Do you want a drink?
00:36:39No, not for me.
00:36:43How come?
00:36:47One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:55Does that mean you think I have one?
00:36:59Criola.
00:37:01What is this? The game of truth?
00:37:05No one ever tells the truth.
00:37:09Even jokingly. I don't know why you two should be a flagrant couple of exceptions.
00:37:15Of course you include yourself in that sweet statement.
00:37:23Don't you tell the truth?
00:37:27I don't know.
00:37:31But I'm trying to.
00:37:33Since I quit writing that crap about love,
00:37:37I've stopped looking for it.
00:37:49To broken hearts.
00:37:51I was sure you'd come.
00:37:53You were?
00:37:55Mm-hmm.
00:37:57Do you want to make love with me again?
00:37:59Yes.
00:38:01I was sure you'd come.
00:38:03You were?
00:38:05Mm-hmm.
00:38:06Do you want to make love with me again?
00:38:09Yes.
00:38:11Well, not today.
00:38:15What are you looking for?
00:38:17Do you want to make love with me again?
00:38:21Yes.
00:38:26Well, not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:37Well, answer me!
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:47Are you quite sure you don't want to come with us?
00:38:51No, I'd prefer to stay here and keep consuelo.
00:38:53Okay.
00:38:55I'll try not to be late.
00:38:57I told you that's the way it was.
00:38:58Bye.
00:38:59Hey, I'm always lying.
00:39:01It's not true.
00:39:03I'm not going to stay around and talk about it.
00:39:05Goodbye, I'll be yours.
00:39:17Bye.
00:39:47It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:13Since you made a sound.
00:40:17Sorry, Joanne, but the places you've shown me have been so dazzling that I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you? I'm desperate.
00:40:34She's changed, and if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:40You better hurry or you'll be too late.
00:40:44I'll take you back.
00:40:47I bet you're enjoying it.
00:41:07Joanne gave me one too with a dedication.
00:41:09I sobbed my eyes out.
00:41:10For a romantic novel, it's not bad.
00:41:16Is a model a fun thing to be, Criola?
00:41:20I wouldn't recommend it to my friends, but I'm not complaining.
00:41:24I asked because when I was a little girl, I dreamed of being a dancer or model, but I ended up with overweight tits.
00:41:32So you snuck away to live on an island.
00:41:34Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:44Yeah.
00:41:45Hi, Marco.
00:41:46Hey, hi, Criola.
00:41:47I imagined bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:54I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:03Okay, that's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris, you mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:19Oh, my God.
00:42:24You.
00:42:29What is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I'm leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:53Do something.
00:42:55I am.
00:42:57Leon.
00:42:59Leon.
00:43:01Don't go.
00:43:04Damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:14Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:32Can I stay on board?
00:44:00Please.
00:44:11I can't wait.
00:44:12I'll get this straight.
00:44:15This time.
00:44:17Must be forever.
00:44:18I know.
00:44:26So, stay.
00:44:40She's not a Consuelo. She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:46I knew it. She's gone back to the States.
00:44:48How? Wearing a pareo?
00:44:54Andy, look!
00:44:56She hasn't gone. Her stuff's still here.
00:45:09Andy, you're not to worry.
00:45:12I'm sure that Criola will soon come back.
00:45:15Do believe me.
00:45:16I've got to be off now.
00:45:22So long. See you at dinner?
00:45:24What's going on?
00:45:24Come on.
00:45:32Oh, God.
00:45:33Oh.
00:45:33Oh.
00:45:34Oh.
00:45:35Oh.
00:45:36Oh.
00:45:37Oh.
00:45:40Oh.
00:45:41Have you seen Leon?
00:45:58Sorry to the stern I want a word with him I'll leave you two together wait
00:46:18What do you want Iris Iris you got her you don't want Iris Iris is free to do what she wants
00:46:27Adios
00:46:57All right
00:47:00All right
00:47:04¶¶
00:47:34No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget them.
00:47:56You'll suffer a little at first, but then it'll pass.
00:48:03I'll help you to forget.
00:48:04No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:14It's over.
00:48:16Don't you understand?
00:48:18He'll get tired of her quickly.
00:48:21It's already happened other times.
00:48:24I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:31Oh, Christ.
00:48:34Oh, Christ.
00:48:34Oh, Christ.
00:48:37I'll wait.
00:48:40What do you mean?
00:48:42Oh, Christ.
00:48:42Oh, Christ.
00:48:56So this isn't the very first no it isn't the first time but she came back in the past
00:49:26playing with fire one can be burned in the end I blame myself my unnatural desire to see the
00:49:35excitement men get and seeing a seeing a naked woman perverted I guess I proposed it to her
00:49:45I must be an asshole because now she's gone for good she did it because she knew you liked it
00:49:53not for herself she's not the kind of woman who sleeps around a lot are you serious yes I am
00:50:02whatever she became was to please you she realized simply that she had to go to bed with other guys
00:50:09in order to try to keep your interest in her going and look what happened fate set a trap for her
00:50:15oh god I'm the one who went and trapped her
00:50:18yep now you're trapped it started as a game that's all it wasn't serious
00:50:28games can be dangerous to play if you don't keep to the rules
00:50:33good evening good evening where can I find consuelo back there in the kitchen
00:50:41thanks you've forgotten we met one night in san domingo I'm married a creola oh yes now I remember
00:50:51you hi I'm uh I'm sure she'll be delighted to know you're here she already knows but you mean to say
00:50:58you you you've seen her yes but briefly yeah but where you haven't said I have to know immediately
00:51:07surely you can guess she's on the end's boat
00:51:20don't go don't go don't go I have to
00:51:50you're hurting me
00:52:02you're hurting me
00:52:03where can i find leon leon's gone fishing senor in his boat thanks
00:52:33so
00:52:56so
00:53:03THE END
00:53:33THE END
00:53:35THE END
00:53:37THE END
00:53:39THE END
00:53:41PUT IT INTO THE PAIL
00:53:43YOU KNOW HOW TO COOK IT?
00:53:47YOU'LL HAVE TO LEARN
00:53:51THE END
00:53:53THE END
00:53:55THE END
00:53:57THE END
00:53:59THE END
00:54:01THE END
00:54:03THE END
00:54:05THE END
00:54:07THE END
00:54:09THE END
00:54:11THE END
00:54:13THE END
00:54:15THE END
00:54:17THE END
00:54:19THE END
00:54:21THE END
00:54:23THE END
00:54:25THE END
00:54:27WHAT DO YOU WANT?
00:54:29I'VE COME TO GET HER
00:54:31LEON
00:54:33WHAT ARE YOU DOING?
00:54:35I NEVER THOUGHT IT WOULD COME TO THIS
00:54:37PLEASE
00:54:38I KNOW IT'S ALL MY FAULT
00:54:39BUT
00:54:40PLEASE
00:54:41DON'T HUMILIATE YOURSELF LIKE THIS
00:54:43IT'S TOO LATE
00:54:45IT'S TOO LATE
00:54:46IT'S NOT TOO LATE
00:54:47IT'S NOT
00:54:48IT'S TOO LATE
00:54:49IT'S TOO LATE
00:54:50NO IT'S NOT
00:54:51IT'S
00:54:52PLEASE
00:54:53WE MUST BEGIN AGAIN
00:54:54I CAN'T
00:54:55NO
00:54:56DON'T TELL ME
00:54:57YOU'RE GONNA STAY HERE
00:54:58JESUS CRYOLA
00:55:00WITH A BASTARD LIKE THAT
00:55:01I HAVE NO MORE STRENGTH
00:55:04NO MORE DESIRE TO GO ON
00:55:06IT'S FINISH
00:55:07YOU DON'T KNOW WHAT YOU'RE SAYING
00:55:09YOU'RE COMING BACK
00:55:10NO
00:55:11YES
00:55:12NO
00:55:13IT CAN'T BE FINISHED
00:55:14GOD DAMN IT
00:55:15LEAVE ME ALONE
00:55:17IT'S FINISHED
00:55:19WITH LEON I'M ALIVE
00:55:20HE SATISFIES ME
00:55:21NO
00:55:22NO
00:55:23NO
00:55:24I'M TERRIBLY SORRY
00:55:29IT'S
00:55:30REALLY
00:55:31IT'S RIDICULOUS
00:55:34IT'S RIDICULOUS
00:55:37MY LIFE IS MENINGLESS WITHOUT YOU
00:55:40MY LIFE IS MENINGLESS WITHOUT YOU
00:56:02I'M SORRY
00:56:03I DIDN'T MEAN TO DISTURB YOU
00:56:06BUT
00:56:07I JUST WANTED SOMETHING TO DRINK
00:56:09NO PROBLEM
00:56:10REALLY
00:56:11I DON'T MIND HAVING A BREAK
00:56:14WHY DON'T YOU STICK AROUND
00:56:16YOU MIGHT EVEN KEEP US COMPANY IF YOU LIKE
00:56:22THANKS
00:56:23BUT NOT TONIGHT
00:56:24MAYBE SOME OTHER TIME
00:56:26I'M NOT IN THE BEST OF MOONS
00:56:28I'M NOT IN THE BEST OF MOONS
00:56:38OH
00:56:39I'M INTO THIS
00:56:40I CALL IT GIN BALLING
00:56:41IT'S A VERY SILLY GAME
00:56:43FOR WHAT?
00:56:46SERVES TO CALM THE NERVES
00:56:48TRY IT
00:56:49OKAY
00:56:50TELL MOTHER EVERYTHING
00:56:57I'M ALL YEARS
00:57:00LOOK
00:57:01I HAVE NO INTENTION OF FIGHTING WITH YOU
00:57:05YOU'RE A KIND SWEET PATIENT
00:57:07OKAY
00:57:08GET TO THE POINT
00:57:09THE QUESTION IS
00:57:10WILL SHE TIRE OF THAT DOPE?
00:57:12THAT'S WHAT YOU WANT TO KNOW
00:57:13IS THAT IT?
00:57:15SHE'S BOUND TO TIRE OF IT
00:57:17SHE ALWAYS DOES
00:57:22THIS PLACE
00:57:24PLAYS
00:57:25PLAYS TRICKS ON ONE SOMETIMES
00:57:27EVEN I FELL ONCE
00:57:29YOU KNOW
00:57:30THERE'S NO TRUTH IN ALL THAT SHIT
00:57:32I SURELY DON'T NEED TO PROVE IT DO I?
00:57:34YOU'RE UP AGAINST AN EXAMPLE
00:57:36AND YOU KNOW IT
00:57:38IT'S NOT A PERSON WHO CAST A SPELL ON ONE AT ALL
00:57:42BUT THIS ISLAND
00:57:43IT INTOXICATES PEOPLE'S MINDS
00:57:46IT MAY NOT BE HAPPINESS
00:57:49GOD ONLY KNOWS HAPPINESS
00:57:50IT'S HARD ENOUGH TO FIND ANYWHERE
00:57:52BUT IT'S A NARCOTIC
00:57:53THAT MAKES THEM FEEL THEY FOUND PARADISE
00:57:55HMM
00:57:56YEAH
00:57:57IT'S BLINDED EVEN CREOLA
00:58:00SHE USED TO HATE DIRT
00:58:02THE VENTION OF SQUALOR
00:58:03MADE HER SICK FOR DAYS
00:58:05MMM
00:58:06A BUREADAN
00:58:07IT'S USUAL
00:58:08WHEN THEY EVENTUALLY REBEL
00:58:09THAT'S IT
00:58:10THEY REJECT THE PREVIOUS
00:58:13MORAL VALUES THEY HAD
00:58:14AND ABANDON THEMSELVES
00:58:16FALLING INTO THE ARMS
00:58:17OF SOMEONE LIKE LEON
00:58:18BUT YOU SEE
00:58:19I CAN'T UNDERSTAND
00:58:20HOW SHE COULD LEARN
00:58:21TO MAKE LOVE LIKE THAT
00:58:23YOU CAN
00:58:25OH YES YOU CAN
00:58:26PLEASE
00:58:29RIGHT
00:58:30LET'S NOT SAY ANYMORE
00:58:31YOU WANT TO SIT HERE ALL NIGHT
00:58:40I
00:58:53THAT'S NOT GOING TO DO ANY GOOD
00:59:00HEY
00:59:01WHAT'S THE MATTER
00:59:02YOU SUDDENLY DEVELOP MORALS
00:59:06I'M AS IMMORAL AS YOU ARE
00:59:08BUT THERE IS SUCH A THING
00:59:10AS THE RIGHT MOMENT
00:59:13NIGHT
00:59:14IT'S WAY PAST MY BEDTIME
00:59:16IS IT READY?
00:59:31IS IT COOKED?
00:59:34THERE'S A TIME FOR LOVE
00:59:43THERE'S A TIME FOR LOVE
00:59:44THERE'S A TIME FOR FOOD
00:59:45NOW WE EAT
01:02:04I don't know anymore, Iris.
01:02:35How can you humiliate yourself this way?
01:02:38How can you accept all this?
01:02:39Because I love him like I never loved anyone.
01:02:42How about us then?
01:02:44Don't I count for anything?
01:02:46Perhaps you've forgotten that we were supposed to get married in a month.
01:02:50You don't understand, Marco.
01:02:52I'm not able to leave Leona.
01:02:54My God.
01:02:55How is this possible?
01:02:58Go away from here.
01:02:59It's useless.
01:03:00I'll never give Leona.
01:03:03For any reason.
01:03:30Like a beer?
01:03:41Sure.
01:03:42There's got to be a better life someplace.
01:03:47Right.
01:03:48I wonder if all tropic paradises are such hell.
01:03:51That bastard fucks our women.
01:03:58And we are here getting drunk.
01:04:02If only we had any guts, we'd do something about it.
01:04:09Hello.
01:04:23Don't look at me like that.
01:04:45I was just admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that I'd like to hire the boat from Leon.
01:05:05I'm mad about you.
01:05:06Nothing can make me change ever.
01:05:12I, uh, I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do?
01:05:21Keep it?
01:05:24Burn it.
01:05:25I'm not coming back.
01:05:27You're lying.
01:05:30Hey.
01:05:32What do you want?
01:05:36I need you, Leon, a ride to the mainland so I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party, so bring Creole along as well.
01:05:54It's better if Creole stays at home.
01:05:57She's got work to do.
01:05:59And I want something to eat when I get back.
01:06:04Anyway, it's okay.
01:06:06I'll accompany you.
01:06:23Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:27Come back with me, Iris.
01:06:38No, Marco.
01:06:39Not now, not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:45Now leave me alone.
01:06:47I have work to do.
01:06:50You win.
01:06:51Okay.
01:06:51Okay.
01:06:51Let's go.
01:07:21Let's go.
01:07:51I hope it's enough.
01:08:07Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Mark.
01:08:11He's not here.
01:08:13He left with Leon and Andy.
01:08:14Oh, my God.
01:08:16I have a terrible feeling.
01:08:18He came to me this morning and he had a strange, evil look in his eyes.
01:08:22He said some awful things about Leon yesterday when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:37Let me in on it.
01:08:38Let me in on it.
01:08:39Let me in on it.
01:08:40Let me in on it.
01:08:41Let me in on it.
01:08:41Let me in on it.
01:08:42Let me in on it.
01:08:43Let me in on it.
01:08:43Let me in on it.
01:08:44Let me in on it.
01:08:44Let me in on it.
01:08:45Let me in on it.
01:08:45Let me in on it.
01:08:46Let me in on it.
01:08:47Let me in on it.
01:08:48Let me in on it.
01:08:49Let me in on it.
01:08:50Let me in on it.
01:08:51Oh, my God.
01:09:21Oh, my God.
01:09:51Oh, my God.
01:10:21Oh, my God.
01:10:51Let's go.
01:11:21Oh, my God.
01:11:51Oh, my God.
01:12:21Oh, my God.
01:12:51Oh, my God.
01:13:21Oh, my God.
01:13:51Oh, my God.
01:14:21Oh, my God.
01:14:51Oh, my God.
01:15:21Oh, my God.
01:15:51Oh, my God.
01:15:52Oh, my God.
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