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00:00I saw this guy, Jacob Shaw, he believed he could create other worlds.
00:22You know, I saw Bloody Mary once, in high school, yeah, I opened my eyes, and bam, there
00:30she is.
00:31You're not sitting near me when we do this.
00:33Okay, okay, hey, hey, everyone, listen, he claimed with this book he could travel to
00:41those worlds.
00:42Now, hand over the candle, and repeat after me.
00:46Come on.
00:53God.
00:57Do what a-chem-karen-el-bi-shuit.
01:03Do what a-chem-karen-el-bi-shuit.
01:13Do what a-chem-karen-el-bi-shuit.
01:18Do what a-chem-karen-el-bi-shuit.
01:23Do what a-chem-karen-el-bi-shuit.
01:28No.
01:41No.
01:42Way.
01:43Adam?
01:44Hello?
01:48Hello?
01:49Hello?
02:00Here.
02:01Here.
02:09Here.
02:10Here.
02:11Here.
02:12Here.
02:13I don't know.
02:43I don't know.
03:13I don't know.
03:23What was that?
03:27What was that?
03:39What was that?
03:51What was that?
04:04Here's to you, old son. Never the dull moment, eh?
04:10Well, if I was you, I wouldn't have much to say to me either.
04:14Wow. Self-pity parade. Is this what you do when you're left to your own devices?
04:21Well, what's the point in having a mirror that shows you the past if you can't wallow in it?
04:25Now, Zed's on bed rest and Chaz is playing family mind, so if you don't mind, leave me to it.
04:31Have you checked the scry mat?
04:34No. I don't intend to. You know, even God rested.
04:39God rested because he'd finished creating the world. Your job is just heating up.
04:43There's an old friend you can still help, John. And it's in your own backyard.
04:48I've only one friend in town. If you can call him that.
04:52And you're all he's got?
04:55Well, that is a little less cryptic than usual, old feathery one.
04:59Seems you're getting used to breaking daddy's rules, eh?
05:08The Buddhists believe it's possible to achieve a liberation from samsara.
05:13A repetitive cycle of birth and death.
05:15The idea of transcendence is found across cultures all over the world.
05:20The ability to live on after death or extend your experience beyond the world.
05:30Alright, for next class, just read chapters 25 to 20, ain't it?
05:37I've got a question.
05:41In order to achieve liberation from the cycle of life and death,
05:45you don't have to fulfill your life's purpose.
05:50Liberation is the purpose.
05:56It's a state of peace.
05:58A state of peace that I was really, really enjoying right up until this very moment.
06:20We're already...
06:21I don't know why it's going to happen when it's over in our house,
06:26I think it's been a suggestion.
06:28I think it's been a special.
06:29To be a group, it's children.
06:30A group of characters in a supergirls are yet in the balance of life
06:32I drank his money.
06:33I really don't like the actors who I see with dragons and death.
06:37What about that?
06:38I don't know why it's circumstance.
06:41If you do de Casey, it's, maybe it's not what 그것 is then.
06:43Carter, Carter, he's not breathing.
07:04Carter, can you hear me?
07:09We had a deal.
07:11I helped you, and you do what?
07:13You stay way away from me, forever.
07:16And that was my every intention, Richie.
07:17No magic, no demons, no John Constantine.
07:21What so damn ever, you swore it.
07:23You promised me.
07:24Gary's dead, Richie.
07:31Wait.
07:36Dead.
07:37I'm sorry to spring it on you like that, mate,
07:40but now I have it on good authority
07:42that something ill-natured is circling you
07:44like a pack of wolves,
07:45and I'm not just going to sit there
07:47and wait for you to attack.
07:50Well, I mean, I...
07:52Have you noticed that I teach class,
07:55I hold office hours, and I go home,
07:57and I partake of a whole lot of sedatives in between,
08:01and that's all I do.
08:03What about the data mining?
08:04I mean, you found any unusual spikes
08:07and activity are on the compass here?
08:08The data mining.
08:10You know what?
08:12You gazed at the chaos long enough.
08:14Mm-hmm.
08:15I can swallow you whole.
08:18I shut my program down.
08:21You shut it down?
08:22That's right.
08:23You know what I'm focusing on now?
08:26Solutions.
08:27What exactly are those solutions, Richie?
08:29Oh, would you like to hear some...
08:30Here's the first one.
08:32Solutions.
08:35Yes, Adam?
08:36Professor Simpson,
08:38I need to talk to you about my office hours today.
08:41My friend Carter,
08:42he, uh...
08:43he collapsed outside of his dorm.
08:47He's dead.
08:50I...
08:51I'm so sorry, Adam.
08:54What happened?
08:56You just...
08:57stopped breathing.
09:00Well, listen, you...
09:01you just...
09:02you take whatever time you need.
09:04Don't worry about your office hours.
09:05Okay, Adam?
09:09Ah!
09:10Ah!
09:11I...
09:12I saw someone...
09:13It's okay.
09:14There's no one here.
09:15No one...
09:16but me.
09:18Come here.
09:19It's okay.
09:22What right do you have to stop me, right, Aiden?
09:24I need to see that.
09:24Just...
09:25Just...
09:25Just get out of here.
09:26Get out of here.
09:28Your towering, respectful law
09:30is just astounding, as always, John.
09:32Oh, I see you managed to steal from the cop as well.
09:35That's a...
09:36The campus cop made big difference.
09:38Let's see.
09:39Victim collapse.
09:40Witness found in the blue lips.
09:41In the extremities.
09:42Says here that's consistent
09:43with a sudden loss of circulation.
09:46Say you know this bloke?
09:47He was friends with Adam.
09:49My teach-up system.
09:50All right.
09:50We need to talk to Adam.
09:52Okay.
09:52So that would be talking
09:54meaning talking, right?
09:56Not harassing.
09:56Oh, yeah.
09:57Well, you know me.
09:57I'm well-versed in the arts
09:58of pretending to be a gentleman.
10:00I do not know you.
10:01That is debatable.
10:02Here we go.
10:07I know what I saw.
10:09He was there.
10:10In the mirror.
10:11Did Adam see him?
10:12No, but he looked like the man
10:14you described in that house last night.
10:15There was no man, Lily.
10:21And there was no house either.
10:23It wasn't real.
10:24Wait, wait.
10:25Last night you said you saw something.
10:27We all did.
10:30We wanted to see something.
10:32It's called group hysteria,
10:34and my cognitive psych professor
10:35taught us about it.
10:36And you're trying to make sense
10:38out of things that just don't.
10:42I didn't come here
10:43to talk about make-believe.
10:44I came here for Carter.
10:47I need to go clear my head.
10:50Lily.
10:51Hey.
10:52You got a sec?
10:53Hi, Professor Simpson.
10:55Have you seen Adam?
10:57I've been trying to call him all day.
10:58I left him in my dorm room.
11:00His phone's probably off.
11:01So this chap, Carter,
11:04your mate of yours as well?
11:06It's okay.
11:07Lily, this is my colleague of sorts,
11:11John Constantine.
11:12I'm just trying to piece together
11:13what happened to your mate last night.
11:16It's all right.
11:16You can answer his questions.
11:18I'm confident my associate
11:19is not going to get you in trouble.
11:21We were at the cemetery.
11:24Look, we were just trying
11:25to have some fun.
11:27I'm the others with you.
11:28My friend Miranda.
11:31And Adam, I should get back to him.
11:33He felt terrible
11:34about missing office hours.
11:35He's been taking this project of yours
11:36very seriously.
11:37It's fine.
11:38You just tell him to pick back up
11:39when he's ready, all right?
11:40You take care and have a good night.
11:47So, the cemetery, eh?
11:49You got what you need, John?
11:51No, I don't.
11:52She's hiding something.
11:53And so are you.
11:54But at least I know where to start.
11:56Nice landing.
12:24Nice landing.
12:26How's your old friend?
12:27Not very friendly, to be honest with you.
12:29Maybe that's because you'd rather wallow in the dead friend than deal with them when they're alive.
12:34Get a bit late to the party, mate.
12:36Richie used to be my ace.
12:38True partner in crime.
12:40All the others were too easily dazzled, you know.
12:42Used to worship the bloody ground I walked on.
12:46Modesty.
12:47I thought to myself, here's someone with a sense of purpose.
12:50And twisted enough to face the darkest forces that evil has to offer.
12:55Sounds like an interesting basis for a friendship.
13:03It's a requirement with me, mate.
13:07Newcastle left a mark on our crew.
13:10We all shut down in some way, but Richie's fault.
13:14That was the greatest.
13:18He sounds like he could be useful to us.
13:21Maybe you can guide him back into action.
13:25Well, I'm not exactly a guiding light now, am I?
13:31Oh, bollocks.
13:34Really get on my nerves sometimes.
13:37All right.
13:38See...
13:40See.
13:45You know...
13:46All right.
13:49See you.
13:57See you.
14:02Okay.
14:03I don't know.
14:33Who's there?
14:54Open the door.
14:57You have to open the door quick before he comes back.
14:59What? Why? Why can't you do it?
15:03I don't know.
15:12Beeswax, candle, hieroglyphics, and residual ash.
15:15Now you put those three together, Richie.
15:16And what do you get?
15:18An Egyptian ritual.
15:19Well, I'm glad to see it's just your courage that's waiting.
15:24Now, I found those things in the cemetery where your assistant was having a skinful last night.
15:29And by the looks of the glyphs, I'd say it was a ritual for out-of-body travel.
15:33Now, where do you think that a bunch of college students get that barmy idea?
15:37No, no, no, no.
15:38It's gone.
15:41What's gone, Richie?
15:42It was a private journal.
15:43It was the private journal of Jacob Shaw.
15:47Jacob Shaw?
15:48I don't remember that name.
15:49He was the bloke who fancied himself a traveler to alternative realms, right?
15:52Right, right, right.
15:52The journal records his success with the Egyptian dream temple technique.
15:57But Shaw stopped writing after he shot his protege.
16:02Well, in all my opinion, the best ones are always a little bit cracked.
16:05And Shaw, he said it was a hunting accident.
16:07It was a waiting trial for murder when he fell into, get this, a catatonic state.
16:13Catatonic, like Carter?
16:16Yeah, like Carter.
16:18And Shaw died a few weeks later, and there was a theory.
16:23What theory?
16:24An Elvis lives kind of theory.
16:27They say Shaw's consciousness traveled to another dimension and stayed there to escape his fate.
16:33Well, that does make for a better story.
16:34One that sparked the imagination of your young teaching student.
16:41Yeah.
16:41Now, if Adam's tried it once, he'll try it again, though.
16:44And it's up to us to beat him to it.
16:47Us.
16:47But...
16:48Still not picking up.
16:57Miranda was really upset.
16:59I think we should go look for her.
17:01Hmm.
17:02What?
17:04I just have this feeling.
17:08What feeling?
17:11What if Miranda's...
17:14back there?
17:17You mean at that house?
17:18If her consciousness traveled back...
17:20No, Adam.
17:21If it did, if it did, then we have to go back there and get her.
17:26You just want to go back there because it's exciting for you.
17:29No, because if Miranda's back there, it is my fault.
17:33I need to find her.
17:35You can try finding her your way, and I'll try mine.
17:38Where are you going?
17:41Miranda dances to clear her head.
17:44I'll be at the gym.
17:46Those kids actually made it into another realm, and they've opened gates that won't be easy to close.
17:51In current conditions, anyone can be pulled into that gate.
17:54Not just the four that took part in the ritual.
17:55Well, it's worse than that, John.
17:57Shaw had a theory.
17:58If you're killed in another dimension, your body here suffers the same form of death.
18:02That would explain, Carter.
18:04What bloody hell did Adam know about Shaw's journey?
18:07Well, we were using...
18:08We've been using Shaw's research just over the last...
18:10I have a new pet project, I presume.
18:13And what exactly would that Nobel Prize-worthy effort be, eh?
18:16I don't believe you'd understand.
18:18No, well, you know, for idiots, then.
18:20Singularity.
18:20Singularity.
18:20You understand it?
18:21I didn't think so.
18:22Singularity is the idea that when humanity and technology...
18:25merge a person's consciousness can find immortality inside a computer network.
18:30Oh, it's like a bomb shelter for your brain.
18:32I would be the idiot person, yes.
18:34Well, you're practically living in one now, aren't you, Rich?
18:36You've done a great job of making the world really small.
18:38Hey, listen to me.
18:39You really think I stopped data mining by choice?
18:42No, no, I got tired of crashing the hard drives, man.
18:44Way too many paranormal uprisings to keep track of.
18:48The darkness is almost here.
18:51John, if we don't find Adam and close that portal now,
18:55who knows how many more are going to fall through.
18:57And I just...
18:58Can't have it on my hands, John.
19:04We'll find him.
19:06We'll find him.
19:07We'll find him.
19:08Miranda, I knew you'd be here.
19:30He's after me.
19:32We have to hide.
19:32You say he's after me.
19:33Miranda, I am so...
19:34So...
19:35Miranda!
19:41Miranda!
19:49Miranda!
19:51Miranda!
19:56Miranda!
19:58Miranda!
20:00Miranda!
20:02It looks like Alice has already slipped through the looking glass.
20:25Jacob Shaw.
20:26That's right.
20:27What do you want?
20:28Exactly this, young lady.
20:29Thank you for asking.
20:32No, please.
20:39Defensive rules.
20:40We need to wake him up now.
20:42Wake up.
20:43No, no, no.
20:44Come on.
20:47Come on.
20:49Come on.
20:50It's Miranda.
21:11I found her dead in a dance studio.
21:16I'll be shutting down the campus next.
21:20This right here, this is all my fault.
21:23Oh, spare me, will you?
21:24You didn't make Adam do the ritual.
21:26Gary, he unleashed that hunger demon.
21:29You are not, Gary.
21:30I brought this into Adam's life.
21:32You see what we are, John?
21:34To other people, we are what you call cancer.
21:40We're just spreading our disease.
21:44You know, when you're done sitting on your bloody pity pot, we got work to do, all right?
21:50Pity pot, that's good, John.
21:53Yeah, laugh it up and play your jokes.
21:57But I'll tell you something.
22:00You don't fool me, man.
22:02Not anymore.
22:03I know your secret.
22:06I know what you pretend not to feel.
22:09You know why?
22:11Because I'm feeling it right now.
22:21Let's go.
22:22There's still one life left we might be able to save.
22:26Professor Simpson, make up.
22:47Please, please come in.
22:48Where is Adam?
22:49I need to tell him about Miranda.
22:51Did you hear what happened?
22:52We just came from the gym.
22:54I found our body.
22:55There was so much blood, and I can't reach Adam, so.
23:03Lily.
23:05No.
23:06No, no, no, no.
23:07Please, no.
23:08We tried to save him, but he was trapped in another world.
23:11No, I told him not to go back to that house.
23:18What house?
23:24I never saw him coming.
23:25I just felt the plastic over my face, and I just, I just couldn't breathe.
23:36We died.
23:37So why are we still alive here?
23:39Is this hell?
23:41Is this hell?
23:43If we're still here, it's because Shaw wants us here.
23:49Allow me to apologize for not giving you a proper welcome.
24:03It has been a very long time since I've had any house guests, and I've completely forgotten my manners.
24:10Forgive me.
24:11Forgive me.
24:15Polite.
24:17Respectful.
24:18You young people remind me of home.
24:20My old home.
24:21So, so restrictive.
24:27It's different in this house.
24:30And I've always been a sportsman.
24:32So, so that's what we do here.
24:35We play.
24:37Now, I'm going to choose a weapon, and you run along.
24:44You have free reign.
24:46Just know that I will find you.
24:49Hey, come on.
24:51Come on.
24:52Let's go.
24:52You control this place, which means you built it.
25:04You're smarter than your friends.
25:06Smart enough to know that this is your reality, and not mine.
25:11And that you can't hurt me here.
25:13Interesting hypothesis.
25:16Of course, there is only one true way for a hypothesis to become a scientific theory.
25:22Do you know what that is?
25:24Of course.
25:25It means you've got to test it, right?
25:27Test the hypothesis.
25:30That's exactly right.
25:36So, shall we?
25:45Where are we?
25:46Oh, think of it as a spiritual safe house.
25:50This place is amazing, John.
25:53Casper, they're all right, didn't they?
25:56Now, based on what you told us, Shaw's drawing your friends back into his realm through reflective surfaces.
26:01In Egyptian magic, mirrors are doorways toward the spiritual planes.
26:06But lucky enough, our matey put protections on any and all reflective surfaces in this house.
26:10I don't know what to make of any of this, but thank you.
26:15Well, the best thing you can do is take a seat and have a rest.
26:24What do you two want to drink?
26:25Whiskey would be great.
26:26Yes, please.
26:27In my kingdom to make money double.
26:30My mom was supposed to pick me up from the train station.
26:33I'm just going to give her a quick call.
26:34No, no, no, wait.
26:38Wait, wait, wait.
26:38Let's go!
27:08Oh my god, Adam!
27:22Adam, what are you doing here?
27:23No, you can't stay here.
27:24You have to go back.
27:25It's not safe here.
27:26It's Shaw, isn't it?
27:27Look, he's a lunatic.
27:29He hunts us, and then he brings us right back to life.
27:31It is a game that just never ends.
27:33But you can still get out of here.
27:35As long as he doesn't get to you.
27:37Okay?
27:38All right, Pulsar's racing, John.
27:47Which means two things.
27:49She's alive.
27:51And she's scared.
27:52We need to get to her.
27:54No, John, hold on.
27:55Richie, Richie, Richie, listen.
27:57We're going, all right?
27:58We're going.
27:59I can't do it without you.
28:01Can't do it without you, Richie.
28:04Okay.
28:05There's only one way Shaw could pull
28:07Lily back into another world without a proper ritual.
28:10It's a creation of his own design, right?
28:12He built it.
28:13Right.
28:13So we need a plan.
28:15Uh, Lily, she said they all ended up in different rooms of a house.
28:18And we can't help her if we get killed, John,
28:21before we can find her.
28:22All right, so the first order of the business is we find each other on the other side.
28:27That way we've got a better chance.
28:28All right, but what about our bodies?
28:29John, you don't even want to know the dimensional mayhem it would cause.
28:33If anything happened to our bodies here, we'll run another plane.
28:36All right?
28:36Can we just discuss that a little bit?
28:39Just a little.
28:41You know, I think we'll be all right here.
28:44Come on, let's get to it.
28:45John, John, John, you got to understand.
28:47We are flying blind into his domain.
28:49He controls it all.
28:50The only rule there is Shaw.
28:54He's God.
28:55And it wouldn't be the first one I've dealt with, so, shall we?
29:00Just like back in the day, eh?
29:18Yeah, a little too much like it.
29:20You know, I'm not going to be the first one I've dealt with.
29:50Oh, my God.
30:20Richie.
30:22Ritchie.
30:52That's the real bogeyman.
31:02We need to find Lily now.
31:17Of course, a dead end.
31:19A fitting choice for our mad architect.
31:23Oh, John, wait.
31:26I can do this.
31:27I studied the principles of other planes.
31:30I can do this, John.
31:32I can override his world.
31:35No way.
31:48You're bloody doing it, mate.
32:00Nifty.
32:01Very nifty.
32:25John.
32:45Please.
32:46Hide me.
32:48He's watching.
32:50Who are you?
32:52Wes Shaw.
32:54I'm Jacob Shaw, and who are you?
33:09And who are you?
33:10So, legend's true.
33:24You did come here to escape.
33:26I came here to live.
33:28You're an arrogant bloody sort, aren't you?
33:31You're here to mutilate and murder beings of my own creation.
33:35Those students you butchered, they didn't just leap out of your imagination.
33:40They were flesh and blood.
33:41Yes, and they invaded my space, my world, my rules.
33:47It's a lesson you're about to learn.
33:49Boy, you are a waste, man.
33:52You're just a psychopath hacking up.
34:06These wounds, Ritchie, that is reality, not yours.
34:08You're the greater mind here.
34:10You can beat this guy.
34:12Ritchie, in this place, you, you decide.
34:16Ritchie, look at me.
34:17Look at me.
34:18Ritchie, look at me.
34:19Look at me.
34:20Ritchie, look at me.
34:21Look at me.
34:22I believe in you, old son.
34:25Now bloody do it.
34:27Do it!
34:29Do it!
34:30No.
34:31No!
34:32No!
34:33No!
34:34No!
34:35No!
34:36No!
34:37No!
34:38No, no, no!
34:39No!
34:40No!
34:41No!
34:43No!
34:44No!
34:45No!
34:46No!
34:47No!
34:48No, no!
34:49I'm soé•·!
34:50I'm so...
34:51I'm so honored.
34:52I'm so...
34:53You...
34:56No!
34:59Oh, yes.
35:01All this time you spent here, you could have been building worlds.
35:07You could have been redefining life and how we live it.
35:11Now, the day you gave in to your weakness, Shaw,
35:15that was the day you became obsolete.
35:18This is my world!
35:21Not anymore.
35:26No!
35:31We have to get out.
35:33Yep. This way, Pete. Come on.
35:38Come on, Richie.
35:39Okay.
35:56Nice job, Richie. You even got the temperature right.
36:07Lily.
36:13What's happening?
36:15Shaw's world is collapsed. We need to get out of here right now. Let's go.
36:19What are you doing? We have to go.
36:23It's as far as we go.
36:25No.
36:26No.
36:27No!
36:28No!
36:29No!
36:30No!
36:31No!
36:32They're all still in there. We have to do something.
36:34There's nothing we can do for them.
36:36Come on. It's too late.
36:38Nothing we could have gone away.
36:51They only existed inside that house.
36:53Shaw's gone forever.
36:55Their souls are free now.
36:57Onto the next journey.
36:59Look at me.
37:01Can you please?
37:03I can't wait.
37:04Look at me.
37:05When I'm back, I'll reach this place.
37:06I'll go.
37:07I don't be in there.
37:08I don't want to wait.
37:09Yeah.
37:10No!
37:11What?
37:12This isn't good.
37:13This is great.
37:15No.
37:16Nothing.
37:17No.
37:18No.
37:19No.
37:20You're on the right now.
37:21No!
37:22You're on the right.
37:23No.
37:24No.
37:25No.
37:26No.
37:27No.
37:28No.
37:29It's your turn
37:37Hold on a minute, Squire
37:39And if I go back
37:40What happens to you?
37:46I stay here
37:48Here
37:56Happens to be an elaborate figment of your confused imagination
38:00What was it you said to me in there?
38:05I decide what's real
38:07This is it
38:10John, this is the reality that I want
38:14Simplicity
38:16Endless possibilities
38:19John, it's a paradigm
38:21What makes you think that after a decade
38:24You won't go off your trolley
38:25Like Shaw
38:26Shaw, I was man to begin with
38:29I'll do it right
38:31I'll build a world here
38:33I'll invent and create
38:36Thrive
38:38You know what, I've already
38:41Lost one good friend to this fight
38:45And I'm not losing another
38:46So I'm calling you on your rubbish, Richie Simpson
38:48Listen, if you stay here
38:49You will go barmy
38:52Barmier than you already are
38:55If that's at all possible
38:56Better here than back home
39:01At least in this world
39:05I can forget about the darkness
39:08I can forget about the darkness closing in on us, John
39:10I just don't
39:14I don't want to be afraid anymore, John
39:17Fine
39:20It's fine
39:22Indulge yourself, Richie
39:25Just like Shaw
39:27You're two visionary peas in a bloody pod
39:30But do me a favor
39:31Don't lie to yourself
39:35This isn't about you creating something new
39:39This is about you running away
39:43Come on, come back to me
40:06Come on, Richie
40:08Come on, man
40:08Come on, come on, come on, come on
40:11Richie
40:38Come on, come on, come on, come on, come on
40:45Oh, you booger
40:46Oh, you booger
40:46Come on, come on, come on, come on, come on, come on, come on
40:47Here we go
40:47ISAcopy
40:48Come on
40:49No, come on
40:49Whoa, Boo,рыв
40:51Come on, come on, come on
41:22In our last class, we touched on the subject of nirvana, achieving enlightenment.
41:35In order to do that, certain truths must be accepted.
41:41First and foremost, suffering is unavoidable.
41:46Secondly, you must understand, suffering is caused by craving.
41:56Humankind desires relief in ways that ultimately do not satisfy the soul.
42:02The third and final truth is that inner peace is possible, but humankind's suffering won't end until we learn how to stop our desire.
42:16The third and final truth is that inner peace is possible, but humankind's suffering won't end until we learn how to stop our desire.
42:18The third and final truth is that inner peace is possible, but humankind's suffering won't end until we learn how to stop our desire.
42:22None at all.
42:28Transcription by CastingWords
42:58CastingWords
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