- 5 months ago
Category
🎥
Short filmTranscript
00:00:00Transcription by CastingWords
00:00:30CastingWords
00:01:00CastingWords
00:01:29CastingWords
00:01:55Makes you wonder, what kind of a business operates this way?
00:01:59A movie company.
00:02:00What else?
00:02:04Good evening, Mr. and Mrs. America and all the ships at sea.
00:02:07Walter Winter reporting.
00:02:08Let's go to the press.
00:02:09Dateline, Broadway.
00:02:10What producer is closing his hit musical
00:02:12for the sake of adventure?
00:02:13Open letter to C.B. Denham.
00:02:15Here's hoping you finally catch that wild goose of yours,
00:02:17old chap.
00:02:25What's the hardest show on earth?
00:02:31Where do you get your bodies moving?
00:02:33C.B. Denham's terrifying, mystifying, wild animal body.
00:02:38Most ferocious that you see on the stage or on the scene.
00:02:43C.B. Denham's terrifying, mystifying, wild animal body.
00:02:48He bids a bush in Africa and he holds the Asian hills.
00:02:53At the wrist and hip of life and myth, he always brings us through.
00:03:00It's the rage of every stage, on the screen and in a cage.
00:03:05C.B. Denham's terrifying, mystifying, wild animal body.
00:03:10C.B.nà Thick inuti
00:03:23How she retains flames, ferocious.
00:03:26And what does he do, for me and you, he brings them back alive.
00:03:30Brings them back alive
00:03:35What a show, man, what a show
00:03:41Great thrills you'll never know
00:03:45Silly venom, terrifying, mystifying
00:03:50Our animal show
00:03:53I'm telling you, Roscoe, closing this show is the smartest thing I've ever done.
00:04:05Now we move on to bigger and better adventures.
00:04:08Yeah, yeah, right, CB.
00:04:10Hey, fellas, there he is, there he is.
00:04:12Hey, CB, give us a statement, will you? What's happening?
00:04:14Hey, what's next, Mr. Denham?
00:04:16How's about a picture, Mr. Denham, huh?
00:04:18I'll never say no to a camera.
00:04:20Hey, Mr. CB, look, give us a lowdown here. Give me the scoop.
00:04:23Any truth to the rumor that you're off on a secret safari, huh?
00:04:26And secret is the key word.
00:04:28There's a story out there somewhere where nobody has gone before.
00:04:32A story that begs to be a major motion picture.
00:04:35What about romance, huh? Any romance in your new picture, ACB?
00:04:39Yeah, who's gonna be your star?
00:04:40Uh, my star.
00:04:42Um, oh.
00:04:45Who is my star?
00:04:50Roscoe, did we hear from Garbo yet?
00:04:53Oh, yeah, you bet, CB.
00:04:54What did she say?
00:04:55Uh, drop dead.
00:04:57Oh, dread.
00:05:00Star?
00:05:01With my impeccable taste, I might find her right here, in the jungles of Manhattan.
00:05:07An unknown, huh?
00:05:09Then again, I might have a worldwide talent search.
00:05:13That's big, Mr. Denim. Really big.
00:05:19Veggies, veggies, get your fruit and veggies here.
00:05:26Hmm.
00:05:27Uh, uh.
00:05:33Put that back, you little thief.
00:05:35Roscoe, at last our search is over.
00:05:39There's our star.
00:05:41Oh, yeah, damn it at dramatic quality, CB.
00:05:44Oh, come on.
00:05:45It's only an apple.
00:05:47Only an apple?
00:05:49You think these things grow on trees?
00:05:51Good evening, my dear.
00:05:53Denim's the name.
00:05:54CB Denim.
00:05:56May I presume that anyone as lovely as yourself might be an actress?
00:06:00She's a thief, is what she is.
00:06:02And she's going to the hooskow.
00:06:05Well, if I'm going to jail anyway, give me that.
00:06:09Roscoe, deal with this ill-tempered scoundrel.
00:06:14Come, my dear.
00:06:15You seem to be hungry.
00:06:17Huh?
00:06:17Straight away, I noticed you had a dramatic quality to your voice, Miss, uh, Miss...
00:06:26Darrow and Darrow.
00:06:28Well, I was an extra.
00:06:30An extra?
00:06:31You will star in my new film.
00:06:35It's a passionate romance.
00:06:37A daring adventure.
00:06:39A searing drama of...
00:06:40Um...
00:06:41Um, uh, uh, uh, poignancy.
00:06:44Yes, poignancy, pathos, and love in the South Pacific.
00:06:52How about it, Anne?
00:06:54Are you game?
00:06:55Well, I don't know.
00:06:59Oh, what a lotus life you'll lead in lotus land.
00:07:02In Hollywood.
00:07:03Living it up in the movie colony.
00:07:05Beverly Hills.
00:07:07Once you are a movie star, your life is really lush.
00:07:10Lush.
00:07:11When you're rolling in the money, even rainy days are suddenly telling your beauty secrets
00:07:16to the magazine.
00:07:18And the radio.
00:07:19Your face upon a million silver screens.
00:07:22And billboards.
00:07:23Let me meet your helping hand.
00:07:25You'll be the queen of lotus land.
00:07:27All you've got to do is sign with me.
00:07:31Ha, ha.
00:07:31Roscoe.
00:07:32Uh, yes, sir, CB.
00:07:33Uh, miss, listen to this.
00:07:35I guess you haven't a clue that right here next to you is the greatest movie director
00:07:40of them all.
00:07:41Well, I don't know about that.
00:07:42And I am about to make a truly epic film that's greater than any film you can recall.
00:07:49It's got laughter, it's got tears, mystery, and fear.
00:07:55It's majestic, but it's intimate as well.
00:07:59It's got drama, it's got heart, it's got terror, but it's art.
00:08:06And climactically, it casts a mystic spell.
00:08:11Mystic spell.
00:08:13We've lined up everything we need so far.
00:08:20The only thing we are lacking is our bright new star.
00:08:29And you've filled the bill, my dear.
00:08:31One CB Denim film and you're off to the coast.
00:08:34Ha, ha.
00:08:35Oh, and a luchus' life will lead in lotus land.
00:08:38Hollywood.
00:08:39Living it up in the lap of luxury.
00:08:42Malibu Beach.
00:08:43Closets full of designer dresses, chauffeur limousine.
00:08:48Glamorously going places to the clubs or two.
00:08:51The racers live in a Spanish mansion with a swimming pool.
00:08:54And a butler.
00:08:55The famous faces dropping in for tea.
00:08:58Doggy famous.
00:08:59Let me be your helping hand.
00:09:01You'll be the queen of lotus land.
00:09:03All you've got to do is put your moniker on the dotted line.
00:09:07All you've got to do is sign with me.
00:09:11Ha.
00:09:11Yeah.
00:09:12It sounds wonderful, but...
00:09:16What's the matter, Anne?
00:09:18Afraid of failure?
00:09:20Afraid you're not good enough?
00:09:22I'm plenty good enough, mister.
00:09:24Well, all right.
00:09:27I'll do it.
00:09:28How do you know?
00:09:29Looks like Denim got his star after all, huh?
00:09:32Huh.
00:09:33Some star she is.
00:09:34An apple napper.
00:09:36Ha, ha, ha, ha, ha, ha, ha, ha, ha.
00:09:41Okay, hold her up.
00:09:43Steady as she goes.
00:09:44Steady.
00:09:46Come on, watch it.
00:09:47Clear the hatch.
00:09:49Watch the hoist, the hoist.
00:09:51Come on, lower away.
00:09:53Secure that load.
00:09:54Let's get that cargo stove.
00:09:57Ship shape, mister.
00:09:58Ship shape.
00:09:58Hey, Chips.
00:10:03Beat it.
00:10:08Ah!
00:10:10Wow.
00:10:12You scared the life out of me.
00:10:16Hey, is he bothering you, lady?
00:10:18Oh, no.
00:10:19Huh.
00:10:19Not a bit.
00:10:20He's Chips.
00:10:21I'm Ricky.
00:10:22Able-bodied cabin boy, SS, Java queen.
00:10:26Is that right?
00:10:28I've never met a real sailor before.
00:10:31Did you hear that, Chips?
00:10:32She called me a sailor.
00:10:36Are you with us on the Queen, miss?
00:10:39Well, I was.
00:10:40But this old tub kind of scares me.
00:10:43Oh, but now that I've got two great new pals for shipmates...
00:10:48Show the lady aboard, Chips.
00:10:50While I stole my gear.
00:10:55All right, all right, all right.
00:10:59Come on, you guys.
00:11:00Look alive down there.
00:11:02Time is money.
00:11:03We're racing the clock here.
00:11:05Let's go down low, mister.
00:11:06Come on, you know your job.
00:11:08Let's move it.
00:11:12Hey, what's it made?
00:11:13Ah!
00:11:14Clear the deck!
00:11:23Hey, lady, I said clear the deck!
00:11:25Get out of there before you get...
00:11:26What the?
00:11:28Hey, relay the hoist!
00:11:30Relay the hoist!
00:11:31Are you all right?
00:11:50Yes.
00:11:52Yes, I think I, uh...
00:11:54How can I possibly thank you?
00:11:57I'll tell you how to thank me.
00:11:58Go to your cabin and stay there.
00:12:00And you, get that monkey out of my sight before I have him keelhauled.
00:12:03Aye, aye, sir.
00:12:05Of all the ill-mannered, foul-tempered,
00:12:07bullying people I've ever met!
00:12:10He takes the cake!
00:12:11Do you believe the way he treated me?
00:12:13I didn't do anything to deserve that.
00:12:15Not one thing.
00:12:16Not one thing at all.
00:12:30Coffee chips.
00:12:33Oh, boy.
00:12:34What a way to start.
00:12:36Squirt, don't let Jack bother you, miss.
00:12:39He's really a swell guy.
00:12:41Oh, sure he is.
00:12:43I noticed that right away.
00:12:46Aw, thanks.
00:12:48Hey, the monkey makes coffee?
00:12:51Nah, I keep the pot going all day.
00:12:53He just pours.
00:12:56You two ought to put an act together.
00:12:58What do you think, Squirt?
00:12:59You want to be in showbiz?
00:13:01Aw, well, you can have my part.
00:13:03I'm having second thoughts about this whole deal.
00:13:06Oh, what?
00:13:07You don't want to be a movie star?
00:13:09Well, I never said that.
00:13:12Not exactly, but I...
00:13:14Ricky, you know something?
00:13:16You're absolutely right.
00:13:19What have I got to lose?
00:13:21Eight hours ago, I was an apple thief,
00:13:24and now...
00:13:25Now I'm in showbiz.
00:13:30And CB did say I could be a Hollywood star.
00:13:34Hollywood?
00:13:35Oh, boy, would I like to see Hollywood.
00:13:40And so you shall.
00:13:41You too, Chips.
00:13:42You mean it?
00:13:44I certainly do.
00:13:45You guys can be my entourage.
00:13:49Oh, wow.
00:13:50Your entourage?
00:13:51You hear that, Chips?
00:13:52We're going to be an entourage.
00:13:57Um, what does an entourage do?
00:14:01Well, uh, nothing really.
00:14:04Uh, just sort of hang around.
00:14:06Um, live good, eat well,
00:14:09and look handsome.
00:14:14All right.
00:14:18All hatches buttoned down, Mr. Dressel.
00:14:21Yes, sir.
00:14:22All secure, sir.
00:14:23No!
00:14:31Six thing made on a dead man's chest.
00:14:34Yo, ho, ho, in a puddle of rum.
00:14:37My poor old hands are killing me.
00:14:40I don't like the feel of this.
00:14:44What?
00:14:46A spud's a spud, buddy.
00:14:48Not the spud, you bumbling numbskull.
00:14:51It's the whole trip.
00:14:53All those explosives and gas bombs.
00:14:56And all this monkey god garbage.
00:14:59It ain't garbage.
00:15:00Huh?
00:15:01Uh, what are you trying to say, huh?
00:15:03On his last ship,
00:15:04he shoved off from Hobart and pushed west.
00:15:07Across the great Australian bank.
00:15:10When you hit the roaring 40s,
00:15:12the seas kick up to 60 feet.
00:15:16Yeah, yeah, I know, I know.
00:15:18Ooh, you get pounded to death.
00:15:21By the time we reach the Indian Ocean,
00:15:24we're dead in the water.
00:15:26Rudder gone, boiler down.
00:15:28So we just drifted and drifted.
00:15:30South.
00:15:32South.
00:15:33Always south.
00:15:35Suddenly we're in the middle of the thickest,
00:15:37filthiest fog I've ever seen in my whole life.
00:15:40Eerie, I tell ya.
00:15:42Eerie.
00:15:43Then, we see this spooky-looking island,
00:15:48poking through the mist.
00:15:52Looked just like a skull.
00:15:55The captain decides to put a couple of longboots ashore
00:15:58it could help.
00:15:58So, 30 of my shipmates push off.
00:16:03And then, nothing.
00:16:07What-what you mean?
00:16:08What he means is nothing.
00:16:10Gone.
00:16:11Yeah, that's right.
00:16:13Just disappeared.
00:16:15So, a captain sends in two more longboots.
00:16:18All armed to the teeth and all.
00:16:21Then, what happened?
00:16:23Gone.
00:16:25Disappeared off the face of the earth.
00:16:27The captain hangs around another day or so.
00:16:31Finally gets the engines cranked up
00:16:32and pushes off north to Darwin.
00:16:35Sad about the crew.
00:16:38But, just as we weighed anchor,
00:16:42we spied our poor souls struggling through the surf.
00:16:46It was Larson, the Swede.
00:16:49We dragged him on board.
00:16:50Giant monkey guide.
00:16:52He raved and ranted about a giant monkey guide.
00:16:56About human sacrifices and all that jazz.
00:17:00Then, the poor guy just up and died on us.
00:17:04Dead as a mackerel.
00:17:08So, it ain't some native voodoo.
00:17:11Well, what was it?
00:17:13If it wasn't voodoo?
00:17:14I don't know.
00:17:16But, I'll never forget that.
00:17:17Look at terror and luscious eyes!
00:17:30Hang on, champs!
00:17:32Hang on!
00:17:33Ricky!
00:17:36Ricky!
00:17:38Oh, what are you doing out there?
00:17:41Oh, you look terrible.
00:17:44Oh, I'll look a lot worse if the captain doesn't get his grub.
00:17:47But, right now, I'm not feeling so good.
00:17:52Look at me!
00:17:52Okay, you stay right here.
00:17:56Oh, get out of your wet weather gear.
00:17:58And chips and I'll take the food.
00:18:00They'll never know the difference.
00:18:02Especially with chips out.
00:18:03Oh!
00:18:03Oh!
00:18:04Oh!
00:18:04Oh!
00:18:04Oh!
00:18:05Oh!
00:18:05Oh!
00:18:05Oh!
00:18:05Oh!
00:18:06Oh!
00:18:06Oh!
00:18:06Oh!
00:18:07Oh!
00:18:07Oh!
00:18:07Oh!
00:18:07Oh!
00:18:07Oh!
00:18:08Oh!
00:18:08Oh!
00:18:08Oh!
00:18:09Oh!
00:18:09Oh!
00:18:09Oh!
00:18:10Oh!
00:18:11Oh!
00:18:11Are you certain of these coordinates?
00:18:13Uh-huh.
00:18:14Uh, Captain, is this a typical Pacific storm?
00:18:19No, not typical.
00:18:20Hmm.
00:18:21And this one's getting worse.
00:18:23This is just great.
00:18:25Now we're headed straight into the worst of the weather.
00:18:27But that figures when you got a woman on board.
00:18:29Oh, come now, old sport.
00:18:31Do you mean to suggest that Anne is responsible for all this?
00:18:35Well, it's certainly more than just bad luck.
00:18:39Ah, Ricky!
00:18:41And about time.
00:18:42It's not Ricky?
00:18:43Tell me, Jack.
00:18:44Did you learn some superstitious nonsense at the academy?
00:18:47No, but I did learn at my grandfather's knee that women don't belong aboard a ship.
00:18:52Dash it all, old man.
00:18:54This is the 20th century.
00:18:55Look, all I know is ever since we set eyes on her, there's been nothing but trouble.
00:18:59Ahem.
00:19:01First the foul-up at the pier.
00:19:03And now the typhoon.
00:19:04Great.
00:19:05You blame all that on a little girl from Brooklyn?
00:19:09Ahem.
00:19:10No, it's not her fault she's a woman.
00:19:14She probably doesn't even know she's a jinx.
00:19:16A jinx?
00:19:16Oh, why, you arrogant oaf.
00:19:21I'll show you jinx.
00:19:32Has that egg on your face, Jack?
00:19:40Clam chowder, actually, and I suppose you two think that was funny.
00:19:43Oh, um...
00:19:49Shall we skip the soup?
00:19:53Good idea.
00:19:54Ha ha ha ha ha ha!
00:20:12Step rivalry, Roscoe!
00:20:14We're losing the sun!
00:20:16Er...
00:20:18Er...
00:20:20Here, have a care, lad.
00:20:22That's highly sensitive equipment you're playing with.
00:20:32Ha, good morning.
00:20:37Ta-da!
00:20:38There she is.
00:20:40Ha ha ha.
00:20:41Oh, my Mona Lisa.
00:20:43My jungle princess.
00:20:45What do you think, chaps?
00:20:47My future star?
00:20:48What's Delam up to?
00:20:50A screen test, I think.
00:20:55Quiet on the set!
00:20:57Shh!
00:20:58Now, these are test scenes, my dear.
00:21:01Just to get a feel for the character, costume setting and such.
00:21:05Now, you are a Polynesian princess.
00:21:09Your kingdom, a beautiful, magical, tropical island called...
00:21:13Give me an island, Roscoe.
00:21:16Er...
00:21:17Bally High?
00:21:18No, that'll never play.
00:21:20Um...
00:21:21Greenland?
00:21:22Oh!
00:21:23Too cold.
00:21:24County?
00:21:25Too busy.
00:21:27Er...
00:21:28Papaliali!
00:21:29Papaliali?
00:21:30Ah, there you are.
00:21:32Okay, we're all set, CB.
00:21:34Okay, Roscoe.
00:21:35Dolly in for a close-up of Princess...
00:21:38Er...
00:21:39Princess...
00:21:40Er...
00:21:41Princess Dolly of Papaliali.
00:21:43I love it!
00:21:45It's dawn over the South Pacific.
00:21:47The village is already astir.
00:21:49It's a time for celebration on the island of Romance.
00:21:52High on the hill in the Bamboo Palace, we find...
00:21:55Hold on.
00:21:56This isn't working.
00:21:57A few please, Japs.
00:21:59A little background music.
00:22:01Er...
00:22:02To set the mood.
00:22:04She's sweet Dolly of Papaliali.
00:22:08Sweet, sweet Dolly of Papaliali.
00:22:12She's the Dolly, the Dolly of Papaliali.
00:22:15The Dolly of Papaliali.
00:22:19Gosh, oh golly!
00:22:22They all go off their trolley
00:22:24Because they love my Paliali smile.
00:22:28The palm trees sway, the bongos fade
00:22:32Beneath the Paliali sky
00:22:36And cockatoos in the tall bamboos
00:22:40Swoon when I walk by
00:22:44Hearts go tingle
00:22:46And bells begin to jingle
00:22:48When Dolly does her Paliali dance
00:22:52The waves rush in and kiss the shore
00:22:56The breezes sigh and beg for more
00:23:00Dolly puts Papaliali in a trance
00:23:04That's why it's the island of Romance
00:23:09What?
00:23:10She's sweet Dolly of Papaliali.
00:23:14Sweet, sweet Dolly of Papaliali.
00:23:18Gosh, oh golly!
00:23:20I'm Dolly of Papali.
00:23:22I love to swim in Paliali Bay.
00:23:26Friendly koi fish and every girl and boy fish
00:23:30They see me and they swim around to play
00:23:34And up above the gulls and doves
00:23:38Are chirp, chirp, chirping just for me
00:23:42While on the sand
00:23:44A tortoise band plays the Paliali symphony
00:23:48The waves rush in and kiss the shore
00:23:50And they swim around to play
00:23:53The waves rush in and kiss the shore
00:23:54The breeze is sigh and beg for more
00:23:56I put Papaliali in a trance
00:24:00The waves rush in and kiss the shore
00:24:04The breeze is sigh and beg for more
00:24:08I put Papali Ali in a trance
00:24:12That's why it's the island of romance
00:24:17That's why it's the island of romance
00:24:30Alright there, we've arrived at your pre-designated coordinates
00:24:37And after six weeks at sea, my crew is getting edgy
00:24:41What's our final destination?
00:24:43Here it is
00:24:44Hey, we're not travelling in uncharted waters
00:24:47Of course it's uncharted
00:24:50Officially at least
00:24:52But that's why this map cost me a thousand dollars
00:24:55A thousand dollars?
00:24:57Treasure maps are a dime a dozen
00:24:59You, sir, are a madman
00:25:01Yeah, yeah, that's what they say about all of us
00:25:05All of you?
00:25:06There's more?
00:25:07Of course you've heard the old saying
00:25:09Columbus, Galileo, Edison, Denim, madmen all
00:25:13I don't know about those other fellas
00:25:15But I'm pretty sure about you, Denim
00:25:18Here's the map of Skull Island
00:25:20It's a huge volcano
00:25:22With a skull's head at one end
00:25:24And it's directly south of here
00:25:27South?
00:25:28No one sails south in these waters
00:25:30There's nothing down there but icebergs and mist
00:25:33Not counting the Antarctic
00:25:35I won't endanger my ship or my men with such nonsense
00:25:38Unless, of course, they agree
00:25:40All right, men
00:25:43Now hear this
00:25:44Mr. Denim's got something to say
00:25:46Men, this voyage is about something special
00:25:52What we're looking for is a mystical island
00:25:54With a land that time and folk got
00:25:57Hey!
00:25:58Who says we have to listen to this bill?
00:26:00I say so
00:26:02Well, I suppose there's no harm in listening
00:26:06And from this land comes the legend of the great monkey guard
00:26:10A god more spectacular than you can imagine
00:26:14Yeah, sure
00:26:16Oh, come on, men
00:26:17Now see here
00:26:18The whole trip will have been for naught
00:26:20If we don't get to this island
00:26:21Yeah, well that's all fine and good, isn't it?
00:26:24But what's in it for us, huh?
00:26:25Yeah!
00:26:26Yeah!
00:26:27That's right
00:26:28Now what's in it for us?
00:26:29Ah, yes, wait a bit
00:26:31I think I see the stumbling block here
00:26:34I guess you haven't a clue
00:26:36That you're the lucky crew
00:26:38Not only of this ship
00:26:40But of the greatest movie production of them all
00:26:44So what?
00:26:45Oh, for I'm about to make
00:26:47A truly epic film
00:26:49That's greater than any film you can recall
00:26:52Big deal!
00:26:54It's got laughter, it's got tears
00:26:56Mystery and fear
00:26:58It's majestic
00:27:00But it's intimate as well
00:27:02It's got drama
00:27:04It's got heart
00:27:05It's got terror
00:27:07But it's art
00:27:08Swell
00:27:09And climatically
00:27:10It casts a mystic spell
00:27:13It'll make millions
00:27:15So what's in it for us?
00:27:17Ha, ha!
00:27:18I've stipulated bonuses for all
00:27:21And your names will be emblazoned
00:27:25On the credit
00:27:27Credit
00:27:29Crow
00:27:31Think of it, gentlemen!
00:27:33What a packet!
00:27:35Bonuses.
00:27:36Screen credits
00:27:37And
00:27:38My undying gratitude
00:27:39What do you say?
00:27:41We're with you, C.B.
00:27:42What the hell?
00:27:43What the hell?
00:27:49Okay, Kim, it's your call.
00:27:53Against my better judgment.
00:27:55Helmsman, two and a half points south by southwest.
00:27:59Uh-oh. What's this?
00:28:01Oh, no.
00:28:03Oh, boy. Out of nowhere.
00:28:06Whoa! Thick as pea soup.
00:28:10Can't see a blasted thing.
00:28:13Land ho!
00:28:16All engines half.
00:28:19Steady as she goes.
00:28:21Steady.
00:28:23Aye, aye, sir.
00:28:28That's it.
00:28:29It's good to be Skull Island.
00:28:38You and I should go in the first boat.
00:28:40Roscoe and Anne can follow along with Jack.
00:28:42Anne, you're taking the girl ashore.
00:28:45Of course, old man.
00:28:47We're going to shoot a great deal of film of the island.
00:28:50Why not have the leading lady on hand?
00:28:52But we don't know what we might run into.
00:28:55And what if the natives are unfriendly?
00:28:57Oh, I'm sure they're decent enough chaps.
00:28:59I'll have a talk with them.
00:29:01A talk?
00:29:02They could be cannibals.
00:29:04Cannibals?
00:29:06Blimey.
00:29:07Another CB Denim first.
00:29:09I don't know about Galileo and those other fellas.
00:29:13But I got no doubts about Denim.
00:29:16Well, I don't know about that.
00:29:18I don't like the sound of those drums.
00:29:27I know.
00:29:28Rather catchy, I think.
00:29:30You can, my dear.
00:29:45Isn't this magnificent?
00:29:46Well, in a spooky sort of way.
00:29:49I guess it is.
00:29:51Briskly, Roscoe, briskly.
00:29:53We only have so much light.
00:29:56Coming, CB.
00:30:00Here we go, lads.
00:30:01Off to the village.
00:30:02Looks smart.
00:30:04Well, after you, Captain.
00:30:07Okay now, crew.
00:30:08Let's keep together.
00:30:09No stragglers.
00:30:19Listen.
00:30:20The natives are bidding us welcome.
00:30:25They're telling us to get lost.
00:30:27They're both wrong.
00:30:28That's a religious chant.
00:30:30Well, good show.
00:30:32We're just in time.
00:30:33Not so fast.
00:30:35Most of the tribes on these parts are somewhat secretive
00:30:38about their traditions.
00:30:40Ah, yes.
00:30:41Must respect that, of course.
00:30:43We'll just get close enough to get it on film.
00:30:45Front and center, Roscoe.
00:30:47Now, we're going to have to get this in one wide-angle shot.
00:30:50We'll pick up the close-ups after I negotiate with the local union.
00:31:10Get it all, lad.
00:31:11Every detail, every nuance.
00:31:13This is priceless.
00:31:14Yeah, yeah.
00:31:15You can count on me, CP.
00:31:17Are you hearing Kong?
00:31:19Hmm.
00:31:20You heard it too?
00:31:21Kong?
00:31:22What does it mean?
00:31:24I have no idea, actually, but a dying bard captain of brief acquaintance once mentioned
00:31:30the name Kong.
00:31:32Do stop playing the buffoon, old man.
00:31:36We're losing the light.
00:31:37On the islands to the north of here, natives tremble at the very sound of the word Kong.
00:31:50Make Roscoe lights, camera, action.
00:31:55Whatever that Kong is, that young girl doesn't want any part of it.
00:32:00My guess, Kong is either a god or an evil spirit.
00:32:04And I'm afraid this young girl might be a human sacrifice.
00:32:09What?
00:32:10They can't do that.
00:32:11They can't do that.
00:32:12Montwiles, CB, Denim, Rose, Breath.
00:32:15Roll'em, Roscoe.
00:32:16Roll'em.
00:32:17There is no way we can stop them.
00:32:19Why not?
00:32:20What are all these guns for?
00:32:22What for?
00:32:23Indeed.
00:32:24Do you want a war on your hands?
00:32:27These people are fierce warriors.
00:32:29We would have to shoot every one of them.
00:32:31We can't just let them kill her.
00:32:33I could say not.
00:32:34This is not our culture, Jack.
00:32:36Not our law.
00:32:37We must not violate theirs.
00:32:39All right, crew.
00:32:40All hands.
00:32:41Back to the boat.
00:32:42What?
00:32:43Captain, we haven't even shot a millimeter of film.
00:32:46You had ample time.
00:32:48I won't endanger my crew any longer.
00:32:50All set, CB.
00:32:51There, you see?
00:32:52Stafford.
00:32:54You got him.
00:32:55He got him!
00:32:56I will remove him.
00:32:57Move your arm.
00:33:02Oh my God.
00:33:03You are...
00:33:04Sexual?
00:33:05He got him more.
00:33:09Hang on, Roscoe!
00:33:10Careful of the camera.
00:33:12How do you do, chief, old man?
00:33:26Denim's a name.
00:33:28CB Denim.
00:33:29Perhaps you've heard of me.
00:33:35What could he possibly have heard?
00:33:40Steady.
00:33:41Olu, Olu, Olu, Aitani, boss fella, go long pay, big job, hana nui, big chief.
00:33:53Hana nui, hana nui nui, ali'i nui.
00:34:02Olly molly.
00:34:04What did he say?
00:34:06I cannot be sure.
00:34:08Something to do with Miss Darrow.
00:34:10I don't like it.
00:34:11Nor do I.
00:34:13Tell him I could buy in the Ui.
00:34:19No!
00:34:20Aole, aole!
00:34:22Hey, hold it, guys.
00:34:24That's close enough.
00:34:25Who will you apart?
00:34:27Hold your fire.
00:34:35Everybody back.
00:34:36Slowly.
00:34:37Hey, typo!
00:34:38I'm looking for me, hey, typo!
00:34:39Whoa!
00:34:40Whoa!
00:34:47Whoa!
00:34:53Whoa!
00:35:04we'll weigh anchor as soon as I get the okay from the engine room and we'll try the other side of
00:35:25the island maybe we should have another go at those native chaps they're probably quite decent
00:35:31straight up there and that's the southern cross in these parts the cross is a sailor's best friend
00:35:45when I stand watch I look at that mighty constellation and I know exactly where I stand
00:35:50in the universe I'm gabbing too much and saying nothing why can't I clam up I've never been this
00:36:01way this isn't like me I'm never silent completely tongue-tied without a word to say I've never seen this girl before
00:36:15I've never met this man but it's as if we've been together
00:36:25since our lives
00:36:29it seems I've known you all my life I know it's crazy but it's true
00:36:49in dreams I've seen you every night though I'm no dreamer I've dreamed of you
00:37:03is this a fantasy the way I feel I am so at home with you can it be real
00:37:19to strangers meet and magically they know what's meant to be they see their destiny
00:37:33oh tell me that it's true in dreams you've known me too and loved me all your life as I loved you
00:37:47and loved me all your life as I love you I've known you all my life
00:38:09Mr. Driscoll report to the bridge
00:38:13we'll find a cove somewhere on the leeward side of the island
00:38:41suits me old man the sooner the better yes captain
00:38:45ah there you are Jack how soon can we get underway
00:38:49uh ten minutes give or take well let's get on with it then
00:38:55wow it's gotta be hands I can't picture any of our crew
00:39:09come on chips let's go find her
00:39:13all engines ahead one quarter
00:39:27captain captain Ann isn't on board what me and chips looked everywhere look look I found this on deck it must be hers
00:39:35yeah most of the nature's we're wearing these
00:39:41all engines we're wearing these
00:39:43all engines stop
00:39:45drop anchor
00:39:47break out the arms locker
00:39:49all hands man the boats
00:39:51aye aye captain
00:39:53what do you want us to do Mr. Driscoll
00:39:55go
00:39:57I'll take the first boat
00:39:59you follow with your gas bulbs
00:40:01righto old sport
00:40:03what do you want us to do captain
00:40:05get out of the way
00:40:07I
00:40:09I sir
00:40:11darn right
00:40:13we gotta do more than just get out of the way
00:40:15captain
00:40:17captain
00:40:18look
00:40:19oh
00:40:21this is worse than a thought
00:40:23they're diabolical fiends
00:40:25lower away
00:40:39a good one
00:40:41a good one
00:40:43no
00:40:45blah blah blah
00:40:49oh
00:40:51class
00:40:53oh
00:40:55p��
00:40:57listen
00:40:58the drums have stopped
00:41:00what does that mean
00:41:02having the foguest
00:41:04as spooky though isn't it
00:41:08you know
00:41:09we're never actually ordered to stay aboard
00:41:12And Mr. Driscoll always says,
00:41:14if nobody gives you an order, just pitch in wherever you can.
00:41:18Yep. That's what we're doing. Pitching in.
00:41:24Come on. Come on, men.
00:41:26Onward and...
00:41:31Come on, guys. Pick it up.
00:41:33Right behind you, old chap.
00:41:42Come on.
00:41:44I'm not.
00:41:46No!
00:41:48Oh, no.
00:41:49No!
00:41:50No!
00:41:51No!
00:41:52No!
00:41:53No!
00:41:54No!
00:41:56No!
00:41:58No!
00:42:00No!
00:42:02No!
00:42:06No!
00:42:07No!
00:42:08Oh, my God.
00:42:38Look out! Here they come!
00:42:54He's got her!
00:42:56No, no. Too risky. If you don't kill her, the fall will.
00:43:01I've got to do something.
00:43:03Hey, there's warm air blowing through this tunnel.
00:43:05Markable, I agree. But please.
00:43:08Some other time, perhaps.
00:43:10That means this passage leads to the inside of the volcano.
00:43:13You stay after him. Keep that gorilla in sight, all right?
00:43:16Shouldn't be difficult.
00:43:17I'm going to try to head him off.
00:43:19Well, if you're going to ambush a 60-foot gorilla, you might want a couple of these.
00:43:24Gasboxes.
00:43:27Good hunting, old chap.
00:43:30Hop to it, lads. Follow me.
00:43:38Yikes!
00:43:47Huh? What?
00:44:08What?
00:44:10What?
00:44:11Ugh.
00:44:12Oh!
00:44:13My God!
00:44:13I...
00:44:15God!
00:44:15No!
00:44:15Oh!
00:44:16Ugh!
00:44:18Ah!
00:44:19Oh!
00:44:19Ah!
00:44:20Ah!
00:44:21Ah!
00:44:21Oh!
00:44:22Ah!
00:44:23Aw!
00:44:25Uh!
00:44:26Ah!
00:44:27Whoa!
00:44:28Oh!
00:44:28Do it!
00:44:29Floor!
00:44:30Do it!
00:44:31Msigh!
00:44:32Ah!
00:44:33Ah!
00:44:34Ah!
00:44:37Ah!
00:44:38Gah!
00:44:39Ah!
00:44:44Ah!
00:44:46Ah!
00:44:47Ah!
00:44:48Ah!
00:44:50Ah!
00:44:51Oh!
00:44:52Ah!
00:44:54Ahhh!
00:44:55No!
00:45:25Whoa!
00:45:55Oh!
00:45:57Oh!
00:45:58Ahh!
00:46:00Ahh!
00:46:02Ahh!
00:46:09Ahh!
00:46:13Ahh!
00:46:16Ugh!
00:46:21Ahh!
00:46:23Ahh!
00:46:24Let's go.
00:46:54Oh!
00:47:08Be good!
00:47:10Excuse me.
00:47:15Now see here. What have you done with Anne?
00:47:24Tally-ho!
00:47:36Tally-ho!
00:47:49Ah.
00:47:51There you are, Ruska.
00:47:55Ready where you are, CB.
00:47:59Hey, look! It's Mr. Denim and Roscoe.
00:48:04Ah! Can you walk, Mr. Denim?
00:48:06Afraid not, lad. You take your pal and save yourselves.
00:48:10Take Roscoe with you.
00:48:11But I can't leave you, CB!
00:48:14You must, lad.
00:48:15This is between me and Kong.
00:48:20Captain Ahab and Moby Dick.
00:48:23It is our destiny.
00:48:25Oh, that's very good, CB!
00:48:27What about all those gas bonds?
00:48:29Bad luck, lad. Butterfingers that I am, I dropped the blasted things.
00:48:33Half a bow.
00:48:34I left some of them in the longboat.
00:48:37All right.
00:48:39Now, if we can only find the beach.
00:48:42No problem there.
00:48:43Off to the beach.
00:48:44Come on, Chips. Let's go.
00:48:45Let's go.
00:48:56Oh, there they are.
00:48:58All right, then. Man the boards.
00:49:01Where's Denim?
00:49:06He's not with you.
00:49:07Push off shore a bit and signal the Queen to get up steam.
00:49:10Get a crate of those gas bombs.
00:49:12Hey, Captain! Captain!
00:49:14Hey, what are you two doing ashore?
00:49:16Get back to the ship.
00:49:18But, Mr. Denim...
00:49:19You know where he is?
00:49:20Yeah, I'll show you.
00:49:22No, Ricky, you go to the boat.
00:49:23The monkey will show me the way. Come on, Chips.
00:49:25He don't work without me, Mr. Driscoll.
00:49:27Well, okay. Get moving.
00:49:31Ah!
00:49:34So it's you, is it?
00:49:36Well, I certainly don't care for your attitude.
00:49:42Make a note of that, Roscoe.
00:50:00What?
00:50:16There it is. The biggest, the fiercest, the greatest beast on Earth.
00:50:22And we've got him, Chips. We've got him.
00:50:25You mean, he hasn't got us.
00:50:27Shavoff!
00:50:28Shavoff!
00:50:29Shavoff?
00:50:30Captain!
00:50:31Surely you don't intend to just leave him.
00:50:32What do you want me to do?
00:50:33Hold his hand?
00:50:34All of you, back to the ship!
00:50:35Captain, be reasonable.
00:50:36There is nothing I can or care to do.
00:50:38Captain, please.
00:50:39There ought to be something, Captain.
00:50:40There ought to be something, Captain.
00:50:41There ought to be something, Captain.
00:50:42What?
00:50:43Hmm, perhaps I might make a suggestion.
00:50:47Shavoff!
00:50:48Shavoff!
00:50:49Shavoff!
00:50:50Shavoff?
00:50:51Captain!
00:50:52Surely you don't intend to just leave him.
00:50:53What do you want me to do?
00:50:54Hold his hand?
00:50:55All of you, back to the ship!
00:50:57Captain, be reasonable.
00:50:59There is nothing I can or care to do.
00:51:04Captain, please.
00:51:06There ought to be something, Captain.
00:51:08What?
00:51:09Hmm, perhaps I might make a suggestion.
00:51:16You're on the air.
00:51:17Good evening, Mr. and Mrs. America and all the ships at sea.
00:51:20Let's go to press.
00:51:21Dateline, New York City.
00:51:22What Broadway producer sold out opening night
00:51:24without revealing one word about his new show?
00:51:27An import from the South Seas yet?
00:51:29Open letter to C.B. Denham.
00:51:30This better be big.
00:51:32He's the biggest beast on Earth,
00:51:39the eighth wonder of the world.
00:51:42C.B. Denham's terrifying, mystifying Kong,
00:51:45the mighty Kong!
00:51:47Nature's greatest mystery,
00:51:50safely in captivity.
00:51:52C.B. Denham's terrifying, mystifying Kong,
00:51:55the mighty Kong!
00:51:57He found him on a forgot,
00:51:59I'll wear diamonds or survive!
00:52:02Then what did he do for me and you?
00:52:05He brought Kong back alive!
00:52:08Brought Kong back alive!
00:52:13What a show, man!
00:52:15What a show!
00:52:17A little thrill you'll never know!
00:52:22C.B. Denham, terrifying, mystifying Kong,
00:52:28the mighty Kong!
00:52:30The mighty Kong!
00:52:58Sim-la-la-la-ga, sim-la-la-la-sim-la, sim-la-la-la-sa
00:53:02La-la-la-la-la-la, la-la-la-la-la-la-la
00:53:14Say, look, every critic in the country is here.
00:53:16Photographers?
00:53:18Oh, yeah, by the dozen. I put them in the first two rows.
00:53:28On the ark of the wild, a bird, nature's child
00:53:35Born in history, with no history
00:53:46Cover of the world, with your sight unfurled
00:53:53And at last can see
00:53:57Nature's majesty
00:54:08I hate this, to see that great wild creature
00:54:12Chained up like a mad dog
00:54:15I know how the big fella feels
00:54:18This entourage business is tougher than I thought
00:54:23Ah, old man, a bit edgy, are we?
00:54:27I say, Anne, darling, didn't I say you'd be a star?
00:54:30And do be a saint, and stand where the big fellow can see you
00:54:33There's a good girl
00:54:35I've got a really bad feeling about this, CB
00:54:38Well, that's true you have, my dear
00:54:40What's an opening night without jitters?
00:54:42This poor animal is just not meant to be in chains
00:54:45Of course he's not, none of us are
00:54:48But don't you see he's a trooper? Just like you and me
00:54:51And it's not as though he's just working for bananas alone
00:54:54I've got my eye on a thousand acres spread for him in South Jersey
00:54:58Oh, he can't survive in Jersey
00:55:01Nobody can
00:55:02Hmm, well, you're absolutely right
00:55:05We'll work something out
00:55:07Uh, must run
00:55:09Oh, and, uh, break a leg
00:55:13Thank you, ladies and gentlemen, and welcome
00:55:16Tonight I am taking you on a journey
00:55:18A journey deep into the uncharted waters of the South Pacific
00:55:22From there we will travel backwards in time
00:55:25Over 50 million years into the past
00:55:29Ladies and gentlemen, allow me to present the eighth wonder of the world
00:55:34The one, the only, the mighty Carl
00:55:43Keep your seats, keep your seats, please
00:55:46Those chains were called a battleship
00:55:49And now, gentlemen of the press, you may get your pictures
00:55:53Hold on there, stop, please
00:56:05And, and, ladies and gentlemen
00:56:08May I present the lovely Miss Anne Madaro
00:56:14The one person, more than any other
00:56:17Responsible for the mighty Carl
00:56:19Being on this stage tonight
00:56:21Oh, great
00:56:25I really needed that
00:56:27I wasn't feeling guilty enough
00:56:29Indeed, it was her extraordinary beauty
00:56:32That lured this magnificent beast
00:56:35Down from his mountain lair
00:56:37Even now he cannot take his eyes off her
00:56:45What?
00:56:48I'm so sorry
00:56:54Ha, ha, see, Phil?
00:56:56Eat your heart out
00:56:58Ha, ha, ha
00:56:59Ha, ha
00:57:08Stop
00:57:09He thinks Anne is in danger
00:57:11No more
00:57:12Stop
00:57:17No
00:57:19Enough, I say
00:57:29Stop
00:57:32Stop
00:57:36I'm warning you
00:57:37I
00:57:38Yikes
00:57:43And done
00:57:44You'll never work in this town again
00:57:46Hello, Central
00:57:59Get me to 47th precinct
00:58:01I'm quick
00:58:02Jack
00:58:03They'll kill him
00:58:04The best thing we can do
00:58:05Is get to the hotel
00:58:06And stay out of sight
00:58:07Not a moment to lose, Sergeant
00:58:09And we're going to need reinforcements
00:58:11The army
00:58:12Air support
00:58:13Oh, now
00:58:14Hold your horses, pal
00:58:15Now what seems to be the disturbance here?
00:58:18Disturbance?
00:58:19It can't, man
00:58:20If that gorilla breaks out of the
00:58:22Clancy
00:58:23Get the crowd back
00:58:27You're back up a ways, Mac
00:58:29I've been running gorillas out of this town
00:58:32Since Al Capone was in knee pants
00:58:34Now stand back with the crowd
00:58:36But, Sergeant
00:58:37Clancy
00:58:38But
00:58:39Get this bum out of here
00:58:40Bum?
00:58:41I'll have you know my good man
00:58:43That I am none other than C.B. Denim himself
00:58:46Roscoe!
00:58:47Hello, hello, hello
00:58:50All right, punk
00:58:51We know you're in there
00:58:53Come out with your hands up
00:58:55See here, Sergeant
00:58:56So what in the name of the
00:59:05Clancy?
00:59:11Oh my gosh
00:59:13And
00:59:14You gotta get out of here
00:59:15You gotta get out of here
00:59:16You gotta get out of here
00:59:17You gotta get out of here
00:59:18You gotta get out of here
00:59:19You gotta get out of here
00:59:20Go make it
00:59:21Now
00:59:22Okay, but
00:59:23I am going to be here
00:59:24Here
00:59:25ç®±
00:59:26You gotta get out of here
00:59:27Well, what is this?
00:59:28You gotta get out of here
00:59:29Okay, we'll see you
00:59:30Go make it
00:59:31Go make it
00:59:32And...
01:00:02Benchase! Benchase!
01:00:32Benchase!
01:01:02Benchase!
01:01:14Hey, put us down!
01:01:16You're under arrest!
01:01:32Hey, put me down!
01:01:34Hey, put me down!
01:01:36Hey, hey, hey!
01:01:52Benchase!
01:01:54Benchase!
01:01:56Benchase!
01:01:58Benchase!
01:02:00Benchase!
01:02:02I've given her a sedative.
01:02:04She'll be asleep in a moment.
01:02:24She is to have complete rest.
01:02:30Absolutely no more excitement.
01:02:32Whoa!
01:02:34Whoa!
01:02:36Whoa!
01:02:38Benchase!
01:02:44Air Force!
01:02:46All right, help's on the way.
01:02:48There's a squadron of tanks coming up from the armory.
01:02:50All right, everyone, move out and block off the side streets.
01:02:54The cavalry's at 33rd.
01:02:58The tanks are less than a minute away.
01:03:10Set your range.
01:03:12Down 200.
01:03:13Range.
01:03:144, 2, 0.
01:03:15Ready?
01:03:16Aim!
01:03:20Hold your fire!
01:03:22Hold your fire!
01:03:247, 2, 1.
01:03:25You're not close to the giant enemy.
01:03:26Hang on, I'm close.
01:03:27冬.
01:03:28Yes, it's close.
01:03:29Maybe you'll find a big lead.
01:03:31The tanks are underground.
01:03:32The tanks are there.
01:03:33Maybe they're underground.
01:03:34Of course, but they'll be there.
01:03:35They're skilled.
01:03:36Those tanks are effective.
01:03:37You're okay.
01:03:38Let's go ahead.
01:03:39Step up.
01:03:40Step up.
01:03:41Step up.
01:03:42Step up.
01:03:43Step up.
01:03:44Step up.
01:03:45Step up.
01:03:47Step up.
01:03:48Step up.
01:03:49Step up.
01:03:50Step up.
01:03:51Step up.
01:03:52Good heavens! He's got hands!
01:04:04Pierre, you! Put that girl down at once!
01:04:10What?
01:04:22Ed! Ed!
01:04:39Call off the planes! I said call off the planes!
01:04:52Ed!
01:05:09Yuck!
01:05:22Take a note, Roscoe.
01:05:32Copy to the President.
01:05:34I'll be here.
01:05:37I guess they decided to try your idea after all, CB.
01:05:41Two blips and a cargo bed.
01:05:43That looks pretty harebrained to me.
01:05:45Fat lot you know.
01:05:47There's more than one way to get a gorilla off the Empire State Building.
01:05:51That's him!
01:05:52Me!
01:06:12Carl!
01:06:14Carl!
01:06:15Come!
01:06:27Come!
01:06:30JCB, do you think it'll work?
01:06:33It'll work?
01:06:34It's got to work.
01:06:45Ah!
01:07:01Oh, no!
01:07:15If the big fella's able to pull out of this, I'm gonna find him his own island.
01:07:38Oh, sure. And that'll be fine, as long as it's not Manhattan.
01:07:42Hello, America, and all the ships at sea. Dateline, New York.
01:07:47Well, showbiz giant, CB Denham, finally had his big day.
01:07:50Now he'll go down in the books as having the biggest act with the shortest run on Broadway.
01:08:01You know, chaps, when you write this story, remember, it wasn't the fall that killed Kong.
01:08:08It was beauty that killed the beast.
01:08:12I guess it's all right.
01:08:14What's that?
01:08:16Huh?
01:08:16Oh.
01:08:17It's beautiful.
01:08:18Oh.
01:08:18Oh.
01:08:19Oh.
01:08:20Oh.
01:08:21Oh.
01:08:21Oh.
01:08:21Oh.
01:08:23Oh.
01:08:23Oh.
01:08:24Huh?
01:08:25Oh.
01:08:26Oh.
01:08:31guitar solo
01:09:01Strangers meet and magically
01:09:04They know what's meant to be
01:09:09They see their destiny
01:09:12Oh, tell me that it's true
01:09:17In dreams you've known me too
01:09:21And loved me all your life
01:09:25As I loved you
01:09:28And loved me all your life
01:09:34As I love you
01:09:39I've known you all my life
01:09:45One CB Denim film and you're off to the coast
01:09:48Oh, what a luscious life
01:09:51You'll lean into Lona's land
01:09:52Hollywood
01:09:53Living it up in the lamp of luxury
01:09:56Malibu beach
01:09:57Closets full of designer dresses
01:10:00Chauffeur'd limousine
01:10:01Glamorously going places
01:10:04To the clubs or to the races
01:10:06Live in a Spanish mansion with a swimming pool
01:10:08And a butler
01:10:09The famous faces dropping in for tea
01:10:11All you've got to do is stick with me
01:10:20But I'm the cameraman
01:10:21All you've got to do is stick with me
01:10:23Or a producer
01:10:25All you've got to do is stick with me
01:10:27I know, a director
01:10:29All you've got to do is stick with me
01:10:33La, la, la, la, la, la, la, la, la, la
01:11:05Father of the world, with your might unfurled, man at last can see nature's majesty.
01:11:19Father of the world, with your might unfurled, man at last can see nature's majesty.
01:11:49Father of the world, with your might unfurled, man at last can see nature's majesty.
01:11:53Father of the world, with your might unfurled, man at last can see nature's majesty.
01:11:56You brought combat alive
01:12:00Brought combat alive
01:12:03What a show, man, what a show
01:12:09Afraid of thrills you'll never know
01:12:14Seed together
01:12:16Terrifying is the fighting call
01:12:19The fighting call
01:12:26The fighting call
01:12:56The fight
01:13:05The fighting call
01:13:06The fighting call
01:13:10The fighting call
01:13:14Alleri
01:13:16You
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