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00:00The tune.

00:03Somehow the tune is the key to the mystery.

00:08It must be the tune.

00:10Otherwise, why use three musical boxes to convey the message?

00:14Why not collar boxes or shoe boxes?

00:18Yes?

00:20Oh. It's for you, Inspector.

00:22Oh, thank you, sir.

00:24Inspector Hopkins speaking.

00:27What?

00:30Where?

00:33Golders Green Station reports they've just found Sergeant Thompson's body.

00:37From the tire marks on his clothes, he was apparently run over by taxi.

00:41What an unfortunate accident.

00:43Not an accident, my dear fellow.

00:46I'm afraid it's murder.

00:49Oh, you know, we know just who you're going to meet

00:55When you're walking down a busy London street.

00:59Mrs. Orchid, Mrs. Brown, any subject of the crowd.

01:05Oh, you never know just who you're going to meet.

01:09Sooo, you better hold your topper in your hand.

01:15Just in case you meet a lady on the strand.

01:19Girls will think you're kinda sweet, and your day will be complete.

01:25Oh, you never know just who you're going to meet.

01:29Now a gentleman is judged by his appearance.

01:33Yes, a gentleman is judged by how he talks.

01:37Now he's much better off when he's acting like a toff.

01:43Especially if he's taking him a walk.

01:47What on earth is this outlandish place?

01:50A rendezvous for actors.

01:52Actors?

01:53Buskers, old boy.

01:55You've seen them a thousand times.

01:57Actors who entertain the queues.

01:59Waiting outside theatres.

02:01Oh, you never know just who you're going to meet.

02:06When you're walking down a busy London street.

02:10So you better wear your vest.

02:14Hell with pies to look your best.

02:16Cause you never know just who you're going to meet.

02:20Sooo, you better keep your manners right in view.

02:27Just in case a lie gives a how to do.

02:31Keep your trousers in a fleet.

02:34Shine your shoes and keep them neat.

02:37Cause you never know just who you're going to meet.

02:39Blimey.

02:42Mr. Holmes.

02:44How are you, Joe?

02:46Never pet him.

02:47And yourself?

02:48Fine, thank you.

02:49I want you to meet a friend of mine, Dr. Watson, Joe's sister.

02:52Oh, well, any friend of Mr. Holmes is a friend of mine.

02:54How are you, Joe?

02:55He did me a good turn once that I'll never forget.

02:57Yes, I cleared Joe of a most unpleasant charge.

03:00Murder, no less.

03:01Oh, really?

03:02By proving to the satisfaction of the police that he was busy at the time blowing open someone's safe.

03:06That's right, Governor.

03:07Good gracious me.

03:08Now, Joe.

03:09Now you can help me.

03:11Come on, buzz off, buzz off.

03:12Come on, up here, up here.

03:13Can't a gentleman have some peace and quiet around here?

03:17And you, too.

03:18There you are, Mr. Holmes.

03:19Now we can have some peace and quiet around here.

03:20Thank you, Joe.

03:21There's five pounds in this for you.

03:22Well, I wouldn't want to take it on meself, sir.

03:23But I can get somebody to do it for you for half of that.

03:24You don't know what the job is yet.

03:25For five pounds?

03:26Murder, ain't it?

03:27What?

03:28No, Joe, not murder.

03:29Just, uh, music.

03:30I want you to identify a song for me.

03:31Oh, there ain't a song that's been written that I don't know.

03:32That's why I came to you.

03:33Of course, the violin is more my instrument, but, um...

03:34Oh, well, here we go.

03:35Now listen to this, Joe.

03:36Now listen to this, Joe.

03:37Now listen to this, Joe.

03:38Now we can have some peace and quiet around here.

03:39Now we can have some peace and quiet around here.

03:40Thank you, Joe.

03:41There's five pounds in this for you.

03:42Well, I wouldn't want to take it on meself, sir.

03:43But I can get somebody to do it for you for half of that.

03:44You don't know what the job is yet.

03:45I want you to identify a song for me.

03:47Oh, there ain't a song that's been written that I don't know.

03:49That's why I came to you.

03:51Of course, the violin is more my instrument, but, um...

03:54Oh, well.

03:55Here we go.

03:56Now listen to this, Joe.

04:03Wait a minute.

04:04You're playing that wrong.

04:05That should be E natural, not E flat.

04:07You know the song?

04:08Oh, yes.

04:09It's an old Australian song called, uh, The Swag Man.

04:13But you're playing it all wrong.

04:14That's what I hoped you'd say.

04:15Now listen again, Joe.

04:23That's the same tune, all right.

04:24But you're making different mistakes than you did the first time.

04:27No, not mistakes, Joe.

04:28Call them variations.

04:29Here.

04:30Play the song for me.

04:31We're the other way it's written.

04:44There you are.

04:45Thank you, Joe.

04:46What's it mean, Holmes?

04:47Are you onto something?

04:48Perhaps.

04:49I don't know yet.

04:50It's probably a code of some sort.

04:53Joe.

04:54Could you write the song down for me?

04:55The way it was originally written?

04:56Oh, sure, Mr. Holmes.

04:57But it'll take a few minutes.

04:58Here, Mabel.

04:59Pale Ale.

05:00Come on, I'll do it.

05:01On with it.

05:02Come on with it.

05:03Come on.

05:04Come on.

05:05Come on.

05:06Come on.

05:08Come on.

05:09Come on.

05:10How did you get a code of some sort?

05:11It's probably a code of some sort.

05:12Joe.

05:13Could you write the song down for me?

05:14The way it was originally written?

05:15Oh, sure, Mr. Holmes.

05:16But it'll take a few minutes.

05:17Here.

05:18Mabel.

05:19Pale Ale.

05:20Come on.

05:21I'll do it.

05:22Come on with it.

05:23Well, obviously it isn't the lyrics.

05:36No combination of those words made any sense at all.

05:39The variations in the way Emery's musical box played the tune

05:42are different from the variations in the one we have.

05:44You're sure?

05:45Quite.

05:46You see, I took the trouble to memorize the tune as played by Emery's box

05:49that night we were with him in his sweat.

05:51Oh, you amaze me.

05:52Elementary, my dear fellow, one of the first principles in solving crime

05:56is never to disregard anything, no matter how trivial.

05:59But why are there three boxes? Why not one?

06:01Because the message was obviously too long to be conveyed by any one variation.

06:06Then there's the third box, the one that woman took from the Kilgores.

06:11That contains yet another set of variations.

06:14Yes, sir, it's all beyond me.

06:17Well, all we have to do now is to find the secret of the variations.

06:20Not a very easy problem to solve, my dear fellow.

06:22Right.

06:27Hello.

06:29Mr. Sir.

06:33We've had company.

06:40I say, this is outrageous!

06:45Ask Mrs. Hudson to come in here, will you?

06:46Right.

06:52Mrs Hudson?

06:55Yes?

06:57Oh, there you are. Will you come up here at once, please?

06:59I'm coming, sir.

07:00Yes, sir.

07:16Merci me, Mr Holmes. What has happened?

07:19Who called while we were out, Mrs Hudson?

07:21Just a young lady. The one who said you wanted her to wait for you.

07:25And a nice-looking old gentleman with her.

07:27Our friends again, Watson?

07:28Friends?

07:29What did the young lady look like?

07:30Oh, I couldn't see her face. She had a heavy black veil on.

07:34But she had such a nice way with her.

07:37Oh, I'm sorry, Mr Holmes, if I've done anything wrong.

07:42But you did say I should always let clients come in and wait for you.

07:46Don't worry, Mrs Hudson, don't worry. You had no way of knowing.

07:49It's quite all right, quite all right. Now, don't worry, Mrs Hudson.

07:53Don't worry, but where on earth's the musical box?

07:55They didn't get it.

07:56Didn't get it? Where is it?

07:57It's in your hand.

07:58In that biscuit jar.

07:59Take the biscuits off the top.

08:00Now, put your hand inside and you'll find the music box.

08:03Well done, Holmes.

08:04Well done, amazing.

08:05Ha, ha.

08:06Ha, ha.

08:07Ha, ha.

08:08Ha, ha.

08:09Ha, ha.

08:10Oh, oh, oh, oh.

08:11Oh, oh, oh.

08:12Oh, oh, oh, oh.

08:13Oh, oh, oh, oh.

08:14Oh, oh, oh, oh.

08:15Oh, oh, oh, oh, oh.

08:16Oh, oh, oh, oh, oh.

08:17Oh, oh, oh, oh, oh, oh.

08:18the music box. Well done, Holmes. Well done. Amazing.

08:24Oh, oh, oh.

08:45Phew. Nice fresh smell. Like a pub after closing time.

08:55I say, Holmes. What?

08:58It's morning. Allow me to congratulate you on a brilliant bit of deduction.

09:10It's not a transposition, not a polygraph transposition, not a trigraph,

09:15nor any known form of decoding. How about the Morse code? Have you tried that?

09:20Yes, at about three o'clock this morning. I'm sorry, old man. I was only trying to help.

09:24Oh, do me a favour. Not again. Must have heard that thing a thousand times.

09:29Keep me awake all night.

09:34Not a very distinguished composition, I grant you.

09:37You know perfectly well I don't know one tune from the other.

09:39When I was a kid, my people tried to have me taught the piano.

09:43I've always felt sorry for that old teacher of mine.

09:44The poor old girl finally reached the point of numbing the keys for me. One, two, three, four.

09:49Even then I never progressed beyond a...

09:51Numbering the keys, Watson?

09:52The 19th key of the keyboard is the 19th letter of the keyboard.

09:55The 19th letter of the alphabet. S. Here.

09:56Now, I'll be down when I give it to you old fellow, will you?

09:58Oh, come on.

09:59Oh, come on.

10:00Come on.

10:01Come on.

10:02Come on.

10:03Come on.

10:04Come on.

10:05Come on.

10:06Come on.

10:07Come on.

10:08Come on.

10:09Come on.

10:10Come on.

10:11Come on.

10:12Come on.

10:13Numbering the keys, Watson.

10:14The 19th key of the keyboard is the 19th letter of the alphabet.

10:20S. Here.

10:21Now, I'll be down when I give it to you old fellow, will you?

10:25The first altered note.

10:27Write S first.

10:28Now, the 8th key is H.

10:34The 5th key, E.

10:37The 12th key, L.

10:40The 6th key, F.

10:42S-H-E-L-F.

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