00:00Celebrate the magic of Kashmir 10th Hum Awards at NRG Arena, Houston, Texas.
00:10Featuring Ali Zafar, Ramshah Khan, Yassir Hussain, Dananeer Mubeen,
00:24Shudha Asad, Ahmed Ali Akbar and more.
00:33Saturday 11th October 2025 at the NRG Arena, Houston, Texas.
00:40To get the early bird and group discounts, book your tickets now.
00:44Log on to www.hum.tv or www.ticketmaster.com.
00:51For sponsorships, contact Mr. Naveed Adam, Hum Network Ltd.
00:57Mujhse na jana haa kabhi duos.
01:03Aap 2 naak ka chek dhek raha hai.
01:10Aap na baaki saavit khar dhi, aapka bita chhor hai.
01:12To aur kya karta?
01:14Tumhare har jane bhogat raha hoon.
01:17Tumhi saruwat kya ti waha jane ki?
01:19Na tum waha chate, naa ye musibut hamare ghelye pardhi.
01:24Mena tumhara alayja, hummari alfaz ka saat ni dhe raha hai.
01:27Or ye baat mun dil se nahi keha raha hai.
01:32Asalam ala alaikum.
01:47Kaisi haam?
01:47Dhi dhi adla.
01:48Kaisi haam?
01:50Angele ye me ka suna raha hoon?
01:51Bilal ne chori ki hai?
01:52Haha beita, bade dardanaak kahani hai.
01:54Mena tumhye kiya bata hoon?
01:56Wona 5,000,000 rupaya le ura.
01:58Toh apne polis mei report kyun nahi ki?
02:00Report?
02:01Peta, tum polis mahala ko jantai nini?
02:03Uski abba abba ko đan dhund ki case vayas khatam kar dhengi.
02:05Lekin aisa to beta, mena murgaya na.
02:07Aap ko mein 5,000,000 se zyadha dhe dhunga leke na polis mei report to karein?
02:11Nain, zyadha dhe dhunga, mein samjha nini peta.
02:14Mucu pata taas ki zhurt pade ki.
02:16Yala hai.
02:18Aat laak rupaya.
02:21Aat laak rupaya.
02:23Peta, peta, peta.
02:25Aapke liye.
02:27Lekin e check ushi zhurt kyan shoga jab Subha Bilal arreste hoka.
02:31Eh, kya bula beta?
02:33Bilal.
02:34Aap bilkul thik kiya rheye hir hain.
02:37Ho jai ka, ye kaam ha tulukul.
02:39Ho jai ka?
02:40Khaana nini order ki aap lagun na?
02:42Nain, bas woh chai ki adat?
02:43Nain, nain.
02:44Khana khae bogayra biyaan se nini jayenge.
02:46Yaha ka onna mera dhost hai.
02:48Jo bhi chai order kane and the bill is on me.
02:51Thank you so much, peta.
02:52Please, beta.
02:53Okay.
02:54Bapak.
02:56Kya benda hai, yaar?
02:59Kya ho gaya tumhe?
03:00Uski harkat ni deki, woh kya kya kya kata hai?
03:02Arrest honna to bantai na?
03:03Meri bachki ki zindagi haraab ki wih usna hai?
03:05Aha.
03:06Achya, chup karab khana aap.
03:07Mugha khana khaan khaan.
03:08Ah, order le lijiye, please.
03:14Kya benda job ka, beta?
03:17Lekhi, aami dhundh raha ambi kuchus.
03:18Manta hai, tata.
03:21Korn hai, sir?
03:22Benengo?
03:22Benengo? Benengo.
03:24Pratuk jai.
03:24Pratuk jai.
03:28Eswar, korn hai ho ga?
03:29Tam, jashto maara koi ho bata, angin wala.
03:31Abai, korn hai?
03:33Arre, bababa bata raha, arre?
03:37Mugha khilaab kumplainer, in ko le ke jana hai tane.
03:39Bagi baat tanei jake kya kya.
03:40Mugha to kiya raha?
03:41Mugha to kiya raha?
03:42Chle.
03:43Mugha kiya raha?
03:43Bata hai toh sahih.
03:44Arre, kahan le ke jara raha hai meri beite ko?
03:47Sune toh sahih na?
03:48Ankel,
03:52Aapne toh kalbhi honne ka beitni kiya.
03:55Mere beite ka hukam ta bhala me kaise talta?
03:57Thank you so much.
04:00Abba khiaan ruckhi rega.
04:01Achse bata, wo jo tumne muge check diya tha,
04:05wo gift diya tha nha minu.
04:06Yes, you can keep that in mind with your son.
04:10Hello, son.
04:12Say hello to me.
04:17Why?
04:18Okay, let me tell you one more.
04:20What is your problem?
04:21You don't have to worry about checking.
04:23It's not like checking.
04:25Uncle,
04:27the checks are not bound to be bound to be bound to be bound to be bound to be bound to be bound to be bound to be bound.
04:39My son.
04:42Who told me about my father?
04:45Brother,
04:46when we come to the house, I'll give you a gift.
04:49I'll give you a gift.
04:50Why?
04:51I'll give you a gift.
04:52I'll give you a gift.
04:53I'll give you a gift.
04:54I'll give you a gift.
04:55I'll give you a gift.
04:56I'll give you a gift.
04:59Thank you my mother.
05:03I'll give you a gift.
05:04You will need to get the gift.
05:05I'll give you a gift.
05:07My wife, Sarah, was from Old Money.
05:08He used her family's connection to the government to...
05:10Your wife.
05:11What do you want to hear?
05:12Who is the gift?
05:13What do you want to hear?
05:15I'm filled with me.
05:16I'll give you a gift too.
05:17You can also sing.
05:23I'll give you my hyalad,
05:24I don't want to get up in the moment.
05:30What was the matter of this?
05:32You're burning and burning and burning on someone's feet.
05:36You can do it for attention.
05:42You don't need to do it with your feet.
05:45God will not forgive you.
05:48Why? You did something?
05:51I didn't do anything.
06:00Good night.
06:54All right...
07:22Give us something?
10:24Take a minute.
17:30So,
20:30It's enough.
20:32I cannot take this out.
20:34that you have saved this relationship only with this house
20:37because the workers are very successful here.
20:40So this is a mess, then the conversation will go.
20:43You're going to go to the conversation.
20:45I'm not afraid of anyone.
20:47And I didn't make any sense.
20:48I had married a couple of hundred people.
20:50Okay.
20:51Then go and disclose this in your office.
20:54Start from there.
20:56What do you think? I can't do it.
20:59I'll show you.
21:04It's done.
21:06So don't forget to subscribe to the channel.
21:08I'll see you on the next one.
21:12F U S N O F E R C A T R E R D.
21:15TAN F I R E R E R E G N D D A R E R E R E R M D A T R E R R E R E R R M O F E R E R E R E R E R E R E R E R E R E R E R R E R E R E R E R E R E R E R E R E R E R E R E R E R E R D E R E R E R E R E R E R E R .
21:26Because it is a mess.
21:27The most common sense of the story is not the story is not the fact that we have to be away from it.
21:29I have to come back from that and think about the story is not as the story is that you are not right.
26:26Take care.
26:28Take care.
26:29Take care.
26:30aire overlappery
26:35There's a little change.
26:36Yes.
26:37See you.
26:38For yourself.
26:40Here.
26:41Here.
26:42Here.
26:43Take a picture.
26:44And you say a selfie.
26:45And you look at it.
26:46See you.
26:47Bhabi? Bhabi? Bhabi? Bhabi?
26:54Bhabi?
26:55Sevilla.
27:17Bhabi? Bhabi? Bhabi? Bhabi? Bhabi?
27:47I'm sorry.
27:57I'm sorry.
27:59I'm sorry.
28:01I'm sorry.
28:09The problem is that
28:11the courage is not to be a man.
28:13When I think I'm sorry, that's the night that I'm standing in front of me.
28:21That night, the forest, the jungle, the sounds of my voice, my heart.
28:29After that, whatever happens, everything comes in front of me.
28:35I'll tell you that you are a small person.
28:42Why?
28:43Then I'll tell you to tell you that you are a little bit more than your mind.
28:49Then I'll tell you that you will be a little more than your mind.
28:54I
29:24I'm not going to be a man.
29:36I'm not going to be a man.
29:42Come on, baby.
29:48Come on, baby.
29:50Peace be upon you.
29:55I was just a 5th grade.
29:57Science was required.
29:59At that time,
30:01this work is a good job.
30:03It's not the morning,
30:05but I've been working hard for you.
30:08If you're a few years,
30:10you'll have to pay for your money.
30:12Do you keep in the camera?
30:20Meena, tu mire vete kumag ni ters achi veta.
30:34Oste galeti o vete.
30:39Oste mag sato.
30:47There is no doubt.
30:51There are no doubt about people.
30:54He told me everything.
30:56He told me nothing.
30:59He told me.
31:03He told me.
31:05He didn't come to me.
31:07He told me that I had a hard time.
31:10He told me that he was a big deal.
31:13He told me that he didn't come.
31:16He told me that he was a big deal.
31:18You can't believe in your heart.
31:21You can't believe in your heart.
31:24You are human.
31:26You are human.
31:28You are human.
31:30You are human.
31:34I am not for you.
31:36You are human.
31:38You have to take your mother home.
31:42You are human.
31:44You are human.
31:46You are human.
31:48I am human.
31:50You are human.
31:52I can tell you what you are doing.
31:56You are going to ask me if you are not sure.
32:00I have set up for you.
32:04You will have to keep it.
32:08You will need to keep it.
32:12You will have to keep your family, your family, your family, your family...
32:19This relationship goes on the street and goes on the street.
32:26It goes on the street and goes on the street.
32:30No, no.
32:33I don't know.
32:35You don't care.
32:37Look, come and see.
32:39This is a family,
32:42I'll see you.
32:44It's a family.
32:46I can't.
32:48I can't.
32:50I can't see.
32:52I'll see.
32:54Look at this.
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