- 2 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31It was really great.
00:02:01Now I'm going to show you what's going to be like.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:31I'm going to show you what's going to be like.
00:02:41Darling.
00:02:42Hello.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:46Mmm.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:52Thanks.
00:02:53Bye, Criona.
00:02:54Ciao.
00:02:55Try to have a nice trip.
00:02:56I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:05No.
00:03:06Hmm.
00:03:07I know that look.
00:03:08It really is beautiful.
00:03:20Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:39I feel strange all of a sudden.
00:03:46Hmm?
00:03:47I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah.
00:03:52It's beautiful.
00:03:53You were right.
00:03:54I just cannot imagine what it is like to do it here.
00:03:59You know?
00:04:24Hi.
00:04:25Hi.
00:04:36Hey, Priola.
00:04:37Ah, ciao.
00:04:38Hi.
00:04:39How's it going?
00:04:40How?
00:04:41Any news?
00:04:42No.
00:04:43Nothing yet.
00:04:44I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:04:54Good luck.
00:05:07Good luck.
00:05:08Good luck.
00:05:09Good luck.
00:05:11Good luck.
00:05:12Other life.
00:05:14Well, I try to attribute you to a group Independence layer of the world.
00:05:18Good luck.
00:05:21Good luck.
00:05:22Good luck.
00:05:23Good luck.
00:05:24Oh, my God.
00:05:54Ha, ha, ha, ha, ha, ha.
00:06:24I thought you'd never get here.
00:06:32Seems like an eternity.
00:06:40Now that's more like it.
00:06:42Where are you taking me tonight?
00:06:54Here you go.
00:06:55Here you go.
00:06:56Let's go.
00:07:26Will you place the same number, madame?
00:07:41Sure.
00:07:42Let's go.
00:07:43Let's go.
00:07:44Let's go.
00:07:45Let's go.
00:07:46Let's go.
00:07:47Let's go.
00:07:48Let's go.
00:07:49Let's go.
00:07:50Let's go.
00:07:51Let's go.
00:07:52Let's go.
00:07:53Let's go.
00:07:54Let's go.
00:07:55Let's go.
00:07:56Let's go.
00:07:57Let's go.
00:08:02Let's go.
00:08:10Ladies and gentlemen, let's please, ladies and gentlemen.
00:08:40Hey, excuse me, have you, have you ever seen this girl?
00:08:54No, I'm sorry, never seen her before in my life.
00:08:57You got an offer to make for the Children of the Sun?
00:09:00Okay, here, will that do?
00:09:02Sure, keep the literature, that might help you spiritually.
00:09:10Are you trying to get me drunk?
00:09:18Well, it's not a bad idea.
00:09:20Twist my arm.
00:09:24Let's see.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:34So it is.
00:09:35Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:39He's looking for his fiancee.
00:09:41That's why he's here.
00:09:42And how did he lose her?
00:09:43It's an interesting story.
00:09:44I adore interesting stories.
00:09:46Just think, they were going to get married.
00:09:51And not long before the wedding, she went on holiday with some friends from work.
00:09:55And they came here, to Santo Domingo, as part of the package deal.
00:09:59When it was time to leave, she disappeared.
00:10:01Come on.
00:10:02Really?
00:10:03Yeah.
00:10:04Just up and deserted the others?
00:10:07Apparently.
00:10:08She never contacted anyone.
00:10:10But he's convinced she's still here somewhere.
00:10:13It's quite possible.
00:10:14The tropics can do funny things.
00:10:16Especially to anyone who's been under some kind of stress.
00:10:20The misery and anguish of living in what we laughingly call civilization.
00:10:24Taxes, overworked crime, pollution, traffic.
00:10:27This music can make you think again.
00:10:30And besides, who knows?
00:10:33She might have met a guy she, um, liked more.
00:10:37You know, simple islander.
00:10:39Oh, come on.
00:10:41That's only a depiction.
00:10:44Love is everywhere.
00:10:46If it's there, it's there.
00:10:48If it's not, it's not.
00:10:50Be nice to the guy.
00:10:52Wouldn't hurt if you asked him to join us.
00:10:54I bet you'd think he'd be very lonely.
00:10:56Ready to talk to him?
00:10:58Okay.
00:10:59Marco.
00:11:00How are you?
00:11:01This is my husband.
00:11:02Hi, love.
00:11:03Well, very kind of you.
00:11:04Would you like something to drink?
00:11:05Yeah, I'll have what you're happy.
00:11:07Whatever it is.
00:11:08How's the search going?
00:11:09Find anything yet?
00:11:10No, I'm afraid nothing much yet.
00:11:11Well, very kind of you.
00:11:17Would you like something to drink?
00:11:19Yeah, I'll have what you're happy, whatever it is.
00:11:24How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:30But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:39You two carry on.
00:11:40Excuse me, I'll be right back.
00:11:43Where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:47My magazine editor wants that weekly report.
00:11:52Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59I'm not too good at dancing.
00:12:01Just let the music do the work.
00:12:10No, I haven't danced in years.
00:12:14Well, we're going to have to make up for lost time then.
00:12:20Yeah.
00:12:24Listen, Criella, maybe we should go back to the table, huh?
00:12:26Why?
00:12:28Why?
00:12:28Your dancing is...
00:12:29Great.
00:12:36Come on, loosen up.
00:12:48I feel uncomfortable.
00:12:50Well, there's no need.
00:13:03What is it?
00:13:04I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:13Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:35But you see, I love him.
00:13:42And I'll do anything.
00:13:51He likes to think I'm unfaithful.
00:13:55Please help me.
00:14:00I understand.
00:14:01You know, love can be a strange thing.
00:14:31Well, the light is not the best, but we shall do what we can.
00:14:52It's a beautiful island, an absolutely amazing place.
00:14:56It's full of surprises.
00:14:58But you told me you'd never been here.
00:14:59Well, if Ryan told me such a lot about it, I feel like I know it by heart.
00:15:05It's in the form of a turtle.
00:15:07A turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:14You better start praying that, uh, you don't end up reincarnated as a turtle.
00:15:21Ha, ha.
00:15:23Sometimes you're a real asshole.
00:15:24Ha, ha.
00:15:27Oh, for God's sake.
00:15:29I was joking.
00:15:32Get away.
00:15:34What a warped for the day.
00:15:38What's wrong?
00:15:40Are you nervous?
00:15:42Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:47I feel strange.
00:15:49And this boat.
00:15:50And that man up there.
00:15:57Haven't you noticed he hasn't said a word since we left?
00:16:00We hired him to keep up a conversation with us, all right?
00:16:05Look at him.
00:16:06Look at him.
00:16:08The hat, his base.
00:16:09He's a pirate.
00:16:10I've been told he's a very good sailor.
00:16:14Honest and completely trustworthy who knows these islands.
00:16:17He looks like he doesn't watch.
00:16:20He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:24He looks like he doesn't know these islands.
00:16:46What a place.
00:16:50Guaranteed primitive.
00:16:51Yeah.
00:16:54Hey, it's wide open.
00:16:57There's no key. Nobody locks doors here.
00:17:02Looks like Florida. What a disappointment.
00:17:07We said $100, right?
00:17:08Uh-huh.
00:17:14This is two.
00:17:15Keep it.
00:17:17One's enough.
00:17:23Adios.
00:17:32Uh, is it far to the fishing village?
00:17:35500 meters. Down that way.
00:17:38Okay.
00:17:39Okay.
00:17:40I'm going to go to the village.
00:17:43Okay. I prefer to stay here.
00:17:45Whatever you like.
00:17:46Can't wait to take a swim.
00:17:47Go ahead.
00:17:48See you later.
00:17:49All right.
00:17:50See you later.
00:17:51Bye.
00:17:52Bye.
00:17:53Bye.
00:17:54Bye.
00:17:55Bye.
00:17:56Bye.
00:17:57Bye.
00:17:58Bye.
00:17:59Bye.
00:18:00Bye.
00:18:01Bye.
00:18:02Bye.
00:18:04Bye.
00:18:05Bye.
00:18:06Bye.
00:18:07Bye.
00:18:08Bye.
00:18:09Bye.
00:18:10Bye.
00:18:11So long now, bye.
00:18:41Hi.
00:18:44Hi.
00:18:45Well, so you came at last.
00:18:55Hi there.
00:18:56Hello, sir.
00:19:02Good morning.
00:19:04Good morning.
00:19:11Good morning, sir.
00:19:12No, thanks.
00:19:13Hey, hey, let me take a picture.
00:19:17Eh, that's it.
00:19:41Good morning, Consuelo.
00:19:50What can I do for you today?
00:19:53I've got an empty refrigerator to load up.
00:19:55I'll bring you a few drinks.
00:19:56For instance, would you like some alcohol?
00:19:58Or would you like something?
00:19:59Ehh.
00:20:00Yeah.
00:20:01And I love it.
00:20:02Oh, yeah.
00:20:05What is it, like this?
00:20:07It's not that bad.
00:20:08For example, would you like some alcohol or would you prefer some soft drinks?
00:20:12Mmm, well, a little of both.
00:20:14I won't be long.
00:20:38Here are some models.
00:20:44Uh, who's that woman there?
00:20:47A very well-known American writer.
00:20:50Joanne Sullivan?
00:20:52Mm-hmm.
00:20:53I know her.
00:20:54The two of us were at the same school.
00:20:56I think I'll say hello.
00:21:05Joanne?
00:21:06Mm-hmm.
00:21:07Who is it?
00:21:08You remember Andy the Nerd?
00:21:10Oh.
00:21:11Andy the Nerd.
00:21:13Oh, my God.
00:21:15Is it really you?
00:21:16Uh-huh.
00:21:17Oh.
00:21:18How are you?
00:21:19Fine.
00:21:20Great to see my old valedictorian.
00:21:22Great to see you.
00:21:23Oh.
00:21:24What are you doing here?
00:21:25Oh, I'm taking pictures for a magazine.
00:21:27Oh, fantastic. Come and sit down.
00:21:29What are you doing?
00:21:31Escaping.
00:21:32But don't ask me, from what?
00:21:34Because I don't know.
00:21:36Maybe from myself.
00:21:37Well, I imagine you're writing something now.
00:21:39Checks, that's all.
00:21:41As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:45Gymnastics.
00:21:50And I drink.
00:21:54I tend the garden.
00:21:55I read.
00:21:56Don't you like long for New York at all?
00:22:04No.
00:22:05America is in an advanced state of decomposition, Andy.
00:22:08Like the whole of the West.
00:22:10It's no good.
00:22:12I have no nostalgia.
00:22:14Only for company, that's all.
00:22:16Here, there aren't any men that I like.
00:22:19That's probably a good thing.
00:22:22I like everything sophisticated or complicated.
00:22:28I suppose I'm in a crisis.
00:22:31Is that a plea for help, I guess?
00:22:33Oh, come on.
00:22:34It wasn't a proposition.
00:22:35I see.
00:22:36Well, in that case, I'll offer you a proposition.
00:22:38Mmm.
00:22:39What kind?
00:22:40Like I told you, I'm working for a magazine
00:22:42and doing a story on this island.
00:22:45And you know it pretty well.
00:22:47Yes, I do.
00:22:48If you could help me.
00:22:51Whenever you want.
00:22:52My pleasure.
00:22:53Great.
00:22:59Here comes the food.
00:23:00Oh, good.
00:23:01We can try the local cuisine.
00:23:02Here it is, the chef's special.
00:23:04Mmm.
00:23:05Mmm.
00:23:06Mmm.
00:23:07That looks...
00:23:08Mmm.
00:23:09Enjoy your food.
00:23:10I'm starving.
00:23:12Oh, that looks good.
00:23:14Consuela's such an extrovert.
00:23:15She's always bright and sunny.
00:23:17She's just my opposite.
00:23:19I like her.
00:23:21She's already had the cream of the young men on the island.
00:23:24Mmm.
00:23:25If I could only get used to going to bed so easily.
00:23:29Yes.
00:23:31It's knowing how to start it up.
00:23:33Yeah.
00:23:34The warm-up.
00:23:36It's simple as to make it with someone you know.
00:23:40The first up's taken already.
00:23:42Are you making advances?
00:23:45I'm attempting to find you an answer.
00:23:48I don't think Criela thinks it's such a good idea.
00:23:51It might be more fun if we didn't leave her out.
00:23:53Since when's three a crowd?
00:23:54Oh, Andy, come on.
00:23:55I thought you were emancipated.
00:23:56But you're still stuck in the seventies.
00:23:57Sex, lib, dreaming.
00:23:58That's old hat.
00:23:59You disappoint me.
00:24:00Ha, ha, ha!
00:24:01Ha!
00:24:02Ha!
00:24:03Ha!
00:24:04Ha!
00:24:05Ha!
00:24:06Sex lib dreaming.
00:24:08That's all, Dad.
00:24:09You disappoint me.
00:24:18Esa mujer tiene el corazón duro con MFP.
00:24:36Esa mujer está muy bien en este lugar.
00:24:45¿Has estado aquí mucho?
00:24:46Solo un poco de tiempo, pero es como si fuera.
00:24:50La chica llegó hace unos meses, eso es todo.
00:24:53No es malo.
00:24:57Te danas casi como una nación.
00:25:06¿Es que es su mujer?
00:25:08Su espantada.
00:25:10Ella está todo el día y espera por él.
00:25:12Creo que es un italiano.
00:25:15La pobreza.
00:25:16Viene aquí en vacío,
00:25:17tomó una vez y se quedó.
00:25:19Se quedó en él.
00:25:22Hey, quizás esa persona es la mujer,
00:25:25esa estuadora de la estuadora,
00:25:26era tan desesperadamente buscando.
00:25:29¿Usted dice que es un italiano?
00:25:31Sí, ¿por qué?
00:25:33Pero entonces...
00:25:34Debería ser ella, en el aeropuerto,
00:25:36con su espantada.
00:25:37Él vino aquí para buscarla.
00:25:39Él va a volver a la luz, estoy seguro.
00:25:42Leon es como una droga.
00:25:44Él no conquistó,
00:25:45él dominó.
00:25:47Tu amigo,
00:25:48mejor que se designa a perderla.
00:25:51Espero que no encontrela.
00:25:53Como dije,
00:25:54esta isla quiere poner
00:25:55malos en las mujeres.
00:25:59Pobre el hombre.
00:26:01Debería que se ame a esa mujer
00:26:02a la vez.
00:26:04Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:12Me?
00:26:13Yeah, he's a savage.
00:26:15Could it be terribly easy for you to make an oaf like that?
00:26:19You know, come chasing after you like a beast in heat.
00:26:23He's a womanized, and your friend will get back his girlfriend.
00:26:26Have you gone haywire?
00:26:29I think it's a magnificent idea, don't you?
00:26:32It's a little risky.
00:26:34What, you mean I might lose her?
00:26:36I trust Creole completely, Joanne.
00:26:39And besides, she'll just have to fake it.
00:26:41Right?
00:26:42Go on.
00:26:43Ask him to dance.
00:26:44Have a heart.
00:26:45Hey, look, have you finished?
00:26:47I've had enough.
00:26:49I'm gonna go.
00:26:50This music's getting on my nerves.
00:27:02Sorry.
00:27:03I wasn't serious.
00:27:04It was a joke.
00:27:05I love you, Andy.
00:27:06I love you more than anything else in the world.
00:27:09Me too.
00:27:10I love you too.
00:27:11God.
00:27:12It's okay.
00:27:13It's okay.
00:27:14If you're tired.
00:27:19More than anything else in the world.
00:27:26Me too.
00:27:31I love you too.
00:27:34God.
00:27:38It's okay.
00:27:41If you're tired.
00:27:45It's happened before.
00:27:47It'll pass.
00:28:17I love you too.
00:28:21I love you too.
00:28:24I love you too.
00:28:26I love you too.
00:28:29I love you too.
00:28:33I love you too.
00:28:36I love you too.
00:28:38I love you too.
00:28:47Oh, my God.
00:29:17Oh, my God.
00:29:47Oh, my God.
00:30:17Put me down, you...
00:30:19Let her go.
00:30:24Vamos.
00:30:25Well, it's a good thing you came.
00:30:36I guess I should say thanks.
00:30:38You don't have to.
00:30:42Thanks, anyway.
00:30:45You know, you should go around by yourself.
00:30:50It's Aston for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:57It's your life.
00:30:59Do what you want.
00:31:00What are you doing?
00:31:19Offering you a little hospitality.
00:31:20Here, have a drink.
00:31:30Viola?
00:31:51Viola?
00:32:04You there?
00:32:09Viola?
00:32:10Viola?
00:32:17Viola?
00:32:21Viola?
00:32:24Viola?
00:32:24Viola!
00:32:25Viola!
00:32:26Viola!
00:32:27Viola!
00:32:28Viola!
00:32:29Viola!
00:32:30Viola!
00:32:31Viola!
00:32:36Viola!
00:32:38You see Criola?
00:32:39No.
00:32:41There's no sign of her on the beach.
00:32:42The bungalow's empty.
00:32:43She's disappeared.
00:32:44She's probably gone off exploring the island.
00:32:46I expect you're right.
00:32:47Thanks, Viola.
00:32:48Ciao.
00:32:50Where the hell have you been?
00:32:51I looked all over for you.
00:32:52I got bored here all along,
00:32:53so I took off to look around, alright?
00:32:55Well, you'd have had more fun if you'd been with me.
00:32:57No.
00:32:59No.
00:33:00No.
00:33:01No.
00:33:03No.
00:33:04No.
00:33:05No.
00:33:06No.
00:33:07No.
00:33:08No.
00:33:09No.
00:33:10It's all over for you.
00:33:11No.
00:33:12No.
00:33:13No.
00:33:20Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures.
00:33:25Things I'd never have found without her.
00:33:33Andy.
00:33:34Yeah?
00:33:35I gotta tell you something.
00:33:36Go ahead, shoot.
00:33:38Let's go away from here.
00:33:39Why, something the matter?
00:33:41Yeah.
00:33:42Let's go away.
00:33:45We can't yet.
00:33:46I still have photos to do.
00:33:48Besides, I got a little money in advance.
00:33:52I can't let the magazine down.
00:33:53I'd never work again.
00:33:54No way.
00:33:55Forget it.
00:33:56Well, I can't forget it.
00:33:58I want to go away.
00:34:00I want to go back to America.
00:34:02You're not being reasonable.
00:34:03I know.
00:34:04But I can't stay here another minute.
00:34:05I suppose it's my fault, huh?
00:34:06No, of course not.
00:34:07I'll be all right again soon, I swear.
00:34:08No, it's...
00:34:09There's nothing to do with you.
00:34:10I don't know.
00:34:11It's just...
00:34:12Look.
00:34:13I'm counting on the erotic atmosphere of this place to do the trick, and I'm sure it will.
00:34:28It's only a question of time.
00:34:30I know it.
00:34:34All you have to do is be patient.
00:34:36Just a little longer.
00:34:37We'll be happy again.
00:34:38And then I'll be able to give you what you need so badly.
00:35:08I'll be happy again.
00:35:38I'll be happy again.
00:35:39I'll be happy again.
00:35:40I'll be happy again.
00:35:41I'll be happy again.
00:35:42I'll be happy again.
00:35:43I'll be happy again.
00:35:44I'll be happy again.
00:35:45Everything okay, folks?
00:35:46Oh, yes, thank you.
00:35:47I could get addicted to this.
00:35:48Fine, Consuelo.
00:35:49Thanks.
00:35:50Food is the only health device.
00:35:51What about sex?
00:35:52Right.
00:35:53But who remembers that anymore?
00:35:54I do.
00:35:55One day, I guess I'll get another chance.
00:36:25Do you want a drink?
00:36:39No, not for me.
00:36:44How come?
00:36:48One needs a good motive to get drunk.
00:36:50But I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:36:58Hmm?
00:36:59Criola.
00:37:02What is this?
00:37:03The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:10I don't know why you two should be
00:37:12a flagrant couple of exceptions.
00:37:16Of course you include yourself in that sweeping statement.
00:37:19I don't know.
00:37:20I don't know.
00:37:21But I'm trying to.
00:37:22Since I quit writing that crap about love, I've stopped looking for it.
00:37:25Ah.
00:37:26To broken hearts, then.
00:37:27Hmm.
00:37:28Hmm.
00:37:29Hmm.
00:37:30Hmm.
00:37:31Hmm.
00:37:32Hmm.
00:37:33Hmm.
00:37:34Hmm.
00:37:35Hmm.
00:37:36Hmm.
00:37:37Hmm.
00:37:38Hmm.
00:37:39Hmm.
00:37:40Hmm.
00:37:41Hmm.
00:37:42Hmm.
00:37:43Hmm.
00:37:44Hmm.
00:37:51Hmm.
00:38:00Hmm.
00:38:01Jean-ius.
00:38:02I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:17You want to make love with me again?
00:38:21Yes, sir.
00:38:26Well, not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:37Well, answer me!
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:53Are you quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here in Quinceuera Valley.
00:39:00Okay.
00:39:01I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:05Hey, I'm always high.
00:39:08It's not true.
00:39:11I'm not going to stay around and talk about it.
00:39:13Goodbye.
00:39:14I'm not going to stay around and talk about it.
00:39:15I'll be right now.
00:39:31I'm sorry.
00:39:31I'll be right back.
00:39:32Bye-bye.
00:39:32Bye-bye.
00:39:35Bye-bye.
00:39:36Bye-bye.
00:39:37Bye-bye.
00:39:37Bye-bye.
00:39:39Bye-bye.
00:39:39Bye-bye.
00:39:39Bye-bye.
00:39:41Bye-bye.
00:39:41Bye-bye.
00:39:42It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:11Since you made a sound, Joanne.
00:40:17Sorry, Joanne, but the places you've shown me have been so dazzling.
00:40:22I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:33I'm desperate.
00:40:34She's changed, and if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:39You better hurry, or you'll be too late.
00:40:44I'll take you back.
00:40:45I bet you're enjoying it.
00:40:51Joanne gave me one, too, with a dedication.
00:40:53I sobbed my eyes out.
00:40:54For a romantic novel, it's not bad.
00:41:01It's a model a fun thing to be, Criola.
00:41:04I wouldn't recommend it to my friends, but I'm not complaining.
00:41:07I asked because when I was a little girl, I dreamed of being a dancer or a model, but I ended up with overweight tits.
00:41:14So you snuck away to live on an island.
00:41:15Well, here at least they appreciate my boobs.
00:41:20Here comes a customer.
00:41:21Oh, it's Marco.
00:41:22You know him?
00:41:23I don't know.
00:41:24I don't know.
00:41:25I don't know.
00:41:26I don't know.
00:41:27I don't know.
00:41:28I don't know.
00:41:29I don't know.
00:41:30I don't know.
00:41:31I don't know.
00:41:32I don't know.
00:41:33I don't know.
00:41:34I don't know.
00:41:35Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:41Oh, it's Marco.
00:41:42You know him?
00:41:43Yeah.
00:41:44Hi, Marco.
00:41:45Hi, Criola.
00:41:46I imagine bumping into you here.
00:41:48Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:52Oh, I need a place to stay.
00:41:55I have a vacant room here.
00:41:56Fine.
00:41:57If it isn't too expensive.
00:41:58Don't worry.
00:41:59It won't bankrupt you.
00:42:00I'll go make your bed up.
00:42:02Okay.
00:42:03That's a bit of good luck.
00:42:04More than you bargained for.
00:42:07Listen.
00:42:08I have some important news for you.
00:42:10Very important.
00:42:11I may know where your girlfriend is.
00:42:14Iris.
00:42:15You mean you found her?
00:42:16Yeah.
00:42:17Oh, God.
00:42:26You.
00:42:28Who is it?
00:42:29Don't worry.
00:42:31What do you want?
00:42:33I came to take you back.
00:42:36You made the trip for nothing.
00:42:38I'm sorry.
00:42:41Leon, where are you going?
00:42:42I'm leaving.
00:42:43But why?
00:42:44You're not the one who has to leave.
00:42:46Go away.
00:42:47Go back where you came from.
00:42:49Go on, get out.
00:42:50Leon, throw him out.
00:42:52Do something.
00:42:53I am.
00:42:54Leon.
00:42:55Leon.
00:42:56Leon.
00:42:57Leon.
00:42:58Leon.
00:43:00Don't go.
00:43:03Damn you.
00:43:04Why?
00:43:05Why did you come here?
00:43:07Because I still love you.
00:43:09And I'm not leaving without you.
00:43:11Don't you understand, Marco?
00:43:15I'm no longer the girl that you knew.
00:43:18Now I'm another person.
00:43:21I love another man.
00:43:23I'll wait.
00:43:24I'm patient.
00:43:25Iris, you'll get over it once we're together again.
00:43:28I'm not leaving this island without you.
00:43:58Can I stay on board?
00:44:12Now get this straight.
00:44:14This time.
00:44:16Must be forever.
00:44:23I know.
00:44:26So?
00:44:27Stay.
00:44:39She's not a Consuelo.
00:44:40She's not on the beach.
00:44:41She's gone.
00:44:42There's no other explanation.
00:44:44I knew it.
00:44:45She's gone back to the States.
00:44:50How?
00:44:51Wearing a pareo?
00:44:52Andy, look.
00:44:54She hasn't gone.
00:44:56Her stuff's still here.
00:45:09Andy, you're not to worry.
00:45:11I'm sure that Criola will soon come back.
00:45:13Do believe me.
00:45:14Do believe me.
00:45:20I gotta be off now.
00:45:21So long.
00:45:22See you at dinner?
00:45:23Mm-hmm.
00:45:24Yeah.
00:45:25Come here.
00:45:26Welcome.
00:45:57Have you seen Leon?
00:46:00Sorry.
00:46:12To the stern.
00:46:14I want a word with him.
00:46:16I'll leave you two together.
00:46:17Wait.
00:46:18What do you want?
00:46:20Iris.
00:46:21Iris?
00:46:22You got her.
00:46:24You don't want Iris.
00:46:26Iris is free to do what she wants.
00:46:28Adios.
00:46:29Oh, my gosh.
00:47:29No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget them.
00:47:56You'll suffer a little at first, but then...
00:47:58But then it'll pass.
00:48:03I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:14It's over.
00:48:16Don't you understand?
00:48:18He'll get tired of her quickly.
00:48:19It's already happened other times.
00:48:24I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:34Oh, Christ!
00:48:34I'll go.
00:48:35I'll wait.
00:48:36I'll wait.
00:49:07Get out of here and stop bothering the customers.
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:27Playing with fire.
00:49:28One can be burned in the end.
00:49:33I blame myself.
00:49:34My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:41I'm perverted, I guess.
00:49:43I proposed it to her.
00:49:45I must be an asshole.
00:49:48But now she's gone for good.
00:49:51She did it because she knew you liked it.
00:49:53Not for herself.
00:49:54She's not the kind of woman who sleeps around a lot.
00:49:59Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:07She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:12And look what happened.
00:50:13Fate set a trap for her.
00:50:15Oh, God.
00:50:15I'm the one who went and trapped her.
00:50:20Yep.
00:50:21Now you're trapped.
00:50:22It started as a game, that's all.
00:50:26It wasn't serious.
00:50:30Games can be dangerous to play if you don't keep to the rules.
00:50:37Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:43Thanks.
00:50:44Hey, you've forgotten?
00:50:45We met one night in San Domingo.
00:50:48I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:52Hi.
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here.
00:50:56She already knows.
00:50:57But you mean to say you...
00:50:59You've seen her?
00:51:01Yes.
00:51:02Uh, briefly.
00:51:03Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:09Surely you can guess.
00:51:18She's on Leon's boat.
00:51:24Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:26Don't go.
00:51:46You're hurting me.
00:52:02You're hurting me.
00:52:16Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:28In his boat.
00:52:29Thanks.
00:52:46You're hurting me.
00:53:04You're hurting me.
00:53:09You're hurting me.
00:53:14You're hurting me.
00:53:42Put it in the pail.
00:53:43You know how to cook it?
00:53:47You'll have to learn.
00:53:51You'll have to learn.
00:54:01Hey, what are you doing here?
00:54:15Criola?
00:54:17Criola!
00:54:19Criola!
00:54:21Criola!
00:54:23Criola!
00:54:25Criola!
00:54:27What do you want?
00:54:29I've come to get her.
00:54:31Leon!
00:54:33No, what are you doing?
00:54:35Criola, I never thought
00:54:37I would come to this.
00:54:39Please, I know it's all my fault, but
00:54:41please, don't humiliate yourself like this.
00:54:43It's too late.
00:54:45It's not too late.
00:54:47It's not.
00:54:49It's too late, Andy.
00:54:51No, it's not.
00:54:53Please, we must begin again.
00:54:55I can't.
00:54:57No, don't tell me you're gonna stay here.
00:54:59Jesus, Criola!
00:55:01With a bastard like that!
00:55:03I have no more strength.
00:55:05No more desire to go on.
00:55:07It's finished.
00:55:09You don't know what you're saying. You're coming back.
00:55:11No! Yes! No!
00:55:13It can't be finished, goddammit!
00:55:15Leave me alone.
00:55:17It's finished.
00:55:19With Leon, I'm alive. He satisfies me.
00:55:21No! No!
00:55:23I don't believe you.
00:55:25I'm terribly sorry, Andy.
00:55:27Really.
00:55:29It's ridiculous.
00:55:31Ridiculous.
00:55:33Ridiculous.
00:55:35My life is meaningless without you.
00:55:39My life is meaningless without you.
00:55:41My life is meaningless without you.
00:55:43I'm sorry.
00:55:45I didn't mean to disturb you, but...
00:55:47I just wanted something to drink.
00:55:49No problem, really.
00:55:51I don't mind having a break.
00:55:53Why don't you stick around?
00:55:55Why don't you stick around?
00:55:57You might even keep us company, if you like.
00:55:59Thanks.
00:56:01But not tonight.
00:56:03I'm sorry.
00:56:05I didn't mean to disturb you, but...
00:56:07I just wanted something to drink.
00:56:09No problem, really.
00:56:11I don't mind having a break.
00:56:13Why don't you stick around?
00:56:15You might even keep us company, if you like.
00:56:23Thanks.
00:56:24But not tonight.
00:56:25Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:29I invented this.
00:56:41I call it gin-balling.
00:56:43It's a very silly game.
00:56:45For what?
00:56:47Serves to calm the nerves.
00:56:49Try it.
00:56:50Okay.
00:56:55Okay.
00:56:57Tell Mother everything.
00:56:59I'm all ears.
00:57:01Look.
00:57:03I have no intention of fighting with you.
00:57:06You're a kind, sweet, patient...
00:57:08Okay.
00:57:09Get to the point.
00:57:10The question is,
00:57:11will she tire of that dope?
00:57:13That's what you want to know.
00:57:15Is that it?
00:57:16She's bound to tire of it.
00:57:18She always does.
00:57:23This place...
00:57:25plays tricks on one sometimes.
00:57:28Even I fell once, you know?
00:57:30There's no truth in all that shit.
00:57:33I surely don't need to prove it, do I?
00:57:35You're up against an example.
00:57:37And you know it.
00:57:40It's not a person who casts a spell on one at all,
00:57:43but this island.
00:57:44It intoxicates people's minds.
00:57:47It may not be happiness.
00:57:49God only knows happiness.
00:57:51It's hard enough to find anywhere.
00:57:53But it's a narcotic that makes them feel they found paradise.
00:57:56Hmm.
00:57:57Yeah.
00:57:58It's blinded Eve in Creole.
00:58:00She used to hate dirt.
00:58:02The invention of squalor made her sick for days.
00:58:05Mm-hmm.
00:58:06A Puritan.
00:58:07It's usual.
00:58:08When they eventually rebel, that's it.
00:58:12They reject the previous moral values they had.
00:58:15And abandon themselves falling into the arms of someone like Leon.
00:58:19But you see, I can't understand how she could learn to make love like that.
00:58:25Oh, yes, you can.
00:58:27Please.
00:58:29Right.
00:58:30Let's not say anymore.
00:58:31You want to sit here all night?
00:58:40I...
00:58:49That's not going to do any good.
00:59:01Hey.
00:59:02What's the matter?
00:59:03You've suddenly developed morals?
00:59:07I'm as immoral as you are.
00:59:10But there is such a thing as the right moment.
00:59:14Night, it's way past my bedtime.
00:59:16Is it ready?
00:59:18Is it cooked?
00:59:22Is it ready?
00:59:38Is it cooked?
00:59:43There's a time for love.
00:59:45There's a time for food.
00:59:48Now we eat.
00:59:52There's a time for food.
01:00:22There's a time for food.
01:00:32There's a time for food.
01:00:38Oh, oh, oh, oh, oh.
01:01:08Oh, oh, oh, oh, oh, oh, oh, oh.
01:01:38Oh, oh, oh, oh, oh, oh, oh.
01:02:08Oh, oh, oh, oh, oh.
01:02:14Bomba.
01:02:16Bomba.
01:02:17Bomba.
01:02:18I don't know anymore, Iris.
01:02:34how can you humiliate yourself this way how can you accept all this because i love him like i
01:02:41never loved anyone how about us then don't i count for anything perhaps you've forgotten
01:02:47that we were supposed to get married in a month you don't understand marco i'm not able to leave
01:02:53my god how is this possible go away from here it's useless i'll never give liana
01:03:03for any reason
01:03:05y cuando llegaste me miraste me diste loco estás mojado ya no te quiero
01:03:15si no es circo ya eres una estrella una estrella roja que todos te lo imaginan
01:03:24si te pregunto tú no me conocías o no el boquete del pantalón
01:03:32like a beer sure
01:03:42it's got to be a better life someplace right i wonder if all tropic paradises are such hell
01:03:51that bastard fucks our women and we are here getting drunk
01:04:02if only we had any guts we'd do something about it
01:04:10hello
01:04:12hello
01:04:24hello
01:04:37don't look at me like that
01:04:44i was just admiring you then don't admire me that way are you alone why tomorrow morning
01:04:56i go i thought i should tell you that i'd like to hire the boat from leon
01:05:00i'm mad about you nothing can make me change ever
01:05:09i uh i put your things in a bag what do you want me to do with it
01:05:16whatever you want
01:05:18what do i do keep it burn it i'm not coming back you're lying
01:05:28hey what do you want
01:05:33i need you leon a ride to the mainland so i can fly out to america
01:05:41i want to hire the boat tomorrow morning
01:05:44marco's also going and i want it to be a party so bring creole along as well
01:05:50it's better if creole stays at home
01:05:56she's got work to do and i want something to eat when i get back
01:06:01anyway
01:06:04it's okay i'll accompany you
01:06:11don't you realize the life you're leading
01:06:25i'm fine here
01:06:27come back with me iris
01:06:36no marco not now not ever
01:06:41and for heaven's sake don't ask me again
01:06:44now leave me alone i have worked
01:06:48you win okay
01:07:11okay
01:07:16let's go
01:07:18go
01:07:22go
01:07:31Oh, my God.
01:08:01Oh, my God. I have a terrible feeling. He came to me this morning and he had a strange, evil look in his eyes. He said some awful things about Leon yesterday when he was drunk. But when I saw him this morning, he wasn't drunk.
01:08:31Hey, what's all the mystery? Let me in on it.
01:08:38Let me in on it.
01:08:43Let me in on it.
01:09:13Let me in on it.
01:09:43Let me in on it.
01:09:50Shit.
01:09:55Shit.
01:10:04There must be something caught in the propeller.
01:10:19I'm going down to have a look.
01:10:24Come on. Let's go.
01:10:31Come on. Let's go.
01:10:38Come on. Let's go.
01:10:50Come on. Let's go.
01:10:51Come on. Let's go.
01:10:52Come on. Let's go.
01:10:57Come on.
01:10:58You ready?
01:10:59Come on.
01:11:00Come on.
01:11:04No, no, no, no, no, no, no, no, no.
01:11:23Consuelo?
01:11:28Have you seen Iris?
01:11:29She and Cruella were very upset.
01:11:31They laughed.
01:11:32Yeah.
01:11:34What the hell's going on?
01:11:36Nothing.
01:11:47Iris!
01:12:01Iris!
01:12:04Iris!
01:12:24Stop it!
01:12:27You've got no call.
01:12:29Exactly what are you trying to do to me?
01:12:31Leon, just stop and think of the position he's in.
01:12:35That man's finished because of you.
01:12:37Losing the one thing he cared about, he risked losing his mind.
01:12:40And I risk losing my life.
01:12:42Marco didn't really mean to kill you.
01:12:45It was pure desperation. Surely even you can comprehend that.
01:12:48You must have been in love at least once in your lonely life.
01:12:51So much it made a fool of you, Leon.
01:12:53No.
01:12:54Funny.
01:12:55I'm not proud of the man I see when I look in the mirror and see myself.
01:13:02But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:06They must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:21I don't think they meant to kill Leon really.
01:13:24It's an ugly story.
01:13:27I never thought he would go that far.
01:13:29You're wrong about Andy.
01:13:32He loves you more than anything else in the world.
01:13:35He'd do anything to get you back, anything at all.
01:13:38He's changed, you know.
01:13:42You think so?
01:13:45You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open. Thanks.
01:13:54Joanne.
01:13:55Don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:02You think you love him, but you don't really.
01:14:06You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal Leon.
01:14:13You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:18What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:23Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:32I honestly think it's time you took stock of your life, Criola.
01:14:35And faced up to it.
01:14:37The truth may hurt you.
01:14:39So you need courage.
01:14:40Hello, Andy.
01:14:56We thought...
01:15:00We thought that island would help us escape from reality.
01:15:04We must accept the place the scientists on this earth.
01:15:11Come here.
01:15:12Come here.
01:15:24You were right, Jack.
01:15:26There's magic everywhere here.
01:15:28Kiss me.
01:15:30It's in the very air.
01:15:32Can't you feel it?
01:15:33I know that if we stay here long, something wonderful will happen to us.
01:15:38Right.
01:15:40They say these islands cast a spell on lovers.
01:15:42shi.
01:15:43million stars,
01:15:44That's right.
01:15:48We get.
01:15:50We get...
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