- 6 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegrÃa.
00:01:14Si mami le brindan por la bien fuera, la vida mÃa.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31It was really great.
00:02:01Now I'm going to show you what's going to be like.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:31I'm going to show you what's going to be like.
00:02:41Darling.
00:02:42Hello.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:46Mmm.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:52Thanks.
00:02:53Bye, Criona.
00:02:54Ciao.
00:02:55Try to have a nice trip.
00:02:56I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:05No.
00:03:06Hmm.
00:03:07I know that look.
00:03:08It really is beautiful.
00:03:20Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:39I feel strange all of a sudden.
00:03:46Hmm?
00:03:47I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah.
00:03:52It's beautiful.
00:03:53You were right.
00:03:54I just cannot imagine what it is like to do it here.
00:03:59You know?
00:04:24Hi.
00:04:25Hi.
00:04:36Hey, Priola.
00:04:37Ah, ciao.
00:04:38Hi.
00:04:39How's it going?
00:04:40How?
00:04:41Any news?
00:04:42No.
00:04:43Nothing yet.
00:04:44I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:04:54No, no, no.
00:04:56It's just too bad, no.
00:04:57Good luck.
00:04:58No, no, no, no.
00:04:59No, no, no, no, no.
00:05:00No, no, no, no.
00:05:01No, no, no, no, no.
00:05:02Loå–¬ is not going to be a problem, no, no, no.
00:05:04No, no, no.
00:05:05But if you're not, no.
00:05:06No, no, no.
00:05:07A lot of people have been TONY or even though them.
00:05:09No, no.
00:05:10No, no.
00:05:11No, no.
00:05:12No, no, no.
00:05:14No, no, no.
00:05:15No, no.
00:05:16No, no.
00:05:18No, no.
00:05:20No, no, no.
00:05:21No, no.
00:05:22No.
00:05:23Let's go.
00:05:53Let's go.
00:06:23Let's go.
00:06:53Let's go.
00:07:23Let's go.
00:07:53Let's go.
00:08:23Let's go.
00:08:53Let's go.
00:09:22Let's go.
00:09:52Let's go.
00:10:22Let's go.
00:10:52Let's go.
00:11:22Let's go.
00:11:53That was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59I'm not too good at the answer.
00:12:01Just let the music do the work.
00:12:02Let's go.
00:12:32Come on, let's go.
00:13:02What is it?
00:13:03What is it?
00:13:03I don't know.
00:13:04I don't know.
00:13:04I don't know.
00:13:04I don't know.
00:13:05It's just that your auntie could be watching us.
00:13:07Well, the truth is that I'm doing it so that he can watch us.
00:13:13Let's go.
00:13:43He needs to think I'm doing it.
00:13:44He's doing it.
00:13:46I don't know.
00:13:47I know.
00:13:47He likes to think I'm going to do it.
00:13:50He wants to think I'm going to do it.
00:13:53I understand.
00:13:55I understand, you know, love can be a strange thing.
00:14:25Well, the light is not the best, but we shall do what we can.
00:14:52It's a beautiful island, an absolutely amazing place.
00:14:55Full of surprises.
00:14:57But you told me you'd never been here.
00:14:59Well, Brian told me such a lot about it.
00:15:02I feel like I know it by heart.
00:15:04It's in the form of a turtle, a turtle sleeping on the surface of the ocean.
00:15:09Is it true that turtles only make love once a year?
00:15:12Yeah.
00:15:13You better start praying that you don't end up reincarnated as a turtle.
00:15:20Ha, ha. Sometimes you're a real asshole.
00:15:24Ha, ha, ha.
00:15:26Oh, for God's sake.
00:15:30I was joking.
00:15:31Get away.
00:15:32What a warp routine.
00:15:38What's wrong?
00:15:39Are you nervous?
00:15:40Huh?
00:15:41What is it?
00:15:42Are you uptight?
00:15:43Maybe.
00:15:44Maybe.
00:15:45I don't know.
00:15:46I feel strange.
00:15:47And this boat.
00:15:49And that man up there.
00:15:56Haven't you noticed he hasn't said a word since we left?
00:15:59You hired him to keep up a conversation with us, right?
00:16:04Look at him.
00:16:05Look at him.
00:16:06The hat.
00:16:07His base.
00:16:08He's a pirate.
00:16:09I've been told he's a very good sailor.
00:16:13Honest and completely trustworthy who knows these islands.
00:16:16He looks like he doesn't watch.
00:16:18He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:24Oh.
00:16:25Oh.
00:16:45Like it?
00:16:46What a place.
00:16:49Guaranteed primitive.
00:16:50Yeah.
00:16:53Hey.
00:16:54It's wide open.
00:16:56There's no key.
00:16:57Nobody locks doors here.
00:17:01Looks like Florida.
00:17:02What a disappointment.
00:17:06We said $100, right?
00:17:07Uh-huh.
00:17:13This is two.
00:17:14Keep it.
00:17:17One's enough.
00:17:21Bye.
00:17:23Bye.
00:17:32Uh, is it far to the fishing village?
00:17:35500 meters.
00:17:36Down that way.
00:17:37Okay.
00:17:50I'm going to go to the village.
00:17:55Okay.
00:17:56I prefer to stay here.
00:17:57Whatever you like.
00:18:05I can't wait to take a swim.
00:18:06Go ahead.
00:18:07See you later.
00:18:08All right.
00:18:15Bye.
00:18:16Bye.
00:18:17Bye.
00:18:18Bye.
00:18:19Bye.
00:18:20Bye.
00:18:21Bye.
00:18:43Hi.
00:18:44Bye.
00:18:45Bye.
00:18:46Well, so you came at last.
00:18:55Hi there.
00:18:56Hello, senor.
00:19:03Good morning.
00:19:04Good morning.
00:19:05Good morning.
00:19:06All right.
00:19:15All right.
00:19:16Good morning.
00:19:17Good morning.
00:19:20Good morning.
00:19:21I love you, I love you, I love you
00:19:51Uh, good morning, Consuelo
00:20:00What can I do for you today?
00:20:05I've got an empty refrigerator to load up
00:20:07I'll bring you a few drinks
00:20:08For instance, would you like some alcohol
00:20:11Or would you prefer some soft drinks?
00:20:13Well, a little of both
00:20:15I won't be long
00:20:21Here are some models
00:20:44Uh, who's that woman there?
00:20:47A very well-known American writer
00:20:49Joanne Sullivan?
00:20:52Mm-hmm
00:20:52I know her
00:20:54The two of us were at the same school
00:20:56I think I'll say hello
00:20:57Joanne?
00:21:06Mm-hmm
00:21:07Who is it?
00:21:08You remember Andy the Nerd?
00:21:10Oh, Andy the Nerd
00:21:14Oh, my God
00:21:15Is it really you?
00:21:17Uh-huh
00:21:17Oh
00:21:18How are you?
00:21:21Fine
00:21:21Great to see my old valedictorian
00:21:23Great to see you
00:21:24What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine
00:21:27Oh, fantastic
00:21:28Come and sit down
00:21:29What are you doing?
00:21:32Escaping
00:21:33But don't ask me from what?
00:21:35Because I don't know
00:21:36Maybe for myself
00:21:37Well, I imagine you're writing something now
00:21:40Checks, that's all
00:21:41As long as the cash lasts
00:21:43How do you spend your time if you don't write?
00:21:47Gymnastics
00:21:47And I drink
00:21:51I tend the garden
00:21:56I read
00:21:56Don't you like long for New York at all?
00:22:04No
00:22:05America is in an advanced state of decomposition, Andy
00:22:09Like the whole of the West
00:22:11It's no good
00:22:13I have no nostalgia
00:22:15Only for company, that's all
00:22:17Here there aren't any
00:22:19Men that I like
00:22:22That's probably a good thing
00:22:24I like everything sophisticated
00:22:27Or complicated
00:22:28I suppose I'm in a crisis
00:22:31Is that a plea for help, I guess?
00:22:33Oh, come on, it wasn't a proposition
00:22:36I see
00:22:37Well, in that case, I'll offer you a proposition
00:22:39Hmm
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine
00:22:43And I'm doing a story on this island
00:22:46And you know it pretty well
00:22:47Yes, I do
00:22:48You could help me
00:22:50Whenever you want
00:22:52My pleasure
00:22:53Great
00:22:55Here comes the food
00:23:01Oh, good
00:23:01We can try the local cuisine
00:23:03Here it is
00:23:04The chef's special
00:23:05Enjoy your food
00:23:10I'm starving
00:23:11Oh, that looks good
00:23:14Consuelo's such an extrovert
00:23:16She's always bright and sunny
00:23:17She's just my opposite
00:23:20I like her
00:23:21She's already had the cream
00:23:23Of the young men on the island
00:23:25If I could only get used to going to bed
00:23:28So easily
00:23:29Yes
00:23:31It's knowing how to start it up
00:23:33Yeah
00:23:34Warm up
00:23:36It's simplest to make it with someone you know
00:23:40The first step's taken already
00:23:42Are you making advances?
00:23:47I'm attempting to find you an answer
00:23:49I don't think Criella thinks it's such a good idea
00:23:52It might be more fun if we didn't leave her out
00:23:57Since when's three a crowd?
00:24:00Oh, Andy, come on
00:24:01I thought you were emancipated
00:24:03But you're still stuck in the 70s
00:24:06Sex, lib, dreaming
00:24:07Hmm, that's old hat
00:24:09You disappoint me
00:24:10Esa mujer tiene el corazón duro
00:24:20Con MFP
00:24:22Yeah, it's very at home here in this setting
00:24:44Been here long, do you know?
00:24:47Only a few years
00:24:48But it's as if he was
00:24:49The girl arrived a few months ago
00:24:52That's all
00:24:52Huh, not bad
00:24:54Ah
00:24:55You dance almost like a native
00:24:59Is she his woman?
00:25:08His steady date
00:25:09She sits all day and waits for us
00:25:12I believe she's Italian
00:25:14Poor thing
00:25:15Came here on vacation
00:25:17Took one look and got stuck
00:25:19Stuck on him
00:25:20Hey, maybe that person is
00:25:24Is the girl, that air steward
00:25:26Was so, uh, desperately seeking
00:25:28You said she's Italian?
00:25:31Yes, why?
00:25:33But then
00:25:33It must be her on the plane
00:25:36I met her boyfriend
00:25:37He came here to look for her
00:25:39He'll go back empty-handed, I'm sure
00:25:41Leon is like a drug
00:25:44He doesn't conquer
00:25:45He dominates
00:25:46Your friend had better resign himself to losing her
00:25:49I hope he doesn't find her
00:25:52It's like I said
00:25:54This aisle
00:25:54Just wants to put
00:25:55Evil spells on sexy girls
00:25:58Poor guy
00:26:00He must love that girl a lot
00:26:02To come all this way
00:26:03Since you feel so sorry for the poor guy
00:26:11Why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage
00:26:15Could it be terribly easy
00:26:17For you to make an oaf like that
00:26:20You know, come chasing after you
00:26:22Like a beast in heat
00:26:24He's a womanizer
00:26:25And your friend will get back his girlfriend
00:26:27Have you gone haywire?
00:26:30I think it's a magnificent idea
00:26:32Don't you?
00:26:33It's a little risky
00:26:35What, you mean I might lose her?
00:26:37I trust Creola completely, Joanne
00:26:39And besides, she'll just have to fake it
00:26:41Right?
00:26:43Go on
00:26:43Ask him to dance
00:26:44Have a heart
00:26:45Hey, look, have you finished?
00:26:48I've had enough
00:26:49I'm gonna go
00:26:50This music's getting on my nerves
00:26:52I love you, Andy
00:27:07I love you more than anything else in the world
00:27:10I love you, Andy
00:27:18I love you more than anything else in the world
00:27:22Me too
00:27:27Me too
00:27:27I love you too
00:27:33God
00:27:35It's okay
00:27:40If you're tired
00:27:43It's happened before
00:27:46It'll pass
00:27:50Yes
00:27:52I love you tall
00:28:08Dear God
00:28:09Oh, my God.
00:28:39Oh, my God.
00:29:09Oh, my God.
00:29:39Oh, my God.
00:30:09Oh, my God.
00:30:11Stop it. You're hurting me.
00:30:14Stop it.
00:30:15Stop it. Leave me alone.
00:30:18Put me down.
00:30:19Stop it.
00:30:20Let me go.
00:30:21It's a good thing you came.
00:30:35I guess I should say thanks.
00:30:39You don't have to.
00:30:42Thanks, anyway.
00:30:45You know, you shouldn't go around by yourself.
00:30:48It's asked him for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:57It's your life.
00:30:59Do what you want.
00:31:00What are you doing?
00:31:18Offering you a little hospitality.
00:31:21Have a drink.
00:31:30Viola?
00:31:51Viola?
00:32:04You there?
00:32:09Viola?
00:32:12Viola?
00:32:13Viola?
00:32:32Viola?
00:32:33Viola?
00:32:34Viola?
00:32:34Viola?
00:32:35Viola?
00:32:35Have you seen Criola?
00:32:41No.
00:32:44There's no sign of her on the beach.
00:32:45The bungalow's empty.
00:32:46She's disappeared.
00:32:48She's probably gone off exploring the island.
00:32:52I expect you're right.
00:32:53Thanks, Consuelo.
00:32:53Ciao.
00:33:03Ciao.
00:33:05Where the hell have you been?
00:33:06I looked all over for you.
00:33:08I got bored here all along.
00:33:09So I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:21Joanne knows the island like the back of her hand.
00:33:24I took some magnificent pictures.
00:33:26Things I'd never have found without her.
00:33:33Andy.
00:33:34Yeah?
00:33:35I got to tell you something.
00:33:37Go ahead, shoot.
00:33:38Let's go away from here.
00:33:40Why?
00:33:40Something the matter?
00:33:42Yeah.
00:33:43Let's go away.
00:33:46We can't yet.
00:33:47I still have photos to do.
00:33:49Besides, I got a little money in advance.
00:33:52I can't let the magazine down.
00:33:54I'd never work again.
00:33:55No way.
00:33:55Forget it.
00:33:57Well, I can't forget it.
00:33:58I want to go away.
00:34:01I want to go back to America.
00:34:02You're not being reasonable.
00:34:09I know, but I can't stay here another minute.
00:34:12I suppose it's my fault, huh?
00:34:13No, of course not.
00:34:15I'll be all right again soon, I swear.
00:34:19No, it's...
00:34:20There's nothing to do with you.
00:34:21I don't know.
00:34:23It's just...
00:34:24Look.
00:34:25I'm counting on the erotic atmosphere of this place to do the trick, and I'm sure it will.
00:34:29Well, it's only a question of time.
00:34:32I know it.
00:34:35All you have to do is be patient.
00:34:38Just a little longer.
00:34:40We'll be happy again.
00:34:41And then...
00:34:42I'll be able to give you what you need so badly.
00:34:45I'll be able to give you what you need so badly.
00:35:15I'll be able to give you what you need so badly.
00:35:45Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right.
00:36:03But who remembers that anymore?
00:36:05I do.
00:36:05One day, I guess I'll get another chance.
00:36:12One day, please.
00:36:18One day, please.
00:36:19Do you want a drink?
00:36:41No, not for me.
00:36:44How come?
00:36:45One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this?
00:37:04The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:11I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course you include yourself in that sweet statement.
00:37:24Don't you tell the truth?
00:37:29I don't know.
00:37:31But I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:40It's a broken heart.
00:37:51It's a broken heart.
00:37:51Yes.
00:38:13I was sure you'd come.
00:38:14You were?
00:38:15You want to make love with me again?
00:38:21Yes.
00:38:26Well, not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:37Well, answer me!
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:52Hello, pal, pal, pal.
00:38:53Are you quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here in King Consuelo, pal.
00:39:00Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:05Hey, I'm always lying.
00:39:08It's not true.
00:39:12I'm not going to stay around and talk about it.
00:39:13I'm going to give you goodbye.
00:39:14Adios.
00:39:14Adios.
00:39:14Adios.
00:39:15Adios.
00:39:16Adios.
00:39:16Adios.
00:39:17Adios.
00:39:18Adios.
00:39:19Adios.
00:39:20Adios.
00:39:21Adios.
00:39:22Adios.
00:39:23Adios.
00:39:24Adios.
00:39:25Adios.
00:39:26Adios.
00:39:27Adios.
00:39:28Adios.
00:39:29Adios.
00:39:30Adios.
00:39:31Adios.
00:39:32Adios.
00:39:33Adios.
00:39:34Adios.
00:39:35Adios.
00:39:36Adios.
00:39:37Adios.
00:39:38Adios.
00:39:39Adios.
00:39:40Adios.
00:39:41Adios.
00:39:42Adios.
00:39:43Adios.
00:39:44Adios.
00:39:45Adios.
00:39:46Adios.
00:39:47Adios.
00:39:48Adios.
00:39:49Adios.
00:39:50Adios.
00:39:51Adios.
00:39:52Adios.
00:39:53Adios.
00:39:54It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:14Since you made a sound.
00:40:17Sorry, Joanne, but the places you've shown me have been so dazzling.
00:40:22I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:33I'm desperate.
00:40:34She's changed, and if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:40You better hurry, or you'll be too late.
00:40:44I'll take you back.
00:40:45I bet you're enjoying it.
00:40:46Joanne gave me one too with a dedication. I sobbed my eyes out.
00:40:52For a romantic novel, it's not bad.
00:40:54It's a model a fun thing to be, Criola.
00:40:58I wouldn't recommend it to my friends, but I'm not complaining.
00:41:00I asked because when I was a little girl, I dreamed of being a dancer or a model.
00:41:03But I ended up with over-weight tits.
00:41:05So you snuck away to live on an ice.
00:41:06I don't know.
00:41:07I don't know.
00:41:08I don't know.
00:41:09I don't know.
00:41:10I don't know.
00:41:11I don't know.
00:41:12I don't know.
00:41:13But here, at least, they appreciate my boobs.
00:41:37Here comes a customer.
00:41:41Oh, it's Marco.
00:41:42You know him?
00:41:43Yeah.
00:41:44Hi, Marco.
00:41:45Hi, Creole.
00:41:46I imagine bumping into you here.
00:41:48Did you just get here?
00:41:49Yeah, wow, it's great.
00:41:50Yes, can I help you?
00:41:52Oh, I need a place to stay.
00:41:54I have a vacant room here.
00:41:56Fine, if it isn't too expensive.
00:41:58Don't worry, it won't bankrupt you.
00:42:00I'll go make your bed up.
00:42:02Okay, that's a bit of good luck.
00:42:04More than you bargained for.
00:42:07Listen, I have some important news for you.
00:42:10Very important.
00:42:12I may know where your girlfriend is.
00:42:14Iris?
00:42:15You mean you found her?
00:42:16Yeah.
00:42:17Oh, God.
00:42:26You.
00:42:28What is it?
00:42:30Don't worry.
00:42:31What do you want?
00:42:33I came to take you back.
00:42:36You made the trip for nothing.
00:42:38I'm sorry.
00:42:41Leon, where are you going?
00:42:42I am leaving.
00:42:43But why?
00:42:45You're not the one who has to leave.
00:42:47Go away.
00:42:48Go back where you came from.
00:42:49Go on, get out.
00:42:51Leon, throw him out.
00:42:53Do something.
00:42:54I am.
00:42:56Leon.
00:42:58Leon.
00:43:00Don't go.
00:43:01No.
00:43:03Damn you.
00:43:04Why?
00:43:05Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:14Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:18You.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:23I'll wait.
00:43:24I'm patient.
00:43:26Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:32Don't you?
00:43:33Can I stay on board?
00:43:59Can I stay on board?
00:44:12They get this straight.
00:44:15This time.
00:44:17Must be forever.
00:44:23I know.
00:44:26So, stay.
00:44:29She's not at Consuelo.
00:44:40She's not on the beach.
00:44:41She's gone.
00:44:43There's no other explanation.
00:44:45I knew it.
00:44:46She's gone back to the States.
00:44:51How?
00:44:52Wearing a pareo?
00:44:54Andy, look.
00:44:56She hasn't gone.
00:44:57Her stuff's still here.
00:44:59She's gone.
00:45:09Andy.
00:45:11You're not to worry.
00:45:12I'm sure that Criola will soon come back.
00:45:14Do believe me.
00:45:15I've got to be off now.
00:45:21So long.
00:45:22See you at dinner?
00:45:23Hmm?
00:45:24Yeah.
00:45:25Huh?
00:45:26Yeah.
00:45:28Huh?
00:45:29Ah.
00:45:31Ah.
00:45:33Ah!
00:45:34Ah!
00:45:35Ah!
00:45:36Ah!
00:45:37Ah!
00:45:38Have you seen Leon?
00:45:58Sorry to the stern I want a word with him I'll leave you two together wait
00:46:18what do you want Iris Iris you got her you don't want Iris Iris is free to do what
00:46:27she wants adios
00:46:57so
00:47:04¶¶
00:47:34No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget them.
00:47:56You'll suffer a little at first, but then it'll pass.
00:47:59I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:14It's over.
00:48:16Don't you understand?
00:48:18He'll get tired ever quickly.
00:48:21It's already happened other times.
00:48:24I know him.
00:48:27It's me he loves.
00:48:29I'll wait.
00:48:34Oh, Christ.
00:48:34Oh, Christ.
00:48:59Get out of here and stop bothering the customers.
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:27Playing with fire.
00:49:28One can be burned in the end.
00:49:33I blame myself.
00:49:34My unnatural desire to see the excitement men get in seeing a...
00:49:38in seeing a naked woman.
00:49:40I'm perverted, I guess.
00:49:42I proposed it to her.
00:49:45I must be an asshole.
00:49:48But now she's gone for good.
00:49:51She did it because she knew you liked it.
00:49:53Not for herself.
00:49:56She's not the kind of woman who sleeps around a lot.
00:49:58Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:07She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:12And look what happened.
00:50:13Fate set a trap for her.
00:50:15Oh, God.
00:50:16I'm the one who went and trapped her.
00:50:20Yep.
00:50:21Now you're trapped.
00:50:22It started as a game, that's all.
00:50:26It wasn't serious.
00:50:30Games can be dangerous to play if you don't keep to the rules.
00:50:37Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:43Thanks.
00:50:43Hey, you've forgotten?
00:50:45We met one night in San Domingo.
00:50:48I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:52Hi.
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here.
00:50:56She already knows.
00:50:57But you mean to say you...
00:50:59You've seen her?
00:51:01Yes.
00:51:02Uh, briefly.
00:51:03Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:13Surely you can guess.
00:51:18She's on Leon's boat.
00:51:24Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:26I have to.
00:51:27No.
00:51:27I have to.
00:51:28I have to know.
00:51:29I have to know.
00:51:30I have to know.
00:51:32You're hurting me.
00:52:02Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:28In his boat.
00:52:30Thanks.
00:53:38Put it in the pail.
00:53:45You know how to cook it?
00:53:49You'll have to learn.
00:53:51Hey, what are you doing here?
00:54:20Criola!
00:54:22Criola!
00:54:26Criola!
00:54:28What do you want?
00:54:30I've come to get her.
00:54:32Leon!
00:54:34No, what are you doing?
00:54:36Criola, I never thought it would come to this.
00:54:38Please, I know it's all my fault,
00:54:40but please don't humiliate yourself like this.
00:54:44It's too late.
00:54:46It's not too late.
00:54:48It's not.
00:54:50It's too late, Andy.
00:54:52No, it's not.
00:54:54Please, we must begin again.
00:54:56I can't.
00:54:58Don't tell me you're going to stay here.
00:55:00Jesus, Criola!
00:55:02With a bastard like that?
00:55:04I have no more strength.
00:55:06No more desire to go on.
00:55:08It's finished.
00:55:10You're coming back!
00:55:11No!
00:55:12Yes!
00:55:13No!
00:55:14It can't be finished!
00:55:15Goddammit!
00:55:16Leave me alone!
00:55:18It's finished!
00:55:20With Leon, I'm alive.
00:55:21He satisfies me!
00:55:22No!
00:55:23No!
00:55:24I don't believe me.
00:55:28I'm terribly sorry, Andy.
00:55:30I'm not.
00:55:31Really.
00:55:32It's ridiculous.
00:55:34Ridiculous.
00:55:35Ridiculous.
00:55:36My life is meaningless without you.
00:55:40I'm sorry.
00:55:41My life is meaningless without you.
00:55:43I'm sorry.
00:55:45I'm sorry.
00:55:47I didn't mean to disturb you, but I just wanted something to drink.
00:56:10No problem.
00:56:11Really.
00:56:12I don't mind having a break.
00:56:14Why don't you stick around?
00:56:16You might even keep us company if you like.
00:56:23Thanks.
00:56:24But not tonight.
00:56:25Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:39I'm going to do this.
00:56:41I call it gin balling.
00:56:42It's a very silly game.
00:56:44Hmm?
00:56:45For what?
00:56:46Serves to calm the nerves.
00:56:47Try it.
00:56:48Okay.
00:56:49Mmm.
00:56:50Mmm.
00:56:51Okay.
00:56:52Tell mother everything.
00:56:53I'm all ears.
00:56:54Look.
00:56:55I have no intention of fighting with you.
00:56:56You're a kind, sweet patient.
00:56:57Okay.
00:56:58Get to the point.
00:56:59The question is, will she tire of that dope?
00:57:01That's what you want to know.
00:57:02Is that it?
00:57:03She's bound to tire of it.
00:57:04She always does.
00:57:05This place plays tricks on one sometimes.
00:57:06Even I fell once.
00:57:07You know?
00:57:08There's no truth in all that shit.
00:57:09I surely don't need to prove it, do I?
00:57:10You're up against an example.
00:57:11And you know it.
00:57:12You know it.
00:57:13You know it.
00:57:14You know it.
00:57:15You know it.
00:57:16You know it.
00:57:17You know it.
00:57:18You know it.
00:57:19You know it.
00:57:20You know it.
00:57:21You know it, isn't it.
00:57:22That's the point.
00:57:23You know it.
00:57:24You know it.
00:57:26It's not that one that casts a spell on one at all.
00:57:28But this island.
00:57:29It intoxicates people's minds.
00:57:30It may not be happiness.
00:57:31God only knows it, but it's nothing that has to be changed.
00:57:32It's nothing that is.
00:57:33That's how it is.
00:57:34I find it.
00:57:35This place plays tricks on one sometimes.
00:57:38Even I feel once.
00:57:39You know.
00:57:40There's no truth in all that shit.
00:57:41I surely don't need to prove it, do I?
00:57:43You're up against an example,
00:57:44and you know it.
00:57:45It's not a person who casts a spell on one at all,
00:57:47but this island.
00:57:48It intoxicates people's minds.
00:57:49be happiness god only knows happiness it's hard enough to find anywhere but it's a narcotic that
00:57:54makes them feel they found paradise yeah it's blinded even creola she used to hate dirt
00:58:03invention of squalor made her sick for days a puritan it's usual when they eventually rebel
00:58:10that's it they reject the previous moral values they had and abandoned themselves falling into
00:58:17the arms of someone like leon but you see i can't understand how she could learn to make love like
00:58:23that oh yes you can please right let's not say anymore you want to sit here all night
00:58:40right
00:58:47that's not going to do any good
00:59:01hey what's the matter you suddenly developed morals
00:59:07i'm as immoral as you are but there is such a thing as the right moment
00:59:12night it's way past my bedtime
00:59:26is it ready is it cooked
00:59:43there's a time for love
00:59:45there's a time for food now we eat
00:59:56i'm
01:00:12Oh, my God.
01:00:42Oh, my God.
01:01:12Yo esperé bajo la lluvia dos horas, mil horas como un perro.
01:01:19Y cuando llegaste me miraste me dijiste loco, estás mojado, ya no te quiero.
01:01:26Hace frÃo, estoy lejos de casa, hace tiempo que estoy sentado sobre esta piedra, yo me pregunto para qué sirven las piedras.
01:01:40Tengo un moquete en el pantalón, vos estás tan frÃa como la nieve a mi alrededor, vos estás tan blanca que ya no sé qué hacer.
01:01:50La otra noche te esperé bajo la lluvia dos horas, mil horas como un perro.
01:01:58Y cuando llegaste me miraste me dijiste loco, estás mojado, ya no te quiero.
01:02:07Ha, ha, ha.
01:02:13Bomba.
01:02:15Bomba.
01:02:17Bomba.
01:02:19I don't know anymore, Iris.
01:02:35How can you humiliate yourself this way?
01:02:38How can you accept all this?
01:02:39Because I love him like I never loved anyone.
01:02:42How about us, then?
01:02:44Don't I count for anything?
01:02:46Perhaps you've forgotten that we were supposed to get married in a month.
01:02:49You don't understand, Marco.
01:02:52I'm not able to leave Leona.
01:02:54My God!
01:02:55How is this possible?
01:02:58Go away from here.
01:02:59It's useless.
01:03:02I'll never give Leona.
01:03:04For any reason.
01:03:19Like a beer?
01:03:28Sure.
01:03:29like a beer sure it's gonna be a better life someplace right i wonder if all tropic paradises
01:03:50are such hell that bastard fucks our women and we are here getting drunk
01:04:02if only we had any guts we'd do something about it
01:04:20don't look at me like that i was just admiring you then don't admire me that way
01:04:51are you alone why tomorrow morning i go i thought i should tell you that i'd like to hire the boat from
01:05:00leon i'm mad about you nothing can make me change ever
01:05:12i uh i put your things in a bag what do you want me to do with it whatever you want
01:05:18what do i do keep it burn it i'm not coming back you're lying
01:05:27you're lying
01:05:30hey what do you want
01:05:37i need you leon a ride to the mainland so
01:05:40i can fly out to america i want to hire the boat tomorrow morning
01:05:45marco's also going and i want it to be a party so bring creole along as well
01:05:50it's better if creole stays at home she's got work to do and i want something to eat when i get back
01:06:00anyway it's okay i'll accompany you
01:06:13i don't you realize the life you're leading i'm fine
01:06:26i'm fine here
01:06:34come back with me iris
01:06:36no marco not now not ever and for heaven's sake don't ask me again
01:06:45now leave me alone i have worked
01:06:48no marco you win okay
01:07:06so
01:07:16Oh, my God.
01:07:46I hope it's enough.
01:08:07Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Mark.
01:08:11He's not here.
01:08:13He left with Leon and Andy.
01:08:14Oh, my God.
01:08:15I have a terrible feeling.
01:08:18He came to me this morning and he had a strange, evil look in his eyes.
01:08:22He said some awful things about Leon yesterday when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:37Let me in on it.
01:08:38Let's go.
01:11:24Consuelo?
01:11:28Have you seen Iris?
01:11:29She and Cruella were very upset.
01:11:31They left.
01:11:32Cruella?
01:11:34What the hell's going on?
01:11:36Nothing.
01:11:37Iris!
01:11:48Iris!
01:11:48Iris!
01:11:50Iris!
01:12:02You've got no call.
01:12:17You've got no call.
01:12:29You've got no call.
01:12:30Exactly what are you trying to do to me?
01:12:31Leon, just stop and think of the position he's in.
01:12:36That man's finished because of you.
01:12:38Losing the one thing he cared about, he risked losing his mind.
01:12:41And I risk losing my life.
01:12:43Marco didn't really mean to kill you.
01:12:45It was pure desperation.
01:12:47Surely even you can comprehend that.
01:12:49You must have been in love at least once in your lonely life.
01:12:52So much it made a fool of you, Leon?
01:12:53No.
01:12:54Funny.
01:12:55I'm not proud of the man I see when I look in the mirror and see myself.
01:13:02But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:06They must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:23I don't think they meant to kill Leon, really.
01:13:25It's an ugly story.
01:13:28I never thought he would go that far.
01:13:31You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:35He'd do anything to get you back, anything at all.
01:13:39He's changed, you know.
01:13:42You think so?
01:13:45You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open.
01:13:52Thanks.
01:13:54Joanne.
01:13:57Don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:02You think you love him, but you don't really.
01:14:05You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal, Leon.
01:14:14You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:19What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:22Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:32I honestly think it's time you took stock of your life, Criola.
01:14:35And faced up to it.
01:14:37The truth may hurt you.
01:14:39So you need courage.
01:14:40Hello, Andy.
01:14:55We thought...
01:14:56Well, he thought that island would help us escape from reality.
01:15:06We must accept the place the scientists on this earth.
01:15:12Come here.
01:15:12You were right, Jack.
01:15:26There's magic everywhere here.
01:15:28Kiss me.
01:15:30It's in the very air.
01:15:32Can't you feel it?
01:15:33I know that if we stay here long, something wonderful will happen to us.
01:15:39They say these islands cast a spell on lovers.
01:15:51We get...
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