- 5 months ago
Law and Lawless (1932) is a thrilling western that tells the story of a battle between justice and lawlessness in a frontier town. Featuring intense conflicts, deadly duels, and a strong moral theme, this film delivers the true spirit of the Old West from start to finish.
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Short filmTranscript
00:00The End
00:30Who's there?
01:00Who's there?
01:02Number three.
01:03Fire.
01:30Who's there?
01:31Number eleven.
01:32They're waiting for you.
01:35Ready?
01:36Let's go.
01:37Ready?
01:38Let's go!
01:39Good!
01:40Good!
01:41They're waiting for you!
01:43Ready?
01:44Let's go!
01:45Ready?
01:46Ready?
02:16And God bless Papa, and Mama, and Daddy, and everybody, for Jesus' sake, Amen.
02:46The wolf cried.
03:09It's the night riders.
03:14Get outside with the baby.
03:23I'll try and check the fire.
03:25Wait, Mama.
03:27Don't cry, Betty.
03:36We'll be all right.
03:40Don't cry, Betty.
03:45We'll be all right.
03:49We'll be all right.
04:04We'll be all right.
04:19We'll be all right.
04:32We'll be all right.
04:34We'll be all right.
04:47We'll be all right.
04:48We'll be all right.
04:50We'll be all right.
04:51We'll be all right.
04:52We'll be all right.
04:53We'll be all right.
04:55We'll be all right.
04:56We'll be all right.
04:58We'll be all right.
04:59We'll be all right.
05:00We'll be all right.
05:01We'll be all right.
05:02We'll be all right.
05:03We'll be all right.
05:12Fill the gringo scouts to buy
05:18that little home
05:20and settle down with my chiquita.
05:28Ah, que dulce es el romance.
05:42This is him.
05:56Come on, there's trouble ahead.
05:58Come on.
06:02I'm going to make the shoot. Under.
06:04See it.
06:12We'll get some more.
06:14We'll do it.
06:16Oh!
06:17Whoa!
06:20Whoa!
06:37Whoa!
06:40Whoa!
06:41What's the matter here?
06:42Runaway.
06:43It's Lopez.
06:53There's no use following Brown now.
06:55He's got too much of a head start.
06:57Come on.
07:11Thank you, sir.
07:41Senor, I am Don Roberto Lopez from El Rio Rancho, and this is my daughter, Rosita.
07:50We are very much in your debt.
07:52Oh, shucks.
07:54That wasn't nothing.
07:55Folks call me Montana.
08:02And this funny-looking galoot is my partner, Poncho Gonzalez,
08:07and the worst cabalera from all Mexico.
08:19I'd better drive the team back to town for you, Miss Rosita.
08:24They're kind of excited.
08:25Your dad can ride my horse.
08:27Thanks, amigo.
08:31Papá, súbete a los caballos que yo voy a ir en el coche con el señor.
08:34El caballo está muy excitado.
08:37No, sí está muy bueno.
08:38Mi compañero lo usa todo el tiempo.
08:40Eso no se debe de preocuparnos por eso.
08:42Bueno, ande, vamos, adelante.
08:43Bueno, señor, quedad, a ver.
08:46Ese caballo es manso, súbalo.
08:47Síguenos, papá.
08:48Eso es, muy bien.
08:51Señor López, para que no le pase a usted otra vez lo que le acaba de pasar,
08:54nos debía de ocupar a nosotros para usted.
08:56No.
08:56¿Qué, qué?
08:57¿Que no nos ocupa a nosotros?
08:58Mire que nosotros somos los mejores vaqueros que hay en el mundo.
09:01¿Debía usted darnos trabajo?
09:02No.
09:03No.
09:04Yo le garantizo a usted que si usted nos ocupa a nosotros,
09:06usted tiene el rancho más bonito que puede haber aquí en estos contornos.
09:10Nos da trabajo, le trabajamos por nada.
09:11Bueno, muy bien.
09:14Así creía yo.
09:14Bueno, entonces ahora vamos, adelante.
09:41Bueno, pues, ahora vamos, adelante.
09:53Bueno, plumb, sorry about you getting burnt out last night, Kelly.
09:57Pero si quieres construirlo de nuevo,
09:59yo te voy a tener el dinero.
10:02Yo ya lo tengo más de lo que puedo hacer.
10:05Bueno, ¿qué es la cosa de construir otro shack?
10:07¿Qué solo nos da un nuevo?
10:08Y si los rey de nosotros, ¿qué es la cosa de nosotros?
10:10Y si los rey de nosotros, ¿qué es la cosa?
10:11Y si los rey de nosotros, ¿qué es la cosa?
10:14Bueno, yo...
10:14No sé, no sé qué decir, chicos.
10:18Si hay algo que puedo hacer, pero...
10:20No, yo...
10:20No, yo...
10:21No, yo...
10:22No, yo...
10:23Pero sí, nosotros...
10:36No, yo...
10:38You'll be paying me some time.
10:41Cash, the Kelly family ain't never coming back to this part of the country.
10:45Give me a pen.
10:53How's the little girl, Miss Kelly?
10:55Well, she's fine, thanks.
10:56Well, that's good anyhow.
10:58Yeah, dear.
11:00Say, you'll need some supplies for your trip.
11:03Just pick out what you want.
11:05Thanks, Cash.
11:07Hey, fix the folks up here with whatever they want.
11:10I'll have a crack of flour.
11:12Some ham.
11:28See you later, fellas.
11:37Hey, good luck.
11:38Come on.
11:39Howdy, don't you, brother.
11:40Glad to see you.
11:42Howdy, Don Roberto.
11:43Glad to see you.
11:44Come aside, Senor Hopkins.
11:45I have come to town to have a little talk with you.
11:47Sure.
11:48Come on in the store.
11:49I'm sorry about causing your horses to run away, Don Roberto.
11:52Senor Butler, I should thank you.
11:53If my horses are not run away, I would not meet my friend Montana and his friend, uh,
11:55Pancho Gonzalez.
11:56Pancho Gonzalez.
11:57The worst caballero from all Mexico.
11:59Ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha.
12:01Bye, Senor Hopkins.
12:02I have come to town to have a little talk with you.
12:04Sure.
12:05Come on in the store.
12:06I'm sorry about causing your horses to run away, Don Roberto.
12:10Senor Butler, I should thank you.
12:13If my horses are not run away, I would not meet my friend Montana and his friend Pancho
12:21Gonzalez.
12:22The worst caballero from all Mexico.
12:25I see.
12:26You looking for a chance to use them guns, Montana?
12:40Maybe.
12:41Why?
12:42I was just wondering.
12:44I'm Buck Daggett, foreman for the Lazy Y, and I could use a man of your reputation pretty
12:49handy.
12:50Senor, next to the great Pancho Gonzalez, Montana
12:55she is the worst caballero along the whole borderlands.
12:58Well?
12:59What about Pancho?
13:00You got a job for him, too?
13:02Pretty old, ain't he?
13:04According to my way of thinking, that's a pretty good reputation for a two-gun man.
13:09You're right.
13:10And the salary will be a hundred a month for each of you.
13:25I wish you wouldn't do this, Don Roberto.
13:36You're ruining your range.
13:38What else can I do?
13:40I cannot continue to borrow the money and not pay it back.
13:43How do you tell Senor Daggett we will work for him?
13:46Isn't a hundred dollars a month worthwhile?
13:49But I have hired us out to Don Roberto.
13:51You done what?
13:52Yeah, fix the whole thing up when we run to the town.
13:56You know, he's been in mucho trouble lately.
13:58He lose plenty of cows.
14:01This Senorita Rosita is a very beautiful Senorita, don't you think so, amigo?
14:07I know she would feel very, very bad if she find out you would not work for her father.
14:13Pancho, you win.
14:16Let's go break the news today.
14:18Ese está bueno, vamos.
14:20Every few days you lose some cattle to the rustlers and, well, you're practically giving your ranch away a little bit at a time.
14:30Of course, I know I'm benefiting by your bad luck, but that ain't to my liking.
14:37You ought to be able to work this thing out in some different way.
14:44Fellas, shake hands with Montana and Pancho.
14:50A couple of new hands I just hired.
14:52Sorry, boys, but Pancho promised Don Roberto we'd work for him.
14:56You're not turning me down now, Montana.
14:58Not after I hired you.
15:00Well, you made us an offer, but we ain't taking.
15:04What do you have, big boy?
15:14You gonna let him get away with it?
15:16Not so as you could notice it.
15:19Wait a minute.
15:21What do you got?
15:23Pork and beans, beans and pork, pork without beans, beans without...
15:26How about some pork and beans?
15:28Si, with frijoles for what you call the dessert.
15:32Molly, come here.
15:34I'm sorry, Buck.
15:35I'm waiting on these two just now.
15:37You're waiting on me, Savvy.
15:39After us, you come first, my friend.
15:44No?
15:47Listen, Molly.
15:48Don't make a mistake and start shining up to this Montana hombre.
15:52You get me?
15:53Buck, you're hurting me.
15:55Listen, Daggett.
15:56That ain't no way to treat a lady.
16:02I'm sorry, man.
16:05I sleep.
16:07I'm Sorry, Tommy.
16:08Do the rest for me?
16:09If I tour about a city, don't dolor.
16:11He won't even care.
16:12If I Am.
16:13It.
16:14That ain't in college.
16:15Name something, Tim.
16:16I'm pretty sure.
16:17I get my right.
16:18Uh-huh.
16:19You get close enough and drive the тон இல tonight.
16:21And engage with the novices.
16:23Listen, I'll invit you to that.
16:24We'll let him out and get to request.
16:26Time to show your ex cùngs,
16:27and move to the interior with an analysis.
16:28The next time he feels like he's dropping
16:30you on all the way and that they're takingcję
16:30Let's go.
17:00Why, Mr. Daggett, you wouldn't use a gun, would you?
17:11I thought this was a little friendly argument.
17:15Come on, Poncho.
17:16We're riding.
17:21We will report to you at the El Rio Rancho, senor.
17:24Come on.
17:30Hey, why don't you open your hand?
17:35I can't.
17:36I'm much too mad.
17:39Got him.
17:40I can't.
17:51Them two cyclones are going to work for you?
17:56You'll hear what the senor Montana say.
18:00And I don't think he is one to make the joke with.
18:02No.
18:05And besides, the great Poncho Gonzales has agreed to teach my vaqueros to shoot with a two-six gun.
18:11I don't think he is one to make the joke with a two-six gun.
18:16I don't think he is one to make the joke with a two-six gun.
18:18I don't think he is one to make the joke with a two-six gun.
18:19I don't think he is one to make the joke with a two-six gun.
18:20I don't think he is one to make the joke with a two-six gun.
18:21I don't think he is one to make the joke with a two-six gun.
18:22I don't think he is one to make the joke with a two-six gun.
18:23I don't think he is one to make the joke with a two-six gun.
18:24I don't think he is one to make the joke with a two-six gun.
18:25I don't think he is one to make the joke with a two-six gun.
18:26I don't think he is one to make the joke with a two-six gun.
18:27Let's go.
18:57Amigos, come back here, pronto.
19:03Ah, pues no, yo sí, me caíste arriba.
19:14Ande.
19:16Vengan acá. Vengan acá, pronto. Ande.
19:22Señores, I am ashamed with you to be a...
19:27...a good gunfighter, you must learn to shoot straight while being shoot-at.
19:35Huh. Vamos, get your pistolas.
19:37Pronto, venga.
19:46Saddle my horse.
19:52I'm heading for town.
19:53Muy bien, señor Varnes.
20:00Now, remove the bullets from the gun.
20:03I'm going to show you how to draw quick and shoot straight.
20:07Listen, Don Roberto, I ain't stuck on all this gun-throwing and shooting around here.
20:21I hope the rustlers who have steal our cattle will feel the same way.
20:25Ah, that's a lot of nonsense.
20:27As manager of the El Rio Rancho, I...
20:29We'll do as I say, señor Varnes.
20:31But both of these gunfighters you hired got bad reputations.
20:35And it ain't doing us no good to have them around.
20:37The wolves have a very bad reputation too, señor.
20:41No?
20:42Yeah, but we don't know who the wolves are.
20:45But we do know a lot about Montana and his pal Poncho.
20:48That is why I hire them, amigo.
20:55Where is this señor Montana?
20:57I have not seen him this morning.
21:00He and Steve the foreman rode down to the lower range.
21:09Sometimes I mistrust these text, Varnes.
21:11Padre mio.
21:12Professor, how's it, Claire?
21:29Very, very good.
21:31You should not be discouraged, amigos.
21:33Señor Montana was what you call terrible with a six-gun before I teach him to know better.
21:39Now, amigo mio, show my compadres what my...
21:42How do I teach him to do for you?
21:43I'll do it.
21:44Ah, eh, está bueno.
21:45Ahora verán, este.
21:47Who's going to do for you?
21:51What if you call me?
21:52Oh, what if you have to crucify him?
21:53...
22:03...
22:07...
22:17...
22:22Oh, senor, you tried to steal the glory from this what you call William Pell, no?
22:39I'm sorry, miss.
22:41I was only trying to encourage the boys by showing them how poncho is.
22:45Learned me the two-gun trade.
22:47And you call this a trade?
22:48This business of carrying the two pistolas?
22:50Well, we've got to make a living somehow.
22:53But could you not do something else?
22:56Once you start packing two guns, it's hard to get rid of them.
22:59But senor Montana, what is this two-gun trade going to lead to?
23:04Two gunmen can't worry none about that.
23:07Why, it's liable to unstudy their hands.
23:09All gunfighters are not really bad, miss Rosita.
23:13Them that live a long time generally become marshals or sheriffs with a nice little home.
23:20Maybe a wife and some little kids.
23:24You know.
23:26I better get back to work.
23:35Never aim when you shoot with a pistola, Tony.
23:39Just point the gun like the finger.
23:42This way.
23:43Is it not very simple, amigo?
23:47Si.
23:48Now, you go to the wall, and when I start to shoot at you, you point the pistol at me and pull the trigger.
23:54But don't argue with me.
23:56Do what I told you.
23:57But I am very much afraid.
23:58Give the great Pancho Gonzales one big neck pain.
24:01To the wall, Andy.
24:03Ahora sí que...
24:03You know what?
24:05Please, my friend.
24:06Shut up.
24:06I will shoot you.
24:24Santa Maria.
24:25Hey, hey, wait, wait.
24:29Ahora sí.
24:30No faltaba más que...
24:32Didn't I told you to unload the pistola?
24:38But I was trying to tell you, señor, that my big six shooter was she was loaded.
24:42Ah.
24:43Well, I will forgive you this time.
24:45But take from this a big lesson.
24:49Si.
24:49Gracias, señor.
24:50Gracias.
24:51Gracias.
24:51She's a mighty sweet girl, dynamite.
24:59But I don't suppose she'd have any use for a two-gun toter after what she said.
25:06Ha, ha.
25:10I think you kind of like this, señorita Rosita, no?
25:13Why?
25:15I kind of like her myself, amigo.
25:17Just wait till she find out how the great Pancho González can make the love.
25:23Ha.
25:24What a love maker I am.
25:26Hey, caracoles, what's going on?
25:33What's going on?
25:33What's going on?
25:47What's going on?
26:05Coffee.
26:05Flames barn burned down last night, accidental night, when everybody was away from home.
26:12He lost most all of his horses in the fire.
26:17They don't suspect you, do they?
26:19Nope.
26:20He thinks I'm his most loyal hand.
26:23He figures the cattlemen done it.
26:26Maybe they did.
26:32We'll have Blaine pulling stakes, Poco Pronto.
26:34He ain't got any too much nerve anyhow.
26:37What about Brown?
26:38We ain't bothered him none since he got away from us the other day.
26:41And if he starts talking again...
26:44Brown knows too much for his own good.
26:47We'd better see what can be done.
26:58Howdy, Tuck.
26:59What brings you to town?
27:03Thought I'd tip you off at a couple of stray gun-toters
27:05hired out to old Don Roberta yesterday.
27:08And they're plenty tough, too, if you ask me.
27:12I know all about them.
27:14What'd you do, have a run-in with them?
27:16No, just a little friendly argument.
27:18It must have been.
27:21Listen, Tex.
27:22Them two hombres is plenty bad, especially this Montana.
27:25We got to get rid of him before he messes our plans all up.
27:27Suits me, boss.
27:28By the way, Tex, Don Roberta's moving a bunch of shorthorns
27:43through Boulder Canyon tomorrow night.
27:45How'd you know?
27:47That's the first I've heard anything about it,
27:48and I'm the old man's manager.
27:50I have a way of learning a lot of things.
27:52Hmm.
27:53Hmm.
27:55Hmm.
27:55Let's go.
28:25Let's go.
28:55Let's go.
29:25Let's go.
29:26Let's go.
29:28Poncho, you're not serious about this, are you?
29:31Serious?
29:33Amigo, you now gaze upon the future husband of the sweet Rosita.
29:39She has just returned from church.
29:41And Sunday is the one day for to make the love.
29:46Well, deseame suerte.
30:05Let's go.
30:06Let's go.
30:07Okay.
30:08Let's go.
30:09Let's go.
30:10Let's go.
30:11Let's go.
30:12Let's go.
30:13Let's go.
30:14Let's go.
30:15Let's go.
30:16Let's go.
30:17Let's go.
30:18Let's go.
30:19Let's go.
30:20Let's go.
30:21Let's go.
30:22Let's go.
30:23Let's go.
30:24Let's go.
30:25Let's go.
30:26Let's go.
30:27Let's go.
30:28Let's go.
30:29Let's go.
30:30Let's go.
30:31Let's go.
30:32Let's go.
30:33Let's go.
30:34You're very own.
30:35Sometimes soon, under the Spanish moon.
30:40We'll hear the breezes groan, I love you for our soul.
30:52You flattered me, senor.
30:54Es imposible, senorita.
30:57Why is it, senorita, that everybody misjudged the poor two gunmen?
31:02Of course, we don't live as long as any other kind of caballeros.
31:06But while we are alive, we make just as good a husband.
31:09Maybe, maybe better.
31:12Perhaps you are right, Pancho.
31:13Do you know any two gunmen wish to get married?
31:17Senorita, it is for this great Pancho Gonzales that I am speaking.
31:26Senor, you wish to make the proposal with me?
31:29Si, are you not honor?
31:33You think I make the jokers with you?
31:36Perhaps your interest in this Montana?
31:40Better hat?
31:43I think I better told you about this Montana hombre.
31:48He is the worst heartbreaker in the whole borderland.
31:53Many, many times has my compadre Montana get married.
31:56And not once have he think to get what you call the divorce.
32:02Why, in the town of Juarez, he leaves behind the most beautiful wife and six kids.
32:10I don't believe you.
32:20You've got to get away from here.
32:22You're in danger.
32:22Why?
32:23See that?
32:26What I told you.
32:33Well, you must get out.
32:34If we don't beg, the men will kill you.
32:36Maybe they will.
32:37And again, maybe they won't.
32:38I came to warn my mother.
32:41I reckon I can take care of myself, miss.
32:44Thanks, anyway.
32:45But.
32:46What's the matter, Romeo?
32:56Did you get turned down?
32:57I just find out from the senorita that she loved you very, very much.
33:02You mean it?
33:03Hey.
33:04Listen, Poncho.
33:05I won't forget this.
33:13No.
33:14I don't think you will.
33:28Nice day, isn't it?
33:30You think so?
33:32How is my father and the other horses?
33:55Miss Rosita, you know, ever since the first time I ever met you, I...
34:00Yes, I think I understand.
34:03But if you want to make the love, you go back to your wife and six kids in Juarez.
34:08Your friend Poncho told me all about you.
34:10About your many wives that you're not divorced.
34:12And I think for myself it is true, when I see this waitress right here and you talk with her.
34:16Oh, I think you are terrible.
34:18Don't you?
34:18Don't you?
34:18Amigos, you all know
34:47that Senor Blaine's barn is burned to the ground
34:49and he lose all his horses in the fire.
34:51And the same thing happened to Brown last night.
34:54Only this time there was murder, too.
34:56Brown was found this morning with a knife in his back.
34:59The cattlemen have long resented
35:01my not joining forces with them, hombres.
35:04El Rio Ranch may be next.
35:07You will all take turns, night guard,
35:09and be ready to shoot quick with the pistolas.
35:12I'll stand the first guard tonight, Don Roberta.
35:15I'm trying to figure that job belongs to me.
35:20Senor Tex,
35:21you will let Montana take the first guard.
35:24I wish to talk with you tonight.
35:26I wish to talk with you today.
35:32I wish to talk with you tonight.
35:36I wish to talk with you tonight.
38:06I reckon there's too many of them, dynamite.
38:49The wolves raided your herd as shorthorns.
38:51There was too many for me, so I come for help.
38:53Get your horses, fellas.
38:54Vamos.
38:54Where's Montana?
38:55Wasn't he supposed to be standing guard?
39:10That's right.
39:11Where is Montana?
39:12Do you know what happened?
39:13Did Steve tell you what happened?
39:14Did Steve tell you what happened?
39:25Yeah.
39:26Yeah.
39:27And when he comes for help, we find the corral gate open and the horses gone.
39:31Maybe you can do a little explaining to us, being as how you was so particular about standing guard tonight.
39:38Takez, what are you driving at?
39:43Use your own judgment.
39:45Senors, we have enough trouble here without fighting among ourselves.
39:49Have the vaqueros trail the horses.
39:51We will look for the cows tomorrow.
39:52But, Senor Montana, have I not always been your good compadre?
40:11Ponto, you're my best pal.
40:15And that's why you're going to do this little favor for me.
40:18Do you wish to speak to someone, Senor?
40:34We were looking for you, miss.
40:37Poncho has something he wants to talk to you about.
40:40Senorita, I think I make a big mistake when I told you about Senor Montana having six wives which he have not divorced.
40:48It was two, or the fellows.
40:52What do I care about this Montana having six wives or kids?
40:56But, Senorita, he loves you very much.
41:01I only told you about this love business because we both leave the rancher today, muy pronto.
41:09Why you quit the job, Senor?
41:11We haven't quit the job. We're fired.
41:14Fired? Is this what you call the discharge?
41:17Steve thinks I'm responsible for the horses getting out of the Krell last night.
41:21Steve has no right to do this. I shall go and tell him.
41:23No, miss. I don't want you to do this.
41:28Padre! Steve has just discharged Montana and Poncho.
41:32I guess Steve thinks I'm responsible for leaving the Krell gate open last night.
41:44Senor, you are not discharged.
41:47I will tell my foreman, personnel, that I have hired you again.
42:01Steve!
42:03Hex?
42:04I want to talk to Steve alone.
42:06Steve.
42:07I have just hired two new riders.
42:08Who?
42:09Montana and his friend Poncho.
42:10Look here, boss.
42:11If I'm going to be forming this out there...
42:12You will use your head.
42:13If this Montana hombre is responsible for what happened last night, the only way to find out is to keep him where you can watch him.
42:19I guess maybe you're right.
42:20Let him stand guard again tonight and keep the eye on him.
42:21Right.
42:22And to make sure there's no slip up, I'll watch him myself.
42:23I'll see.
42:25All right, and to make sure there's no slip up, I'll watch him myself.
42:27Look.
42:30Look here, boss.
42:31If I'm going to be forming this out there...
42:32I'll be there, I'll be here.
42:33You will use your head.
42:34If this Montana hombre is responsible for what happened last night, the only way to find out is to keep him where you can watch him.
42:35I guess maybe you're right.
42:36Let him stand guard again tonight, and keep the eye on him.
42:38Right.
42:39And to make sure there's no slip-up, I'll watch him myself.
42:41Oh!
42:50I'll circle round him.
42:54If he's up to any funny tricks, I'll find out.
42:57Esta bueno.
42:59If anything has happened, you will fire two shots.
43:02The men are ready to ride.
43:20The men are ready to ride.
43:50What are you doing out here, Tex?
44:06Sort of looks like you might be aiming to ambush Montana.
44:09Being he's headed this way.
44:20Let's go.
44:50Let's go.
44:53Let's go.
44:54Go.
44:56Go.
44:57Come.
44:58Go.
44:58Go.
44:59Get your car.
44:59Go.
45:00Go.
45:00Go.
45:00Go.
45:01By golly, it just creased you old dynamite.
45:31Oh.
45:41Oh.
45:46Oh.
45:50Oh.
45:56Oh.
46:02He's dead.
46:04I would like to see his gun.
46:16Now we will have a look at your gun, senor.
46:19Tony.
46:20Si.
46:21Take his gun.
46:22One gun has been fired, senor.
46:28Sure it's been fired.
46:30I caught a glimpse of the birds that ambushed Steve.
46:32I took a shot at him, but he got away.
46:34That is a very good story, my friend.
46:38We will hold this man at the rancho till the sheriff has come.
46:43One minute.
46:45Rancho, drop them guns or I'll plug you.
46:49Thank you, senor.
46:56Jose, you will take care of the body.
47:00Don't be long now, fellas.
47:07Don Roberta's just about leaving town with the sheriff.
47:11Oye.
47:12Condenado.
47:13Ven acá.
47:14Voy a see to pressure the pink and salt.
47:15Oye.
47:16Ven acá.
47:17Wait till I get out of here.
47:18I will attend to you personalmente.
47:19Si.
47:20Ríete.
47:21Ríete.
47:22Ríete.
47:23Oye, ven acá.
47:24Échame de aquí.
47:25But I know he is innocent, Tony.
47:27We must help him to make the escape before my father returns.
47:31No, senorita.
47:32Don Roberta, take the scalp away from me if I do a thing like that.
47:38Si.
47:39Ríete.
47:40Oye, ven acá.
47:41Échame de aquí.
47:42But I know he is innocent, Tony.
47:44We must help him to make the escape before my father returns.
47:49No, señorita, don't Robert take the scalp away from me if I do a thing like that.
48:12Pancho.
48:19.
48:24.
48:29.
48:34.
48:39.
48:42.
48:44.
48:46.
48:48.
48:57.
49:00.
49:05.
49:07¿Qué pasa?
49:18Por aquí.
49:22Vale.
49:24A pistola.
49:37Come on, get up out of there.
50:00Come on.
50:07Come on.
50:08Come on.
50:09Come on.
50:10Come on.
50:11Come on.
50:12Come on.
50:13Senor Barnes must belong to the wolf.
50:14Looks like it.
50:15Barnes, you're taking us to where the wolves meet, and you're also going to do a little
50:20talking too, savvy.
50:21I know where that pass is located, senor.
50:24Good.
50:25You can lead us then.
50:26Rosita, you take that note to your father and the sheriff, and tell them where we've
50:30gone.
50:31Come on.
50:32Come on.
50:33Come on.
50:34Come on.
50:35Ande.
50:36Arriba el caballo.
50:37Pronto.
50:38Get on the horse.
50:39Quick.
50:40Get the rope.
50:41Andale.
50:42Tony.
50:43Hey.
50:44Cuéntalo.
50:45Ya, está bien.
50:47Cuéntalo.
50:48Cuéntalo.
50:50Cuéntalo.
50:52Cuéntalo.
50:54Cuéntalo.
50:56Cuéntalo.
50:57Cuéntalo.
50:58Cuéntalo.
50:59Cuéntalo.
51:00Cuéntalo.
51:01Cuéntalo.
51:02Cuéntalo.
51:03Cuéntalo.
51:04Cuéntalo.
51:05Cuéntalo.
51:06Cuéntalo.
51:07Cuéntalo.
51:08Cuéntalo.
51:09Cuéntalo.
51:10Cuéntalo.
51:11Cuéntalo.
51:12Cuéntalo.
51:13Cuéntalo.
51:14Cuéntalo.
51:15Cuéntalo.
51:16Cuéntalo.
51:17Cuéntalo.
51:18Cuéntalo.
51:19Cuéntalo.
51:20Cuéntalo.
51:21Cuéntalo.
51:22Cuéntalo.
51:23Cuéntalo.
51:24Cuéntalo.
51:25Cuéntalo.
51:26Cuéntalo.
51:27Cuéntalo.
51:28Cuéntalo.
51:29Cuéntalo.
51:30Who is that it's Tex Barnes show yourself
51:52Come on get up
52:00I'm up there boys get that clicker off
52:07Then your mom's owner has taken punchy Antonio start for the pet come on boys or we'll be too late
52:37Listen, I'll take the guard place and shoot the night riders in one by one the rest is up to you color
52:42They will be welcome most royally senior
52:46Not one word quiet
52:48Tommy
53:06Who's there number 11 one in
53:18Who is it number eight one in there waiting for you
53:48Who is it number four number seven number nine and well you can pass one at a time
54:18Well
54:26Nine
54:34Seven
54:41All right number one number two you can go in but you'll have to wait a while
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