- 5 months ago
Crashing Thru (1939) delivers fast-paced Western thrills with daring chases, rugged heroes, and high-stakes showdowns. This classic adventure captures the timeless spirit of the Old West, complete with action, justice, and frontier courage.
Category
π₯
Short filmTranscript
00:00Galloping wolves feeding us on Saddles and boots jogging along
00:12Each day with a thrill Miracle letters of scale
00:17And if we know, we must fulfill We're mountain men
00:23Though odds may be one to ten We'll follow the trail
00:26We never will fail to capture
00:29Dangerous roads for everyone knows we say
00:32Dangerous roads for everyone knows
00:33Get a man despite any plan
00:35He'll have to wait
00:37A will won't end
00:39An honor we must defend
00:41Our job may be tough, we'll call any bluff
00:43We'll stick to the very end
00:45Proud of the coat that we wear
00:47But it's eager to shed
00:49The work of mountain men
00:59Our district looks mighty peaceful after the trip to headquarters, doesn't it?
01:08Oh, it wasn't so bad down there, Kelly
01:10No, for you, of course not
01:12What the inspector said to me was plenty
01:14I sure pulled a boner when I arrested those claim jumpers
01:18Yes, I must admit you did
01:20How but that's all in the day's work, Constable
01:23You know, there's a possibility
01:25Just a bare possibility, mind you
01:27That I may be able to make a fair amount out of you yet
01:30You know, I've often wondered how I ever got along before I met you
01:33You know, Kelly
01:35I've often wondered that too
01:37Who?
01:43I always had my suspicions about you
01:45At her of angels' wings
01:46Oh, I'm so sorry, it blew right out of my head
01:48Just as I said, from heaven
01:50There's no doubt about that
01:52My handkerchief, if you don't mind
01:54Oh, no, name, please
01:55And the telephone number
01:56Is that necessary?
01:57Oh, yes, you see, in the matter of recovering
02:00Lost article, section 300
02:03Wait, just a moment
02:04Wait, just a moment
02:05Can't you see you're frightening our celestial visitor?
02:07Now, miss, if you will be so kind as to give me the detail
02:09I'll be more than happy
02:10Oh, really?
02:11It isn't as important as all that
02:12Oh, but it is
02:13It's beautiful
02:14It's divine
02:15It's Shalimar
02:17Well, an angel with a sense of humor
02:20Up from the States
02:21Well, do I look so much like an outsider?
02:23Or do you know everyone in the territory?
02:25Oh, yes, Sergeant Renfrew knows everyone
02:27Especially the lady
02:28How about a stroll around the deck?
02:31A splendid idea
02:32You wait here, Constable
02:33Uh-uh, it was my idea, Sergeant
02:35How about it, Angel?
02:36Well, how about my handkerchief?
02:38Yes, how about her handkerchief?
02:51Oh, I'm terribly sorry, Agent
02:54Now, you see?
02:55You scared our little angel away
02:57The angel away
03:182RVB3 calling QX9
03:222RVB3 calling QX9
03:272X9
03:302X9
03:31Come in, please
03:35Dan
03:36Hello, 2RVB3
03:38Hello, 2RVB3
03:40Oh, 2RVB3
03:41Oh, Fred
03:42We can't go through with it tonight
03:44But I can't call it off now, sis
03:46The men are all set
03:47There's no way to reach them
03:48But, Fred
03:49But, Fred
03:56Just a minute, QX9
03:59Are you there, QX9?
04:00Yes, I can hear you
04:01Go ahead, Ant
04:02Come in
04:03There are 2 Mounties on board
04:04Mounties?
04:05Oh, that's bad
04:06But we can't stop now
04:07But we can't stop now
04:08It's impossible to reach Slandi
04:09He's waiting in the launch
04:10At the mouth of the Esquerita
04:11Oh, sis
04:12Be sure and let Lamont know about the Mounties
04:13That's all, 2RVB3
04:14QX9 signing off
04:15But, Fred, wait
04:16Fred
04:17Please
04:18I'm sorry
04:19I am
04:20I am
04:22Are you there, QX9?
04:23Are you there, QX9?
04:24Yes, I can hear you
04:25Go ahead, Ant
04:26Come in
04:27There are 2 Mounties on board
04:28Mounties?
04:29Oh, that's bad
04:30But we can't stop now
04:31It's impossible to reach Slandi
04:32He's waiting in the launch
04:33At the mouth of the Esquerita
04:34That's all, 2RVB3
04:36QX9 signing off
04:38But, Fred
04:40Wait
04:41Fred
04:42Fred
04:43Fred
04:462RVB3 calling QX9
04:492RVB3 calling QX9
04:52Come in, Fred
05:04What?
05:05Fred
05:07Who is there, Kronel?
05:08That's all
05:09Our
05:29Well, good
05:30What the
05:33You're the center of attraction, you're so easy on the eye, please don't think that
06:00I'm a bore, when I'm knocking at your door, I'll tell you why, you're the center of attraction,
06:09like a queen upon a throne, please don't think that I'm a bore, when I'm knocking at your
06:15door, I'll tell you why, I'm sorry I didn't mean to frighten you, I was just a bit surprised,
06:28but why Sergeant Renfrew, oh Renfrew, why he's given up the competition, but that's the way
06:35with him, one minute one girl, the next minute another, thoroughly unreliable, oh really,
06:40oh come on I'll show you, surprise him at his neat fairies work, please don't keep me out
06:46here waiting, open up the door to your heart, Angel, while I'm out here waiting, you're
06:55keeping us both apart, you're the center of attraction, on account of all your charms, you're to love
07:05me to be true, wish that I were holding you, here in my arms, the constable says she's
07:19very beautiful, how quake, hi Mr. Lamont, did you know that there were two Mounties on board,
07:46yes, we saw you talking to him, yeah, fortune and gold in the captain's cabin and the law
07:51has to show up, what are we going to do, we've got it all figured out, here's our plan, you
07:56keep the Mounties entertained, the launch will pull alongside after dark, pick up the gold
08:00and deliver it to your brother on the plane.
08:03I've often tried to picture this north country, big trees and swift streams, picturesque people,
08:32ah, it's beautiful.
08:33I just saw the launch leading the shore.
08:34Well, we're ready.
08:35I just saw the launch leading the shore.
08:39Well, we're ready.
09:02I can't help but feel sorry for poor constable Kelly.
09:19So do I.
09:20Those trappers are keeping busy answering questions all evening.
09:25I've told you 15 times I don't know anything about trapping muskrats.
09:29But would it make any difference to you if we took canoes to go up to the big lagoon?
09:33I don't care if you walk.
09:35Say, now about the beaver and the otter.
09:38You otter jumping the river.
09:40It was rather a mean trick, but confidentially, I had to get rid of him.
09:46But why get rid of him?
09:48Well, when a man's talking to an angel, he doesn't want an audience around.
09:53Oh, what is this angel business?
09:55Here it is right here.
09:57Right on your handkerchief.
09:59Oh, A.
10:00Well, that's for Ann.
10:01Ann to everyone else.
10:03Angel to me.
10:05You do have an interesting line.
10:08Yes.
10:09Yes.
10:10Yes.
10:11Yes.
10:12Yes.
10:13What did he say?
10:15Yes.
10:16So, the minute I turn my back, you start talking.
10:19Did you give those gentlemen the required information, my good man?
10:22That was a filthy trick.
10:24Someday, I'm going to be transferred to a district a thousand miles away from you.
10:28And when that day comes, I'm going to be the happiest man in the whole Northwest Territory.
10:35It looks like she's going to cause our balance.
10:39We better give her a signal.
10:41Stop or I'll shoot.
10:43I'll take the key to your cabin.
10:44What is this?
10:45Never mind.
10:46Hand over that key.
10:48Why, if you think that I'll keep the argument and stop the boat.
10:51Come on.
11:01Hey, listen.
11:02Sounds like a motorboat.
11:04Yeah.
11:05Making fast time, too.
11:12Why the worried look, Angel?
11:14What?
11:15Oh.
11:16Did I look worried?
11:17He wouldn't know whether you were worried or bored.
11:20Listen.
11:21If Angel's bored, she got that way since you joined the party.
11:25You seem to be slowing down.
11:37I hope this is where you get off.
11:43Ah, down this way.
11:44Get in.
11:45Get in.
11:47Get in.
11:54Get in.
11:59Get in.
12:05Oh, my God.
12:35Here they come.
12:46Those shots came from here, all right.
12:48Yeah.
12:57This light is about as good as nothing.
13:00Yeah.
13:05Goin' down the hall.
13:12Hold it.
13:16All right, get going.
13:18Back! Get back!
13:27And I thought I was the only one who knew about that shipment of gold.
13:32Oh, I remember now.
13:34We came down here to find out what was wrong.
13:36Yeah, and we sure found out.
13:38Found out what?
13:39There were just a couple of hens shut up in a coop.
13:43I sure laid an egg.
13:44And without a cackle.
13:49Hold it.
13:57Get in there.
13:59Hurry up, come on.
14:00Hurry up, get in there.
14:02Come on.
14:04Hey.
14:13Better let McCluskey lock you in with the other passengers.
14:16It'll look better.
14:17Shut up.
14:18Get off, my boy.
14:19Where's your ass?
14:20Come on inside.
14:21Make it snappy.
14:27McCluskey!
14:27Take care of her!
14:28Where are the Mounties?
14:33Locked in the hole.
14:35Come on, get inside.
14:37This is a pretty kettle of fish.
14:41Watch the deck.
14:49Here, if it's a good.
14:58Here, please.
15:00Go along and fix those engines so they can't pause.
15:23Okay.
15:24Smash the lifeboats, too.
15:29The idea of doing a thing like this to me, and on my boat, I'm going out there and...
15:36How long, Captain?
15:37Don't you get yourself shot?
15:38The man is thick, Alan.
15:39That's right, the motiers.
15:40But where are they?
15:41Yeah, that's it.
15:42Where are they?
15:43You didn't bring your knitting needles along with you, did you?
15:46No, but I'm trying awfully hard to think of a yarn to tell the inspector.
15:50If we ever get out of here...
15:52Oh, he'll realize that the great Sergeant Renfrew...
15:54Turned out to be a chump.
15:56They give an awful lot to know what's going on up there.
16:02Everything set?
16:03They'll be lucky if they get this tub started by morning.
16:05Good.
16:09Say, when are we going to get out of here?
16:10I can't afford to stay here forever.
16:12I bet they take all your equipment.
16:14Yeah.
16:15Huh?
16:21They're pulling away.
16:27Break down that door.
16:28Yeah, that didn't...
16:29Clear the right to leave it.
16:30Come on, break it down.
16:31All right.
16:32All right.
16:33All right.
16:34All right.
16:35All right.
16:36All right.
16:37All right.
16:38All right.
16:39All right.
16:40All right.
16:41All right.
16:42Let's go.
16:50Stand back.
16:51Get back.
16:52Get back here.
16:53Get back.
16:54Out of the road.
16:55Hurry up.
16:56Hit below and stump those engines.
16:58Fire those mountains.
16:59Where are those mountains?
17:20As soon as they open the door, I'll grab them.
17:29Nice going, Constable.
17:31Wait. It's Angel.
17:34Gee, I'm sorry.
17:36The ship's been robbed.
17:52Turn here. We're not turning.
17:55But we've got to cross over to reach Burdown and meet the plane.
17:58We're not meeting any plane.
18:00We're going straight ahead.
18:03What is this?
18:04You guess.
18:28What is this?
18:29I'm going to go.
18:30I'll go.
18:31I'll go.
18:32I'm next to you.
18:34Look.
19:05I guess I've finished him.
19:18Okay.
19:19Head her in.
19:20We'll transfer to the canoes and make to the totem trail.
19:23Thanks.
19:35The riverboat was held up, Harrington.
19:53They got your gold.
19:55They got my gold?
19:56Yeah.
19:57Right under the eyes of Renfrew and Kelly.
20:00You know who was on board?
20:01No.
20:02And Chambers.
20:05And her brother?
20:06I don't know about him.
20:09Come on.
20:10Well, we couldn't follow them last night.
20:21We were locked in the hold.
20:25I suppose you'd rather skip that part of the incident.
20:30You figure they might land up that way?
20:33Huh?
20:35All right, Sergeant.
20:37Carry on.
20:37Yes, sir.
20:38I'm sending in a written report.
20:44Was he sore?
20:46Well, he didn't suggest pinning any medals on me.
20:48Oh, boy, does that break my heart.
20:52Come on.
20:52Oh, boy.
21:03Oh, boy.
21:03Oh, boy.
21:06Hear him, your father's place.
21:08Me take care whole plate.
21:10Your pa, him pay.
21:12Me take him care place.
21:14Same like my own.
21:17Oh, thank you so much.
21:19Me take him.
21:20Oh, no.
21:20I can manage, thanks, just the same.
21:22Me go in.
21:23Me show you a place.
21:24Good, clean place.
21:25Oh, no, don't bother.
21:26Give me the key.
21:29Thank you again.
21:30Goodbye.
21:31Goodbye.
21:31Yeah.
21:31All right.
21:50Do you have any idea who did it, Sergeant?
22:02No, I'm sorry, sir.
22:03They got away before we could identify them.
22:06We'd have gotten them, though, if we hadn't been locked up in the hold.
22:09No, so that's where you were.
22:11Well, now, don't worry, Mr. Harrington.
22:12We'll get them all right.
22:13I have a hunch where they'll make for shore, and we plan to head them off by crossing Pine Ridge.
22:20Well, I hope you're right.
22:22So do we.
22:232RVB3, calling QX9.
22:462RVB3, calling QX9.
22:49Come in, QX9.
22:50Hello, 2RVB3.
22:53This is QX9.
22:54Go ahead, Ann.
22:55Oh, Fred.
22:57And I've been so worried.
22:58Is everything all right?
22:59All right?
23:00Everything's all wrong.
23:01Where are they?
23:02Didn't they get away from the boat?
23:04Well, yes.
23:04Yes, of course.
23:05Everything just as we'd planned.
23:07Well, they didn't meet me at Bird Island.
23:09I landed here right after dark, and I'm still waiting.
23:11What could have happened?
23:13I don't know.
23:17Well, all I can do is circle around again.
23:19Well, keep in touch with me, won't you?
23:22All right, Ann.
23:23This is QX9 signing off.
23:25QX9 signing off.
23:26ginger, ginger, ginger.
23:29I've lost her, my money.
23:29You'll just help her, hon.
23:31I know you lost your soul.
23:32Oh, my God.
23:32Okay.
23:33This is my logo.
23:52Here we go.
23:53Here we have.
23:55What did you find out?
24:19Me no find out.
24:21Didn't she say anything?
24:22She no talk.
24:23She afraid.
24:24Yeah?
24:24She, Fred, big trouble come.
24:26Well, why didn't you stick around?
24:27You might have looked in the window or something.
24:29Me come quick.
24:30Tell them you.
24:31That girl's up to something.
24:34You sure you didn't overlook anything when you searched that house before?
24:37Hmm.
24:37Me no overlook them.
24:39You no say, tear them down house.
24:42If that girl found that bill of sale and brought it up here, we're sunk.
24:46Oh, I still think it's in that house somewhere.
24:49Listen, you stick around and don't you let that girl out of your sight.
24:52You understand?
24:53Hmm.
24:53Me do.
25:09That's what I call a nice night's work.
25:11We're a long way from being out of danger yet.
25:14Until we cross the Totem Trail, we've got to make time.
25:17Where do we pick up the trail?
25:19Just a little ways upstream.
25:21Three Π΄Π΅Π½Ρ.
25:21Come on.
25:34Hey.
25:35Hey.
25:35Hey.
25:42Hey.
25:43Hey.
25:43Hey.
25:43Oh, my God.
26:13Oh, my God.
26:43Oh, my God.
27:13Oh, my God.
27:21Well, if our luck holds, we'll have this gold in our hideout by tomorrow.
27:26Come on.
27:26Make it snappy.
27:28Eskimo, you know the trail.
27:30Oh, you better take the lead.
27:31Oh, my God.
27:32Wait.
27:33Too late now.
27:43Wait.
27:44Too late now.
27:53Come on.
27:54What's that horse doing up there?
28:00It looks like brownies.
28:03I heard voices right over there.
28:04Well, let's take them.
28:05Not a chance.
28:06The moment we get out in the open, we're cooked.
28:09What do you say when you circle around and come at them from opposite directions?
28:10Right.
28:11Right.
28:12Right.
28:13Right.
28:14Come on.
28:15Come on.
28:16Come on.
28:17Come on.
28:18Come on.
28:19Come on.
28:20Come on.
28:21Come on.
28:22Come on.
28:23Come on.
28:24Come on!
28:25We'll be out in the open, we're cooked.
28:26What do you say when you circle around and come at them from opposite directions?
28:28Right.
28:58Now that's our chance to scratch.
29:14Oh!
29:15Now that's our chance to scratch.
29:20If you look for Monty, he now be here for a long time.
29:50They have big gun fight in my place.
29:53Up on the hill, I bring horses.
29:55Did they catch the thieves?
29:57No, these bandits is get away.
29:59But one Monty, he's hurt very bad.
30:01Sergeant Renfrew, he's bring him back in canoe.
30:04And I think she's died before she gets here.
30:07Well, you don't mean Constable Kelly, you're shot.
30:10Well, I go tell the doctor to be ready.
30:20Lots of pain, old man?
30:25No.
30:27Take it easy, will you, pal?
30:30I want to talk.
30:32Remember that trouble we cleaned up on the Banjo River?
30:37That was a swell fight, wasn't it?
30:40I'll say.
30:41When we were floating home, you made up a song.
30:44Remember?
30:45Yeah.
30:46Sing it, will you?
30:47The crimson sunset and purple hills, the plaintive calling of whipple wheels, the night winds
30:52sighing and whispering that the day is through.
30:56The falling twilight, the rising moon, the stars like windows will light up soon.
31:25Two pals together and happy, cause the day is through.
31:35The orders were tendered, our duties have ended, I trust we never shall fail.
31:46Paddling down the river, heading for the end of the trail.
31:58Two loyal bodies beneath the sun, two happy mountains when day is done.
32:10For crimson sunset and purple hills, means heading home, heading home.
32:25How is he?
32:41Well, he's lost a lot of blood.
32:43It's going to be a fight to save him.
32:45We've got to pull him through, doctor.
32:47I'll do my best.
32:552RVB3 calling QX9.
33:042RVB3 calling QX9.
33:172RVB3 calling QX9.
33:191RVB3 calling QX9.
33:202RVB3 calling QX9.
33:212RVB3 calling QX9.
33:262RVB3 calling QX9.
33:272RVB3 calling QX9.
33:28Oh, Fred!
33:29Oh, I've been trying to get you all night.
33:32The Mounties had a fight with our men and Constable Kelly was shocked.
33:35Did the Mounties get them?
33:38No, they got away.
33:40away. How could Lamont do a thing like that? It beats me. I could kick myself for involving you
33:48in this. It was my job to see it through alone. No, my dear. If it had to be carried through,
33:55it was as much my responsibility as yours. I'd give anything to know what happened out there.
34:05Where are you going? To find out if Constable Kelly's been brought in.
34:10Who is it? Lamont. What happened? We've been double-crossed.
34:40Then it must have been McCluskey and the others who shot up Constable Kelly.
34:49They did? Yes. Gee, we're in a tough spot. We've got to get out and find them.
34:56Well, let's go. What about Ann? We'll contact her from the plane.
34:59Is there anything I can do to help him? No. I know Kelly will be glad you said that.
35:13Well, he will pull through. Won't he? Of course he will. Kelly's tough.
35:20He's got to pull through. Well, if he doesn't, it would be murder, wouldn't it?
35:33That's the legal term for it. Sergeant, can I see you outside for a minute? Certainly.
35:41All right. Don't go away. She'd better not.
35:56Why did you say that about Miss Chambers? I'll tell you why. Because Miss Chambers is mixed up in this robbery.
36:01Mixed up in the robbery? That's right.
36:04What makes you say that? Well, Sergeant, everybody up here knows that after their father died,
36:08those Chambers' kids laid claim to the ownership of my mine and made threats against me.
36:12Well, that doesn't prove anything. No.
36:15Well, her brother and Lamont, the foreman of my mine, have been hiding out in her cabin.
36:19And Lamont's the only one who knew about that shipment of gold.
36:22Indian Georgia saw them take off in a plane they had hidden away.
36:25What about the men who shot Kelly?
36:27Must be part of the same gang. And I'll bet Chambers and Lamont are flying up there to meet them.
36:33Sergeant, I demand you arrest Miss Chambers immediately and make every effort to stop that plane.
36:42Very well, Mr. Harrington.
37:03Let's go.
37:20Fred?
37:24Fred?
37:31Fred?
37:33There they are!
38:03They're running for cover!
38:18That's Chambers, but there's two men in that plane.
38:26There's an old mining cabin up ahead.
38:28We can hide out there until after dark.
38:32QX9 calling 2R-BB3.
38:47QX9 calling 2R-BB3.
38:52Hello, 2R-BB3.
38:54Come in, QX9.
38:56Ann, McCluskey double-crossed us, but we found him.
38:59Jim is with me. He's okay, honey.
39:01Hello, 2R-BB3.
39:02Hello, 2R-BB3.
39:03Hello, 2R-BB3.
39:04Did you hear me?
39:05We found them.
39:06Yes, Fred.
39:07I heard you.
39:08They're heading up the Port of Trail.
39:09We'll get that call back another reason.
39:10Hello, 2R-BB3.
39:11Did you hear me?
39:12How is this?
39:13Did you hear me?
39:14Why don't you answer?
39:15She doesn't answer because she's under arrest.
39:16Who's that?
39:17It's Gordon Renfrew, and I'm inspired for you to come in and give yourself up.
39:22Lamont!
39:23Renfrew's got Ann.
39:24Hello.
39:25Hello.
39:26Hello.
39:27It's all my fault.
39:28I dragged Fred and Jim into this.
39:29I'm the only one to blame.
39:30It's all my fault.
39:31I dragged Fred and Jim into this.
39:35And what if something happens to Kelly?
39:36Are you ready to assume full responsibility for that too?
39:37It's all my fault.
39:42I dragged Fred and Jim into this.
39:48I'm the only one to blame.
39:50And what if something happens to Kelly?
39:56Are you ready to assume full responsibility for that too?
39:59No, you're not here.
40:00Yes, what are you getting here?
40:02assume full responsibility for that too yes I am it's bad business taking the
40:10law in your own hands the law what is the law ever done for us my father
40:18borrowed money from friends to buy that mine and then he was killed and Harrington
40:23got on the stand and swore he never received that money that my father took
40:28at intending to defraud his friends the law upheld him and branded my father a
40:34thief what else could I do but take that gold and give it back to the friends who
40:39trusted him when your father bought this mine didn't he get a bill of sale well
40:45yes he did but he told us that he did and when Fred came up here and looked he
40:50couldn't find it oh oh what's the use you said I was under arrest why don't we go
40:58oh
41:28I don't know.
41:58I hope we can find a place for land.
42:10This makes it simple.
42:26The key's in the lock.
42:28Take it easy, will you?
42:29I don't want anyone to suspect we've been here.
42:31Shut that door.
42:33Can you feature him using a radio to pull off that job?
42:37Sure is tricky.
42:38Well, no bother about that.
42:39Get busy.
42:40Hey, put everything back like it was.
42:45Hmm.
42:46Me look them through that many times.
42:48No pint of nothing.
42:50Fine.
42:51No pint of nothing.
42:57What's the matter with you?
42:58Didn't I tell you to...
43:04Say.
43:05Well, what do you know about that?
43:19This bill of sale, buy in between Dulles Harrington's seller and Ed Chambers's buyer...
43:20Say, better burn that right now and then we'll know for sure it's out of the way.
43:24I think you're right.
43:25I wouldn't burn that if I were you.
43:31I'll take that paper.
43:32Miss Chambers?
43:33You were right about that bill of sale.
43:35seller and Ed Chambers buyer hey better burn that right now and then we'll know
43:39for sure it's out of the way I think you're right I wouldn't burn that if I
43:48were you I'll take that paper Miss Chambers you were right about that bill
43:59of sale oh that's it that's a forgery another trick of Miss Chambers he seemed
44:10to think it was important enough to burn mr. Harrington you're under arrest for
44:15mr. Chambers murder for murder that's right you sold him the mine then arranged
44:21his accidental death before he could record the bill of sale you can't prove
44:25that I can have enough of a good try at it
44:55so
45:02I'm
45:04the
45:05the
45:07the
45:09the
45:10the
45:14the
45:15the
45:16the
45:18the
45:20the
45:27the
45:32the
45:34the
45:39call in QX9, to all BB3, call in QX9, QX9, come here, to all BB3, call in QX9, QX9,
45:49QX9, quick, oh, oh, oh, no, no, you can't do that, you, now try to prove your claim
46:08your charges, QX9, call in QRBB3, QX9, call in QRBB3, come in, QX9, call in QRBB3, QX9, call in QRBB3, QX9, hello, hello, Fred,
46:34and tell Sergeant Renfrew, they're hiding in a miner's cabin, above the totem trail,
46:39that's all I want to know, come on,
46:50hello, to RBB3, come in, to RBB3, something's wrong,
47:13they've gone, they took your gun, they're heading for a miner's cabin, up above the totem trail,
47:39Fred's up there, after the men who shot Kelly,
47:42here, here, before a sick man, take it easy,
48:06Doc, I've got to get out there and help Renfrew, he can't get along without me, I tell you, I've got to go,
48:10you do nothing of the kind, you stay in bed if I have to tie you in,
48:14I'll bet Renfrew told you to keep me in bed, so he could grab off all the glory, that big stiff,
48:24But there are a few more than the warmι£ε, to the dead-style,
48:28but I don't know the honour.
48:29He should have said Archie.
48:37I wanted to show you, Mark.
48:45He cut in ahead of him.
49:15You've got him.
49:27Hold it.
49:45That was too close for comfort.
49:57That I didn't miss him for.
50:02Now you be nice little boys and don't run away.
50:07I'll be back for you later.
50:19Oh, ouch. Stop pulling your sap. We can't get loose.
50:23How do you got me into this? Now get me out.
50:27Oh, ouch. Stop pulling your sap. We can't get loose.
50:35How do you got me into this? Now get me out.
50:39Let's go.
50:55Let's go.
51:07Let's go.
51:11Let's go.
51:15Let's go.
51:17Let's go.
51:19Let's go.
51:21Let's go.
51:23Let's go.
51:26Come on.
51:56They picked themselves a swell spot.
52:11We don't dare get out in that clearing.
52:12Yeah, if they hold us off, they'll ask the dark.
52:14They're going to get away.
52:26They're going to get away.
52:56They're going to get away.
53:26They're going to get away.
53:28That's my plane.
53:34Do you see anything?
53:35No.
53:36No.
53:44Yo, get killed.
53:45No.
53:46No.
53:47No.
53:48No.
53:49No.
53:50No.
53:51No.
53:52No.
53:53No.
53:54No.
53:55No.
53:56No.
53:57No.
53:58No.
53:59No.
54:00No.
54:01No.
54:02No.
54:03No.
54:04No.
54:05No.
54:06No.
54:07No.
54:08No.
54:09No.
54:10No.
54:11No.
54:12No.
54:13No.
54:14No.
54:15No.
54:16No.
54:17No.
54:18No.
54:19No.
54:20No.
54:21No.
54:22No.
54:23No.
54:24No.
54:25No.
54:26No.
54:27No.
54:28No.
54:29No.
54:30No.
54:31What again?
54:33All I've heard for a week is that guy chirping.
54:36Pretty soon, hear of new kind of music.
54:39Yeah, it might be swing music.
54:41Nah.
54:47With blue skies above me, and you here to love me,
54:51nothing can ever go wrong.
54:55Drifting down the river,
54:59serenading you with a song.
55:05This burning ember within my heart
55:11makes me remember that you're the part
55:17of crimson sunset and purple hills
55:21I'll always love.
55:25I'll always love.
55:29I'll always love.
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