- 6 months ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30Napa, la parola.
00:01:32I'm looking for the first place.
00:01:34Chessica.
00:01:35Ma questa si parla al primo posto.
00:01:42Shit.
00:01:44Whoa.
00:01:45I can't buy my wallet.
00:01:50Are we in a seat case?
00:01:52No.
00:01:53I'm in the seat.
00:01:55Somewhere.
00:01:56Maybe it's in my car.
00:02:00She много for bus, for bus.
00:02:02No, he didn't catch up, girls.
00:02:04He didn't swarm them, I didn't charge her.
00:02:09What I was looking a month, that...
00:02:11hi, watched the Kenny La Rage.
00:02:14She's not with the bus.
00:02:17She was as judged as a prostitute.
00:02:20She was back on themoteas.
00:02:21You'll see her here, seated down the going two.
00:02:24Just Don't Enough.
00:02:30Where did you have it last?
00:02:34The train station, I think?
00:02:38The exchange booth?
00:02:42Oh, Jamie, I'm sorry.
00:02:46That bastard at the train station started when you dropped all your stuff.
00:02:52This is 170, not 70.
00:02:56Where do we need to go?
00:02:58We need sevens.
00:03:10Here we go.
00:03:20Is this it?
00:03:22Thanks, man.
00:03:28It's nice.
00:03:42Yes, I have a credit card.
00:03:46Numbers on file on my computer.
00:03:48Yes, I have them here.
00:03:52Okay, five, five, three, three, seven, six, four, five, eight, seven, eight, seven, nine, one, five, seven.
00:04:04Five, seven.
00:04:06Yeah.
00:04:08Expires 12.15.
00:04:10No, she'll definitely need another card sent out immediately.
00:04:14We're here for two weeks.
00:04:16No, I'm working here.
00:04:18Yes, I'll hold.
00:04:22You love how they ask, as if I have a choice.
00:04:26Do you know what I'm gonna try to do while I'm here?
00:04:30Besides, learn Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:34You don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:39That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:44And besides, what's the point?
00:04:47The whole bloody world speaks English.
00:04:49Well, I am going to finally transcribe the tapes.
00:04:54Yes.
00:04:56All right.
00:04:58Okay.
00:05:00Well, if you can see it through to the end, I think that's wonderful.
00:05:06What does that mean?
00:05:08Nothing.
00:05:10Nothing?
00:05:11I think it's a fantastic idea, Jen.
00:05:15I always have.
00:05:16You know that?
00:05:17She sounds very supportive.
00:05:22You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:29I just know how emotional listening to them can be.
00:05:34Has been for you.
00:05:35I think enough time has passed.
00:05:37Well, that's great.
00:05:52Why do you think he killed himself?
00:06:08Who?
00:06:11David Foster Wallace.
00:06:13I don't know.
00:06:17You can't get a sense by his writing?
00:06:20You have to read it when I'm done, don't I?
00:06:28Do you think he recognized a blank infinity just stretching out?
00:06:34He got to this point maybe where it was just day after day after day.
00:06:38I really don't know, Jen.
00:06:40Just so tedious.
00:06:43And then, of course, he felt guilty.
00:06:46Most people think life is too short and there he was, all the talent in the world,
00:06:49and it wasn't enough.
00:06:50Jen, can I...
00:06:51Can we not talk about this?
00:06:53Just...
00:06:54Just...
00:06:55Just a bit moment.
00:06:57I love you.
00:07:13I love you too.
00:07:27Do you feel alright?
00:07:28Do you feel okay?
00:07:29Yeah.
00:07:30Are you sure?
00:07:31Mm-hmm.
00:07:32Mm-hmm.
00:07:33Do you feel alright?
00:07:34Do you feel okay?
00:07:35Yeah.
00:07:36Are you sure?
00:07:37Mm-hmm.
00:07:38Feel okay?
00:07:39Do you feel okay?
00:07:40Yeah.
00:07:41You should okay.
00:07:46Mm-hmm.
00:08:08I don't know.
00:08:38I don't know.
00:09:08Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:21I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:27True.
00:09:28Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:44I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:10:26I'll see you later.
00:10:28What kind of stories?
00:10:30Stories that you've prepared.
00:10:32Or I can ask them a list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list.
00:10:36God rest his soul.
00:10:37Let's start with the war.
00:10:38We went into an air raid shelter.
00:10:42My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb.
00:10:50And the man next to us, he said,
00:10:52I was in a shelter last night with my wife and my little boy.
00:10:56And half of it got blown away.
00:10:59There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:08Here we were in this tiny town in England,
00:11:10miles from Germany, from Russia, from Italy,
00:11:13from any front lines.
00:11:14And this man, he had blood in his hair.
00:11:25Buonight, cappuccino.
00:11:26Okay.
00:11:27We made it.
00:11:28We made it.
00:11:58We were driving our bikes to school
00:11:59when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards,
00:12:06we couldn't stop laughing.
00:12:09It feels now as if I'm the only one who remembers that.
00:12:12It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia.
00:12:25Or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:43Sometimes I think I should have had more children,
00:12:47not just your father.
00:12:50You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:03You want to ask me more boring questions about the war?
00:13:06All right, then.
00:13:10Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato inglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oregonese?
00:13:23Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Ah, grazie.
00:13:29They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side
00:13:41and which was the allied side.
00:13:43When he came home after something like that,
00:13:47you couldn't really complain to him about anything,
00:13:50now could you?
00:13:50I'm actually going there now, to the castle.
00:13:52Do you speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So come on.
00:14:28My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm, mm, mm.
00:14:40The viola.
00:14:43Any good?
00:14:44Yes.
00:14:45Very.
00:14:49How do you keep your violin from getting stolen?
00:14:51You put it in a viola case, right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming, there's nothing you can do about it.
00:15:17I can't help it, I've got this weird, autistic mind for jokes, and I went to this music slash nerd summer camp when I was like 10 and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:33You knew we went?
00:15:34No.
00:15:35Stop making me feel like a stalker.
00:15:49Fuck.
00:15:49Stop making me feel like a stalker.
00:15:51Fuck.
00:15:51Oh, hey, have you got 50 cents?
00:16:04If you can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:11What brought you out of here today?
00:16:35Barry?
00:16:36Barry?
00:16:36Ha!
00:16:37Barry.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn to bones.
00:16:48Can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:52In, like, the 1300s, thousands of families lived in this castle.
00:17:03It doesn't smell pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:11I know.
00:17:13I've been coming here every day, and it still gets me.
00:17:17If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization dedicated to studying
00:17:30the relic populations of dolphins and whales in the Gulf of Naples.
00:17:33I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:40No, I just didn't want to go to college, and they paid for me to come over.
00:17:43Before connecting, applied to a 72-hour plane ride, but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:49How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:01Because I stayed on the island, because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:07Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second
00:18:11cousin twice removed.
00:18:12The second cousin twice removed, in case you didn't know, is when one person's great-grandparent
00:18:16is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:20Sorry.
00:18:20Anyway, so this relative gave me the name of this great-uncle who lives on the island,
00:18:25so I show up, he answers the door, and he's, like, the oldest fucker I've ever seen, easily.
00:18:31He's pushing a hundred.
00:18:32A hundred?
00:18:33Yeah, if not older.
00:18:34He's, like, deaf and blind and about four feet tall, and he mumbles a couple of things
00:18:38to me in some crazy dialect, ushers me inside, pours me a glass of wine, and leads me to
00:18:43this basement apartment, and, uh, yeah, I never left.
00:18:46I'm sorry.
00:18:48I'm sorry.
00:18:50I'm sorry.
00:18:50I was so quiet.
00:18:51I don't know.
00:19:00I'm sorry.
00:19:00I'm sorry.
00:19:01I don't care.
00:19:01I love you.
00:19:31Love teaches me to feed on flames and tears, to turn withered hope green through desire,
00:19:49to re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:55Who is that?
00:19:59Vittoria Colonna.
00:20:02The woman who lived here.
00:20:05You read that in your guidebook this morning, didn't you, Jane?
00:20:09Sneaky.
00:20:11Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17I thought Michelangelo was gay.
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:25But that didn't stop her from loving him.
00:20:29Let's hear it then.
00:20:31In Italian.
00:20:32Let's hear the poem.
00:20:35Come on.
00:20:36Come on.
00:20:37I'm impressed.
00:20:40Are you hungry?
00:20:41I'm impressed.
00:20:43Are you hungry?
00:20:44Why are you going to take me out?
00:20:46Yeah.
00:20:47Why are you going to take me out?
00:20:48Yeah.
00:20:49All right, then.
00:20:50Okay.
00:20:51Okay.
00:20:52Okay.
00:20:53All right, then.
00:20:54Okay.
00:20:55Two pastas.
00:20:56with the...
00:20:57Two pastas with the...
00:20:58house sauce, please.
00:20:59Red.
00:21:00Red.
00:21:01White.
00:21:02Red.
00:21:03Red, please.
00:21:04Uh-huh.
00:21:07I'm impressed.
00:21:09Are you hungry?
00:21:10Why, are you going to take me out?
00:21:12Yeah.
00:21:13All right, then.
00:21:15Okay.
00:21:16Two pastas with the house sauce, please.
00:21:17Red.
00:21:18White?
00:21:19Red.
00:21:20Red, please.
00:21:21Uh-huh.
00:21:23Grazie.
00:21:24So you're really not going to tell me what you do?
00:21:29I write freelance articles about parties and fashion trends in town and country UK.
00:21:44There's something else.
00:21:45I'm writing a book about my grandmother's experiences in rural England, living through two world wars.
00:22:00I recorded her for hours and hours.
00:22:03But now, I don't know.
00:22:07What don't you know?
00:22:09You want to listen?
00:22:12A little?
00:22:13Yeah.
00:22:14Yeah?
00:22:15Yeah.
00:22:16No, I love to listen.
00:22:19All tangled up.
00:22:21Hold on.
00:22:22Okay.
00:22:23Awful as it was, it made you stronger.
00:22:24These days, people whine about all sorts of things and I'm not one of those old people who think my time had the only joy and the only problems.
00:22:38We all have our own private wars, every era, but it was nothing like... it really brought people together, the war.
00:22:53We helped each other during that time.
00:22:54We had to laugh.
00:22:55We had to smile.
00:22:56Well, if not for ourselves, then for the people we'd lost.
00:22:58I'll shut that thing off.
00:22:59Would you get it out of my face?
00:23:00That is like...
00:23:01It's like a window in time.
00:23:03The sort of thing which you always did before someone died, you know?
00:23:07My husband thinks I'm never gonna finish it.
00:23:08I shouldn't care what anyone thinks.
00:23:09We met while I was recording her.
00:23:10That's bonding over granny, huh?
00:23:11I make it sound perverse.
00:23:12I'll shut that thing off. Would you get it out of my face?
00:23:18That is like...
00:23:20It's like a window in time.
00:23:23The sort of thing you wish you always did before someone died, you know?
00:23:27My husband thinks I'm never going to finish it.
00:23:30I shouldn't care what anyone thinks.
00:23:32We met while I was recording her.
00:23:35Bonding over Granny, huh?
00:23:38Make it sound perverse.
00:23:40That's what it was, right?
00:23:41Buongiorno.
00:23:43Buongiorno.
00:23:44Signori.
00:23:53I got pregnant, so we got married.
00:24:01I lost the baby.
00:24:05I'm sorry.
00:24:11I didn't go back after that to the States.
00:24:13Did you ever hear that story about the Red Strain?
00:24:15I think I might have.
00:24:17Tell me.
00:24:18I think I might have.
00:24:20Tell me.
00:24:21It's like this.
00:24:22Asian proverb.
00:24:23It's like this.
00:24:24Asian proverb.
00:24:25says that anyone you're destined to meet like,
00:24:29your soulmate or your family, or your family or your sister.
00:24:31You're friends.
00:24:33I don't know.
00:24:34I'm sorry.
00:24:35I'm sorry.
00:24:36I'm sorry.
00:24:37I'm sorry.
00:24:38I'm sorry.
00:24:39I was so sorry.
00:24:40I'm sorry.
00:24:41I'm sorry.
00:24:42I think I might have.
00:24:44Tell me.
00:24:48It's like this Asian proverb
00:24:51says that anyone you're destined to meet,
00:24:54like your soulmate or your family
00:24:58or, you know, someone you bump into on the street,
00:25:02we're all connected by this red string.
00:25:05It can be tangled or stretched,
00:25:11but it can never be broken.
00:25:16There's this moment in the tape.
00:25:20I'm sitting, waiting in the airport bar for my flight.
00:25:25And I'm talking into the recorder,
00:25:28rambling on about how I'm about to embark
00:25:30on this amazing adventure
00:25:32and how I'm gonna show World War II
00:25:35from a totally different perspective.
00:25:37But...
00:25:46I don't know if it's that interesting.
00:25:49That's the whole point, isn't it?
00:25:53Keeping it interesting for yourself.
00:25:57Maybe.
00:25:58Maybe I just wanna write about nothing.
00:26:02Everything is nothing.
00:26:05All the best.
00:26:07Compliano.
00:26:08Grazie.
00:26:09Grazie.
00:26:12Make a wish, huh?
00:26:15Make it great.
00:26:20Okay.
00:26:21Bravo.
00:26:25Bravo.
00:26:26Bravo.
00:26:27Hey.
00:26:36What do you mean I'm ready to go?
00:26:37Ready?
00:26:38What?
00:26:39Grab my hand.
00:26:40Go, go, go!
00:26:41Go!
00:26:42Oh, my gosh!
00:26:44Oh, no!
00:26:45What?
00:26:46What do you mean?
00:26:47Stop!
00:26:48Stop!
00:26:49Stop!
00:26:53Stronzo!
00:26:54Hey!
00:26:55It's the carabineri!
00:26:56It's the police!
00:26:57No!
00:26:58Hey!
00:26:59No!
00:27:05We can't go back.
00:27:06We can't go back, we can't go back.
00:27:08Look!
00:27:09We can't bear behind me, I'm going to get away!
00:27:13Oh God...
00:27:15Oh!
00:27:16Oh, my God.
00:27:23There you go.
00:27:24Here you go.
00:27:25Here you go.
00:27:27Did it make you feel better if I said I said no one day off?
00:27:30Yes, it's true.
00:27:32Yes, it's true.
00:27:34I made the check when I went to the bathroom.
00:27:40You're horrible.
00:27:42You're horrible.
00:27:44Come on, let's go.
00:27:46Quick.
00:27:48Let's go.
00:27:50Why are we still running?
00:27:52I don't know why we're still running.
00:28:06Oh, my God.
00:28:08Yeah.
00:28:14Went up my nose.
00:28:20We come back?
00:28:22Maybe.
00:28:24Maybe it's not a no.
00:28:28And since I don't have a phone,
00:28:30you're gonna have to give me your number.
00:28:32For cheap thrills and future crimes committed.
00:28:36No.
00:28:40Fair enough.
00:28:42I've got to go catch a fairy.
00:28:52Hey.
00:28:54Why do violists keep their viola cases on their dashboards?
00:29:00Why do violists keep their viola cases on their dashboards?
00:29:16Why?
00:29:22So they can park in handicapped spots.
00:29:32Happy birthday.
00:29:36Happy birthday.
00:29:50Happy birthday.
00:29:52A few days.
00:29:54A few days.
00:30:26I've got so much of this stuff to get through.
00:30:56Nice.
00:31:26They stay with me too.
00:31:28Jane.
00:31:29Tony.
00:31:30Got some pastries.
00:31:32Still asleep?
00:31:33Jane.
00:31:34Tony.
00:31:35Got some pastries.
00:31:39Still asleep?
00:31:40Jane.
00:31:41Jane.
00:31:42Jane.
00:31:43Jane.
00:31:44Jane.
00:31:45Jane.
00:31:46Jane.
00:31:47Jane.
00:31:48Jane.
00:31:50Jane.
00:31:51Jane.
00:31:52Jane.
00:31:53Jane.
00:31:54Jane.
00:31:55Jane.
00:31:56Jane.
00:31:57Jane.
00:31:58Jane.
00:31:59Jane.
00:32:00Jane.
00:32:01Jane.
00:32:02Jane.
00:32:03Jane.
00:32:04Jane.
00:32:05Jane.
00:32:06Jane.
00:32:07Jane.
00:32:08Jane.
00:32:09Jane.
00:32:10Jane.
00:32:11Jane.
00:32:12Jane.
00:32:13Jane.
00:32:14Jane.
00:32:15Jane.
00:32:16Jane.
00:32:17Jane.
00:32:18Jane.
00:32:19Jane.
00:32:20Jane.
00:32:21Jane.
00:32:22Jane.
00:32:23Jane.
00:32:24Jane.
00:32:25Jane.
00:32:26Jane.
00:32:27Jane.
00:32:28Jane.
00:32:29Jane.
00:32:30we saw glenn miller one time we used to go all over the place there were wonderful times
00:32:39i never had an american boyfriend i liked some of them they were nice boys but i i didn't i
00:32:49didn't want to leave my mom and dad i wish i had sometimes you know when you were 19 the world just
00:32:56felt so open and carefree and full of possibility you reminded me of that at that time you were 19
00:33:06when we met yeah i wouldn't have described this carefree back then not at all well i felt
00:33:12nostalgia or something for youth you're not old hey we ran out on the bill you just ran what do
00:33:22you mean you ran out on the bill perhaps i'm not explaining it well it was it was fun it was just fun
00:33:41how's work the conductor's actually a descendant of water leg which is fascinating the three of us
00:33:49we're planning dinner before we leave i'd like that jane oh my god this is caleb hi no no we were just
00:34:04talking about you we were that's so weird sit please sit down join us oh oh
00:34:11i'm gonna get back pretty soon that's okay i already ate so i'll just grab a coffee
00:34:25i have the check please in a cafe play for play oh no thank you
00:34:44okay okay jane you don't smoke yes i do sometimes at parties you know that well i don't do it a lot
00:34:59i love it it's no variety english food on the other hand say what you like about it there's nothing
00:35:18like a good steak and kidney pie i went to this party the other day in this villa owned by this
00:35:25old drunk expat they had like a private chef and everything and uh they were serving this like
00:35:32loaf of meat covered in sauce with all these other loaves and this girl came over to me and said it
00:35:38was cat no no joke like a roasted mommy cat and her kittens that is disgusting true story
00:35:47why don't you tell leonard one of your viola jokes
00:35:58come on come on let's hear one
00:36:07um i have one
00:36:09what is the definition of perfect pitch what
00:36:20when you throw a viola into the dumpster without hitting the rim
00:36:26you didn't just make that up it's too good i did well i'm impressed and i'm stealing it
00:36:30you can pretty much make that joke about any instrument
00:36:38do you play anything this and that you know
00:36:44shall we what time to go already yeah i'm gonna get back to work
00:36:51so what's next new agenda caleb um i'm thinking tibet oh tibet really yeah then just think
00:37:08on the shopping festival at the end of the summer yeah i've heard about that that's where the the
00:37:12buddhist monks unroll all the tapestries on the hill right the monks the monks the monks
00:37:17it's so pretty how do you support yourself you know a bit of this bit of that
00:37:28oh all right then i'll walk you does anybody have a pen you got a pen yeah i have a pen
00:37:42okay
00:37:47i have a piece of paper you guys should definitely come over to the island i'll take you somewhere
00:37:53fun you know don't knock on the front door come around the side i need regina
00:38:04thank you and thanks again for yesterday oh no problem
00:38:10okay
00:38:11how stoned are you come on man we should tell him pop it's not a big deal
00:38:28so you're saying you smoke back at her occasionally can we do something fun tonight sure
00:38:35i'm fine from here okay i'll see you after work i'll be waiting
00:38:56okay
00:39:14hey god you scared me are you following me maybe is that weird yeah
00:39:26i couldn't sleep last night
00:39:37you told me you're staying near the port so i got the first ferry this morning
00:39:41i came looking for you
00:39:44and i can't believe i found you
00:39:56you
00:40:28What are we doing?
00:40:30I think we're making it out.
00:40:33So sexy and beautiful.
00:40:58I can't do this.
00:41:08What?
00:41:09What?
00:41:10I can't do this.
00:41:11Why?
00:41:22Do you do this a lot?
00:41:24What?
00:41:25Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:30You need to be less serious.
00:41:37Don't follow me.
00:41:40No, no.
00:42:26There was one boy from Belgium.
00:42:48He was lovely.
00:42:50He had a moustache.
00:42:52My mother hated moustaches.
00:42:54But he was shipped off.
00:42:58I never saw him again.
00:43:04Anyways, I met your grandfather not long after, and we got married.
00:43:09Was it love at first sight with Grandpa?
00:43:12Love at first sight?
00:43:14Stop that thing.
00:43:15You're home early.
00:43:27I do deserve that.
00:43:29Can I just move for your husband?
00:43:36Jane, I'm sorry.
00:43:37Just give me a minute.
00:43:38I have a hell of a rest of my day.
00:43:40I've got so much stuff to do.
00:43:45Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50I've got some dinner.
00:43:51I thought we'd just stay in here.
00:43:53The two of us.
00:43:55I've just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59Okay.
00:43:59I'm sorry.
00:44:26Don't worry.
00:44:54Leonard, can we talk?
00:45:24Say cheese.
00:45:32You should kind of be in the middle.
00:45:35Hold on a second.
00:45:49That's what our living room is missing.
00:45:54What did you do?
00:46:09Put my hand over my mouth.
00:46:10You did?
00:46:11What did you do?
00:46:12Just wave.
00:46:24What did you do?
00:46:39I'm sorry.
00:48:46Oh.
00:48:47Hi.
00:48:48Did I wake you?
00:48:49No.
00:48:50I think I need to be less serious.
00:48:56Yeah.
00:48:57I'm gonna put my pants on.
00:48:58Okay.
00:48:59I'm gonna put my pants on.
00:49:00Okay.
00:49:01I'm gonna put my pants on.
00:49:02I'm gonna put my pants on.
00:49:03Okay.
00:49:04I'm gonna put my pants on.
00:49:05Okay.
00:49:06I'm gonna put my pants on.
00:49:07Okay.
00:49:08I'm gonna put my pants on.
00:49:09Okay.
00:49:10I'm gonna put my pants on.
00:49:11I'm gonna put my pants on.
00:49:12I'm gonna put my pants on.
00:49:13I'm gonna put my pants on.
00:49:14Okay.
00:49:15I'm gonna put my pants on.
00:49:16Okay.
00:49:17Okay.
00:52:47Leonard thought you were lying about those cats.
00:52:52He said that?
00:52:56Were you?
00:52:57You're delicious.
00:52:59You make me feel nervous.
00:53:19You make me feel calm.
00:53:24Want a drink?
00:53:47Want a drink?
00:53:49You make me feel calm.
00:53:50You make me feel calm.
00:53:51You make me feel calm.
00:53:55You make me feel calm.
00:53:57You make me feel calm.
00:54:01You make me feel calm.
00:54:03You make me feel calm.
00:54:10Is that him?
00:54:11Yeah, he just shuffled around all night.
00:54:17Must be lonely.
00:54:40. . .
00:55:05. .
00:55:10Again, and again, and again, again, and again, again, and again, once I was single, my pocket
00:55:38single, I wish I was single again, again, and again, again, and again, and again, once I was
00:55:54single, my pocket, single, I wish I was single again.
00:56:08I didn't sleep at all last night.
00:56:14Where have you been?
00:56:17Just walking.
00:56:19All night.
00:56:21I've been thinking.
00:56:23You left your phone here.
00:56:24I had to plug it in.
00:56:27We need to talk, Leonard.
00:56:28I have to go to work.
00:56:33Can you be late?
00:56:34No, I can't be late.
00:56:38I know it.
00:56:40Jay, whatever you have to say to me, I want to hear it.
00:56:44I've committed myself.
00:56:46People are depending on me.
00:56:48I have to go to work.
00:56:52Okay.
00:56:52I'm sorry.
00:57:04I'm sorry.
00:57:04If it wasn't the war, it would have been something else.
00:57:31There's always something else, isn't there?
00:57:33That's the thing.
00:57:35That's the thing about struggle.
00:57:48I'm going to make some tea.
00:57:49Do you want some?
00:57:51I'm all right.
00:57:54If you go out like that again, just tell me.
00:58:01Don't worry.
00:58:03Okay.
00:58:04I can't seem to figure out what's going on in your head.
00:58:10Do you think everything we've been through actually does us any good in the long run?
00:58:31Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:38I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:53I don't know what you want me to say, Jane.
00:59:08One little thing had changed in my grandmother's life, I might not be here.
00:59:31Sometimes I worry I'm not honoring her.
00:59:44With the book?
00:59:48No, with my life.
00:59:55This is it, you know.
00:59:57It ends with me.
01:00:04In the harvest time we all went to the field where they were cutting the corn.
01:00:08Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:20The horses.
01:00:21Yeah.
01:00:27The horses back then, they were kept beautifully.
01:00:31Dad used to dress them all up.
01:00:33Brass things and little horseshoes.
01:00:36He put braids on them.
01:00:39They used to be gorgeous.
01:00:41What are your plans for tomorrow?
01:00:43There was one.
01:00:46Duke.
01:00:47He was a Clydesdale I used to ride down to the marshes.
01:00:52Every night when he finished working.
01:00:59They were lovely days, really.
01:01:01They're gone.
01:01:02For me.
01:01:03Jane.
01:01:04But not for you.
01:01:05Jane.
01:01:06You know it's different for you.
01:01:07In some ways it's easier.
01:01:08You haven't got the war.
01:01:09People don't die as much as they did back then.
01:01:10But in some ways it's more disjointed.
01:01:14You've got to make your own life.
01:01:15One that you love and you can't be afraid of the time.
01:01:17Time is shiftable.
01:01:18Time is shiftable.
01:01:19Time is shiftable.
01:01:20Time is shiftable.
01:01:26There are moments in my life that I would trade sixty years to have back again.
01:01:27That's the truth.
01:01:28It's more disjointed.
01:01:29It's more disjointed.
01:01:30It's more disjointed.
01:01:31You've got to make your own life.
01:01:32One that you love and you can't be afraid of the time.
01:01:36Time is shiftable.
01:01:41to find out in the thousands of new civilizations.
01:01:44Again, I've never predicted that I would have trusted people again or either done.
01:01:51To find out a filter � Bragaon.
01:01:54Some dial toolMaxing Bros.
01:01:58There are moments in my life that I would trade sixty years to have back again.
01:02:00That's the truth.
01:02:01You'll know the truth when you find it.
01:02:02It'll come to you like something you've known before rather than something you're learning
01:02:05for the first time .
01:02:07Oh, sorry, it's not a fan.
01:02:11What is it?
01:02:18Are you all right?
01:02:22You okay?
01:02:23Yeah, I stung my toe.
01:02:26It's bleeding.
01:02:28It's fine. It's fine. It's fine. It's fine.
01:02:33You losing it?
01:02:35Yes.
01:02:36Fuck.
01:02:41I met these backpackers last night, Frank and Elsa.
01:02:49She's French, he's German.
01:02:52They're going to Tibet.
01:02:54And I'm going with them.
01:02:58I want you to come with me.
01:03:11I?
01:03:21Which means for me?
01:03:53Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10Long day.
01:04:14God, why didn't they not?
01:04:17I don't think I'd jump to doing another skill like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:32It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:39Are you listening?
01:04:43You found the key to finishing this project?
01:04:56Well, the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious?
01:05:28I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:49Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:05I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:39Say it.
01:06:42Jane.
01:06:42Say it.
01:06:44I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again and again.
01:06:55Please.
01:06:58How does that make you feel?
01:07:00It's not your father.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:13We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:18Is that what you want?
01:07:20Hmm?
01:07:20Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:41What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:04I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:11I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See him.
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:31That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:48What do you think?
01:08:55I kept waiting for you to see it.
01:08:57To smell it.
01:08:58To sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:11I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29I shouldn't have done that.
01:09:29No.
01:09:30I'm losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper.
01:09:34No, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No.
01:09:44That is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:07I want you to do what you need to do.
01:10:13And then come back to me.
01:10:16No questions asked.
01:10:19No guilt.
01:10:22This is good.
01:10:46No guilt.
01:11:04No guilt.
01:11:05No guilt.
01:11:07No guilt.
01:11:08No guilt.
01:11:42Hi.
01:11:48Hi.
01:11:57You want some?
01:12:02Oh, thanks.
01:12:12Oh, thanks.
01:12:42Frank and Elsa are coming over in a couple of hours.
01:12:49Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:12:55I'm thinking of driving through Romania and then Ukraine and down through Russia and through
01:13:10Kazakhstan and then straight to Tibet.
01:13:13I'm going to head out in a couple of hours.
01:13:19I'm going to head out in a couple of hours.
01:13:21I'm going to head out in a couple of hours.
01:13:23I'm going to head out in a couple of hours.
01:13:33I'm going to head out in a couple of hours.
01:13:35I'm going to head out in a couple of days.
01:13:37PIANO PLAYS
01:14:07Ciao, buona fortuna.
01:14:13Ciao.
01:14:37Jase!
01:14:54You've got to come over to this side.
01:14:59Train's going to be here in a minute.
01:15:11It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:38New York is cold, but I like where I'm living.
01:15:44There's music on Clinton Street all through the evening.
01:15:49I hear that you're building your house deep in the desert.
01:16:02Are you living for nothing now?
01:16:07Hope you're keeping some kind of record.
01:16:11Yes.
01:16:13And Jane came by with a lock of your hair.
01:16:22She said that you gave it to her.
01:16:28That night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:36Why not?
01:16:37I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:43Now shut that thing off.
01:16:44Are the last...
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