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Transcript
00:00Congratulations to Dorothy for winning the Best Original Screenplay at the Rising Star
00:16Movie Awards.
00:18You did it.
00:20Three years ago, I was the most sought after screenwriter.
00:25Three years later, I fell in love with Drake.
00:28Giving my identity a secret for the sake of his pride.
00:33I thought we were happy until...
00:39Hi.
00:46Where the hell have you been?
00:48I told you that Stephanie was coming to help set up for my brother's birthday.
00:51And instead of helping us, he just disappeared.
00:54What, did you fail so you could go and laze around or something?
00:56You know, people say that the only reason you're allowed to stay by Drake's side is because
01:01you're nothing more than a free maid.
01:04Otherwise, why would someone like you be allowed to marry my brother?
01:08What?
01:09A maid?
01:10I just hid my identity for the sake of this marriage.
01:14Well, I think Drake's idea is great.
01:15And it could be really good for us.
01:17But the risk is way too high.
01:22Dad.
01:24Please.
01:26Okay.
01:28And I'm sure you don't want him to know the real reason why I'm a person.
01:32Think about it, Dorothy.
01:37So if you got married, have he ever even touched you?
01:40How often does he actually come home?
01:42He doesn't even want to look at you.
01:45Let alone sleep with you.
01:47That's enough, Ellie.
01:48We're all here to celebrate Drake's birthday.
01:51I'm sure he wouldn't be happy to see us like this.
01:53Everybody knows that if it weren't for her, you would be married to Drake instead of being
01:57my late brother's widow.
01:58Ellie!
02:00Whatever happened between me and Drake is all in the past.
02:03Besides, I'm carrying Nick's baby.
02:09It's the perfect time.
02:13Oh my God!
02:15Dorothy just pushed Stephanie into the pool!
02:17What?
02:23She's carrying Nick's baby!
02:30Quick, get in there!
02:44He chose Stephanie over me.
02:50My baby!
02:51My baby is gone!
02:53Why would you do this to me?
02:56How dare you!
02:58You pushed Stephanie into the pool to try and kill her and her unborn baby.
03:02Are you happy now that Stephanie's baby's gone?
03:04I didn't do it!
03:05I know you don't want me here!
03:07I told you whatever happened between me and Drake is in the past!
03:10You can hate me however you want to, but how could you be so cruel as to kill my unborn child?
03:15I didn't do it!
03:16You know me, I would never do that to Stephanie!
03:19Apologise to Stephanie.
03:20I'm not going to apologise for something I didn't do!
03:24Apologise to Stephanie right now or I will divorce you!
03:34Divorce?
03:34If you apologise right now, then I'm willing to give you another chance.
03:40It's been three years, Drake.
03:47I gave up everything to be your wife.
03:50I've always kept to the shadows, Dorothy.
03:51I already have a life, and right now I just want to focus on being on my marriage or Drake.
04:00I thought you would always be by my side, but I was wrong.
04:04The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
04:09Since you got married, has he ever even touched you?
04:11He doesn't even want to look at you.
04:16Fine!
04:17Let's get a divorce.
04:27There's nothing left in my heart.
04:30Drake's nothing without me.
04:31My ring!
04:35My ring is gone!
04:38Well, you must have taken it.
04:39Why would I take her ring?
04:41Well, look how quickly you packed your suitcase.
04:43You're probably seeing someone else.
04:45Dorothy.
04:47Yes?
04:48We were married for three years.
04:50Were you seeing someone else?
04:51Of course she was.
04:53She'd probably been cheating on you for a really long time.
04:55Couldn't wait for the divorce.
04:57So what if I was, huh?
04:59And what about you, still hung up on your so-called sister-in-law?
05:03What gives you the right to talk about me?
05:06I only look after Stephanie because she's my brother's widow.
05:10But you actually seeing someone else?
05:12Who is he?
05:13Big talk!
05:14Don't bring me down to your level.
05:16I'm not like you.
05:19Since your sister-in-law lost her ring,
05:23why don't you take...
05:28this one?
05:33You've been waiting for this for a long time, haven't you?
05:41Bye.
05:46And so I left.
05:52This is ridiculous!
05:55We, the Bennett family, are one of the four major production companies in the world.
05:59I let him marry my daughter and even invested in his business.
06:03How dare that Drake do this to my daughter!
06:07Look, it's actually good from Dad.
06:09Now we know who he really is and he has no idea who I am.
06:15Still, you're my daughter.
06:16I can't let him do this to you.
06:18If it weren't for you, I would not have considered investing in his company.
06:22We're going to pull our investment immediately.
06:24Yes.
06:25It's time to cut him off.
06:26He doesn't deserve you.
06:28I'm over Drake.
06:29If we withdraw the plans now, it's going to hurt the family business.
06:35He's not worth it.
06:37Honey.
06:40Why don't you just take a vacation?
06:42Or just put all this aside and take some time out for yourself?
06:46Yeah.
06:49No.
06:50I've wasted too much time with Drake over the three years.
06:58You know, now I want to focus on something that actually matters.
07:02You know, Christopher has been saying that many people want to buy the movie rights to Liar's Game.
07:08Universal, Paramount, every major studio wants this.
07:15Liar's Game.
07:16Your story on the big screen.
07:18If you're in, I'd be happy to be the one headlining it.
07:21Oh.
07:22So that's why they're making it.
07:23Because of you.
07:24I'm sorry, Christopher Santoro.
07:27See?
07:28They're not funding the film.
07:30They're funding you.
07:31Wrong.
07:33They're funding the story.
07:34It's more than good.
07:36It's phenomenal.
07:38Christopher is right.
07:40I'm taking my life back.
07:46I'm going to adapt it myself.
07:48You are?
07:50Yes.
07:51I will.
07:53Good for you.
07:55I won't tell anyone I'm asking you.
08:07Congratulations to Aria Wong for winning the best director.
08:10This is my close friend from college.
08:18Aria, I need your help.
08:20I want to adapt the Liar's Game myself.
08:22And I want you to direct it.
08:25Of course.
08:26Just one thing.
08:30I want to keep my identity as the writer a secret.
08:34I don't want anyone to know.
08:36Especially not the team.
08:38SQ.
08:38Are you sure?
08:40But why keep it a secret?
08:41I just want people to focus on the story itself.
08:44Got it.
08:46Your secret's safe with me.
08:47Hey.
08:49Oh my God.
08:50That's so weird.
08:51Wait.
08:53Dave.
08:54It's a bit weird.
08:56Ever since news got out about our movie, my phone has not stopped ringing.
09:01Really?
09:08It's Stephanie.
09:08Yeah, just take it.
09:17Hello?
09:18Hello, Miss Wong.
09:20I've heard Liar's Game is being made into a movie.
09:22I'm interested in playing the lead.
09:24Can we arrange an audition?
09:28I'll speak to the writer and I'll let you know.
09:31Thank you, Miss Wong.
09:34What do you think?
09:37Anyone can audition, right?
09:38As long as they're right for the role.
09:42What happened between me and Stephanie is not important here, so...
09:45Okay.
09:48I'll call her back and let her know.
09:50Mm-hmm.
09:59What about me?
10:03Can I be your hero?
10:04Can I be your hero?
10:04Oh, you mean, uh, a film, right?
10:13I've...
10:13I've never considered anyone else.
10:18I have to take this.
10:21Hi.
10:26You know, I'm not just talking about the film, Dorothy.
10:28It's okay.
10:30It's okay.
10:32I can wait.
10:35Waited this long.
10:40Well, well, well.
10:42Look who it is.
10:43Why are you here?
10:48Oh, I see.
10:50You're the production assistant.
10:52Well, do your job.
10:54Get me a water.
10:57Stephanie.
10:59Get your own water.
11:01I'm not your PA.
11:03Look.
11:04It's my first day on set,
11:05and I want to buy coffee for the crew.
11:07Why don't you be a doll and mark down everyone's order?
11:11Are you deaf?
11:13I'm not a PA.
11:15Here's your tip.
11:17Go on.
11:18Show some respect, Stephanie.
11:21Do you know who she is?
11:22What are you doing?
11:26Oh, no.
11:27She can't know.
11:28I'm asking you.
11:32I want to keep my identity as the writer a secret.
11:35I don't want anyone to know,
11:37especially not the team.
11:42What do you mean?
11:43Who is she?
11:46No one but a lower PA, I'm sure.
11:52Isn't that right?
11:54Well, actually, she's...
11:55She's just a PA.
12:00You're right.
12:03So why don't you show me a lower PA,
12:06your acting skills?
12:07Maybe I'll be impressed
12:08and even buy her the coffee's myself.
12:11Watch this.
12:17I loved you once.
12:19Or so I thought.
12:22But now I see that it was all just a lie.
12:26A beautiful,
12:28painful lie.
12:34You took everything from me.
12:38My dreams.
12:40My future.
12:44See?
12:46There's no soul.
12:47That's not acting.
12:48It's just reciting lines.
12:50Why don't you show her how it's done?
12:54What?
12:55Go on.
12:59Go on.
13:00Go on.
13:00I loved you once.
13:24So I thought.
13:25But now I can see.
13:29It was all a lie.
13:32A beautiful, painful lie.
13:34You took everything from me.
13:39My heart.
13:42My dreams.
13:46My future.
13:48And for what?
13:51For your own personal gains.
13:53How is that possible?
14:06Dorothy,
14:07that was perfect.
14:09The role is yours if you want it.
14:12No!
14:13This role is mine!
14:16I've been with the investment.
14:18Without me,
14:18there's no funding for this movie.
14:20Your investment?
14:20Do you even know who she is?
14:24Who is she?
14:30Who is she?
14:31As you know,
14:32no one but a PA.
14:34Dorothy,
14:36this movie is important to Stephanie.
14:38I mean,
14:38why are you here?
14:39You're not a real actress.
14:40What are you doing?
14:41You're trying to ruin her career.
14:42You're trying to get back at me
14:43by ruining her career.
14:44I'm not ruining anything.
14:46If she can't handle the role,
14:48that's on her,
14:49not me.
14:50You can't blame this on anyone else.
14:52You embarrassed her
14:53in front of everyone.
14:54I know what you're doing.
14:56You're the one pulling all the strings here.
14:57You're trying to make her fail
14:58so you can take her place.
15:00She's using this whole thing
15:01to get to you, Drake.
15:03She's been jealous from the start,
15:04trying to ruin my chances
15:05to get back to you.
15:07Okay, no.
15:07I don't want to fight anymore.
15:08Let's just take a look at the script
15:10and maybe we can
15:11work something out.
15:12And you were just so damn selfish!
15:16You only care about yourself!
15:18Just give Stephanie her role back!
15:21You know what?
15:23I didn't want to do this.
15:25But I will.
15:26I'll take the role.
15:28I'll play the lead.
15:33I'll play the lead.
15:34No way!
15:35You can't be serious!
15:36She's not even a real actress!
15:37Dorothy's performance
15:41was far stronger than yours.
15:43Everyone in the room can see it.
15:47I'm so glad
15:48you've agreed to do the role.
15:51Right, it's settled then.
15:53The lead roles go to
15:54Christopher and Dorothy.
15:57I will double my investment
15:59if you give Stephanie a role.
16:03You two are just such...
16:24Okay, look.
16:29If the money's on the table,
16:30there's no reason to turn it down.
16:32Let's just leave her apart.
16:34We have nothing to lose.
16:36I guess that'll be fine.
16:39I'll talk to SQ.
16:45Your father's production company
16:47is already the biggest investor
16:48in your movie.
16:49So why take Drake's money?
16:50You don't...
16:51You still have feelings for Drake.
16:53No!
16:55He's an asshole!
16:58Come on.
16:59I've got an idea.
17:02Why don't we just give her a character
17:04that'll make her miserable?
17:08Wow, Mrs. Sontaro.
17:10I feel bad now.
17:16I only wish you didn't have feelings
17:18for Drake anymore.
17:19How did she learn herself the role?
17:24She's practically a nobody.
17:25No fan base,
17:26no real experience.
17:28Just one good scene.
17:30Doesn't make sense.
17:33Find out everything you can
17:35about Dorothy.
17:36I want all the dirt.
17:38Director, there must be a mistake.
17:47I'm only a side character
17:48and not even in the main scene.
17:50You wanted a role,
17:51we gave you a role.
17:53I came in with an investment.
17:57Well, you're more than welcome
17:58to take it back and leave the set.
18:00Even a small role in Eskew's film
18:04is going to do great things
18:04for your career.
18:05Now is not the time
18:06for you to be messing around.
18:09Fine.
18:16Two, take one.
18:18Action.
18:19Lily, you are my best friend.
18:21How could you do this to me?
18:22I'm sorry, but this is...
18:23What the hell are you doing?
18:28It's part of the scene!
18:29Okay, take it again from the slap.
18:36Action.
18:41Cut!
18:42Stephanie, why aren't you saying your lines?
18:45You have to keep going in the scene.
18:48I think you've had enough for today.
18:50We'll just try again tomorrow.
18:59Did you see her face?
19:01Absolute gold.
19:03I mean, she got what she wanted.
19:05She asks for a role
19:06and that's what we gave her, so...
19:07Seriously, her performance
19:09is all over the place.
19:11Maybe we should just
19:12cut down on her screen time.
19:15We all know the film's better
19:16without her slowing us down.
19:18You're right.
19:19I'm not going to let anyone
19:22ruin your story.
19:27So if you can just give me something
19:29that's a bit more...
19:32something about her death.
19:40What's going on with my scenes?
19:41Why have so many of them been cut?
19:43It's a collective decision.
19:47Fuck that!
19:48Let me talk to the writer.
19:49The writer is Eskew
19:51and as you know,
19:51they never show their face
19:52so their decision is final.
19:57I'll see you on set in five.
20:11Now it all makes sense.
20:13That's the head of the production company.
20:23No wonder she got the role.
20:26Let's see how John's wife
20:27feels about that.
20:37Everyone, I have an announcement to make.
20:40Today will be Stephanie's
20:41last day on set.
20:43You really think I don't see
20:49through your little gaze?
20:50Somebody will be walking out
20:51that door today,
20:52but it won't be me.
20:55You really think you can get away with this?
20:58Sleeping your way up?
21:02John's wife is on her way.
21:04Let's see how you talk your way out of this one.
21:06That's enough!
21:13That's enough!
21:16So were you the one who was stalking and secretly taking photos?
21:20What?
21:21Scared the truth is going to come out?
21:22Someone had to expose her for who she really is.
21:26So you admitted, you did it.
21:28Damn right I did.
21:30And I'd do it again if I had to.
21:32You don't know who you just crossed!
21:35Oh, I know!
21:37Just some rich old bastard throwing a tantrum.
21:41I sent those photos to your wife, too.
21:43And now your mistress is about to be exposed.
21:47Yeah.
21:48Security.
21:49Stephanie is banned from the studio.
21:51Make sure she never sets foot here again.
21:54You can't just do that!
21:55Oh, this is insane!
21:57What?
21:57I have rights!
21:57I was only telling you the truth!
21:59She is a mistress!
22:00A loose woman!
22:01A lady of the night!
22:10Is it true that Dorothy is John's sugar baby?
22:13Otherwise, why would he come onto the set and get me banned from the movie?
22:17That's unbelievable.
22:19And he humiliated me.
22:20He had me dragged off the set like a criminal.
22:22You should have seen it.
22:24I'm not going to let her just ruin her reputation like this.
22:28I mean, this whole mess is just making us look like fools.
22:32Dorothy's always been trouble.
22:35I mean, first she goes off with a married man, and now this.
22:38I don't know how you put up with her for three years.
22:41You should have got a divorce earlier.
22:45Stephanie, are you 100% sure that Dorothy is John's sugar baby?
22:49It's the only explanation!
22:51She's clearly nothing but a slut!
22:53Oh!
22:55Drake.
22:55Stephanie is your sister-in-law.
22:59Now, you need to take care of her and forget about Dorothy.
23:03Can't you see she's the one behind all of this?
23:06She was sleeping her way to the top,
23:09killing Stephanie's unborn child.
23:12And John dragging her off the set.
23:14You should be sticking up for Stephanie.
23:20I'm not going to let her do this to you.
23:21Do you think you can just walk away from what you did like nothing happened?
23:38I didn't walk away from anything.
23:41You did.
23:42You chose Stephanie over me.
23:44Remember this one?
23:44Oh, she's my sister-in-law.
23:46I'm so sick of hearing this.
23:49You have feelings for her, and I'm just tired of it.
23:52You're out of your mind if you think I'm going to let you get away with this.
23:56You do what you want to do.
23:58For now, get out!
23:59Why?
24:07We were married for three years.
24:09We never...
24:09Your dear fucker, you might let go of me!
24:21No wonder you want me to go.
24:24Just look at yourself.
24:26You're not half the man Christopher is.
24:28Get out.
24:32Or I won't call the cops.
24:34Just go!
24:43Are you okay?
24:50Dorothy?
24:52Remember, safety first.
24:54The lifeguard's right there if you need him.
24:56Okay.
24:58Anything you need, so let the AD know.
25:02Okay.
25:02Got it.
25:03Got it.
25:03Yeah?
25:12Here's a coffee for you.
25:14It's still early before the shoot.
25:15Take your time.
25:16It's still early before the shoot.
25:25But you're
25:46Something's wrong.
26:13That's not acting.
26:15She's in trouble.
26:16Where's the lifeguard?
26:27Where's the lifeguard?
26:28Where the fuck is the lifeguard?
26:50Come on, Dorothy.
27:00Why did you do that?
27:24I'll do anything for you, Dorothy.
27:31Christopher risked everything without hesitation.
27:35How could I have been so blind?
27:54I wasn't expecting that.
28:08Where were you?
28:09I'm sorry.
28:10You could have drowned.
28:11I'm sorry.
28:11I had a stomachache.
28:13I had to go to the bar.
28:13Make sure it doesn't happen again.
28:14Do you think that I should call Dorothy just to make sure she's okay?
28:24Are you still hung up on her?
28:27No.
28:28It's not like that.
28:29I'm just trying to be helpful.
28:30Don't you remember, Jane?
28:33She's the one who had me kicked out of the movie.
28:36She's the one who killed my baby.
28:39Not just my baby, but Nick's baby.
28:41I know I'm just my sister-in-law.
28:44Whatever happened between us is in the past, but I have no one now.
28:49No husband.
28:50No baby.
28:53I have left as you.
28:56Haven't you seen through Dorothy yet?
28:58She's nothing but a slut sleeping her way to the top.
29:01You don't know that.
29:03You know I'm right.
29:05Why else would John come onto the set and stand up for her?
29:08Not just John, but Christopher too.
29:10She's sleeping around with anyone she can find.
29:12She's a whore.
29:13Shut up!
29:23You want war?
29:26I'll give you war.
29:30Do it.
29:32And make sure Dorothy feels every bit of it.
29:40Breaking news.
29:41Unknown actress seduces Hollywood heart drop.
29:44Rising star or opportunist.
29:47Actress Dorothy's shocking affair with Christopher.
29:49Christopher's new flame for a heartless gold digger.
29:52Dorothy!
29:53Liar!
29:54This is getting out of hand.
30:00Maybe we should just reveal her real identity.
30:03Let everyone know she's not just some random actress.
30:09Christopher, no.
30:11Dorothy, once we tell them who you are, there's no reason for them to attack you.
30:14Someone behind us.
30:16And whoever they are, I'll make them hate.
30:25Fuck off.
30:33This can't be right.
30:34I die in the second scene.
30:41This must be Dorothy and John forcing S.Q. to cut me out.
30:45They won't get away with this.
30:46Trey, can you believe this?
30:53They've completely written me out of the script.
30:56Do you remember when Nick was lying in that hospital bed?
30:59You promised him you'd look after me.
31:02I've already lost my husband and my baby.
31:04I can't lose my career too.
31:05Don't worry.
31:07I'll get you your character back.
31:09There's a tape of a documentary that apparently S.Q. has always wanted.
31:30So, we win this bid and we gift it to them.
31:33Should be able to get you your role back.
31:34Up next, a rare gem.
31:40The original film documentary chronicling the creative journey of none other than herself.
31:46Legendary screenwriter, Margaret Lane.
31:4950,000.
31:52What's she doing here?
31:54I don't know.
31:57I'm not going to let her win this.
31:5960,000.
32:0370,000.
32:04100,000.
32:11This is my grandmother's documentary.
32:13It's her legacy.
32:15She's the one who inspired me to become a screenwriter.
32:18I can't let it fall into the wrong hands.
32:22500,000.
32:23500,000.
32:34I'm trying to get you your role.
32:50I'm trying to get you your role.
33:02Don't worry.
33:04I've got it covered.
33:04I'm trying to get you your role.
33:06Ladies and gentlemen, we are down to the final bid.
33:09Standing at a whopping 500,000.
33:13500,000 going once.
33:16500,000 going twice.
33:19Sold.
33:20To the lady in the blue dress.
33:21I can't believe this.
33:31You have no right to take that film reel with you.
33:39You have no right to take that film reel with you.
33:41What's going on?
33:50Um.
33:51Ladies and gentlemen, I've just been informed.
33:54Miss Dorothy is in fact not an invited guest.
33:58Therefore, as per our rules,
34:01this documentary reel will not be released to Miss Dorothy.
34:04This is ridiculous.
34:06I was invited.
34:07Well, in that case,
34:09may I see your invitation?
34:16I did have it, I swear.
34:17I'm sorry, Miss Dorothy.
34:19If you do not have the invitation at hand,
34:21the documentary reel has to go to the second highest bidder.
34:24This is the protocol.
34:25Oh, you don't understand, do you?
34:26I'm sorry.
34:27These are the rules.
34:48The documentary reel will go to the honourable couple.
35:10Stephanie, wait.
35:11just sell it to me name your price i'll pay you anything you want it's really important to me
35:18please why are you doing this are you just trying to get my attention by going after something that
35:23stephanie wants no you don't understand just let me buy this whatever it takes
35:31Dorothy you think this is about money please this isn't something you can just buy
35:38Dorothy what the hell are you doing why do you always have to go against her like that this
35:44reel is important to stephanie she can use this to help her career
35:47her career is this about your role being cut from her
35:52is that why you're doing this
35:55i'm the writer i can't fix this i can rewrite the story and bring your character back just
36:03just let me have the real person you're the writer are you telling me that you're sq
36:11you the writer sq can you give us a break look this reel is important to stephanie
36:21end it don't make this harder than it has to be
36:24you've been with Dorothy for so long and you don't even know her oh and you do
36:30a hell of a lot more than you what the f*** do you think you are both of you calm down
36:34scratched all over it's ruined not even fit to be a gift anymore
36:52i can fix this stephanie i know someone who can restore it just sell it to me please just
36:57name your price even if i had no use for it i'd never give it to you
37:04i want to be a writer like you grandma
37:11i want to be a writer like you grandma
37:17I want to be a writer like you, Grandma.
37:34I want to make movies like you do.
37:37This reel has more than pictures and sound on it.
37:42Really?
37:43An entire world I've captured, but it's just one way of seeing things.
37:49The magic is creating it yourself.
37:53Someday you will.
38:04Dorothy.
38:07I need you to go apologise to Stephanie and give her her rollback.
38:10Apologise to her.
38:14She destroyed the reel.
38:14She wouldn't have done that if you hadn't pushed her.
38:21So go apologise or I'm pulling my funding.
38:25Look, Dorothy, let's be real here.
38:29Without Stephanie, there is good on the list.
38:33Even the production company will pull out if they hear that she's not involved anymore.
38:36Her name carries weight.
38:37Let's not pretend that your reputation is exactly stellar right now.
38:42Christopher's fans hate you.
38:43Stephanie's fans hate you.
38:45Even if you actually make this film, no one's going to support you.
38:49You're going to be buried.
38:52If you apologise to Stephanie now, I can help you.
38:58I can control the press.
39:00I can control the narrative.
39:01I can actually give you a chance.
39:05What's so funny?
39:09What's so funny?
39:11Pull your funding.
39:13Do it.
39:14You'll see it does nothing for the movie.
39:16Okay.
39:17So what if I tell the production head to pull his funding too?
39:21Didn't I tell you that I know Mr. Bennett?
39:23No.
39:25Go ahead.
39:26Quiet.
39:27You want me to call?
39:29Uh-huh.
39:30Fine.
39:35Hi, Mr. Bennett.
39:36It's Drake.
39:37Drake Mossbacher.
39:39Yeah, I'm pulling my funding from Liars Game and I suggest that you do the same thing.
39:42I've seen it and it's a sinking ship.
39:46You're pulling out?
39:47Great.
39:47I'll take full control of the investment.
39:50Not a problem.
39:50No problem.
39:50No problem.
39:50No problem.
39:57Is this how you see me?
40:07The type of woman who would use her body to get what she wants?
40:09What other explanation do you have?
40:12You know nothing about Dorothy.
40:17Apologize to Stephanie.
40:19Cut ties with Mr. Bennett and end this.
40:21Dorothy, come back to me.
40:22Whatever he's offering you will match.
40:23I'll double it.
40:24You must be out of your fucking mind.
40:28What makes you think I would ever go back to that living hell?
40:32Living hell?
40:32You heard me.
40:34Being married to you was a fucking nightmare.
40:38You made me believe you loved me.
40:41And then you had me waiting in vain for three years, Drake.
40:45You said you'd always protect me, but then when I needed you the most,
40:49you just turned your back on me.
40:51You chose your sister-in-law over your wife.
40:57I've had enough, Drake.
40:59You were my prison.
41:01So just go back to your precious Stephanie.
41:08Let's just go.
41:18Why are you hurt?
41:19Are you okay?
41:20What are you, Steph?
41:28What are you doing?
41:28Well, you want me, don't you?
41:30Just kiss me.
41:31I'm all yours.
41:32Steph!
41:33You're Nick's wife.
41:34I've always thought of you like a sister.
41:36Sister?
41:38Funny.
41:39Don't you remember when you came to me the night Nick and I got married?
41:42Don't you remember what you said?
41:45Remember this?
41:46Yeah.
41:47Why not marry Stephanie?
41:48God.
41:50You were practically begging me not to marry Nick.
41:52No, I shouldn't have said that.
41:53I shouldn't have said that.
41:54I don't see.
41:57What's that?
41:59Oh, it's nothing.
42:00Yeah, what is that?
42:00No, Drake, no.
42:01Please.
42:04You lied about this.
42:09You lied about this.
42:10You said that Dorothy pushed you into the water, but this shows you shoving her in.
42:18It's a glitch.
42:19A glitch.
42:21So, do you actually expect me to believe that?
42:24What's this?
42:27Find pills off the black market.
42:30Terminate your pregnancy.
42:31It was you.
42:33It was time when you blamed Dorothy like some sort of scapegoat and she was innocent the
42:37whole time.
42:38Please, no.
42:38You have to believe me.
42:40I didn't...
42:40Do you know what?
42:41I've always thought of you like a sister.
42:43I've always taken care of you.
42:44I even thought that I loved you once, but that was before you were Nick's wife.
42:50You changed.
42:54You changed.
42:54You're not the person I thought you were.
43:00I only looked after you because I thought it was my duty, as Nick's brother, to look
43:04after his widow.
43:06I guess there's no need to look after you anymore, huh?
43:09What does that mean?
43:11You're just going to throw me away?
43:13I'm not going to throw you away, but this is my house.
43:18When I'm back, I hope you'll be gone.
43:21But you can't just walk away from me like that.
43:23I've said everything that I need to say.
43:24Now I'm going to go find the person that I actually care about.
43:32Dorothy, this is all your fault.
43:38Let's take this bitch down.
43:53Dorothy, please.
43:54I was wrong.
44:03I misunderstood everything about you and about us.
44:05Can you please just hear me out?
44:12You think you can just come here and apologise?
44:15After everything?
44:16I didn't mean to hurt you.
44:19Look, I understand what I did, but it was just because it was definitely an animal.
44:23Can you please just forgive me?
44:24I don't need your apology, Drake.
44:27I don't need your apology, Drake.
44:28You let me down.
44:29You abandoned me when I needed you the most.
44:33You used me, manipulated me, and now you beg for my forgiveness?
44:40Oh my God, please just don't show me out.
44:42I can fix this.
44:44I can fix it.
44:45I can do anything, Dorothy.
44:46Please, just...
44:47No.
44:48You were never the person I thought you were.
44:52And I'm not either.
44:54I've moved on.
44:58I don't need you.
44:59Not like I used to.
45:05Just stay back.
45:07After everything.
45:08Yeah, that's it.
45:20I deserve better than this.
45:29Before you all celebrate this movie, there's something you should know.
45:53Dorothy is nothing but a homewrecker.
45:56What's going on?
45:57A glorified mistress who's been playing the part of a wonderful actress
46:01when all she's really done is ruin lives.
46:07This is true, Dorothy.
46:08We're being involved with a married man.
46:09What's your response to Stephanie's claim?
46:15This is ridiculous.
46:17Let's talk about how she got here, shall we?
46:20She didn't get here off her talent.
46:22Oh no.
46:23She got here by clinging to powerful men.
46:27No real experience.
46:29No skill.
46:30Just a man's name and a man's money.
46:32Security!
46:33Get her out of here.
46:34Wait.
46:35If she has something to say, let's hear it.
46:38Dorothy, it's a trap.
46:40I'm not afraid of the truth.
46:43Let's see what she's got.
46:44What's going on?
46:49So tell us, Dorothy.
46:51How did you get here?
46:53Did you use your relationship with John Bennett to land the part?
46:56A homework, are you saying?
47:14Is there something wrong with me appearing with my own dad?
47:18You're the one who sent me this photo, right?
47:19How about you take another one?
47:22This time, of my lovely family of three.
47:25Dorothy, Dorothy, Dorothy.
47:26Are you really John Bennett's daughter?
47:28Yes.
47:29I bet you never ask my last name.
47:31It's Bennett, by the way.
47:34So, Dorothy is the producer's daughter.
47:38Dorothy, so did you use your father to get the part?
47:41So, it's just nepotism, then.
47:49Even if she didn't fuck her way to the top, she still only got here through her connections.
47:53Whether you like it or not, my performance speaks for itself.
47:56And everyone here saw it.
47:58She was actually really good.
47:59Yes, she handled the models.
48:01Oh, are you saying that everyone here is wrong?
48:03You think you're so clever, don't you?
48:07Fine.
48:07You can act a little bit.
48:09But let's be real.
48:11You didn't land this role on your own.
48:13You just snapped your bony little fingers and let Daddy give you a role.
48:16How else would a nobody like you have landed yourself the lead otherwise?
48:20Dorothy isn't just a nobody.
48:25She wrote Liar's Game.
48:27She is SQ.
48:33Dorothy is SQ.
48:35How can that be possible?
48:37Liar's Game is a masterpiece.
48:39There's no way you could have written it.
48:40You don't have to believe me.
48:42Just let the credit speak for itself.
48:47How can this be true?
48:49Dorothy Bennett, you're the daughter of the producer and the famous writer SQ.
48:58Why did you keep your identity a secret so long?
49:04Why did you keep your identity a secret so long?
49:06Stephanie Marsbecker, Linda Marsbecker and Ellie Marsbecker, I'm arresting you on suspicion of defamation.
49:11No, no, no, no, no, no, I didn't do anything wrong.
49:13This was all Stephanie's idea.
49:14I didn't do anything.
49:17This whole time she was actually telling the truth.
49:26Dorothy's SQ.
49:28She geniused.
49:29That's why she always had a book in her hand.
49:35Always writing something on her laptop, always lost in her thoughts.
49:41Didn't you ever see her?
49:44I guess I was blind all along.
49:48I don't deserve her.
49:52I think...
49:53I've missed this place.
50:11Don't you remember?
50:12Of course I do.
50:14We saw so many films here.
50:16We would just stay in our seats and talk about life and everything.
50:23But you just made me feel like I could face more anything, really.
50:31God, I used to be so nervous back then.
50:34About everything.
50:35About the future.
50:38But you just made me feel like I could face more anything, really.
50:45Someone had to be there to make sure you didn't ever think everything.
50:48I remember you used to unpick every little detail like it was a life or death situation.
50:53You know, Dorothy.
51:01Life's not been the same without you.
51:05Even when we parted ways, I...
51:07I always knew that we would find each other again.
51:11I don't care what we've been through.
51:16I don't care what's happened.
51:18All I know...
51:20Is that I need you now.
51:24More than ever.
51:25And the award for Best Adapted Screenplay goes to...
51:44Dorothy Bennett with Liar's Game!
51:46I think that's a great idea.
51:47Why don't you start now?
51:48I don't know.
51:49You deserve this.
51:50Your Majesty.
51:51Every bit of it.
51:52Now.
51:53Since you won, I think this calls for a reward.
51:54Oh yeah?
51:55And what would that be?
51:56Me.
51:57Me.
51:58No.
51:59No.
52:00No.
52:01No.
52:02No.
52:03No.
52:05No.
52:06No.
52:07No.
52:07No.
52:08No...
52:11No.
52:13gag.
52:14No.
52:15I a thought of it.
52:15What would that be?
52:17Me.
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