- 2 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú tal de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú tal de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdĂłn.
00:01:03¿Qué será que tú tal de las bolas que se van?
00:01:06¿Qué será que tú tal de las bolas que se van?
00:01:10Mi corazĂłn es tan triste, se acabĂł ya en alegrĂa, si mami negrita pola quien fuera la vida mĂa.
00:01:17¿Qué será que tú tal de las bolas que se van?
00:01:20¿Qué será que tú tal de las bolas que se van?
00:01:24¿Qué será que tú tal de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:30¡Abrr!
00:01:31¡Abrr!
00:01:33¡Abrr!
00:01:34¡Abrr!
00:01:35¡Abrr!
00:01:36It was really great.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09Salam.
00:02:36Hello, hello, hello.
00:02:45Ciao.
00:02:47I'll go according to plan.
00:02:49Not bad.
00:02:50You look great.
00:02:53Thanks.
00:02:53Bye, Criona.
00:02:55Ciao.
00:02:55Try to have a nice trip.
00:02:57I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:06No.
00:03:07I know that look.
00:03:25It really is beautiful.
00:03:33Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:43I feel strange all of a sudden.
00:03:48I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah, it's beautiful.
00:03:53You were right.
00:03:53I just cannot imagine what it is like to do it here, you know?
00:03:59Hey, welcome.
00:04:04Hey, welcome.
00:04:09Hey, welcome.
00:04:10Hey, welcome.
00:04:18Hi.
00:04:18Hi.
00:04:24Hi.
00:04:36Hey, Priola.
00:04:37Ah, Joe.
00:04:38Hi.
00:04:39How's it going?
00:04:40How?
00:04:41Any news?
00:04:42No, nothing yet.
00:04:43I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47No.
00:04:48Good luck.
00:05:17Good luck.
00:05:18No.
00:05:19No.
00:05:20Go ahead.
00:05:21Oh, my God.
00:05:51Oh, my God.
00:06:21Oh, my God.
00:06:51Oh, my God.
00:07:21Oh, my God.
00:07:51Oh, my God.
00:08:21Oh, my God.
00:08:51Hey, excuse me, have you, have you ever seen this girl?
00:08:55No, I'm sorry.
00:08:56Never seen her before in my life.
00:08:58You got an offer to make for the Children of the Sun?
00:09:00Okay.
00:09:00Okay.
00:09:00Here.
00:09:02Will that do?
00:09:02Sure.
00:09:03Keep the literature.
00:09:04That might help you spiritually.
00:09:05Are you trying to make for the Children of the Sun?
00:09:12Are you trying to get me drunk?
00:09:18Well, it's not a bad idea.
00:09:20Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:25Let's see.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:34So it is.
00:09:35Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:40He's looking for his fiancee.
00:09:42That's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:47Just think.
00:09:50They were going to get married.
00:09:52And not long before the wedding, she went on holiday with some friends from work.
00:09:56And they came here to Santo Domingo as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on.
00:10:03Really?
00:10:04Mm-hmm.
00:10:04Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:12But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15Well, the tropics can do funny things.
00:10:18Especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:29This music can make you think again.
00:10:32And besides, who knows?
00:10:35She might have met a guy she, um, liked more.
00:10:39You know, Simple Islander.
00:10:41Oh, come on.
00:10:43That's only in fiction.
00:10:45Love is everywhere.
00:10:47If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Mm.
00:10:51Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:58Ready to talk to him?
00:11:00Okay.
00:11:02Marco.
00:11:02How are you?
00:11:10This is my husband.
00:11:11Hi, love.
00:11:13Well, very kind of you.
00:11:17Would you like something to drink?
00:11:18Yeah, I'll have what you're having, whatever it is.
00:11:22How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:30But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:39Uh, you two carry on.
00:11:41Excuse me, I, uh, I'll be right back.
00:11:43Where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:46Um, my magazine editor wants that weekly report.
00:11:52Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59Uh, I'm not too good a dancer.
00:12:01Just let the music do the work.
00:12:12No, I haven't danced in years.
00:12:14Well, we're gonna have to make up for Laura's time then.
00:12:20Yeah.
00:12:24Listen, Criella, maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Hey, your dancing is...
00:12:29Great.
00:12:36Come on, loosen up.
00:12:49I feel uncomfortable.
00:12:50Well, no need.
00:12:58What is it?
00:13:04I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:15Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:18You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:42And I'll do anything.
00:13:43He likes to think I'm quite faithful.
00:13:55Please help me.
00:13:55I understand you.
00:14:03You know, love can be a strange thing.
00:14:05Inearo, suavechivo, inearo.
00:14:35Well, the light is not the best, but we shall do what we can.
00:14:52It's a beautiful island, an absolutely amazing place.
00:14:56Full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, Brian told me such a lot about it.
00:15:03I feel like I know it by heart.
00:15:05It's in the form of a turtle.
00:15:07A turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:14You better start praying that you don't end up reincarnated as a turtle.
00:15:21Huh, huh.
00:15:23Sometimes you're a real asshole.
00:15:27Oh, for God's sake.
00:15:30I was joking.
00:15:32Get away.
00:15:34What a warped for you to do.
00:15:35What's wrong?
00:15:40Are you nervous?
00:15:42Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:47I feel strange.
00:15:49This boat.
00:15:51That man up there.
00:15:57Haven't you noticed he hasn't said a word since we left?
00:15:59You hired him to keep up a conversation with us, all right?
00:16:05Look at him.
00:16:06Look at him.
00:16:08The hat, his base.
00:16:09He's a pirate.
00:16:11I've been told he's a very good sailor.
00:16:14Honest and completely trustworthy who knows these islands.
00:16:17He looks like he doesn't watch.
00:16:18He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:25Aw.
00:16:26Like it?
00:16:46What a place.
00:16:47Guaranteed primitive.
00:16:51Yeah.
00:16:54Hey.
00:16:55It's wide open.
00:16:57There's no key.
00:16:58Nobody locks doors here.
00:17:01Looks like Florida.
00:17:03What a disappointment.
00:17:04We said a hundred dollars, right?
00:17:08Uh-huh.
00:17:14This is two.
00:17:15Keep it.
00:17:18One's enough.
00:17:23Adios.
00:17:24Uh, is it far to the fishing village?
00:17:36Five hundred meters.
00:17:38Down that way.
00:17:39Okay.
00:17:54I'm going to go to the village.
00:17:56Okay.
00:17:57I prefer to stay here.
00:17:59Whatever you like.
00:18:05I can't wait to take a swim.
00:18:07Go ahead.
00:18:08See you later.
00:18:08All right.
00:18:15So long, I...
00:18:16Bye.
00:18:24Hi.
00:18:45Hi.
00:18:46Well, so you came at last.
00:18:54Hi there.
00:18:56Hello, senor.
00:19:03Wait, good morning.
00:19:04Good morning.
00:19:11No, thanks.
00:19:13Hey, hey, let me take a picture.
00:19:17That's it.
00:19:24Good morning.
00:19:48Bye.
00:19:49Bye.
00:19:49Bye.
00:19:49Bye.
00:19:50Bye.
00:19:50Bye.
00:19:51Bye.
00:19:52Bye.
00:19:54Uh, good morning, Consuelo.
00:20:03What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol
00:20:11or would you prefer some soft drinks?
00:20:13Hmm, well, a little of both.
00:20:15I won't be long.
00:20:24Here are some bottles.
00:20:45Uh, who's that woman there?
00:20:47A very well-known American writer.
00:20:51Joanne Sullivan?
00:20:52Mm-hmm.
00:20:52I know her.
00:20:54The two of us were at the same school.
00:20:57I think I'll say hello.
00:21:05Joanne?
00:21:06Mm-hmm.
00:21:07Who is it?
00:21:08Remember Andy the Nerd?
00:21:11Oh, Andy the Nerd.
00:21:14Oh, my God.
00:21:15Is it really you?
00:21:17Uh-huh.
00:21:17Oh.
00:21:18How are you?
00:21:20Fine.
00:21:21Great to see my old valedictorian.
00:21:23Great to see you.
00:21:24Oh.
00:21:25What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine.
00:21:28Oh, fantastic.
00:21:29Come and sit down.
00:21:30What are you doing?
00:21:33Escaping.
00:21:33But don't ask me from what.
00:21:35Because I don't know.
00:21:36Maybe from myself.
00:21:37Well, I imagine you're writing something now.
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:47Gymnastics.
00:21:47And I drink.
00:21:54I tend the garden.
00:21:56I read.
00:21:59Don't you like long for New York at all?
00:22:01No.
00:22:06America is in an advanced state of decomposition, Andy.
00:22:10Like the whole of the West.
00:22:12It's no good.
00:22:13I have no nostalgia.
00:22:16Only for company, that's all.
00:22:19Here there aren't any men that I like.
00:22:22That's probably a good thing.
00:22:23I like everything sophisticated or complicated.
00:22:30I suppose I'm in a crisis.
00:22:32Is that a plea for help, I hear?
00:22:34Oh, come on.
00:22:35It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine.
00:22:43I'm doing a story on this island.
00:22:46And you know it pretty well.
00:22:48Yes, I do.
00:22:49You could help me.
00:22:51Whenever you want.
00:22:53My pleasure.
00:22:54Great.
00:23:00Here comes the food.
00:23:01Good.
00:23:01We can try the local cuisine.
00:23:03Here it is, the chef's special.
00:23:05Mmm.
00:23:06Mmm.
00:23:07That looks...
00:23:09Enjoy your food.
00:23:10I'm starving.
00:23:12Oh, that looks good.
00:23:15Consuela's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:22She's already had the cream.
00:23:23of the young men on the island.
00:23:25Hmm.
00:23:26If I could only get used to going to bed so easily.
00:23:30Yes.
00:23:32It's knowing how to start it up.
00:23:34Yeah.
00:23:35Warm-up.
00:23:36It's simple as to make it with someone you know.
00:23:41The first up's taken already.
00:23:43Are you making advances?
00:23:45I'm attempting to find you an answer.
00:23:50I don't think Criella thinks it's such a good idea.
00:23:52Criella.
00:23:53No.
00:23:53No.
00:23:53No.
00:23:54No.
00:23:54No.
00:23:54It might be more fun if we didn't leave her out.
00:23:58Since when's three of the crowd?
00:24:00Oh, Andy, come on.
00:24:02I thought you were emancipated.
00:24:04But you're still stuck in the 70s.
00:24:06Sex, lib, dreaming.
00:24:08Hmm.
00:24:08That's all, Dad.
00:24:09You disappoint me.
00:24:10That woman has a hard heart with MFP.
00:24:22Yeah, it's very at home here in this setting.
00:24:45Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:49Yes, the girl arrived a few months ago, that's all.
00:24:53Oh, not bad.
00:24:56You dance almost like a native.
00:25:06Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for us.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation.
00:25:17Took one look and got stuck.
00:25:19Stuck on him.
00:25:22Hey, maybe that person is the girl, that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then, it must be her on the plane I met her boyfriend.
00:25:37He came here to look for her.
00:25:40You'll go back empty-handed, I'm sure.
00:25:41Leon is like a drug.
00:25:44He doesn't conquer, he dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:51I hope he doesn't find her.
00:25:53It's like I said, this isle, it wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:03Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage.
00:26:16Could it be terribly easy for you to make an oaf like that?
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanizer, and your friend will get back his girlfriend.
00:26:28Have you gone haywire?
00:26:29I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole or completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on, ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm gonna go.
00:26:51This music's getting on my nerves.
00:26:59Sorry.
00:27:09I wasn't serious.
00:27:13It was a joke.
00:27:15I love you, Andy.
00:27:18I love you more than anything else in the world.
00:27:26Me too.
00:27:27I love you more than anything else in the world.
00:27:30I love you.
00:27:32I love you too.
00:27:34God.
00:27:39It's okay.
00:27:42If you're tired.
00:27:45It's happened before.
00:27:49It'll pass.
00:27:57It'll pass.
00:28:15THE END
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00:32:19THE END
00:32:21THIS
00:32:23VILLA
00:32:25CRIELA
00:32:26CRIELA
00:32:27CRIELA
00:32:39HAVE YOU SEEN CRIELA?
00:32:40NO
00:32:41THERE'S NO SIGN OF HER ON THE BEACH. THE BUNGALOW'S EMPTY. HE'S DISAPPEARED.
00:32:47She's probably gone off exploring the island.
00:32:51Yeah, I expect you're right. Thanks, Consuelo.
00:32:53Ciao.
00:33:02Ciao.
00:33:04Where the hell have you been? I looked all over for you.
00:33:07I got bored here all along, so I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:17Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures.
00:33:26Things I'd never have found without her.
00:33:33Andy.
00:33:34Yeah?
00:33:35I gotta tell you something.
00:33:36Go ahead, shoot.
00:33:38Let's go away from here.
00:33:40Why, something the matter?
00:33:42Yeah. Let's go away.
00:33:44We can't yet. I still have photos to do.
00:33:49Besides, I got a little money in advance.
00:33:52I can't let the magazine down. I'd never work again. No way. Forget it.
00:33:56Well, I can't forget it. I want to go away.
00:34:00I want to go back to America.
00:34:03You're not being reasonable.
00:34:05I know, but I can't stay here another minute.
00:34:12I suppose it's my fault, huh?
00:34:14No, of course not.
00:34:16I'll be all right again soon, I swear.
00:34:19No, it's... there's nothing to do with you. I don't know. It's just...
00:34:24Look, I'm counting on the erotic atmosphere of this place to do the trick, and I'm sure it will.
00:34:29It's only a question of time.
00:34:32I know it.
00:34:35All you have to do is be patient.
00:34:38Just a little longer.
00:34:40We'll be happy again.
00:34:41And then...
00:34:43I'll be able to give you what you need so badly.
00:34:59...
00:35:13...
00:35:15...
00:35:21...
00:35:27Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only healthy vice.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:12Good morning, Senator.
00:36:13Well, I do not hear you.
00:36:15Good morning.
00:36:16Good morning, Senator.
00:36:24Good morning.
00:36:24Good morning.
00:36:26Good morning.
00:36:26Do you want a drink?
00:36:41No, not for me.
00:36:44How come?
00:36:48One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this?
00:37:04The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:11I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course you include yourself in that sweeping statement.
00:37:19What?
00:37:25Don't you tell the truth?
00:37:29I don't know.
00:37:31But I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:40I don't know.
00:37:49To broken hearts.
00:37:55To broken hearts.
00:38:01To broken hearts.
00:38:04I was sure you'd come.
00:38:15You were?
00:38:16Mm-hmm.
00:38:17Do you want to make love with me again?
00:38:21Yes.
00:38:26Well, not today.
00:38:31What are you afraid of?
00:38:32That your woman will find out?
00:38:37Well, answer me.
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:53Are you quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here in King Consuelo.
00:39:00Okay.
00:39:02I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:05Hey, I'm always lying.
00:39:08It's not true.
00:39:11I'm not going to stay around and talk about it.
00:39:13Goodbye.
00:39:14Adios.
00:39:14Adios.
00:39:14Adios.
00:39:15Adios.
00:39:16Adios.
00:39:17Adios.
00:39:18Adios.
00:39:19Adios.
00:39:20Adios.
00:39:21Adios.
00:39:22Adios.
00:39:23Adios.
00:39:24Adios.
00:39:25Adios.
00:39:26Adios.
00:39:27Adios.
00:39:28Adios.
00:39:29Adios.
00:39:30Adios.
00:39:31Adios.
00:39:32Adios.
00:39:33Adios.
00:39:34Adios.
00:39:35Adios.
00:39:36Adios.
00:39:37Adios.
00:39:38Adios.
00:39:39Adios.
00:39:40Adios.
00:39:41Adios.
00:39:42Adios.
00:39:43Adios.
00:39:44Adios.
00:39:45Adios.
00:39:46Adios.
00:39:47Adios.
00:39:48Adios.
00:39:49Adios.
00:39:50Adios.
00:39:51Adios.
00:39:52Adios.
00:39:53Adios.
00:39:54Adios.
00:39:55Adios.
00:39:56It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:14Since you made a sound change.
00:40:17Sorry, Joanne, but the places you've shown me have been so dazzling.
00:40:22I was too busy to talk.
00:40:24You forgot to mention Creole.
00:40:26She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:33I'm desperate.
00:40:34She's changed, and if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:40You better hurry, or you'll be too late.
00:40:44I'll take you back.
00:40:45I bet you're enjoying it.
00:40:49Joanne gave me one, too, with a dedication.
00:40:50I saw my eyes out.
00:40:54For a romantic novel, it's not bad.
00:40:58Is a model a fun thing to be, Creole, huh?
00:41:03I wouldn't recommend it to my friends, but I'm not complaining.
00:41:06I asked because when I was a little girl, I dreamed of being a dancer or a model, but I ended up with overweight tits.
00:41:12So you snuck away to live on an island.
00:41:14Well, here at least they appreciate my boobs.
00:41:18Here comes a customer.
00:41:20Oh, it's Marco.
00:41:21You know him?
00:41:22Yeah.
00:41:23Hi, hi, Creole.
00:41:24I imagine bumping into you here.
00:41:31Did you just get here?
00:41:31Yeah.
00:41:32Wow, it's great.
00:41:33Yes, can I help you?
00:41:34Oh, I need a pill?
00:41:35I need a pill.
00:41:36I need a pill.
00:41:36I need a pill.
00:41:37What?
00:41:38What?
00:41:38What?
00:41:39What?
00:41:40What?
00:41:41What?
00:41:42What?
00:41:42What?
00:41:43What?
00:41:44What?
00:41:45What?
00:41:46What?
00:41:47What?
00:41:48What?
00:41:49What?
00:41:50What?
00:41:51What?
00:41:52What?
00:41:53Do you need a place to stay?
00:41:55I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:03Okay, that's a bit of good luck.
00:42:05More than you bargained for.
00:42:07Listen.
00:42:09I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris. You mean you found her?
00:42:17Yeah. Oh, God.
00:42:23You.
00:42:27Who is it?
00:42:29Don't worry.
00:42:31What do you want?
00:42:33I came to take you back.
00:42:35You made the trip for nothing.
00:42:37I'm sorry.
00:42:39Leon, where are you going?
00:42:41I'm leaving.
00:42:43But why?
00:42:45You're not the one who has to leave.
00:42:47Go away. Go back where you came from.
00:42:49Go on, get out.
00:42:51Leon, throw him out.
00:42:53Do something.
00:42:55I am.
00:42:57Leon, Leon.
00:42:59Don't go.
00:43:03Damn you.
00:43:04Why?
00:43:05Why did you come here?
00:43:07Because I still love you.
00:43:09And I'm not leaving without you.
00:43:13Don't you understand, Marco?
00:43:15No.
00:43:16I'm no longer the girl that you knew.
00:43:18Now I'm another person.
00:43:21I love another man.
00:43:23I'll wait.
00:43:24I'm patient.
00:43:25Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:32Can I stay on board?
00:43:48Can I stay on board?
00:44:12I'll get this straight.
00:44:15This time.
00:44:17Must be forever.
00:44:18I know.
00:44:26So, stay.
00:44:40She's not a Consuelo.
00:44:41She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:46I knew it.
00:44:46She's gone back to the States.
00:44:47How?
00:44:52Wearing a Parejo?
00:44:54Andy, look.
00:44:56She hasn't gone.
00:44:57Her stuff's still here.
00:44:58Andy, you're not to worry.
00:45:12I'm sure that Criola will soon come back.
00:45:15Do believe me.
00:45:16I've got to be off now.
00:45:22So long.
00:45:23See you at dinner?
00:45:24She's now they're not.
00:45:26Don't be ready for him.
00:45:34She's my heart.
00:45:35Bye.
00:45:38Bye.
00:45:38Bye.
00:45:38Bye.
00:45:39Bye.
00:45:41Bye.
00:45:42Bye.
00:45:42Bye.
00:45:43Bye.
00:45:43Bye.
00:45:44Bye.
00:45:44Bye.
00:45:44Bye.
00:45:45Meaning, you're my I?
00:45:46Bye.
00:45:46Bye.
00:45:47Bye.
00:45:48Bye.
00:45:48Bye.
00:45:49Bye.
00:45:50Bye.
00:45:51Hey.
00:45:51Bye.
00:45:51Bye.
00:45:52Bye.
00:45:53Have you seen Leon?
00:45:59He's seen what he did with a guy.
00:46:10Sorry.
00:46:12To the stern.
00:46:14I want a word with him.
00:46:16I'll leave you two together.
00:46:17Wait.
00:46:18What do you want?
00:46:20Iris.
00:46:21Iris?
00:46:22You got her.
00:46:24You don't want Iris.
00:46:26Iris is free to do what she wants.
00:46:28Adios.
00:46:52You got her.
00:46:59You got her.
00:47:01You got her.
00:47:32No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget them.
00:47:56You'll suffer a little at first, but then it'll pass.
00:47:59I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:14It's over.
00:48:16Don't you understand?
00:48:18He'll get tired ever quickly.
00:48:21It's already happened other times.
00:48:23I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:33Oh, Christ.
00:48:34Oh, Christ.
00:48:35Oh, Christ.
00:49:05Get out of here and stop bothering the customers.
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:27Playing with fire. One can be burned in the end.
00:49:30I blame myself.
00:49:34My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:41I'm perverted, I guess.
00:49:43I proposed it to her.
00:49:46I must be an asshole.
00:49:48But now she's gone for good.
00:49:49She did it because she knew you liked it.
00:49:53Not for herself.
00:49:56She's not the kind of woman who sleeps around a lot.
00:49:59Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:07She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:12And look what happened.
00:50:13Fate set a trap for her.
00:50:15Oh, God.
00:50:16I'm the one who went and trapped her.
00:50:20Yep.
00:50:21Now you're trapped.
00:50:22It started as a game, that's all.
00:50:26It wasn't serious.
00:50:30Games can be dangerous to play if you don't keep to the rules.
00:50:33Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:43Thanks.
00:50:44Hey, you've forgotten?
00:50:45We met one night in Santo Domingo.
00:50:48I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:52Hi.
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here.
00:50:56She already knows.
00:50:57But you mean to say you...
00:50:59You've seen her?
00:51:01Yes.
00:51:02But, briefly.
00:51:02Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:15Surely you can guess.
00:51:18She's on Leon's boat.
00:51:24Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:26I have to.
00:51:32You're hurting me.
00:52:02Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:27In his boat.
00:52:29Thanks.
00:52:30Thanks.
00:53:31Put it into the pail.
00:53:45You know how to cook it?
00:53:48mm-hmm you'll have to learn
00:53:53hey what are you doing here
00:54:20Criola Criola Criola what do you want I've come together I never thought it
00:54:37would come to this please I know it's all my fault but please don't humiliate
00:54:42yourself like this please we must begin again I can't no don't tell me you're
00:54:58gonna stay here Jesus Criola with a bastard like that
00:55:10no yes it can't be finished
00:55:14leave me alone
00:55:17it's finished with Leon I'm alive he satisfies me
00:55:22no
00:55:22I'm terribly sorry
00:55:29I can't really it's ridiculous
00:55:36ridiculous
00:55:40my life is meaningless without you
00:55:44I'm sorry I didn't mean to disturb you but I just wanted something to drink
00:56:09no problem really I don't mind having a break
00:56:13why don't you stick around you might even keep us company if you like
00:56:19thanks but not tonight maybe some other time I'm not in the best of moods
00:56:29I'm going to do this I call it gin balling it's a very silly game
00:56:44hmm for what serves to calm the nerves try it
00:56:50okay
00:56:50tell mother everything I'm all ears
00:57:01look I have no intention of fighting with you you're a kind sweet patient
00:57:09get to the point the question is will she tire of that dope
00:57:13that's what you want to know is that it
00:57:16she's bound to tire of it she always does
00:57:19this place plays tricks on one sometimes
00:57:28even I fell once you know
00:57:30there's no truth in all that shit
00:57:33I surely don't need to prove it do I
00:57:35you're up against an example
00:57:37and you know it
00:57:39it's not a person who casts a spell on one at all
00:57:43but this island
00:57:44it intoxicates people's minds
00:57:47it may not be happiness
00:57:49god only knows happiness
00:57:51it's hard enough to find anywhere
00:57:52but it's a narcotic that makes them feel they found paradise
00:57:56yeah it's blinded even creole
00:58:00she used to hate dirt
00:58:02invention of squalor made her sick for days
00:58:05mm-hmm a puritan
00:58:07it's usual when they eventually rebel that's it
00:58:11they reject the previous moral values they had
00:58:15and abandon themselves falling into the arms of someone like Leon
00:58:19but you see I can't understand
00:58:21how she could learn to make love like that
00:58:23oh yes you can
00:58:26please
00:58:28right let's not say anymore
00:58:31you want to sit here all night
00:58:32right
00:58:41that's not going to do any good
00:58:58hey
00:59:02what's the matter you've suddenly developed morals
00:59:04I'm as immoral as you are
00:59:08but there is such a thing as the right moment
00:59:12night it's way past my bedtime
00:59:16is it ready
00:59:36is it cooked
00:59:39there's a time for love
00:59:44time for fun
00:59:46now we eat
00:59:49oh
00:59:56oh
00:59:57oh
01:00:00oh
01:00:10Oh, my God.
01:00:40Oh, my God.
01:01:11La otra noche te esperé bajo la lluvia dos horas, mil horas como un perro.
01:01:19Y cuando llegaste me miraste me dices, loco, estás mojado, ya no te quiero.
01:01:26Hace frĂo, estoy lejos de casa, hace tiempo que estoy sentado sobre esta piedra.
01:01:35Yo me pregunto para qué sirven las piedras, tengo un boquete en el pantalón.
01:01:43Voces tan frĂas como la nieve a mi alrededor, voces tan blancas que ya no sĂ© quĂ© hacer.
01:01:51La otra noche te esperé bajo la lluvia dos horas, mil horas como un perro.
01:01:59Y cuando llegaste me miraste me dijiste, loco, estás mojado, ya no te quiero.
01:02:07Ha, ha, ha.
01:02:11Oh, ooh.
01:02:14Bomba.
01:02:16Bomba.
01:02:17I don't know anymore, Iris.
01:02:34How can you humiliate yourself this way?
01:02:38How can you accept all this?
01:02:39Because I love him like I never loved anyone.
01:02:42How about us then?
01:02:44Don't I count for anything?
01:02:45Perhaps you've forgotten that we were supposed to get married in a month.
01:02:50You don't understand, Marco.
01:02:52I'm not able to leave Leona.
01:02:54My God.
01:02:55How is this possible?
01:02:58Go away from here.
01:02:59It's useless.
01:03:02I'll never give Leona.
01:03:04For any reason.
01:03:05Go away from here.
01:03:35Like a beer?
01:03:41Sure.
01:03:44There's got to be a better life someplace.
01:03:47Right.
01:03:48I wonder if all tropic paradises are such hell.
01:03:54That bastard fucks our women.
01:03:57And we are here getting drunk.
01:04:05And if only we had any guts, we'd do something about it.
01:04:32Hello?
01:04:32Hello?
01:04:33Hello.
01:04:43Don't look at me like that.
01:04:45I was just... admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that I'd like to hire the boat from Leon.
01:05:03I'm mad about you.
01:05:07Nothing can make me change ever.
01:05:11I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do?
01:05:21Keep it?
01:05:23Burn it. I'm not coming back.
01:05:27You're lying.
01:05:29Hey!
01:05:31What do you want?
01:05:37I need you, Leon. A ride to the mainland.
01:05:39So I can fly out to America.
01:05:41I want to hire the boat tomorrow morning.
01:05:43Marco's also going.
01:05:45And I want it to be a party, so bring Creole along as well.
01:05:49It's better if Creole stays at home.
01:05:55She's got work to do.
01:05:57And I want something to eat when I get back.
01:06:03Anyway, it's okay.
01:06:05I'll accompany you.
01:06:07Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:27Come back with me, Iris.
01:06:37No, Marco.
01:06:39Not now, not ever.
01:06:41And for heaven's sake, don't ask me again.
01:06:45Now leave me alone.
01:06:47I have worked.
01:06:49You win.
01:06:51Okay.
01:07:19I have worked in.
01:07:21I have worked at the island.
01:07:23I am in.
01:07:25I've worked.
01:07:27I have arrested me.
01:07:28I've worked at the island for now.
01:07:31So I'm trained to do things work.
01:07:33I've worked at a place.
01:07:35I've worked at the island as well.
01:07:39I can't wait for them to come.
01:07:41I can't wait for me.
01:07:43You need your time to get back.
01:07:44I hope it's enough don't worry no problem it's surely more than enough I'm looking for Mark not
01:08:11here he left with Leon and Andy oh my god I have a terrible feeling he came to me this morning and he had a
01:08:20strange evil look in his eyes he said some awful things about Leon yesterday when he was drunk but
01:08:27when I saw him this morning he wasn't drunk hey what's all the mystery let me in on it
01:08:41so
01:08:48so
01:08:55so
01:09:02so
01:09:09so
01:09:16so
01:09:23so
01:09:30so
01:09:37so
01:09:44so
01:09:46so
01:09:53so
01:09:55there must be something caught in the propeller
01:10:19I'm going down to have a look
01:10:21I'm going down to have a look
01:10:26come on let's go
01:10:33come on let's go
01:10:51so
01:10:58so
01:11:00so
01:11:03so
01:11:10so
01:11:12so
01:11:19so
01:11:23so
01:11:24so
01:11:25so
01:11:26so
01:11:27so
01:11:28so
01:11:29so
01:11:30so
01:11:31so
01:11:33so
01:11:34so
01:11:47so
01:11:48so
01:11:49so
01:11:50so
01:11:51so
01:11:52so
01:11:53so
01:11:54so
01:12:16so
01:12:17so
01:12:18so
01:12:19so
01:12:21so
01:12:31so
01:12:33so
01:12:34so
01:12:35so
01:12:36so
01:12:37so
01:12:38One thing he cared about, he risked losing his mind.
01:12:41And I risk losing my life.
01:12:44Marco didn't really mean to kill you.
01:12:46It was pure desperation, surely even you can comprehend that.
01:12:49You must have been in love at least once in your lonely life.
01:12:52So much it made a fool of you, Leon.
01:12:55No.
01:12:59Funny.
01:13:00I'm not proud of the man I see when I look in the mirror and see myself.
01:13:04But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:08They must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:22I don't think they meant to kill Leon, really.
01:13:25It's an ugly story.
01:13:27I never thought he would go that far.
01:13:30You're wrong about Andy.
01:13:32He loves you more than anything else in the world.
01:13:35He'd do anything to get you back, anything at all.
01:13:38He's changed, you know.
01:13:41You think so?
01:13:44You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open.
01:13:51Thanks.
01:13:53Joanne.
01:13:54Don't you understand?
01:13:55I love Leon.
01:13:56And I won't leave him.
01:13:57You think you love him, but you don't really.
01:13:58You're still hurt and angry with poor Andy.
01:13:59Because he threw you into the arms of that wretched animal, Leon.
01:14:00You're punishing him with this affair.
01:14:02But you're punishing yourself at the same time.
01:14:04What do you suppose it'll be like in two or three years?
01:14:05Still happy?
01:14:06Sounds like a banal line from one of your books.
01:14:07Yes, it is banal.
01:14:08But the truth often is.
01:14:09I honestly think it's time you took stock of your life, Criola.
01:14:14And faced up to it.
01:14:15The truth may hurt you.
01:14:16So you need courage.
01:14:17You're punishing yourself at the same time.
01:14:18You're punishing yourself at the same time.
01:14:19What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:22Sounds like a banal line from one of your books.
01:14:24Yes, it is banal.
01:14:29But the truth often is.
01:14:31I honestly think it's time you took stock of your life, Criola.
01:14:35And faced up to it.
01:14:36The truth may hurt you.
01:14:38So you need courage.
01:14:40Hello, Andy.
01:14:52We thought...
01:14:57We thought that island would help us escape from reality.
01:15:04We must accept the place assigned us on this earth.
01:15:09Come here.
01:15:12You were right, Jack.
01:15:26There's magic everywhere here.
01:15:27Kiss me.
01:15:30It's in the very air.
01:15:32Can't you feel it?
01:15:33I know that if we stay here long, something wonderful will happen to us.
01:15:38Right.
01:15:39They say these islands cast a spell on lovers.
01:15:43Taiwan..
01:15:50We get it!
01:15:52We get it!
01:15:53You know you being around...
01:15:55So we can be your women's team.
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