Carnival of Souls (1962) – Horror Classic | CC BY 3.0 - video Dailymotion

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**Carnival of Souls (1962)** Directed by Herk Harvey, this eerie atmospheric horror has become a cult classic.  This work is licensed under **Creative Commons Attribution 3.0 (CC BY 3.0)**. You are free to share and adapt, provided you give appropriate credit.  **Source:** https://archive.org/details/CarnivalOfSouls1962   **License:** https://creativecommons.org/licenses/by/3.0/   Enjoy and immerse yourself in this public-sharing gem!

Transcript

00:00:01Hey, Joe, drag your foot, boy. Look what we got here.

00:00:04Hey, you want to drag, huh?

00:00:06Rev it up.

00:00:08Come on, man, get ready.

00:00:30I'll show them how to drive, just watch me.

00:01:00Come on.

00:01:30Come on.

00:02:00Come on.

00:02:30Come on, man.

00:03:00Sir, as high as this river is right now, with all the mud and sand it's carrying, they may never find that car.

00:03:30Three hours.

00:03:40Yeah, not sure I want to find that car now.

00:03:43We're just sanding with that current, we may never find it.

00:03:46Yeah, and all I guess we can do is keep trying.

00:04:00Come on, let's get down there.

00:04:18Why, it's Mary Henry.

00:04:40Are you all right?

00:04:42How did you get out?

00:04:44Put this on, we better get you back to town.

00:04:48What about the other girls?

00:04:54I don't remember.

00:04:58I don't remember.

00:05:00Oh, my God.

00:05:16Oh, my God.

00:05:46Oh, my God.

00:06:16Oh, my God.

00:06:46Oh, my God.

00:07:16Oh, my God.

00:07:45Oh, my God.

00:07:47Oh, my God.

00:07:49Well, Mary, you'll make a fine organist for that church.

00:07:53It'll be very satisfying to you, I think.

00:07:55It's just a job to me.

00:07:57Well, it's not quite the attitude for going into church work.

00:08:01I'm not taking the vows.

00:08:02I'm only going to play the organ.

00:08:03Oh, you want more than that?

00:08:06Of course, it doesn't pay much, but, well, at least it's a stop.

00:08:11Are you driving by Benton to see your folks?

00:08:14No, I can't.

00:08:15I, I must hurry.

00:08:17I've got to leave.

00:08:18I'm going to drive straight through.

00:08:21Mary, it takes more than intellect to be a musician.

00:08:25Put your soul into it a little.

00:08:28Okay?

00:08:28Good luck, Mary.

00:08:38Stop by and see us the next time you're in.

00:08:41But I'm never coming back.

00:08:43I don't know about that girl.

00:08:59How do you mean?

00:09:00The day before yesterday, she was the only one of three girls to survive an accident.

00:09:05You'd think she'd feel a little something like humbleness or gratitude.

00:09:10Never know what she thinks.

00:09:13She's always kept pretty much to herself.

00:09:15Yeah, maybe in her place I'd do the same thing.

00:09:19Just pick up life again.

00:09:21Well, she's so quiet like she fools you.

00:09:25But she's a tough-minded little thing.

00:09:27I guess that's what it takes to survive.

00:09:30But I still say she's behaving strangely.

00:09:34Well, if she's got a problem, it'll go right along with her.

00:09:38Yep.

00:09:42Look at her.

00:09:48Ah!

00:09:48Let's go.

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00:14:04I help you fill it up all right

00:14:34have anything else lady could you tell me what that big structure is back a few miles by the lake

00:14:52oh you mean the old bath house yeah that used to be a pretty ritzy place in the old days

00:14:57then the lake went down and they made a dance hall out of it then they put those buildings

00:15:03up out there made some sort of a carnival there for a while that's years ago though just stands

00:15:09out there now I see I have an address here of a rooming house could you direct me oh sure well

00:15:21that's just right over here little ways

00:15:32been saving it for you since I got your letter could have rented it yesterday if it wanted oh it's fine

00:15:42fine it's just about what I expected I knew you'd like it there's ain't no regular room in the house

00:15:50you know I only got you and Mr. Linden across the hall

00:15:54each room's got its own private bathroom too

00:16:03you can take all the baths you want I'm not one to fuss about things like that thank you I think I'll be

00:16:13quite comfortable well hope you'll stay a while I'm downstairs in the back part of the house so

00:16:21if there's anything else you need I guess I'll have to wait a warning

00:16:25good night good night Mr. Thomas

00:16:51good night

00:17:21good night

00:17:52and this Miss Henry is our pride and joy

00:17:56you know this was made in the same town where I've been studying of course that's where we heard

00:18:00about you oh by the way you have found a place to stay yes I have a room good well we hope you're

00:18:08going to like it here we're not the largest church in this area of course but we have a nice congregation

00:18:15we'll have to have some sort of reception they want to meet you couldn't we just skip that

00:18:22skip that I don't suppose it's an absolute necessity I don't know what some of the ladies will say

00:18:30if they say I'm a fine organist that should be enough shouldn't it well yes of course we'll let it go

00:18:37at that for the time being but my dear you cannot live in isolation from the human race you know

00:18:47mind if I try this now I want you to

00:19:07I'll be next door at the max if you need me

00:19:37we have an organist capable of stirring the soul

00:20:07you

00:20:37THE END

00:21:07What do you see?

00:21:13Oh, nothing.

00:21:15Nothing at all.

00:21:16I've practiced the whole afternoon and it's gotten me in the mood.

00:21:19You need some fresh air.

00:21:21I've got to make a call out past the lake.

00:21:23Would you like to come along for the ride?

00:21:26You know that old pavilion out there?

00:21:27Mm-hmm.

00:21:29Will we pass it?

00:21:30Go right by it.

00:21:31Stop and look at it if you like.

00:21:33I would, with you along.

00:21:34Good.

00:21:37Come on.

00:21:39Come on.

00:22:07this used to be quite a place it's been deserted for a long time now will you take me in my

00:22:18goodness no it isn't safe out there anymore that's why they put up this barrier be very easy to step

00:22:25around it what attraction could there be for you out there I'm not sure I'm a reasonable person I

00:22:34don't know maybe I want to satisfy myself that the place is nothing more than it appears to be

00:22:40would you take me out there no the law has placed it off limits wouldn't be very seemly for a minister

00:22:47to break the law would it no maybe I can come back some other time shall we go along now

00:23:04foreign plan must take a long time you've been gone most the whole day I went for a long drive in the

00:23:33country with my new boss an elderly minister oh that must have been a kick in the head

00:23:42I learned that from my other boarder Mr. Linden did you get your supper oh I forgot

00:23:51well there ain't no boarding house but I got some coffee and the sandwich makings left I could

00:23:58bring you some up after a while good I'll be taking one of those bags you're so generous with

00:24:03well take as many as you want I ain't one to make a fuss about a thing like that

00:24:08well

00:24:10yeah

00:24:15yeah

00:24:17yeah

00:24:22yeah

00:24:27yeah

00:24:30yeah

00:24:33Come in, Mrs. Thomas.

00:24:59Just a minute.

00:25:03I thought you were Mrs. Thomas.

00:25:11Yeah, I wondered when you asked me in.

00:25:27I'm John Linden.

00:25:28I'm your neighbor right across the hall.

00:25:30Nice to meet you.

00:25:31Would you excuse me?

00:25:32I'm just wondering if you're not doing it.

00:25:34I just mean, stand right there.

00:25:36I forgot to introduce myself.

00:25:38I'm Mary Henry.

00:25:40I forgot to introduce myself.

00:25:46I'm Mary Henry.

00:25:52Oh, yeah, I know.

00:25:54I heard you tell Mrs. Thomas you haven't ate anything yet.

00:25:56Well, yeah, I just thought you'd be enabling all this.

00:25:57See, I haven't eaten anything either.

00:25:58I just thought we'd ask you out to dinner.

00:25:59Oh, that's very thoughtful of you, but I can't accept it.

00:26:00I know.

00:26:01I know.

00:26:02I know.

00:26:03I know.

00:26:04I know.

00:26:05I know.

00:26:06We haven't met her or anything yet.

00:26:07I'm sorry.

00:26:08You know how to excuse me.

00:26:09Look, there's a really nice restaurant, you know, right down the street.

00:26:11And I just thought, well, I'm just kind of a guy who doesn't like to eat by himself.

00:26:13I've made arrangements to eat in my room tonight.

00:26:15I've made arrangements to eat in my room tonight.

00:26:16I've made arrangements to eat in my room tonight.

00:26:18Hey, if you change your mind, you just holler.

00:26:19Well, it's kind of lonesome in here.

00:26:20Good night, Mr. Linden.

00:26:21Good night, Mr. Linden.

00:26:22Good night.

00:26:24Oh, that's very thoughtful of you, but I can't accept it.

00:26:25I know.

00:26:26I know.

00:26:27We haven't met her or anything yet, but I just thought...

00:26:28I know.

00:26:29I know.

00:26:30We haven't met her or anything yet, but I just thought...

00:26:31I'm sorry.

00:26:32You'll have to excuse me.

00:26:33Look, there's a really nice restaurant, you know, right down the street.

00:26:34And I just thought...

00:26:35Well, I'm just kind of a guy who doesn't like to eat by himself.

00:26:37I've made arrangements to eat in my room tonight.

00:26:40Hey, if you change your mind, you just holler.

00:26:43Looks kind of lonesome in here.

00:26:45Good night, Mr. Linden.

00:27:13Oh.

00:27:14Hey, hey.

00:27:16Hey, hey, hey, hey.

00:27:18You're welcome.

00:27:20Good night, Mr. Linden.

00:27:22You're welcome.

00:27:23Oh, my God.

00:27:24Oh, my God.

00:27:27Ah!

00:27:28What?

00:27:29Ah!

00:27:30Oh, my God.

00:27:31Oh, my God.

00:27:32Oh, my God.

00:27:36Oh, my God.

00:27:42Miss Henry?

00:28:11Miss Henry, it's Miss Thomas.

00:28:33Who's the man in the hole?

00:28:37Miss Henry?

00:28:39Oh, you must mean Mr. Linden.

00:28:43He has the room across the hall.

00:28:46No, I mean the other one.

00:28:49There is no other.

00:28:53Me and you and Mr. Linden.

00:28:55Us three is all there is in this house.

00:28:58But you must have passed him out there.

00:29:01You're needing this food.

00:29:03Going with that?

00:29:05Eating makes you jumpy sometimes.

00:29:07Maybe you heard the boards pop or something.

00:29:11These old houses creaked worse than my knees.

00:29:13I didn't hear him, Mrs. Thomas.

00:29:15I saw him.

00:29:17Now, don't talk that way.

00:29:21I don't sleep so good as it is.

00:29:25It's these old houses.

00:29:27They're big enough so that you can hide a man in every corner.

00:29:33You just got to not let your imagination run away with me.

00:29:39Are you going out there?

00:29:41Well, of course I am.

00:30:03There's nobody there.

00:30:07Now, you just go and eat that sandwich I made for you.

00:30:13Don't drink the coffee if coffee keeps you awake.

00:30:17It won't.

00:30:23Coffee never keeps me awake.

00:30:33Coffee never keeps me awake.

00:30:39THE END

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00:33:57I studiedic it in college

00:33:58I could have gone to college

00:34:00Yeah, I used to play pretty good football, but they wanted me to take a lot of classes and things, you know.

00:34:06Well, they're that way.

00:34:07Well, I'm just as smart as the next guy.

00:34:10Yeah, but I just didn't dig with the old teaching in school, you know.

00:34:13And the thing I hated most was principal products.

00:34:18Principal products?

00:34:19Yeah, you know, like the principal products of Brazil.

00:34:24I don't know, jeez.

00:34:26Coffee, beans, a snake oil, you know, like that.

00:34:30When I was in school, I couldn't care less.

00:34:32Now, you know, what I cared about was girls.

00:34:35Didn't they offer a course in that?

00:34:37If they would have done that, I would have graduated.

00:34:42What's the matter? Can you still taste the coffee?

00:34:45Come on, what do you think, I'm an alcoholic?

00:34:47Look, I just like to start the day off in a good mood, that's all.

00:34:51You must be hilarious by noon.

00:34:53Look, I'm just the kind of a guy employers want, you know, the happy worker.

00:34:56Come on, come on, now, make you all morning happy.

00:35:01This morning, you're exactly what I needed.

00:35:04You're going to need me in the evening, too.

00:35:06You just don't know what you're doing.

00:35:08I'll rinse off these cups.

00:35:10Oh, no, no, no.

00:35:11Just spoils the flavor for tomorrow.

00:35:14Well, thank you for the coffee.

00:35:16It was unsanitary, but delicious.

00:35:18Well, I should have put some of the germ killer inside.

00:35:22Well, I, uh, hate to leave so early.

00:35:27I think you can get through the door.

00:35:30You know, you got the wrong impression of me.

00:35:32Well, I meant because you had so many things to carry.

00:35:35Oh.

00:35:36Like I said, I hate to leave.

00:35:38Well, it's been a pleasure, Mr. Linden, but I'm sure you have to get to work.

00:35:42Well, don't you?

00:35:43No, I'll have the whole day free for shopping.

00:35:45Does the hem hang right in back?

00:36:00We might change the hemline a little.

00:36:03The drape is just fine.

00:36:05Otherwise, it looks very nice.

00:36:07I'm sure it isn't very chic to take the second dress, but I like it.

00:36:11We altered a little here to make it straight all the way around.

00:36:13There, do you want to go back to your dressing room?

00:36:16Yeah.

00:36:43I Jagan, I do you want to go back to your dressing room?

00:36:46Do you have any other clothes for walking?

00:36:47You have to leave?

00:36:48me Thank you.

00:36:49I don't like it.

00:36:50Oh.

00:36:52Oh.

00:36:53Oh.

00:36:54Oh.

00:36:55Oh.

00:36:56Oh.

00:36:57Oh.

00:36:58Oh.

00:37:05Oh.

00:37:06Oh.

00:37:07Oh.

00:37:09Yeah.

00:37:10Oh.

00:37:11Oh.

00:37:11Oh, oh.

00:37:11Oh.

00:37:12Oh.

00:37:13Oh.

00:37:13I believe I have you deliver the dress if you don't mind.

00:37:43I did say I'd take it.

00:38:01What's the matter with her?

00:38:07What's the matter with everyone?

00:38:08Why don't they answer me?

00:38:13What's the matter with everyone?

00:38:15I don't understand.

00:38:19I don't know.

00:38:21I'll give you some more clarity.

00:38:23I'll give you some more clarity.

00:38:25I'll give you some more clarity.

00:38:27I'll give you some more clarity.

00:38:29THE END

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00:41:25As though I had no place in the world.

00:41:30No part of the life around me.

00:41:33And then you saw this... this man.

00:41:38Yes.

00:41:41You'll excuse my back, but I wanted to get some of that written down.

00:41:45I must have been talking for an hour.

00:41:48Anything else? Anything you haven't told me?

00:41:52That's all there is.

00:41:53That's the whole story.

00:41:55He's been following me. That's all there is to it.

00:41:58It isn't that simple, though, is it?

00:42:01What do you mean?

00:42:02He could hardly have been in the park this afternoon, or one of us men would have seen him.

00:42:06And that night in the hallway, you said yourself the landlady came up a minute later,

00:42:10and she didn't see him, did she?

00:42:12What are you driving at?

00:42:14It's been less than a week since you were in a car that crashed into the river.

00:42:18How you got out of that, no one seems to know.

00:42:21But that experience must have been a serious emotional shock.

00:42:23You think I imagined all of it, don't you?

00:42:26You think I'm insane?

00:42:27I didn't say that.

00:42:28I don't mean that.

00:42:29I'm a competent person.

00:42:31If anything, I'm a realist.

00:42:32I'm not given to imagining anything.

00:42:35Hogwash.

00:42:36All of us imagine things.

00:42:39Have you never heard two men talking behind your back and imagined they were talking about you?

00:42:45Have you never imagined you saw someone you knew and walked up to them and found they were a perfect stranger?

00:42:49I don't see what this has to do with it.

00:42:52The point is this.

00:42:53Our imaginations play tricks on us.

00:42:55They often misinterpret what we see and hear.

00:42:58Do you agree?

00:42:59I suppose so.

00:43:01If that can happen in ordinary times, go a step further.

00:43:05Look what can happen in a high fever or following a serious emotional shock.

00:43:09Doesn't seem possible that I could have imagined all of it.

00:43:13Does this man, this figure, resemble anyone you've ever known?

00:43:17An acquaintance?

00:43:18Or your father?

00:43:19No.

00:43:20Do you have a boyfriend here or back home?

00:43:22No, and I have no desire for one.

00:43:24Never?

00:43:25No.

00:43:27I'm surprised to find myself saying that.

00:43:30But it's true.

00:43:32I have no desire for the closed company of other people.

00:43:36Have you always felt this way?

00:43:40I don't know.

00:43:41Don't you want to join in the things that other people do?

00:43:44Share the experiences of other people?

00:43:46I don't think capable of being very close to people.

00:43:49I do feel that perhaps I am trying to reach out for those other things.

00:43:54Do you feel guilty wanting them?

00:43:57I don't understand you.

00:43:59I'm not a psychiatrist, and perhaps I'm being clumsy at all this.

00:44:03But I am suggesting that perhaps this figure represents a guilt feeling.

00:44:07Oh, that's ridiculous.

00:44:09Maybe.

00:44:10Frankly, I don't know.

00:44:13Well, I know one thing.

00:44:14If my imagination is playing tricks on me, I'm going to put a stop to it.

00:44:20You're a very strong-willed person, aren't you?

00:44:22I survive, if that's what you mean.

00:44:25That old pavilion out by the lake.

00:44:28Somehow you associate it with all this, don't you?

00:44:32I could go out there.

00:44:34I could put an end to that, too.

00:44:37I could go out there.

00:44:38Now, don't be hasty.

00:44:39If it is all my imagination, I could put a stop to it.

00:44:45Maybe, but at least someone should be with you.

00:44:47Now, I can't possibly get away now.

00:44:49As you say, Doctor, I'm a person of strong will.

00:44:51And the time to go out there is now.

00:44:54And if I have to, I can go alone.

00:45:09I can't believe it.

00:45:39We'll see you next time.

00:46:01We'll see you next time.

00:50:03Do you mind if I ask you a question?

00:50:06I won't know until I hear it.

00:50:08What, are you afraid of men?

00:50:10No, I'm not afraid of men.

00:50:12Well, you seem sort of cold.

00:50:16This morning when I brought you the coffee, friendly.

00:50:21This morning I needed company.

00:50:22Well, maybe you'll need company tonight.

00:50:29It's better than walking home alone.

00:50:31Yes, it is.

00:50:33I should be finished around nine.

00:50:37Will that be all right?

00:50:38I'll see you in church.

00:50:44I'll see you in church.

00:50:45I'll see you in the next day.

00:50:46I'll see you in the next day.

00:50:52I'll see you in the next day.

00:50:53I'll see you in the next day.

00:50:59I'll see you in the next day.

00:51:29I'll see you in the next day.

00:51:30I'll see you in the next day.

00:51:36I'll see you in the next day.

00:51:37I'll see you in the next day.

00:51:39I'll see you in the next day.

00:51:41Bye.

00:51:42Bye.

00:52:11Bye.

00:52:12Bye.

00:52:41Bye.

00:52:42Bye.

00:53:11Bye.

00:53:12Bye.

00:53:41Bye.

00:53:42Bye.

00:53:43Bye.

00:53:44Bye.

00:53:45Bye.

00:53:46Bye.

00:53:47Bye.

00:53:48Bye.

00:53:49Bye.

00:53:50Bye.

00:53:51Bye.

00:53:52Bye.

00:53:53Bye.

00:53:54Bye.

00:53:55Bye.

00:53:56Bye.

00:53:57Bye.

00:53:58Bye.

00:53:59Bye.

00:54:00Bye.

00:54:01Bye.

00:54:02Bye.

00:54:03Bye.

00:54:04Bye.

00:54:05Bye.

00:54:06Bye.

00:54:07Bye.

00:54:08Bye.

00:54:09Bye.

00:54:10profane, sacrilege. What are you playing in this church? Have you no respect? Do you feel

00:54:19no reverence? And I feel sorry for you and your lack of soul. This organ, the music of

00:54:28this church, these things have meaning and significance to us. I assume they did to you.

00:54:34But without this awareness, I'm afraid you cannot be our organist. In

00:54:42conscience, I must ask you to resign.

00:55:04That does not mean that I am abandoning you, nor should you turn your back on the church.

00:55:15There is help here, and I urge you to accept it.

00:55:22Well, hi there. I've been waiting an awful long time for you. My car's just

00:55:52over there. I know just the right place to...

00:55:59What's the matter? Don't you drink either? Not really. Not really. How else is there if you don't drink really? Answer me that.

00:56:06What's the matter? Don't you drink either? Not really. Not really. How else is there if you don't drink really? Answer me that.

00:56:13What's the matter? I not only drink really, I really drink. What's the matter? Do you like the music either?

00:56:20What's the matter? Do you like the music either? I like it fine. You don't like it? You don't like to dance and you don't like to drink.

00:56:27You don't like for a man to hold you close. That's it, isn't it? I didn't say that. You haven't said anything all evening.

00:56:34Why don't I go play that song again? You like it so much. Why don't I go play that song again? You like it so much.

00:56:41Hey Johnny, who's this guy? Isn't that right? Why don't you go play that song again? How good, how good, how good, how good, how good, how good, how good, how good?

00:56:51Why don't we go play that song again? You like it so much.

00:56:55You haven't said anything all evening.

00:57:00Why not go play that song again?

00:57:02You like it so much.

00:57:09Hey, Johnny, who's the doll?

00:57:12Nobody you know, Chicken.

00:57:14Oh, come on now.

00:57:15You've been holding out on me.

00:57:16That's not the kind of pig you usually drag around.

00:57:20You quit licking your chops.

00:57:21She's out of your class.

00:57:23You want to bet?

00:57:26Lay off, huh?

00:57:28I got something on the stove there, man.

00:57:30Well, listen, I'll help you put it over.

00:57:32I don't want her to think I even know creeps like you.

00:57:37Good luck.

00:57:42Meet someone you know?

00:57:45Yeah.

00:57:46He's a college fella.

00:57:51He, uh, told me about this girl.

00:57:53He's been wanting to meet me.

00:57:55He wanted me to meet her.

00:57:58What'd you tell him?

00:58:00I said, how could I?

00:58:01You're my date, you know.

00:58:07He said you, uh, didn't seem to enjoy my company much.

00:58:12Oh, that's not true.

00:58:14I really appreciate you taking me out this evening.

00:58:18I'd have had a miserable night if you hadn't.

00:58:20All right.

00:58:22Forget it.

00:58:23Come on, here.

00:58:23Join the party.

00:58:24Drink up.

00:58:24Look, I paid good money for that stuff.

00:58:33It ain't poison.

00:58:34I'm sorry if I annoy you.

00:58:36You know, I don't get you.

00:58:40First you stand me off.

00:58:42Well, that's okay.

00:58:42That's class.

00:58:44Figure you got something, you're just holding back.

00:58:47Now, everything I say is okay.

00:58:49You're a mouse.

00:58:51Yesterday, I didn't care.

00:58:54Tonight, I want to be with you.

00:58:56Me or just with anybody?

00:58:59With you.

00:58:59Why don't you fall out, hmm?

00:59:12But maybe you want to be alone, huh?

00:59:13I'll leave you alone if that's what you want.

00:59:15I like being with you.

00:59:18Really, I do.

00:59:20I don't want to be alone tonight.

00:59:23I want to be near you.

00:59:29Why don't you and me get out of here, hmm?

00:59:50You know, my room's only a couple of feet from yours.

00:59:54Ain't likely to get very far from me, are you?

00:59:59Only a key.

01:00:17Shh!

01:00:18We await Mrs. Donnelly.

01:00:20That old girl is in the back of the house.

01:00:22She won't hear nothing.

01:00:23Oh, well.

01:00:29Honey, you don't want to go in there all by yourself, do you?

01:00:40It's dark and it's lonely in there.

01:00:45You don't have to be alone tonight.

01:00:47Just let me come in a while. Let me stay with you.

01:00:52You don't want to be alone, do you?

01:00:54No.

01:00:59I'm sorry.

01:01:08Look, honey, you asked me in, you dislike me a little, huh?

01:01:29Hey, what's the matter with you?

01:01:48What's going on around here?

01:01:52What's the matter with you?

01:01:54That Ben's after me.

01:01:56You've got to stop your ears after me again.

01:01:58I'm getting out of here.

01:01:58Now you're going to go.

01:02:00Not me, sister.

01:02:02That's just what I need.

01:02:03Get mixed up with some girls off our rocker.

01:02:06I'll have to be left alone.

01:02:15Oh.

01:02:17Oh.

01:02:18Oh.

01:02:19Oh.

01:02:20Oh.

01:02:21Oh.

01:02:22Oh.

01:02:23Oh.

01:02:24Oh.

01:02:53Oh.

01:02:54Oh.

01:03:01What'd you find out, doctor?

01:03:05Not very much, I'm afraid.

01:03:07I'm sure glad you just happened around.

01:03:11I was going to call somebody but I was afraid you'd have to pay the bill.

01:03:15I came on purpose.

01:03:17I've been thinking about her ever since she left my office yesterday.

01:03:21What's she been up to?

01:03:24Only the devil knows that.

01:03:27I heard her moving things all around that room all night.

01:03:32Never heard such goings on.

01:03:34And she wouldn't let me in her room this morning.

01:03:37She's a strange one.

01:03:39She absolutely refuses my help.

01:03:43I can't say that I blame her.

01:03:44There's something about her that completely baffles me.

01:03:48I've urged her to call upon me if she feels she needs help.

01:03:51And I hope she will.

01:03:52I can't let her stay in this house.

01:03:55You won't have to worry about that.

01:03:57She's determined to leave the city.

01:03:59And she wants to get away as soon as possible.

01:04:01I hope she does leave.

01:04:06I hope she can.

01:04:14I hope she has a good one.

01:04:27I hope she will.

01:04:28I'll see you next time.

01:04:32Decided to leave, did you?

01:04:54Where are you going?

01:05:02I can't refund none of your week's rent when you go off like that.

01:05:16I don't know.

01:05:26I don't know.

01:05:32I don't know.

01:05:44I don't know.

01:05:50I don't know.

01:06:02Sounds like your transmission.

01:06:03Can you pull it up on the rack?

01:06:09Okay, fine.

01:06:21Will it take long?

01:06:22Well, I have to check it first.

01:06:23Would you like to get out?

01:06:25May I just sit here?

01:06:27Sure.

01:06:28Suit yourself.

01:06:30Good job.

01:09:34I want to get out of here.

01:09:36I want to get away from here.

01:09:52Is

01:10:22I

01:10:24I

01:10:26I

01:10:28I

01:10:30I

01:10:32I

01:10:34I

01:10:36I

01:10:38I

01:10:40I

01:10:42I

01:11:06Don't come away wait wait

01:11:12I

01:11:22You can hear

01:11:36They can't see me

01:11:38Why can't they see me

01:11:40Hi

01:11:58Why can't I hear anything

01:12:04Will you help me I need your help

01:12:06Just a moment please

01:12:12Just a moment please

01:12:14I

01:12:20Why can't anybody hear me

01:12:24Why can't anybody hear me?

01:12:54Why can't anybody hear me?

01:13:24I don't belong in the world.

01:13:33That's what it is.

01:13:36Something separates me from other people.

01:13:46Everywhere.

01:13:49They're everywhere.

01:13:51They're not going to let me go.

01:13:53Now, everywhere I turn, there's something that's blocking my escape.

01:14:02He's trying to prevent me from living.

01:14:05He's trying to take me back somewhere.

01:14:09I can't fight anymore.

01:14:11I don't know what's real anymore.

01:14:13I came to you, doctor, because you're my last hope.

01:14:21If you don't help me, I have to go back there.

01:14:27He's trying to take me back somewhere.

01:14:33Doctor, you've got to tell me what to do.

01:14:37I've got to tell you.

01:14:51You've got to tell me what to do.

01:14:55Oh, my God.

01:15:25Oh, my God.

01:15:55Oh, my God.

01:16:25Oh, my God.

01:16:55Oh, my God.

01:17:25Oh, my God.

01:17:55Oh, my God.

01:18:25Oh, my God.

01:18:55Oh, my God.

01:19:25Oh, my God.

01:19:55Oh, my God.

01:20:25Oh, my God.

01:20:55Oh, my God.

01:21:25Oh, my God.

01:21:55Oh, my God.

Carnival of Souls (1962) – Horror Classic | CC BY 3.0

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