🌆🔥 Dishonored Lady (1947) is a gripping blend of film noir, romance, and psychological drama. Starring the luminous Hedy Lamarr, this tale of a glamorous but troubled fashion editor dives into themes of love, identity, and the price of a double life.
📽️ Plot Summary:
Madeleine Damien (Lamarr) is a brilliant and beautiful fashion editor in New York, admired by all but secretly battling emotional turmoil. After a breakdown, she retreats to a quieter life, seeking peace and love with kind-hearted Dr. David Cousins (Dennis O’Keefe). But her past of dangerous relationships, blackmail, and betrayal threatens to shatter her chance at happiness — and when murder strikes, she must confront the ultimate test of her courage and integrity.
🕰️ Year Released: 1947
🎭 Genre: Film Noir, Drama, Romance
🎬 Directed by: Robert Stevenson
🎞️ Starring: Hedy Lamarr, Dennis O’Keefe, John Loder
🎯 Why Watch It?
✔️ Hedy Lamarr at her most captivating and complex
✔️ A suspenseful mix of romance, mystery, and redemption arc
✔️ Stylish post-war noir atmosphere with sharp dialogue
✔️ A rare public-domain gem from Hollywood’s Golden Age
🔔 Don’t forget to LIKE 👍 | COMMENT 💬 | SUBSCRIBE 🔔 for more classic film noir & vintage drama!
👇 Explore More Film Noir Treasures & Femme Fatale Stories:
📺 https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY
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🎞️ #DishonoredLady #HedyLamarr #FilmNoir #1940sCinema #PublicDomainMovies #GoldenAgeHollywood #MurderMystery
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💔🌆 She had beauty, brains, and a dark past she couldn’t escape.
________________________________________
📽️ Plot Summary:
Madeleine Damien (Lamarr) is a brilliant and beautiful fashion editor in New York, admired by all but secretly battling emotional turmoil. After a breakdown, she retreats to a quieter life, seeking peace and love with kind-hearted Dr. David Cousins (Dennis O’Keefe). But her past of dangerous relationships, blackmail, and betrayal threatens to shatter her chance at happiness — and when murder strikes, she must confront the ultimate test of her courage and integrity.
🕰️ Year Released: 1947
🎭 Genre: Film Noir, Drama, Romance
🎬 Directed by: Robert Stevenson
🎞️ Starring: Hedy Lamarr, Dennis O’Keefe, John Loder
🎯 Why Watch It?
✔️ Hedy Lamarr at her most captivating and complex
✔️ A suspenseful mix of romance, mystery, and redemption arc
✔️ Stylish post-war noir atmosphere with sharp dialogue
✔️ A rare public-domain gem from Hollywood’s Golden Age
🔔 Don’t forget to LIKE 👍 | COMMENT 💬 | SUBSCRIBE 🔔 for more classic film noir & vintage drama!
👇 Explore More Film Noir Treasures & Femme Fatale Stories:
📺 https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY
━━━━━━━━━━━━━━━━━━
🎞️ #DishonoredLady #HedyLamarr #FilmNoir #1940sCinema #PublicDomainMovies #GoldenAgeHollywood #MurderMystery
━━━━━━━━━━━━━━━━━━
💔🌆 She had beauty, brains, and a dark past she couldn’t escape.
________________________________________
Category
🎥
Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00I'm doing not a thing you know it's getting me down eating in these hamburger joints but they
00:01:24got to learn eat with the truck drivers eat another right but that's all funny thing up the road just
00:01:30now good-looking dame sitting in a car all alone yeah what was he doing that's just it she wasn't
00:01:34doing nothing just sitting there I got a rule about women they break in the law let them along
00:01:54I didn't mean to disturb you miss just want to be sure everything was okay excuse me lady but are you
00:02:04sure you're all right
00:02:34I don't know
00:02:41I don't know
00:02:46how is she look here than she deserves I just checked on her up the road she was acting kind of strange
00:03:15then I better call an ambulance I doubt if it's serious and I'm as good a doctor as you'll find
00:03:21at this time of night let's take her inside
00:03:23well no bones broken bruises that's all I think you better rest here for the night
00:03:37I'm a little surprised you're a beautiful young woman you've been in an accident you haven't asked
00:03:44for a mirror perhaps that fits with the way you were driving tonight perhaps you find the idea of
00:03:51living not very attractive is that any of your business doctor as a matter of fact it is my business I
00:03:57happen to be a psychiatrist I don't need a psychiatrist you won't mind if I disagree with you
00:04:04here's a beautiful young woman apparently well to do apparently in good physical condition who
00:04:11just doesn't care what happens to her this is interesting not altogether unusual but interesting
00:04:16of course there are the obvious deductions it's my life doctor and I prefer to run it myself and you
00:04:23don't want anyone to see inside it perhaps you don't even want to take a look yourself many women
00:04:29haven't the courage to face themselves so they look for escape in one excitement after another half
00:04:34my patients alike but I'm not one of your patients if you tell me how much I owe you I'll I'll be going
00:04:42back to town now very well I'll drive you to the station
00:05:02Miss Damien you're an intelligent woman not an idiot will you promise me one thing when you get ready to throw
00:05:09yourself off Brooklyn Bridge will you come and see me first
00:05:39but I want a little bit Jonathan
00:05:55Just what is our trouble but I want to know our trouble is Miss Damien came in again
00:06:11he's as pretty as a picture is stubborn as a mule but this time there's a lot more involved
00:06:16than just her opinion come in Miss Damien we were just ripping you up back a little bit so I gathered
00:06:29there's nothing personal it's about Mr. Cortland Cortland oh yes he runs a jewelry store he owns
00:06:35Cortland and Company London Paris Fifth Avenue you may remember him it's one of our biggest
00:06:40advertisers oh what Shirley wants to say I know what Shirley wants to say I always know what
00:06:45Shirley wants to say he wants to know why I killed the art layout on Mr. Cortland's famous jewels and I
00:06:50understand the April number goes to press without it that's right in the first place it's not layout
00:06:55it's a press agent's dream but the result is we stand a good chance of losing the Cortland account
00:07:00now am I running my department or am I not I haven't said anything Miss Damien well I had a
00:07:06talk with Cortland he was decidedly acid about it I'm not interested in Cortland but if this
00:07:12magazine is going to submit to advertisers blackmail I'd like to know about it now please Miss Damien if
00:07:17that's the policy Mr. Cranich you better get someone else to take my place please Miss Damien just a
00:07:21moment gentlemen if you don't mind I'll talk to you later I thought I should bring this to your
00:07:28attention you can't blame us for trying no no of course not no harm done gentlemen Madeline you've got
00:07:34this have all worked up come sit down I'll get you a drink no thanks I don't want one no what is
00:07:45this private blackmail of yours threatening to quit in order to win an argument oh I'd just as soon
00:07:50quit I mean it now now tell me what's happened you're all wound up what's bothering oh nothing's
00:07:56bothering me you know I don't want you to quit I won't go into my personal feelings but you are the
00:08:01best art editor we've ever had how's the insomnia oh I found some new sleeping pills red ones this
00:08:08time red pills to put you to sleep white pills to wake you up doesn't sound very sensible my dear
00:08:12what are you doing this evening dining with Freddy Fancher oh Freddy again I couldn't get out of it
00:08:19Victor we're using some of his drawings next month but it'll be the last time I promise Madeline
00:08:26there are a bundle of lies a very lovely bundle beautifully tied together I'm trying to be honest
00:08:33but you won't believe me will you no idea because I don't really think you believe yourself
00:08:38why do you have to go back to bed before Freddy Fancher you haven't even given me a chance to make love to
00:09:05you you've been doing all right you know something it's awfully hard making love to a woman who makes
00:09:12more money than I do much easier if you made love to me what it trying to give me the brush off are you
00:09:20well finally we understand each other well there you are pretty there's your girl and no bones broken
00:09:27I'll see you at the office Madeline I'll join you if somebody asks me nobody's asking fair enough
00:09:36why do you have to dance with that Pollywag look I've told you not to drink I always drink
00:09:44particularly when I'm with you oh am I that hard to take sober you're a voluptuous pain in the neck
00:09:52I'm going home you're not going to walk out on me come on be yourself I've told you I'm going to
00:09:59leave early you can't leave me just sitting here in the snow I'm mad about you in my own foul way
00:10:06good night any chance of getting a cab Jim I'll try Miss Damien oh Miss Damien here's someone I
00:10:23know you're anxious to meet Mr. Felix Cortland one of our most prominent advertisers how'd you do Miss
00:10:29Damien how do you do mr. Garrett is the soul of pack don't you think he's just been telling me all
00:10:37about you I hope he wasn't that blunt oh you needn't worry I always form my own conclusions can I give
00:10:44you a lift anywhere my car's just outside no thank you they're getting me a cab oh I'm very sorry
00:10:52I'm sorry Miss Damien there isn't a cab around for how long do you think it'll be it's hard to say
00:11:09are you sure you don't want to live well there doesn't seem to be any alternative
00:11:15good night Mr. Garrett good night Mr. Cortland I wasn't very polite was I now there was Garrett for that
00:11:34matter oh he always enjoys uncomfortable situations you still feel uncomfortable no frankly I don't good no do
00:11:44why you know you're not at all what I imagined no no the big international jeweler I happen to inherit a
00:11:53business that runs itself very nicely a matter of fact you don't look like an art editor more like a work of
00:12:00art that layout on your jewels is still a wretched piece of copy I can only admire your good taste and I'm still
00:12:08not going to print it I wouldn't try and persuade you for the world Mr. Cortland
00:12:14I think you're a very dangerous man I only wish it was so the truth is I'm a very ordinary one
00:12:20oh I'm sorry I forgot to give you my address it's my fault I forgot to ask you won't you come in for a
00:12:34minute no I don't think so oh but you really must see those jewels you've been insulting they're much
00:12:39handsomer than the vortigas I'll need you in about 15 minutes but I said I wasn't coming in oh yes so you
00:12:45did let me take care of her I'm only going to stay a minute of course
00:13:10what a wonderful room I've had this place a long time in fact I'm pretty disgustingly rich don't you
00:13:21find out rather places oh it's not so hard to take once you get the hang of it I think I know all the
00:13:27troubles that come with money and all the pleasures well have you got me all figured out only what I see
00:13:36here good books fine pictures well if you ever look at them oh but I do I'm a lonely bachelor and I
00:13:43spend hours here all by myself poring over old manuscripts you don't expect me to believe that
00:13:49do you didn't my father paint that was different Damien your father that's very interesting is it I
00:13:59remember when he came here to paint that picture of my mother everybody who was fascinated by him
00:14:03especially mother father ended by chasing him out of the house I'm afraid that's the way it usually
00:14:08ended my father was very much in love with life that's the Hungarian custom isn't it not exclusively
00:14:16Hungarian what you want to show me your jewels oh yes of course I'd quite forgotten that's the
00:14:24reason we came in here wasn't it you want to feel very flattered Miss Damien this safe is one of my darkest
00:14:34secrets you really want to see those jewels not particularly I can't tell a brilliant from a diamond
00:14:42not one person but then very few people are intelligent enough to admit it how about another drink no thanks
00:14:58you know you need relaxing lots of relaxing I can hear your nerves snapping like rubber bands I'm not nervous
00:15:05at all see you're a very curious mixture a highly moral boy that's not me that's my mind a man's mind I'd say
00:15:14why not I do a man's work and desperate eyes eyes full of shadows insomnia does it
00:15:24magazine
00:15:33magazine
00:15:34Miss Damien I'll give you her secretary
00:15:36Miss Damien's office
00:15:40no Mr. Cortland she's not here yet shall I have her call you
00:15:44yes Mr. Cortland
00:15:46what is glamorous was she hasn't come in yet well who sent these Mr. Felix Cortland Mr. Cortland that's very interesting
00:15:55she never misses does she
00:15:57mm-hmm jealous if I'd given her any thought I could have predicted it
00:16:00Gladys I won my bet she's got a new boyfriend I guess those dames gotta have no excitement all the time
00:16:10time yeah here today gone tomorrow personally I don't see what she sees it at all is that any concern of yours
00:16:18no mistake I didn't hire you to gossip about my private life no mistake go get your money you're through
00:16:25oh
00:16:35Damien Cominion
00:16:35what's the matter sweetheart
00:16:38Miss Damien's fired me
00:16:40fired you what for
00:16:42he heard me talking about Mr. Cortland
00:16:44Cortland don't you worry baby I'll fix that
00:16:47understand you fired June
00:16:50that's right
00:16:52That's right the idea I don't like people to gossip about me
00:16:56You don't hey no, I don't but it's pretty late to be thinking about a thing like that
00:16:59It's a rotten trick to take it out of your secretary get out of here
00:17:02You don't think your life is a secret do you boys are betting eight to five this morning with the court and lay out
00:17:07It'd be in the next issue
00:17:10Yeah
00:17:12Madeline why don't you get wise to yourself everybody else is one romance after another that's your whole life, and you would door it
00:17:18Get out you try to dress it up with pretty words, but you don't fool anybody
00:17:21They know what you are, and you will never change get up you don't care because it's too much fun
00:17:34It isn't true
00:17:45I'm surprised here's a beautiful woman. He just doesn't care what happens to her
00:17:51Many women haven't the courage to face themselves, so they look for escape in one excitement after another
00:18:03That's you find the idea of living not very attractive
00:18:18Lady if you want to kill yourself watch it while the bridge
00:18:20I'm glad I was right an intelligent woman not an idiot sit down here
00:18:36That's it
00:18:40Now if you feel like talking just go ahead and talk
00:18:42You're afraid aren't you well, it's our job to find out why?
00:18:50To explore the shadows and throw light on what we find there
00:18:54Then you'll be able to see yourself clearly and face yourself honestly
00:18:58When you can do that you won't be afraid anymore
00:19:01I was living with my father
00:19:13Mother had left him before we came to america
00:19:17I was 10
00:19:19And to me the way he lived seemed romantic and wonderful
00:19:24He was a successful painter women adored him
00:19:30He went his own way and did what he claimed
00:19:33Just as you've been trying to do
00:19:36I suppose so
00:19:38But why did it make him so very happy?
00:19:40Oh, I was certain he was the happiest man in the world
00:19:44until
00:19:46Until he killed himself
00:19:48Then you couldn't understand why he did it
00:19:53You understand now
00:19:56I think I do
00:19:58Did you ever do any painting yourself?
00:20:00I used to
00:20:02Why'd you give it up?
00:20:03Oh, didn't pay enough
00:20:05And besides I didn't want to be like my father
00:20:08I wanted my own life
00:20:09And have you been living your own life?
00:20:13Of course I have
00:20:15The kind of life you really want?
00:20:16I don't know
00:20:18I don't know
00:20:19Don't you think you've been hiding from yourself?
00:20:22Did you ever try and discover the person you really were deep down underneath?
00:20:27I never cared to
00:20:29I'm not so sure I do now
00:20:32In that case I'm afraid I can't help you
00:20:37But of course that's entirely up to you
00:20:43Shall we go on then?
00:20:46I was doing what I wanted to do
00:20:53Paying my own way and making my own rules
00:20:57Nobody was hurt
00:20:58Nobody but yourself
00:21:00And it didn't really make you happy, did it?
00:21:02Wasn't that because down underneath you knew there was something missing?
00:21:06Something important?
00:21:09I suppose so
00:21:10That would worry you, wouldn't it?
00:21:11And then you would drug yourself with the excitement of more excitement
00:21:16Oh, I know the pattern, Miss Damien
00:21:18You're suffering from a disease of the times
00:21:21A neurotic malady as commonplace as chronic alcoholism
00:21:25Suppose for a moment that you were an alcoholic
00:21:27They're much the same, you know
00:21:29Unsure of themselves underneath
00:21:31And seeking reassurance from new excitement
00:21:33Instead of getting at the cause
00:21:36The drunkard solves his problem by taking another drink
00:21:39This of course is no solution
00:21:40And eventually we find him sprawled hopelessly at a bar
00:21:44Without the strength or even the desire to save himself
00:21:47I can't go on with this
00:21:49You're not helping me, you're insulting me
00:21:51You've been insulting yourself, Miss Damien
00:21:54Insulting your body and insulting your soul
00:21:57Your life hasn't been gay and glamorous at all
00:22:01It's just been muddled and senseless
00:22:03You know that now
00:22:04And if you really want to change it
00:22:06You can start right away
00:22:09Now it's up to you
00:22:15My apartment, Ethel
00:22:16The rents pay till the end of the month
00:22:18Darling, I feel like a vulture
00:22:20Wheeling over your head
00:22:21I'm not in whoever it is
00:22:23With Damien's office
00:22:24No, no, she still hasn't come in, Mr. Cawson
00:22:28Well, I don't know exactly
00:22:30Later in the day, I
00:22:33Did he hang up?
00:22:33Yes, good
00:22:34Let me call him back, darling
00:22:36You may be sorry later
00:22:37Everything in this file returned without comments
00:22:39This I would ask to see more of their work
00:22:41And these you may be able to use
00:22:42But you haven't given me on you at least
00:22:45I'm not giving it to anyone
00:22:46Hello, Madeline
00:22:48Beautiful, would you mind popping out for a minute
00:22:50That's just 60 seconds
00:22:51You'd better talk fast
00:22:52Madeline, I'm on a jam
00:22:54I've got to raise the money
00:22:55I need about $5,000
00:22:57What do you expect me to do about it?
00:22:59Well, I thought you might talk to Courtland
00:23:00I'm sure he'd let you have it if you ask him nicely
00:23:04You're really quite a rat, aren't you?
00:23:07Look, Madeline, I'm in debt up to here
00:23:08I only make $100 a week
00:23:10And you know I can't live on that
00:23:11$5,000 doesn't mean a thing to Courtland
00:23:14You better get out of here before I lose my temper
00:23:17You're forcing me to say things that I don't want to say
00:23:19But if you're going to act cold and virtuous about it
00:23:21You'll hear them
00:23:23Suppose I tell Crainish
00:23:26Tell him what?
00:23:27About Courtland
00:23:29You know, you've got a very nice job here
00:23:30But you won't have it very long if I tell Crainish
00:23:33I don't want to tell him, but
00:23:36What's so funny?
00:23:38As a blackmailer, you are pitiful
00:23:40Go on, tell him
00:23:41Tell him what a rat I am
00:23:43And you are
00:23:43And he is
00:23:44Go on, use my phone if you want
00:23:46And my desk
00:23:47And my office
00:23:48I'm through with all of them
00:23:59Boulevard Magazine
00:24:01No, Miss Damien hasn't been back
00:24:03Just a moment, please
00:24:07I'm sorry, she doesn't work here anymore
00:24:09You might try at her home
00:24:11Waldorf Apartments
00:24:13Waldorf Apartments
00:24:15Miss Damien
00:24:16Oh no, she gave up her apartment
00:24:19Why don't you try the post office
00:24:22Dahlgren
00:24:23Dalton
00:24:25Dalton
00:24:26Damien
00:24:27Here Richard Caleb
00:24:28137 West 50th Street
00:24:35Well, I've nothing to tell you
00:24:36Except that Miss Damien has taken my advice as a doctor
00:24:39She'd been living in an area of infection and she's removed herself from it
00:24:43I take it you consider me part of the general contamination
00:24:47Now you've come here for information not diagnosis
00:24:50I usually charge a fee for insulting people
00:24:53I'm willing to pay for data of any kind
00:24:56Yes, I gathered that
00:24:58But I have nothing for sale
00:25:00I suppose you're being very ethical but I'd like to talk to Madeline
00:25:04In your presence if you wish
00:25:06Miss Damien is living under a different name in a different world
00:25:10She told me to tell you if you inquired
00:25:12That she was busy growing a new soul
00:25:15Now would you please keep off the grass
00:25:17Goodbye, Mr. Courtland
00:25:19Goodbye, Doctor
00:25:23Doesn't it ever worry you playing the almighty in this fashion
00:25:26Not particularly
00:25:28I'm used to it
00:25:49How's it look?
00:26:05It's better than torn wall pieces
00:26:07So you think I'll tell it then
00:26:08You'd better have to get the hang of it
00:26:10I only hope the new tenant will like it
00:26:11Well, he seems awful particular
00:26:13He's a floor walker at Macy's
00:26:15Oh
00:26:15Well, you can always give it back to me
00:26:17You'll never sell it, you know
00:26:19Take my advice and try something more cheerful
00:26:21You know, like flowers and butterflies
00:26:24I'll do that
00:26:25Thank you, Mrs. Geiger
00:26:45Thanks
00:26:45You saved my life
00:26:46Is this yours?
00:26:47Yes
00:26:48Mrs. Gargier would scout me if she knew I kept mice in my room
00:26:50Well, why do you keep mice in your room?
00:26:52Hmm
00:26:53Oh, uh
00:26:53Pathology is part of my homework
00:26:55I really shouldn't bring these fellas out of the lab
00:26:57But, well, I got kind of attached to this one
00:26:59Now, thanks again
00:27:04Hey
00:27:05Women are supposed to scream
00:27:07Aren't you afraid of mine?
00:27:08Well, no
00:27:09But next time I'll scream
00:27:15Good afternoon, Miss Greene
00:27:18Hello, how are we going?
00:27:19Oh, all right
00:27:20I think
00:27:20Yes
00:27:21Well, I don't know
00:27:22Oh, Mrs. Geiger said yesterday that you were
00:27:26She's an authority if I ever saw one
00:27:27I was wondering, could you do a job for me?
00:27:31Want your portrait being good?
00:27:32Me?
00:27:33Oh, no
00:27:34No, nothing like that
00:27:36Oh, no, no, nothing like that
00:27:37I'm doing some research and it has to be illustrated
00:27:39Oh, what do you want me to draw?
00:27:43Nothing
00:27:43No?
00:27:44I'm cutting this
00:27:45Alright
00:27:46Come in
00:27:47Hello
00:27:47So you're an artist, aren't you?
00:27:49Well, I don't know
00:27:50Well, Mrs. Geiger said yesterday that you were
00:27:52She's an authority if I ever saw one
00:27:53I was wondering, could you do a job for me?
00:27:55Want your portrait being good?
00:27:56Me?
00:27:57Oh no
00:27:58No, nothing like that
00:28:00I'm doing some research and it has to be illustrated
00:28:03Oh, what do you want me to draw?
00:28:06Nothing fancy, just blood cells and things.
00:28:10Sounds fascinating.
00:28:12Oh, it is, really.
00:28:13You see, it's a lot like...
00:28:15Oh, no, no, you'd be surprised.
00:28:17It really is fascinating once you get in it.
00:28:19Of course, I'm on a fellowship, and I couldn't pay you very much.
00:28:22Matter of fact, I couldn't pay you anything until the first of the month.
00:28:26That'll be all right.
00:28:27Oh, fine.
00:28:27Well, it's all settled then.
00:28:29I'll see you at my place about six o'clock.
00:28:30Oh, but I couldn't I...
00:28:32Oh, sure you can.
00:28:33I just live downstairs.
00:28:35You know, the mousetrap.
00:28:38Oh, by the way, my name is Cousin.
00:28:41Mine is Dixon.
00:28:44Very glad to know you, Miss Dixon.
00:28:55Just what am I drawing?
00:28:57Am I allowed to find out?
00:28:58Sure.
00:28:59In fact, of any reticular serum on cell tissue.
00:29:02That's all I wanted to know.
00:29:03Oh, say, say, that's quite good.
00:29:06I'll take you to the lab with me in the morning.
00:29:08I'm just about ready for the next one.
00:29:10Do you realize it's 12 o'clock?
00:29:12Oh.
00:29:12I haven't had my dinner yet.
00:29:14And you haven't either.
00:29:15Oh, gosh, I'm sorry, but I got so wound up on this.
00:29:20So did I, but now I'm hungry.
00:29:23Well, I'll tell you what let's do.
00:29:25We'll go out and eat.
00:29:26That's a brilliant idea.
00:29:29I'll get you coated.
00:29:30Do you do this all the time?
00:29:36Only since I got out of the Army.
00:29:37I was lucky to get this job of research.
00:29:40Now I've got to get it finished.
00:29:41Then what?
00:29:43Oh, then I go back to Oregon and become the usual respectable small town doctor.
00:29:48No mice?
00:29:50No.
00:29:51No mice.
00:29:52Head crows and belly aches.
00:29:55Five dollars a visit.
00:29:57Maybe you'll like it.
00:29:59You'll get some rest.
00:30:00Oh, I'll get plenty of rest, all right, but I don't think I'll like it.
00:30:05You folks going out this time of night?
00:30:07That's right.
00:30:08We're meeting a few friends at the Busy Bee cafeteria.
00:30:11If we don't want to miss the floor show, we'll have to hurry.
00:30:13See that he eats.
00:30:14He hasn't got any more sense than a goose.
00:30:16I'll feed him with a spoon.
00:30:17I'll do it first up in a little town in Germany while I was still in the Army.
00:30:21I met a couple of Russian medical officers who were working on anti-reticular and they were pretty steamed up about it.
00:30:27Fine, sir.
00:30:27No, no thanks.
00:30:29We got together the first night over a bottle of vodka.
00:30:32I remember the town was still burning.
00:30:36Well, maybe it was the vodka, but anyhow, we got to talking about anti-reticular and, well, I guess I got pretty excited.
00:30:43You mean you speak Russian?
00:30:44Over a bottle of vodka.
00:30:45Anybody speaks Russian.
00:30:47Care for some coffee?
00:30:48No, thanks.
00:30:48I have milk.
00:30:49Oh, one, please.
00:30:51At any rate, I promised myself that night that just as soon as the war was over, I was going to do a job of this.
00:30:57You haven't stopped to eat ever since.
00:30:59That's an error I'm just about to rectify.
00:31:02One dollar even.
00:31:05There you are.
00:31:10You sure you've got everything you want?
00:31:12Oh, yes, thanks.
00:31:13You know, I don't think you're much of a doctor.
00:31:20Do you call this a sensible diet, pancakes and pickles?
00:31:23Well, scientifically, there's two kinds of diets.
00:31:26The kind that doctors prescribe and the stuff they eat themselves.
00:31:29Oh, but you're always in such a rush.
00:31:31You can't make scientific discoveries that way.
00:31:34Sure you can.
00:31:35Take Banny.
00:31:36He saw some flies nibbling in a piece of pancreas.
00:31:39Figured out that there must be sugar in it.
00:31:40And one minute he had the idea for insulin.
00:31:44You know, you're a very lovely girl.
00:31:48You're not being very scientific, doctor.
00:31:50Oh, but I am.
00:31:51It's the very heart of science.
00:31:53It's the truth.
00:31:54Let's talk about insulin.
00:31:59Insulin.
00:31:59Insulin.
00:32:24Come in.
00:32:35Hello.
00:32:36Hello.
00:32:38Say, did you buy these new manuscript covers?
00:32:41Yes.
00:32:41Are they all right?
00:32:42Oh, sure.
00:32:42Sure, they're fine.
00:32:43How much they cost?
00:32:44Well, nothing at all.
00:32:45Something like 20 cents.
00:32:47Oh, nothing at all, huh?
00:32:49You know, you can buy a pair of good mice for 20 cents.
00:32:51David, I have some wonderful news.
00:32:53I just sold a picture.
00:32:55No fooling.
00:32:56Who bought it?
00:32:57The floor walker downstairs.
00:32:58He said he's almost as good as a photograph.
00:33:00Well, the man has great taste.
00:33:02Oh, I think it's wonderful.
00:33:03I'm proud of it.
00:33:04And I'm a little proud of myself, too.
00:33:08David Cousins on anti-reticular.
00:33:11Oh, David, it looks fine.
00:33:14It's important, isn't it?
00:33:15I mean, not just to you, but really important.
00:33:18Well, it won't cure all the ills of man or beast, but yes.
00:33:25Yes, I think it may be important.
00:33:29And I also think that I better hand it in before I start changing it again.
00:33:33Like to come along?
00:33:35Oh, could I?
00:33:36Well, sure.
00:33:36Why not?
00:33:37I think you've been drawing blood cells long enough.
00:33:39It's time now for you to meet one of them face to face.
00:33:41Yes.
00:33:48Well, that's that.
00:34:15You didn't tell him there were your drawings, did you?
00:34:18I didn't tell him there weren't.
00:34:20Come on, I'll show you my lab.
00:34:23Hmm, coffee.
00:34:24I wouldn't try and drink it if I were you.
00:34:28Assistant pathologist.
00:34:35Well, this is me.
00:34:36How do you like it?
00:34:37I think it's wonderful.
00:34:39But how do you find anything in this place?
00:34:42Been here for six months and I haven't lost anything yet.
00:34:45Doesn't matter anyway.
00:34:46If the boss okays my research, I'll be out of here in a week.
00:34:54Back to Oregon?
00:34:56Yes, back to Oregon.
00:34:58All that way just to make a living.
00:35:01Is it as bad as all that?
00:35:05Oh, what's the use in kidding, Madeline?
00:35:07I'm so much in love with you, I can't see straight.
00:35:09I haven't done any work in here for days.
00:35:11I just sit around waiting until I can see you.
00:35:13I know.
00:35:15Because that's just what I do.
00:35:17Wait to see you.
00:35:20Darling.
00:35:22Darling, I...
00:35:23I never felt like this about anyone before.
00:35:27Tell me, when did you first know?
00:35:29Oh, when I first saw you, I think.
00:35:31Yeah, me too.
00:35:32I'll never forget you standing in that hall
00:35:34with a mouse in your hand.
00:35:36Only I didn't know then what was happening.
00:35:39I thought I had the flu.
00:35:42Will you marry me?
00:35:46Oh, David.
00:35:49Well, will you?
00:35:50We don't know each other.
00:35:56I mean, you don't know me.
00:35:59Oh, but I do.
00:36:01Of course I know you.
00:36:02Now, what do you want to know about me?
00:36:04David Cousins.
00:36:05M.D., University of Oregon.
00:36:07Captain Medical Corps Reserve.
00:36:08Young, healthy, and very much in love.
00:36:12Will you marry me?
00:36:13Oh, please don't ask me now.
00:36:17Well, I've got to ask you now.
00:36:19Oh, I'll marry you now.
00:36:22Please give me time, David.
00:36:25I'm all mixed up.
00:36:28I'd like to go home now.
00:36:31All right.
00:36:43I'll marry you now.
00:36:44I'll marry you now.
00:36:45I'll marry you now.
00:36:46I'll marry you now.
00:36:47I'll marry you now.
00:36:48I'll marry you now.
00:36:49I'll marry you now.
00:36:50I'll marry you now.
00:36:51I'll marry you now.
00:36:52I'll marry you now.
00:36:53I'll marry you now.
00:36:54I'll marry you now.
00:36:55I'll marry you now.
00:36:56I'll marry you now.
00:36:57I'll marry you now.
00:36:58I'll marry you now.
00:36:59I'll marry you now.
00:37:00I'll marry you now.
00:37:01I'll marry you now.
00:37:02I'll marry you now.
00:37:03I'll marry you now.
00:37:04I'll marry you now.
00:37:05I'll marry you now.
00:37:06I'll marry you now.
00:37:07I'll marry you now.
00:37:08I'll marry you now.
00:37:09You have an answer to rather important question I asked you.
00:37:39I can't say no, because I wouldn't mean it.
00:37:46Darling.
00:37:52David, I do love you.
00:38:01Good night, darling.
00:38:05Good night.
00:38:09Good night.
00:38:20Hadn't you better close the door?
00:38:27A gentleman I hired provided me with your new address in the proper keys.
00:38:31Suppose someone had seen you. You wouldn't have cared, would you?
00:38:37I didn't think it mattered.
00:38:39You see, I expected to find you wretched and lonely grappling with your complexes.
00:38:43Rather naive of me.
00:38:45Will you please go?
00:38:46Of course I'll go.
00:38:48But before I do, wouldn't you like to tell me about him?
00:38:51Why?
00:38:53I'm in love. Now laugh if you want.
00:38:56I don't feel like laughing.
00:38:58I've always wondered if it were possible for people like you and me.
00:39:02And you think you've really got it.
00:39:04Love eternal, the fireside, the slippers, the whole thing?
00:39:07Yes, the whole thing.
00:39:09I'm very glad for you.
00:39:11And I think I'm a little sad for myself.
00:39:13You haven't told him, have you?
00:39:15Told him what?
00:39:17Well, about me, for instance.
00:39:19Why should I tell him?
00:39:20You're absolutely right, you shouldn't.
00:39:22Men prefer to keep their illusions, don't they?
00:39:25Please go.
00:39:27If you ever need me, you let me know, won't you?
00:39:30And don't call the past too many names.
00:39:44I don't care what you say, I'm going to marry him just as soon as it can be arranged.
00:39:58You want to run away from your problem?
00:40:00I'm not running away.
00:40:01You are, you know.
00:40:03You're looking for security from someone else instead of building it within yourself.
00:40:06But I love him.
00:40:08I can't talk to you if you don't believe me.
00:40:10Falling in love doesn't cure everything overnight.
00:40:12What do you mean?
00:40:14Let's be honest.
00:40:15There's a side of you that hasn't fully changed.
00:40:18Isn't that true?
00:40:22That is true, isn't it?
00:40:29Yes.
00:40:34Have you still not told David about yourself?
00:40:37I couldn't tell him.
00:40:38You let him fall in love with an illusion, with someone who doesn't exist.
00:40:42I could never tell him.
00:40:43He might stop loving me.
00:40:45Isn't that a risk you'll have to take?
00:40:47You're being very careless about it.
00:40:49You can't build a lifetime relationship on a lie.
00:40:52If you're really in love, you'll tell him.
00:40:54With the others it was different.
00:40:55But if you love him...
00:40:57Will you please stop saying if?
00:40:59How many times must I tell you I love him?
00:41:01But real love is a sharing.
00:41:03If you're strong enough to face this yourself, you're strong enough to face it with David.
00:41:07I can't do it.
00:41:09I can't risk the only happiness I've ever had.
00:41:12That's up to you, Miss Damien.
00:41:13Hi.
00:41:14Hello, darling.
00:41:15You're home Ernie, aren't you?
00:41:17Well, I don't get fired, if that's what you mean.
00:41:19Dr. Loops read my paper.
00:41:20Really?
00:41:21What did he say?
00:41:22Well, he, uh...
00:41:23He liked it.
00:41:24Oh, David.
00:41:25That's the one.
00:41:26He liked it.
00:41:27Oh, David.
00:41:28That's the one.
00:41:29That's the one.
00:41:30That's the one.
00:41:31That's the one.
00:41:32That's the one.
00:41:33That's the one.
00:41:34That's the one.
00:41:35That's the one.
00:41:36That's the one.
00:41:37That's the one.
00:41:38Really?
00:41:39What did he say?
00:41:40Well, he, uh...
00:41:41He liked it.
00:41:42Oh, David.
00:41:43That's wonderful.
00:41:44The only trouble is, he thinks it's so important, he wants me to go to Chicago and read it before the convention.
00:41:48Oh, David, no.
00:41:49Well, that's not my idea.
00:41:50I don't want to go.
00:41:51Well, when will you have to leave?
00:41:52Tonight.
00:41:53Got to catch the 8 o'clock plane.
00:41:55And when will you come back?
00:41:56Oh, I don't know.
00:41:57A few days.
00:41:58But I'll tell you what.
00:41:59As soon as I get back, let's get married.
00:42:01You can get a license in three days and it only takes 15 minutes to get married.
00:42:05You still want to marry me, don't you?
00:42:09Oh, more than anything in the world.
00:42:21You know, I'm going to feel kind of silly at that convention.
00:42:24Of course, it's a great honor and all that.
00:42:26But you realize that I'll be talking before some of the biggest men in the field?
00:42:32What's the matter, darling?
00:42:33Nothing.
00:42:34Nothing.
00:42:35I was just thinking how I'd feel if you didn't love me.
00:42:38Oh, don't be silly.
00:42:39Not a chance.
00:42:40David, could you ever stop loving me?
00:42:42Well, that's really a gruesome thought.
00:42:43Of course not.
00:42:44Even if there was a reason?
00:42:46The world is bothering you.
00:42:48Nothing.
00:42:49I just wanted to be sure.
00:42:51Sure about what?
00:42:52That you loved me and not an illusion you built up about me.
00:42:57Scientists can't believe in illusions.
00:42:59I believe in you.
00:43:00You're the best thing that's ever happened to me.
00:43:02More shirts.
00:43:03I wonder if that'll be enough.
00:43:04I'm thinking if it'll have to be, that's all I've got.
00:43:07Socks?
00:43:08Well, just about does it.
00:43:13Madeline.
00:43:14Was there something special on your mind?
00:43:18Something that you wanted to tell me?
00:43:23Just that I love you.
00:43:24That's all.
00:43:25That's all.
00:43:41Write me every day?
00:43:42Every day.
00:43:43Hope you miss me.
00:43:44Hope you suffer like a maniac.
00:43:45I will, I promise.
00:43:46Oh, gosh, I hate to leave you.
00:43:48You know, I'm going to be jealous.
00:43:49Jealous of what?
00:43:50Oh, I don't know.
00:43:51Nobody, everybody.
00:43:52Just jealous.
00:43:53Darling, I belong to you.
00:43:54Don't you know that?
00:43:55I'm only alive because you love me.
00:43:57We'll be married the minute I get back.
00:44:01Well, look who's here.
00:44:03If it isn't Madeline.
00:44:05How are you?
00:44:06It's been a long time.
00:44:07David, this is Mr. Garrett.
00:44:08I used to work with him on a magazine.
00:44:09How do you know?
00:44:10I quit the racket, though.
00:44:11Or perhaps the racket quit me.
00:44:12Garrett's doing some confidential work for me now.
00:44:15How are you, Miss Dixon?
00:44:16This is Mr. Cortland, David.
00:44:17Dr. Cousins, my fiancée.
00:44:18You're a very lucky man, Doctor.
00:44:19I think so.
00:44:20Well, um, goodbye, Miss Dixon.
00:44:21My congratulations to you both.
00:44:23Good night.
00:44:24Good night.
00:44:25Good night.
00:44:26Good night.
00:44:27Good night.
00:44:28Good night.
00:44:29Good night.
00:44:30Good night.
00:44:31Good night.
00:44:32Good night.
00:44:33Good night.
00:44:34Good night.
00:44:35Good night.
00:44:36Good night.
00:44:37Good night.
00:44:40Good night.
00:44:41Good night.
00:44:42I don't believe a minute of it, do you?
00:44:43Gareth, you're a very cynical man.
00:44:45You don't believe in true love.
00:44:46You don't think Madeline does either, do you?
00:44:48I don't know.
00:44:49But I've always been fascinated by miracles.
00:44:53Come in.
00:44:55Telegram for you, Miss Dixon.
00:44:58I thought I'd bring it up myself.
00:45:03I thought it might be important.
00:45:05Bad news?
00:45:06Uh, he won't be back till Friday.
00:45:10That's men for you.
00:45:11You never can count on them.
00:45:13Oh, I forgot.
00:45:14A doctor somebody called you, said you were to call Miss Ethel Royce.
00:45:17She's been trying to get in touch with you.
00:45:19Friend of yours?
00:45:21Yes.
00:45:22I suppose you've got your own reasons, but you ought to get out and see your friends,
00:45:26instead of sitting in this room all day and all night.
00:45:28Thanks, Mrs. Geiger.
00:45:30None of my business, mind you.
00:45:36Miss Ethel, this is Madeline.
00:45:48Madeline!
00:45:49Darling!
00:45:50But this is really a voice from the dead.
00:45:52I pestered that doctor of yours for hours.
00:45:54I just have to talk to you.
00:45:56Well, what about?
00:45:57Will you remember that art supplement, the one you started?
00:46:00Well, I do need your help, dear.
00:46:02I'm in an awful mess.
00:46:03Sorry, dear.
00:46:04I'll never come into that office again as long as I live.
00:46:07Oh, but I wouldn't ask you to do that.
00:46:09Just meet me somewhere.
00:46:10It'll only take an hour, I promise.
00:46:13Well, if it's just the two of us.
00:46:17All right.
00:46:18I'll be there at five.
00:46:20Oh, I'm so relieved.
00:46:21We were really desperate.
00:46:23Wonderful.
00:46:24I'm just dying to see you.
00:46:25Bye, dear.
00:46:26She'll do it.
00:46:27Good.
00:46:28Wonderful thing.
00:46:29Professional pride.
00:46:30It never dies.
00:46:31How'd she sound?
00:46:32Awful.
00:46:32What do you expect?
00:46:33Too bad.
00:46:34Victor, I don't want you to be there.
00:46:36Wouldn't think of spoiling your reunion, my dear.
00:46:39I don't trust Madeline.
00:46:41Doctor or no doctor.
00:46:43No, you either, my sweet.
00:46:52Hello, Miss Damien.
00:46:53Glad to see you back.
00:46:54Glad to see you, Jim.
00:46:55Hello, Luigi.
00:47:02Is Miss Royce here?
00:47:04She just came in, Miss Damien.
00:47:05We've missed you, Miss Damien.
00:47:07Have you been away?
00:47:07No, but it's nice to be back just the same.
00:47:10Hello, Ethel.
00:47:11Daddy, you look wonderful.
00:47:14A little pale, but so interesting.
00:47:16You know, I can't stay very long.
00:47:17I understand, dear.
00:47:18We'll get right to work.
00:47:20The usual, Miss Damien?
00:47:21Well, I don't know, Carl.
00:47:23You'd better wait till you see the mess I'm in with the supplements.
00:47:26All right, Carl.
00:47:28Darling, I'm just dying to hear what you've been up to.
00:47:31You must tell me everything.
00:47:33But there's nothing to tell.
00:47:35Come on, let's go to work.
00:47:36You're just marvelous, my dear.
00:47:43You made the whole project seem utterly simple and practical.
00:47:47Not for me, please.
00:47:48Darling, you used to be able to drink ten in a row.
00:47:51I'm out of training.
00:47:52No one would know it, my dear.
00:47:54You seem just like the old Madeline again.
00:47:56It's the surroundings.
00:47:58What do you say we have dinner and go to a show?
00:48:00No, really.
00:48:00I've got to stagger home.
00:48:03Madeline, my dear, this is a surprise.
00:48:04Mr., hello.
00:48:06What good fortune running into you like this.
00:48:08Do you mind?
00:48:09Don't let us fool you, Madeline.
00:48:10You heard me making the date with you.
00:48:12It's true, but I'll deny it.
00:48:14Frankly, I want to have a look at you.
00:48:16You look very dashing for a hermit.
00:48:19We've all missed you desperately, haven't we, I thought.
00:48:21As though our little hearts would break.
00:48:24What about a drink with your old boss?
00:48:25Please, three of whatever it is.
00:48:27I've got all the data we need on the supplement.
00:48:30Good.
00:48:31What about the data on Madeline?
00:48:32No data.
00:48:33Now, if you'll excuse me, I'll...
00:48:35You can't go now.
00:48:37Look who you'll run into.
00:48:42He's seen you.
00:48:44Mr. Garrett no longer graces our staff.
00:48:46What happened?
00:48:47He's got to be utterly gritty.
00:48:49Say nothing of a slight discrepancy in his accounts.
00:48:52Mr. Garrett believes that the world owes him a gay life, no matter who pays for it.
00:48:56Well, hello, stranger.
00:48:57How are you?
00:48:58Wonderful.
00:48:58Nobody here seems particularly glad to see me.
00:49:02Should we be?
00:49:04Oh, well, it's been nice knowing you.
00:49:10There goes one reason for my ivory tower.
00:49:13What?
00:49:14Darling, I'm constantly running into that new door.
00:49:16You sleuth of them.
00:49:18You hated them all.
00:49:19I know what you're thinking.
00:49:22I had an odd way of expressing my distaste.
00:49:25Not odd, darling.
00:49:26Shall we say just, uh, moody?
00:49:30Well, here's to memory.
00:49:37May I speak to Mr. Corden, please?
00:49:39Just a moment, sir.
00:49:40Just a minute.
00:50:04Come in.
00:50:07Mr. Garrett, I'm the phone, sir.
00:50:08All right.
00:50:13Hello, Garrett.
00:50:15I have some interesting news.
00:50:17Do you know who's here?
00:50:19Madeline.
00:50:21How considerate of you to call.
00:50:23By the way, I've just been through the stones in my safe, and one's missing.
00:50:27The stone's not terribly important, but you're the only person who knows about my safe.
00:50:31And the fact is, you did have my keys for quite a while yesterday.
00:50:34What are you getting here?
00:50:36Only that I don't like thieves.
00:50:37But you're being ridiculous.
00:50:40Let me come over and talk about it.
00:50:42There's nothing to talk about.
00:50:43I'm taking it up with the police.
00:50:44But, Cortland, you can't do that.
00:50:59Mr. Garrett again, sir.
00:51:01Tell him I've gone out.
00:51:03I'm sorry, Mr. Cortland has just left.
00:51:13Are you all right, darling?
00:51:14Of course I am.
00:51:15You're not going to disappear again.
00:51:17Oh, yes.
00:51:18Back to my treetop.
00:51:19It's raining.
00:51:20Let me drive you home.
00:51:22Oh, no.
00:51:24That wouldn't approve.
00:51:25Good luck, my dear, on your treetop.
00:51:27Goodbye, darling.
00:51:31Well?
00:51:32Let's face it.
00:51:33She's a changed woman.
00:51:35She'll never change, darling.
00:51:37She's just got herself a new set of words.
00:51:39That's all.
00:51:39Madeleine.
00:51:56Up in.
00:51:57No, thanks.
00:51:58I'm waiting for a cab.
00:52:00Don't be silly.
00:52:01There are no cabs.
00:52:02You'll get drenched.
00:52:03Please.
00:52:03I'll drop you off.
00:52:05I'm going home alone.
00:52:07Come on.
00:52:08When you get it.
00:52:16I hope you didn't get too wet.
00:52:20Your concern is touching.
00:52:22Quite a coincidence, finding you in the rain.
00:52:26Is it?
00:52:26I can't lie to you, especially when there's no point to it.
00:52:30I was informed you were playing hooky.
00:52:33You're detestable.
00:52:35I'm really not detestable at all.
00:52:37I happen to be very fond of beauty, which shouldn't be a crime in your eyes.
00:52:41Please, no debates.
00:52:42I'm a little dizzy.
00:52:45A good dinner will soon take care of that.
00:52:48Why do you always hound me?
00:52:51You know, I despise you and everything you stand for.
00:52:55There's always a chance I may be able to improve your opinion and your manners.
00:53:01I'm sleeping.
00:53:03You know you're very lovely.
00:53:05Please don't bother.
00:53:07I'm not listening.
00:53:08Where are we?
00:53:10Don't you remember?
00:53:11You visited here once upon a time.
00:53:12You're foul.
00:53:13You said you were taking me home.
00:53:14You forgot to mention the subject.
00:53:15A significant omission, as your friend Freud would say.
00:53:16Come on, I'm getting soaked.
00:53:20That's lawn chill.
00:53:22I'm going home.
00:53:23Right after dinner.
00:53:24Think how wonderful you'll feel when you slap my face.
00:53:28That'll take the chill out of your bones and maybe even your heart.
00:53:32Still cold?
00:53:33Oh, no.
00:53:34It's quite warm in here.
00:53:35Sir?
00:53:36Thanks.
00:53:37Very warm.
00:53:38Light?
00:53:39Oh, no.
00:53:40It's quite warm in here.
00:53:41Sir?
00:53:42Thanks.
00:53:43Very warm.
00:53:44Light?
00:53:45Oh, no.
00:53:46Oh, no.
00:53:47It's quite warm in here.
00:53:48Sir?
00:53:49Oh, no.
00:53:50Oh, no.
00:53:51Oh, no.
00:53:52Oh, no.
00:53:53Oh, no.
00:53:54Oh, no.
00:53:55Oh, no.
00:53:56No, I'm not really detestable, am I?
00:54:00No.
00:54:01I am.
00:54:02Why?
00:54:03Because I ought to go home.
00:54:05In this rain, you mustn't even think of it.
00:54:07You see, you are detestable.
00:54:08And you've been very annoying for months.
00:54:11Madeleine, we belong together.
00:54:13You know that.
00:54:14No, I don't know that.
00:54:15Don't you do?
00:54:16We feel the same way about life.
00:54:17You're not making sense, Mr. Corden.
00:54:18Why make sense?
00:54:19Doesn't this make more sense than talking and lying?
00:54:21No sense at all.
00:54:23Then what would you call it?
00:54:24Stupid.
00:54:25Stupid.
00:54:26Madeleine, you're wonderful.
00:54:27You're sweeter than ever.
00:54:28Stupid.
00:54:29Stupid.
00:54:32I'd better see who it is.
00:54:40How are you doing, sir?
00:54:41How are you watching?
00:54:42Mr. Corden.
00:54:43I've been all the way up here.
00:54:44There's no reason to wait.
00:54:45I'm quite all the time.
00:54:46I've been all the time.
00:54:47I've been all the time.
00:54:48I've been all the time.
00:54:49I've been all the time.
00:54:50But I tell you, I'm going to raise the money.
00:54:51I'll pay you honestly.
00:54:52I don't like dealing with thieves.
00:54:53That's a job for the police.
00:54:54If you swear out a warrant, you'll never get a dime.
00:54:55Look, I didn't sell it.
00:54:56I just had some money temporarily.
00:54:57Here's the pawn ticket.
00:54:58I'm not interested in pawn tickets.
00:54:59Good night.
00:55:00You've got to give me a chance.
00:55:01I said good night.
00:55:02You've got to give me a chance.
00:55:03I said good night.
00:55:04But I tell you, I'm going to raise the money, I'll pay you, honestly.
00:55:09I don't like dealing with thieves, that's a job for the police.
00:55:11If you swear out a warrant, you'll never get a dime.
00:55:13Look, I didn't sell it, I just had some money temporarily.
00:55:15Here's the pawn ticket.
00:55:16I'm not interested in pawn tickets.
00:55:17Good night.
00:55:18But you've got to give me a chance.
00:55:19I said good night.
00:55:34You've got to let me talk to you.
00:55:43Let me explain this.
00:55:44You stupid fool.
00:55:47If you don't have the stone back, I'll get it to you, I promise I will.
00:55:50All I need is a little more time, just a couple of weeks.
00:55:52What are you doing?
00:55:53Don't name the police.
00:55:54You can't do that, I'm not going to let you ruin me.
00:56:04One, two, three.
00:56:30Aw.
00:56:33You're looking very lovely this morning, Mrs. Geiger.
00:56:35You wasn't expected back until Friday.
00:56:37That's what I'd like to cheer you all from home.
00:56:39Dixon upstairs?
00:56:40I haven't seen her this morning.
00:56:45Who is it?
00:56:46Hi.
00:57:01Bailey.
00:57:03Darling.
00:57:04Oh, I couldn't wait till Friday.
00:57:06I just said my little beast ran out on them.
00:57:07Oh, I needed you so badly.
00:57:09I'd be lost without you.
00:57:11Don't ever leave me again.
00:57:13That you can depend on.
00:57:14done. Say, I've got big news. I'm a success. Don't tell me all about it. I wonder what
00:57:19is the matter with you? You don't look very good. Come on, I think you better get back
00:57:23in bed. Now then, first, I don't have to go back to belly aches in Oregon. You're not
00:57:31marrying a small town country doctor, young lady. You're marrying a promising young research
00:57:35scientist. At least that's what Dr. Broder says, and he ought to know he's got a long
00:57:38white beard. Darling, I'm so proud of you. If I take your temperature. Gee, I wish you
00:57:46could have been there. When I finished reading my paper, they all got together and offered
00:57:50me my own laboratory in California. I still can't believe it. There it is, right in the
00:57:55paper. You'll find it on the bottom of page ten.
00:58:08Who makes you feel that you're really a woman? You know what he said to... Madeline? Madeline,
00:58:16what's the matter? Oh, David. Oh, darling, you're cold as ice. You've got to chill. You stay
00:58:21right here. I'll be back in a minute. Oh, don't go. Don't leave me. I'll only be a second.
00:58:25I want to get a hot water bottle and some more blankets.
00:58:34Is Miss Madeline Dixon at home? I don't know. Friends of hers? We're from police
00:58:37headquarters. Where's her room? Upstairs. What do you want to see Miss Dixon
00:58:40about? We'll tell her. Well, perhaps you'd better tell me first. Miss Dixon isn't
00:58:43well. Who are you? He's a doctor. He lives here. If it isn't important, I suggest you
00:58:47come back tomorrow. It's important. Could you get some extra blankets and a hot water bottle,
00:58:51please? You a friend of Miss Dixon? Yes, why? Just asking. Well, what is it? An accident or
00:58:55something? I wouldn't call it an accident. We should cut out this mystery and tell me
00:58:59what it's all about. Okay, Doc. Take it easy. Madeline, these men are from the
00:59:07police. They want to take over from here, Doc. I'm Sergeant Vitella. This is
00:59:10Sergeant Vitella. You're a friend of Felix Cortland's, weren't you? Matter of fact,
00:59:13you were with him last night. No, no, I wasn't. Did you see Mr. Cortland any time
00:59:16yesterday? No, I didn't. Now, look, Miss Damien, we wouldn't be here asking
00:59:18questions unless we already knew most of the answers. Oh, wait a minute. Her name's not
00:59:22Damien. I think you've got the wrong party. I think maybe you've got the wrong party, Doc.
00:59:26Her name happens to be Damien. This happens to be a case of murder. Take a look at that
00:59:29newspaper. I want to know what's going on in here. This is my house and I've got to know. Sorry,
00:59:36madam, we'll talk to you later. As long as I've been here, there's never been police in the house.
00:59:39Take her and see what you can find out, lady. Now, Miss Damien, tell us what happened last
00:59:45night. What time did you leave Cortland's house? Oh, Dave. You and this guy, Cortland, were pretty
00:59:49sweet on each other. Isn't that right? Oh, but it isn't. It isn't true. Now, according to the
00:59:53chauffeur, you got to Cortland's house a quarter to seven. What time did you leave? Oh, but I didn't
00:59:56go into the house. I met him by accident. David, don't look at me like that. How long have you
01:00:00known Miss Damien, Doc? Not very long, only a few months. Know that she was mixed up with this guy,
01:00:04Cortland? Oh, it's a lie. David, it's a lie. Okay, so you didn't go to the house with Cortland? No, I
01:00:09didn't. He wanted me to come to the house, but I wouldn't do it. Oh, I didn't go into the house. I
01:00:13didn't, I tell you. Who are you telling? Me or the doc here? Did you get anything? She came in about
01:00:20nine. In a cab? No, she was walking in the rain. Landlady said she looked kind of wild. What about
01:00:24Cortland? He was here all right. He visited her a couple of weeks ago. Get the date? Yeah, April 10th,
01:00:29around midnight. Anything else? The landlady thought that Cortland had a key to this place. She was kind of
01:00:34vague as to how he got it. I didn't give him a key. David, you can't believe that. I've got his
01:00:40key ring here. This one fits. He had a key all right. But I didn't give it to him. Where are you
01:00:50going? Oh, Dana, don't leave me. I didn't kill him, I swear. I didn't kill him. Who cares whether you
01:00:57killed him or not?
01:00:59I knew. Could I see him for just a minute. Well, it isn't regulatory, huh? Thank you.
01:01:13Could I see him for just a minute?
01:01:28Well, it isn't regulations.
01:01:31Okay, 60 seconds.
01:01:36David, please listen to me.
01:01:38You lied to me.
01:01:40You've always lied to me.
01:01:41But I'm not lying now.
01:01:42I didn't want to go with him.
01:01:43He said he'd drive me home.
01:01:45And he made love to you, didn't he?
01:01:46Oh, don't deny it.
01:01:47Of course he made love to you.
01:01:48He had a key to your room.
01:01:50I should have told you many things.
01:01:53I tried to, but I just couldn't.
01:01:56If this thing were so innocent, you would have told me.
01:01:59When I said I was in love with you.
01:02:00When I asked you to marry me.
01:02:03I was afraid, David.
01:02:04I was afraid you wouldn't understand.
01:02:06You bet I wouldn't.
01:02:08Before I met you, I was horrible.
01:02:10But you changed all that.
01:02:12You made me sane and happy.
01:02:14Why keep on lying?
01:02:15You tried that upstairs and it didn't work.
01:02:17Look, I was in love with you.
01:02:19All right, I made a mistake.
01:02:20I thought you were something wonderful
01:02:21and you turned out to be something else.
01:02:24So let's just forget about it.
01:02:26The only thing that you can do for me is let me alone.
01:02:32I love you, David.
01:02:33I'll always love you.
01:02:34And so, ladies and gentlemen of the jury,
01:03:04the prosecution will prove beyond a shadow of a doubt
01:03:07that Madeline Damien is guilty
01:03:10of the permeditated murder of Felix Cortland.
01:03:14We will prove that she was in his apartment
01:03:17the night he was murdered.
01:03:19We will prove that her fingerprints
01:03:21are on the table lighter with which he was murdered.
01:03:23And we will prove further
01:03:26that she had a motive for the murder.
01:03:29For after all, this is a very simple story.
01:03:32To one man, Dr. Cousins,
01:03:34she was a pure and noble woman.
01:03:37To the other, Felix Cortland,
01:03:39an irresponsible light of love.
01:03:41Too self-indulgent to be faithful to the man
01:03:45she wanted to marry.
01:03:47Too weak and lacking in character
01:03:49to break with Cortland.
01:03:51Her twisted soul was bent on a heartless deceit.
01:03:55To make one man believe
01:03:56what all others knew to be alive.
01:03:59And when Cortland threatened to expose her,
01:04:05she went to his apartment
01:04:06to plead with him
01:04:07in the only way she knew.
01:04:11She embraced him.
01:04:13She made love to him.
01:04:16And when in spite of that,
01:04:18he threatened to expose the lie
01:04:20that she was living.
01:04:21She silenced him forever.
01:04:25Ladies and gentlemen of the jury,
01:04:26the state asks you to find
01:04:29Madeline Damien guilty.
01:04:32Guilty of murder in the first degree.
01:04:36On the night Mr. Cortland called on the defendant,
01:04:39did you let him into her apartment?
01:04:40I certainly did not.
01:04:41How did he get in then?
01:04:42He must have had a key of his own.
01:04:44The key of his own?
01:04:47Where was the defendant when he arrived?
01:04:49Out of the doctor, I suppose.
01:04:51Pulling the wool over his eyes.
01:04:56Thank you, Mrs. Geiger.
01:05:00Your witness, Mr. Mitchell.
01:05:02You've got to let me cross-examine her.
01:05:05No questions.
01:05:07Miss Damien, I can't defend you properly
01:05:09if you won't let me.
01:05:10We've got to put up a fight.
01:05:11Fight?
01:05:12What for?
01:05:15And now, Mr. Gareth,
01:05:16just what was the nature of the work
01:05:17you did for Mr. Cortland?
01:05:20Most of it was personal.
01:05:22Confidential secretary,
01:05:23I suppose you'd call it.
01:05:24And in that capacity,
01:05:25you were in a position
01:05:26to learn a great deal
01:05:27about his private life?
01:05:28Yes, of course.
01:05:30Did Mr. Cortland know
01:05:31that Miss Damien was lying
01:05:32to Dr. Cousins
01:05:33and concealing her true character
01:05:35from him?
01:05:37I'd rather not answer
01:05:38that question, Mr. O'Brien.
01:05:40You see, both Miss Damien
01:05:42and Mr. Cortland
01:05:44were friends of mine.
01:05:46Yes, I understand.
01:05:49Well, let's get back
01:05:50to the meeting at the airport.
01:05:51What was the attitude
01:05:52of the defendant
01:05:53when Cortland saw Dr. Cousins?
01:05:55She was embarrassed, naturally.
01:05:57Yeah.
01:05:59She was embarrassed, naturally.
01:06:03Your witness, Mr. Mitchell.
01:06:06I've got to cross-examine.
01:06:07If I don't,
01:06:07we haven't a chance.
01:06:08Don't ask him anything.
01:06:11No questions.
01:06:14Were you a close friend
01:06:15of the defendant?
01:06:16Yes, I was.
01:06:18Did she confide in you
01:06:19on matters of a personal nature?
01:06:20Yes, she did.
01:06:22If you were asked
01:06:23in this court,
01:06:24do you think you could recall
01:06:25any of those intimacies?
01:06:27I could recall some of them
01:06:29in lower detail.
01:06:31Your Honor, I object.
01:06:33Objection sustained.
01:06:34Well, let me ask you this,
01:06:35Miss Royce.
01:06:35Would you say in general
01:06:36that men found
01:06:37Miss Damien attractive?
01:06:39Definitely.
01:06:40And would you say
01:06:41that Miss Damien
01:06:41found men attractive to her?
01:06:43I'm afraid I most certainly would.
01:06:45You would?
01:06:47What were the relations
01:06:48between Miss Damien
01:06:49and her former employer,
01:06:51Mr. Krennish?
01:06:52They were, uh, friendly.
01:06:54In your opinion,
01:06:55was there anything
01:06:55more than friendly?
01:06:56I object, Your Honor.
01:06:57The question calls
01:06:58for the conclusion
01:06:59of the witness
01:06:59and is prejudicial.
01:07:01Objection sustained.
01:07:06Dr. Cousins,
01:07:07I'm Dr. Kalin.
01:07:08Miss Damien's a patient of mine.
01:07:10I don't happen to think
01:07:11she's guilty of murder,
01:07:12do you?
01:07:13No, I don't.
01:07:15She may be guilty
01:07:16of other things,
01:07:17but in there
01:07:17she's being tried for murder
01:07:18and she won't even
01:07:19defend herself.
01:07:20She's got a pretty
01:07:21good lawyer, hasn't she?
01:07:22She needs your help, doctor.
01:07:24In her own mind,
01:07:25she's not on trial for murder,
01:07:26she's on trial
01:07:26for those other things.
01:07:27And it's not the judge
01:07:28who's trying that case,
01:07:29it's you.
01:07:31I don't want to be rude, doctor,
01:07:32but I don't think you know
01:07:33what you're talking about.
01:07:34I'm sorry to disagree.
01:07:36You see, I've been treating
01:07:37Miss Damien for some time.
01:07:38I happen to be
01:07:39her psychiatrist.
01:07:41Dr. Caleb,
01:07:42I'm sorry to have
01:07:43bothered you, doctor.
01:07:44Your name, please?
01:08:04Richard Caleb.
01:08:05You were a psychiatrist?
01:08:06Yeah.
01:08:07Miss Damien came to you
01:08:08as a patient?
01:08:09Yes.
01:08:10Did she come of her own
01:08:11free will?
01:08:12Yes, of course.
01:08:14Isn't it true, doctor,
01:08:14that people do not go
01:08:15to a psychiatrist
01:08:16unless they consider
01:08:17themselves, well, shall we say,
01:08:20not well balanced?
01:08:21In general, that's correct.
01:08:22As a matter of fact,
01:08:24wasn't Miss Damien
01:08:24on the verge of committing
01:08:25suicide when she made
01:08:26her first visit to you?
01:08:27Your Honor, I object.
01:08:29Well, no matter.
01:08:30We'll prove that
01:08:30by other witnesses.
01:08:32However, is it not true
01:08:34that people who come
01:08:35to you as patients
01:08:36come with problems?
01:08:38Objection.
01:08:39Objection overruled.
01:08:42Well, doctor?
01:08:43There'd be no point
01:08:44in you coming to me
01:08:45if they didn't have problems.
01:08:48So the defendant
01:08:49came to you
01:08:50with a problem.
01:08:51Do you mind
01:08:52telling us, doctor,
01:08:52in your opinion,
01:08:53just what was
01:08:54Miss Damien's problem?
01:08:56That is a confidential matter
01:08:58between doctor and patient.
01:08:59I'm afraid I can't discuss it.
01:09:01Well, during the course
01:09:02of your treatment
01:09:03of Miss Damien,
01:09:04did you ever discuss
01:09:04her relationship
01:09:05with Dr. David Cousins?
01:09:07Yes, we did.
01:09:08Well, bearing in mind
01:09:09the fact that she's engaged
01:09:11to be married to Dr. Cousins,
01:09:13do you think she was
01:09:13as frank with him
01:09:14as she should have been?
01:09:15As a matter of fact,
01:09:16I urged her
01:09:17to tell him everything.
01:09:18Then did she?
01:09:19Not to my knowledge.
01:09:20Well, why not, doctor?
01:09:21Why didn't she?
01:09:22I'm afraid you'll have
01:09:23to ask Miss Damien
01:09:23about that.
01:09:26Did you ever meet
01:09:27Dr. Cousins?
01:09:28Yes, just a few minutes ago.
01:09:31Well, I'm sure
01:09:31you found him a reasonable,
01:09:33intelligent young man,
01:09:35and yet the defendant
01:09:36refused to confide in him.
01:09:38Having met Dr. Cousins,
01:09:39I think I can see
01:09:40why Miss Damien
01:09:41hesitated to confide in him.
01:09:44Do you mind telling us why?
01:09:47It's my impression
01:09:48that Dr. Cousins
01:09:49hasn't the capacity,
01:09:50either emotionally
01:09:51or intellectually,
01:09:52to understand a problem
01:09:53like Miss Damien's.
01:10:01How's the trial going, doctor?
01:10:03Not very well, I'm afraid.
01:10:05There's a Dr. Cousins
01:10:06in your office.
01:10:07Oh?
01:10:08He said you weren't
01:10:09expecting him.
01:10:10As a matter of fact,
01:10:11I was expecting him.
01:10:14Hello, doctor.
01:10:15Sit down, sit down, relax.
01:10:17Tell me,
01:10:19is this a professional
01:10:19or a social call?
01:10:21Dr. Caleb,
01:10:22you said some pretty rough things
01:10:23about me this afternoon.
01:10:24Yes, I did, didn't I?
01:10:26I think I'm entitled
01:10:27to an explanation.
01:10:28So do I.
01:10:30As a matter of fact,
01:10:31I'm very glad you came over.
01:10:34I wanted to talk to you
01:10:35about Miss Damien.
01:10:36I'm not interested
01:10:37in Miss Damien.
01:10:38I'm glad to see
01:10:39you're still in love with her.
01:10:41And I'm not in love with her.
01:10:42All the better.
01:10:43Then we can approach
01:10:44the subject of Miss Damien
01:10:45as one scientist to another.
01:10:48You see, I'm interested
01:10:49in Miss Damien
01:10:49because she's a patient of mine.
01:10:51I believe I was well on the way
01:10:53to solving her problem.
01:10:54It would be most distressing
01:10:56to me if she were to die now
01:10:57for a crime she didn't commit.
01:10:59It would be as though
01:11:00you had lost one
01:11:01of your white mice,
01:11:02one that you had just inoculated.
01:11:05What's all this got to do with me?
01:11:07Only this,
01:11:09that when you testify tomorrow,
01:11:11you'll be asked to tell the truth,
01:11:13the whole truth.
01:11:15The whole truth about a human soul
01:11:17is a complicated proposition.
01:11:19Now, I'm not going to tell you
01:11:20anything about Miss Damien
01:11:21that you haven't already heard.
01:11:22but isn't it possible
01:11:24that you've picked up
01:11:25a few stray facts
01:11:26and added them up
01:11:28to a conclusion
01:11:28that's entirely wrong?
01:11:35Won't you sit down, doctor?
01:11:36Hear ye, hear ye, hear ye.
01:11:51The court is now on station.
01:11:52Call your next witness,
01:11:56Mr. O'Brien.
01:11:57Dr. Cousins, please.
01:12:01This will be their last witness.
01:12:03You've got to let me put you on the stand.
01:12:04I'll tell you quite frankly,
01:12:05Miss Damien,
01:12:06if you won't testify,
01:12:08we haven't got a chance.
01:12:08Where's your right hand?
01:12:13You soundly swear to tell the truth
01:12:14that all the truth
01:12:15is nothing about the truth,
01:12:15so off your guide.
01:12:16I do.
01:12:16Please be seated.
01:12:18Your name, please.
01:12:19David Cousins.
01:12:21Under what name
01:12:21did you know the defendant?
01:12:23Madeline Dixon.
01:12:24Did she ever tell you
01:12:25her true name?
01:12:26No, sir.
01:12:27Did she ever lie to you
01:12:28about her identity?
01:12:29Yes, sir.
01:12:30How long did she continue
01:12:30to lie to you?
01:12:32Till the morning
01:12:32the police came.
01:12:33Did she ever tell you
01:12:34about her relations with Corfin?
01:12:35No, she didn't.
01:12:36You proposed marriage
01:12:37to the defendant
01:12:38and she accepted you?
01:12:40Yes, sir.
01:12:41And still,
01:12:42she didn't tell you
01:12:43about Corfin?
01:12:43No, sir.
01:12:45When did you first know
01:12:46the true relationship
01:12:47between them?
01:12:49The same morning,
01:12:50the morning the police came.
01:12:51Oh, I see.
01:12:52And from the moment
01:12:53you met her
01:12:54until the day
01:12:54she was taken into custody,
01:12:56you didn't know
01:12:57the truth about her character?
01:12:58I object, Your Honor.
01:13:00Mr. O'Brien,
01:13:01haven't you covered your point?
01:13:02Well, Your Honor,
01:13:03I'm merely trying to clarify
01:13:04for the jury
01:13:05the true nature
01:13:06of the defendant's motive.
01:13:08I see.
01:13:11One more question,
01:13:12Dr. Cousins.
01:13:14If you had known the truth,
01:13:16would it have affected
01:13:17your love for the defendant?
01:13:19Your Honor,
01:13:19I must protest.
01:13:20Let him answer.
01:13:22Objection withdrawn.
01:13:25And now, Dr. Cousins,
01:13:26if you had known the truth,
01:13:29would it have affected
01:13:30your love for the defendant?
01:13:36I was in love
01:13:37with Miss Damien then,
01:13:38and I'm in love
01:13:40with her now.
01:13:44Your witness, Mitchell.
01:13:46No questions.
01:13:53Did you really mean it?
01:13:55Yes,
01:13:56I really meant it.
01:13:57I can't believe it.
01:14:01Now,
01:14:02will you let me
01:14:02put you on the stand?
01:14:09You admit you went to
01:14:10Cortland's apartment
01:14:11that night?
01:14:11Yes.
01:14:12He made love for you?
01:14:14Yes.
01:14:15Did you have any
01:14:15conversations about Dr. Cousins?
01:14:17No.
01:14:18Positive?
01:14:19Yes, I am.
01:14:21But tell me,
01:14:21Miss Damien,
01:14:22were you in love
01:14:23with Felix Cortland?
01:14:24No, I wasn't.
01:14:25Were you in love
01:14:25with Dr. Cousins?
01:14:26Yes.
01:14:27Oh.
01:14:28But you went to
01:14:29Cortland's apartment
01:14:30nevertheless?
01:14:31Yes,
01:14:31I told you that.
01:14:32You were in love
01:14:33with one man,
01:14:34yet you chose to visit
01:14:35the apartment
01:14:35of a man you didn't love
01:14:36as you go
01:14:37of your own free will.
01:14:38Yes.
01:14:39Mr. Cortland
01:14:39didn't force you
01:14:40or threaten you?
01:14:41No.
01:14:42Then why did you visit him?
01:14:44I don't know.
01:14:45I made a mistake.
01:14:47You made a mistake?
01:14:49As you've told us
01:14:50on several occasions
01:14:50that you and Mr. Cortland
01:14:51were interrupted
01:14:52by a mysterious intruder.
01:14:53Can you tell this jury
01:14:54anything definite
01:14:55about that person,
01:14:56anything at all?
01:14:57No, I didn't see him.
01:14:58You didn't see him.
01:14:59I only heard his voice.
01:15:00You seem very certain
01:15:00it was a man.
01:15:01It was a man.
01:15:02What did he say?
01:15:03Well, I don't know.
01:15:04They were talking
01:15:04in the hall.
01:15:05I couldn't tell
01:15:06what they were saying.
01:15:07Yes, you heard a voice.
01:15:08You were willing
01:15:09to swear it was a man
01:15:10and you couldn't
01:15:10hear what he said.
01:15:12Now, what sort of a person
01:15:12do you think
01:15:13would be calling
01:15:13at that time of night?
01:15:15A bill collector?
01:15:16A man selling magazines?
01:15:17Or perhaps even a burglar?
01:15:19Why not a burglar?
01:15:20Mr. Cortland
01:15:21was a very wealthy man.
01:15:22He must have been
01:15:22a very timid burglar
01:15:23because nothing was stolen.
01:15:25Of course, you realize
01:15:26that Mr. Cortland
01:15:27kept his jewels
01:15:27in a vault at the store.
01:15:29Not all of them.
01:15:31He kept some at home
01:15:32in his safe.
01:15:32Safe what safe?
01:15:33The one in his living home.
01:15:34You didn't by any chance
01:15:35see that safe,
01:15:36did you, Miss Damien?
01:15:37Yes, I did.
01:15:39Mr. Cort, please,
01:15:40this is the first
01:15:40we've heard about a safe.
01:15:41I ask for a recess
01:15:42to examine the apartment.
01:15:43Well, Your Honor,
01:15:44we've been all over
01:15:45the apartment.
01:15:45But if there is a safe
01:15:46and if it has been robbed...
01:15:47Gentlemen,
01:15:48court is adjourned
01:15:49until tomorrow morning.
01:15:50I suggest a district attorney,
01:15:52an attorney for a defendant,
01:15:53examine the apartment together.
01:15:59What about this safe,
01:16:00Mr. O'Brien?
01:16:01What safe?
01:16:01How about some pictures
01:16:02on the inside, Mr. O'Brien?
01:16:03You boys better wait outside.
01:16:06I may have a statement
01:16:06for you when I come out.
01:16:07Mr. O'Brien,
01:16:08huh?
01:16:09Mind if I tag along?
01:16:10I don't know why you're sure
01:16:11the fine witness
01:16:12you turned off the beat.
01:16:13Couldn't help that, sir.
01:16:14All right, Jack,
01:16:14where's the safe?
01:16:15Me, Mr. O'Brien?
01:16:16I don't know
01:16:17of any safe in here.
01:16:18I didn't think you did.
01:16:19If you want an unbiased opinion,
01:16:20I don't think there is a safe.
01:16:22Well, here's the Leonard Counsel.
01:16:23Perhaps he knows.
01:16:24Where's the safe, Mitchell?
01:16:25My assistant's checking
01:16:26the location with Miss Damien.
01:16:28He'll be along in a minute.
01:16:29Oh, Your Honor, dead one.
01:16:30While we're waiting,
01:16:30maybe Mr. Garrett
01:16:31could tell us
01:16:32where the safe is.
01:16:32I've asked him,
01:16:33he doesn't know.
01:16:33I don't understand that,
01:16:34Mr. Garrett.
01:16:35You were very close
01:16:35to Coffman, weren't you?
01:16:37That's right.
01:16:37I'm sure if there's a safe
01:16:38in here,
01:16:39I would have known about it.
01:16:40At least I would have
01:16:40seen the key to it.
01:16:41The answer's very simple.
01:16:42There is no safe.
01:16:44What did you find out?
01:16:45I got the dope on him,
01:16:46Mr. Mitchell.
01:16:46Spend it.
01:16:47It's over here
01:16:47in his bookcase.
01:16:48You were wrong
01:16:49for once, Mr. O'Brien.
01:16:50Would be.
01:16:55What do you know about that?
01:16:56Have you got courtroom keys?
01:16:57There they are.
01:17:02That looks to me
01:17:02very much like a safe,
01:17:04Mr. O'Brien.
01:17:05Yes, it does, doesn't it?
01:17:08But not like a safe
01:17:10that's ever been robbed.
01:17:10I don't think a good
01:17:11burglar would leave
01:17:12those behind.
01:17:13I guess we're right back
01:17:14where we started from.
01:17:15Well, I've seen all I want.
01:17:16How about you, Mitchell?
01:17:16You win this round.
01:17:17Lock it up, sir.
01:17:18Yes, sir.
01:17:19See you in court, gentlemen.
01:17:20Can I give you a lift,
01:17:21Doctor?
01:17:21No, thanks.
01:17:22Sergeant, I have some
01:17:23papers here, Mr. Courtland,
01:17:24as I'd like to put in order.
01:17:25Do you mind if I stay?
01:17:26It's all right with me.
01:17:27We're finished with the flight.
01:17:28Thank you very much.
01:17:31Anything I can do
01:17:32for you, Doctor?
01:17:33Oh, I was just
01:17:34curious about something.
01:17:36I've never seen a safe
01:17:37like that before.
01:17:38One that operated
01:17:39with a key.
01:17:40Come to think about it,
01:17:41I guess I haven't either.
01:17:43Normal assumption
01:17:43about a safe
01:17:44is that the lock
01:17:45works on a combination.
01:17:47Yes, I guess
01:17:47most of them do.
01:17:49I was wondering
01:17:50how you knew
01:17:50that this one worked
01:17:51with a key.
01:17:51You said you'd never
01:17:52seen the key to it.
01:17:53Did I say that?
01:17:54Uh-huh.
01:17:54I guess I must have said
01:17:55something I didn't mean.
01:17:56Oh, oh, I see.
01:17:58There could be
01:17:59another explanation.
01:18:00Really?
01:18:01Yes.
01:18:02That you were lying
01:18:03when you said
01:18:03you'd never seen
01:18:04the safe before.
01:18:06You're not serious,
01:18:07are you, Doc?
01:18:08I'm a scientist,
01:18:11Mr. Garrett.
01:18:12When we get hold
01:18:13of an odd fact,
01:18:14we consider
01:18:14every possible explanation.
01:18:16We make some of our
01:18:17most important discoveries
01:18:18that way.
01:18:19Well, it must be
01:18:20fascinating work.
01:18:21Yes, it is.
01:18:23Suppose I had known
01:18:24about that safe,
01:18:25which I didn't.
01:18:26What would that prove?
01:18:29Frankly, nothing.
01:18:30But it does suggest
01:18:31a theory.
01:18:32You were very close
01:18:33to Cortland.
01:18:34You knew about the safe.
01:18:37Maybe the safe was robbed.
01:18:39Perhaps he found out
01:18:40about it.
01:18:41He was quarreling
01:18:42with a man in the hall
01:18:42and now he was killed.
01:18:45Maybe that man was you.
01:18:47That's a very
01:18:48interesting theory.
01:18:50Yes, isn't it?
01:18:52Well, as I said,
01:18:53I'm a scientist.
01:18:54When we hit on a theory
01:18:55like that,
01:18:56the next thing we do
01:18:56is to test it.
01:18:57That's all I'm doing.
01:19:03I see.
01:19:06Then you, uh,
01:19:07you won't mind
01:19:08having a little talk
01:19:09with the police?
01:19:11No, no.
01:19:12Why should I?
01:19:14Fingerprints.
01:19:15But then, of course,
01:19:16if you've never seen
01:19:16the safe before,
01:19:17you won't mind
01:19:18them checking it
01:19:18for yours.
01:19:19Oh, certainly not.
01:19:20The number is
01:19:27spring 73-100.
01:19:28Okay, Doc.
01:19:47No hard feelings.
01:19:49Don't you think
01:19:50this sort of thing
01:19:50is rather out of your line,
01:19:51though?
01:19:52I guess maybe you're right.
01:19:54Bye, Doctor.
01:19:55Goodbye.
01:20:16Spring 73-100,
01:20:30wasn't it, Mr. Garret?
01:20:31I guess maybe I
01:20:43underestimated you,
01:20:44Doctor.
01:20:44Oh,
01:21:01Come on.
01:21:31It was a trial marked by many surprises, notably the beautiful defendant's stopping disclosure
01:21:51of the jewel vault, hitting the apartment of the late diamond importer.
01:21:54The beautiful Madeline Damien goes free, and Broadway is tipping its hat today to the young
01:21:57doctor who engaged the murderer in a battle royal.
01:22:00I've been looking for Miss Damien.
01:22:03Have you seen her?
01:22:04She's gone.
01:22:05She asked me to give you this.
01:22:06Gone?
01:22:07Well, where did she go?
01:22:08I couldn't get a word out of her, but I know she left the airport more than an hour ago.
01:22:21David, dear, I can still hear your voice in that courtroom, and I'll never forget what
01:22:26you said.
01:22:27You did much more than saved my life.
01:22:29You made my life worth saving.
01:22:31I can't bear to tell you how much I love you and want to marry you, but right now that
01:22:36wouldn't be fair.
01:22:37I'm going away for a while.
01:22:38I want to be terribly sure after all this that I can really be the kind of person you
01:22:43once thought I was.
01:22:44Maybe after a while that will be possible.
01:22:45And then, when we're both sure, David, please ask me again.
01:22:51Goodbye, my darling.
01:22:53Passengers on flight 41 loading at gate six.
01:22:54Will you try and see him once in a while?
01:22:55Of course.
01:22:56You see, I want to be sure for myself.
01:23:00I'm sure of you.
01:23:01Are you really?
01:23:02After what you've been through, I'm very sure.
01:23:03All aboard, please.
01:23:04Goodbye.
01:23:05Goodbye.
01:23:06I still think you're making a mistake.
01:23:12You're on it.
01:23:13You want to kill him.
01:23:14You want to, sir?
01:23:15I could do.
01:23:16You're on it.
01:23:17Okay and, you don't want to.
01:23:18I'll put you alone.
01:23:19If you're losing it, I can't tell you.
01:23:21I'm sorry.
01:23:22I am sorry if you're sick.
01:23:23Is that what you've been through, I'm very sure.
01:23:24All aboard, please.
01:23:25Goodbye.
01:23:26I still think you're making a mistake.
01:23:27I still think you're making a mistake
01:23:57I still think you're making a mistake
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