- 7 weeks ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30Traffico di Napoli.
00:01:32Tre, tre, tre, muoni.
00:01:33Cazzo.
00:01:34Questa si chiama al primo posto.
00:01:43Shit.
00:01:45Woah.
00:01:46Camp on my wallet.
00:01:51Are you in a C-case?
00:01:52No, no, no some case.
00:01:54Are you in a C-case?
00:01:55Somewhere?
00:01:57Maybe it's in a club.
00:02:00What are you doing here?
00:02:07What do you think?
00:02:11She's lost her purse.
00:02:14She's lost her purse.
00:02:15No, there's nothing.
00:02:16She didn't catch nothing.
00:02:18There's nothing.
00:02:20Just give her a minute.
00:02:21She wasn't sitting here...
00:02:23...for a moment.
00:02:24...and then you're lost.
00:02:25...and then you're lost.
00:02:26Okay, okay, okay.
00:02:26How's it, Sonny?
00:02:27Come on, Mommy.
00:02:33Where did you have it last?
00:02:35Um, the train station, I think.
00:02:38The exchange booth.
00:02:42Oh, Jamie, I'm sorry.
00:02:47That bastard at the train station started
00:02:49when you dropped all your stuff.
00:02:50This is 170, not 70.
00:02:57Where do we need to go?
00:02:58We need to, we need 70.
00:03:10Here we go.
00:03:11Here we go.
00:03:12Here we go.
00:03:13Here we go.
00:03:14Here we go.
00:03:15Here we go.
00:03:16Here we go.
00:03:20Is this it?
00:03:21Thank you, Sonny.
00:03:41It's nice.
00:03:43Yes, I have a credit card.
00:03:45The number's on file on my computer.
00:03:48Yes, I have them here.
00:03:51Okay.
00:03:525533
00:03:557645
00:03:588787
00:04:019157
00:04:0457.
00:04:06Yeah.
00:04:08Expires 12.15.
00:04:09No, she'll definitely need another card sent out immediately.
00:04:13We're here for two weeks.
00:04:16No, I'm working here.
00:04:20Yes, I'll hold.
00:04:23You love how they ask.
00:04:24As if I have a choice.
00:04:27Do you know what I'm gonna try to do while I'm here?
00:04:30Besides learn Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:34I don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:39That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:44And besides,
00:04:46what's the point?
00:04:47The whole bloody world speaks English.
00:04:49Well, I...
00:04:51I'm gonna finally transcribe the tapes.
00:04:55Yes.
00:04:57All right.
00:04:59Okay.
00:05:01Well, if you can see it through to the end.
00:05:04I think that's wonderful.
00:05:06What does that mean?
00:05:08Nothing.
00:05:10Nothing.
00:05:12I think it's a fantastic idea, Jen.
00:05:15I always have. You know that?
00:05:16You know that.
00:05:20She doesn't sound very supportive.
00:05:25You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be.
00:05:34Has been for you.
00:05:35For you.
00:05:36I think enough time has passed.
00:05:38Well, that's great.
00:05:39I think it's a very good thing.
00:05:40I don't know.
00:05:41I'm sorry.
00:05:42I'm sorry.
00:05:43I don't know.
00:05:45I'm sorry.
00:05:47I'm sorry.
00:05:49I don't know.
00:05:51I'm sorry.
00:05:52I don't know.
00:05:53I don't know.
00:06:03Why do you think he killed himself?
00:06:08Who?
00:06:10David Foster Wallace.
00:06:14I don't know.
00:06:17You can't get a sense by his writing?
00:06:19You have to read it when I'm done, don't I?
00:06:23Do you think he recognized a blank infinity, just stretching out?
00:06:34He got to this point maybe where it was just day after day after day.
00:06:38I really don't know.
00:06:40Do you know?
00:06:41Just so tedious.
00:06:44And of course he felt guilty.
00:06:46Most people think life is too short and there he was, all the talent in the world, and it wasn't enough.
00:06:49Jane, can I, can we not talk about this?
00:06:53Just, just, just a bit more, a bit.
00:07:12Love you.
00:07:14Love you too.
00:07:15Love you too.
00:07:35Do you feel alright?
00:07:37Do you feel okay?
00:07:38Yeah.
00:07:39Love you too.
00:07:40Love you too.
00:07:41Love you too.
00:07:42Love you too.
00:07:43Love you too.
00:07:44Love you too.
00:07:45Love you too.
00:07:46Love you too.
00:07:47Love you too.
00:07:48Love you too.
00:07:49Love you too.
00:07:50Love you too.
00:07:51Love you too.
00:07:52Love you too.
00:07:53Love you too.
00:07:54Love you too.
00:07:55Love you too.
00:07:56Love you too.
00:07:57Love you too.
00:07:58Love you too.
00:07:59Love you too.
00:08:00Love you too.
00:08:01Love you too.
00:08:02Love you too.
00:08:03Love you too.
00:08:04Love you too.
00:08:05Love you too.
00:08:06Love you too.
00:08:07Love you too.
00:08:08Love you too.
00:08:09I don't know.
00:08:39I don't know.
00:09:09Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:22I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:28True.
00:09:28Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:49I left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:10:26What kind of stories?
00:10:30Stories that you've prepared for, I can ask them a list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list.
00:10:36God rest his soul.
00:10:37Let's start with the war.
00:10:38We went into an air raid shelter.
00:10:42My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb.
00:10:50And the man next to us, he said,
00:10:52I was in a shelter last night with my wife and my little boy
00:10:56and half of it got blown away.
00:10:59There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:08Here we were in this tiny town in England,
00:11:10miles from Germany, from Russia, from Italy, from any front lines.
00:11:14And this man, he had blood in his hair.
00:11:19And this man, he had blood in his hair.
00:11:49We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:09It feels now as if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:15Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia.
00:12:24Or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:35Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children, not just your father.
00:12:48You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:06All right, then.
00:13:10Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato anglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oregonese?
00:13:24Andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Si.
00:13:26Ah, grazie.
00:13:27Yeah.
00:13:27They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water, and he couldn't tell which was the
00:13:40German side and which was the Allied side.
00:13:43When he came home after something like that, you couldn't really complain to him about anything,
00:13:50now could you?
00:13:50I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:58That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So, come on.
00:14:25My husband is working in Naples.
00:14:29What does he do?
00:14:30He is playing in a concert at the end of the night.
00:14:34Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:38Mm-mm-mm.
00:14:40The viola.
00:14:41Any good?
00:14:43Yes.
00:14:45Very.
00:14:45Very.
00:14:45Very.
00:14:48How do you keep your violin from getting stolen?
00:14:51You put it in a viola case.
00:14:55Right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:10Because even though you know it's coming, there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes, and I went to this music-slash-nerd summer camp
00:15:23when I was, like, ten, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:32You newlywed?
00:15:34No.
00:15:36No.
00:15:36No.
00:15:47Stop making me feel like a stalker.
00:15:49Fuck!
00:16:02Oh, hey, have you got 50 cents?
00:16:06I don't know if you can catch it.
00:16:10That's it.
00:16:34What brought you out of here today?
00:16:36Ha!
00:16:37Barry.
00:16:38I like it.
00:16:40They have this device down in the basement.
00:16:42It's like a torture cage.
00:16:44They lock you in there until you turn to bones.
00:16:47But can you imagine dying by just sitting there?
00:16:50That would suck.
00:16:57In, like, the 1300s, thousands of families lived in this castle.
00:17:02It doesn't smell pretty bad.
00:17:04All those people crammed under this rock.
00:17:10Wow.
00:17:11I know.
00:17:12I've been coming here every day and it still gets me.
00:17:16If only we could kill off all the tourists.
00:17:18You're a tourist.
00:17:20You're a tourist.
00:17:21No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization dedicated to studying the relic populations of dolphins and whales in the Gulf of Naples.
00:17:33I can't tell if you're joking.
00:17:35I'm dead fucking serious.
00:17:37You know, I just didn't want to go to college and they paid for me to come over.
00:17:42Before connecting flights, a 72-hour plane ride.
00:17:44But, you know, it was worth it.
00:17:46My first time out of the U.S.
00:17:47How old are you?
00:17:48I'm 19.
00:17:49It's my birthday today.
00:17:50Is it really?
00:17:51Uh-huh.
00:17:52Happy birthday.
00:17:53Thank you very much.
00:17:54Yeah, so I left the program after, like, a month.
00:17:58Fuck the relic dolphins!
00:18:00I'll just say it on the other end because I have this awesome living situation.
00:18:04I'll tell you the short version.
00:18:05Basically, I used to have ancestors in Ischia, so when I come over I Facebook this second cousin twice removed.
00:18:10The second cousin twice removed, in case you didn't know, is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:17I'd love to hear the long version.
00:18:19Sorry.
00:18:20Anyway, so this relative gave me the name of this great uncle who lives on the island, so I show up.
00:18:26He answers the door and he's like the oldest fucker I've ever seen, easily pushing a hundred.
00:18:31A hundred?
00:18:32Yeah, if not older, he's like deaf and blind and about four feet tall.
00:18:36He mumbles a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine and leads me to this basement apartment.
00:18:43And, uh, yeah, I never left.
00:19:06I'm so blind or not!
00:19:08Whatever's the lastbike.
00:19:21But why am I now?
00:19:24Well, I'm so blind.
00:19:28I should know none.
00:19:31Love teaches me to feed on flames and tears, to turn withered hope green through desire,
00:19:49to re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:55Who is that?
00:19:59Vittoria Colonna.
00:20:02The woman who lived here.
00:20:05You read that in your guidebook this morning, didn't you, Jane?
00:20:09Sneaky.
00:20:11Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo
00:20:15in English and Italian.
00:20:18I thought Michelangelo was gay.
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:25But that didn't stop her from loving him.
00:20:29Let's hear it then, in Italian.
00:20:32Let's hear the poem.
00:20:34Okay.
00:20:35Come on.
00:20:36Okay.
00:20:37I'm impressed.
00:20:40I'm impressed.
00:20:42Are you hungry?
00:20:44Why, are you going to take me out?
00:20:47Yeah.
00:20:48Why, are you going to take me out?
00:20:49Yeah.
00:20:50All right, then.
00:20:51Okay.
00:20:52Okay.
00:20:53All right, then.
00:20:54Okay.
00:20:55Two pastas.
00:20:56would be.
00:20:57Two pastas would be.
00:20:58house sauce, please.
00:20:59Red.
00:21:00Red.
00:21:01White.
00:21:02Red.
00:21:03Red, please.
00:21:04Uh-huh.
00:21:07I'm impressed.
00:21:09You hungry?
00:21:10Why, are you going to take me out?
00:21:12Yeah.
00:21:13All right, then.
00:21:14Okay.
00:21:15Two pastas.
00:21:16Two pastas would be.
00:21:17House sauce, please.
00:21:18Red.
00:21:19White?
00:21:20Red, please.
00:21:21Uh-huh.
00:21:23Grazie.
00:21:24So you're really not going to tell me what you do?
00:21:27I write freelance articles about parties and fashion trends in town and country youth.
00:21:43There's something else.
00:21:44I'm writing a book about my grandmother's experiences in rural England, living through two world wars.
00:21:59I recorded her for hours and hours.
00:22:02But now, I don't know.
00:22:06What don't you know?
00:22:09You want to listen?
00:22:12A little?
00:22:13Yeah.
00:22:14Yeah?
00:22:15Yeah, no.
00:22:16I love to listen.
00:22:17Oh, God.
00:22:18Okay.
00:22:19Awful as it was, it made you stronger.
00:22:24These days, people whine about all sorts of things.
00:22:25And I'm not one of those old people who think my time had the only joy and the only problems.
00:22:29We all have our own private wars, every era.
00:22:30But it was nothing like it.
00:22:31It was nothing like it.
00:22:32I'm not one of those old people who think my time had the only joy and the only problems.
00:22:36We all have our own private wars, every era.
00:22:37But it was nothing like it.
00:22:38It really brought people together, the war.
00:22:39We helped each other during that time.
00:22:40We helped each other during that time.
00:22:41We had to laugh.
00:22:42We had to smile.
00:22:43Well, if not for ourselves, then for the people we'd lost.
00:22:44Oh, shut that thing off.
00:22:45Oh, shut that thing off.
00:22:46I'm not one of those old people who think my time had the only joy and the only problems.
00:22:50We all have our own private wars, every era, but it was nothing like it.
00:22:59It really brought people together, the war.
00:23:02We helped each other during that time.
00:23:05We had to laugh.
00:23:06We had to smile.
00:23:07Well, if not for ourselves, then for the people we'd lost.
00:23:11Oh, shut that thing off.
00:23:13Would you get it out of my face?
00:23:18That is like, it's like a window in time.
00:23:21The sort of thing which you always did before someone died, you know?
00:23:26My husband thinks I'm never going to finish it.
00:23:29I shouldn't care what anyone thinks.
00:23:32We met while I was recording her.
00:23:34Bonding over granny, huh?
00:23:37Make it sound perverse.
00:23:39That's what it was, right?
00:23:41Buongiorno.
00:23:42Buongiorno.
00:23:43Signori.
00:23:53I got pregnant, so we got married.
00:23:59I lost the baby.
00:24:00I'm sorry.
00:24:01I lost the baby.
00:24:05I'm sorry.
00:24:14Excuse me.
00:24:15It was your regret.
00:24:17Yes, thank you.
00:24:18You can take it away.
00:24:19Yes, thank you.
00:24:22I didn't go back after that to the States.
00:24:36Did you, uh, did you ever hear that story about the Red Strain?
00:24:43I think I might have.
00:24:44Tell me.
00:24:45It's like this Asian proverb says that anyone you're destined to meet, like, uh, your soulmate,
00:24:56or your family, or, you know, someone you bump into on the street, we're all connected by this red string.
00:25:07It can be tangled or stretched, but it can never be broken.
00:25:17There's this moment in the tape.
00:25:20I'm sitting, waiting in the airport bar for my flight, and I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure, and how I'm gonna show World War II from a totally different perspective.
00:25:37But...
00:25:46I don't know if it's that interesting.
00:25:50That's the whole point, isn't it?
00:25:53Keeping it interesting for yourself.
00:25:57Maybe.
00:26:00Maybe I just wanna write about nothing.
00:26:03Everything is nothing.
00:26:05All the best.
00:26:08Grazie.
00:26:09Grazie.
00:26:13Make a wish.
00:26:16Make it great.
00:26:21Okay.
00:26:25Bravo.
00:26:26Bravo.
00:26:27Hey!
00:26:35Ready?
00:26:36What do you mean a Maria?
00:26:37Ready?
00:26:38What?
00:26:39Get on my hand.
00:26:40Oh my god.
00:26:44Oh no.
00:26:46What.
00:26:47What do you mean?
00:26:53It's a carabiner.
00:26:57No! No! No!
00:26:59No! No!
00:27:01No!
00:27:03We can't go back!
00:27:05We can't go back!
00:27:07We can't go back!
00:27:09We can't make it!
00:27:11I'm gonna wake!
00:27:13Oh no!
00:27:15Come here!
00:27:17Oh!
00:27:23No no!
00:27:25Yeah.
00:27:27It'd make you feel better if I said I said the only up.
00:27:29Yes, it's true.
00:27:31It's true.
00:27:33I made the check when I went to the bathroom.
00:27:37You're horrible.
00:27:41You're horrible.
00:27:43You're horrible.
00:27:45Let's go.
00:27:47Let's go.
00:27:49Let's go.
00:27:51Why are we still running?
00:27:53Let's go.
00:27:55Let's go.
00:27:57Let's go.
00:27:59Let's go.
00:28:01Oh my gosh.
00:28:03Oh my gosh.
00:28:05Yeah.
00:28:07It went up my nose.
00:28:11We come back?
00:28:21Maybe.
00:28:23Maybe is not a no.
00:28:27And since I don't have a phone, you're gonna have to give me your number.
00:28:31For cheap thrills and future crimes committed.
00:28:35No.
00:28:39Fair enough.
00:28:49I've gotta go.
00:28:51Catch a fairy.
00:28:53Hey.
00:29:03Why do violists keep their viola cases on their dashboards?
00:29:19Why?
00:29:21So they can park in handicapped spots.
00:29:23So they can park in handicapped spots.
00:29:29Oh.
00:29:31Happy birthday.
00:29:35That was fun.
00:29:36I've just realized that we're really happy to do this.
00:29:37amazing
00:29:45I want to start living.
00:29:47Every day.
00:29:51Please.
00:30:53There's stuff to get through.
00:30:56That's it.
00:30:58Nice.
00:31:23She's on a leash, so she had to sit on a bicycle seat.
00:31:27They stay with me, too.
00:31:40Jane.
00:31:42Tony.
00:31:42I've got some pastries.
00:31:51You're still asleep?
00:31:54Jane.
00:31:54I'm still asleep.
00:32:07my friends had lots of american boyfriends and they used to bring us nylon stockings and chocolates
00:32:25and all sorts of things and we used to go to london and we saw glenn miller one time
00:32:32we used to go all over the place there were wonderful times i never had an american boyfriend
00:32:42i liked some of them they were nice boys but i i didn't i didn't want to leave my mom and dad
00:32:52i wish i had sometimes you know when you were 19 the world just felt so open and carefree and full
00:32:59of possibility you reminded me of that at that time you were 19 when we met yeah i wouldn't have
00:33:09described this carefree back then not at all well i felt nostalgia or something for youth you're not
00:33:16old hey we ran out on the bill you just ran what do you mean you ran out on the bill perhaps i'm not
00:33:24explaining it well it was it was fun it was just fun
00:33:41how's work the conductor's actually a descendant of water leg which is fascinating
00:33:48the three of us were planning dinner before we leave i'd like that
00:33:56jane
00:33:59oh my god this is caleb hi no no we were just talking about you we were that's so weird sit please sit down
00:34:08join us
00:34:19i'm obviously gonna get back pretty soon that's okay i already ate so i'll just grab a coffee
00:34:25i have the check please in a cafe play for play
00:34:43oh no thank you
00:34:44okay jane you don't smoke yes i do sometimes at parties you know that well i don't do it a lot
00:34:59but i don't do it i don't do it i love it it's no variety english food on the other hand
00:35:16say what you like about it there's nothing like a good steak and kidney pie i went to this party the
00:35:22other day in this villa owned by this old drunk expat they had like a private chef and everything
00:35:30and uh they were serving this like loaf of meat covered in sauce with all these other
00:35:35loaves and this girl came over to me and said it was cat no no joke like a roasted mommy cat and her
00:35:43kittens it's disgusting true story why don't you tell leonard one of your viola jokes
00:35:58come on
00:35:59selling my aunt come on let's hear one
00:36:07um i have one
00:36:09what is the definition of perfect pitch what
00:36:21when you throw a viola into the dumpster without hitting the rim
00:36:26you didn't just make that up it's too good i did well i'm impressed and i'm stealing it
00:36:32you can pretty much make that joke about any instrument
00:36:35you play anything this and that you know
00:36:44shall we what time to go already yeah i'm gonna get back to work
00:36:50so what's next new agenda caleb um i'm thinking tibet oh tibet really yeah there's this thing called
00:37:08the shopping festival at the end of the summer yeah i've heard about that that's where the
00:37:12the buddhist monks unroll all the tapestries on the hill right the monks the monks the monks it's so
00:37:18pretty how do you support yourself you know a bit of this bit of that
00:37:28oh all right then i'll walk you does anybody have a pen you got a pen yeah i have a pen
00:37:42i have a piece of paper you guys should definitely come over to the island i'll take you somewhere
00:37:53fun you know don't knock on the front door come around the side i need regina
00:37:58thank you and thanks again for yesterday oh no problem hey ciao
00:38:13how stoned are you come on it's not a big deal
00:38:28so you're saying you smoke back at her occasionally can we do something fun tonight sure
00:38:35i'm fine from here okay see you after work i'll be waiting
00:39:05hey god you scared me are you following me maybe is that weird yeah
00:39:32i couldn't sleep last night
00:39:35you told me you were staying near the port so i got the first ferry this morning
00:39:41i came looking for you
00:39:44and i can't believe i found you
00:40:05i think we're making it out
00:40:28what are we doing
00:40:30i think we're making it out
00:40:33so sexy and beautiful
00:40:57i can't i can't do this what what i can't do this why
00:41:11do you do this a lot what do you do this a lot what do you seduce women is this what you do
00:41:29you need to be less serious
00:41:43so
00:41:45i don't know
00:41:46what do you think we need to be here
00:41:48to learn a little bit of joy
00:41:48can we find out what i can do i have to be here
00:41:49and if you have to say anything to do
00:41:51and to be honest
00:41:52it's all right
00:41:53so
00:41:54how do you want to tell us
00:42:24There was one boy from Belgium.
00:42:48He was lovely.
00:42:50He had a moustache.
00:42:51My mother hated moustaches.
00:42:54But he was shipped off.
00:42:58I never saw him again.
00:43:04Anyways, I met your grandfather not long after, and we got married.
00:43:09Was it love at first sight with Grandpa?
00:43:12Love at first sight?
00:43:14Stop that thing.
00:43:15I don't know.
00:43:19You're home early.
00:43:27I do deserve that.
00:43:29Can I just move for your husband?
00:43:31I don't know.
00:43:36Jane, I'm sorry.
00:43:37Just give me a minute.
00:43:38I have a hell of a rest of my bed.
00:43:40I've got so much stuff to do.
00:43:44Sorry, darling.
00:43:47Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50I've got some dinner.
00:43:51I thought we'd just stay in here.
00:43:53The two of us.
00:43:53I've just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59I'm sorry.
00:43:59I'm sorry.
00:44:29I'm sorry.
00:44:51Leonard.
00:44:55Leonard.
00:44:57Can we talk?
00:44:59Say cheese.
00:45:29You should kind of be in the middle of mine.
00:45:37Hold on a second.
00:45:51That's what our living room is missing.
00:45:57What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:15What did you do?
00:46:27What did you do?
00:46:29What did you do?
00:46:45What did you do?
00:46:47What did you do?
00:46:49What did you do?
00:46:51What did you do?
00:46:53What did you do?
00:46:55What did you do?
00:46:57What did you do?
00:46:59What did you do?
00:47:01What did you do?
00:47:03PIANO PLAYS
00:47:33PIANO PLAYS
00:48:03PIANO PLAYS
00:48:33PIANO PLAYS
00:48:49PIANO TIPS
00:48:55Oh hi. Did I wake you? No. I think I need to be less serious. Yeah, I'm gonna put my pants on.
00:49:25I'm gonna put my pants on. I'm gonna put my pants on. I'm gonna put my pants on.
00:52:45Leonard thought you were lying about those cats.
00:52:52He said that?
00:52:56Were you?
00:52:57You're delicious.
00:52:59You make me feel nervous.
00:53:19You make me feel calm.
00:53:24You want a drink?
00:53:54Is that him?
00:54:11Yeah, I just shuffled around all night.
00:54:17Must be lonely.
00:54:41I don't know.
00:55:11Again, and again, and again, again and again, again and again, once I was single, my pocket
00:55:38single, I wish I was single again, again and again, again and again, once I was single,
00:55:54my pocket, single, I wish I was single again.
00:56:08I didn't sleep at all last night.
00:56:14Where have you been?
00:56:16Just walking.
00:56:18All night.
00:56:20I've been thinking.
00:56:22You left your phone here.
00:56:24I had to plug it in.
00:56:26We need to talk, Leonard.
00:56:28I have to go to work.
00:56:32Can you be late?
00:56:34No.
00:56:35I can't be late.
00:56:38Leonard.
00:56:39Jay, whatever you have to say to me, I want to hear it.
00:56:43I've committed myself.
00:56:46People are depending on me.
00:56:47I have to go to work.
00:56:52Okay.
00:56:54I've got to go to work.
00:56:55I have to go to work.
00:56:56I can't find myself.
00:56:57I can't find myself.
00:56:58Good luck.
00:56:59I can't find myself.
00:57:00I can't find myself anymore.
00:57:02I can't find myself, but I think I can still find myself.
00:57:09I can make myself a bit better.
00:57:10I can't find myself.
00:57:12What?
00:57:15if it wasn't the war it would have been something else
00:57:29there's always something else isn't there that's the thing that's the thing about struggle
00:57:45i'm gonna make some tea do you want some i'm all right
00:57:59you go out like that again just tell me no worry okay
00:58:08i can't seem to figure out what's going on in your head
00:58:11do you think everything we've been through actually does us any good in the long run
00:58:35do we just make out struggle to be something meaningful because that's all most of us have
00:58:41you know what you want me to say jane
00:58:52i know what you want me to say jane
00:59:11one little thing had changed in my grandmother's life i might not be here
00:59:22sometimes i worry i'm not honoring her
00:59:39sometimes i worry i'm not honoring her
00:59:44the book
00:59:48no with my life
00:59:49this is it you know it ends with me
01:00:04in the harvest time we all went to the field where they were cutting the corn
01:00:08everyone was chasing rabbits and then we had our tea in the harvest fields
01:00:21the horses
01:00:25the horses back then they were kept beautifully dad used to dress them all up brass things and
01:00:36little horseshoes he put braids on them they used to be gorgeous what are your plans for tomorrow
01:00:44they're gone
01:00:46there was one duke he was a clydesdale i used to ride down to the marshes
01:00:53every night when he finished working
01:00:55they were lovely days really
01:01:08they're gone for me
01:01:11jane
01:01:13but not for you jane
01:01:16you know it's different for you in some ways it's easier
01:01:20you haven't got the war people don't die as much as they did back then
01:01:24but in some ways it's more disjointed
01:01:30you've got to make your own life one that you love and you can't be afraid of the time
01:01:40time is shiftable
01:01:49it's the truth
01:01:58you'll know the truth when you find it
01:02:00it'll come to you like something you've known before rather than
01:02:04something you're learning for the first time
01:02:09oh sorry
01:02:10what is it oh
01:02:19are you all right
01:02:20oh you okay yeah it's on my toe oh it's bleeding oh it's fine it's fine it's fine it's fine it's fine
01:02:32you're losing it
01:02:34yes
01:02:35oh
01:02:36fuck
01:02:37oh
01:02:39oh
01:02:47i met these backpackers last night frank and elsa she's french he's german
01:02:52they're going to tibet and i'm going with them
01:02:56i want you to come with me
01:03:09and i know
01:03:12and i want you to go with my screen
01:03:13and the i want you to go with him
01:03:16yes
01:03:18yeah
01:03:18okay
01:03:18oh
01:03:19yeah
01:03:19and the other
01:03:20the other
01:03:21and the other
01:03:22and the other
01:03:23of the competitors
01:03:24know
01:03:25it's too rich
01:03:28yeah
01:03:28yeah
01:03:29yeah
01:03:59Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10Long day.
01:04:14God, when are they not?
01:04:17I don't think I'm chomped at doing another stint like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:29It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:39Are you listening?
01:04:45You found the key to finishing this project?
01:04:48Well, the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:25Yes.
01:05:27Tedious?
01:05:34I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:42There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:13I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:40Say it.
01:06:42Jane.
01:06:42Say it.
01:06:44I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again and again.
01:06:55Please.
01:06:58How does that make you feel?
01:07:01It's not your father.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:13We can adopt.
01:07:14That's not what you want.
01:07:15That's not what you want, is it?
01:07:18Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:30What are you trying to do, Joan?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:03I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:19Is he?
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:31That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:45What do you think?
01:08:55I kept waiting for you to see it, to smell it, to sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:15I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:30For losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper!
01:09:34No, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No, that is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:54The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:05I want you to do what you need to do.
01:10:13And then come back to me.
01:10:17No questions asked.
01:10:19No guilt.
01:10:22This is good.
01:10:35I want you to do what you need to do.
01:10:49I want you to do what you need to do.
01:10:51I want you to do what you need to do.
01:10:52I want you to do what you need to do.
01:10:53I want you to do what you need to do.
01:10:54I want you to do what you need to do.
01:10:55I want you to do what you need to do.
01:10:56I want you to do what you need to do.
01:10:57I want you to do what you need to do.
01:10:58I want you to do what you need to do.
01:10:59I want you to do what you need to do.
01:11:00I want you to do what you need to do.
01:11:01I want you to do what you need to do.
01:11:03ORGAN PLAYS
01:11:33ORGAN PLAYS
01:11:45Hi.
01:11:46Hi.
01:11:48You want some?
01:12:01Oh, thanks.
01:12:03ORGAN PLAYS
01:12:05ORGAN PLAYS
01:12:17ORGAN PLAYS
01:12:29ORGAN PLAYS
01:12:41ORGAN PLAYS
01:12:43ORGAN PLAYS
01:12:59ORGAN PLAYS
01:13:01ORGAN PLAYS
01:13:15ORGAN PLAYS
01:14:49Jay!
01:14:53You've got to come over to this side.
01:14:59The train's going to be here in a minute.
01:15:01It's four in the morning.
01:15:23It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:37New York is cold, but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:49I hear that you're building your house deep in the desert.
01:15:59Are you living for nothing now?
01:16:05Hope you're keeping some kind of record.
01:16:11Yes.
01:16:13And Jane came by with a lock of your hair.
01:16:21She said that you gave it to her that night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:35Why not?
01:16:37I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:43Now shut that thing off.
01:16:45Let's go.
01:16:47Let's go.
01:16:49Let's go.
01:16:51Let's go.
01:16:53Let's go.
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