- 2 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31¡Abrr!
00:01:33It was really great.
00:02:03You're fantastic.
00:02:08Here's my address.
00:02:10So long.
00:02:33Here's my address.
00:02:41Darling.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:51You look great.
00:02:53Thanks.
00:02:54Bye, Criella.
00:02:55Ciao.
00:02:56Try to have a nice trip.
00:02:57I'll try.
00:02:58Good luck.
00:02:59I need it.
00:03:04Another conquest?
00:03:06No.
00:03:07I know that look.
00:03:09It really is beautiful.
00:03:32Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:43I feel strange all of a sudden.
00:03:46I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah, it's beautiful.
00:03:53You were right.
00:03:54I just cannot imagine what it is like to do it here.
00:03:59You know?
00:04:03Hey, my God!
00:04:04Hey, my God!
00:04:05Hey, my God!
00:04:06Hey, my God!
00:04:07Hey, my God!
00:04:08Hey, my God!
00:04:09Hey, my God!
00:04:10Hey, my God!
00:04:11Hey, my God!
00:04:12Hi!
00:04:13Hi!
00:04:36Hey, Criella!
00:04:37Ah!
00:04:38Ciao!
00:04:39Hi!
00:04:40How's it going?
00:04:41Any news?
00:04:42No, nothing yet.
00:04:43I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:05:11Oh!
00:05:12I'll show you some of those things.
00:05:13Not really.
00:05:14Have a lot of fun.
00:05:15I can't find anyone.
00:05:16I can't find any news.
00:05:17I'll show you some of those things.
00:05:18Yeah.
00:05:19No, not really.
00:05:20You always have to go on a phone call.
00:05:21You always have to go on a phone call in your phone call.
00:05:22So it's good to hear your phone call.
00:05:23Just as I'm on a phone call for the phone call.
00:05:25You know?
00:05:26You're going to speak.
00:05:27You know?
00:05:29You are about to hear your phone call.
00:05:30I'm trying to talk to your phone call.
00:05:31You need to talk to your phone call.
00:05:32Oh, my God.
00:06:02Oh, my God.
00:06:32Oh, my God.
00:06:34Oh, my God.
00:06:36Oh, my God.
00:06:40Oh, my God.
00:06:42Where are you taking me tonight?
00:06:43Oh, my God.
00:06:45Oh, my God.
00:06:49Oh, my God.
00:06:53Oh, my God.
00:06:55Oh, my God.
00:06:57Oh, my God.
00:06:59Oh, my God.
00:07:01Oh, my God.
00:07:03Oh, my God.
00:07:05Let's go.
00:07:35Will you place the same number?
00:07:41Sure.
00:07:42I'm sorry.
00:07:44Number 13, right there.
00:08:05Let's go.
00:08:07Let's go.
00:08:09Let's go.
00:08:11Let's go.
00:08:13Let's go.
00:08:15Let's go.
00:08:16Let's go.
00:08:17Let's go.
00:08:18Let's go.
00:08:19Let's go.
00:08:20Let's go.
00:08:23Let's go.
00:08:24Let's go.
00:08:25Uh, hey, excuse me, have you, have you ever seen this girl?
00:08:54No, I'm sorry, never seen it before in my life.
00:08:58You got an offer to make for the Children of the Sun?
00:09:00Okay, here, will that do?
00:09:02Sure, keep the literature, that might help you spiritually.
00:09:17Are you trying to get me trapped?
00:09:19Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:24Let's see.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:35So it is.
00:09:36Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:40He's looking for his fiancée, that's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:49Just think, they were going to get married, and not long before the wedding, she went on holiday with some friends from work.
00:09:56And they came here, to Santo Domingo, as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on, really?
00:10:03Mm-hmm, yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:12But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15Well, the tropics can do funny things, especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:29This music can make you think again.
00:10:32And besides, who knows?
00:10:35She might have met a guy she, um, liked more.
00:10:39You know, simple islander.
00:10:40Oh, come on.
00:10:43That's only a depiction.
00:10:45Love is everywhere.
00:10:47If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:58Ready to talk to him?
00:11:00Okay.
00:11:02Marco.
00:11:08How are you?
00:11:09This is my husband.
00:11:11Hi, love.
00:11:14Very kind of you.
00:11:17Would you like something to drink?
00:11:19Yeah, I'll have what you're having.
00:11:21Whatever it is.
00:11:24How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:30But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:38Uh, you two carry on.
00:11:41Excuse me.
00:11:41I, uh, I'll be right back.
00:11:43Where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:46Um, my magazine editor wants that weekly report.
00:11:52Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59Uh, I'm not too good at dancing.
00:12:01Just let the music do the work.
00:12:12No, I haven't danced in years.
00:12:14Well, we're going to have to make up for Laura's time then.
00:12:16Listen, Criela, maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Your dancing is great.
00:12:31Come on, listen up.
00:12:37Uh, I feel uncomfortable.
00:12:50Well, there's no need.
00:12:52What is it?
00:13:04I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:13Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:42And I'll do anything.
00:13:51He likes to think I'm quite faithful.
00:13:54Please, help me.
00:14:00I understand.
00:14:03You know, love can be a strange thing.
00:14:12Huh?
00:14:35You know, love can be born.
00:14:35Well, the light is not the best, but we shall do what we can.
00:14:52It's a beautiful island, an absolutely amazing place.
00:14:56Full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, Brian told me such a lot about it.
00:15:03I feel like I know it by heart.
00:15:05It's in the form of a turtle.
00:15:07A turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:14You better start praying that you don't end up reincarnated as a turtle.
00:15:21Huh, huh.
00:15:23Sometimes you're a real asshole.
00:15:27Oh, for God's sake.
00:15:30I was joking.
00:15:32Get away.
00:15:33What a word for the teacher.
00:15:38What's wrong?
00:15:40Are you nervous?
00:15:42Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:46I feel strange.
00:15:48I feel strange.
00:15:49And this boat.
00:15:51And that man up there.
00:15:57Haven't you noticed he hasn't said a word since we left?
00:15:59You hired him to keep up a conversation with us, all right?
00:16:05Look at him.
00:16:06Look at him.
00:16:07The hat, his base.
00:16:09He's a pirate.
00:16:11I've been told he's a very good sailor.
00:16:14Honest and completely trustworthy who knows these islands.
00:16:17He looks like he doesn't watch.
00:16:18He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:25Aw.
00:16:26Like it?
00:16:46What a place.
00:16:47Guaranteed primitive.
00:16:51Yeah.
00:16:54Hey.
00:16:55It's wide open.
00:16:57There's no key.
00:16:58Nobody locks doors here.
00:17:01Looks like Florida.
00:17:03What a disappointment.
00:17:06We said $100, right?
00:17:08Uh-huh.
00:17:08This is too.
00:17:15Keep it.
00:17:18One's enough.
00:17:23Adios.
00:17:32Uh, is it far to the fishing village?
00:17:36500 meters.
00:17:37Down that way.
00:17:39Okay.
00:17:55I'm going to go to the village.
00:17:56Okay.
00:17:57I prefer to stay here.
00:17:59Whatever you like.
00:17:59Can't wait to take a swim.
00:18:07Go ahead.
00:18:08See you later.
00:18:08All right.
00:18:15So long.
00:18:16Bye.
00:18:16Hi.
00:18:43Hi.
00:18:45Hi.
00:18:45Well, so you came at last.
00:18:55Hi there.
00:18:56Hello, senor.
00:19:02Good morning.
00:19:03Good morning.
00:19:11Beep, senor?
00:19:12No, thanks.
00:19:13Hey, hey, let me get you.
00:19:17Er, see.
00:19:19Hey, hey.
00:19:20Hey, hey.
00:19:21Hey, hey.
00:19:22No tengo más remedio que amarte más
00:19:24Dime, muñeca linda, que tú me hiciste
00:19:42Que cada día que pasa te quiero más
00:19:44Dime si son tus besos o tus caricias
00:19:46O tu forma de caminar
00:19:48Adoro tu sonrisa, tus sentimientos
00:19:50O tu manera de acariciar
00:19:52Uh, good morning, Consuelo
00:20:00What can I do for you today?
00:20:05I've got an empty refrigerator to load up
00:20:07I'll bring you a few drinks
00:20:08For instance, would you like some alcohol
00:20:11Or would you prefer some soft drinks?
00:20:13Mmm, well, a little of both
00:20:15I won't be long
00:20:16Here are some bottles
00:20:44Uh, who's that woman there?
00:20:47A very well-known American writer
00:20:49Joanne Sullivan?
00:20:52Mm-hmm
00:20:52I know her
00:20:54The two of us were at the same school
00:20:56I think I'll say hello
00:20:57Joanne?
00:21:06Who is it?
00:21:08Remember Andy the nerd?
00:21:11Oh, Andy the nerd
00:21:14Oh my God
00:21:15Is it really you?
00:21:17Uh-huh
00:21:17How are you?
00:21:20Fine
00:21:21Great to see my old valedictorian
00:21:23Great to see you
00:21:24What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine
00:21:27Oh, fantastic
00:21:28Come and sit down
00:21:29What are you doing?
00:21:33Escaping
00:21:33But don't ask me from what
00:21:35Because I don't know
00:21:36Maybe from myself
00:21:37Well, I imagine you're writing something now
00:21:40Checks, that's all
00:21:41As long as the cash lasts
00:21:43How do you spend your time
00:21:44If you don't write?
00:21:47Gymnastics
00:21:47And I drink
00:21:51I tend the garden
00:21:56I read
00:21:56Don't you like long for New York at all?
00:22:01No
00:22:05America is in an advanced state of decomposition, Andy
00:22:09Like the whole of the West
00:22:11It's no good
00:22:13I have no nostalgia
00:22:15Only for company, that's all
00:22:17Here there aren't any men that I like
00:22:22That's probably a good thing
00:22:24I like everything sophisticated or complicated
00:22:28I suppose I mean
00:22:31In a crisis
00:22:31Is that a plea for help, I hear?
00:22:34Oh, come on
00:22:35It wasn't a proposition
00:22:36I see
00:22:37Well, in that case
00:22:38I'll offer you a proposition
00:22:39What kind?
00:22:41Like I told you
00:22:42I'm working for a magazine
00:22:43And I'm doing a story on this island
00:22:46And you know it pretty well
00:22:47Yes, I do
00:22:48If you could help me
00:22:50Whenever you want
00:22:52My pleasure
00:22:53Great
00:22:55Here comes the food
00:23:01Good, we can try the local cuisine
00:23:03Here it is
00:23:04The chef's special
00:23:05Enjoy your food
00:23:10I'm starving
00:23:11Oh, that looks good
00:23:14Consuelo's such an extrovert
00:23:16She's always bright and sunny
00:23:17She's just my opposite
00:23:20I like her
00:23:21She's already had the cream of the young men on the island
00:23:25If I could only get used to going to bed so easily
00:23:29Yes
00:23:31It's knowing how to start it up
00:23:33Yeah
00:23:34Warm up
00:23:36It's simple as to make it with someone you know
00:23:40The first step's taken already
00:23:42Are you making advances?
00:23:47I'm attempting to find you an answer
00:23:49I don't think Criela thinks it's such a good idea
00:23:52It might be more fun if we didn't leave her out
00:23:57Since when's three of the crowd?
00:24:00Oh, Andy, come on
00:24:01I thought you were emancipated
00:24:03But you're still stuck in the 70s
00:24:06Sex, lib, dreaming
00:24:07That's all, Dad
00:24:09You disappoint me
00:24:10Esa mujer tiene el corazón duro
00:24:20Con MFP
00:24:37Yeah, I'm very at home here in this setting
00:24:44Been here long, do you know?
00:24:47Only a few years, but it's as if he was
00:24:49The girl arrived a few months ago, that's all
00:24:52Oh, not bad
00:24:54You dance almost like a native
00:24:59Is she his woman?
00:25:07His steady date
00:25:09She sits all day and waits for him
00:25:12I believe she's Italian
00:25:14Poor thing
00:25:15Came here on vacation
00:25:17Took one look and got stuck
00:25:19Stuck on him
00:25:20Hey, maybe that person is
00:25:24Is the girl, that air steward
00:25:26Was so, uh, desperately seeking
00:25:28You said she's Italian?
00:25:31Yes, why?
00:25:33But then
00:25:33It must be her on the plane
00:25:36I met her boyfriend
00:25:37He came here to look for her
00:25:39He'll go back empty-handed, I'm sure
00:25:41Leon is like a drug
00:25:44He doesn't conquer
00:25:45He dominates
00:25:46Your friend had better resign himself to losing her
00:25:49I hope he doesn't find her
00:25:52It's like I said
00:25:54This aisle
00:25:54Just wants to put
00:25:55Evil spells on sexy girls
00:25:58Poor guy
00:26:00He must love that girl a lot
00:26:02I'm all this way
00:26:03Since you feel so sorry for the poor guy
00:26:11Why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage
00:26:15But it'd be terribly easy
00:26:17For you to make an oaf like that
00:26:20You know, come chasing after you
00:26:22Like a beast in heat
00:26:24He's a womanized
00:26:25And your friend will get back his girlfriend
00:26:27Have you gone haywire?
00:26:29I think it's a magnificent idea
00:26:32Don't you?
00:26:33It's a little risky
00:26:35What?
00:26:35You mean I might lose her?
00:26:37I trust Creole or completely Joanne
00:26:39And besides, she'll just have to fake it
00:26:41Right?
00:26:43Go on
00:26:43Ask him to dance
00:26:44Have a heart
00:26:45Hey, look
00:26:46Have you finished?
00:26:48I've had enough
00:26:49I'm gonna go
00:26:50This music's getting on my nerves
00:26:52I love you, Andy
00:27:16I love you more than anything else in the world
00:27:22Me too
00:27:27I love you too
00:27:33God
00:27:35It's okay
00:27:40If you're tired
00:27:43It's happened before
00:27:46It'll pass
00:27:50At ease
00:27:59No
00:27:59It'll pass
00:28:01No
00:28:05No
00:28:10No
00:28:11No
00:28:13No
00:28:13No
00:28:13No
00:28:13No
00:28:14No
00:28:14No
00:28:15No
00:28:15No
00:28:17No
00:28:17No
00:28:17Oh, my God.
00:28:47Oh, my God.
00:29:17Oh, my God.
00:29:47Oh, my God.
00:30:17Oh, my God.
00:30:47Oh, my God.
00:30:48Oh, my God.
00:30:49Oh, my God.
00:30:50Oh, my God.
00:30:51Oh, my God.
00:30:52Just like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:57It's your life.
00:30:58It's your life.
00:30:59Do what you want.
00:31:00Oh, my God.
00:31:01Oh, my God.
00:31:03I can't have any fun.
00:31:04Oh, my God.
00:31:05Oh, my God.
00:31:06Oh, my God.
00:31:08Oh, my God.
00:31:10Oh, my God.
00:31:11Oh, my God.
00:31:14What are you doing?
00:31:19Offering you a little hospitality.
00:31:22Here, have a drink.
00:31:44Here, have a drink.
00:31:50Here, have a drink.
00:32:04You there?
00:32:10Here, have a drink.
00:32:14Criola?
00:32:17Criola?
00:32:21Criola?
00:32:23Criola?
00:32:38Have you seen Criola?
00:32:40No.
00:32:41There's no sign of her on the beach. The bungalow's empty. She's disappeared.
00:32:47She's probably gone off exploring the island.
00:32:51I expect you're right. Thanks, Maxwell.
00:32:53Ciao.
00:33:02Ciao.
00:33:04Where the hell have you been? I looked all over for you.
00:33:07I got bored here all along. So I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:12Joanne knows the island like the back of her hand. I took some magnificent pictures. Things I'd never have found without her.
00:33:26Andy.
00:33:27Yeah?
00:33:28I got to tell you something.
00:33:29Go ahead, shoot.
00:33:30Let's go away from here.
00:33:31Why, something the matter?
00:33:32Yeah.
00:33:33Let's go away.
00:33:34We can't yet.
00:33:35I still have photos to do.
00:33:36Besides, I got a little money in advance.
00:33:39I can't let the magazine down. I'd never work again. No way, forget it.
00:33:42Well, I can't forget it. I want to go away.
00:33:44I want to go back to America.
00:33:45I want to go back to America.
00:33:46You're not being reasonable.
00:33:48I know, but I can't stay here another minute.
00:33:50I suppose it's my fault, huh?
00:33:51No, of course not.
00:33:52No, of course not.
00:33:53I'd never work again. No way, forget it.
00:33:55Well, I can't forget it.
00:33:57I want to go away.
00:33:59I want to go back to America.
00:34:01You're not being reasonable.
00:34:07I know, but I can't stay here another minute.
00:34:10I suppose it's my fault, huh?
00:34:12No, of course not.
00:34:15I'll be alright again soon, I swear.
00:34:18There's nothing to do with you. I don't know.
00:34:21It's just...
00:34:23Look.
00:34:25I'm counting on the erotic atmosphere of this place to do the trick,
00:34:27and I'm sure it will.
00:34:29It's only a question of time.
00:34:31I know it.
00:34:35All you have to do is be patient.
00:34:37Just a little longer.
00:34:39We'll be happy again.
00:34:41And then, I'll be able to give you what you need so badly.
00:34:51I know!
00:34:53I know!
00:34:54I know, but I can't mind.
00:34:55No, just go to sleep.
00:35:00I know.
00:35:01You are的話 through the air at the edge on the edge.
00:35:05A beautiful right close surface.
00:35:07Oh, let's do what you want.
00:35:09Set your freight monitor down.
00:35:10Oh, put my dove to Damon.
00:35:13Come are your anne ?
00:35:15Let's go.
00:35:45Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:15Would you like a drink?
00:36:41No, not for me.
00:36:44How come?
00:36:48One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this? The game of truth?
00:37:06No one ever tells the truth.
00:37:08Even jokingly, I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course you include yourself in that sweet statement.
00:37:25Don't you tell the truth?
00:37:30I don't know, but I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:50To broken hearts.
00:38:08I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:18Do you want to make love with me again?
00:38:21Yes.
00:38:27Well, not today.
00:38:28Not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:38Well, answer me!
00:38:39Iris doesn't enter into this.
00:38:40And I decide when I make love.
00:38:42You quite sure you don't want to come with us?
00:38:43No. I prefer to stay here and keep consuelo.
00:38:44Okay.
00:38:45I'll try not to be late.
00:38:46I told you that's the way it looks.
00:38:47Bye.
00:38:48Hey, I'm always lying.
00:38:49It's not true.
00:38:51I'm not going to stay around and talk about it.
00:38:52I'm not going to stay around and talk about it.
00:38:53Goodbye, Adios.
00:38:54Goodbye, Adios.
00:39:24Goodbye, Adios.
00:39:54Goodbye, Adios.
00:39:55Goodbye.
00:39:56Goodbye, Adios.
00:39:57Goodbye, Adios.
00:39:58Goodbye, Adios.
00:40:07It's exactly four hours.
00:40:08What?
00:40:09Have we been driving around?
00:40:11Since you've made a sound.
00:40:15Sorry, Joanne, but the places you've shown me have been so...
00:40:21So dazzling.
00:40:22I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:32I'm desperate.
00:40:34She's changed.
00:40:35And if I don't get her away from this place,
00:40:37I'm afraid I'm bound to lose her.
00:40:40You better hurry or you'll be too late.
00:40:43I'll take you back.
00:40:52I bet you're enjoying it.
00:41:07Joanne gave me one too with a dedication.
00:41:09I sobbed my eyes out.
00:41:13For a romantic novel, it's not bad.
00:41:17Is a model a fun thing to be, Criola?
00:41:19I wouldn't recommend it to my friends.
00:41:22But I'm not complaining.
00:41:24I asked because when I was a little girl,
00:41:26I dreamed of being a dancer or a model.
00:41:28But I ended up with overweight tits.
00:41:32So you snuck away to live on an island.
00:41:36Well, here at least they appreciate my boobs.
00:41:41Here comes a customer.
00:41:42Oh, it's Marco.
00:41:44You know him?
00:41:45Yeah.
00:41:46Hi, Criola.
00:41:47I imagine bumping into you here.
00:41:49Did you just get here?
00:41:50Yeah, wow, it's great.
00:41:52Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:56I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:03Okay, that's a bit of good luck.
00:42:06More than you bargained for.
00:42:08Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris, you mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:27You.
00:42:29Who is it?
00:42:31Don't worry.
00:42:33What do you want?
00:42:35I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I'm leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55My Anne.
00:42:57Leon.
00:42:59Leon.
00:43:01Don't go.
00:43:02Oh.
00:43:04Damn you.
00:43:06Why?
00:43:07Why did you come here?
00:43:09Because I still love you.
00:43:11And I'm not leaving without you.
00:43:15Don't you understand, Marco?
00:43:17I'm no longer the girl that you knew.
00:43:21Now I'm another person.
00:43:23I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:31I'm not leaving this island without you.
00:43:54Can I stay on board?
00:43:59Can I stay on board?
00:44:13I get this straight.
00:44:15This time.
00:44:17Must be forever.
00:44:24I know.
00:44:27So?
00:44:28Stay.
00:44:40She's not a Consuelo.
00:44:41She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:46I knew it.
00:44:47She's gone back to the States.
00:44:52How?
00:44:53The Pareo?
00:44:54Andy, look!
00:44:56She hasn't gone.
00:44:57Her stuff's still here.
00:45:10Andy.
00:45:12You're not to worry.
00:45:13I'm sure that Criola will soon come back.
00:45:15Do believe me.
00:45:21I gotta be off now.
00:45:23So long.
00:45:24See you at dinner.
00:45:53I gotta be here with the house.
00:45:54I can see you at the end.
00:45:56I can't see you at the end.
00:45:57Have you seen Leon?
00:45:58You've seen what he did with the guy.
00:45:59Sorry.
00:46:01To the stern.
00:46:02I want a word with him.
00:46:03I'll leave you two together.
00:46:04sorry to the stern i want a word with him i'll leave you two together wait what do you want iris
00:46:20iris you got her you don't want iris iris is free to do what she wants adios
00:46:34so
00:46:44so
00:48:16Don't you understand?
00:48:17He'll get tired ever quickly.
00:48:20It's already happened other times.
00:48:24I know him.
00:48:26It's me he loves.
00:48:29I'll wait.
00:48:31Oh, Christ.
00:48:35I know him.
00:48:36I know him.
00:48:37THE END
00:49:07Get out of here and stop bothering the customers
00:49:15So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past
00:49:26Playing with fire, one can be burned in the end
00:49:30I blame myself, my unnatural desire to see the excitement men get
00:49:37And seeing a naked woman
00:49:40Perverted, I guess
00:49:42I proposed it to her
00:49:45I must be an asshole
00:49:47Because now she's gone for good
00:49:49She did it because she knew you liked it
00:49:53Not for herself
00:49:54She's not the kind of woman who sleeps around a lot
00:49:58Are you serious?
00:50:00Yes, I am
00:50:02Whatever she became was to please you
00:50:05She realized simply that she had to go to bed with other guys
00:50:09In order to try to keep your interest in her going
00:50:11And look what happened
00:50:13Fate set a trap for her
00:50:15Oh God
00:50:15I'm the one who went and trapped her
00:50:18Yep
00:50:21Now you're trapped
00:50:22It started as a game, that's all
00:50:25It wasn't serious
00:50:28Games can be dangerous to play if you don't keep to the rules
00:50:33Good evening
00:50:38Good evening
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen
00:50:41Thanks
00:50:43Hey, you've forgotten?
00:50:45We met one night in San Domingo
00:50:47I'm married to Creole
00:50:49Oh yes, now I remember you
00:50:51Hi
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here
00:50:55She already knows
00:50:57But you mean to say you...
00:50:59You've seen her?
00:51:01Yes, uh, briefly
00:51:02Yeah, but where?
00:51:04You haven't said
00:51:05I have to know immediately
00:51:07Surely you can guess
00:51:16She's on Leon's boat
00:51:20Don't go
00:51:25Don't go
00:51:25I have to
00:51:31I have to
00:52:01You're hurting me
00:52:02You're hurting me
00:52:03It's hurting me
00:52:04where can i find leon leon's gone fishing senor in his boat thanks
00:52:34so
00:53:04THE END
00:53:34Put it in the pail
00:53:43You know how to cook it?
00:53:49You'll have to learn
00:54:04Hey, what are you doing here?
00:54:20Criola?
00:54:23Criola?
00:54:26Criola?
00:54:26What do you want?
00:54:29I've come to get her
00:54:31Leon!
00:54:33No, what are you doing?
00:54:35Criola, I never thought it would come to this
00:54:38Please, I know it's all my fault
00:54:40But please, don't humiliate yourself like this
00:54:43It's too late
00:54:45It's not too late
00:54:47It's not
00:54:48It's too late, Andy
00:54:51No, it's not
00:54:51Please, we must begin again
00:54:55I can't
00:54:56No
00:54:57Don't tell me you're going to stay here
00:54:59Jesus, Criola
00:55:00With a bastard like that
00:55:02I have no more strength
00:55:05No more desire to go on
00:55:07It's finished
00:55:08You don't know what you're saying
00:55:09You're coming back
00:55:10No
00:55:11Yes
00:55:11No
00:55:12It can't be finished
00:55:14God damn it
00:55:15Leave me alone
00:55:17It's finished
00:55:19With Leon, I'm alive
00:55:21He satisfies me
00:55:22No
00:55:22I'm terribly sorry, Andy
00:55:30Really
00:55:32It's ridiculous
00:55:34Ridiculous
00:55:37My life is meaningless without you
00:55:42I'm sorry
00:55:44I'm sorry
00:55:45I'm sorry
00:55:46I'm sorry
00:55:48I'm sorry
00:55:49I'm sorry
00:55:50I'm sorry
00:55:52I didn't mean to disturb you
00:56:07But I just wanted something to drink
00:56:09No problem, really
00:56:11I don't mind having a break
00:56:13Why don't you stick around
00:56:16You might even keep us company
00:56:18If you like
00:56:19Thanks
00:56:23But not tonight
00:56:25Maybe some other time
00:56:27I'm not in the best of moods
00:56:29I invented this
00:56:40I call it gin balling
00:56:42It's a very silly game
00:56:44Hmm
00:56:45For what?
00:56:47Serves to calm the nerves
00:56:49Try it
00:56:50Okay
00:56:50Okay
00:56:52Tell Mother everything
00:56:58I'm all ears
00:57:01Look
00:57:03I have no intention of fighting with you
00:57:07You're a kind, sweet, patient
00:57:09Get to the point
00:57:10The question is
00:57:11Will she tire of that dope?
00:57:13That's what you want to know
00:57:14Is that it?
00:57:17She's bound to tire of it
00:57:18She always does
00:57:19This place
00:57:25Plays tricks on one sometimes
00:57:27Even I fell once
00:57:30You know
00:57:30There's no truth in all that shit
00:57:33I surely don't need to prove it
00:57:35Do I?
00:57:36You're up against an example
00:57:37And you know it
00:57:39It's not a person
00:57:41Who casts a spell on one at all
00:57:43But this island
00:57:44It intoxicates people's minds
00:57:47It may not be happiness
00:57:49God only knows happiness
00:57:51It's hard enough to find anywhere
00:57:52But it's a narcotic
00:57:54That makes them feel
00:57:55They found paradise
00:57:56Yeah
00:57:58It's blinded even Creole
00:58:00She used to hate dirt
00:58:02The invention of squalor
00:58:04Made her sick for days
00:58:05Mm-hmm
00:58:06A Puritan
00:58:07It's usual
00:58:09When they eventually rebel
00:58:10That's it
00:58:11They reject the previous moral values
00:58:14They had
00:58:15And abandon themselves
00:58:17Falling into the arms
00:58:18Of someone like Leon
00:58:19But you see
00:58:20I can't understand
00:58:21How she could learn
00:58:22To make love like that
00:58:23Oh, yes, you can
00:58:26Please
00:58:28Right
00:58:30Let's not say anymore
00:58:31You want to sit here all night?
00:58:40I
00:58:41That's not going to do any good
00:58:58Hey, what's the matter?
00:59:02You've suddenly developed morals?
00:59:04I'm as immoral as you are
00:59:08But there is such a thing
00:59:11As the right moment
00:59:12Night, it's way past my bedtime
00:59:16Is it ready?
00:59:36Is it cooked?
00:59:39There's a time for love
00:59:44There's a time for food
00:59:46Now we eat
00:59:49There's barely any good
01:00:18Oh, my God.
01:00:48Oh, my God.
01:01:18Y cuando llegaste me miraste me dijiste loco, estás mojado, ya no te quiero.
01:01:28Hace frío, estoy lejos de casa, hace tiempo que estoy sentado sobre esta piedra.
01:01:35Yo me pregunto para qué sirven las fiestas, tengo que tener pantalón, vos estás tan fría como la nieve a mi alrededor.
01:01:47Vos estás tan blanca que ya no sé qué hacer.
01:01:51La otra noche te esperé bajo la lluvia dos horas, mil horas, como un perro.
01:02:00Y cuando llegaste me miraste me dijiste loco, estás mojado, ya no te quiero.
01:02:07Ha, ha, ha.
01:02:11Oh, ooh.
01:02:14Bomba.
01:02:16Bomba.
01:02:17Bomba.
01:02:32I don't know anymore, Iris.
01:02:34How can you humiliate yourself this way?
01:02:37How can you accept all this?
01:02:39Because I love him like I never loved anyone.
01:02:42How about us then?
01:02:43Don't I account for anything?
01:02:45Perhaps you've forgotten that we were supposed to get married in a month.
01:02:49You don't understand, Marco.
01:02:51I'm not able to leave Leon.
01:02:53My God!
01:02:55How is this possible?
01:02:57Go away from here.
01:02:59It's useless.
01:03:01I'll never give Leona.
01:03:03For any reason.
01:03:31I'll never give Leona.
01:03:33I'll never give Leona.
01:03:39Like a beer?
01:03:41Sure.
01:03:44There's got to be a better life someplace.
01:03:46Right.
01:03:47I wonder if all tropic paradises are such hell.
01:03:54That bastard.
01:03:56Fucks our women.
01:03:58And we are here.
01:04:00Getting drunk.
01:04:05If only we had any guts, we'd do something about it.
01:04:17What the fuck?
01:04:24Good.
01:04:25Mr.
01:04:29I'm not proud of you.
01:04:30I know you're saying.
01:04:31He's not a great deal.
01:04:32No.
01:04:33He's not an old man, but he's not an old man.
01:04:35No, he's not an old man.
01:04:36Okay, come back.
01:04:37Come back.
01:04:38You're pulling a rope.
01:04:39Don't look at me like that.
01:04:45I was just admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that I'd like to hire the boat from Leon.
01:05:05I'm mad about you.
01:05:06Nothing can make me change ever.
01:05:12I, uh, I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do?
01:05:21Keep it?
01:05:24Burn it. I'm not coming back.
01:05:27You're lying.
01:05:30Hey, what do you want?
01:05:36I need you, Leon, a ride to the mainland so I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party, so bring Creole along as well.
01:05:50It's better if Creole stays at home.
01:05:57She's got work to do.
01:05:59And I want something to eat when I get back.
01:06:04Anyway, it's okay.
01:06:06I'll accompany you.
01:06:07Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:35Come back with me, Iris.
01:06:36No, Marco.
01:06:39Not now, not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:45Now, leave me alone.
01:06:47I have worked.
01:06:50You win.
01:06:51Okay.
01:06:51Good.
01:06:53Happy birthday.
01:06:59Mercy.
01:07:02Bye.
01:07:04Bye.
01:07:05Bye.
01:07:10Bye.
01:07:10Bye.
01:07:17Bye.
01:07:19Bye.
01:07:20Bye.
01:07:20Let's go.
01:07:50I hope it's enough.
01:08:07Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Mark.
01:08:11He's not here.
01:08:13He left with Leon and Andy.
01:08:14Oh, my God.
01:08:16I have a terrible feeling.
01:08:18He came to me this morning and he had a strange evil.
01:08:20He said some awful things about Leon yesterday when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:37Let me in on it.
01:08:38Let me in on it.
01:09:04Let's go.
01:09:34Let's go.
01:10:04There must be something caught in the propeller.
01:10:20I'm going down to have a look.
01:10:22I'm going down to have a look.
01:10:52I'm going down to have a look.
01:11:22I'm going down to have a look.
01:11:23I'm going down to have a look.
01:11:24I'm going down to have a look.
01:11:28I'm going down to have a look.
01:11:29Have you seen Iris?
01:11:30She and Cruella were very upset.
01:11:31They left.
01:11:35What the hell's going on?
01:11:36Nothing.
01:11:37Iris!
01:11:38Iris!
01:11:44Iris!
01:11:45Iris!
01:11:46Iris!
01:11:47Iris!
01:11:48Iris!
01:11:49Iris!
01:11:50Iris!
01:11:51Iris!
01:11:52Iris!
01:11:53Iris!
01:11:54Iris!
01:11:55Iris!
01:11:56Iris!
01:11:57Iris!
01:11:58Iris!
01:11:59Iris!
01:12:00Iris!
01:12:01Iris!
01:12:02Iris!
01:12:03Iris!
01:12:04Iris!
01:12:05Iris!
01:12:06Iris!
01:12:07Iris!
01:12:08Iris!
01:12:09Iris!
01:12:10Iris!
01:12:11Iris!
01:12:12Stop it!
01:12:13You've got no call.
01:12:14Exactly what are you trying to do to me?
01:12:15Just stop and think of the position he's in.
01:12:16That man's finished because of you.
01:12:17Losing the one thing he cared about, he risked losing his mind.
01:12:21And I risk losing my life.
01:12:23Parker didn't really mean to kill you, Parker didn't really mean to kill you.
01:12:24It was just with a sudden desperation.
01:12:25Surely even you can comprehend that.
01:12:26You must have been in love at least once in your life, you must have been in love at least once in your life.
01:12:29Exactly what are you trying to do to me?
01:12:32Leon, just stop and think of the position he's in.
01:12:35That man's finished because of you.
01:12:37Losing the one thing he cared about, he risked losing his mind.
01:12:40And I risk losing my life.
01:12:43Marco didn't really mean to kill you.
01:12:45It was pure desperation. Surely even you can comprehend that.
01:12:48You must have been in love at least once in your lonely life.
01:12:51So much it made a fool of you, Leon.
01:12:54No.
01:12:56Funny.
01:12:59I'm not proud of the man I see when I look in the mirror and see myself.
01:13:03But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:19They must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:22I don't think they meant to kill Leon, really.
01:13:25It's an ugly story.
01:13:28I never thought he would go that far.
01:13:31You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:35He'd do anything to get you back, anything at all.
01:13:38He's changed, you know.
01:13:42You think so?
01:13:45You see, my dear, it's my duty to try and open your eyes.
01:13:48But my eyes are wide open.
01:13:51Thanks.
01:13:54Joanne.
01:13:57Don't you understand?
01:13:59I love Leon.
01:14:01And I won't leave him.
01:14:03You think you love him, but you don't really.
01:14:05You're still hurt and angry with poor Andy.
01:14:10Because he threw you into the arms of that wretched animal Leon.
01:14:14You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:19What do you suppose it'll be like in two or three years?
01:14:22Still happy?
01:14:23Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:32I honestly think it's time you took stock of your life, Criola.
01:14:36And faced up to it.
01:14:38The truth may hurt you.
01:14:39So you need courage.
01:14:40You need courage.
01:14:50Hello, Andy.
01:14:56We thought...
01:15:01We thought that island would help us escape from reality.
01:15:06We must accept the place assigned us on this earth.
01:15:12Come here.
01:15:25You were right, Jack.
01:15:27There's magic everywhere here.
01:15:28Kiss me.
01:15:31It's in the very air.
01:15:33Can't you feel it?
01:15:34I know that if we stay here long, something wonderful will happen to us.
01:15:39Right.
01:15:40They say these islands cast a spell on lovers.
01:15:51We get...
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