- 7 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegrÃa.
00:01:14Si mami le brindan por la bien fuera, la vida mÃa.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31It was really great.
00:02:01Now I'm going to show you what's going to be like.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:31I'm going to show you what's going to be like.
00:02:41Darling.
00:02:42Hello.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:46Mmm.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:52Thanks.
00:02:53Bye, Criona.
00:02:54Ciao.
00:02:55Try to have a nice trip.
00:02:56I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:05No.
00:03:06Hmm.
00:03:07I know that look.
00:03:08It really is beautiful.
00:03:20Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:39I feel strange all of a sudden.
00:03:46Hmm?
00:03:47I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah.
00:03:52It's beautiful.
00:03:53You were right.
00:03:54I just cannot imagine what it is like to do it here.
00:03:59You know?
00:04:24Hi.
00:04:25Hi.
00:04:36Hey, Priola.
00:04:37Ah, ciao.
00:04:38Hi.
00:04:39How's it going?
00:04:40How?
00:04:41Any news?
00:04:42No.
00:04:43Nothing yet.
00:04:44I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:04:54You're right.
00:04:55Oh, my God, he did not dejar him.
00:04:57King Jamescon.
00:04:58The
00:05:04What try?
00:05:14You.
00:05:20Oh, volt.
00:05:21Ahh.
00:05:22Hey.
00:05:23I'll see you next time.
00:05:53Ha, ha, ha, ha.
00:06:23I thought you'd never get here.
00:06:32Seems like an eternity.
00:06:40Now that's more like it.
00:06:42Where are you taking me tonight?
00:06:53Look, look.
00:07:23Will you place the same number, ma'am?
00:07:41Sure.
00:07:42You play your game.
00:07:49Number 13, Raiden.
00:08:09Ladies and gentlemen.
00:08:16Let's please, ladies and gentlemen.
00:08:39Hey, excuse me, have you, have you ever seen this girl?
00:08:55No, I'm sorry. Never seen her before in my life.
00:08:58You got an offer to make for the Children of the Sun?
00:09:00Okay. Here, will that do?
00:09:02Sure. Keep the literature. That might help you spiritually.
00:09:09Are you trying to get me drunk?
00:09:19Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:24Let's see.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:35So it is.
00:09:36Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:40He's looking for his fiancée. That's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:49Just think, they were going to get married.
00:09:52And not long before the wedding, she went on holiday with some friends from work.
00:09:56And they came here, to Santo Domingo, as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on. Really?
00:10:03Mm-hmm. Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:12But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15The tropics can do funny things.
00:10:18Especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:28This music can make you think again.
00:10:32And besides, who knows?
00:10:35She might have met a guy she, um, liked more.
00:10:39You know, simple islander.
00:10:41Oh, come on.
00:10:43That's only a fiction.
00:10:45Love is everywhere.
00:10:47If it's there, it's there.
00:10:49If it's not, it's not.
00:10:50Hmm, be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:58Ready to talk to?
00:11:00Okay.
00:11:02Marco.
00:11:09How are you?
00:11:10This is my husband.
00:11:11Hi, love.
00:11:13Well, very kind of you.
00:11:15Would you like something to drink?
00:11:19Yeah, I'll have what you're having.
00:11:21Whatever it is.
00:11:24How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:30But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:39Uh, you two carry on.
00:11:41Excuse me, I'll be right back.
00:11:43Where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:47My magazine editor wants that weekly report.
00:11:52Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59I'm not too good a dancer.
00:12:01Just let the music do the work.
00:12:02No, I haven't danced in years.
00:12:14Well, we're going to have to make up for lost time then.
00:12:20Yeah.
00:12:24Listen, Criella, maybe we should go back to the table, huh?
00:12:26Why?
00:12:27Why?
00:12:28Your dancing is...
00:12:29Great.
00:12:34Come on, loosen up.
00:12:36Come on, loosen up.
00:12:37I feel uncomfortable.
00:12:50Well, there's no need.
00:12:52What is it?
00:13:04I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:15Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:18You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:42And I'll do anything.
00:13:48He likes to think I'm unfaithful.
00:13:54Please, help me.
00:14:00Yes, I understand you.
00:14:02You know, love can be a strange thing.
00:14:05You know, love.
00:14:07And I love you.
00:14:09So, I'll get you.
00:14:10Oh!
00:14:13Oh!
00:14:15The light is not the best, but...
00:14:45We shall do what we can.
00:14:51It's a beautiful island, an absolutely amazing place.
00:14:55Full of surprises.
00:14:57But you told me you'd never been here.
00:14:59Well, Brian told me such a lot about it.
00:15:02I feel like I know it by heart.
00:15:05It's in the form of a turtle.
00:15:07A turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:15You better start praying that you don't end up reincarnated as a turtle.
00:15:21Ha, ha.
00:15:23Sometimes you're a real asshole.
00:15:27Oh, for God's sake.
00:15:29I was joking.
00:15:32Get away.
00:15:33What a worse.
00:15:38What's wrong?
00:15:39Are you nervous?
00:15:41Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:46I feel strange.
00:15:47And this boat.
00:15:48And that man up there.
00:15:57Haven't you noticed?
00:15:58He hasn't said a word since we left.
00:16:00We hired him to keep up a conversation with us, alright?
00:16:04Look at him.
00:16:05Look at him.
00:16:06The hat, his base, he's a pirate.
00:16:11I've been told he's a very good sailor.
00:16:13Honest and completely trustworthy who knows these islands.
00:16:16He looks like he doesn't watch.
00:16:19He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:24Aw.
00:16:45Like it?
00:16:46What a place.
00:16:50Guaranteed primitive.
00:16:51Yeah.
00:16:54Hey.
00:16:55It's wide open.
00:16:57There's no key.
00:16:58Nobody locks doors here.
00:17:02Looks like Florida.
00:17:03What a disappointment.
00:17:07We said $100, right?
00:17:08Uh-huh.
00:17:14This is two.
00:17:15Keep it.
00:17:18One's enough.
00:17:23Adios.
00:17:24Uh-huh.
00:17:34Is it far to the fishing village?
00:17:36500 meters.
00:17:38Down that way.
00:17:39Okay.
00:17:55I'm going to go to the village.
00:17:56Okay.
00:17:57I prefer to stay here.
00:17:58Whatever you like.
00:18:05I can't wait to take a swim.
00:18:06Go ahead.
00:18:07See you later.
00:18:08All right.
00:18:09Bye.
00:18:10Bye.
00:18:15So long now.
00:18:17Bye.
00:18:20Bye.
00:18:26Bye.
00:18:33Bye.
00:18:34Bye.
00:18:35Hi.
00:18:42Hi.
00:18:43Well, so you came at last.
00:18:54Hi there.
00:18:55Hello, sir.
00:19:02Good morning.
00:19:03Good morning.
00:19:04Good morning.
00:19:12No, thanks.
00:19:13Hey, hey, let me take a picture.
00:19:17Ah, that's it.
00:19:33Good morning, Consuelo.
00:19:48Good morning, Consuelo.
00:20:03What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol
00:20:11or would you prefer some soft drinks?
00:20:13Mmm, well, a little of both.
00:20:15I won't be long.
00:20:16Where are we?
00:20:17Where are we?
00:20:18Look at me.
00:20:20Look at me.
00:20:21Woo!
00:20:24Watch out!
00:20:25There it is.
00:20:27Here are some models.
00:20:45Who's that woman there?
00:20:47A very well-known American writer.
00:20:51Joanne Sullivan?
00:20:53I know her.
00:20:54The two of us were at the same school.
00:20:56I think I'll say hello.
00:21:05Joanne?
00:21:07Who is it?
00:21:08Remember Andy the Nerd?
00:21:12Andy the Nerd.
00:21:14Oh my God.
00:21:15Is it really you?
00:21:18How are you?
00:21:20Fine.
00:21:21Great to see my old valedictorian.
00:21:23Great to see you.
00:21:25What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine.
00:21:28Oh, fantastic. Come and sit down.
00:21:30What are you doing?
00:21:33Escaping. But don't ask me from what.
00:21:35Because I don't know.
00:21:36Maybe from myself.
00:21:38I imagine you're writing something now.
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:47Gymnastics.
00:21:47Don't you like long for New York at all?
00:22:01Don't you like long for New York at all?
00:22:01America is in an advanced state of decomposition, Andy.
00:22:10Like the whole of the West.
00:22:12It's no good.
00:22:13I have no nostalgia.
00:22:16Only for company, that's all.
00:22:18Here there aren't any men that I like.
00:22:22That's probably a good thing.
00:22:25I like everything sophisticated or complicated.
00:22:30I suppose I'm in a crisis.
00:22:32Is that a plea for help, I hear?
00:22:34Oh, come on. It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine.
00:22:43I'm doing a story on this island.
00:22:46And you know it pretty well.
00:22:48Yes, I do.
00:22:49If you could help me.
00:22:51Whenever you want.
00:22:53My pleasure.
00:22:54Great.
00:23:00Here comes the food.
00:23:01Oh, good. We can try the local cuisine.
00:23:03Here it is, the chef's special.
00:23:05Mmm.
00:23:06Mmm.
00:23:07That looks...
00:23:09Enjoy your food.
00:23:10I'm starving.
00:23:13Oh, that looks good.
00:23:15Consuela's such an extrovert.
00:23:16She's always bright and sunny.
00:23:17She's just my opposite.
00:23:20I like her.
00:23:22She's already had the cream of the young men on the island.
00:23:26If I could only get used to going to bed so easily.
00:23:30Yes.
00:23:31It's knowing how to start it up.
00:23:34Yeah.
00:23:35The warm-up.
00:23:38It's simplest to make it with someone you know.
00:23:41The first up's taken already.
00:23:43Are you making advances?
00:23:47I'm attempting to find you an answer.
00:23:50I don't think Criela thinks it's such a good idea.
00:23:52It might be more fun if we didn't leave her out.
00:23:58Since when's three of the crowd?
00:24:00Oh, Andy, come on.
00:24:02I thought you were emancipated.
00:24:04But you're still stuck in the 70s.
00:24:06Sex, lib, dreaming.
00:24:08That's old hat.
00:24:09You disappoint me.
00:24:10That woman has a hard heart with MFP.
00:24:22Yeah, it's very at home here in this setting.
00:24:45Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:49The girl arrived a few months ago, that's all.
00:24:53Oh, not bad.
00:24:57You dance almost like a native.
00:25:06Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for us.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation.
00:25:17Took one look and got stuck.
00:25:19Stuck on him.
00:25:22Hey, maybe that person is the girl.
00:25:25That air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then,
00:25:34it must be her on the plane.
00:25:36I met her boyfriend.
00:25:37He came here to look for her.
00:25:40You'll go back empty-handed, I'm sure.
00:25:41Leon is like a drug.
00:25:44He doesn't conquer, he dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:51I hope he doesn't find her.
00:25:53It's like I said, this aisle, it wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:03Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage.
00:26:16Could it be terribly easy for you to make an oaf like that?
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanized, and your friend will get back his girlfriend.
00:26:28Have you gone haywire?
00:26:29I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole or completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on, ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm gonna go.
00:26:51This music's getting on my nerves.
00:26:59I'm sorry.
00:27:11I wasn't serious.
00:27:13It was a joke.
00:27:15I love you, Andy.
00:27:18I love you more than anything else in the world.
00:27:26Me too.
00:27:27I love you too, my God.
00:27:37It's okay.
00:27:40If you're tired.
00:27:43It's happened before.
00:27:48It'll pass.
00:27:57It'll pass.
00:28:27It'll pass.
00:28:57Oh, my God.
00:29:27Oh, my God.
00:29:57Oh, my God.
00:30:27Well, it's a good thing you came.
00:30:36I guess I should say thanks.
00:30:39You don't have to.
00:30:42Thanks, anyway.
00:30:43You know, you shouldn't go around by yourself.
00:30:50It's asking for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:56It's your life.
00:30:59Do what you want.
00:31:00What are you doing?
00:31:19Offering you a little hospitality.
00:31:20Here, have a drink.
00:31:30Viola?
00:31:51Viola?
00:32:04You there?
00:32:09Viola?
00:32:11Viola?
00:32:13Viola?
00:32:21Viola?
00:32:22Viola?
00:32:22Viola?
00:32:23Viola?
00:32:24Viola?
00:32:25Have you seen Criola?
00:32:41No.
00:32:44There's no sign of her on the beach.
00:32:45The bungalow's empty.
00:32:46She's disappeared.
00:32:48She's probably gone off exploring the island.
00:32:52I expect you're right.
00:32:53Thanks, Maxwell.
00:32:53Ciao.
00:32:55Where the hell have you been?
00:33:06I looked all over for you.
00:33:08I got bored here all along.
00:33:09So I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:21Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures.
00:33:26Things I'd never have found without her.
00:33:33Andy.
00:33:34Yeah?
00:33:34I got to tell you something.
00:33:37Go ahead, shoot.
00:33:39Let's go away from here.
00:33:40Why?
00:33:40Something the matter?
00:33:42Yeah.
00:33:44Let's go away.
00:33:44We can't yet.
00:33:45We can't yet.
00:33:47I still have photos to do.
00:33:49Besides, I got a little money in advance.
00:33:52I can't let the magazine down.
00:33:54I'd never work again.
00:33:55No way.
00:33:55Forget it.
00:33:56Well, I can't forget it.
00:33:58I want to go away.
00:34:00I want to go back to America.
00:34:03You're not being reasonable.
00:34:04I know, but I can't stay here another minute.
00:34:12I suppose it's my fault, huh?
00:34:13No, of course not.
00:34:16I'll be all right again soon, I swear.
00:34:19No, it's...
00:34:20There's nothing to do with you.
00:34:21I don't know.
00:34:22It's just...
00:34:24Look, I'm counting on the erotic atmosphere of this place to do the trick,
00:34:28and I'm sure it will.
00:34:30It's only a question of time.
00:34:31I know it.
00:34:35All you have to do is be patient.
00:34:38Just a little longer.
00:34:40We'll be happy again.
00:34:41And then...
00:34:42I'll be able to give you what you need so badly.
00:35:01I'll be happy again.
00:35:20I'll be happy again.
00:35:22All right, let's go.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo. Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:22I don't know.
00:36:38Care for a drink?
00:36:41No, not for me.
00:36:44How come?
00:36:45One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:01What is this?
00:37:04The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:11I don't know why you two should be
00:37:13a flagrant couple of exceptions.
00:37:16Of course, you include yourself
00:37:18in that sweeping statement.
00:37:19Don't you tell the truth?
00:37:29I don't know.
00:37:31But I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:40To broken hearts.
00:38:10I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:17You want to make love with me again?
00:38:21Yes.
00:38:26Well, not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:37Well, answer me!
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:52You're quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here and keep consuelo.
00:39:00Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:05Hey, I'm always lying.
00:39:08It's not true.
00:39:09Hey, I'm always lying.
00:39:10Hey, I'm always lying.
00:39:11Hey, I'm always lying.
00:39:11Hey, I'm always lying.
00:39:12Hey, I'm always lying.
00:39:12Hey, I'm always lying.
00:39:13Hey, I'm always lying.
00:39:13Hey, I'm always lying.
00:39:14Hey, I'm always lying.
00:39:14Hey, I'm always lying.
00:39:15Hey, I'm always lying.
00:39:16Hey, I'm always lying.
00:39:17Hey, I'm always lying.
00:39:18Hey, I'm always lying.
00:39:19Hey, I'm always lying.
00:39:20Hey, I'm always lying.
00:39:21Hey, I'm lying.
00:39:22Hey, I'm lying.
00:39:23Hey, I'm lying.
00:39:24Hey, I'm lying.
00:39:25Hey, I'm lying.
00:39:26Hey, I'm lying.
00:39:27Hey, I'm lying.
00:39:28Hey, I'm lying.
00:39:29Hey, I'm lying.
00:40:00It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:14Since you made a sound, Joanne.
00:40:17Sorry, Joanne, but the places you've shown me have been so dazzling.
00:40:22I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:33I'm desperate.
00:40:34She's changed.
00:40:35And if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:40You better hurry or you'll be too late.
00:40:44I'll take you back.
00:41:00I bet you're enjoying it.
00:41:07Joanne gave me one too with a dedication.
00:41:09I sobbed my eyes out.
00:41:12For a romantic novel, it's not bad.
00:41:14It's a model a fun thing to be, Criola.
00:41:20I wouldn't recommend it to my friends, but I'm not complaining.
00:41:24I asked because when I was a little girl, I dreamed of being a dancer or a model.
00:41:28But I ended up with overweight tits.
00:41:30So you snuck away to live on an island.
00:41:36Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:45Yeah.
00:41:45Hi, Marco.
00:41:46I imagine bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:55I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your better.
00:42:03Okay, that's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris.
00:42:16You mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:27You.
00:42:29Who is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I'm leaving.
00:42:45But why?
00:42:45You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:57Leon.
00:42:59Leon.
00:42:59Don't go.
00:43:01Don't go.
00:43:02Don't go.
00:43:02Don't go.
00:43:02Don't go.
00:43:02Don't go.
00:43:04Damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:12Don't go.
00:43:13Don't you understand, Marco.
00:43:16I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:33Daddy.
00:43:45Hi.
00:43:46Can I stay on board?
00:43:47Can I stay on board?
00:44:12Now get this straight.
00:44:15This time.
00:44:17It must be forever.
00:44:24I know.
00:44:27So, stay.
00:44:40She's not a Consuelo. She's not on the beach. She's gone.
00:44:44There's no other explanation.
00:44:45I knew it. She's gone back to the States.
00:44:51How? Wearing a pareo?
00:44:53Andy, look!
00:44:55She hasn't gone. Her stuff's still here.
00:45:09Andy, you're not to worry. I'm sure that Criola will soon come back. Do believe me.
00:45:13I've got to be off now. So long. See you at dinner?
00:45:19Mm-hmm.
00:45:21I've got to be off now. So long. See you at dinner?
00:45:23Mm-hmm.
00:45:25Yeah.
00:45:26I know.
00:45:28What?
00:45:30I think, I've got to be off now.
00:45:32I've got to be off now.
00:45:34I don't know.
00:45:36I've got to be off now.
00:45:38Have you seen Leon?
00:45:58Have you seen what he did with a girl?
00:46:08Sorry, to the stern, I want a word with him.
00:46:15I'll leave you two together.
00:46:17Wait, what do you want?
00:46:20Iris.
00:46:21Iris?
00:46:22You got her.
00:46:24You don't want Iris.
00:46:26Iris is free to do what she wants.
00:46:28Adios.
00:46:38I'll leave you two together.
00:46:48What do you want?
00:46:50I'll leave you two together.
00:46:52I'll leave you two together.
00:47:29No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget them.
00:47:56You'll suffer a little at first, but then...
00:47:58But then it'll pass.
00:48:03I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:14It's over.
00:48:16Don't you understand?
00:48:18He'll get tired of her quickly.
00:48:19It's already happened other times.
00:48:24I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:34Oh, Christ!
00:48:34It's me.
00:48:50Oh, God.
00:48:59Get out of here and stop bothering the customers.
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:27Playing with fire.
00:49:28One can be burned in the end.
00:49:33I blame myself.
00:49:34My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:41I'm perverted, I guess.
00:49:43I proposed it to her.
00:49:46I must be an asshole.
00:49:48Because now she's gone for good.
00:49:51She did it because she knew you liked it.
00:49:53Not for herself.
00:49:54She's not the kind of woman who sleeps around a lot.
00:49:59Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:05She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:12And look what happened.
00:50:13Fate set a trap for her.
00:50:15Oh, God.
00:50:17Now I'm the one who went and trapped her.
00:50:20Yep.
00:50:21Now you're trapped.
00:50:22It started as a game, that's all.
00:50:25Well, it wasn't serious.
00:50:30Games can be dangerous to play if you don't keep to the rules.
00:50:37Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:41Thanks.
00:50:44Hey, you've forgotten?
00:50:45We met one night in San Domingo.
00:50:48I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:52Hi.
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here.
00:50:56She already knows.
00:50:57But you mean to say you...
00:50:59You've seen her?
00:51:01Yes.
00:51:02Uh, briefly.
00:51:03Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:07Okay.
00:51:11Surely you can guess.
00:51:18She's on Leon's boat.
00:51:24Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:27Oh, it's all in the air.
00:51:36Oh.
00:51:43Oh, my God.
00:51:51Oh, my God.
00:51:53You're hurting me.
00:52:02You're hurting me.
00:52:23Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:28In his boat.
00:52:29Thanks.
00:52:53You're hurting me.
00:53:23Put it in the pail.
00:53:44You know how to cook it?
00:53:48You'll have to learn.
00:53:52Hey.
00:53:53What are you doing here?
00:53:54Criola.
00:53:55Criola.
00:53:56Criola.
00:53:57Criola.
00:53:58Criola.
00:53:59Criola.
00:54:00Criola.
00:54:01Criola.
00:54:02Criola.
00:54:03Criola.
00:54:04Criola.
00:54:05Criola.
00:54:06Criola.
00:54:07Criola.
00:54:08Criola.
00:54:09Criola.
00:54:10Criola.
00:54:11Criola.
00:54:12Criola.
00:54:13Criola.
00:54:14Criola.
00:54:15Criola.
00:54:16Criola.
00:54:17Criola.
00:54:18Criola.
00:54:19Criola.
00:54:20Criola.
00:54:21Criola.
00:54:22Criola.
00:54:23Criola.
00:54:24Criola.
00:54:25Criola.
00:54:26Criola!
00:54:28What do you want? I've come to get her.
00:54:32Leon! No, what are you doing?
00:54:35Criola, I never thought it would come to this.
00:54:38Please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:44It's too late.
00:54:46It's not too late. It's not.
00:54:49It's too late, Andy.
00:54:51No, it's not. It's...
00:54:53Please, we must begin again.
00:54:55I can't!
00:54:57No! Don't tell me you're going to stay here!
00:54:59Jesus, Criola! With a bastard like that!
00:55:03I have no more strength, no more desire to go on.
00:55:07It's finished!
00:55:08You don't know what you're saying! You're coming back!
00:55:10No!
00:55:11Yes!
00:55:12No!
00:55:13It can't be finished, God damn it!
00:55:15Leave me alone!
00:55:18It's finished!
00:55:20With Leon I'm alive, he satisfies me!
00:55:22No! No!
00:55:24I don't believe it!
00:55:27I'm terribly sorry, Andy!
00:55:30Really!
00:55:32It's ridiculous!
00:55:35Ridiculous!
00:55:38My life is meaningless without you!
00:55:42I love you!
00:56:03I'm sorry.
00:56:04I didn't mean to disturb you, but...
00:56:07I just wanted something to drink.
00:56:10No problem. Really.
00:56:12I don't mind having a break.
00:56:15Why don't you stick around?
00:56:17You might even keep us company if you like.
00:56:23Thanks.
00:56:24But not tonight.
00:56:25Maybe some other time.
00:56:27I'm not...
00:56:28I'm not in the best of moods.
00:56:38Oh...
00:56:39I invented this.
00:56:40I call it gin-balling.
00:56:42It's a very silly game.
00:56:44Hmm?
00:56:45For what?
00:56:46Serves to calm the nerves.
00:56:48Try it.
00:56:49Okay.
00:56:50Mmm.
00:56:51Mmm.
00:56:52Okay.
00:56:53Tell Mother everything.
00:56:54I'm all ears.
00:56:55Look.
00:56:56I have no intention of fighting with you.
00:56:57You're a kind, sweet patient.
00:56:58Okay.
00:56:59Get to the point.
00:57:00The question is, will she tire of that dope?
00:57:01That's what you want to know.
00:57:02Is that it?
00:57:03She is bound to tire of it.
00:57:04She always does.
00:57:05This place...
00:57:07Plays tricks on one sometimes.
00:57:09Even I fell once, you know.
00:57:14I fell once.
00:57:15You know.
00:57:16I fell once.
00:57:18And I'm all ears.
00:57:19I'm all ears.
00:57:20Look.
00:57:21I have no intention of fighting with you.
00:57:22You're a kind, sweet, patient.
00:57:23Okay.
00:57:24Get to the point.
00:57:25The question is, will she tire of that dope?
00:57:26That's what you wanna know.
00:57:27Is that it?
00:57:28She is bound to tire of it.
00:57:29She always does.
00:57:30There's no truth in all that shit.
00:57:33I surely don't need to prove it, do I?
00:57:36You're up against an example.
00:57:38And you know it.
00:57:40It's not a person who casts a spell on one at all, but this island.
00:57:45It intoxicates people's minds.
00:57:48It may not be happiness.
00:57:50God only knows happiness.
00:57:51It's hard enough to find anywhere.
00:57:53But it's a narcotic that makes them feel they found paradise.
00:57:57Yeah.
00:57:58It's blinded Eve and Creole.
00:58:01She used to hate dirt.
00:58:03The invention of squalor made her sick for days.
00:58:06Mm-hmm.
00:58:06A Buridan.
00:58:08It's usual when they eventually rebel, that's it.
00:58:12They reject the previous moral values they had.
00:58:15And abandon themselves falling into the arms of someone like Leon.
00:58:19But you see, I can't understand how she could learn to make love like that.
00:58:25Oh, yes, you can.
00:58:26Please.
00:58:29Right.
00:58:30Let's not say anymore.
00:58:31You want to sit here all night?
00:58:40Right.
00:58:41Right.
00:58:41That's not going to do any good.
00:59:01Hey, what's the matter?
00:59:02You've suddenly developed morals?
00:59:04I'm as immoral as you are.
00:59:09But there is such a thing as the right moment.
00:59:14Night.
00:59:15It's way past my bedtime.
00:59:16Is it ready?
00:59:36Is it cooked?
00:59:39There's a time for love.
00:59:45There's a time for food.
00:59:48Now we eat.
00:59:49Let's go.
01:00:18Oh, my God.
01:00:48Oh, my God.
01:01:18Y cuando llegaste me miraste me dices loco, estás mojado, ya no te quiero.
01:01:28Hace frÃo, estoy lejos de casa, hace tiempo que estoy sentado sobre esta piedra.
01:01:35Yo me pregunto para qué sirven las fiestas, tengo que tener pantalón, vos estás tan frÃa como la nieve a mi alrededor.
01:01:47Vos estás tan blanca que ya no sé qué hacer.
01:01:51La otra noche te esperé bajo la lluvia dos horas, mil horas, como un perro.
01:02:00Y cuando llegaste me miraste me dices loco, estás mojado, ya no te quiero.
01:02:07Ha, ha, ha.
01:02:11Oh, ooh.
01:02:14Bomba.
01:02:16Bomba.
01:02:17Bomba.
01:02:31Bomba.
01:02:31I don't know anymore, Iris.
01:02:34How can you humiliate yourself this way?
01:02:38How can you accept all this?
01:02:39Because I love him like I never loved anyone.
01:02:42How about us then?
01:02:44Don't I count for anything?
01:02:46Perhaps you've forgotten that we were supposed to get married in a month.
01:02:50You don't understand, Marco.
01:02:52I'm not able to leave Leon.
01:02:54My God.
01:02:55How is this possible?
01:02:58Go away from here.
01:02:59It's useless.
01:03:01I'll never give Leon, for any reason.
01:03:31I'm not able to leave Leon, for any reason.
01:03:35Like a beer?
01:03:41Sure.
01:03:45There's got to be a better life someplace.
01:03:47Right.
01:03:47I wonder if all tropic paradises are such hell.
01:03:54That bastard fucks our women.
01:03:58And we are here, getting drunk.
01:04:02If only we had any guts, we'd do something about it.
01:04:09But if you're not alone.
01:04:34Hello.
01:04:36Hello.
01:04:43Don't look at me like that.
01:04:45I was just admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that I'd like to hire the boat from Leon.
01:05:01I'm mad about you.
01:05:07Nothing can make me change ever.
01:05:12I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do? Keep it?
01:05:24Burn it. I'm not coming back.
01:05:26You're lying.
01:05:28Hey.
01:05:31What do you want?
01:05:37I need you, Leon.
01:05:38A ride to the mainland.
01:05:40So I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party, so bring Creole along as well.
01:05:54It's better if Creole stays at home.
01:05:57She's got work to do.
01:05:59And I want something to eat when I get back.
01:06:04Anyway.
01:06:05It's okay.
01:06:06I'll accompany you.
01:06:07I'll accompany you.
01:06:23Don't you realize the life you're leading?
01:06:26I'm fine here.
01:06:27Come back with me, Iris.
01:06:38No, Marco.
01:06:39Not now.
01:06:40Not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:46Now leave me alone.
01:06:47I have worked.
01:06:50You win.
01:06:51Okay.
01:06:57I have worked.
01:06:59I've worked.
01:07:00I've worked.
01:07:01I'm a man.
01:07:02You've never been a man.
01:07:05Come back.
01:07:06Food.
01:07:07You can't pick up himself.
01:07:09You're a man.
01:07:10I'm a man.
01:07:11You're all.
01:07:12It's ok.
01:07:14I can't make him.
01:07:16You're a man.
01:07:17As a man.
01:07:18Come back.
01:07:19You're a man.
01:07:20I can't make him.
01:07:21Let's go.
01:07:51I hope it's enough.
01:08:07Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Mark.
01:08:11He's not here.
01:08:13He left with Leon and Andy.
01:08:14Oh, my God.
01:08:16I have a terrible feeling.
01:08:18He came to me this morning and he had a strange,
01:08:20evil look in his eyes.
01:08:22He said some awful things about Leon yesterday
01:08:24when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:37Let me in on it.
01:08:38Let me in on it.
01:08:43Oh, my God.
01:09:13Oh, my God.
01:09:43Oh, my God.
01:10:13There must be something caught in the propeller.
01:10:20I'm going down to have a look.
01:10:43Come on, let's go.
01:10:51Come on, let's go.
01:11:21Come on, let's go.
01:11:22Come on, let's go.
01:11:23Consuelo?
01:11:24Have you seen Iris?
01:11:29She and Criella were very upset.
01:11:31They left.
01:11:31Criella?
01:11:32What the hell's going on?
01:11:35Nothing.
01:11:36Nothing.
01:11:37Iris!
01:11:48Iris!
01:11:49Iris!
01:11:50Iris!
01:11:54Iris!
01:12:02Iris!
01:12:03Stop it!
01:12:12You've got no call.
01:12:21Exactly what are you trying to do to me?
01:12:28Leon, just stop and think of the position he's in.
01:12:29That man's finished because of you.
01:12:30Losing the one thing he cared about, he risked losing his mind.
01:12:35And I risk losing my life.
01:12:37Marco didn't really mean to kill you.
01:12:38It was pure desperation.
01:12:39Surely even you can comprehend that.
01:12:40You must have been in love at least once in your lonely life.
01:12:44So much it made a fool of you, Leon.
01:12:45No.
01:12:46Funny.
01:12:47I'm not proud of the man I see when I look in the mirror and see myself.
01:12:50But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:16They must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:22I don't think they meant to kill Leon, really.
01:13:25It's an ugly story.
01:13:27I never thought he would go that far.
01:13:30You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:35He'd do anything to get you back, anything at all.
01:13:38He's changed, you know.
01:13:41You think so?
01:13:44You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open.
01:13:51Thanks.
01:13:53Joanne.
01:13:56Don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:02You think you love him, but you don't really.
01:14:05You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal Leon.
01:14:13You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:18What do you suppose it'll be like in two or three years?
01:14:20Still happy?
01:14:22Sounds like a banal line from one of your books.
01:14:26Yes, it is banal.
01:14:29But the truth often is.
01:14:31I honestly think it's time you took stock of your life, Criola, and faced up to it.
01:14:36The truth may hurt you, so you need courage.
01:14:49Hello, Andy.
01:14:55We thought...
01:14:56Well, he thought that island would help us escape from reality.
01:15:05We must accept the place the scientists on this earth.
01:15:10Come here.
01:15:12You were right, Jack.
01:15:26There's magic everywhere here.
01:15:27Kiss me.
01:15:30It's in the very air.
01:15:32Can't you feel it?
01:15:33I know that if we stay here long, something wonderful will happen to us.
01:15:38Right.
01:15:39They say these islands cast a spell on lovers.
01:15:42We get...
01:15:51We get...
01:15:52We get...
Comments