- 7 weeks ago
Category
🎥
Short filmTranscript
00:01:00I'm wiped out.
00:01:28Why did you risk it?
00:01:33I positioned everything at stake.
00:01:37What about your Westchester estate?
00:01:39As my lawyer, you should know that's borrowed on to the limit.
00:01:44But the money I gave you, didn't you meet that note?
00:01:47I used that to cover my margin.
00:01:49Well, I can't raise another cent.
00:01:58What am I going to do?
00:02:00What's that?
00:02:21Well, this, it concerns an estate of which I am the executor.
00:02:27That doesn't help my problem.
00:02:30No, I'm afraid not.
00:02:31Too bad you haven't a daughter.
00:02:37Someone young and irresistible.
00:02:41Why speak of miracles?
00:02:44Yes, you're right.
00:02:44It's ridiculous to discuss it, but the young man whose estate I'm representing is coming into an enormous fortune,
00:02:53including the famous Stanhope diamond.
00:02:56The Stanhope diamond?
00:02:57Yes.
00:02:58Worth $250,000.
00:03:00Must this most improbable person be a daughter?
00:03:09No.
00:03:11Not exactly.
00:03:20Lower B, car 20.
00:03:23Buckle 10, car 30, Helen.
00:03:26Lower C, car 35.
00:03:29Car 28, 4B.
00:03:35Car 40.
00:03:39Compartment B and C, car 107.
00:03:56Oh.
00:03:56Boy.
00:04:02There, there, Miss Jones.
00:04:07Lord!
00:04:07Lord!
00:04:07You see, by the terms of the will, this diamond heirloom, formerly worn by the mother,
00:04:27is to become the heritage of the boy's wife.
00:04:31His wife?
00:04:35Lord!
00:04:35Well, let's go, sir.
00:04:54Well, let's go, sir.
00:04:59Well, let's go, sir.
00:05:01Well, let's go, sir.
00:05:23What a pity.
00:05:24She doesn't look like a criminal.
00:05:27No, the sad part of it, conviction is not always proof of guilt.
00:05:36Please take them off.
00:05:38I can't stand the humiliation.
00:05:40Sure thing.
00:05:42Just a little legal formality to and from the train.
00:05:44That's my soul.
00:05:54I know I kind of hate to take you to the penitentiary.
00:05:57Lake Ridge.
00:06:01Don't let's go, don't let's go.
00:06:10Oh, my God.
00:06:11Oh, I'm here.
00:06:17Oh, no.
00:06:20Oh, no.
00:06:23Oh, no.
00:06:26Oh, no.
00:06:28Oh, I'm here.
00:06:32Oh.
00:06:35Oh, no.
00:06:37Mary, are you hurt?
00:06:41My ankle, but it's not bad.
00:06:43I will not.
00:07:07I will not.
00:07:37Your name, please, for identification.
00:07:45We must have a record.
00:07:48My name is Joan Radcliffe.
00:07:51Joan Radcliffe, my niece.
00:07:53I'm Mrs. Radcliffe.
00:07:58I'm William Mortimer.
00:08:04There, there.
00:08:07There, there.
00:08:08There, there.
00:08:08There.
00:08:17That's lovely, Mrs. Radcliffe.
00:08:19Joan!
00:08:39Everything is simply wonderful.
00:08:48Including yourself, my dear.
00:08:52Yes?
00:08:53The bottles, madam.
00:08:58More for you, dear.
00:09:02Marie?
00:09:18A perfect idea, William.
00:09:25Adding a niece to my family.
00:09:28And one whose obedience you can depend upon.
00:09:32This, uh, Ronnie Stanhope arriving.
00:09:50In a few days, huh?
00:10:04She is captivating.
00:10:06Rather.
00:10:16Joan Radcliffe.
00:10:18Sponsored by you.
00:10:20Our trouble should be eliminated.
00:10:22My only hope.
00:10:26Well, you're a positive revelation.
00:10:30Mrs. Radcliffe has been so kind.
00:10:32Please.
00:10:34Call me out, Marion.
00:10:36Yes, you have to get used to that.
00:10:38Oh, run along.
00:10:40You're embarrassing by me.
00:10:42All right.
00:10:43Goodbye.
00:10:47Happy?
00:10:50Yes.
00:10:51But it's also unreal, Mrs.
00:10:54Auntie.
00:10:55Oh, forgive me.
00:10:56I'll try and remember.
00:10:58Come now.
00:10:59Smile.
00:11:00Joan Radcliffe must be happy.
00:11:03Why should you do all this for me?
00:11:07Because I believe in you.
00:11:09Isn't that enough?
00:11:15I'm just a fugitive.
00:11:21Oh, but I am innocent.
00:11:23Of course you are.
00:11:26Joan Lane is no more.
00:11:28As my niece, you must take your place.
00:11:33Happiness is the heritage of everyone.
00:11:36Take it, my dear.
00:11:42Good morning.
00:11:43Good morning.
00:11:49Thanks a lot.
00:11:50You're doing fine, Miss.
00:11:51I think I'm quite alone today.
00:11:53Be careful of those precious bones, darling.
00:11:55I shall.
00:11:56Perhaps I'd better accompany you, Miss.
00:11:58No, thanks.
00:11:59I feel rather expert.
00:12:00So long.
00:12:03Good-bye.
00:12:05We've done everything, partner.
00:12:06Secretary.
00:12:07Oh, ma'am.
00:12:09Oh, ma'am.
00:12:12Listen.
00:12:43Are you hurt?
00:12:46How dare you?
00:12:48Well, I'm awfully sorry. Is there anything I can do?
00:12:51You've got enough.
00:12:55Oh, permit me.
00:12:56No, thank you.
00:13:10Well, can I give you a lift?
00:13:12No.
00:13:14But I'm afraid your horse is gone.
00:13:17I suggest you take a hint on the horse.
00:13:21I can't leave you like this.
00:13:24Well, I can.
00:13:26Ronnie, why, Bill Mortimer. I was expecting you by train.
00:13:49Oh, I changed my mind and mortored up.
00:13:51Well, uh...
00:13:58Hent?
00:14:02Hey.
00:14:05Thanks.
00:14:06You've just time to change, my boy.
00:14:11Well, we're invited to weekend at the Red Cliff home.
00:14:15Brett?
00:14:15Yes, she's a charming hostess.
00:14:18And she has a niece that's, uh...
00:14:20Breathtaking.
00:14:22Well, it's too late for that.
00:14:26You see, I've met the girl.
00:14:28You mean, uh...
00:14:30Oh, not the girl you mean.
00:14:32But, uh, you know, I've lost my breath, so to speak.
00:14:35Joan, dear.
00:14:47Joan, dear. Don't forget the long fate is this afternoon. How shall I dress? In your
00:15:09very best, my dear. It's an honor of Mr. Ronald Stantop, an intimate friend of Mr. Mortimer.
00:15:17And I've heard he's very handsome. But I've already fallen for a young man. What? Oh, technically
00:15:25so to speak. Are you hurt? I doubt if I'll ever be the same. What happened, dear? Well, a gentleman
00:15:33frightened my horse with his mortar. He was no gentleman. But he was handsome.
00:15:47How are you lovely? I'm so glad you've come. Mrs. Branson. Mrs. Branson? My niece, Joan Branson.
00:15:55How do you do? Tom, didn't he? Nice son. Oh, marvelous. I mean, delight. In fact, he means
00:16:05both. From now on, life takes a new interest. Be warm, darling.
00:16:10Mary is here. The spirit of a gifted, charming creature. Princess interpaines with feet of
00:16:22magic. Behold, a niece. And such a niece that I'm still bewildered. Well, she's been my niece
00:16:29for all the years the young thing can boast of. But I have never seen our pleasure of her
00:16:34sleep. Nor I. Well, I'll let you in on a little secret. She's been fooled abroad. Ah!
00:16:41Oh, boy! Look at Benson's feet. We'll have to stop that. I should say so.
00:16:59Now that we're alone. My mistake. Where there's honey, flies will gather. Well, you might have
00:17:10said bees. Bees. Bees. Flies. Yes. She's been schooled in France. Fancy. A college campus
00:17:20in Paris. You know, Joan has a... Pardon me. May I call you Joan? Why, of course. Thanks. Did you
00:17:28do the Riviera last season? Uh, why, no. But I'm planning to do it this season. That cancels
00:17:33my trip to Florida. My Honolulu trip's off. No hunting for me in Canada. Well, since you're
00:17:39all changing your minds, I shall too. Oh!
00:17:41I don't too.
00:17:42Oh!
00:17:53Joel, there's something I want to tell you.
00:17:55That may be unanimous.
00:17:58Boys, you can tell me on the Ribby Era.
00:18:02Brace yourself, my boy. You're about to meet your water.
00:18:12Yes, please. Come on, Ronnie.
00:18:15Well, don't bother. I'll park it.
00:18:32I'm horning in again.
00:18:39You would!
00:18:46May I take this opportunity to fall for you?
00:18:49May I take the mud funnel?
00:18:51A big one?
00:18:52Just so it's gooey.
00:18:56Oh, I'm really sorry.
00:18:58How sorry?
00:18:59May I suggest we go to some safe place to tell you how sorry?
00:19:04I suppose it's all right to accept your apology.
00:19:06Well, I assure you it's most ladylike.
00:19:20Hello, Miriam.
00:19:21Where's your precious Charles?
00:19:22He insisted on parking his car.
00:19:24Not a bad setting for a romance, eh?
00:19:30Very well done, Miriam.
00:19:32Thank you, John.
00:19:33Where's Joan?
00:19:34Wherever the boys are.
00:19:37Chaffee.
00:19:39There's safety in numbers.
00:19:44Then I'm forgiven?
00:19:45You're on probation.
00:19:47Plented.
00:19:50I'll report to you hourly.
00:19:51That won't be necessary.
00:19:56Say, what's your name?
00:19:59Mind Sandy?
00:20:02Ronnie Sandy.
00:20:10Oh, well, I'll have to be going.
00:20:11Oh, no, don't go, please.
00:20:13Let's talk a while.
00:20:14But there's lots of twitty girls here.
00:20:17Not for me.
00:20:18They'll be expecting you, particularly Joan Radcliffe.
00:20:24Oh, you know her?
00:20:26Well, slightly.
00:20:28She's not so hard to look at.
00:20:30Oh, she's been overrated.
00:20:33I figured she'd be a wash off.
00:20:36Oh, but she's not so bad.
00:20:38Well, tell me then, is she tall, short, neat, or tall?
00:20:43Me, or Sam?
00:20:44I see.
00:20:52Crap.
00:20:53Not really.
00:20:55Oh, but she's a good girl.
00:20:57She can help me.
00:20:59You'll find her amusing, though.
00:21:01Well, a sense of humor or something.
00:21:03Oh, she hasn't laughed.
00:21:05Well, you said amusing.
00:21:06Oh, a mess to look at.
00:21:10That's enough.
00:21:11Sit down.
00:21:13But you would be presented to her.
00:21:15Oh, no.
00:21:16I believe in putting unpleasant things off as long as possible.
00:21:23Well?
00:21:24On the car, but not Ronnie.
00:21:26I've sent an SOS for Jones.
00:21:28If anything, she'll interfere with our plans.
00:21:30Ronnie must become interested in Jones.
00:21:33Anyway, she'll do as she's told.
00:21:35Find him.
00:21:40Well, did you find Jones?
00:21:42Yes, I placed her to a vine and flower-covered bower.
00:21:46But did you tell her I wanted her?
00:21:49There was another party telling her something.
00:21:51Who? A man.
00:21:52Oh, naturally.
00:21:56I must be going.
00:21:58Oh, have a heart.
00:21:59Are you sure you don't want to meet Jones?
00:22:01After your description, I'm positive.
00:22:12I beg your pardon, young man.
00:22:13Have we ever left?
00:22:15Why, no.
00:22:16You're a guest, aren't you?
00:22:18This is the gentleman I told you about.
00:22:19You know, the accident and everything.
00:22:22Oh, come along, my dear.
00:22:23Accidents can't always be avoided.
00:22:27But there's no need for long.
00:22:29Ronnie!
00:22:31Well, thank goodness you're in safe hands.
00:22:34Ronnie?
00:22:35Yes.
00:22:36You've all met, haven't you?
00:22:38Why, no.
00:22:40Well, this is Mrs. Radcliffe, our hostess.
00:22:44Charmed.
00:22:45You are a guest.
00:22:46The most welcome one.
00:22:48And by this time, you two, of course, know each other.
00:22:51It might be well to introduce us.
00:22:54Oh, well, Ronnie.
00:22:56This is Joan, the niece of Mrs. Radcliffe.
00:23:00Joan Radcliffe?
00:23:01What?
00:23:03What?
00:23:07Amazed?
00:23:08I mean, that is, agreeably so.
00:23:11Telephone, madam.
00:23:13Impartant?
00:23:14Long distance.
00:23:15All right.
00:23:16Will you excuse me?
00:23:18Come along, will you?
00:23:19We've interrupted them long enough.
00:23:21Now I ask you.
00:23:35Was that nice?
00:23:37We're even for the mud puddles.
00:23:46Sheriff's Office, madam.
00:23:48The Sheriff's Office?
00:23:50What shall I do?
00:23:51Let him do the talking.
00:23:54Yes?
00:23:56What is it?
00:23:57Mrs. Radcliffe?
00:23:59I'm calling you regarding Aime.
00:24:02She was my prisoner on the night of the wreck.
00:24:05I thought perhaps you might shed some light on the matter.
00:24:09Sheriff, I'm not in the habit of sheltering criminals.
00:24:14I am not assuming that you are, Mrs. Radcliffe.
00:24:16My investigation shows that you acknowledge to the trainmen a certain Joan Radcliffe as your niece.
00:24:24I assure you, Joan Lane and Joan Radcliffe are not the same person.
00:24:30Mm-hmm.
00:24:39They're after her.
00:24:40But listen, do you think that, uh...
00:24:42Oh, I'm certain I convinced him.
00:24:46Turn up anything, Chief?
00:24:48Nothing that is factory.
00:24:50Well, there's no record of a railroad ticket covering her niece.
00:24:53Covering her niece.
00:24:54Oh.
00:25:05Oh.
00:25:10Oh.
00:25:11I don't know what, no.
00:25:33Remember, something must be done.
00:25:37He, oh, yes, sir.
00:25:41No, I don't know this one.
00:25:43Carl, George, Jack, me.
00:25:48Hey, good choice.
00:25:49I have.
00:25:51Pretty girl.
00:25:52Pretty speed.
00:25:54Pretty everything.
00:26:02There you are.
00:26:07Oh, no.
00:26:09Now, keep your head down.
00:26:10Keep your eye on the ball and follow through.
00:26:13I think I can do it all right.
00:26:19No, I think I'd better show you again.
00:26:31Keep your head down.
00:26:32Keep your eye on the ball and follow through.
00:26:35Come on.
00:26:45Go ahead.
00:26:46You're going to go.
00:26:57You're going to go.
00:26:57Let's go.
00:26:57Honey, where are you?
00:27:06Honey, where are you?
00:27:12Honey!
00:27:17Honey!
00:27:38Gee, what a day.
00:27:42Oh, oh, oh.
00:27:48That's what he said.
00:27:54Don't frogs have fun.
00:27:59No, spring has a lot of magic.
00:28:01It's the most beautiful...
00:28:03And the most dangerous time of the year.
00:28:05Oh, don't be so earthy, Joan.
00:28:08Relax.
00:28:09Put your fancy free.
00:28:11Doesn't one need a move?
00:28:14No, with these surroundings.
00:28:17Frogs.
00:28:18Birds.
00:28:19Flowers.
00:28:20My dear, it's just filled with...
00:28:24Muxedos.
00:28:27No.
00:28:28Romance.
00:28:30Dream stuff.
00:28:32Oh, give me a sort of make-believe reality.
00:28:36That's it?
00:28:38Will you join me?
00:28:39Can you guarantee a safe and sane return?
00:28:43No.
00:28:44I can't promise that.
00:28:47You may end up in my arms.
00:28:51Then I won't go.
00:28:53Joan.
00:28:54I love you.
00:28:55And I won't go.
00:28:56Joan.
00:29:09I love you.
00:29:11Joan, I love you.
00:29:35No, no.
00:29:37You mustn't say it.
00:29:39But then.
00:29:40Grace.
00:29:41Don't.
00:29:50Joan.
00:30:10Bob.
00:30:10Yes.
00:30:25Don't let me take them away.
00:30:28Stop those troublesome things.
00:30:32Thanks for scattering them.
00:30:41Hold that picture.
00:30:44Please.
00:30:46I mean it.
00:30:48Your eyes.
00:30:49There's a moonbeam glistening there.
00:30:52Don't be too worried, Ronnie.
00:30:54And why not?
00:30:56I have the moon, the girl, and the inclination.
00:31:06Oh, I'm sorry.
00:31:07Don't tell me.
00:31:08Not at all, Mr. Mohammed.
00:31:09Well, we weren't escaping at the moon.
00:31:12Yes, yes, of course.
00:31:14Well, Ronnie, since you've received your inheritance, how does it feel to be rich?
00:31:19Why, I hadn't noticed any unusual sensation.
00:31:24Well, perhaps this may record something.
00:31:31As your executor, this completes my surrender.
00:31:34By way of legal technicality, it was necessary for me to hand this to you in person.
00:31:41It's sort of, sort of an heirloom.
00:31:45It's really too big to be worn.
00:31:47It's more than that, my boy.
00:31:48It's to become the heritage of the future Mrs. Stample.
00:31:53That's right.
00:31:55You know, it's sort of a family tradition, you know.
00:31:58It is beautiful.
00:32:00It is beautiful.
00:32:02Why don't you have Joan try it on?
00:32:09Oh, I wouldn't think of it.
00:32:11And why not?
00:32:13Because...
00:32:14Oh, now that's not a good reason.
00:32:16Don't, Ronnie.
00:32:17No.
00:32:24You won't wear it.
00:32:25Why?
00:32:26Because...
00:32:29I'm not the girl.
00:32:32You mean...
00:32:33Don't, Ronnie.
00:32:35Don't say it.
00:32:37Let's go on, just as we were.
00:32:43I understand.
00:32:47Just as we were.
00:33:17Joan.
00:33:18Joan.
00:33:22What is it?
00:33:23She's fainted.
00:33:24Get out of the water, quickly.
00:33:28Joan.
00:33:30Joan.
00:33:38They found me.
00:33:40Who?
00:33:41Who, dear?
00:33:42He's come to take me back.
00:33:43You mean...
00:33:44Sure, I saw him through the window.
00:33:46It's just your nerves, dear.
00:33:47Oh, no.
00:33:48It's true.
00:33:50You must get her to her room.
00:33:53Anything serious?
00:33:55Nothing, thanks.
00:33:57You mustn't talk, dear.
00:34:03You understand, Joan.
00:34:05No talking.
00:34:10Take her to her room.
00:34:12Oh, I'm all right.
00:34:14The tune.
00:34:15Please.
00:34:16I'll stay.
00:34:24I'll answer the door.
00:34:25I beg your pardon.
00:34:26Is this Mrs. Radcliffe?
00:34:27Yes.
00:34:28And you?
00:34:29I am the Sheriff of Easterly County, madam.
00:34:31Is the county matter?
00:34:32Perhaps not.
00:34:33It accounts, though, for my visit here this evening.
00:34:34Well, go on.
00:34:36Joan Lane and Joan Radcliffe are one and the same.
00:34:39Joan Lane and Joan Radcliffe are one and the same.
00:34:41I am the sheriff of Easterly County, madam.
00:34:43Is the county matter?
00:34:44Perhaps not.
00:34:46It accounts, though, for my visit here this evening.
00:34:48Well, go on.
00:34:49Joan Lane and Joan Radcliffe are one and the same.
00:35:05I can understand the impulse which prompted your act, and I admire it.
00:35:11You will be pleased to know that the girl is innocent of the charge held against her.
00:35:20Innocent?
00:35:21You mean, you're not going to take her with you?
00:35:25That she's free?
00:35:27Yes.
00:35:28Another has confessed that the girl was framed.
00:35:31I felt it best that she should know.
00:35:33That is why I am here.
00:35:35This is good news.
00:35:37Rest assured, I shall give her the information when she's recovered from a temporary illness.
00:35:42And my mission here is fulfilled.
00:35:44Perfectly, Sheriff.
00:35:45Good evening.
00:35:46Good night.
00:35:54Has he gone?
00:35:56Yes, dear.
00:35:58There, there.
00:36:00Oh, I can't stand it.
00:36:02I've warded off all suspicion.
00:36:03Oh, you don't understand.
00:36:04Come, dear.
00:36:05You mustn't give way like this.
00:36:07I seem to be hiding from myself.
00:36:10Living a lie.
00:36:11Oh, I'd rather give myself up and go on to the chief.
00:36:15Listen, darling.
00:36:17You mean to be fair.
00:36:19But what about those who have befriended you?
00:36:22Think of my position.
00:36:24Joan Radcliffe has been accepted as my niece.
00:36:27I don't want to hurt you.
00:36:29You've been wonderful.
00:36:31But I'm desperate.
00:36:38I'll take you away.
00:36:40Far from all danger and suspicion.
00:36:42And you shall continue with my niece.
00:36:44I've grown too fond of you to give you up.
00:36:47How can I ever repay you?
00:36:50By just being happy.
00:36:52Joan.
00:36:54Well, she's all right.
00:36:56She'll have that pretty smile back in the morning.
00:36:57Well, I'm glad of that.
00:36:59I've just received an important message I'd like to discuss with Mr. Mortimer.
00:37:04Raleigh, would you mind taking Joan in the library for a moment?
00:37:08Why not at all.
00:37:10I'd take Joan any place.
00:37:16Well, what happened?
00:37:18Joan is innocent.
00:37:19Another has confessed.
00:37:21He came to tell her.
00:37:23But he didn't?
00:37:24No.
00:37:25I thought of that.
00:37:27Then if she never gets this information...
00:37:29Exactly.
00:37:33The Stanhope diamond will still be the first payment on my silence.
00:37:37Yes.
00:37:39We must get her away before the news spreads and she learns the truth.
00:37:42Yes, but what about Ronnie?
00:37:44He'll go wherever she does.
00:37:45Yes.
00:37:49Writing tomorrow?
00:37:51Tomorrow's another day.
00:37:53Yep.
00:37:54Tomorrow has a habit of being another day.
00:37:58Great.
00:37:59Now keep smiling.
00:38:03I've bad news, Ronnie.
00:38:05I've just learned my California status in an awful tangle.
00:38:08Joan and I must leave tomorrow.
00:38:10California?
00:38:11Yes.
00:38:12Did Joan tell you?
00:38:14Oh, I know.
00:38:19But isn't it a coincidence?
00:38:21You see, my Western interests need attention too.
00:38:23Oh.
00:38:25Of course, Ronnie didn't want to go.
00:38:27Well, business is business.
00:38:31Well, why not make a party of it?
00:38:34Great.
00:38:35That is, if Joan doesn't mind.
00:38:39Why, Joan would be delighted.
00:38:41Wouldn't you?
00:38:44Why, yes.
00:38:56Join yourself, dear.
00:38:58I was just thinking.
00:39:00Never look back.
00:39:02Keep your thoughts ahead.
00:39:04And keep smiling.
00:39:05Right.
00:39:07I remember your prescription to the letter.
00:39:10Then this is.
00:39:16Come in.
00:39:19Hello, Ronnie.
00:39:21Oh.
00:39:23What's the matter?
00:39:26Anything wrong with you and Joan?
00:39:28No.
00:39:30Why?
00:39:32Well, she's on the observation platform.
00:39:36Joan.
00:39:38As the most intimate member of my family,
00:39:41I'm going to take you into my confidence.
00:39:44You can always count on me.
00:39:46I hope so.
00:39:48I've been speculating in the market.
00:39:51You know, stocks and bonds.
00:39:53Yes.
00:39:55Well, I've just received word that I'm practically tenderly.
00:39:59Really?
00:40:01Ronnie, you're a fool.
00:40:03It's your money Joan holds against you.
00:40:06I wish I could believe that.
00:40:08It's true.
00:40:10Joan has a lot of pride.
00:40:14It never occurred to me that way.
00:40:15What can I do about it?
00:40:18Tell her you love her.
00:40:20She already knows that.
00:40:22Then confound it, take her.
00:40:24I know she loves you.
00:40:27You really think so?
00:40:28I'm sure of.
00:40:33You four dear.
00:40:35Using your vernacular, we're both four dear.
00:40:39That is, temporarily.
00:40:41Temporarily.
00:40:43Temporarily?
00:40:45How do you know what I mean?
00:40:47Ronnie's crazy about you.
00:40:50Has been from the very beginning.
00:40:52But Ronnie's worth millions.
00:40:55Not forgetting that diamond.
00:40:58But there are formalities.
00:41:01I understand.
00:41:09I have a horrible headache.
00:41:11I think I'll go and lie down.
00:41:14You stay here, darling.
00:41:16Opportunity may take my case.
00:41:17The chair outside.
00:41:27The chair outside.
00:41:31Your hon nowhere would be easier.
00:41:37Nothing?
00:41:39No, flight away.
00:41:41We're getting late.
00:41:43Not until late.
00:41:44But it's too late.
00:41:49Not too late.
00:41:52This is my first night away from Mother.
00:41:58So now, dear.
00:42:14Did you drop a half a dollar, sir?
00:42:28A dime.
00:42:35Do you suppose they brought along their wedding presents?
00:42:39I wouldn't count on them.
00:42:41He's probably got a bed pocket full of dimes.
00:42:44And I'll kick it tonight to the fall.
00:42:48Is that place still running?
00:42:54I think I'll turn it in.
00:42:56Oh, don't go, Joan.
00:42:57It's early.
00:42:59But I really should.
00:43:02It's pleasant out here.
00:43:04There's a moon and everything.
00:43:06That's why I must enjoy it.
00:43:08Be serious with me.
00:43:14Look, let's not spoil their romance.
00:43:21We've had ours.
00:43:23Harrod, you're going cold.
00:43:26But dear.
00:43:34Joan, I love you.
00:43:37Please, Ronnie.
00:43:39Don't you care for me?
00:43:42I'm sorry you asked me that.
00:43:44Oh, say you do.
00:43:48I can't say that.
00:43:51You mean...
00:43:52I mean, Ronnie, but...
00:43:54It's impossible.
00:43:57I can never marry you.
00:43:59Then why not?
00:44:01Please, Ronnie.
00:44:02You're hurting my arm.
00:44:11Tell me.
00:44:13Is it because you don't care?
00:44:15Are they together?
00:44:40Yes.
00:44:40I'm waiting to bless the union
00:44:42with all the emotions of a fond parent.
00:44:48There she is now.
00:44:51My congratulations can't wait.
00:44:58Yes?
00:45:09Well?
00:45:10Where's Ronnie?
00:45:14It is, Brad, dear.
00:45:15There's something I must tell you.
00:45:17Something I'm sure you'll understand.
00:45:19Of course, dear.
00:45:21He proposed?
00:45:22Yes.
00:45:24Congratulations.
00:45:26But I refuse.
00:45:28You mean...
00:45:30You said no?
00:45:32Please try to understand.
00:45:34It was hard to do.
00:45:36I love him.
00:45:38You love him?
00:45:39And you threw away this chance
00:45:41knowing how I counted on it?
00:45:42It wouldn't be fair to Ronnie.
00:45:45Fair to Ronnie?
00:45:46What about me?
00:45:48My one hope was through this marriage.
00:45:50And you knew it.
00:45:51Stop.
00:45:52I won't listen.
00:45:52I won't listen.
00:45:53I won't listen.
00:45:54Well, you'll listen to this.
00:45:56You'll marry him or you'll go to the penitentiary.
00:46:02You're mad, dear.
00:46:03You're neat.
00:46:04Big clothes.
00:46:06So that's why you've tried to throw us together.
00:46:08You plan to use me from the start.
00:46:10But you won't.
00:46:13I refuse to play your game.
00:46:15I'll go to the penitentiary.
00:46:18I'll give you your choice.
00:46:20The price of my silence is the Stanhope Diamond.
00:46:24For a girl like you, that shouldn't be difficult.
00:46:27He has it with him.
00:46:34Think it over?
00:46:35Think it over?
00:46:52Naturally leave the train as the first convenient stop.
00:46:54Then if the duel is missing...
00:46:57The following is nothing.
00:46:58The girl will be accused.
00:47:00How are we to...
00:47:01I have attended to that.
00:47:04I've unlocked the door on his side.
00:47:24God bless you.
00:47:52I love you.
00:51:34Who is it?
00:51:35It's Ronnie.
00:51:36I'd like to see it for a moment.
00:51:37Yes?
00:51:38Yes?
00:51:38Yes.
00:51:39Yes.
00:51:41I can't sleep on things.
00:52:03I guess others are putting it off as well.
00:52:09Hand it over, lady.
00:52:11What's wrong?
00:52:21Two men grabbed me.
00:52:23Where'd they go?
00:52:24In your room.
00:52:36What's gone wrong, sir?
00:52:37What's an experience.
00:52:55Oh, sit right here.
00:52:57It's traveling like a plane of grass.
00:52:59Oh, I'm sorry.
00:53:00You should be.
00:53:01It's my fault.
00:53:02It is.
00:53:03It is?
00:53:04Yes.
00:53:04What's up?
00:53:05Clancy.
00:53:06Rollies and rocks.
00:53:09Father.
00:53:10Make it for mercy.
00:53:11I was about to retire when I heard you scream.
00:53:17What's the matter, George?
00:53:19Somebody had just hit me with a piece of disc train.
00:53:21What's the trouble in here?
00:53:26There's been a robbery.
00:53:28Valuable jewel's been stolen.
00:53:30Robbery?
00:53:31Valuable jewel?
00:53:32This is no ordinary matter, Senator.
00:53:34The Stanhope diamond is worth a fortune.
00:53:37Two men accosted Mrs. Ratcliffe and got away.
00:53:40But the robbery occurred before that.
00:53:41That's right.
00:53:44Not that you mention it.
00:53:46It was all while I was asleep.
00:53:48Someone took it.
00:53:50Who?
00:53:53Where's Joe?
00:53:58Here I am.
00:54:01Rollies and rocks, don't they?
00:54:02The Stanhope diamond.
00:54:04I thought you'd know something about this.
00:54:08Don't be ridiculous.
00:54:10I've offered it to Joan several times.
00:54:12This is beyond me.
00:54:14Conductor, you may save me.
00:54:17Yes, why don't you save everybody?
00:54:20I'm quite willing.
00:54:22But you might save time by beginning with Mrs. Ratcliffe.
00:54:25You mean...
00:54:26Please, this is getting to be a farm.
00:54:29Search me.
00:54:30Well, coming from you, that's good.
00:54:33A thief.
00:54:34An escaped convict.
00:54:37Have we all gone mad?
00:54:39No.
00:54:40It's the truth that only causes it.
00:54:42Joan, that isn't true.
00:54:44Please, Ron.
00:54:46I'm tired of making you.
00:54:48Is this the case for the police?
00:54:51I'll turn it over to them at the next stop.
00:54:54The first thing in the morning.
00:54:56Please, now, won't you all go to your rooms?
00:55:00I'm so uncertain.
00:55:13I couldn't break away.
00:55:14I'm going to stay here all night.
00:55:16anthony, don't you?
00:55:30I could get the news.
00:55:37I could take the news.
00:55:39I could see you as a boy or a man.
00:55:40Yes?
00:55:47Mary, are you up?
00:55:49Yes.
00:56:00Do you think we'll be safe her with me?
00:56:02No one will ever suspect you, Mary.
00:56:10That ends everything.
00:56:23You know her.
00:56:40We're having a minute to move.
00:56:57I'll cut it off now.
00:56:58I'll cut it off now.
00:57:28I'll cut it off now.
00:57:47What happened?
00:57:48Well, this was the rest of the train.
00:57:50You said it.
00:57:52The brakes.
00:57:52The brakes stop it.
00:57:54We're ready.
00:57:56Let me go.
00:57:57Stay where you are.
00:57:59It's coming away.
00:58:00Down the way.
00:58:01Now listen, folks.
00:58:02We're here on this.
00:58:04It's a hold-up.
00:58:05You guessed it.
00:58:06But the car.
00:58:07We'll stop it in time.
00:58:09Where's that guy?
00:58:10Whoo!
00:58:23Have a good one.
00:58:25There you go.
00:58:28Whoo!
01:01:08Come on.
01:01:38I can't get Mrs. Radcliffe out of my mind.
01:02:03It was spawning of her to tell you the truth before she went?
01:02:07Yes.
01:02:08Oh, me.
01:02:14We'll soon be as good as new, and then for our honeymoon.
01:02:22No.
01:02:23Send back my mother.
01:02:27Speaking of honeymoon, where shall we go?
01:02:31On a boat.
01:02:32And leave the Stanhope Diamond as home.
01:02:37Oh, my God.
01:02:45Ah, yeah.
01:02:50Yeah.
01:02:51ть
Recommended
3:05
22:27
50:43
25:11
3:51
3:38
3:49
Be the first to comment