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00:00In
00:29In the summer of 1968, American audiences were confronted with one of the most bizarre,
00:34mind-boggling series of all time, The Prisoner.
00:38This was no ordinary series, for it dared to probe the boundaries of what television's
00:43potential could be.
00:45More than 20 years after its initial broadcast, people are still wondering and debating, what
00:51is The Prisoner?
00:53Week after week, the program's main character, known only as Number Six, was held against
00:58his will on a strange, beautiful island known only as The Village.
01:11I suppose you're wondering what you're doing here.
01:14It had crossed my mind.
01:17What's it all about?
01:20Sit down and I'll tell you.
01:24It's a question of your resignation.
01:25What?
01:26The information in your head is priceless.
01:30I don't think you realize what a valuable property you've become.
01:34A man like you is worth a great deal on the open market.
01:36Who brought me here?
01:37I know how you feel, believe me.
01:40And they have taken quite a liberty.
01:41Who are they?
01:42A lot of people are curious about what lies behind your resignation.
01:47You had a brilliant career.
01:49The record is impeccable.
01:51They want to know why you suddenly left.
01:54Number Six.
01:55An ex-secret agent who resigned tries to escape while his captors attempt to extract the reason
02:01for his resignation.
02:02I've resigned.
02:03I will not be pushed, filed, stamped, indexed, briefed, debriefed, or numbered.
02:10My life is my own.
02:12Is it?
02:13Yes.
02:14You won't hold me.
02:15It is this conflict that sets the tone for The Prisoner being a classic spy adventure series.
02:20But on another level, The Prisoner is the quintessential science fiction series.
02:25In the episode ABC, Number Two invades Number Six's dreams and attempts to discover why he resigned.
02:32His mind is now yours.
02:34What do you want from it?
02:36Why he resigned, I believe that he was going to sell out.
02:40I want to know what he had to sell and to whom he was going to sell it.
02:44We've researched and computed his whole life, and it boils down to three people.
02:50A, B, and C.
02:54He must meet each one of them.
02:56We shall then know what would have happened if we had not got to him first.
03:01The props, themes, and futuristic interrogation methods add to the science fiction nature of The Prisoner.
03:10Who is that? Who is that?
03:13It's Dutton. Hello, hello. Are you there?
03:16It's Dutton. Hello, hello. Are you there?
03:18You must stop. You'll damage the brain, then we're all there.
03:20Stop! Get that man back to the hospital.
03:23Number Six was about to talk.
03:25Don't you believe it? He'd have died first.
03:27You can't cause it out of this man. He's not like the others.
03:30I would have made him talk.
03:32The Prisoner was not just ahead of its time. It was also a product of its time. With its roots in the 60s, it is no wonder that The Prisoner is seen as a biting political commentary.
03:44Congratulations.
03:45Come again.
03:46Allow me to introduce myself. I am number 113, and this is my photographic colleague number 113B.
03:53We contribute to the local newspaper. The Tally Ho, you know.
03:56Right on.
03:57This is Red Hot Stuff, you know. Haven't had a candidate of your caliber for ages.
04:00Congratulations.
04:01How are you going to handle your campaign?
04:03No comment.
04:04Intends to fight for freedom at all costs.
04:08In free-for-all, the concept of democracy and elections is called into question.
04:14When number six runs for the office of number two, number six runs off an empty platform and is greeted by zealous, robot-like cheers.
04:23In your spare time, if you get it, what will you do? Less work? And more play?
04:34Switch! Switch! Switch!
04:37A game of chess, my dear.
04:39I don't play.
04:40You should learn.
04:41We're all pawns, my dear.
04:44In Checkmate, the question of whether we are all pawns in life is explored.
04:55Checkmate!
04:56Too old.
04:57For what?
04:58Escape.
04:59You had a plan.
05:00Everybody has a plan, but they all fail.
05:02Why?
05:03It's like the game.
05:04You have to learn to distinguish between the blacks and the whites.
05:10And finally, violent revolution is addressed in the final episode.
05:18The Prisoner is not any one type of series.
05:25It combines elements from all genres, and the result, to behold, is an enduring allegory that means something different to each viewer.
05:33One of the most often asked questions is how did The Prisoner become a reality, given the fact that the series managed to break nearly every rule of series television.
05:43The idea sprang from one of television's most fertile minds, Patrick McGowan.
05:48It helped that he had become one of America's and Europe's brightest stars in the 60s.
05:53McGowan was so popular, he was offered the role of 007, James Bond, before Sean Connery.
06:01Let me see you.
06:03The roots of The Prisoner begin with McGowan's smash hit, Danger Man, and later, Secret Agent.
06:09Secret Agent Man, Secret Agent Man, they've given you a number.
06:18McGowan was tiring of his role of John Drake, and at the very beginning of filming the first two episodes of Secret Agent in Color, he quit the series and convinced executive producer Sir Lou Gray to back this new idea.
06:31Great was skeptical of the idea to create a series where the hero did not escape.
06:36Great felt that viewers would revolt at the idea of their hero failing week after week, but finally gave in and trusted that McGowan's popularity would pull the show through.
06:45Both their instincts were correct.
06:48Who is number one?
06:50You are number six.
06:53I am not a number. I am a free man.
06:58Number six, played by McGowan, possessed qualities of the hero and the anti-hero.
07:06His struggle against being a number reaches its climax in Fallout.
07:11He has revolted, resisted, fought, held fast, maintained, destroyed resistance, overcome coercion.
07:25The right to be person, someone or individual.
07:32We applaud his private war and concede that despite materialistic efforts, he has survived intact and secure.
07:46All that remains is recognition of a man.
07:59Number six is a model human, possessing character and ideals.
08:04The foil for number six each episode was the new number two.
08:08Number two's role was to extract the reason for number six's resignation.
08:13If they failed, and they always did, a new number two would take their place.
08:17I'm not an inmate.
08:19You can say what you like.
08:21You brought me back here.
08:23I told you the last time you were using the wrong approach, I'd do it my way.
08:27Or you find somebody else.
08:29We never know who and for what side number two works for.
08:32And we find out that they'll go to almost any length to get what they want.
08:37Light blue.
08:40Fearless.
08:42Or are you?
08:44Each man has his breaking point, you know.
08:48And you are no exception.
08:50Ah, you react.
08:56Are you afraid of me?
08:59What is going on out there?
09:02Disgusting.
09:07Only two number twos appeared in more than one episode.
09:10Leo McKern appeared in three.
09:12Chimes of Big Ben, Once Upon a Time, and Fallout.
09:16Colin Gordon appeared in A, B, and C, and the General.
09:20With these exceptions, it was assumed that failure on number two's parts meant impending doom.
09:27Number two.
09:30Yes, sir.
09:31Yes, sir, everything's under control.
09:33No, sir, no problems.
09:37Assistance?
09:39Oh, no, sir, I can manage.
09:41Yes, sir, of course.
09:42Me seeing you.
09:43The only character to appear in every episode was the butler.
09:49Each episode featured the butler, always silent but forever faithful, working tirelessly for his new master.
09:55Wait.
10:19We're moving.
10:25Played by Angelo Muscat, the butler represented the little people, you, me, and, in a sense, every man.
10:39Thoreau once said, the mass of men lead quiet lives of desperation, and the butler's silence was a life of quiet desperation.
10:47You too.
10:48You're in this plot, aren't you?
10:49Oh, yes!
10:50Get out!
10:51Get out of this house!
10:52Get out!
10:53Get out!
10:54Get out of this house!
11:09In a series that operates on many levels, there is a great deal to notice.
11:13The behind-the-scenes stories offer interesting fodder for the fan.
11:18The ubiquitous bicycle displayed on badges, helicopters, canned goods, and taxis was a symbol of progress.
11:25McGowan thought that man's technological advances, we are outstripping our ability to cope with them.
11:31The penny-farthing bicycle was a symbol to slow down the wheels of progress.
11:35There was a lot of information and misinformation given as to where the village was located.
11:44Where are we now, dear?
11:46Lithuania.
11:48One minute.
11:50Lithuania.
11:54On the Baltic.
11:56That means making for West Germany, Denmark.
12:00It's, um, 300 miles at least.
12:02Oh, no, he doesn't mean it.
12:05Why not?
12:06Even there, in Poland, Danzig.
12:09Will you take me with you?
12:10Will I be safe?
12:12I can't answer for the British authorities, for either of us.
12:16Can you answer for you?
12:17I give you my personal guarantee, for whatever that's worth.
12:21Thirty miles, that's all.
12:23Huh?
12:24Yes, that's how far we are from the Polish border.
12:26In many happy returns, the village is said to be off the coast of Morocco.
12:32Somewhere about here.
12:41Coast of Morocco, southwest of Portugal and Spain.
12:46Might be an island.
12:47And in fallout, the village appears to be at the end of a tunnel, leading to the A20 in Kent.
12:54The mystery of the village was twofold.
12:56The village was actually a resort whose architect, Chloe Williams Ellis, made the use of the resort conditional on its location being kept secret until filming was over.
13:05The other reason was the location of the village could be anywhere, and maybe everywhere.
13:12In the final episode, the village is revealed to be in North Wales.
13:18George Markstein was a close collaborator of Magoen's.
13:21He maintained that the village existed in real life, where real secret agents were kept after World War II.
13:28He appears as the man behind the desk during the opening credits.
13:31Markstein was a former reporter on British intelligence during World War II.
13:37Magoen's production company was Every Man's Films Limited.
13:41It has been suggested that the name chosen for his company was a side reference to the medieval morality play, Every Man, which is an allegorical study of mankind.
13:50The famous sports car in the opening sequence is Lotus 7, a model introduced in 1957 and discontinued in 1982.
14:00K. A. R. 120 C. What's the engine number?
14:07Do tell me.
14:08461034 TZ.
14:11Marvelous.
14:12I know every nut and bolt and cog. I built it with my own hands.
14:16Then you're just the man I want to see.
14:19I've been having a good deal of overheating in traffic. Perhaps you care to advise me.
14:23One of Heavy Metal's biggest bands, Iron Maiden, have paid homage to The Prisoner more than once.
14:32In their album, Power Slave, there is a track entitled Back in the Village.
14:37In another album called The Number of the Beast, a song entitled The Prisoner begins with the opening soundtrack of the television series.
14:44The special hand signal used as a salute was once used by the ancient Christians, the sign of the fish.
14:57The balloon-like rover was the most expensive special effect in The Prisoner.
15:23Magooan needed a menacing enforcer for the series and looked up for divine inspiration.
15:28What he saw was an eight-foot weather balloon, which is what Rover actually was.
15:34Turn back!
15:37When he was going back!
15:39Oh!
15:43Uh!
15:44Oh!
15:45Oh!
15:46Nooooh!
15:47Nooooh!
15:50This is a wild Rain
16:03Magoon was one of the first stars to share in the profits of a series.
16:08Each episode was budgeted at $187,500,
16:13while Magoon's salary was $5,000 per episode.
16:21Ron Grainer composed the opening theme music to The Prisoner
16:24after Magoon, who did not write music, whistled the tune.
16:29Grainer's other credits include theme music for Doctor Who
16:32and Tales of the Unexpected.
16:36Several episodes underwent last-minute name changes.
16:40Once Upon a Time was originally entitled Degree Absolute,
16:43Checkmate, A Queen's Pawn,
16:46A, B, and C had gone under two different names,
16:49Play in Three Acts, and One, Two, and Three.
16:53The Prisoner was initially conceived to be only seven episodes.
16:57ITC's Lou Gray tried to convince Magoon to produce 26 episodes,
17:02a number easy to syndicate.
17:04After a great deal of compromise, they agreed to 17 episodes.
17:08The following episodes are the original episodes Magoon envisioned.
17:12One, Arrival.
17:14Two, Free For All.
17:17Three, Dance of the Dead.
17:19Four, Checkmate.
17:22Five, The Chimes of Big Ben.
17:24Six, Once Upon a Time.
17:26Seven, Fall Out.
17:30Good day, number six.
17:32Number what?
17:33Six.
17:34For official purposes, everyone has a number.
17:37Yours is number six.
17:38I am not a number.
17:40I am a person.
17:41Six of one, half a dozen of another.
17:42Many people have wondered why the main character was called number six.
17:49Why not number four, or some other number?
17:52Magoon never liked to give answers,
17:54but he has said that six is the only number when turned upside down is something else.
18:00Of course, there are other theories.
18:02Six, six, six represents the devil.
18:04In numerology, the number six represents ambivalence and equilibrium.
18:12Part of the reason the prisoner has maintained popularity for so long
18:15is that many issues have been debated by prisoner aficionados.
18:20These are just some of the most controversial and most potent fodder for the debate mill.
18:26Good night.
18:28But I have not seen you before this evening.
18:31No, how's that?
18:32Why not?
18:32Because I've only just arrived.
18:33Oh, good.
18:34Then you will not be leaving yet, mister.
18:36A writer, next writer.
18:38I know.
18:39You are very sad.
18:40Patrick Magoon quit his role as John Drake in Secret Agent
18:43to take on the role of number six in The Prisoner.
18:47Many people believe that John Drake is number six.
18:51George Markstein has stated for the record that number six was John Drake,
18:55while Magoon said he was not.
18:58In The Girl Who Was Death, a character named Potter
19:00was also a confidant of Drake's in Secret Agent.
19:03Potter was played by the same person in both series.
19:06Chin up, Potter.
19:08Magoon has tried to discourage this debate, but today, the controversy still rages.
19:13In 1968, the United States was gripped in the throngs of the Vietnam War.
19:27Timothy Leary was busy telling people to tune in, turn on, and drop out.
19:32Draft cards were burned, and the entire nation was positioned for change.
19:36Nixon started his enemy list.
19:38This was the milieu in which the prisoner came to television.
19:41The prisoner thoughtfully explored the ideas of revolt.
19:44One episode hit too close to home for the censors, and that was Living in Harmony.
19:49This was the only episode internally censored by the television network.
19:53The official reason given for the censorship was that this episode portrayed characters under the influence of hallucinogenic drugs.
20:01This violated broadcast standards.
20:04This is simply not credible.
20:06Mind-altering drugs were prominently featured in A, B, and C,
20:09The schizoid man
20:11A change of mind
20:13And Once Upon a Time
20:15Yet these were not censored.
20:17The more credible reason is the subversive nature of this episode.
20:21In the environment of a country torn by the ethics of a military draft,
20:26the allegory of Number Six refusing to bear arms for Harmony's sake proved too much for the network.
20:31I'm not for hire.
20:33You turned in your badge?
20:34I'm like, uh, what were your reasons?
20:38My reasons.
20:39You've already taken a job.
20:44With?
20:45With whom?
20:46Look, I'm offering you a job.
20:49Harmony's a good town.
20:55Run smooth and peaceful.
21:00Now, let's be friendly.
21:03Red two.
21:07Black three.
21:08I think it'll work.
21:13I already have.
21:14Adam?
21:15I'm moving on.
21:17When you change your mind, I'll be here.
21:19I'll be here.
21:19The fact that living in Harmony is set in the material American West and not the village
21:47made this episode seem the most American.
21:50It is ironic that this episode was not seen in the U.S. until the next decade.
21:54This debate is one of the most interesting questions to consider.
22:01There are good arguments for each of two camps.
22:04The radical camp believes that the prisoner is a call for the ultimate political action revolution.
22:09And the other camp believes that the prisoner is an artistic, creative description for the conflict between the individual and society.
22:16This conflict is expressed by number two in Once Upon a Time.
22:21is a place where people exist together.
22:27Yes, sir.
22:28That is civilization.
22:29Yes, sir.
22:30The lone wolf belongs to the wilderness.
22:33Yes, sir.
22:34You must not grow up to be a lone wolf.
22:36No, sir.
22:37You must conform.
22:39Yes, sir.
22:39It is my sworn duty to see that you do conform.
22:43Yes, sir.
22:44You will take six.
22:48Six?
22:49Of the best.
22:51I'm not guilty, sir.
22:53Ten!
22:54Twelve.
22:55What?
22:55Twelve, sir.
22:57So that I can remember.
22:58Society seeks conformity.
23:02We will tell you what to say.
23:06They're right, of course.
23:07They're right, of course.
23:08Quite right.
23:09Quite right.
23:10I'm inadequate.
23:11I'm inadequate.
23:13Inadequate.
23:14Inadequate.
23:15Disharmonious.
23:16Disharmonious.
23:17I'm truly grateful.
23:18I'm truly grateful.
23:19Believe me.
23:21Believe me.
23:22Believe me.
23:23Believe me.
23:24Believe me.
23:24Believe me.
23:25Believe me.
23:26Believe me.
23:27Believe me.
23:27Believe me. Believe me. Believe me. Believe me. Believe me.
23:35Number six. Enter.
23:52I take it you have completed the written questionnaire of confession?
23:56Of course.
23:57Naturally.
23:59Please do not be hostile to the committee. We are here to help you.
24:03Do please sit down. Tell us about yourself.
24:06I take it you have checked my file regarding hostility?
24:10Your files are no concern of ours. Any information about you is with number two.
24:15It is the duty of this committee to deal with complaints.
24:19Complaints?
24:20Your complaints.
24:21Well done. I have several.
24:23Do you realize a serious charge has been leveled against you, particularly regarding your attitude to your fellow citizens?
24:28We deplore your spirit of disharmony.
24:32That's a common complaint around here, isn't it?
24:37I would counsel discretion, number six.
24:39You do appreciate that everything you say is being recorded.
24:43And may be used as evidence against me.
24:45This is a strictly impartial committee.
24:47Number six.
24:48Number six. You are not called before this committee to defend yourself.
24:52All we ask is for your complete confession.
24:55I'm sure you will cooperate, number six.
24:57Number six. Gentlemen, it's time.
25:01I think we are all more than ready for a tea break.
25:05The group and medical reports will be considered in full at the resumed hearing of this committee.
25:14Number six. Throughout the series, holds on to his individuality against the resources of the powers that be.
25:20Ah, my dear. Number 86 has had valuable experience with the committee.
25:26As a member?
25:28I suffered the shame of being posted. Disharmonious.
25:31How terrible for you.
25:32The hearings were fair and just. I was at fault.
25:34Oh, but this is irrelevant.
25:35With your permission, sir, number six has a busy schedule.
25:38First, the social group, then the medical.
25:40Of course. Do carry on.
25:42Well, you have no time for tea.
25:43No. Only your future.
25:45First, your frivolous attitude towards the committee.
25:49Most dangerous.
25:49The hearings are televised. That is why your behavior is so important.
25:53You stand before the entire community.
25:55The social group is your one who, fortunately, I, too, have been attached to the group.
26:00Most fortunate, yes.
26:01Oh, please, you must try to cooperate.
26:02I will.
26:03Join in with the group spirit.
26:05Naturally.
26:06Only they can help you with the committee.
26:07Naturally.
26:09Come. We are already over to you.
26:11Females.
26:12No time for tea.
26:13If that woman makes one mistake.
26:14We could lose number six.
26:17Did you hear that?
26:17We could lose him.
26:21There can be no mitigation.
26:23We all have a social obligation to stand together.
26:25I don't contest the validity of the complaint.
26:28My point is...
26:28No exceptions.
26:29All right.
26:32You say you're a poet.
26:35But you were composing.
26:36When you failed to hear number 10's greeting.
26:38Neglect of social principle.
26:39Poetry has a social value.
26:42He's trying to divide us.
26:43His intentions are obvious.
26:45To stop us from helping this unfortunate girl.
26:48You're trying to undermine my rehabilitation.
26:50Disrupt my social progress.
26:52Strange talk for a poet.
26:55Reactionary.
26:56Rebel.
26:56The radical interpretation sees the prisoner as a blueprint to resist and rebel against authority.
27:11Relax, fellow.
27:36Relax.
27:36For you, his keeper.
27:38So excited, all of you.
27:40Rushing and shouting.
27:42Have you ever been in there?
27:45Not in there.
27:46That's odd.
27:47Not odd, please.
27:51Different, maybe.
27:52Different?
27:53I'm one of the lucky ones.
27:54The happy ones.
27:56I was...
27:56Yes?
28:00I was unmutual.
28:03The fellow analysis report, submitted by the social group, leaves us no choice.
28:10We are bound to classify you as unmutual.
28:14We must warn you that if any further complaint is lodged against you, it will be necessary to propose you for the treatment known as instant social conversion.
28:26Thank you.
28:27Thank you.
28:27That's вещи.
28:28Access to date.
28:28Pass to date.
28:29Disruptions.
28:29Disruptions.
28:32Disruptions.
28:33Disruptions.
28:38Disruptions.
28:54Disruptions.
28:56il primo
29:01questo è un'importante
29:03numero 6
29:04ha appena detto
29:05un mutuo
29:06un'un social
29:10incident
29:10involving
29:10numero 6
29:11should be
29:12reported
29:12immediately
29:13to the
29:13appeals
29:13subcommittee
29:14numero 6
29:15struggles
29:15and fights
29:16against
29:16every
29:17institution
29:17society
29:18has to
29:18offer
29:18his method
29:20is his
29:20iron will
29:20and culminates
29:22in a violent
29:22machine gunning
29:23revolutionary
29:24orgy
29:24in fallout
29:25remember
29:26this was not a college sociology course
29:28but a network television series
29:30certainly one of a kind
29:32does number six escape
29:38Magoon crafted a series
29:41that defied easy answers
29:42and the contradictions were difficult to synthesize
29:45that is why debate is so rich
29:47if freedom is a myth
29:48can one ever escape
29:49the final episode ends as it began
29:52with the same exact sequence
29:54this suggests that number six
30:01is going to start the whole process again
30:03one cannot ever escape
30:05the reality of existential conflict
30:07the prisoner may get out of the village
30:10but the real prison is society
30:12since we are not sure
30:13that number six won't end up back in the village
30:16we are not sure if his escape is real
30:18the other side of the debate
30:20believes that freedom is a never ending struggle
30:22this session is called in a matter of democratic crisis
30:29and we are here gathered
30:33to resolve the question of revolt
30:37we desire that these proceedings be conducted in a civilized manner
30:45but remind ourselves that humanity is not humanized without force
30:52and that errant children
30:54must sometimes be brought to book
30:57with a smack on their backside
30:58we draw your attention to the regrettable bullet
31:06the community is at stake
31:09and we have the means to protect it
31:14the assembly
31:16is now in security
31:19number six is presented to you
31:22we understand he survived the ultimate test
31:25indeed
31:27then he must no longer be referred to as number six or a number of any kind
31:32he has gloriously vindicated the right of the individual to be individual
31:40and this assembly rises to you
31:45sir
31:47number six finally is called something other than a number
31:53this is certainly a victory
31:55and it might be a symbol of freedom
31:57McGowan might believe that political freedom is a myth
32:00as we see in free-for-all
32:02but psychological freedom
32:03the freedom to think
32:04to exert one's will
32:06is an ongoing lifetime struggle
32:08I am not a number
32:10I am a free man
32:12on behalf of us all
32:24we thank you
32:27and
32:29now I take it that you are prepared to meet
32:33number one
32:35every episode began
32:37who is number one
32:39you are number six
32:41number six
32:43number one is number six himself
32:45we are given clues
32:46every episode showed number six's home address to be one Buckingham Palace
32:51then in fallout
32:52number six confronts the mask of number one
33:02I will not be pushed
33:04filed
33:05stamped
33:06indexed
33:07briefed
33:08debriefed
33:09or numbered
33:12my life is my own
33:13I
33:14I
33:15I
33:16I
33:17I
33:18I
33:19I
33:20I
33:21I
33:22I
33:23I
33:24I
33:25I
33:26I
33:27I
33:28I
33:29I
33:30I
33:31I
33:32I
33:33I
33:34I
33:35I
33:39I
33:56I
33:57I
33:58I
33:59I
34:00I
34:01che è aggressivo, evil
34:03e l'altro side di man
34:04l'intelligente e la creativa
34:06la duale natura di man
34:09e le problemi che arriva
34:10sono scritto a la blackboard
34:11in Once Upon a Time
34:12Even as a child
34:15there is something in your brain
34:17that is a puzzlement
34:18I intend to discover it
34:20A find
34:23Missing
34:25Link
34:27When I have found it
34:31I will refine it and tune it
34:33and you will play our game
34:34We put it together
34:39And if I fail
34:43Then
34:44Failure to resolve this conflict
34:53will result in upheaval and self-destruction
34:55Man must find the missing link
34:57between ape and man
34:58Between good and evil
35:00Aggression
35:01and intelligence
35:02The End of the World
35:04Is the prisoner an apocalyptic statement
35:07about the end of the world?
35:09Pop
35:09Pop
35:10Pop
35:10Pop
35:11Pop
35:12Pop
35:13Pop
35:14Pop
35:14Pop
35:15Pop
35:15Pop
35:16Pop protect
35:16Protect
35:17Pop
35:18Pop
35:19Pop protect
35:19Pop
35:20Pop
35:20Protect other people
35:21Pop
35:22Protect
35:22People don't protect
35:23Protect other
35:24Pop
35:24Protect other people
35:25Why Pop
35:26Why Pop
35:26Why Pop
35:27Why
35:28Why
35:28Why Why Why Why
35:29Why Pop
35:29Pop
35:30Because the weasel
35:31Why
35:32Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?
35:45In the alternate version of The Chimes of Big Ben, discovered and released on video, the world and universe explodes as Pop fills the screen.
35:53McGowan did not have faith in science and technology. Will science destroy man?
36:23It has been suggested that the control room and fallout could be the area to launch a nuclear strike, and number six does press the button.
36:53Tech.
37:20Contact.
37:23Comprue!
37:25Confirm contact priority.
37:29Contact priority!
37:31Emancy.
37:36Contact control!
37:38Contact control!
37:40Emergency!
37:41Contact!
37:43Contact control!
37:45Emergency!
37:46Emergency!
37:47Emergency!
37:49Emergency!
37:50Emergency!
37:52Emergency!
37:54adapting to military!
37:56Emergency,
37:58emergency,
38:00emergency,
38:01answering.
38:05competent,
38:07Eva!
38:07Emergency!
38:08Guar card!
38:18ena,
38:19Grazie a tutti.
38:49Grazie a tutti.
39:19Grazie a tutti.
39:49Grazie a tutti.
40:19Grazie a tutti.
40:49Grazie a tutti.
40:51Grazie a tutti.
43:53Grazie a tutti.
44:53Grazie a tutti.
44:55Grazie a tutti.
45:55Grazie a tutti.
47:55Grazie a tutti.
47:57Grazie a tutti.
48:27Grazie a tutti.