- 6 months ago
Suno Chanda Season 2 - Episode 22
Category
😹
FunTranscript
00:00How are you going to eat breakfast?
00:10I'm not hungry. I told my mom that I'm going to go to the factory.
00:15Then you're late, you're late.
00:17You don't have to do anything without eating.
00:21I don't have to do anything without eating.
00:23The eating is on the table.
00:25She doesn't go alone.
00:26I'm going to call the clerk.
00:30I'm going to call the clerk.
00:32Bija?
00:33Bija?
00:36What happened?
00:38What happened?
00:39It's not a surprise.
00:40It's going to grow.
00:42I'm coming.
00:44The food that we make every day.
00:47It's going to be very fun.
00:49If Papi Jija didn't eat this food every day.
00:53Don't tell me.
00:55No, don't tell me.
00:56You've got food for your brother.
00:58You've got food for her?
00:59Oh, yes.
01:00It's like that.
01:01You're going to go here.
01:02You're going to give it a little bit.
01:03You're going to give it a little bit.
01:04Now, I'm hungry.
01:05We've got some gaps.
01:07Are there gaps?
01:09That's never going to happen.
01:11Will you have to fight against Arsul and Arsul?
01:14I don't know.
01:15You have to go to the university.
01:17You have to get exposure.
01:18It's very good.
01:19Why wouldn't it be possible?
01:20You're going to have to go here.
01:21It's not a problem.
01:22You have to go to the university.
01:23Who knows the university?
01:24Who knows the university?
01:25No one will.
01:27It's not a problem.
01:28We'll leave the university.
01:29Why will it leave the university?
01:30The university will go to the university.
01:31It's an university.
01:32I'm going home.
01:33I'd leave you in a place.
01:34I give my baby.
01:36I can't believe it.
01:38I'm also with me.
01:41You're wrong.
01:43Mechon, we had to tell you that you're a master of your mother.
01:49It means that you're a good person.
01:51And that's the one who used to steal my money.
01:55You're a fool.
01:57She used to steal money.
01:59She doesn't say that she's going to take her to her mother.
02:04Mechon.
02:06She's your mother.
02:08She's your life.
02:10But Pagal,
02:12she's never married to her.
02:16And now go,
02:18ask your mother to your mother.
02:20We won't do anything with you.
02:22And she's saying you're going to leave me?
02:24So leave me, Mechon.
02:29How do I leave you?
02:34If my mother says, leave me.
02:36She's never saying that she's wrong.
02:38She's not saying that she's wrong.
02:40I'll leave you.
02:44You're a son who rose.
02:46So you have to leave me.
02:48The wife is a man.
02:49He's a man.
02:50And I want to go.
02:51The wife isn't going to be his mother.
02:52And she is going to do something.
02:53The wife doesn't go.
02:54The wife doesn't go.
02:55The wife doesn't go.
02:56The wife does.
02:56The wife doesn't come.
02:58The wife doesn't go.
02:59She's not going.
03:00The wife doesn't belong.
03:02That's why she's never been told.
03:03The wife doesn't go.
03:04I'm not.
03:05What did he do?
03:07He remembered. And he also had to get water to get water.
03:10Yes, get water to get water, get water.
03:12And tell him.
03:14His son is very close to him.
03:16If someone has to pay for money, tell him.
03:20Yes, yes.
03:21Get to get him.
03:22Good.
03:23Good.
03:24Good.
03:25Good.
03:26Good.
03:27Good.
03:28Good.
03:29Good.
03:30Good.
03:31Good.
03:32Good.
03:33Good.
03:34Good.
03:35Good.
03:36Yes.
03:37Good.
03:38Good.
03:40Yes.
03:55Come.
03:56Come.
03:58Oh!
03:59I was scared.
04:01Why do I have a pain?
04:03Well, Jalal Mahmoud, we are going to go.
04:08Me?
04:26If you have to adjust something with him, what will happen?
04:29Your best friend is still there.
04:32Huh?
04:33This means that you have to adjust everything wrong.
04:35I'm sorry, I don't trust this.
04:37And that's it.
04:38Now, he will do anything.
04:39I don't care.
04:41I don't care.
04:42I don't care how much you have to change, Jaya.
04:45You don't have to think about it.
04:48There's no doubt about it.
05:02I don't care.
05:03I don't care.
05:04I don't care.
05:05I don't care.
05:06I don't care.
05:07I don't care.
05:08I don't care.
05:09I don't care.
05:10I don't care.
05:11I don't care.
05:12I don't care.
05:13I don't care.
05:14I don't care.
05:15I don't care.
05:16I don't care.
05:17I don't care.
05:18I don't care.
05:19I don't care.
05:20You don't care.
05:21I don't care.
05:22I don't care.
05:23Your brother, I have nice to have a love.
05:26It's just so wrong.
05:28All of us all have to have love yet.
05:35Baby, there's always much love on the world,
05:37so don't arrest your attack.
05:38You're talking about anger.
05:40Don't trust me on the love.
05:42She's not laughing at the camera.
05:44She's kind of anger.
05:45She's angry.
05:46And what's the anger?
05:47She's a shame.
05:49I'm going to let you know.
05:51There's nothing to eat.
05:53No, baby.
05:54I didn't eat it.
05:55My heart was killed.
05:57I'm going to let you know.
06:00Don't let you know.
06:02Don't let you know what I'm going to do.
06:05What?
06:07Do you know, baby?
06:08Don't do that.
06:10I'm a good girl.
06:11I was angry.
06:13I was like a good girl.
06:15I was like a good girl.
06:17Sorry, baby.
06:18Sorry, Mama.
06:19I'm sorry, baby.
06:20Sorry, Mama.
06:21My baby, you're going to be angry with your mother.
06:26Oh, you're going to eat it.
06:28It's hot, hot, hot, hot.
06:31It's hot, it's hot, it's hot.
06:33It's hot.
06:34It's hot.
06:35I'm not eating it.
06:36I'm not eating it.
06:37It's hot, but I'm not eating it.
06:38I'm eating it.
06:39Oh, one minute.
06:42My dad, what did you do?
06:44You took the whole house?
06:46Let's go. Let's go.
06:48We'll call you 10 people.
06:50I'll do it.
06:52I'll be hiding.
06:54They were hiding.
06:56Where are you from?
06:58Where are you from?
07:00Where are you from?
07:02They're being used to control the other brother.
07:04They're being used to take a robot.
07:06Let's go, little girl.
07:08Let's go. Let's go.
07:10Let's go.
07:12The whole world is so good.
07:14I'll do it.
07:16Let's go.
07:18Let's go.
07:20I don't want to drink tea.
07:22I don't want to drink tea.
07:24I don't want to drink tea.
07:26I don't want to drink tea.
07:34She said,
07:36She said,
07:38She made a lot of fun.
07:40What did you eat?
07:42She was a kid in the fridge.
07:44She was a kid in the fridge.
07:46Sure.
07:47Where is Arsall?
07:48Why?
07:49She will go to university.
07:51Yes.
07:52She will leave me alone.
07:53No, she's a bad boy.
07:54She's not going to leave her baby.
07:56Yes.
07:57Go to university.
07:58Arsall was a kid.
08:00She said,
08:01She said,
08:02She said,
08:03I'll do it.
08:04I'll do it.
08:05I'll do it.
08:06I'll do it.
08:07Because I'll drink tea with Karachi.
08:08It's really fun.
08:09Let's go.
08:10Come on.
08:11It's really fun.
08:12Bye.
08:13Bye.
08:19Karachi?
08:20You asked all your life.
08:23Why did you leave me alone?
08:25Why did you leave me alone?
08:36On the internet,
08:38which is the only стрager?
08:39You are a sinner.
08:41A light.
08:42The light.
08:43The light.
08:44The light.
08:45The light.
08:46What?
08:47How are you?
08:48Rani?
08:50Dara?
08:55Who?
08:56What?
08:57Why?
08:58A night.
08:59This car is a great salesman.
09:00Everything is okay?
09:02When Celal started signing off,
09:03what does it mean?
09:05That's what you're going to do in the house.
09:07No, but I'm a bad guy.
09:09I'm a bad guy.
09:11God, don't do it, Parveen.
09:13You gave me a lot of advice.
09:15I hope you'll get me soon.
09:17No, no.
09:19It's amazing.
09:21You don't understand it.
09:23I know it.
09:25I've got a PhD PhD.
09:27If you don't have a PhD,
09:29I'm going to know what's going on in your heart.
09:31I know.
09:33You're a man.
09:35No, he's not a man.
09:37No, he's a man.
09:39You're a man.
09:41You're a man.
09:43You're a man.
09:45I know it.
09:47You're a lot of pain.
09:49You're a man.
09:51I'm talking about it.
09:53I'm talking about it.
09:55I know it.
09:57You'll be a man.
09:59You'll be a man.
10:01What are you saying?
10:03You're a man,
10:05you're a man.
10:07You don't have to get to it.
10:09Baby, you're a man.
10:11You're a man.
10:13You're a man.
10:15You're a man.
10:17You're a man.
10:19You're a man.
10:21You're a man.
10:23What did you do with that?
10:32Nothing.
10:34Who is the remote?
10:38Do you believe or don't believe it?
10:44Arsul is trying to be jealous of him like he was trying to do with him.
10:50Do you remember him?
10:51It means that you are jealous of him.
10:54No.
10:56I don't care.
10:58I don't care.
10:59I don't care.
11:00He does anything.
11:02She is your husband.
11:05So?
11:06I'm also a baby.
11:08If it happens or not, it's just one thing to do.
11:11That's why I tell you that I'm telling you about it.
11:16Why?
11:18She is jealous of him.
11:19She can't see such a big girl.
11:21She is afraid.
11:22Why didn't I hear her voice?
11:24Huh?
11:25Chia,
11:27Listen to me.
11:28Listen to me.
11:29You both have the ego.
11:31You don't have to do anything else.
11:33You just have to do anything wrong with your relationship.
11:35Everything is wrong.
11:37You don't have to do anything wrong.
11:39You don't have to do anything wrong.
11:40I don't have any tension.
11:42If you don't have any tension,
11:43You don't have to do anything wrong with one hour.
11:45You don't have to do anything wrong with one hour.
11:48My soul will be told to myself.
11:50The rest will be told to you.
11:52A lot of pain.
11:53Why is that a baby?
11:54Why can't I have to do anything wrong with you?
11:57Why are you having to eat the food for your meal?
12:02What's your problem? Why am I going to sit down for a while?
12:09Pabijiya, I'm going to have lunch for Salubhain.
12:15I didn't want to go to Salubhain.
12:19I'm going to give you the rest of the day.
12:22Yes, I'm going to give you the rest of the day.
12:27You have made Albu Goshit?
12:30Yes.
12:38Yes, Kureishi.
12:42Where are you?
12:47Send them to me. Send them to me in my office.
12:50What do you mean?
12:52What did Pabijiya do to me?
13:05Good morning.
13:07Good actor.
13:09What did you say?
13:10What did you say to me?
13:11What did you say to me?
13:12What did you say to me in the accounts呢?
13:14Do you have a phone call?
13:16No.
13:17It's Kureishi.
13:18What is that?
13:19If you're not bad at all, you're going to be dead.
13:22You're going to be dead!
13:24What do you mean by the office?
13:26You're not a office, don't you have a house.
13:27Why are you doing?
13:28If you're not a house, you're going to be a house.
13:30You're going to be a house.
13:31What did you say?
13:32You're going to tell me?
13:33You said you have to check the Puranai Sahib and check the Puranai Sahib.
13:37He replied to me and said that he had a good answer.
13:39I said that he had a good answer.
13:41After all, I'm an inspector.
13:43Partner.
13:44I've said that you have a partner.
13:46I'll call you.
13:48I'll call you Abba.
13:49If Abba could have a Puranai Sahib,
13:52you will not be able to get into this.
13:55Puranai Sahib, you will have to go all the people.
13:58I'm sorry.
14:00You should go here now.
14:04I'll call the security guard.
14:06Okay.
14:07I'm John.
14:08I'm John.
14:09I'm John.
14:10I'm John.
14:11I'm John.
14:12I'm John.
14:13I'm John.
14:14I'm John.
14:16I'm John.
14:17I'm John.
14:19I'm John.
14:28I'm John.
14:35I'm John.
14:36Wow.
14:37I'm not.
14:38I'm John.
14:39I'm John.
14:40I'm John.
14:41I'm John.
14:42Why do you have to take me with me?
14:44God I don't know, baby.
14:46What happened to me?
14:47You are right, John.
14:49But you can see them not in a way.
14:52A second starts.
14:53A second is open.
14:55I'm so wondering.
14:57I'll give you your anger in it.
14:58Yes, this is all right. It's a problem.
15:02It's not taking the name of the name of the name.
15:05This is the call of Sallu.
15:08See, the doctor is calling me.
15:10You're welcome, Sallu.
15:12What a piece of cake has been thrown into my head.
15:14It's not that much.
15:15Which cake?
15:17This is the mess created in the entire finance department.
15:21Mess?
15:22Oh, it's a great thing.
15:24At the morning, the people who ate the pot and ate the pot...
15:26Oh my God, I'm not like that.
15:28When you know, Mr. Louputar, that in my trick,
15:31I had a supply of my English,
15:32so why don't you put the rope on my English?
15:35Now go and talk to me with B.J.A.N.D.
15:37He said, ''Jalal Pupukhah''
15:38He said, ''I don't have any stamina for him,
15:40but I'll give him a day.''
15:43Yeah, so he...
15:44Hello?
15:45Oh, shut up.
15:47What happened, Shana?
15:49You both work here,
15:51sit here and play a game.
15:53You will have to do it.
15:55You will have to do it.
15:57I'm going to ask you to do it.
15:59I'm going to ask you,
16:00what happened to me?
16:01What happened to me?
16:02I'm going to go to the factory,
16:04and I'm going to the factory,
16:06and I'll see you,
16:08you...
16:10you...
16:12You have to get it.
16:15You've got to sit down the factory.
16:17Sit down.
16:19Sit down.
16:21The fire is so cold.
16:23The fire is so cold.
16:25I'm going to take some other medicine.
16:27Ah...
16:28The fire is so cold.
16:29What happened to me?
16:30The fire is so cold.
16:31The fire is so cold.
16:33The fire is so cold.
16:35Hey...
16:36Hey...
16:37Hey...
16:38What happened to me?
16:39Oh...
16:40Hey...
16:41Hey...
16:42How are you gonna eat it?
16:43No...
16:44So...
16:45You will tell me,
16:48that's why...
16:49Why?
16:50I always tell you,
16:51I'm upset.
16:52I'm upset about it.
16:53How do you feel upset?
16:54I'm upset about that.
16:55Oh...
16:56Hey...
16:57How do you feel like you eat food?
16:59But you don't have to eat any crap?
17:00।
17:05।
17:07।
17:13।
17:18।
17:20।
17:25।
17:28।
17:29I haven't eaten any of you today.
17:31Sorry, brother.
17:33You have to worry about it.
17:35I'll go.
17:37I have to pick it up.
17:39I have to pick it up.
17:41From the university.
17:43Go.
17:45What the hell?
17:47What is my house?
17:49Now, what did the house open over?
17:51Male voiceover....
17:53What is your house?
17:55What's that?
17:57What's that?
17:59What's that?
18:01What is the house?
18:03Kambiyajajan?
18:05Welcome back.
18:07Hello, brother.
18:09Don't be a beautiful friend.
18:11Today I won't look at it.
18:13What will happen to you?
18:15I have to talk to you very much.
18:17I need to talk to my sweet food at night.
18:19At this time, I'm going to feed my food.
18:27Are you ready to listen to my story?
18:29And that's another child.
18:35Why do you not remember?
18:37You were still alive.
18:39Now it's like a sonata.
18:41Yes, you will.
18:43You sent me to the factory.
18:45You sent me to my child's head.
18:47Okay, I'll talk a little later.
18:51I'll talk to you later.
18:53What happened, Shana?
18:55Tell me about my Saloo Factory.
18:57I'll tell you about Jalal Pajan.
18:59What's the matter?
19:01Tell me about it.
19:03Why did you call me Jalal Pajan?
19:05Why did you ask me to tell my child?
19:07That child has said something.
19:09What's the matter?
19:11What's the matter?
19:13You've got to know your child's head.
19:15You haven't understood his head.
19:17Okay, don't worry.
19:19I'll talk about it.
19:21I'll talk about it.
19:23I'll talk to you later.
19:24On one side, my father's head.
19:25And on the other side, my cousin's head.
19:27My son is standing in a house.
19:29Who can pull anyone out of the house?
19:30And on the other side,
19:31I'll talk to you later.
19:33What's the matter?
19:35You've been saying that Jalal and Jalal are saying that?
19:38My love is just something to be angry.
19:41I'll talk about it.
19:43Now don't go away from my heart.
19:45Don't let me go, I've never been forgotten once, I've never been forgotten.
19:55Naka, Mithu, tell me about this.
19:57This isn't a doubt that it's going to be made for me.
20:00Mithu, I don't play a good game.
20:04Listen, Mithu, how much you talk about it.
20:07I'm going to eat some food every day.
20:09Oh, I am now.
20:11Look, our needs is clean.
20:13And we also eat this lunch so that
20:17Saloo and Jiya and Babi will be angry with you.
20:23Hey, mate, look at the time.
20:25Let's go, let's go.
20:25We'll go to university at night.
20:28It'll be late, let's go.
20:29Oh, oh, oh.
20:30But you have to go to the same time.
20:33It's so fun if you have to leave you on the motorcycle.
20:37And we're doing such things on the road.
20:40Oh, oh, oh, how fun it comes.
20:42Hey, me too.
20:44When we met Jalal Mahmou,
20:46we went to university.
20:48So he will go to university.
20:50You're talking about it.
20:51That's right, Mena Ji.
20:53I love you with Jalal Mahmou.
20:55When we both are close enough,
20:58they throw it in their mouth.
21:02Just tell me one thing.
21:06How do I feel you?
21:10Let's go to mental peace.
21:12Let's go, let's go, what are you looking for?
21:16Mena Ji, I'm looking for you.
21:18Mena Ji, I'm looking for you.
21:21Mena Ji, you're welcome.
21:23Mena Ji.
21:24Mena Ji.
21:25Mena Ji, I'm looking for you.
21:26Mena Ji, I'm looking for you.
21:27Mena Ji, I'm looking for you.
21:28Mena Ji, I'm looking for you.
21:30Mena Ji, I'm looking for you.
21:31Mena Ji, I'm looking for you.
21:32Mena Ji, I'm looking for you.
21:33Mena Ji, I'm looking for you.
21:34Mena Ji, I'm looking for you.
21:35Mena Ji, I'm looking for you.
21:37Mena Ji, I'm looking for you.
21:38Mena Ji, I'm looking for you.
21:41Mena Ji, I'm looking for you.
21:42Mena Ji, I'm looking for you.
21:43Mena Ji, you're looking for me.
21:46Mena Ji, you're looking for me.
21:47Mena Ji, tell me that,
21:49I lost my car in the account department.
21:51How many people are gone?
21:53Mena Ji, if the account department went to the account department,
21:56then, I'm looking for you.
21:57Why would you kill her?
21:59Mena Ji, not going to the account department.
22:01Mena Ji, tell this to the account department.
22:03Mena Ji, tell me what about that one?
22:05website, there are a 20 number of questions.
22:08Tell it.
22:09Mena Ji, see you.
22:10You are saying that I am a new partner of Jamshir's new partner, I am going to be my duty.
22:14Tell me, this is a good thing.
22:15But who has given such a duty?
22:18Bija, we all are thinking that the factory is sale.
22:21It's strange that they have created conditions.
22:23Yes, that's true.
22:25Bija tells them that you are going to be in a partnership.
22:31Hey, Jalal, we have talked about the fact that we didn't talk about the fact that we didn't talk about the fact.
22:37It's strange.
22:40It's a good thing.
22:42Forgive me, but I'm sorry.
22:47Why, Bija?
22:48We are still in trouble.
22:49Munda is also in trouble.
22:50The factory is in trouble.
22:52And you are saying that we are still in trouble.
22:54Yes, Bija.
22:55I am not saying anything.
22:56I have never done such a job that I'm sorry to say.
22:58And they are leaving the factory.
22:59They are also very shocked.
23:00So, let's give them a break here.
23:02Look at this.
23:03This woman is telling me this.
23:05You are saying it.
23:06That's right.
23:07It's not like this.
23:08It's not like the fact of the factory.
23:09It's not like the fact of the factory.
23:10It's like the same thing.
23:11It's not like the fact of the factory.
23:12Who is that?
23:13Who is that?
23:14Who is that?
23:15Who is that?
23:16Oh, Bija.
23:17You are so special.
23:18Because of all,
23:20the people are coming to our heads.
23:22Thats me.
23:23No, I F 130 but no.
23:24Yes.
23:25In my case,
23:26what the hell is the差.
23:27It's only a life that you had a Jane.
23:29Is this?
23:30Is it transgender?
23:31You say no?
23:32No.
23:33Maybe.
23:34Why you say is this?
23:35It means that my senior divorced son of the husband
23:37called his Jordi.
23:38You are being a hardcore king?
23:40Why didn't hear the woman cross?
23:41That is why she was married?
23:42You've got your husband to get married.
23:44Yes, sir.
23:46You can do it.
23:47There's no need to go to the office.
23:49You can go to the house.
23:51Okay, I'm not going to go to the office.
23:52But you can go to the office.
23:54Don't do it.
23:56You can do it.
23:58You can do it.
24:00You can do it.
24:12Manana, I'll eat the meat with my hands.
24:18You look so good, the meat with my...
24:20Look at this.
24:21A chicken donut.
24:23Manana, I'll eat the meat with my hands.
24:27I'll tell you, the meat with the meat is sweet.
24:30And meat with the meat with the meat with the meat,
24:32which only ate the meat.
24:33How do you think? It's very delicious.
24:35Manana, I'll eat with my hands.
24:39I'll eat.
24:41I'll eat.
24:46If I come, if Maamuna is here,
24:47he'll be making the jury's decision.
24:49Tell, tell, tell.
24:50Manana, I'm good at this.
24:51Tell, tell.
24:52Tell, tell.
24:53Tell, tell.
24:55Tell, tell.
24:57Tell and tell.
24:59Now, make yourself more.
25:11Meenah Ji, what did you do, Mr. Jalal Maamu will come?
25:17Meenah Ji, this is your mother's mother.
25:19You don't have to leave me alone.
25:22You don't have to leave me alone, please.
25:25Meenah Ji, just a moment.
25:28No matter what the truth is, please leave me alone.
25:31Meenah Ji, that was the day I took you, Al Karam Khan,
25:36you have to leave me alone, you have to leave me alone.
25:42You have to leave me alone, you have to leave me alone.
25:44I will leave you alone, but please go here.
25:47Go, Meenah Ji, go.
25:49Go, Meenah Ji.
25:52Go, Meenah Ji.
26:06Go, Meenah Ji.
26:18Go, Meenah Ji.
26:23Go, Meenah Ji.
26:28Go, Meenah Ji.
26:32Go, Meenah Ji.
26:41What's happening?
26:42What's happening?
26:44Beep!
26:45Beep!
26:48What am I coming?
26:49Where are you doing?
26:52Beep!
26:55Don't be blessed.
26:57Oh, my God.
26:59If this is a son of a son, then we will have to give him the Son of God.
27:05Oh, God! Oh, God!
27:07What a problem!
27:09One side is the son of a son, and the other side is the law of our foreign affairs.
27:16What do we want? What do we want? We don't understand.
27:29Be quiet.
27:37Don't worry about the phone.
27:43Naka Ersin.
27:45Come on.
27:46You...
27:48Please, Jalal, leave me alone.
27:51No, no.
27:52I will leave my commitment. You are sitting in the car.
27:58I will leave the car.
28:00Yes.
28:28It's okay.
28:30Calm down, Jiya.
28:32It's okay.
28:33Calm down, Jiya.
28:34It's okay.
28:35Calm down, Jiya.
28:36It's okay.
28:37Calm down, Jiya.
28:38It's okay.
28:39It's okay.
28:40Calm down, Jiya.
28:41Its okay.
28:42It's okay.
28:44It's okay?
28:52Yeah, appi.
28:54It's OK. Calm down, Jiya.
29:07Jiya, Happy!
29:08Why are you trying to find him?
29:12He's going to explain this math.
29:15First, I'll explain to you about your daughter.
29:17Then I'll explain to you about math.
29:19What's that? I haven't shown you at home.
29:21I haven't shown you at home.
29:23You don't need to over-acting, DJ.
29:35Is there a phone at you?
29:37I don't know.
29:39Take a call.
29:41And put it to the speaker.
29:43What happened? Can you tell me?
29:45Ask them where they are and when they will come.
29:49Because you don't understand the math from them.
29:52Excuse me, I've told you and I'll explain it to you.
30:03You've got to say a lot.
30:05Yes.
30:06I'm going to tell you about math.
30:08I'm going to tell you about math.
30:09Black milling isn't good.
30:11I'm going to get it.
30:13What's that?
30:14What's the big thing?
30:15You're an expert.
30:17You told me that the call has been sent to me.
30:20I don't tell you.
30:22I don't tell you.
30:25Come on, listen.
30:27It's the end of my life.
30:28It's the end of my life.
30:30The end of my life.
30:31I'm going to tell you.
30:33That's the end of my life.
30:34Even if you don't sit down,
30:36I don't know.
30:37You're the end of my life.
30:39I'm the end of my life.
30:40Let's see what's going on in your mouth.
30:54Our brother is coming.
30:57We will have to make a decision.
31:00Now let's check my drama.
31:03Okay!
31:04Come on DJ!
31:05Hello?
31:06Where are you from?
31:08I'm with Maena!
31:09I'm talking with Maena!
31:10Hey Maena!
31:11Come on, dance with me!
31:12Yes, yes!
31:13DJ, I'm talking about it!
31:14I'll tell you the truth!
31:15Now I'm watching Siya Nasaaket Ali.
31:18And dance with me!
31:20Yes! Yes!
31:21DJ, I'm talking about it!
31:29I'm watching Ziya Nazakat Ali.
31:34How does the CD be done?
31:48DJ, I feel relaxed.
31:52I haven't told you to dance.
31:54Don't shut up!
31:56Don't shut up.
31:57Today, I'll come to the kids with two sarsal kids.
32:00Ballet, classical, kathak.
32:05Sorry, I've been dancing.
32:08My name is Ziya Nazakat Ali.
32:18Shai Ji, enough is enough.
32:31What do you want to know?
32:33What do you want to know?
32:35What do you want to know?
32:37What do you want to know?
32:40DJ, I'm making a mess of this.
32:42I don't want to know.
32:44When you tell me, how will we find the problem?
32:47Why don't you ask this Arsal?
32:49What's he doing with Meina?
32:52Meina with Meina?
32:54What's our banshee?
32:55That's Arsal's brother.
32:57You didn't have to throw our banshee?
32:59No!
33:00No, Jalal Papa.
33:02He didn't have to throw away.
33:03He's doing dance performance at his party.
33:11No, no, no, no.
33:13Oh, God!
33:14God!
33:15Jalal Papa!
33:16You're a banshee.
33:18You're a banshee.
33:19You're a banshee.
33:20You're a banshee.
33:21You're a banshee.
33:22Today, I'm going to let me tell you
33:23that I'm going to let Arsal's child's body
33:25open the door open.
33:27Yes, son.
33:28He's a banshee.
33:29He's a husband.
33:30He's a husband.
33:31Yes?
33:32What do you want to do with Meina?
33:34If he's a husband,
33:35then what do you want to do with him?
33:37He's a bad job.
33:38No one has no feeling.
33:40No one has no feeling.
33:41No one has no feeling.
33:42No one has no feeling.
33:43No one has no feeling.
33:44Oh, God.
33:45What's going on?
33:46Don't do such things.
33:47Everyone thinks about it.
33:48Taiji.
33:49I'm a fool.
33:50I'm a fool.
33:51I'm a fool.
33:52I'm a beware.
33:53I'm a thief.
33:54I'm a fool.
33:55But I can't do anything.
33:56I don't think about it.
33:57I don't think about it.
33:58No one has no feeling.
33:59Okay.
34:00You think about it?
34:01You think about it?
34:02I've eaten a week.
34:03I don't go to lunch.
34:04I've asked you.
34:05You don't think about it.
34:06What?
34:07You look at it.
34:09I'm going to take you to the office
34:12and you're going to eat it.
34:13You don't need to eat it.
34:15You don't need to eat it.
34:16I don't want to eat it.
34:17What?
34:18I'm not eating it.
34:19I'm not eating it.
34:20I'm not eating it.
34:21I'm not eating it.
34:22Who ate it.
34:23Oh, God.
34:24What a sweet number.
34:25Come on.
34:26Come on, my dear.
34:27Call me.
34:28Call me.
34:29Call me.
34:30Call me.
34:31Call me.
34:32Call me.
34:33Call me.
34:34Let me.
34:35Leave this stuff.
34:36Tell me.
34:37What did you do with our minds?
34:40I left my university.
34:41I went and took you.
34:42I went and took you.
34:43I wasn't.
34:44I left my daughter.
34:45But I don't like you.
34:46I don't like you.
34:47But this is something else.
34:49You're a little girl.
34:50You're a little girl.
34:51You're a little girl.
34:52Why?
34:53Yes, son.
34:54You've done a lot of wrong.
34:56Sorry.
34:57Leave your mother.
34:59Leave my heart.
35:00My heart is full.
35:01You don't have any fear.
35:03I'm taking you.
35:04I'm taking you.
35:05I'm taking you.
35:06I want to take you.
35:08I took you to Mechu.
35:12You're a little girl.
35:13You don't have to think about me.
35:14You're a little girl.
35:15They're very smart.
35:16You're a little girl.
35:17Of course, I don't know.
35:18I don't know what you'll find in this.
35:21What are you doing?
35:22You're doing all three.
35:23Oh, baby.
35:25Leave me to Mechu.
35:27Don't take it.
35:31Mithu, hurry up and get in the drawing room soon.
35:33What?
35:34What are you going to do?
35:35He's going to know where to go, right?
35:38Hey, gongglu dimmuhalya.
35:40Tameez nal galkar.
35:41What's the problem?
35:42It's a very big problem.
35:44It's a very big problem.
35:46He's going to know where to go.
35:50Who's the problem in Kashmir?
35:52He's going to know where to go,
35:54Mithu engineer.
35:57Let's go.
35:59Let's go.
36:00Let's go.
36:01Let's go.
36:02Let's go.
36:03Oh, baby.
36:04Tell me how many times are you?
36:06Mithu da waada,
36:07cement too has to be fixed.
36:10We're waiting for you.
36:12Let's go.
36:13Let's go.
36:14Let's go.
36:15Let's go.
36:16Let's go.
36:18Who's the problem?
36:20You're not a problem.
36:22You're not a problem.
36:23You're a problem.
36:24You're a problem.
36:26You're a problem.
36:27You're a problem.
36:28You're a problem.
36:29You're a problem.
36:30You're a problem.
36:31So, your mother could be wrong with your mother?
36:33So...
36:34My husband had to keep my head in my head.
36:38You're a big boy.
36:42You're a big man.
36:44Thank you so much.
36:46He gave you a new life to your husband.
36:49Don't think so.
36:51You're the only one.
36:52You're the only one.
36:53You're the only one.
36:56I don't think so much as much as you understand me.
37:00I don't know, Gia.
37:02After today, my heart was scared.
37:06It doesn't happen.
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