- hace 5 meses
La secuela de "Freaky Friday" ya está aquí. Jamie Lee Curtis y Lindsay Lohan hablan del regreso a la comedia que marcó a una generación, con una historia que se expande 22 años después de la original.
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00:00Gracias por estar aquí en M2 con
00:07nosotras, la verdad es que
00:09tenemos entrevistas que hemos
00:10gozado profundamente hacer,
00:12como lo es mi querida Ivette
00:13Salgado, siempre que ves a
00:14Josh Brolin, siempre que veo a
00:16Josh Brolin, creo que salimos
00:18muy felices de de haber estado
00:20con, para muchos tanos, para
00:22mí, el justo el hijastro de
00:25Barbra Streisand, pero bueno,
00:27cada quien tiene su referencia.
00:28Justo te iba a decir, iba
00:30emocionada por la parte de
00:31Thanos, déjame decirte, es que
00:34soy fan de los avengers. No, no,
00:35no, está muy bien, y este hombre
00:36tiene una trayectoria. Tiene una
00:37trayectoria impresionante. Mucha
00:39gente piensa que empezó a actuar
00:40más grande porque empezó a hacer
00:42películas muy distintas, pero él
00:44estuvo en Goonies. Exactamente.
00:46Es increíble que siempre estuvo
00:47ahí. ¿Cómo pasa el tiempo, oye?
00:49Sí. Y ahora convertido en un
00:51padre de familia para esta
00:52historia que se llama Weapons,
00:54que en México le van a poner la
00:56hora de la desaparición, porque
00:57justamente a las dos con diecisiete
01:00de la madrugada, algo ocurre
01:02dentro de la película. Ok, pero
01:03en México se llama Weapons,
01:04armas. Exactamente. Si le hubieran
01:06puesto armas nada más, no
01:07hubiéramos. No hubiera pasado
01:08nada. Ok. Pero la hora de la
01:10desaparición. Ok. Y tuvimos la
01:12oportunidad de viajar a Los
01:13Ángeles para poder entrevistarlo,
01:15a él, a Julia Garner, que va a
01:17ser probablemente nuestra futura
01:19Madonna. Y ya es la Silver Surfer de
01:21los cuatro fantásticos, por
01:22cierto. Exactamente. Y a Zach
01:23Krieger, el director de esta
01:24historia. Bastante particular, un
01:27terror complejo, nada
01:29complaciente, y que mezcla
01:31también comedia. Me encantó la
01:33película. Ok, y esta se va a ver en
01:35cines. Está, sí, en salas de
01:36cines. Fantástico. Adelante y ve.
01:38Mathew, ¿dónde estás? ¿Dónde vas?
01:59You said before that the script of
02:00this story was brilliant, and I
02:02would like you to tell me what
02:05made you say yes, I'm going to be
02:06part of this story. I thought it
02:09was really well written, I thought
02:11it was brilliantly designed. I
02:13think the design was, you know,
02:15more geared toward my sensibilities
02:18and what I like, and that non-
02:20linear thing, and Iñárritu and
02:22Ariaga, you know, did films way
02:25back in the day that I loved that
02:27were non-linear, and so I just
02:29like that presentation. And then I
02:33met Zach, and Zach was really a
02:35special guy, I think he was very open
02:37and very raw with me, and then I saw
02:40Barbarian, and Barbarian I thought was
02:42really interesting enough to want to
02:44say yes. And also, Weapons feel like a
02:48story where the horror is not just
02:52supernatural. Yeah. I mean, it is. It's very
02:55human. Yeah, it is about the collapse of
03:00everything that holds people together,
03:02family trust, and that feeling of safety. So, how do you approach to that universe?
03:10I mean, it's pretty easy because when it comes
03:13down to it, what do I hold a value and
03:17then what if you took it away from me? You
03:19can just be active in my imagination and
03:22it's right there. You know, talk about
03:24children, that's the most important thing
03:26in my life. I have four children that I'm
03:28around pretty much 95% of the time. Yeah. And, you
03:33know, it's fairly easy to be able to click
03:35into something if you have an active
03:38imagination, and I do. Yeah. Yeah, and also
03:42this story blends horror and kind of
03:48comedy. Absurdity. So, how do you find the
03:50balance between both genres? I think
03:53there's more than that. I think there's
03:55thriller, there's, you know, just humor
03:59itself, tongue-in-cheek humor, there's
04:01absurdity, there's a lot of things, and I
04:03don't know. That's why he's the filmmaker
04:06that he is. I know people that have tried
04:07to do it, and it hasn't worked, and there's
04:10an imbalance to it. There's something
04:12about the humor, the absurdity that
04:17identifies it as human. Yeah. But how crazy
04:20it is that we do what we do. What do we
04:22resort to? How do we get in our own way?
04:25Do you know what I mean? And then
04:26ultimately, what if we lose the thing
04:28that's most valuable to us? What extremes
04:30are we willing to go in order to try and
04:33get it back? And why? Does it really have
04:35value to us? Is it the fact that you want
04:38to be perceived as a hero, and you want
04:39to be the guy that saved the day, and
04:41that's the most masculine thing you can
04:43do? When it comes down to my character,
04:46ultimately, he's broken by it. Yeah. And
04:49then when he sees his kid again, he's
04:51come to this place of, like, really
04:53realizing that he needs to change in
04:56order to make the greater whole better.
04:58And the first thing that I would like to
05:00know is what the idea of this story came
05:03to your mind, because you use horror to
05:06talk something about a very painful, like
05:09the disappearance of children. Yeah. But
05:12also to talk about something else, because
05:15it's not only a story of disappearance, it's
05:17a story of losing control about all that
05:20people need to behold, like family trust, and
05:25everything. Exactly. Yeah. So what idea of
05:28doing this story came? Well, someone
05:31really, really close to me died very, very
05:34suddenly, and I was in extreme pain. And
05:38so I sat down not to write a movie, but
05:41just to write, to just get it out. And so
05:44I didn't know where I was going to go with
05:45this. I didn't know what I was going to
05:46write. I was just like, I was in awful
05:49pain. And so I just, these kids running
05:51away felt like the right core for a story
05:56that I could tell in that moment, because
05:57I felt like an amputee. You know what I
05:59mean? And the idea of this whole community
06:01being amputated or having an amputation
06:04felt, felt very correct. And, and I knew
06:08that I could put these different aspects
06:10of what I was going through into all of
06:12these different characters and let them
06:13behave honestly, because I was, I knew how
06:17they felt. And so, you know, that, that's
06:21where it began.
06:22Your character is a teacher that is accused
06:26of something that she didn't do. So I would
06:29like to know how, how do you portray her? And
06:32especially from that vulnerable place?
06:36Yeah, well, my sister's a teacher and my
06:40father was a teacher for, for a very long
06:42time. So I was asking them all the
06:45questions. You know, and Zach and I had a
06:49lot of discussions. I think with her, it's
06:51not so much the, it's, it's, it's her
06:56intention with things that's very pure, but
07:00the execution is a little bit messy and
07:02she's extremely impulsive and, but she's
07:06kind still. I, it's funny, it's, I feel
07:10like she's a bunch of random different
07:11things. And so it was a bunch of things
07:14that was inspiring me, but I didn't realize
07:17like after finishing the film that one of
07:20the inspirations for me was actually Zach for
07:24some reason. I always feel like it, this
07:25character of Justine is a female, heightened,
07:30extreme version of Zach.
07:32Pues fantástico. Gracias, Yvette. Qué padre.
07:34No, qué emoción.
07:35Además, de ida y de vuelta, corriendo para
07:37entrevistar a este grupo de personas. Y bueno,
07:39ya estaremos viendo a Julia Garner como Madonna,
07:41porque. Próximamente. Incluso ya, ya dio
07:43entrevistas de cómo tuvo que convencer a
07:45Madonna que sí sabía bailar. Hablando de
07:47cosas emblemáticas, cosas que marcan
07:50generaciones, hace algunos días estuvieron en
07:54México Jamie Lee Curtis y Lindsay Lohan,
07:57porque por fin, 22 años después de la
08:01primera, que no fue la primera, déjame decirte
08:03que la primera película de un viernes de
08:05locos. Viene de un libro que. Sí, cien por
08:08ciento. Mucho antes, pero fue en 1976, si no me
08:11creo. Jody Foster. Con Jody Foster en el
08:13personaje de Lindsay Lohan, pero por ahí, hace 22
08:16años hicieron la versión de Freaky Friday o un viernes de
08:18locos, Lindsay y Jamie Lee Curtis. Y ahora dijeron, bueno,
08:23pues, ¿qué, qué? Más loco. Pues, ¿qué hacemos? Ya crecimos,
08:26queremos hacer otra de estas. Jamie Lee ya se ganó su
08:29Oscar. Lindsay está, la verdad, espectacular y mejor que
08:33nunca. Guau, qué gran regreso. Sí, no, no, no, está muy
08:35padre ver esto, porque además son como familias. Es ese tipo
08:39de comedias que se volvieron entrañables, clásicas dentro
08:42de la época y que podrías ver mil y un veces como juego de
08:46gemelas también con Lindsay Lohan. Sí, así es. O sea, es ese tipo
08:49de películas. Que también fue un remake. La original con Hailey
08:51Me, la final es de los 60. Y me encanta. Así que sí. Están en
08:55otra etapa de sus vidas. Definitivamente ya hay dos
08:58personajes más que entran en el intercambio de cuerpos y ahí les va
09:02la entrevista.
09:09Nice car. It's totally mine. She thinks you're cute. I do not. Yes,
09:13she does. I do. She's so does. Doctor Colden. Oh my God,
09:16that's my therapist. But what do you find? So how do you find the
09:25comedy within that generation banter? Because I think it's
09:29amazing in this movie. I mean, we were very lucky because the
09:33dialogue was actually worked and it's very comedic because we
09:36can throw jokes about our generations that are funny for
09:41now. But I don't know. I, I, I tend to find comedy. I feel like
09:46when I perform in, in the physical comedy, that's where my secret
09:52sauce lies. That and, and in my eyes, like, I feel like I sometimes
09:58don't act with words.
10:00And are you aware of this as you're acting or is it just the way
10:03you project? No, I think that's the part of me as a person that
10:07comes through into my character because I can't hide anything.
10:10Like everything is written all over my face all the time.
10:13Don't take her to Vegas. Yeah, I'm the worst. I'd be the worst.
10:16She sees an ace in the machine. I went with my husband. I was
10:18like, I shouldn't be here. Yeah. Far out. Okay. Okay. They'll read
10:21you through and through. Um, so many things have changed in 22
10:24years, but I was rewatching the, the first movie and I don't think
10:28there's a single thing there that wouldn't work today. That's
10:31Isn't that amazing? Yes. And that tells you why we felt it
10:35was good to come back 22 years later. It just feels it can be
10:39fresh. It can be new and it can be nostalgic and beautiful and a
10:44return to the old. And going back to these characters that you
10:47know so well, but at the same time, because of the nature of
10:49the movie, having to play other people as well. It was at some
10:53point confusing. I think we were okay. Well, we kind of
10:58knew it because we did it before. Yeah. And so we knew who we
11:03were playing. Yeah, that the switch part wasn't confusing. I
11:06don't know either of us from you matter what it's a weird job.
11:10It's just a weird job. It's just a weird job to pretend to be
11:13somebody else, but still be within your own. You know, I mean,
11:17it's just a weird job, but we've done it before. Yeah, I
11:20were the old hands. I will say there were times when I got
11:23when it was like, remember when we were both just Anna and Tess
11:25again. It was like, oh, yes. Yes. Thank God. Yeah. Yeah. Because
11:31that's you. That's sort of you again. Yeah. Even though you're
11:33one step removed from yourselves as well. Exactly. Yes. Yeah. I was I
11:37was going through the journey with you and going back to this
11:40musical part. Pink slip. I love it. I love that we're in pink. So how
11:44much fun was that? Because we love you in music, Lindsay. Thank
11:47you. It was really fun. It was fun to learn the guitar again. I
11:50relearned it because I hadn't been playing for a long time. And
11:55singing again was really nice. It was I loved doing the song. The
11:59other song Baby as well. It was it's nice. I like singing. Well,
12:03you should do it more than I was waiting to do that. Believe me,
12:05we're we're all asking her to do it, but she has a couple other
12:09things going on because she has her own baby. Yeah. And that's the
12:13most important. That must have changed her perspective a lot
12:15though, right? Yes, very much so. Yeah. I mean, I think you're
12:19just all of your commitments and time and everything changes when
12:23you have a family in general like when you get married things
12:25change and when you have a baby things change. It's just the
12:29process of life. Pues cosas bastante diferentes una de la
12:32otra. Cien por ciento, pero bastante recomendables. Y ambas en la
12:35pantalla grande. Ay, me encanta, me encanta, porque tenemos de pronto
12:39muchas cosas para streaming, pero ir a ese ritual de sentarte en la
12:42butaca en la oscuridad de una sala no se compara con
12:45absolutamente. Y además los fans de esta película última en
12:47particular se van a dar cuenta que hay muchísimos guiños, como
12:50ya nos dijeron ellas, a la original y a muchas cosas que
12:54marcaron una generación. Así que me encanta. Qué maravilla. Somos de esa
12:57generación. Gracias. Sí, sí, lo somos. Las dos, lo somos. Muchas
13:02gracias por acompañarnos. Nos vemos por aquí muy pronto. Esto es M2.
13:05M1 plus.
13:13M1-3 conm2.
13:14M1.
13:15M1.
13:16Chau.
13:17M2.
13:182.
13:18M1.
13:19M3.
13:19M7.
13:19M3.
13:20L1.
13:21M3.
13:21M9.
13:22M2.
13:23M9.
13:23M1.
13:23M3.
13:24M1.
13:26M2.
13:27M1.
13:27M3.
13:27Y.
13:27M3.
13:29M3.
13:29M2.
13:29M3.
13:30M1.
13:30M1.
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