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00:00:00I
00:00:30Oh, my God.
00:01:00Oh, my God.
00:01:30Oh, my God.
00:02:00Oh, my God.
00:02:30Oh, my God.
00:03:00Oh, my God.
00:03:30Yes, of course.
00:03:32You should have a key.
00:03:33I hired a car from the airport.
00:03:36Took some money from the desk.
00:03:38A thousand pesetas.
00:03:39I almost called the police.
00:03:43I knew Consuelo had left.
00:03:46Consuelo?
00:03:47She works for me around the house.
00:03:50It was scary.
00:03:51You were frightened.
00:03:52I don't like to be alone.
00:03:54I don't like to be alone.
00:03:54I like to be alone.
00:03:57Not to be confused with being lonely.
00:03:59That's quite different.
00:04:03I'm sorry Paul isn't here.
00:04:06He'll be very disappointed.
00:04:07We thought it was so very weak to the end of term.
00:04:11What happened?
00:04:15Marcus?
00:04:18There was an outbreak.
00:04:20Chickenpox.
00:04:20Yes.
00:04:21Are you all right?
00:04:23I'm never ill.
00:04:26Anyway, let's forget about school.
00:04:30Welcome home.
00:04:33We're going to be good friends.
00:04:35Yes.
00:04:37Paul wants that more than anything.
00:04:42Now, you must be hungry.
00:04:44No, not really.
00:04:45I'd better go and unpack.
00:04:51What do I call you?
00:04:54Elise.
00:04:55Okay?
00:04:56Hmm.
00:05:05Hi.
00:05:07Anything I can do?
00:05:08Get you?
00:05:09No.
00:05:10What would you like for dinner?
00:05:12Anything.
00:05:13Something special.
00:05:15There must be something.
00:05:16No.
00:05:20Do you actually read some of these books?
00:05:22Most of them.
00:05:25That's, uh...
00:05:28Phenology.
00:05:31The study of the times of recurring natural phenomena.
00:05:34Especially those that appear to be related to climatic conditions.
00:05:41I like cold chicken and salad.
00:05:44So do I.
00:05:46Ice cream?
00:05:47Chocolate?
00:05:48Is there any other flavor?
00:05:51How old are you?
00:05:54Fifteen or fifty.
00:05:56Depends on how I feel.
00:05:59Twenty-five?
00:06:00Twenty-two.
00:06:01Why?
00:06:02Paul's forty-two.
00:06:04Yes.
00:06:06Mother was thirty-five when she died.
00:06:09Yes, I know.
00:06:11When I'm twenty-five, you'll be thirty-five.
00:06:24Marcus?
00:06:24It's Paul on the phone from Paris.
00:06:25He wants to talk to you.
00:06:26Okay, come in.
00:06:27Okay, come in.
00:06:31Hello?
00:06:32Hello?
00:06:33Hello, Paul.
00:06:34Yes.
00:06:35Chicken box.
00:06:36Chicken box.
00:06:37Yes.
00:06:38Yes.
00:06:39Marcus.
00:06:40It's Paul on the phone from Paris.
00:06:41He wants to talk to you.
00:06:42He wants to talk to you.
00:06:43He wants to talk to you.
00:06:44Okay, come in.
00:06:45He wants to talk to you.
00:06:46Hello?
00:06:47Hello, Paul.
00:06:48Yes.
00:06:49Chicken box.
00:06:50That's right.
00:06:51The flight was fine.
00:06:52Yes.
00:06:53She's very beautiful.
00:06:54That goes without saying.
00:06:55I'm sure we will.
00:06:56Quite sure.
00:06:57Okay.
00:06:58Here she is, then.
00:06:59Who wants to speak to you?
00:07:00Pause.
00:07:01Huh?
00:07:02Oh, darling, it's a tent.
00:07:03It's a tent.
00:07:04It's a tent.
00:07:05It's a tent.
00:07:06It's a tent.
00:07:07It's a tent.
00:07:08It's a tent.
00:07:09It's a tent.
00:07:10It's a tent.
00:07:11It's a tent.
00:07:12It's a tent.
00:07:13It's a tent.
00:07:14It's a tent.
00:07:15It's a tent.
00:07:16I'm sure we will.
00:07:17Quite sure.
00:07:18Okay.
00:07:19Here she is, then.
00:07:20Who wants to speak to you?
00:07:21Paul?
00:07:22Huh?
00:07:23Oh, darling, it's a terrible line.
00:07:26What?
00:07:28Yes.
00:07:29Saturday night dinner with Clive.
00:07:33No, no.
00:07:34No, he'll understand.
00:07:36Huh?
00:07:38You don't have to explain.
00:07:44Paul?
00:07:45No, no.
00:07:46He'll understand.
00:07:47I must go.
00:08:08I must go.
00:08:09No, no.
00:08:10No, no.
00:08:11No, no.
00:08:12I must go.
00:08:13I must go.
00:08:14I must go.
00:08:15Marcus.
00:08:30Marcus.
00:08:31Marcus!
00:08:36Breakfast!
00:09:01Oh, one for you already.
00:09:06Oh, a book club circular.
00:09:08Anything interesting?
00:09:09No, they're a nuisance. They even send them here.
00:09:12Anything for me?
00:09:13Don't think so. Here.
00:09:15Oh, here.
00:09:17A book club circular.
00:09:19Anything interesting?
00:09:21No, they're a nuisance. They even send them here.
00:09:23Anything for me?
00:09:24Don't think so. Here.
00:09:26Oh, I'm sorry.
00:09:27Oh, I'm sorry.
00:09:28Anything for me?
00:09:29Don't think so. Here.
00:09:31Expecting one from Paris.
00:09:33You never know your luck.
00:09:35Do you want me to write to them for you?
00:09:37What?
00:09:38The book club.
00:09:39Take you off their list.
00:09:41No, let them waste their money.
00:09:58Oh, here. Let me.
00:10:16Tell me if you feel queasy.
00:10:17Yes.
00:10:22Don't want you catching chicken pox.
00:10:24No.
00:10:28Right.
00:10:31Good.
00:10:35Marcus.
00:10:36What?
00:10:38Don't you have any friends?
00:10:39Of course.
00:10:42I meant round here.
00:10:45Not here.
00:10:46No.
00:10:47Not at all.
00:10:48No.
00:10:50Pity.
00:10:51Why?
00:10:52It's a shame to waste a pool.
00:10:54I suppose so.
00:10:55Paul and I use it so little.
00:10:58You look lonely all by yourself.
00:11:00I've got Trotsky.
00:11:03Markers.
00:11:04That letter, Marcus.
00:11:06What letter?
00:11:07From the book club.
00:11:08I tore it up.
00:11:10Without opening it?
00:11:12Yes.
00:11:14You're sure it was a circular?
00:11:15Yes.
00:11:16Addressed to you.
00:11:17You're mysterious this afternoon.
00:11:19Just inquisitive.
00:11:20One of my vices.
00:11:21Salt.
00:11:22What?
00:11:23A pillar of salt.
00:11:24Lot's why.
00:11:25In the Bible.
00:11:26Turned to salt for looking back.
00:11:27Curiosity was her downfall.
00:11:28Sounds like a slogan for a horror film.
00:11:29All virgins, thangs and hairy faces.
00:11:31Why do you try to talk like Paul?
00:11:33Do I?
00:11:34All the time.
00:11:37Do I?
00:11:38All the time.
00:11:39I've got a pillar of salt.
00:11:40What?
00:11:41It's a pillar of salt.
00:11:42A pillar of salt.
00:11:43Lots wide, in the Bible.
00:11:44What?
00:11:45One of my vices.
00:11:46Salt.
00:11:47What?
00:11:48A pillar of salt.
00:11:49Lots wide, in the Bible.
00:11:50Turned to salt for looking back.
00:11:51Why do you try to talk like Paul?
00:11:53Do I? All the time.
00:12:01I can see your eyes.
00:12:04But you can't see mine.
00:12:21I can see your eyes.
00:12:23I can see your eyes.
00:12:24You can't see your eyes.
00:12:27I can see your eyes.
00:12:29You can't see your eyes.
00:12:31Let's go.
00:12:33Listen to me.
00:12:37Why am I stuck that way?
00:12:37So, why is Tolo?
00:12:42Can't deny to surround.
00:12:47I can't deny to apply to my presence.
00:12:49Let's go.
00:13:19Did he like the book idea?
00:13:23So-so.
00:13:25What went wrong?
00:13:26Oh, it'll be all right.
00:13:32If I had chickenpox,
00:13:35I could stay in bed.
00:13:39Show me your tongue.
00:13:42Put it away.
00:13:45De Grey sends his love.
00:13:48He says you can come and work for him
00:13:49whenever you like.
00:13:51Lovely old lech.
00:13:53All right.
00:13:55이쁜
00:14:23Lovely.
00:14:34Why an English school?
00:14:38Odd question.
00:14:43Sarah wanted it.
00:14:45Oh, sorry.
00:14:47I didn't...
00:14:49Forget it.
00:14:53You witch.
00:14:55I'm just feeling you.
00:14:57That's a...
00:14:59Bob!
00:15:01Oh, Bob!
00:15:02Oh, Bob!
00:15:03Oh, Bob!
00:15:05Oh, Bob!
00:15:06Oh, Bob!
00:15:19Oh.
00:15:20All?
00:15:22Hmm?
00:15:24Is Marcus happy at school?
00:15:28Getting all parental.
00:15:31Has he got any friends?
00:15:34Of course.
00:15:36Know any of them?
00:15:39He isn't all cranium and pebble lenses surrounded by chest sets.
00:15:46He is a great kid.
00:15:49You only have to watch him.
00:15:52I do.
00:15:53I do.
00:16:06Knees, or whatever it is, twelve-year-olds get dirty.
00:16:08I would like to learn Chinese.
00:16:15Why, for Christ's sake?
00:16:17Then I could read Confucius in the original.
00:16:19Confucius?
00:16:20He gave the instructions on the training necessary to become a superior man.
00:16:25The great learning, it was called.
00:16:27Sounds hip.
00:16:28They had most things in perspective.
00:16:29Especially wives.
00:16:30They seek reasons for divorce.
00:16:32Disobedience, barrenness, lewdness.
00:16:34Jealousy.
00:16:35Guerrulousness, leprosy, and stealing.
00:16:36No corruption or stupidity.
00:16:40Utopia.
00:16:42Did you borrow some money, Elise?
00:16:43Borrow?
00:16:44From my desk.
00:16:45Marcus paid for his car coming from the airport.
00:16:46Three hundred percent.
00:16:47Yes.
00:16:48Yes.
00:16:49Yes.
00:16:50Yes.
00:16:51Yes.
00:16:52Yes.
00:16:53Yes.
00:16:54Yes.
00:16:55Yes.
00:16:56Yes.
00:16:57Yes.
00:16:58Yes.
00:16:59Yes.
00:17:00Yes.
00:17:01Yes.
00:17:02Yes.
00:17:03Yes.
00:17:04Yes.
00:17:05Yes.
00:17:06Yes.
00:17:07Yes.
00:17:08Yes.
00:17:09Yes.
00:17:10Yes.
00:17:11Yes.
00:17:12Yes.
00:17:13Yes.
00:17:14Yes.
00:17:15Yes.
00:17:16Yes.
00:17:17Too much.
00:17:18Yes.
00:17:19Yours is tha face.
00:17:20L know.
00:17:21How came from?
00:17:22Yes.
00:17:23Really?
00:17:24Help me from the airport.
00:17:25Three hundred pesetas.
00:17:27Oh, you told me...
00:17:28I thought you told me a thousand pesetas.
00:17:30Oh!
00:17:31No, Elise.
00:17:32Doesn't matter.
00:17:33I'm sure you told me a thousand pesetas.
00:17:35When?
00:17:36In the hall.
00:17:37I mentioned no amount.
00:17:38I just thought that perhaps Consuelo...
00:17:41She's so honest, she wouldn't take a biscuit without asking.
00:17:44All right.
00:17:46I didn't have any Spanish money.
00:17:52Elise, Elise made a mistake.
00:18:00Would any of you feel insulted if I asked for a spoon and fork?
00:18:04I'm starving.
00:18:08I don't know.
00:18:38I don't know.
00:19:40Come on in, Paul. The warts is lovely.
00:19:55Coming.
00:19:57Paul, do you love me?
00:20:12Odd question.
00:20:13Do you?
00:20:14Of course I do. Why so serious?
00:20:18Do you love her?
00:20:19Very much. And her, it's Elise.
00:20:26Sorry.
00:20:27What's wrong?
00:20:28She doesn't like me.
00:20:29Not so loud. She can hear you.
00:20:34She doesn't. I can tell.
00:20:37You idiot.
00:20:39And she thinks I stole your money.
00:20:42That isn't funny, Marcus.
00:20:44You heard her.
00:20:47She was mistaken.
00:20:48She's out of my room.
00:20:52She's out of my room.
00:20:55She's out of my room.
00:21:40Did you search Marcus's room?
00:21:46Does he think I did?
00:21:47Yes.
00:21:49Do you think I did?
00:21:52I hope not.
00:21:53But you're not sure.
00:21:56No.
00:22:00I suppose to have been looking for.
00:22:03The money.
00:22:06I see.
00:22:08Well.
00:22:11Well, what?
00:22:15Did you?
00:22:23Well, I know.
00:22:37Here it is.
00:22:37Where's the school?
00:22:38Berkshire.
00:22:40Beautiful.
00:22:40Beautiful.
00:22:42Cookham near Windsor.
00:22:44Is he happy there?
00:22:46He doesn't complain.
00:22:50Paul?
00:22:52Hmm?
00:22:54Does he resent me?
00:22:56No.
00:23:00It's going to take time.
00:23:02We both knew that.
00:23:10It's going to take time.
00:23:34Marcus.
00:23:40His peace is that she is he?
00:23:44I will die.
00:23:46He is very happy.
00:23:48Amen.
00:23:50I will sit down.
00:23:52I will sit down.
00:23:54I will sit down.
00:23:56I will sit down.
00:23:58I'm full.
00:24:00Mr.
00:24:02I will sit down.
00:24:04Mr.
00:24:06I will sit down.
00:24:17Will you wait, please?
00:24:18Yes, ma'am.
00:24:34Good afternoon, Mrs. Bazant.
00:24:35My secretary told me you'd phoned from the airport.
00:24:40Please, sir, darling.
00:24:45To be quite frank, I had expected Mr. Bazant to have contacted me before now.
00:24:50He's been away almost constantly,
00:24:52working flat out on a new book for his French publishers, on surrealism.
00:24:58I read his articles in the Sunday Times.
00:25:02It must be very difficult coping with so many boys.
00:25:05I have a first-class staff.
00:25:08I meant all the cuts and bruises, measles and chickenpox.
00:25:15Touch wood we've only had one broken wrist and the usual assortment of coals, sister.
00:25:19Mr. Kessel, as you no doubt realize, Marcus is my stepson.
00:25:27I met him for the first time when he came home.
00:25:31Forgive me if I seem a little blunt, but I would prefer to discuss this matter with your husband.
00:25:37I was hoping I could protect him from the worry.
00:25:42Your husband has seen my letter.
00:25:45Not yet.
00:25:46I wanted to speak to you first.
00:25:48I see.
00:25:52I haven't seen the letter.
00:25:54Good luck.
00:25:56Marcus destroyed it.
00:25:57I found some small pieces in a book.
00:25:59I found this very disturbing.
00:26:07I think perhaps you should see this letter.
00:26:16I just didn't realize.
00:26:17What were these serious of unfortunate incidents?
00:26:28Why did you expel Marcus?
00:26:30I find this very distressing, Mrs. Kessel.
00:26:33It must have been serious.
00:26:34Always quite brilliant.
00:26:35The most outstanding.
00:26:36Difficult.
00:26:37Embarrassing.
00:26:38But I can't do anything to relieve the situation unless I know all the facts.
00:26:42It started with these drawings.
00:27:12We had a series of complaints from local people.
00:27:29A prowler, a face at the window, a wire, a boy from the school, they were all quite certain.
00:27:36Marcus?
00:27:36Fitted in with previous patterns in his behavior.
00:27:40Previous patterns?
00:27:41One of the groundsmen rescued him from a beating one night.
00:27:45Sorry.
00:27:47The old pavilion is very popular among courting couples in the village.
00:27:51Apparently, Marcus had engineered some spy holes at various vantage points.
00:27:58You mentioned a beating.
00:28:00One of the lads from the village caught Marcus spying on him and his girl.
00:28:06If Clayton hadn't been around, he might have ended up in hospital.
00:28:11But why didn't you report these incidents as they occurred, Dr. Kessel?
00:28:16Mrs. Byzant, I think we are at some variance.
00:28:19I've had several meetings with your husband concerning the boy.
00:28:23I'm sorry.
00:28:25I just wasn't aware.
00:28:26At first, we naturally attributed his behavior as a reaction to his mother's most distressing death.
00:28:33But, uh, that was nearly two years ago.
00:28:36He stole a cat.
00:28:55Killed it after torturing it.
00:28:56With the other incidents, serious as they were, it was possible to understand.
00:29:04Overlooking.
00:29:05I can cope with most things, but this was horrifying.
00:29:10Frankly, I didn't know how to deal with it and didn't feel much like trying.
00:29:14I'm very sorry.
00:29:16I had no alternative but to remove the boy.
00:29:18I'm very sorry.
00:29:48I'm very sorry.
00:30:18He looks so beautiful.
00:30:48Enter, enter.
00:31:09There's no one here but me.
00:31:11Sophie me.
00:31:12Huh?
00:31:13That rhymes?
00:31:15Sophie me.
00:31:16And me baby, I'm the hostess, and I've had the mosties.
00:31:25Oh, here.
00:31:26Let me.
00:31:29Oh, lovely.
00:31:31Oh, too sorry.
00:31:33Much too much.
00:31:35My own party, too.
00:31:37But I don't like the people.
00:31:40None of them.
00:31:44I think what you need is some coffee.
00:31:46What I need, my lovely lady, is a very big nun with very rough hands.
00:31:52This place, doesn't it give you the creeps?
00:31:58No.
00:31:59Why?
00:32:00Sarah.
00:32:01She was my friend, under the water.
00:32:04What happened?
00:32:06dead.
00:32:07Sophie.
00:32:08Sophie.
00:32:09Must not get on morbid.
00:32:11Ask Paul.
00:32:12Bye, lovely lady.
00:32:14Thanks for thee.
00:32:15Thanks for thee.
00:32:16No, why?
00:32:17Sarah.
00:32:18Bye, lovely lady.
00:32:19Thanks for thee.
00:32:20I'll see you.
00:32:21Bye, lovely lady.
00:32:24I'll see you.
00:32:33Bye, lovely lady.
00:32:35Thanks for thee.
00:32:37that was your house yes her house
00:32:58yes now it's sophie's why didn't you tell me
00:33:04i sold it after sarah died haven't been back there until tonight
00:33:11i was trying to prove to myself that that it was over no ghosts you didn't think about me
00:33:21we're going to share our lives remember please let's forget it you bastard all those people
00:33:32going to think majority are incapable damn place was choked with zombies don't you have a normal friend
00:33:45tell me what happened
00:33:48was a heart attack she was bathing she slipped under the water she had a weak heart
00:33:55i didn't even know it anyway what does it matter bath or bed or where she is dead
00:34:09your performance in the chinese restaurant first night we went out together
00:34:16marcus took that money for
00:34:21did he i think you know he did
00:34:26i found it caught in the back of the drawer that was all he put it back
00:34:33accusations are becoming a a thing with you and his headmaster seen on this conspiracy castle
00:34:45i have you spoken to kessel i've been to the school
00:34:53i took the early morning plane the day you went to barcelona
00:34:59paul
00:35:01there was no chicken pox
00:35:05marcus destroyed the letter
00:35:07kessel wrote you explaining
00:35:08you've been so busy with the book so tired i only wanted to help him to help you
00:35:17suppose he took you through the complete chamber of horrors
00:35:20the drawings
00:35:22complaints he was never identified by any of those people the police reports the pavilion incident
00:35:29paul why didn't you tell me
00:35:31marcus is over all that
00:35:45kill the cat
00:35:49tortured it
00:35:50kessel can't deal with him anymore
00:36:00can't overlook it this time
00:36:04marcus was expelled
00:36:20i'll talk to him marcus
00:36:29talk to him what do you want me to do
00:36:33beat him within an inch of his life lock him under the stairs shave his head
00:36:41you've done nothing but harass him
00:36:46accusing him searching his room going to his school
00:36:50you made your mind up before you met
00:36:55that you weren't going to like him
00:36:58that's a terrible thing to say
00:37:00while you were listening to kessel crucifying my son
00:37:04did you ever stop to think why
00:37:07why
00:37:11or were you only interested in
00:37:14in exposing him
00:37:15i wanted to help him
00:37:17i wanted to help him
00:37:19to do that you have to face facts
00:37:23you're just pretending
00:37:24never happened
00:37:26like sarah's death
00:37:29sell the house
00:37:30forget
00:37:32close your mind
00:37:45i just feel confused
00:37:59and frightened for us all
00:38:01do i have to spell it out for you
00:38:03i have to tell you
00:38:05are you that obtuse
00:38:12marcus
00:38:14found his mother in the bath
00:38:15a few months later
00:38:30the incident started
00:38:41manner
00:38:43or
00:38:45rick
00:38:47a
00:38:48a
00:38:49a
00:38:49the
00:38:50the
00:38:51the
00:38:51the
00:38:52the
00:38:54the
00:38:54the
00:38:55the
00:38:56the
00:38:56the
00:41:57I know they're Sarah's things.
00:42:00I shouldn't think so.
00:42:01You see, Paul threw all the clothes away.
00:42:03Didn't he tell you?
00:42:03I'll talk to him if you like.
00:42:07You could keep them in here, if it helps.
00:42:10I don't know what you're talking about.
00:42:13I'm sorry, Elise.
00:42:14What was she like?
00:42:18Sorry, you won't want to talk about it.
00:42:22I don't mind.
00:42:24Was she beautiful?
00:42:26No.
00:42:27Was she tall, short, dark, fair?
00:42:39Tall, fair.
00:42:41If you really don't...
00:42:44No, you want to know.
00:42:45I thought it might help to talk about her.
00:42:48So you're not just being inquisitive.
00:42:54Not this time.
00:42:55Sarah was...
00:42:57exposed.
00:42:59exposed.
00:43:00In what way?
00:43:02She never knew when Paul and I were joking.
00:43:04I sympathize.
00:43:08What did you think when Paul told you about the accident?
00:43:15Accident?
00:43:16Sarah's accident.
00:43:19She had a heart attack.
00:43:23Didn't Paul explain?
00:43:25No.
00:43:27I wonder why not.
00:43:32What did happen?
00:43:36I'm sorry.
00:43:38If Paul...
00:43:39I want to know.
00:43:40I can't.
00:43:41I have a right to know.
00:43:43Then you must ask your husband.
00:44:06Then you must ask your husband.
00:44:07There was no best.
00:44:08There's no problem.
00:44:09How do you do it?
00:44:18Paul refuses to talk about it.
00:44:21I can't force the issue.
00:44:23What has he said?
00:44:25She died from a heart attack, while she was bathing.
00:44:28Just that?
00:44:29Just that.
00:44:42Please, Sophie. It could mean a great deal to me.
00:44:59Come on.
00:45:15Nearly two years ago.
00:45:17You with your stupid suspicions.
00:45:20Him with his innuendos.
00:45:23I'm like a... I'm like a punch bag.
00:45:29Oh, God.
00:45:33I thought I'd got away from all this.
00:45:36All what?
00:45:40You are beginning to sound like Sarah.
00:45:44You're even beginning to look like her.
00:45:59You are beginning to sound like Sarah.
00:46:01You are beginning to sound like Sarah.
00:46:02You're beginning to sound like Sarah.
00:46:05You're beginning to sound like Sarah.
00:46:07They made me cry for rain.
00:46:08It's the best that I got.
00:46:09You've never been in my face.
00:46:11It's the best that I'm not ever in my day.
00:49:13Thank you, Tori.
00:49:14You're hiding behind big words as cold as a fish.
00:49:19You're not that child.
00:49:23You're a... thing.
00:49:27You're a freak.
00:49:35You're a freak.
00:49:36You're a freak.
00:49:43She looked like a fish.
00:49:44She looked like a fish.
00:49:45She looked like a fish.
00:49:46A dead fish under the water.
00:49:48Her mouth wide open.
00:49:53What did you do?
00:49:54What did you do, Marcus?
00:49:56Were you frightened?
00:49:59Did you scream?
00:50:02Cry?
00:50:03Ran away?
00:50:05I laughed.
00:50:06I laughed.
00:50:07I laughed.
00:50:08She looked so surprised.
00:50:14So ridiculous.
00:50:15So ridiculous.
00:50:16So vulnerable.
00:50:22You laughed.
00:50:25I laughed.
00:50:26When Paul came, he was sick.
00:50:32I laughed.
00:50:35I laughed.
00:50:38You laughed.
00:50:41You laughed.
00:50:42You laughed.
00:50:43You laughed.
00:50:44You're crazy.
00:50:45Oh, you're actually sweating.
00:51:04Well, lots of mortals do sometimes.
00:51:08You do at the airport in an hour.
00:51:11Lydia, go!
00:51:26What's the matter?
00:51:28Why don't you go and lie down?
00:51:35You're impossible.
00:51:41There is no room.
00:51:44There is no room.
00:51:49I am not alone.
00:51:53I am not alone.
00:52:27I'll drive you to the airport.
00:52:31No.
00:52:34Why not?
00:52:37Because you're drunk.
00:52:39And you're a mess.
00:52:41I'll have a shower.
00:52:43No!
00:52:45I'll be ready in 15 minutes.
00:52:48I'll take a taxi.
00:52:50Paul.
00:52:52Paul, I'm sorry.
00:52:55Please.
00:52:58You're too drunk.
00:53:25All I can't remember.
00:53:27You're too drunk.
00:53:29You're going to leave your house,
00:53:31You're too drunk.
00:53:33And he's gone.
00:53:34I'm sorry.
00:53:35I'm sorry.
00:53:36I'm too drunk.
00:53:38I'm too drunk.
00:53:40Oh, my God.
00:54:10Oh, my God.
00:54:40Oh, my God.
00:55:10Oh, my God.
00:55:40I've just come from the attic.
00:55:44There's a large trunk.
00:55:47And underneath the floorboards have been cut away.
00:55:50You've been spying on Paul and me.
00:55:52Of course.
00:55:53But why?
00:55:57To use Paul's self-conscious chit-chat, it turns me on.
00:56:04Sarah.
00:56:05You spied on Sarah, too?
00:56:07She wasn't as entertaining.
00:56:09No acrobatics.
00:56:10Then Paul's getting older.
00:56:11Did he have anything to do with Sarah's death?
00:56:16My mother died from a heart attack.
00:56:18After the accident with the electric heater.
00:56:23You know, don't you?
00:56:24Do I?
00:56:26Yes.
00:56:27You think I would give you this information?
00:56:30Not freely.
00:56:32Are you suggesting some sort of exchange?
00:56:36Why not?
00:56:36What do you have that I could possibly want?
00:56:43Money?
00:56:45Really.
00:56:47What, then?
00:56:49Anything?
00:56:51Anything.
00:56:51You.
00:56:55Your natural presence.
00:57:12Was Sarah's death an accident?
00:57:15No.
00:57:21It was murder.
00:57:30Was it murder?
00:57:44Yes.
00:57:47Are you sure?
00:57:49Yes.
00:57:51You knew all the time, and said nothing.
00:58:00Yes.
00:58:08I did.
00:58:11How?
00:58:11I found a letter from a specialist.
00:58:16And you told Paul?
00:58:18No.
00:58:20You little bastard!
00:58:21You knew nothing.
00:58:23All lies.
00:58:24Just a dirty little schoolboy.
00:58:26No.
00:58:27Dirty drawings.
00:58:28Peepholes.
00:58:29No.
00:58:30Killing cats.
00:58:32Think.
00:58:32A dirty little schoolboy couldn't murder his mother.
00:58:38I did.
00:58:42I did, Elise.
00:58:43Yes.
00:58:53I did, Elise.
00:59:04Yes.
00:59:05Yes.
00:59:06Yes.
00:59:07Yes.
00:59:07Yes.
00:59:08Yes.
00:59:08Yes.
00:59:09Yes.
00:59:09Yes.
00:59:09Yes.
00:59:09Yes.
00:59:10Look.
00:59:12That.
00:59:14You know about it.
00:59:16That was cut by one of the electricians to locate the main cable before we moved in.
00:59:22Did he cut that too?
00:59:24What?
00:59:26There.
00:59:28Small hole in the plaster.
00:59:32There. Covered with gauze.
00:59:40There's nothing, Elise.
00:59:48A peephole.
00:59:52Show me.
00:59:54Where?
00:59:56There.
01:00:00It was.
01:00:02It was there.
01:00:04You could see everything.
01:00:08A bed.
01:00:10Everything.
01:00:12A spyhole.
01:00:14Into our room.
01:00:26Elise.
01:00:28He must have filled it in.
01:00:30No, Elise.
01:00:32He filled it in.
01:00:34It is.
01:00:38I know how it is.
01:00:40Oh, for Christ's sake.
01:00:42Stop understanding everything.
01:00:44Everyone.
01:00:45Me and...
01:00:46And?
01:00:47Start facing a truth about Marcus.
01:00:50A truth?
01:00:52You accuse him of stealing money.
01:00:54Search his room.
01:00:56Now it's peepholes in ceilings.
01:00:58You drag me all the way back from Paris with neurotic phone calls for this?
01:01:02It was a hole.
01:01:06It was.
01:01:08I wouldn't have dragged you back from Paris for nothing.
01:01:18All right.
01:01:20I'll see him.
01:01:21Talk to him.
01:01:22I promise.
01:01:23Now?
01:01:28All right.
01:01:32Well?
01:01:48I couldn't make much sense out of any of it.
01:01:52But you did question him about the hole.
01:01:56Yes.
01:01:57He denies it.
01:02:00Yes.
01:02:02Of course he would.
01:02:04He is my son.
01:02:06He's Sarah's son, too.
01:02:08What does that mean?
01:02:10Well, he told me...
01:02:12What?
01:02:14Paul.
01:02:15You do believe me about the hole?
01:02:18I don't know what to believe any longer.
01:02:21But, Paul, I swear...
01:02:23All right.
01:02:25All right, perhaps you are right.
01:02:28What do you mean?
01:02:30Perhaps he should see someone.
01:02:32A psychiatrist.
01:02:34Paul.
01:02:35Oh, he'd be much happier.
01:02:38Maybe.
01:02:39Oh, I know I'm right.
01:02:40Maybe.
01:02:41Maybe.
01:02:42Oh, I know I'm right.
01:02:43Maybe.
01:02:44Paul.
01:02:45It's the only way we can start all over again.
01:02:50Yes.
01:02:51Where's Paul?
01:02:52Madrid.
01:02:53Seeing Dr. Bjorn.
01:02:54Yes.
01:02:55How boring.
01:02:56She bores you.
01:02:58Old psychiatry bores me.
01:03:01where's paul madrid seeing dr viol yes how boring she bores you all psychiatry bores me
01:03:25have you told her yet that i despise her no what you told me
01:03:32what did paul say when you told him
01:03:37sarah was drinking coffee i'm not interested the cup was floating on the water tell dr violon paul
01:03:49knew as soon as he saw her did he say as much no but he knew
01:03:58your mother died from a heart attack i organized that heart attack now you want paul to give you
01:04:07the credit yes
01:04:19so
01:04:38so
01:05:17Marcus is going to kill me.
01:05:47I tried to reach it with a stick.
01:05:54I'll see to it.
01:05:55I thought dogs could swim.
01:05:59It could.
01:06:17I thought dogs could swim.
01:06:47That night we went out for dinner, and the next, and the next.
01:06:59We were married in three weeks.
01:07:02He's the most attractive man.
01:07:04Yes.
01:07:05He told you about the boy.
01:07:07A little.
01:07:09And the mother?
01:07:10Yes.
01:07:11That she had died.
01:07:13A heart attack.
01:07:14Did this bother you?
01:07:16I don't think so.
01:07:18When you knew he had a child?
01:07:20Not at all.
01:07:21You didn't mind?
01:07:22No.
01:07:23Did he talk much about Marcus?
01:07:27Not very much.
01:07:28Not often.
01:07:29You thought this in any way odd?
01:07:32No.
01:07:34We were too full of each other.
01:07:36How long was it before you actually met the child?
01:07:39Three months.
01:07:41He was away at school.
01:07:43But you saw photographs?
01:07:45Only one.
01:07:47Paul doesn't like photographs.
01:07:48Tell me about your first meeting with the child.
01:08:00Paul was in Paris again.
01:08:04It was a very hot afternoon.
01:08:07I'd been to the cleaners to collect some clothes.
01:08:09We just stood there.
01:08:26I can remember his exact words.
01:08:29I hired a car.
01:08:32Took some money from the desk.
01:08:34And then a thousand pesetas.
01:08:37But he denied this.
01:08:38Without turning a ear.
01:08:40Why do you think?
01:08:42To test Paul.
01:08:45To test him?
01:08:47To see who he would believe.
01:08:49Him or me.
01:08:51And who did he believe?
01:08:53I'm not sure.
01:08:56There was an argument.
01:08:58Not really.
01:08:59Marcus admitted the theft.
01:09:02You're kidding.
01:09:04You were mistaken.
01:09:05No.
01:09:06He took that money.
01:09:07A thousand pesetas.
01:09:09Wasn't it 1500?
01:09:12It probably was.
01:09:14But he told me a thousand.
01:09:16He even lies about his lies.
01:09:22Wasn't the money found at the back of the drawer?
01:09:25He put it back.
01:09:26He put it back.
01:09:28You saw this?
01:09:30No.
01:09:32Someone saw this, uh, Consuelo.
01:09:35No.
01:09:36But you're certain.
01:09:37Certain.
01:09:40So what did you do?
01:09:43I looked through his room.
01:09:45Hoping to discover the stolen money?
01:09:47Yes.
01:09:48To what purpose?
01:09:50Well, to prove to Paul he was lying.
01:09:53This was important to you?
01:09:54Yes.
01:09:55Even though you knew it might cause Paul pain.
01:09:58The truth has to be faced.
01:10:04Is Paul very affectionate towards the child?
01:10:07Very.
01:10:10You sound slightly negative.
01:10:15He's always, um, touching him.
01:10:18Over-affectionate.
01:10:20Yes, you could say that.
01:10:24You found a letter?
01:10:26Part of a letter.
01:10:28From Marcus's school.
01:10:29When I was looking for the money.
01:10:30It was hidden in a book.
01:10:45When the headmaster told you
01:10:47that Paul knew about those incidents,
01:10:49what did you feel?
01:10:51I was surprised.
01:10:52Angry?
01:10:53Yes, angry.
01:10:54Betrayed?
01:10:55Yes.
01:10:57And when you saw the erotic drawings,
01:10:59what did you feel?
01:11:00Nothing at first.
01:11:02I was so amazed.
01:11:04Amazed at what?
01:11:05I don't know.
01:11:07That Marcus should be so advanced?
01:11:10Advanced?
01:11:11Knowledgeable.
01:11:12Yes, it was that, I suppose.
01:11:14Were you disgusted?
01:11:16No.
01:11:17Embarrassed?
01:11:18No.
01:11:19The drawings were good.
01:11:21Good.
01:11:22Accurate.
01:11:24Very.
01:11:25Almost.
01:11:26Yes?
01:11:28Almost beautiful.
01:11:29Beautiful.
01:11:29I see.
01:11:32But when he told you about the cat...
01:11:34I felt sick.
01:11:38You say Dr. Kessel suggested
01:11:40that Marcus should see a psychiatrist?
01:11:42Yes.
01:11:42And you told this to Paul?
01:11:44Yes.
01:11:45Why?
01:11:46Why do you think?
01:11:48What I think is irrelevant.
01:11:50Sane people don't walk around killing animals.
01:11:53Yes.
01:11:53You think Marcus is insane?
01:11:55It's not well.
01:12:01He frightens you.
01:12:03In a way.
01:12:07Tell me.
01:12:09He says things...
01:12:10That frighten you?
01:12:13Not frighten exactly.
01:12:15Then what?
01:12:15I can't say exactly.
01:12:20Do you think...
01:12:22You ever frighten him?
01:12:23No.
01:12:24Never?
01:12:25Never.
01:12:26But you were suspicious of him.
01:12:28I...
01:12:28After the incident at the Chinese restroom.
01:12:31There were other...
01:12:33Deceptions?
01:12:35Lies.
01:12:35All the time.
01:12:40He creates difficulties.
01:12:42Yes.
01:12:43Between Paul and you.
01:12:45Yes.
01:12:46Emotional difficulties.
01:12:48Yes.
01:12:49With his lies.
01:12:52Lots of things.
01:12:54He can just sit...
01:12:57saying nothing...
01:12:59and say everything.
01:13:00Do you dislike the boy?
01:13:07No.
01:13:07Do you like him?
01:13:08I want to help him.
01:13:10Does he like you?
01:13:13I don't know.
01:13:16Do you think...
01:13:17he might hate you?
01:13:19I suppose he could.
01:13:21Why should he hate you?
01:13:23Not hate.
01:13:25Resent.
01:13:26Yes.
01:13:27Because of his mother.
01:13:28No.
01:13:29You seem very sure.
01:13:30I am.
01:13:32Why is that?
01:13:33Well, you must have talked about Sarah.
01:13:35Yes.
01:13:35What did he say?
01:13:37Oh.
01:13:38Many things.
01:13:38He talks a lot about her.
01:13:41Like what?
01:13:42Oh, um...
01:13:44Going to buy the dog...
01:13:46his puppy.
01:13:48And...
01:13:48them museum trips together.
01:13:51The chocolate ice cream story.
01:13:53Childish, ephemeral things.
01:13:57You seem surprised.
01:13:58Even you.
01:14:02Even you can't tell when he's lying.
01:14:14When you found this, um...
01:14:17peephole...
01:14:18what did you first think of?
01:14:24What Kessel told me.
01:14:26About the child.
01:14:27Oh, for Christ's sake.
01:14:28Stop calling him a child.
01:14:29He's not a child.
01:14:31He's as adult as you or I.
01:14:33Certainly not a child.
01:14:38About Marcus.
01:14:41Yes.
01:14:42And what did you do?
01:14:46I tried to contact Paul at the airport.
01:14:49To bring him home.
01:14:50Yes.
01:14:51To show him.
01:14:52What else?
01:14:54And what did you do in the meantime?
01:14:58Do?
01:15:00Nothing.
01:15:01What could I do?
01:15:02What could I do?
01:15:17Why did you take your clothes off in front of the child?
01:15:20Why did you take your clothes off in front of the child, Elise?
01:15:32What?
01:15:33What?
01:15:33You stripped in front of the child.
01:15:43He made me.
01:15:44Forced you?
01:15:46It was a game.
01:15:47A game?
01:15:50He was telling me things.
01:15:52What sort of things, Elise?
01:15:53I offered him money.
01:15:58What for?
01:16:00For the information.
01:16:01What information?
01:16:03About Paul and Sarah.
01:16:04What about them?
01:16:06I was wrong.
01:16:07How, Elise?
01:16:09I suspected Paul.
01:16:11It wasn't Paul.
01:16:13You wanted the child to see your body.
01:16:15He's not a child!
01:16:16You thought he would admire your body.
01:16:18It was the only way.
01:16:21What for, Elise?
01:16:22To find out what happened.
01:16:25Ask him.
01:16:25He suggested it.
01:16:26Ask him.
01:16:27He suggested it.
01:16:28He'll only tell you lies.
01:16:31Did you harm the dog?
01:16:37Can't you remember?
01:16:43He murdered the cat.
01:16:46Why not the dog?
01:16:48It was his dog.
01:16:49He could have murdered it.
01:16:53He could have murdered it.
01:16:55Murdered?
01:16:58Killed?
01:16:58You said murdered.
01:17:00Killed, killed, killed!
01:17:14Can't you understand?
01:17:15Marcus murdered his mother.
01:17:19He told me.
01:17:21There was information he made me sleep for.
01:17:23He laughed.
01:17:26The coffee cup was floating.
01:17:28He laughed.
01:17:30Her mouth was open under the water.
01:17:32Peter!
01:17:59Mom!
01:18:00Come on.
01:18:00Oh, my God.
01:18:30Oh, my God.
01:19:00Oh, my God.
01:19:30Oh, my God.
01:20:00Oh, my God.
01:20:30Oh, my God.
01:21:00Oh, my God.
01:21:30Oh, my God.
01:22:00Oh, my God.
01:22:30Oh, my God.
01:23:00Oh, my God.
01:23:30Oh, my God.
01:24:00Oh, my God.
01:24:30Oh, my God.
01:25:00Oh, my God.
01:25:30Oh, my God.
01:26:00Oh, my God.
01:26:30Oh, my God.
01:27:00Oh, my God.
01:27:30Oh, my God.
01:28:00Oh, my God.
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