- 7 weeks ago
The Gallant Men is a 1962–1963 ABC Warner Bros. Television series which depicted an infantry company of American soldiers fighting their way through Italy in World War II.
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Short filmTranscript
00:00According to one ancient philosophic strategist on the art of the military, some year B.C.,
00:08the trouble with war is it makes life and living a touch-and-go proposition sometimes.
00:14One hill, one ridge, a pillbox, a mission, or just a plain walk through the enemy lines can be a one-way walk.
00:22No return like this one. You keep strict radio silence. You do nothing to attract attention.
00:27You be a nice, quiet little mouse out there. Cheese for the great big rat.
00:34Kimbrough will take the first and third platoons?
00:36We'll take the second and fourth and be at the farmhouse. We'll move out one hour after he does. Questions?
00:43All right. Have fun.
00:45Sure. Picnic.
00:47Move out. See you, Jim.
00:53Here you go.
00:57Tip number one.
01:03Part number two.
01:12Let's get one.
01:20So, let's go.
01:50So, let's go.
02:20So, let's go.
02:50So, let's go.
03:19So, let's go.
03:49So, let's go.
03:51So, let's go.
03:53So, let's go.
03:55So, let's go.
03:57So, let's go.
03:59So, let's go.
04:01So, let's go.
04:03So, let's go.
04:05So, let's go.
04:07So, let's go.
04:09So, let's go.
04:11So, let's go.
04:13So, let's go.
04:15So, let's go.
04:17So, let's go.
04:19So, let's go.
04:21So, let's go.
04:23So, let's go.
04:25So, let's go.
04:27So, let's go.
04:29So, let's go.
04:31So, let's go.
04:33So, let's go.
04:35So, let's go.
04:37So, let's go.
04:39So, let's go.
04:41So, let's go.
04:43So, let's go.
04:45So, let's go.
04:47So, let's go.
05:17We're 800 yards south of the objective, and they've got us.
05:45They've got us just beautiful.
05:47It's open season out here, and we're ring solid from all sides.
05:51Over.
05:52Tightrope.
05:53Dig in.
05:54Stay put.
05:55We're moving out.
05:56Over.
05:57Roger.
05:58Out.
05:59We go.
06:01We go.
06:01We go.
06:04We go.
06:08We go.
06:10We go.
06:12We go.
08:16We can't get to you.
08:18Just try to hold on.
08:20We're only 300 yards away.
08:22Ow!
08:23You sure you want a horse doctor and civilian life?
08:26Me?
08:27I got the gentle touch of a fairy queen.
08:30Tanks!
08:36Our tanks!
08:37They're broken through!
08:43Jerry's!
08:44Tell your men to get back the best way they can.
08:58We can't make it.
08:59Over.
09:00Roger.
09:01Out.
09:01Get back.
09:06Pass the word.
09:06Get on back.
09:08Pass the word.
09:09Y'all get on back.
09:17Pass the word.
09:17I got the word, Lieutenant.
09:37What are we waiting for?
09:38I got an answer to this.
09:39I'm gonna cover it.
09:41Sean, get yourself covered in a coffin.
09:43Come on, let's get out of here.
09:44Come on, let's get out of here.
10:10Follow me.
10:11Follow me.
10:11Follow me.
10:40Put your armor on me.
10:58Okay, come on.
10:59We'll make it, Lieutenant.
10:59Lieutenant.
11:10We're gonna be A-1, Lieutenant.
11:37Just one small problem, Pete.
11:39I can't see.
11:51It is said the Neapolitan takes life in stride,
11:55fulfilling each moment without regret for the past
11:57or hope for the future.
11:59In a city where his ancestors entertain Roman poets
12:01and emperors, he shares the narrow streets
12:04and battered buildings with soldiers of a new age.
12:07In a never-ending drama,
12:09the comedy is broad,
12:11but tragedy relentless.
12:12Good morning.
12:33Where can I find Lieutenant Kimbrough?
12:35Lieutenant Kimbrough?
12:36Third floor, sir.
12:39Okay, thanks.
12:39Third floor, sir.
12:41Okay, thanks.
12:43The guy sent this along.
13:08I thought you'd be lonesome without it.
13:09The poet laureate.
13:10Don't tell me you came to write the story of my heroic action.
13:12Oh, stop taking bows, D'Angelo.
13:14Even a correspondent has to check with his headquarters once in a while.
13:16How do you feel?
13:17Not too good, Conley.
13:19Well, two inches, the whole enchilada would have been gone.
13:22I might not even be able to shuffle the deck of cards again.
13:24Where's the lieutenant?
13:27Down that-a-way.
13:28You're wasting your time, Conley.
13:30He's not buying any.
13:31What do you mean?
13:32He's not home.
13:33I just went down there to talk to him, and he wouldn't even speak to me.
13:37He's different.
13:37He's changed.
13:39He's got a pretty good reason he can't see.
13:42Conley, I brought him in.
13:43There's nothing wrong with his eyes.
13:44His eyes look okay, they are okay, but he's blind.
13:49It happens a lot in war.
13:51A man gets to the point where he can't stand watching guys like you get their head shot off.
13:56Ask the doc sometime.
13:57He can explain it a lot better than I can.
14:01Oh, you'll have to excuse me, Sidney.
14:03I feel very weak and dizzy.
14:12Hello, Maria.
14:13I'm glad you could come today.
14:15Hello, Pete.
14:17Shall I read you a story?
14:18Or would you like to play a game?
14:21No, you said you were going to read my palm and look into my future.
14:39Hi, Frank.
14:43Man with a magic typewriter.
14:48I was just passing through, filing a couple of stories.
14:51Guys in the company say hello and hurry back.
14:53When did they switch to fighting the war in Braille?
14:55I just spoke to the doctor.
14:56He said a couple of weeks rest, you'll be fine.
14:58Bully for him.
15:00Come off it, Frank.
15:01You've had it explained.
15:02It's psychosomatic.
15:04Hysterical blindness.
15:05According to the doctor, if you want to see, you can see.
15:11I like these real cooperative, optimistic doctors.
15:15It doesn't have my eyes.
15:18There's nothing wrong with the optic nerves.
15:19Your eyes look fine.
15:21The doctor says that...
15:22How would he know?
15:23He's an obstetrician.
15:24He delivers babies.
15:26In that case, he's spanked a lot of eyes open in his time.
15:33Not mine, he can't.
15:38Well, I'll be in Naples for a few days.
15:40I'll, uh, see you tomorrow.
15:41So long, Pete.
15:51See you tomorrow.
15:51Hey, hey, wait a minute.
15:52You didn't meet Miss Carducci.
15:53I wouldn't want to break into your future.
15:55Oh.
15:56Maria's a volunteer here at the hospital.
15:58Maria, this is Connie Wright.
15:59Big wheel war correspondent.
16:01If you smile at him real pretty, you might spell your name right.
16:03Well, how do you do?
16:04Nice to meet you, morale builder.
16:07I see a tall man under your life.
16:10He's not very far off.
16:12Got brown hair, brown eyes.
16:14Don't see very well at the moment.
16:16He's a little bit mad at the world.
16:18Connelly, she was just building my morale up.
16:21Share the wealth, Pete.
16:24Got a little bit of morale to spare, Miss Carducci?
16:28I did try once.
16:30He is a very lonely one.
16:32Give the lonely one another chance, huh?
16:36All right.
16:36Thanks for the relapse, buddy.
16:41Now you be a good boy, Pete.
16:43Oh.
16:43Hello, Lieutenant.
17:01You mind if I talk to you?
17:03Why?
17:04Well, I thought you might want some company.
17:08Someone to talk to you.
17:11Read to you, perhaps.
17:13What am I getting to be around here?
17:14A charity case?
17:15Only trying to help.
17:17Well, I don't need your kind of help.
17:21That's what you said the other day, too.
17:24You're the same girl.
17:25My name is Maria.
17:27Well, I guess I'll have to start learning to remember the sound of voices.
17:30What is your name?
17:34Kimbrough.
17:36Frank Kimbrough.
17:40Come here every day?
17:43I ask, do you come here every day?
17:45Oh, yes.
17:47Yes, I do.
17:48You're not a nurse?
17:50No, I try to help out.
17:52One of those.
17:54What do you mean?
17:56Most people who go visiting hospitals to cheer up the boys are either rich or bored.
18:00With them, we're a play toy.
18:02Which category do you fall into?
18:05You haven't got a very high opinion of just plain, ordinary women who want to help out, have you?
18:12Look, right now, it doesn't make much difference what kind of opinion I have about anything.
18:18What do you want to know about me?
18:20Do I have a choice?
18:21I'm not rich.
18:26You're warm.
18:28Life these days is not for the bored.
18:30You're getting warmer.
18:32And believe me, the hospital here is not just a play toy for me.
18:38Well, you might almost be human.
18:42And you smile, Lieutenant.
18:44That makes you almost human.
18:47Almost.
18:51Where are you going?
18:57I'll be back again.
18:59If you want.
19:21You're late.
19:28The whole world is late, Francioso.
19:31Living is late.
19:33One has to go with the market these days.
19:36So long as you don't get sold to either side.
19:39Oh?
19:39Well, what about conscience?
19:42In war?
19:44If you want to survive, forget your conscience.
19:48Well, I have myself to look it in the mirror.
19:51Yes.
19:52And the mirror is cracked, Maria.
19:54They've cracked it for us.
19:55They've taken everything we've had.
19:56Or did we take it away from ourselves?
20:01Maria!
20:06Fabio has the truck lined up.
20:08We know the shipment of the new drugs is arriving.
20:12The market for such a commodity is high.
20:14It's very high, Maria.
20:15It will buy back everything.
20:17Do you remember the house in Brindisi?
20:20Hmm?
20:21How wonderful it was.
20:24The war has passed them there.
20:25We can go there.
20:27Away from all this.
20:31The key to the supply room.
20:34Can you get it?
20:35Hey, that's pretty good, Lieutenant.
21:01What time is it, Pete?
21:03Don't worry.
21:03She ought to be checking in any minute.
21:05You want to turn on the internet?
21:19Good afternoon, Maria.
21:35I heard you coming, Maria.
21:55I'm here, Lieutenant.
21:56It's Frank.
21:57Oh, can I help you sit down?
22:00Thanks.
22:02How do you feel?
22:03Fine, fine.
22:05You know, Pete DeAngelo says you're beautiful.
22:07Oh, Pete.
22:08How would he know?
22:10Well, it's what happens to a guy who spends too much time in a foxhole.
22:14Oh, is he wrong?
22:16You're not just beautiful.
22:17You're beautiful.
22:18I have to go look in on the seaward.
22:24Oh, lucky guys.
22:25Excuse me.
22:26Yeah, see ya.
22:27Yeah, thank you.
22:37Quanto sospirerò
22:39Quando ti sognarò
22:44Fin l'infinità
22:48Carato amore, resta sempre così
22:59E non discorderò per l'eternità
23:09Carato amore, resta sempre
23:16Wherever I may go
23:21Whatever I may do
23:27For a thousand years
23:33My heart belongs to you
23:40Resta sempre così
23:44E non discorderò
23:49Per l'eternità
23:54Carato amore, resta sempre così
23:58Carato amore, resta sempre così
24:00I should have been back to the hospital a long time ago
24:18Consider yourself never having left
24:19We just moved it from there to here
24:21It's your day for me, doctor's orders
24:23Oh, what doctor?
24:25Oh, it's a new Italian doctor brought in on my case
24:27A signor Franco, Dr. Franco Kimriola
24:32Oh, he's very famous I hear
24:37Who are you, Maria?
24:39I mean, before all this, what did you do?
24:41Where did you live?
24:43Oh, just a girl
24:46Like any other girl living in Naples
24:50Get up in the morning, glad to be alive
24:53Work if you have a job
24:55Look for one if you don't have one
24:57Laugh a little when there's something to laugh about
25:00And cry a little when there's something to cry about
25:03What did you do most?
25:05Laugh or cry?
25:07Let us have some secrets from each other
25:10Shall we?
25:12Signor Dr. Franco Kimriola
25:14You mean like if you're married?
25:17No, no secret
25:18The answer is no
25:19We're in love?
25:21I withdraw the question
25:25I don't know how to answer you
25:32Maybe because I don't know what love is
25:37Maybe this world in these times haven't led me
25:42What is it?
25:44Is it something you feel?
25:46You hate?
25:48You want?
25:50Does it make you afraid?
25:53Or happy?
25:55Can you touch it?
25:57Is it warm?
25:59Or is it cold?
26:01I don't know Frank
26:03I don't know
26:17I still don't know Frank
26:19I still don't know
26:21Don't know Maria
26:23You will know
26:26If I knew all the words and I could write
26:30I'd give you a front page retraction
26:32What makes you think you're so different from the average guy?
26:34Cause I've been feeling sorry for myself
26:37And that's the worst kind of average guy
26:39Forget it, how are the eyes?
26:40Same
26:41You know, I want to see
26:42I try to see
26:43Sometimes I even think I see
26:45But it's always my imagination
26:47What do the doctors say?
26:48Rest
26:49Take it easy
26:50Forget about the war
26:51And maybe in a couple of weeks it'll work out
26:53If not, they're gonna try sodium pentothal
26:56One of these days the fog will lift
26:59Ah, Signorina Maria
27:01Lady of palmistry, patroness of the arts
27:04Nice to see you again, Signora
27:06Thank you
27:07Maria?
27:08Hello Frank
27:09That's pretty good, soldier
27:10Well, that's better than doing it with a brush in my teeth
27:12It's a beautiful dress you're wearing and your hair looks lovely
27:17Frank?
27:18Well, they can't ration imagination
27:20Oh
27:21Hey Connelly, Lieutenant, guess what?
27:22You cleaned out the ward and now you own the hospital
27:25I'm the one that got cleaned out and I don't own a thing
27:27You know they got a bunch of GI Indian medicine men here for MDs
27:30I did get a weekend pass though and then it's back to the company
27:34Oh good, now I feel more secure about our winning the war
27:37That's very funny
27:38I tell you what
27:40What's that doll face?
27:42With apologies to you, of course, Lieutenant
27:44Of course
27:45We'll have a party at my place tomorrow night
27:47Good
27:48Ah, now I don't feel so rejected, I'll bring the wine
27:50Spaghetti, Italian bread, I find some greens for the salad
27:54Oh lady, what a way to go back to the war
27:57Tomorrow night, Maria
28:01Like I said, Lieutenant, I'll bring the wine
28:03And I'll take care of the transportation
28:05Well, I guess that just leaves me the girl
28:07Come on, we're in business
28:08Ah, a party, Maria
28:23What do you want?
28:25I feel hurt
28:27Not invited
28:29This is a farewell party
28:31Well, that does not include us, does it, Fabio?
28:35Mmm
28:37Ah, that's delicious
28:39Come, Fabio
28:40Smell it
28:44Delicious
28:45Yes
28:46But not for us, Fabio
28:52Leave me alone
28:54Get out of my life
28:56Leave her alone, she says, Fabio
28:58Get out of her life
29:00She says
29:01Maria
29:02The shipment of the new drugs arrived this morning
29:06I planned the whole affair for tomorrow afternoon
29:09Quarter to five
29:11Who cares?
29:13She's getting religious, Fabio
29:16Her problem, Franciosa
29:18You still have access to the key?
29:21Show us what the back of the building looks like
29:23All right
29:24I will put it to you very simply
29:28Should I introduce myself to Lieutenant Frank Kimbrough?
29:31You wouldn't do that
29:32I would
29:34You are no better than they are
29:46They?
29:47Who are they?
29:48Americans?
29:49Italians?
29:50Germans?
29:51Or us?
29:52It's too late, Maria
29:54If you have fallen in love
29:56That changes nothing
29:57You are what you are
29:59And what you have been
30:01Oh, if this is over
30:02Then you
30:03You can go
30:04You can have them
30:05It won't matter then
30:07I'm only concerned with now
30:10Sit down
30:11Come on
30:13Show us
30:14Show us
30:15There is this driveway
30:20Leading to the rear entrance
30:33They call a hard-hearted Hannah
30:36The vamp of Savannah
30:39The meanest gal in town
30:42Well, leather is tough
30:45But Hannah's heart is tougher
30:47You ought to see the way she makes men suffer
30:51To torture and kill them
30:54To squeeze them and thrill them
30:56Is her delight, they say
30:59Well, evening spent with Hannah sitting on your knees
31:04It's like being in Alaska in your VVDs
31:09Hard-hearted Hannah
31:11The vamp of Savannah G.A.
31:16They call a hard-hearted Hannah
31:19The vamp of Savannah
31:21The meanest gal in town
31:24Talk about your cold refrigerated mamas
31:28Well, Hannah is a pole of bears pajamas
31:33To torture and kill them
31:37To squeeze them and thrill them
31:39Is her delight, they say
31:43I saw Hannah by the seaside with a great big pan
31:49Great big pan
31:51She was pouring water on a drowning man
31:56Hard-hearted Hannah
31:58The vamp of Savannah G.A.
32:06They call a hard-hearted Hannah
32:07They call a hard-hearted Hannah
32:09The vamp of Savannah G.A.
32:11Someday
32:12The vamp of Savannah G.A.
32:14Someday
32:16Woo!
32:17Conley
32:18After we clobber him and lock up the peace tree
32:19Do you want to manage me?
32:20That's a good idea, Pete
32:21But what can you do for an act?
32:22Conley
32:23The rental on my typewriter just went up to two bucks a day
32:25Okay
32:26How about a song for La Bella Signorina?
32:27For La Bella Signorina
32:29For La Bella Signorina
32:42Jerry
32:43Vieni, vieni
32:47Vieni, vieni
32:48Vieni, vieni, vieni
32:56Vieni
32:57Let's hear it, let'scen.
33:01In that moment, we'll gather it to you as an earnings.
33:06For now.
33:08At the moment, we're most beneficial.
33:10Let's make a difference in how it'siri about,
33:15or to start to see if we don't see how it isn't probably,
33:21Oh, Paola, voglio cantare una canzone d'amore.
33:32Paola, voglio cantare una canzone d'amore.
33:52This was nice of you, Maria.
33:54It's a farewell party, Frank.
33:56Oh, you gave Pete something to remember.
33:59I'll remember too.
34:00Well, I'll remember.
34:02You know, I can just see him bragging about this when he gets back to camp.
34:07Lights out, everybody.
34:08It's right in the middle of my act.
34:30I couldn't have planned this better.
34:37You don't take advantage of a girl at a time like this.
34:40Why not?
34:41I can't see.
34:42The least I can do is hold you.
34:43Hold me, Frank.
34:44Hold me.
34:45Hold me.
34:46Hold me.
34:47All I can do is hold you.
34:48Hold me, Frank.
34:49Hold me.
34:50Hold me, Frank.
34:51Hold me.
34:52Hold me.
34:53Hold me.
34:57Hold me, Frank.
34:59I'm got back so far.
35:08Over me, Frank.
35:10hairdo.
35:15Hey, Lieutenant!
35:37Yeah.
35:39You got a mirror?
35:41Should think.
35:45You okay?
35:47Oh, are you sure it is?
35:49Listen, it's just my ego, yeah.
35:51I don't imagine I can see myself, you know,
35:52make sure that everything's in place, you know?
35:58Enjoy.
36:00Thanks.
36:01Thanks.
36:15Thanks, buddy.
36:43Thank you, Lieutenant.
36:47Daydreaming, Lieutenant?
36:48Yes, something like that.
36:50What's the clock say?
36:51Almost 4.30.
36:54She's here, Lieutenant.
36:55She just hasn't hit this ward yet.
36:57I saw her before, down by Recreation Supplies.
37:00Quit worrying.
37:13Come on.
37:18See you next time?
37:30What?
37:31Oh, my God.
38:01Oh, my God.
38:31Oh, my God.
39:01What are you doing in this part of the hospital?
39:04I heard you were in this area, so I felt my way about.
39:07I was coming to see you as soon as I finished in the other ward.
39:11Frank, I...
39:12What is it, Maria?
39:14Come on, Frank.
39:15I'll take you back to your ward.
39:31Maria Carducci never mentioned the names of either Franciosa Cardinelli or Fabio to you, Lieutenant.
39:57I was just another patient in the hospital, and we talked everyday talk about the birds and the bees.
40:01Maybe she couldn't help herself.
40:02You're out of character with advice to the Lovelorn, Conley.
40:05You heard the captain.
40:07The line they got on Cardinalli, black market, wonder drugs.
40:11So she was free, greedy, and over 21.
40:13Only we can't prove her involvement.
40:16I was hoping you might have been able to give us some information.
40:19Well, there's some things a man just can't see, even with his own eyes.
40:22What about the other two, Captain?
40:23The raid only got Fabio, killed trying to escape.
40:28And I don't think the girl's going to spill anything on Cardinelli.
40:32Anyway, we can't hold her.
40:35Well, thanks a lot, Lieutenant.
40:36Good luck.
40:37Yeah.
40:39My specialty.
40:42Signorina Carducci.
40:47Frank, I...
40:50Frank, I...
40:53Frank, I...
40:55Frank, I...
40:57Frank, I...
40:58Frank, I...
40:59Frank, I...
41:00Frank, I...
41:01Frank, I...
41:02Frank, I...
41:03Frank, I...
41:04Frank, I...
41:05Frank, I...
41:06Frank, I...
41:07Frank, I...
41:08Frank, I...
41:09Frank, I...
41:10Frank, I...
41:11Frank, I...
41:12Frank, I...
41:13Frank, I...
41:14Frank, I...
41:15Frank, I...
41:16Frank, I...
41:17Frank, I...
41:18Frank, I...
41:19Welcome back, Lieutenant.
41:28Yeah, did you get any word on how them poor civilians are surviving back in the States?
41:32I'm glad you're back, Lieutenant.
41:39Frank.
41:40Hello, Jim.
41:42We've missed you.
41:43I'm back.
41:45Well, nothing's changed here.
41:47Food's still lousy, weather's still lousy.
41:50Our luck is still lousy.
41:55I'm glad you made it.
41:57What's the story here?
42:00Well, we're still pushing north inch by inch.
42:02Could have sent out a patrol in a couple hours.
42:06Objective is this Jerry O.P. on the ridge.
42:09All right, if I take it?
42:10I'm not that desperate.
42:12You just got here. Give yourself a chance to catch up.
42:15My question still goes, if you have an objection, make it.
42:17How are your eyes?
42:21Twenty-twenty. It's all my guts.
42:22I don't like the looks of this to you, Lieutenant.
42:35How's the guard? Any bigger?
42:36No, sir, it's the same.
42:37Let's get at it.
42:38There's too much activity going on. They're laughing and talking too much.
42:40Maybe they're drunk. It's a good time to hit them.
42:41That's no coffee clutch, Lieutenant. Maybe they're being relieved.
42:43Yeah, but it count for the laughing.
42:45Only one way to find out.
42:46Lieutenant, don't you think you better think about it?
42:47Let's move!
42:47If he doesn't look out, he's going to wind up back in that hospital.
42:52He's got a bug-eating him. We're all going to wind up back in that hospital.
42:55If we're that lucky.
43:25I don't know.
43:55They're behind us.
44:03It's the Jerry Relief. We're boxed right in the coffin.
44:05So we're a hit-and-run patrol.
44:06I say it's time to run.
44:08All right, fall back.
44:25All right, get these men back. I'll cover.
44:30Get these men back. Every one of them's out.
44:32Okay, okay.
44:33You're still calling the shots, Lieutenant?
44:35Come on, you guys. Let's get out of here.
44:37You guys pull your way back.
44:55I don't like the look in the Lieutenant's eyes.
44:56I'm sorry, Lieutenant.
45:18The last time I brought you back, I was alive.
45:19I don't want to change your luck the second time.
45:49Coming over.
46:02They're still coming.
46:20Good. Pile up some of these shells beside me.
46:21Now get out of here.
46:22But, Lieutenant...
46:22That's an order.
46:24Come on.
46:24You couldn't stay away, could you?
46:46Where's Kimbrough?
46:48On patrol.
46:49I knew it.
46:50Why? What's the pitch?
46:51He's got a torch burning in him that could light up the sky.
46:54He's out to get himself killed.
47:01What happened up there?
47:02We got clobbered.
47:04What about Lieutenant Kimbrough?
47:05I didn't say he flipped.
47:06He ordered us all out.
47:08D'Angelo went back to see what he could do.
47:15D'Angelo, where'd you leave the Lieutenant?
47:17Back there where he told me to scram.
47:19Captain, he's just sitting there cradling the mortar
47:21like he's begging the Germans to come and get him.
47:22I'd like your permission to take a couple of the guys
47:24back up there and try and get him.
47:43Mind him?
47:43Hey, Frank, how are your eyes?
47:54Are you black out again?
47:56No, I can see fine, just fine.
47:59Just had to think a little all by myself, that's all.
48:03One thing I can't deny, she did help me to see when I was the blindest.
48:06I saw Maria, she turned herself in.
48:09She's not all bad.
48:10She tried to get out of it, Cardinale wouldn't let her.
48:12He said he'd expose her past to you.
48:14She's staying in Naples.
48:16She said if you ever get back, she'll be there.
48:21Yeah, someday.
48:23I might just do that.
48:25She said something else.
48:27Said she was almost sure you could see her on the day of the robbery.
48:30What do you know about that?
48:43War doesn't stop for life or love.
48:46And there's still most of Italy to take.
48:48And these are the men who'll do the taking.
48:50How do you feel, Lieutenant?
48:56Ever felt better in my life.
49:00With any luck, I'll be proud to be there with them, moving into all their tomorrows.
49:04And who knows, someday back at Naples, maybe even a wedding.
49:20The Gallant Men.
49:28Starring Robert McQueenie as Conley Wright.
49:31William Reynolds as Captain Benedict.
49:34Robert Ridgely as Lieutenant Kimbrough.
49:38Richard X. Slattery as Sergeant McKenna.
49:41Eddie Fontaine as Private D'Angelo.
49:44Roland Lestarza as Private Lukovic.
49:47Robert Gothi as Private Hanson.
49:51Roger Davis as Private Gibson.
49:53Roger Davis as Private Gibson.
50:20Florida 언니er.
50:21Roger Davis as President Disney.
50:23Roger Davis as Private Gibson.
50:25Stella Smith.
50:25Roger Davis as Private bluetooth.
50:26Roger Davis.
50:26Roger Davis as wartimeer.
50:27Roger Davis asードine.
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