- 3 months ago
Category
🦄
CreativityTranscript
00:00:00Musique
00:00:30Musique
00:00:32Musique
00:00:34Musique
00:00:36Hey Randy, are you ready to get started?
00:00:38I think you are.
00:00:40We gotta make some art here, people.
00:00:42Alright, let's go. Bring that light right here.
00:00:44Down here.
00:00:46Alright, that's not...
00:00:48I need more light than that.
00:00:50You're in the spot.
00:00:52Okay.
00:00:54Good boy.
00:00:56Alright.
00:00:58No, I told you, it's too hot.
00:01:00Turn it over. Give me the other flat side, idiot.
00:01:02Come on, let's go.
00:01:04Come on. Oh, Jesus Christ.
00:01:06Come on.
00:01:08All right.
00:01:14Good. Back in it. Back in it. Back in it.
00:01:16That's a good dog.
00:01:18Such a good dog.
00:01:28Good. All right. That's fine.
00:01:30That's a good dog.
00:01:32Good. All right. That's fine.
00:01:34That's a good dog.
00:01:36Hang on, man.
00:01:38Gotcha.
00:01:40Very much.
00:01:42All right. That is great.
00:01:48I think he looks good, don't you?
00:02:02Yeah, we're out of film. All right. Take five. We're reloading now.
00:02:06This is the dumbest dog in the whole world. Where the hell did you get such a dumb dog?
00:02:10It's my dog. I trained that dog. I love this dog.
00:02:12Then you are as dumb as the dog.
00:02:14All right. Is everybody ready? Is your camera loaded? Yeah.
00:02:16Are we all happy?
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00:11:38J'ai un problème, Emmanuel.
00:11:43C'est le mot « ils ».
00:11:45Nous savons que « ils » pertains à des hommes.
00:11:48Donc, pourquoi pas vous visez et dire,
00:11:51« Men, vous êtes blessés avec la beauté.
00:11:55Vous devriez ĂŞtre satisfait avec cette avantage.
00:11:58Mais vous n'ĂŞtes pas.
00:12:00Je pense que toutes les filles devraient la terminologie.
00:12:03Manpower.
00:12:05Manipulate.
00:12:06Les droits de l'homme.
00:12:08Manpower.
00:12:09Je pense que toutes les filles peuvent descendre.
00:12:11Il va toujours ĂŞtre un manpower dans les yeux de Dieu.
00:12:13Dans les yeux de tout le monde.
00:12:14Vous ne pouvez pas changer.
00:12:15Non mĂŞme si Dieu peut changer.
00:12:16Entendez-vous, madame.
00:12:22Vous avez beaucoup Ă apprendre, Emmanuel.
00:12:25Et un Richard Tate...
00:12:28...le va vous enseigner.
00:12:36...
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00:12:49Okura Hotel
00:12:51Oui, Mme Manuelle Griffith, s'il vous plaît
00:12:53May I say who's calling?
00:12:55Oui, tell her que notre studio driver a arrivé
00:12:57Un moment, s'il vous plaît
00:12:59Oui ?
00:13:01Oui, Mme Griffith, votre limo est lĂ
00:13:03Qu'est-ce qu'est-ce qu'il est ?
00:13:05Non, je suis une heure d'ici
00:13:07Oh non, mais ils ont changé le temps, ma'am
00:13:09Ils vous dit ?
00:13:11Non...
00:13:13Ok, ok, je vais en un moment
00:13:15Ok, merci
00:13:19Ok, merci
00:13:21C'est parti
00:13:23Ok, merci
00:13:25Merci
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00:14:23Sous-titrage Société Radio-Canada
00:14:53Sous-titrage Société Radio-Canada
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00:27:21C'est bien sûr, mais je ne peux pas rentrer.
00:27:24Ok, je vais vous montrer la situation.
00:27:27Je vais vérifier ça, ok ?
00:27:29Ok ?
00:27:30Je vais vérifier ça.
00:27:32Vous savez, la seule chose que je peux comprendre
00:27:35c'est que vos tits sont plus grandes.
00:27:37Vous êtes un dégueu, pig.
00:27:40Je vais vous montrer ça.
00:27:42Je peux prendre ça de l'hinge et vous serez à la porte pour le reste de votre vie.
00:27:46S'il vous plaît.
00:27:49S'il vous plaît.
00:27:51C'est mieux.
00:27:52Vous savez quoi ?
00:27:53Vous commencez Ă me voir.
00:27:55La possibilité qui existe,
00:27:57c'est que vous pouvez mĂŞme ĂŞtre mieux.
00:28:00Mais je ne sais pas.
00:28:07Je ne crois pas ça.
00:28:11Les enfants.
00:28:16Des prékemènes, les enfants.
00:28:24C'est ça, il est une elle, comme ça.
00:28:27S'il te plaît, il ne te parle editing.
00:28:33Les enfants de l'air, Paul ?
00:28:36La personne n'a souffert une Ă©ëł•,
00:28:38on dit quoi ?
00:28:40Oh yes!
00:28:42Oh yes!
00:28:44Oh yes!
00:28:46Oh yes!
00:28:48Oh yes!
00:28:50Come on, come on, come on!
00:28:52I see a touch of you, babe!
00:28:54Come on! Come on, honey!
00:28:56Come to daddy! That's it! That's better!
00:28:58Oops! Not enough!
00:29:00Just get your magi...
00:29:02Oh, come on! Get in the view! Come on!
00:29:04Let me strike a
00:29:06close up on
00:29:08Your magic spot!
00:29:12What are you doing to me?
00:29:16Come on!
00:29:26Yeah, I want to go someplace
00:29:30where I can totally be lost
00:29:32But at the same time, if I wish to
00:29:34escape into some excitement
00:29:36It's nearby
00:29:38Oh, I understand, I think
00:29:42But I want it to be magnificent
00:29:44First class all the way
00:29:46God!
00:29:48I like the ocean, but
00:29:50it has to be more than that
00:29:52I want something that
00:29:54oozes love
00:29:56Oo... oozes?
00:29:58I beg your pardon?
00:30:00Oh, excuse me, oozes
00:30:02I was just flashing on something
00:30:04Oh, right!
00:30:06What do you have in mind?
00:30:08Well, the uh...
00:30:10People in the travel business
00:30:12might call me Mr. T because
00:30:14T stands for travel, of course
00:30:16So you've come to the right place
00:30:18What I'm about to show you, young man
00:30:20Is splendor in the sand
00:30:22Is splendor in the sand
00:30:24Oh!
00:30:26Hold your breath, you'll be screaming for oxygen
00:30:28This...
00:30:30This is Antigua
00:30:32The island of beaches
00:30:34Five years ago, very dear
00:30:38Well, close, intimate
00:30:40A friend of mine and I
00:30:42Spent five glorious days there
00:30:44It was magnificent
00:30:46I'll never forget it
00:30:47We'd lay on the beach
00:30:48And write love poems to each other
00:30:52And put them in a seal
00:30:54And empty orange juice
00:30:56Bondlin hiding under this rock
00:30:58Look, this is the very rock
00:31:00And the nights...
00:31:02Don't ask, the nights
00:31:04Were magical
00:31:06The wind, the people
00:31:10The island, the beaches
00:31:12The love poems
00:31:14Then when the mood struck us
00:31:16Which was quite often
00:31:18We would adjourn to our magical suite
00:31:22Yeah
00:31:24This
00:31:26Is the actual suite
00:31:28Just between us
00:31:30We did it everywhere
00:31:32Upstairs
00:31:34Upstairs
00:31:36Downstairs
00:31:37In my lady's chamber
00:31:38So to speak
00:31:40It was magnificent
00:31:42I bet
00:31:44What a memory
00:31:46Yes
00:31:48Oh, excuse me
00:31:50Now tell me, will you be traveling alone?
00:31:52Uh...
00:31:54No, I'll be traveling with my wife
00:31:56Goodbye
00:31:58Mm-hmm
00:31:59Of course
00:32:00Sorry
00:32:01No harm done
00:32:02Now you want me to write that up?
00:32:06Yeah, sure thing, pal
00:32:08Like I said, I want a first class all the way
00:32:12I'll take the beach, I'll take the sand, I'll take the nightlife
00:32:14But
00:32:16I definitely do not want that wrong
00:32:18Oh
00:32:20Hello
00:32:22Hello
00:32:23This is Dick
00:32:24What can I do for you?
00:32:26Look, Richard
00:32:28I have nothing against you
00:32:30Please let me go
00:32:32Not until your act is together, my darling
00:32:34Okay
00:32:36You're right, I'm sorry
00:32:38Let me explain something to you, darling
00:32:40Okay?
00:32:41I kidnapped you
00:32:42I kidnapped you
00:32:43I kidnapped you
00:32:44You know what that means?
00:32:45The FBI is involved with this
00:32:46As we speak even here
00:32:47And I'm not going to let you know
00:32:48What can I do for you?
00:32:49What can I do for you?
00:32:50Look, Richard
00:32:51I have nothing against you
00:32:52Please let me go
00:32:53Not until your act is together, my darling
00:32:54You're right, I'm sorry
00:32:56Let me explain something to you, darling
00:32:58Okay?
00:32:59I kidnapped you
00:33:00I kidnapped you
00:33:01You know what that means?
00:33:02The FBI is involved with this
00:33:04As we speak even here
00:33:06And I'm not going to let you out
00:33:08Until you get your head straight
00:33:10And that, my love
00:33:12Is quite up to you
00:33:14Look, Richard
00:33:16I have nothing against you
00:33:19Please let me go
00:33:21Not until you get your act together
00:33:23I know
00:33:26You're right
00:33:27I'm sorry
00:33:28Not only do I hate women
00:33:30Who use foul words
00:33:32But I hate women who lie
00:33:34Goodnight, sweetheart
00:33:35Oh, no
00:33:37Richard
00:33:38Richard, come back
00:33:41Oh, please
00:33:43Don't go away
00:33:44Oh, please
00:33:47You gotta come back
00:33:48You gotta talk to me
00:33:51Richard, please
00:33:52Oh, God
00:33:53Oh, God
00:33:54Oh, God
00:33:57Oh, God
00:33:58No, God
00:34:03Please, Richard
00:34:04Please
00:34:07Please
00:34:10Yes, my darling
00:34:11I can hear you
00:34:13Isn't it nice to see a friendly face?
00:34:15C'est bon, Richard. J'ai l'argent. J'ai l'argent. J'ai beaucoup de l'argent.
00:34:26Je ne veux pas de l'argent.
00:34:28Qu'est-ce que tu veux, alors ?
00:34:30Je veux que tu puisses ĂŞtre une petite fille. Je veux que tu puisses ĂŞtre gentil pour les hommes qui soutiennent vous.
00:34:37Je veux que tu puisses ĂŞtre barefoot et pas pregnant. Je veux que tu puisses les enfants.
00:34:40Look, I will do whatever you want.
00:34:49I have got to get out of here. I am going crazy in here.
00:34:54Okay. Take off the town. I want to see you.
00:35:04You can see me? You've been watching me?
00:35:09Just relax, baby.
00:35:13How do I turn off this fucking thing?
00:35:16It's locked. I control it from here. Just relax, okay?
00:35:21What is it? Is it a peephole, dick, you prick?
00:35:25Oh, no, not a peephole. Not for Dickie Boy. Dickie Boy is much too clever for that, isn't he?
00:35:31Oh, it's got to be something else, huh? How about a TV camera? How does that sound?
00:35:36And when I find it, and I will find it, I am going to smash the shit out of it.
00:35:45Don't even give it a thought, baby. You'll never find it. Never.
00:35:48You bastard. You sick son of a bitch. Who do you think you are anyway?
00:35:54You listen to me and you pay attention. I'm the guy with the key to your mind.
00:35:59God, I hate you. You are the lowest of the low.
00:36:05You listen to me, Dickie Boy. When I get out of here, you are dead meat.
00:36:14Don't do it. Don't do it.
00:36:15That was a bad idea, baby. You best plug that back in.
00:36:27Fuck you!
00:36:31Good night, sweetheart.
00:36:34Oh, this is just perfect.
00:36:36Oh, what's the matter, Dickie Boy?
00:36:39Reality gets to be too much for you, huh?
00:36:42Reality gets to be a little tough, and you can't take it.
00:36:45You've got to turn off the sound, huh, buddy?
00:36:48Well, let me tell you something.
00:36:50I'm still going to find it.
00:36:52And when I find it,
00:36:54you can watch yourself for the rest of your fucking life!
00:36:57Police introduction
00:37:04Ha ha ha ha !
00:37:04Ha ha ha !
00:37:06Ha ha ha !
00:37:12Ha ha ha !
00:37:15Ha ha ha !
00:37:18Ha ha ha !
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00:46:52Only contact with the outside world.
00:46:57What are you doing to me?
00:46:59Honey, I'm not doing anything to you.
00:47:02You're doing it all to yourself, baby.
00:47:05You make it all happen.
00:47:11All right, Richard.
00:47:13We'll do it your way.
00:47:22Now you see there, sweetheart?
00:47:32You've already started to learn something.
00:47:35Don't bite the hand that feeds you.
00:47:38And don't unplug the TV set.
00:47:41Soon you'll have running water.
00:47:44And tonight, tonight I'm gonna fix you a beautiful steak with bernet sauce.
00:47:50God, I love you, Maddie.
00:47:52I love you with my heart and soul, and I would do anything for you.
00:47:56But please cooperate with me.
00:48:07Pour some for yourself, darling. It's wonderful.
00:48:14Here's looking at you, baby.
00:48:16It's wonderful.
00:48:24Once you try the steak, it's great.
00:48:25I mean, I'd like to see what you think.
00:48:36It's very good.
00:48:37Later I'll share the method and the recipe with you as soon as we get to know each other better.
00:48:42The secret is, though, that I use two egg yolks in the sauce at the end.
00:48:47It makes it smoother.
00:48:49It's very smooth.
00:48:51Look, Richard, can we talk?
00:48:54Of course we can. That's what I'm here for.
00:48:57That's good.
00:48:59I wanted to know when I could get out.
00:49:02I mean, when I could be released.
00:49:04That's quite up to you. You know that by now.
00:49:09Why don't you pour yourself some more wine, okay?
00:49:14You know, tonight, I'm going to be the designated driver.
00:49:18Are we going out?
00:49:20No, no. I can't trust you to go any place. No.
00:49:24Oh, yes, you can. I'd behave.
00:49:27I love the word behave.
00:49:29Yes, I do.
00:49:30I mean, when you learn to apply that, it'd be better for both of us.
00:49:33I have learned that. Really, I have.
00:49:37Well, here's this toast. Okay?
00:49:40Oh, it's just a little lower.
00:49:42Tell me this.
00:49:52What did they call you when you were a kid in school?
00:49:57By my name.
00:49:59They called me Dick.
00:50:03What'd they call you?
00:50:06By my name.
00:50:07How about Manny?
00:50:13Did they call you that?
00:50:20No.
00:50:22Kids can be so cruel.
00:50:25You are cruel.
00:50:27No.
00:50:29I represent the truth.
00:50:33You have a very nice voice.
00:50:36Thank you.
00:50:38I love compliments.
00:50:45Here's looking at you, kid.
00:51:05Oh, I got your back on now.
00:51:09So, after that, I invented this crazy thing that helps idiots program their VCRs, and I, uh, I made a fortune.
00:51:18You're very smart.
00:51:20Oh. No, just, just lucky.
00:51:24But what about you? I mean, how'd you get into your crazy business?
00:51:28That was funny.
00:51:31I went to New York to become an actress.
00:51:39I was 19.
00:51:42What a joke.
00:51:46So what happened?
00:51:48I found out I was no actress.
00:51:50Well, then what?
00:51:53My mom needed money.
00:51:57I didn't know how to do anything.
00:52:01Cheers.
00:52:03I'm not ashamed.
00:52:06It was in all the papers.
00:52:08What?
00:52:10I did nude dancing at a Times Square bar.
00:52:13Well, I mean, uh, how'd you handle that?
00:52:20It was easy.
00:52:23I actually enjoyed it.
00:52:27I got off on guys watching me.
00:52:33It was a turn-on.
00:52:37That's what all models do.
00:52:40Turn guys on.
00:52:43Hmm.
00:52:44Doesn't matter if you're naked or not.
00:52:46It's a turn-on.
00:52:48It's a sexist thing, so you're a sexist.
00:52:53I didn't say that.
00:52:55Yes, you did.
00:52:58Well, men just take advantage.
00:53:01Oh.
00:53:04So, when you're, uh, stuck naked in front of those good old boys.
00:53:09I mean, uh, who has the advantage then?
00:53:21Why don't you play me some music?
00:53:23I think...
00:53:27I want to dance for you.
00:53:32Ah.
00:53:53I'm yours forever.
00:53:54Please take these words, I say.
00:53:55Hold them inside your heart.
00:53:56Please take these words, I say.
00:53:57Hold them inside your heart.
00:54:00Oh, baby.
00:54:01Oh, baby.
00:54:02Oh, girl.
00:54:03Oh.
00:54:04Oh, girl.
00:54:05Oh, girl.
00:54:07Oh, girl.
00:54:08Oh, girl.
00:54:12I'm yours forever.
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01:22:39C'est un délouement. C'est un délouement pour moi.
01:22:44Donc, c'est... c'est toi et moi contre le monde, d'ici, hein ?
01:22:48Vous devez comprendre quelque chose.
01:22:52Qu'est-ce que ça ?
01:22:53Je suis différent maintenant de quand j'ai rencontré.
01:22:56Vous devez l'oublier de cette femme. Elle n'existe pas.
01:23:01Je vais vous dire quelque chose.
01:23:04L'on fait ça ensemble.
01:23:05Vous et moi.
01:23:09L'on fait ça.
01:23:11Je me dis, j'ai l'argent, j'ai l'Ă©nergie, j'ai l'air.
01:23:20Vous avez l'air.
01:23:23L'on fait ça.
01:23:24L'on fait ça.
01:23:31Vous avez vraiment l'air.
01:23:33Oui, je suis.
01:23:35Vous avez l'air.
01:23:42Vous pouvez le faire encore ?
01:23:43Maintenant ?
01:23:44L'on fait, bébé.
01:23:45Vous allez me mettre en place.
01:23:46Tout va bien.
01:23:48Je sais qu'il va.
01:23:49Je vais prendre vos clothes, OK ?
01:23:51Donc, vous allez y aller dans l'air et juste pour aller dans l'air.
01:23:53Je vais attendre pour vous, bébé.
01:23:55All right, m'a dit.
01:23:56Mouah!
01:24:15Emmanuel!
01:24:17Emmanuel!
01:24:19Come on, honey, we made a deal!
01:24:21Don't break a deal!
01:24:22Come on, open the door!
01:24:25Open the goddamn door!
01:24:55Hi, Dick. How's it going?
01:24:57Hi. Is that you? How you doing? It's me, Richard.
01:25:01Listen, it was all over, baby. I mean, it was all over. I was letting you go. You're free to go anywhere you want, anytime you want.
01:25:07Anyplace you want. I love you, baby.
01:25:09I love you, baby.
01:25:11Thanks, Dick.
01:25:13Thanks, Dick.
01:25:15Thanks, Dick.
01:25:17Thanks, Dick.
01:25:19Thanks, Dick.
01:25:21You're welcome. Listen to me. I got us first-class tickets.
01:25:23To the Bahamas. Just you and me, baby. Just you and me. I mean, all the way. Do you understand that? I mean, are you staying with me?
01:25:29Royal Danish cruise lines, Royal Danish cruise lines, you don't believe me? Well, check it out, okay? Check it out, guys. I got the tickets in my tan coat. I mean, go ahead, you see? Inside breast pocket. Go up there and look, please.
01:25:45Please, for me, okay? Please, for me, right now. Would you check one for me? God, I miss you. I miss you, baby. Are you listening to me, honey? You're not thinking of leaving me here, are you?
01:25:59Of course I hear you, sweet cakes.
01:26:16Oh, thank God. Jesus, you made me feel alone.
01:26:23What would you like for dinner?
01:26:26Pour dinner.
01:26:29Pour dinner?
01:26:33Pour dinner?
01:26:54Oui?
01:26:55Emmanuel Griffith?
01:26:57Oui.
01:26:59Je suis Sam Weston.
01:27:02Je suis venu de votre mère pour trouver vous.
01:27:05Oh.
01:27:08Alors, vous me trouvez.
01:27:10Hold it.
01:27:13Madame, il y a beaucoup de gens qui ont peur de vous.
01:27:19Le truc est, Sam,
01:27:22j'ai juste besoin d'un break.
01:27:23J'ai besoin d'un temps pour moi-mĂŞme, OK?
01:27:27Donc, vous dites ma mère que j'aime elle.
01:27:29Tout est bien.
01:27:31Et je vais lui donner le money pour le rent.
01:27:34Vous dites le reste du monde que j'aime eux aussi.
01:27:36J'ai besoin d'un coup.
01:27:38Vous dites lui qu'il va revenir.
01:27:41Merci beaucoup, Sam.
01:27:42Oui.
01:27:43Sous-titres par Juanfrance.
01:27:44Sous-titrage Société Radio-Canada
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