- 6 months ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30Il traffico di Napoli.
00:01:32Il traffico di Napoli.
00:01:33Il trattaccio di Napoli.
00:01:34I'm looking for the first place...
00:01:37Sì, sì, sì.
00:01:43Shit.
00:01:44What?
00:01:45I can't buy my wallet.
00:01:51There's a PC case?
00:01:52No.
00:01:53No, no, no, no, no, no, no, no, no.
00:01:55It's not for the PC.
00:01:56Somewhere?
00:01:57Maybe it's in the club.
00:01:59What do you think?
00:02:10She's lost her purse.
00:02:12No, she didn't have anything.
00:02:16Did you just give her a minute?
00:02:20One moment, one moment, a minute.
00:02:23Okay, okay, okay, okay.
00:02:26Okay, okay, okay.
00:02:33Where did you have it lost?
00:02:35No.
00:02:36The train station, I think?
00:02:38The exchange group?
00:02:42Oh, Jamie, I'm sorry.
00:02:47That bastard at the train station started when you dropped all your stuff.
00:02:53This is 170, not 70.
00:02:56Where do we need to go?
00:02:57We need to, we need 70.
00:03:10Here we go.
00:03:20Is this it?
00:03:21Thanks, Ash.
00:03:41It's nice.
00:03:43Yes, I have a credit card.
00:03:45The number is on file on my computer.
00:03:48Yes, I have them here.
00:03:51Okay.
00:03:52Five, five, three, three.
00:03:55Seven, six, four, five.
00:03:58Eight, seven, eight, seven.
00:04:01Nine, one, five, seven.
00:04:04Five, seven.
00:04:06Yeah.
00:04:08Expires 12.15.
00:04:10No, she'll definitely need another card sent out immediately.
00:04:13We're here for two weeks.
00:04:16No, I'm working here.
00:04:20Yes, I'll hold.
00:04:23You love how they ask.
00:04:24As if I have a choice.
00:04:26Do you know what I'm going to try to do while I'm here?
00:04:29Besides learn Italian.
00:04:31I don't know why you think that's so ridiculous.
00:04:34You don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:39That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:44And besides, what's the point?
00:04:46The whole bloody world speaks English.
00:04:49Well, I...
00:04:51I'm going to finally transcribe the tapes.
00:04:53Yes.
00:04:55Yes.
00:04:57All right.
00:04:59Okay.
00:05:02Well, if you can see it through to the end.
00:05:04I think that's wonderful.
00:05:07What does that mean?
00:05:09Nothing.
00:05:11Nothing?
00:05:13I think it's a fantastic idea, Jen.
00:05:15I always have.
00:05:16You know that?
00:05:18You don't sound very supportive.
00:05:25You have my support.
00:05:26I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be.
00:05:34It has been for you.
00:05:35I think enough time has passed.
00:05:38Well, that's great.
00:05:47I don't know.
00:06:03Why do you think he killed himself?
00:06:08Who?
00:06:10David Foster Wallace.
00:06:13I don't know.
00:06:17You can't get a sense by his writing?
00:06:20You have to read it when I'm done, don't I?
00:06:28Do you think he recognized a blank infinity just stretching out?
00:06:34He got to this point maybe where it was just day after day after day.
00:06:39I really don't know, Jen.
00:06:41Just so tedious.
00:06:43And then, of course, he felt guilty.
00:06:46Most people think life is too short, and there he was, all the talent in the world, and it wasn't that...
00:06:49Jane, can I...
00:06:50Can we not talk about this?
00:06:53Just...
00:06:55Just a bit moment.
00:07:12Love you.
00:07:13Love you.
00:07:15Love you too.
00:07:16Do you feel all right?
00:07:17You feel okay?
00:07:18Yeah.
00:07:19You sure?
00:07:20Do you feel all right?
00:07:36Do you feel okay?
00:07:38Yeah.
00:07:40Are you sure?
00:07:45Mm-hmm.
00:07:50Mm-hmm.
00:08:20Mm-hmm.
00:08:50Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:20We get boring all alone.
00:09:23I think someone should be here in case the card is delivered.
00:09:27True.
00:09:32Then I think I might go out, see what the world has to offer.
00:09:35If you do, leave me a message, okay?
00:09:39So I can worry about you.
00:09:43Okay.
00:09:45I've left you some money here.
00:09:52I'll see you later.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:09:57I'll see you later.
00:09:58I'll see you later.
00:09:59Okay.
00:10:00I'll see you later.
00:10:01I'll see you later.
00:10:02I'll see you later.
00:10:03I'll see you later.
00:10:04I'll see you later.
00:10:05Okay.
00:10:06I'll see you later.
00:10:08I'll see you later.
00:10:09Okay.
00:10:10I'll see you later.
00:10:13I'll see you later.
00:10:14You're gonna see you later.
00:10:15Then, you're gonna see you later.
00:10:16testing testing okay
00:10:23do you have any stories for my book what kind of stories stories are you prepared
00:10:31or i can ask them the list of stories that dad told me about go ahead and ask from your father's
00:10:36list god rest his soul let's start with the war we went into an air raid shelter my mother
00:10:42your great-grandmother she was shaking sirens wailed and and then there was the sound of a
00:10:49bomb and the man next to us he said i was in a shelter last night with my wife and my little boy
00:10:56and half of it got blown away there was blood in his hair he was all alone that nearly finished my
00:11:04mother you know here we were in this tiny town in england miles from germany from russia from
00:11:12italy from any front lines and this man he had blood in his hair
00:11:19good night
00:11:26cappuccino
00:11:28good night
00:11:32good night
00:11:34good night
00:11:39good night
00:11:44good night
00:11:55good night
00:11:57we were riding our bikes to school when the germans started firing at us we jumped into a hedge
00:12:03We were terrified, but afterwards, we couldn't stop laughing.
00:12:09It feels nice if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia,
00:12:24or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day. Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children, not just your father.
00:12:50You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:03No one to ask me more boring questions about the war.
00:13:07All right, then.
00:13:10Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato inglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:19Um, castello, oreganese?
00:13:23Uh, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Andare?
00:13:26Andare?
00:13:26Yes.
00:13:26Ah, grazie.
00:13:27They had been shot through the neck.
00:13:31The bullet went in one side and came out the other.
00:13:35And there were all these bomb holes filled with water and he couldn't tell which was the German
00:13:40side and which was the Allied side.
00:13:42But when he came home after something like that, you couldn't really complain to him about anything, now could you?
00:13:50I'm actually going there now, I'm actually going there now, I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great, that's cool.
00:13:59Hey, hey, hey.
00:14:00I used to be an old...
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit, I'm from Massachusetts.
00:14:08That's crazy, that's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry, I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So come on.
00:14:27My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm, the viola.
00:14:42Any good?
00:14:44Yes, very.
00:14:49How do you keep your violin from getting stolen?
00:14:53You put it in a viola case, right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:10Because even though you know it's coming, there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes, and I went to this music-slash-nerd summer
00:15:23camp when I was like 10, and I played the triangle.
00:15:25Right.
00:15:25And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:32Are you newlywed?
00:15:34No.
00:15:36No.
00:15:37You look too young to be married.
00:15:38Yes, I'm not.
00:15:38You look too young to be married.
00:15:39Yes, yes, yes.
00:15:41That's it.
00:15:41You look like Italian.
00:15:42Yes, yes, yes.
00:15:44Yes, yes, yes.
00:15:47You're making me feel like a stalker.
00:15:49Fuck.
00:15:49I want to take 10, please.
00:15:50Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:10Grazie.
00:16:20What brought you out of here today?
00:16:36Barry.
00:16:36Ha!
00:16:37Barry.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn up bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In like the 1300s, thousands of families lived in this castle.
00:17:03It must have smelled pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:12I know.
00:17:13I've been coming here every day and it still gets me.
00:17:16If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization dedicated to studying the relic populations of dolphins and whales in the Gulf of Naples.
00:17:35I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:38You know, I just didn't want to go to college and they paid for me to come over.
00:17:43Four connecting flights was a 72-hour plane ride, but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:49How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:55Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:02I stayed on the island because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:07Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second cousin twice removed.
00:18:12The second cousin twice removed, in case you didn't know, is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:19Sorry, anyway, so this relative gave me the name of this great-uncle who lives on the island, so I show up, he answers the door, and he's, like, the oldest fucker I've ever seen, easily pushing a hundred.
00:18:32A hundred?
00:18:33Yeah, if not older, he's, like, deaf and blind and about four feet tall, and he mumbles a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine, and leads me to this basement apartment, and, uh, yeah, I never left.
00:18:49I never left.
00:19:19Love teaches me to feed on flames and tears, to turn withered hope green through desire,
00:19:48to re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:56Who is that?
00:19:58Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:04You read that in your guidebook this morning, didn't you, Jane? Sneaky.
00:20:10Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17I thought Michelangelo was gay.
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:24But that didn't stop her from loving him.
00:20:28Let's hear it then.
00:20:30In Italian.
00:20:32Let's hear the poem.
00:20:34Come on.
00:20:36I'm impressed.
00:20:39Are you hungry?
00:20:40No.
00:20:41No.
00:20:42No.
00:20:43No.
00:20:44No.
00:20:45No.
00:20:46No.
00:20:47I'm impressed.
00:20:49Are you hungry?
00:20:50Why, are you going to take me out?
00:20:51Yeah.
00:20:52All right then.
00:20:53Okay.
00:20:54Okay.
00:20:55Two pastas with the...
00:20:56... house in the house.
00:20:57...
00:20:58...
00:21:00...
00:21:02...
00:21:03...
00:21:04...
00:21:05...
00:21:06...
00:21:07You hungry?
00:21:09Why, you gonna take me out?
00:21:11Yeah.
00:21:17Alright then.
00:21:23Two pastas with the house sauce, please.
00:21:27Red. Red, please.
00:21:29Uh-huh. Grazie.
00:21:31So you're really not gonna tell me what you do?
00:21:37I write freelance articles
00:21:41about parties and fashion trends
00:21:43in town and country UK.
00:21:45There's something else.
00:21:53I'm writing a book
00:21:55about my grandmother's experiences
00:21:57in rural England, living through two
00:21:59world wars.
00:22:01I recorded her for hours and hours.
00:22:03But now...
00:22:05I don't know.
00:22:07What don't you know?
00:22:09You wanna listen?
00:22:11A little?
00:22:13Yeah.
00:22:15Yeah.
00:22:16Yeah, I know it.
00:22:17I love to listen.
00:22:33All tangled up.
00:22:35Okay.
00:22:41Awful as it was,
00:22:43it made you stronger.
00:22:45These days people whine about all sorts of things
00:22:47and I'm not one of those old people
00:22:49who think my time had the only joy
00:22:51and the only problems.
00:22:53We all have our own private wars,
00:22:55every era, but
00:22:57it was nothing like...
00:22:59it really brought people together,
00:23:01the war.
00:23:03We helped each other during that time.
00:23:05We had to laugh, we had to smile.
00:23:07Well, if not for ourselves,
00:23:09then for the people we'd lost.
00:23:11I'll shut that thing off.
00:23:13Would you get it out of my face?
00:23:15That is like...
00:23:19it's like a window in time.
00:23:21The sort of thing
00:23:23which you always did before someone died,
00:23:25you know?
00:23:26My husband thinks I'm never gonna finish it.
00:23:29I shouldn't care what anyone thinks.
00:23:31We met while I was recording her.
00:23:33Bonding over granny, huh?
00:23:36Make it sound perverse.
00:23:38That's what it was, right?
00:23:40Buongiorno.
00:23:42Buongiorno.
00:23:43Signori?
00:23:52I got pregnant so we got married.
00:24:00I lost the baby.
00:24:02I'm sorry.
00:24:14Excuse me.
00:24:15It was your regret.
00:24:17Yes, thank you.
00:24:18You can take it away.
00:24:19Yes, thank you.
00:24:28I didn't go back after that to the States.
00:24:32Did you ever hear that story about the Red Strain?
00:24:42I think I might have.
00:24:44Tell me.
00:24:48It's like this Asian proverb
00:24:51says that anyone you're destined to meet,
00:24:54like your soulmate or your family
00:24:58or, you know, someone you bump into on the street.
00:25:02We're all connected by this red string.
00:25:07It can be tangled or stretched,
00:25:10but it can never be broken.
00:25:12There's this moment in the tape.
00:25:20I'm sitting, waiting in the airport bar for my flight.
00:25:25And I'm talking into the recorder,
00:25:27rambling on about how I'm about to embark on this amazing adventure
00:25:31and how I'm gonna show World War II from a totally different perspective.
00:25:36But...
00:25:46I don't know if it's that interesting.
00:25:49That's the whole point, isn't it?
00:25:52Keeping it interesting for yourself.
00:25:56Maybe.
00:25:57Maybe.
00:26:00Maybe I just wanna write about nothing.
00:26:02Everything is nothing.
00:26:05All the best.
00:26:07Compliano.
00:26:08Grazie.
00:26:09Grazie.
00:26:12Make a wish, huh?
00:26:15Make it great.
00:26:16Okay.
00:26:25Bravo.
00:26:26Bravo.
00:26:27Hey.
00:26:36What do you mean?
00:26:37What?
00:26:38Grab my hand.
00:26:39Wait.
00:26:40Go, go, go.
00:26:41Oh, my God.
00:26:42Oh, my gosh.
00:26:43Oh, no.
00:26:44Oh, no.
00:26:45Oh, no.
00:26:46What?
00:26:47What do you mean?
00:26:50Stronzo.
00:26:52Hey.
00:26:53Hey.
00:26:54Hey.
00:26:55It's the carabinerie.
00:26:56Hey, please.
00:26:57No.
00:26:58Hey.
00:26:59Yeah.
00:27:00Yeah.
00:27:01Yeah.
00:27:02Hey.
00:27:04We can't go back.
00:27:05We can't go back.
00:27:06We can't go back.
00:27:07We can't go back.
00:27:08We can't go back.
00:27:10We can't go back.
00:27:11We can't go back.
00:27:12Oh, no.
00:27:13I mean, we can't go back.
00:27:14Oh, my God.
00:27:15Oh, my God.
00:27:16There you go.
00:27:17Here you go.
00:27:18Hey, yeah, hey.
00:27:19It would make me feel better if I said the only up.
00:27:21Yes, it's true.
00:27:23Yes, it's true.
00:27:24I made the check when I went to the bathroom.
00:27:37You're horrible.
00:27:42You're horrible.
00:27:44You're really horrible.
00:27:45Come on, let's go.
00:27:46Come on.
00:27:48Quick.
00:27:49Let's go.
00:27:51Why are we still running?
00:27:53I don't know why we're still running.
00:28:06Oh, my gosh.
00:28:07Oh, my gosh.
00:28:14What up my nose?
00:28:21We come back?
00:28:23Maybe.
00:28:26Maybe is not a no.
00:28:29And since I don't have a phone,
00:28:31you're going to have to give me your number
00:28:33for cheap thrills and future crimes committed.
00:28:37No.
00:28:40Fair enough.
00:28:50I've got to go catch a fairy.
00:28:53Why do violists keep their viola cases on their dashboards?
00:29:09Why?
00:29:11So they can park in handicapped spots.
00:29:28Happy birthday.
00:29:33Okay.
00:31:40Jane.
00:31:42Tony.
00:31:44Got some pastries.
00:31:47You're still asleep?
00:31:52Jane.
00:32:24You're still asleep?
00:32:26We used to go to London.
00:32:28We saw Glenn Miller one time.
00:32:32We used to go all over the place.
00:32:34They were wonderful times.
00:32:36I never had an American boyfriend.
00:32:40I liked some of them.
00:32:42They were nice boys, but I didn't want to leave my mom and dad.
00:32:50I wish I had sometimes.
00:32:52You know when you were 19 and the world just felt so open and carefree and full of possibility.
00:33:00You reminded me of that.
00:33:02At that time.
00:33:04At that time.
00:33:05You were 19 when we met.
00:33:06Yeah.
00:33:07I wouldn't have described it as carefree back then.
00:33:10Not at all.
00:33:11Well, I felt nostalgia.
00:33:13Or something.
00:33:14For youth.
00:33:15You're not old, Jane.
00:33:17We ran out on the bill.
00:33:19You just ran out?
00:33:20What do you mean you ran out on the bill?
00:33:22Perhaps I'm not explaining it well.
00:33:24It was...
00:33:25It was fun.
00:33:27It was just fun.
00:33:29How was work?
00:33:42The conductor is actually a descendant of Walter Lake, which is fascinating.
00:33:47The three of us should plan a dinner before we leave.
00:33:50I'd like that.
00:33:55Jane?
00:33:56Oh, my God.
00:33:59This is Caleb.
00:34:01Hi.
00:34:02No, no.
00:34:03We were just talking about you.
00:34:04We were?
00:34:05That's so weird.
00:34:06Sit.
00:34:07Please.
00:34:08Sit down.
00:34:09Join us.
00:34:10What?
00:34:11I don't know the chances of that.
00:34:13I know, right?
00:34:18I'm obviously going to get back pretty soon.
00:34:20That's okay.
00:34:21I already ate, so I'll just grab a coffee.
00:34:24Can I have the check, please?
00:34:36In a cafe, play, play?
00:34:42Oh, no, thank you.
00:34:47Jane, you don't smoke.
00:34:49Yes, I do.
00:34:51Sometimes.
00:34:52At parties.
00:34:53You know that.
00:34:54Well, I don't do it a lot.
00:34:58Grazie.
00:34:59Grazie.
00:35:00Grazie.
00:35:01Grazie.
00:35:02Grazie.
00:35:04Grazie.
00:35:08Italian food's so overrated.
00:35:10I love it.
00:35:11There's no variety.
00:35:13English food, on the other hand.
00:35:15Say what you like about it.
00:35:16There's nothing like a good steak and kidney pie.
00:35:20I went to this party the other day in this villa owned by this old, drunk ex-pat.
00:35:26They had, like, a private chef and everything.
00:35:29And, uh, they were serving this, like, loaf of meat covered in sauce with all these other loaves.
00:35:35And this girl came over to me and said it was cat.
00:35:37No.
00:35:38No.
00:35:39No joke.
00:35:40Like, a roasted mommy cat and her kittens.
00:35:43That is disgusting.
00:35:45True story.
00:35:51Why don't you tell Leonard one of your viola jokes?
00:35:57Come on.
00:35:59I'm selling my aunt.
00:36:01Come on.
00:36:02Let's hear one.
00:36:03Give me one.
00:36:06Um.
00:36:08I have one.
00:36:12What is the definition of perfect pitch?
00:36:16What?
00:36:20When you throw a viola into the dumpster without hitting the rim.
00:36:25You didn't just make that up.
00:36:26I did.
00:36:27It's too good.
00:36:28I did.
00:36:29Well, I'm impressed and I'm stealing it.
00:36:30You can pretty much make that joke about any instrument.
00:36:38Did you play anything, Caleb?
00:36:39This and that, you know.
00:36:44Shall we?
00:36:46What time to go?
00:36:47Already?
00:36:48Yeah.
00:36:49I'm gonna get back to work.
00:36:50Hmm.
00:37:00So what's next on your agenda, Caleb?
00:37:03Um, I'm thinking Tibet.
00:37:05Oh, Tibet?
00:37:06Really?
00:37:07Yeah, then just think on the Shantan Festival at the end of the summer.
00:37:09Yeah, I've heard about that.
00:37:10That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:14The monks, the monks, the monks.
00:37:16So pretty.
00:37:17How do you support yourself?
00:37:20You know, a bit of this, a bit of that.
00:37:28All right, then.
00:37:30I'll walk you.
00:37:31Does anybody have a pen?
00:37:32You got a pen?
00:37:33Yeah, I have a pen.
00:37:41Okay.
00:37:48I have a piece of paper.
00:37:50You guys should definitely come over to the island.
00:37:52I'll take you somewhere fun, you know.
00:37:54But don't knock on the front door.
00:37:55Come around the side.
00:37:56I need Regina.
00:37:59Vizcria.
00:38:01There you go.
00:38:05And thanks again for yesterday.
00:38:07Oh, no problem.
00:38:10Okay.
00:38:12Ciao.
00:38:13How stoned are you?
00:38:14Come on, man.
00:38:15We're just going to pop.
00:38:16It's not a big deal.
00:38:18So you're saying you smoke back at her?
00:38:19Occasionally.
00:38:20Hey, can we do something fun tonight?
00:38:21Sure.
00:38:23I'm flying from here.
00:38:24Okay.
00:38:25See you after work.
00:38:26Yep.
00:38:27I'll be waiting.
00:38:28You're saying you smoke back at her.
00:38:30Occasionally.
00:38:32Hey, can we do something fun tonight?
00:38:34Sure.
00:38:38I'm fine from here.
00:38:40Okay.
00:38:41See you after work.
00:38:42Yep. I'll be waiting.
00:38:58Hey.
00:39:14God, you scared me.
00:39:16Are you following me?
00:39:18Maybe.
00:39:20Is that weird?
00:39:22Yeah.
00:39:28I couldn't sleep last night.
00:39:36You told me you were staying near the port so I got the first ferry this morning.
00:39:40I came looking for you.
00:39:42And I can't believe I found you.
00:39:58Yeah.
00:40:02What are we doing?
00:40:04Yeah.
00:40:06Yeah.
00:40:08Yeah.
00:40:10Yeah.
00:40:14What are we doing?
00:40:29I think we'll make it out.
00:40:33So sexy and beautiful.
00:40:44I can't do this.
00:41:09What?
00:41:10Why?
00:41:11I can't do this.
00:41:12Why?
00:41:13Do you do this a lot?
00:41:24What?
00:41:25Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:30You need to be less serious.
00:41:34Don't follow me.
00:41:40Do you have any help?
00:41:43Do you have any help?
00:41:47Do you have any help?
00:42:53I hated moustaches.
00:42:56And he was shipped off.
00:42:58I never saw him again.
00:43:04Anyways, I met your grandfather not long after, and we got married.
00:43:09Was it love at first sight with Grandpa?
00:43:12Love at first sight?
00:43:14Stop that thing.
00:43:15I know.
00:43:19You're home early.
00:43:27I do deserve that.
00:43:29Can I just move for your husband?
00:43:36Jenny, I'm sorry.
00:43:37Just give me a minute.
00:43:38I have a hell of a rest of my day.
00:43:40I've got so much stuff to do.
00:43:44Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50I've got some dinner.
00:43:51I thought we'd just stay in here.
00:43:53The two of us.
00:43:53I've just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59I'm sorry.
00:44:29Lynyrd...
00:44:43Lynyrd...
00:44:52Leonard, can we talk?
00:45:22Say cheese.
00:45:29You should kind of be in the middle of mine.
00:45:36Hold on a second.
00:45:41That's what our living room is missing.
00:46:08What did you do?
00:46:09Let me hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just waved.
00:46:39What did you do?
00:46:44What did you do?
00:46:48What did you do?
00:46:49What did you do?
00:46:51I didn't die!
00:47:21I don't know.
00:47:51I don't know.
00:48:21I don't know.
00:48:51I don't know.
00:48:57Oh.
00:48:59Hi.
00:49:01Did I wake you?
00:49:03No.
00:49:05I think I need to be less serious.
00:49:11Yeah.
00:49:12Will you put my pants on?
00:49:15Okay.
00:49:17I don't know.
00:49:19I don't know.
00:49:23I don't know.
00:49:25I don't know.
00:49:29I don't know.
00:49:31I don't know.
00:49:33I don't know.
00:49:35I don't know.
00:49:37I don't know.
00:49:39I don't know.
00:49:41I don't know.
00:49:43I don't know.
00:49:45I don't know.
00:52:47Leonard thought you were lying about those cats.
00:52:52He said that?
00:52:56Were you?
00:52:57You're delicious.
00:52:59You make me feel nervous.
00:53:19You make me feel calm.
00:53:24Want a drink?
00:53:49You make me feel calm.
00:53:55Is that him?
00:54:11Yeah, I just shuffled around all night.
00:54:17Must be lonely.
00:54:18I think you're doing nothing.
00:56:11I didn't sleep at all last night.
00:56:14Where have you been?
00:56:15Just walking.
00:56:16All night.
00:56:17I've been thinking.
00:56:18You left your phone here.
00:56:19I had to plug it in.
00:56:20We need to talk, Leonard.
00:56:21I have to go to work.
00:56:22Can you be late?
00:56:23No.
00:56:24I can't be late.
00:56:25No.
00:56:26I can't be late.
00:56:27Leonard.
00:56:28Jay.
00:56:29Jay.
00:56:30Jay.
00:56:31Whatever you have to say to me, I want to hear it.
00:56:32I've committed myself.
00:56:34People are depending on me.
00:56:35I have to go to work.
00:56:37OK.
00:56:38OK.
00:56:39I know.
00:56:40Jay.
00:56:41Whatever you have to say to me, I want to hear it.
00:56:44I have committed myself.
00:56:46People are depending on me.
00:56:47I have to go to work.
00:56:52OK.
00:57:07If it wasn't the war, it would have been something else.
00:57:31There's always something else, isn't there?
00:57:34That's the thing.
00:57:35That's the thing about struggle.
00:57:37I'm going to make some tea.
00:57:50Do you want some?
00:57:52I'm all right.
00:57:59If you go out like that again, just tell me.
00:58:03No worry.
00:58:05Okay.
00:58:06I can't seem to figure out what's going on in your head.
00:58:11Do you think everything we've been through actually does us any good in the long run?
00:58:31Or do we just make our struggle to be something meaningful because that's all most of us have?
00:58:40I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:57I don't know what you want me to say, Jane.
00:59:07One little thing had changed in my grandmother's life, I might not be here.
00:59:32Sometimes I worry I'm not honoring her.
00:59:42With the book?
00:59:45No, with my life.
00:59:46This is it, you know.
00:59:56It ends with me.
00:59:59In the harvest time, we all went to the field where they were cutting the corn.
01:00:08Everyone was chasing rabbits, and then we had our tea in the harvest fields.
01:00:16The horses.
01:00:17The horses.
01:00:18Yeah.
01:00:19The horses back then, they were kept beautifully.
01:00:23Dad used to dress them all up, brass things and little horseshoes.
01:00:37He put braids on them.
01:00:38They used to be gorgeous.
01:00:39What are your plans for tomorrow?
01:00:40There was one.
01:00:41Duke.
01:00:42He was a Clydesdale I used to ride down to the marshes every night when he finished working.
01:01:00They were lovely days, really.
01:01:07They're gone.
01:01:09For me.
01:01:10Jane.
01:01:11But not for you.
01:01:14Jane.
01:01:15You know, it's different for you.
01:01:18In some ways, it's easier.
01:01:20You haven't got the war.
01:01:21People don't die as much as they did back then.
01:01:24But in some ways, it's more disjointed.
01:01:31You've got to make your own life.
01:01:33One that you love, and you can't be afraid of the time.
01:01:40Time is shiftable.
01:01:51There are moments in my life that I would trade 60 years to have back again.
01:01:55That's the truth.
01:01:57You'll know the truth when you find it.
01:02:00It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:10Oh, sorry.
01:02:11Ah!
01:02:12Ah!
01:02:13What is it?
01:02:14Ah!
01:02:15Ah, you...
01:02:18Ah!
01:02:19Ah!
01:02:20You all right?
01:02:21Ah!
01:02:22You okay?
01:02:23Yeah, I stung my toe.
01:02:24Ah!
01:02:25It's bleeding.
01:02:26Ah!
01:02:27It's fine.
01:02:28It's fine.
01:02:29It's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:32It's fine.
01:02:33It's fine.
01:02:34You losing it?
01:02:35Yes.
01:02:36Ah!
01:02:37Fuck.
01:02:38Ah!
01:02:39Ah!
01:02:40I met these backpackers last night, Frank and Elsa.
01:02:50She's French.
01:02:51He's German.
01:02:52They're going to Tibet.
01:02:55And I'm going with them.
01:02:59I want you to come with me.
01:03:00I want you to come with me.
01:03:29To.
01:03:30That's fine.
01:03:31Oh, no, no.
01:03:32Oh, my
01:03:59Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10Long day.
01:04:14God, why don't they not?
01:04:17I don't think I'd jump to doing a lot of stuff like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:29I think I've figured out the key to finishing the project.
01:04:39Are you listening?
01:04:45You found the key to finishing this project?
01:04:56But the water here tastes so funny.
01:04:59Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:21Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious?
01:05:34I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:56So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:05I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:40Say it.
01:06:42Jane.
01:06:42Say it.
01:06:45I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again and again and again.
01:06:58How does that make you feel?
01:07:04It's not your fault.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:13We can adopt.
01:07:15That's not what you want, is it?
01:07:18Is that what you want?
01:07:19Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:30What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:03I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See you.
01:08:26Caleb.
01:08:27That kid?
01:08:29Yes.
01:08:31That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:48What do you think?
01:08:49I kept waiting for you to see it, to smell it, to sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03You don't see me!
01:09:19I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:30Losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper!
01:09:34No, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No, that is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:07I want you to do what you need to do.
01:10:13And then come back to me.
01:10:16No questions asked.
01:10:19No guilt.
01:10:22This is good.
01:10:23It's that I was drunk.
01:10:41I want you to do it.
01:11:43Hi.
01:11:45Hi.
01:11:47You want some?
01:12:01Oh, thanks.
01:12:21Frank and Elsa, coming over in a couple of hours.
01:12:48Frank bought a car, so we're gonna head out in a couple of weeks or so, you know.
01:13:00I'm thinking of driving through Romania, and then Ukraine, and then down through Russia,
01:13:09and through Kazakhstan, then straight to Tibet.
01:13:18So, let's go.
01:13:21Let's go.
01:14:57You've got to come over to this side.
01:14:59Train's going to be here in a minute.
01:15:01It's four in the morning.
01:15:23It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:37New York is cold, but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:49I hear that you're building your house deep in the desert.
01:15:59Are you living for nothing now?
01:16:07Hope you're keeping some kind of record.
01:16:11Yes.
01:16:13And Jane came by with a lock of your hair.
01:16:21She said that you gave it to her.
01:16:27That night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:35Why not?
01:16:36I'm not telling you why not.
01:16:38Did you ever go clear?
01:16:42Now shut that thing off.
01:16:44I'm feeling so wet.
01:16:45I'm feeling so wet.
01:16:46I'm feeling so wet.
01:16:47I don't know.
01:16:48I'm feeling so wet at all.
01:16:50I don't know.
01:16:52But it didn't work.
01:16:53I don't know why not.
01:16:54I don't know what to say.
01:16:56I don't know.
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