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00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30I'm looking for the traffic of Napoli.
00:01:32I'm looking for the traffic of Napoli,
00:01:33I'm looking for the most of my men.
00:01:34I'm looking for these people.
00:01:35This is called The first place.
00:01:42Shit.
00:01:45Whoa.
00:01:46I can't put my wallet.
00:01:51Where are you in the seat case?
00:01:52No.
00:01:53No, no, no, no, no, no.
00:01:55No, no, no, no, no, no.
00:01:56No, no, no, no, no, no, no, no, no.
00:01:57Somewhere?
00:01:58Yeah, in my car.
00:01:59what have you done?
00:02:11what have you done
00:02:13no, nothing, nothing has been chasing
00:02:18nothing
00:02:20you know she wasn't here sitting
00:02:22one moment
00:02:23what about nothing I'm going to have to go
00:02:25Okay, okay, okay.
00:02:33Where did you have it, Lost?
00:02:35The train station, I think. The exchange booth?
00:02:42Oh, Jamie. I'm sorry.
00:02:47That bastard at the train station started when you dropped all your stuff.
00:02:50This is 170, not 70.
00:02:55Where do we need to go?
00:02:57We need 70.
00:03:09Here we go.
00:03:20Is this it?
00:03:21Thank you, Sarge.
00:03:41It's nice.
00:03:43Yes, I have a credit card.
00:03:45The number is on my computer.
00:03:48Yes, I have them here.
00:03:51Okay.
00:03:525-5-3-3-7-6-4-5-8-7-8-7-9-1-5-7.
00:04:035-7.
00:04:06Yeah.
00:04:07Expires 12-15.
00:04:10No, she'll definitely need another card sent out immediately.
00:04:13We're here for two weeks.
00:04:16No, I'm working here.
00:04:20Yes, I'll hold.
00:04:23You love how they ask.
00:04:24As if I have a choice.
00:04:26Do you know what I'm gonna try to do while I'm here?
00:04:29Besides learn Italian.
00:04:31I don't know why you think that's so ridiculous.
00:04:33I don't at all.
00:04:35I admire you.
00:04:36I just think it's too late for me.
00:04:38That's not true.
00:04:40You can't teach an old dog new tricks.
00:04:43And besides, what's the point?
00:04:46The whole bloody world speaks English.
00:04:48Well, I...
00:04:50Want to finally transcribe the tapes?
00:04:53Yes.
00:04:55All right.
00:04:57Okay.
00:04:59Well, if you can see it through to the end.
00:05:04I think that's wonderful.
00:05:06What does that mean?
00:05:08Nothing.
00:05:10Nothing?
00:05:12I think it's a fantastic idea, Jen.
00:05:15I always have.
00:05:16You know that?
00:05:20You shouldn't sound very supportive.
00:05:25You have my support.
00:05:26I'm sorry if that came out wrong.
00:05:29I just know how emotional listening to them can be.
00:05:33Has been for you.
00:05:34I think enough time has passed.
00:05:36Well, that's great.
00:05:59Why do you think he killed himself?
00:06:08Who?
00:06:10David Foster Wallace.
00:06:13I don't know.
00:06:17You can't get a sense by his writing?
00:06:19You have to read it when I'm done, darling.
00:06:22Do you think he recognized a blank infinity just stretching out?
00:06:34He got to this point maybe where it was just day after day after day.
00:06:38I really don't know.
00:06:39Do you know?
00:06:40Just so tedious.
00:06:43And of course he felt guilty.
00:06:45Most people think life is too short and there he was, all the talent in the world, and it wasn't enough.
00:06:49Jane, can I, can we not talk about this?
00:06:53Just, just, just a bit more than.
00:07:12Love you.
00:07:14Love you too.
00:07:19It's not.
00:07:35Do you feel alright?
00:07:37Do you feel okay?
00:07:38Yeah.
00:07:40Are you sure?
00:07:45Uh-huh.
00:09:21We get boring all alone.
00:09:23I think someone should be here in case the card is delivered.
00:09:27True.
00:09:28Then I think I might go out, see what the world has to offer.
00:09:35If you do, leave me a message, okay?
00:09:39So I can worry about you.
00:09:43Okay.
00:09:45I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:10:04Okay.
00:10:06Testing, testing.
00:10:08Okay.
00:10:10Do you have any stories for my book?
00:10:14What kind of stories?
00:10:24Do you have any stories for my book?
00:10:26What kind of stories?
00:10:28Stories that you've prepared.
00:10:30Or I can ask them a list of stories that Dad told me about.
00:10:33Go ahead and ask from your father's list.
00:10:35God rest his soul.
00:10:36God rest his soul.
00:10:37Let's start with the war.
00:10:39We went into an air raid shelter.
00:10:41My mother, your great-grandmother, she was shaking.
00:10:45Sirens wailed and then there was the sound of a bomb.
00:10:49And the man next to us, he said, I was in a shelter last night with my wife and my little boy.
00:10:56And half of it got blown away.
00:10:59There was blood in his hair.
00:11:01He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:07Here we were in this tiny town in England, miles from Germany, from Russia, from Italy, from any front lines.
00:11:14And this man, he had blood in his hair.
00:11:24Good night, cappuccino.
00:11:26Good night.
00:11:44Good night.
00:11:45Good night.
00:11:46Good night.
00:11:47Good night.
00:11:48Good night.
00:11:49Good night.
00:11:50Good night.
00:11:51Good night.
00:11:52Good night.
00:11:57We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:03We were terrified, but afterwards we couldn't stop laughing.
00:12:07Feels now as if I'm the only one who remembers that.
00:12:12It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia,
00:12:24or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children,
00:12:47not just your father.
00:12:50You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:03You want to ask me more boring questions about the war?
00:13:08All right, then.
00:13:10Uh, scusi.
00:13:12Susi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato inglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oregonese?
00:13:23Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Sì.
00:13:26Ah, grazie.
00:13:27I'm actually going there now.
00:13:51To the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:16Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So, come on.
00:14:27My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the month.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm, mm, mm.
00:14:40The viola.
00:14:42Any good?
00:14:44Yes.
00:14:45Very.
00:14:46How do you keep your violin from getting stolen?
00:14:53You put it in a viola case, right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming,
00:15:14there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes,
00:15:21and I went to this music-slash-nerd summer camp
00:15:23when I was, like, 10, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:33You newlywed?
00:15:34No.
00:15:36No.
00:15:36You're making me feel like a stalker.
00:15:48Fuck.
00:15:49You're making me feel like a stalker, fuck.
00:15:51Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:11Grazie.
00:16:21What brought you out of here today?
00:16:36Fairy.
00:16:36Ha!
00:16:37Fairy.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn up bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In, like, the 1300s,
00:17:00thousands of families lived in this castle.
00:17:03It must have smelled pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:12I know.
00:17:13I've been coming here every day,
00:17:15and it still gets me.
00:17:16If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago
00:17:26with this volunteer organization
00:17:28dedicated to studying the relic populations
00:17:31of dolphins and whales in the Gulf of Naples.
00:17:35I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:40No, I just didn't want to go to college,
00:17:41and they paid for me to come over.
00:17:43Before connecting flights,
00:17:44it's a 72-hour plane ride,
00:17:45but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:49How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program
00:17:57after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:01Because I stayed on the island
00:18:03because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:07Basically, I used to have ancestors in Ischia,
00:18:09so when I come over,
00:18:10I Facebook this second cousin twice removed.
00:18:12The second cousin twice removed,
00:18:13in case you didn't know,
00:18:14is when one person's great-grandparent
00:18:16is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:20Sorry.
00:18:20Anyway, so this relative gave me the name
00:18:23of this great-uncle who lives on the island,
00:18:25so I show up.
00:18:27He answers the door,
00:18:28and he's, like, the oldest fucker I've ever seen,
00:18:30easily pushing a hundred.
00:18:32A hundred?
00:18:33Yeah, if not older.
00:18:34He's, like, deaf and blind and about four feet tall,
00:18:37and he mumbles a couple of things to me
00:18:38in some crazy dialect,
00:18:40ushers me inside,
00:18:41pours me a glass of wine,
00:18:42and leads me to this basement apartment,
00:18:44and, uh, yeah, I never left.
00:18:53And, uh, yeah, I never left.
00:19:23Love teaches me to feed on flames and tears,
00:19:43to turn withered hope green through desire,
00:19:48to re-enslave my heart each time
00:19:51and love frees his noble face
00:19:53from that heavy disdain.
00:19:57Who is that?
00:19:59Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:05You read that in your guy book this morning,
00:20:07didn't you, Jane?
00:20:09Sneaky.
00:20:11Yeah, I've decided to learn Italian
00:20:12by committing to memory
00:20:13all the sonnets she wrote to Michelangelo
00:20:15in English and Italian.
00:20:17I thought Michelangelo was gay.
00:20:19Ah, according to history
00:20:21and the muscular thighs of his sculptures, yes,
00:20:25but that didn't stop her from loving him.
00:20:29Let's hear it, then.
00:20:31In Italian.
00:20:32Let's hear the poem.
00:20:35Come on.
00:20:36De lacrime a de faco
00:20:40nutria l'alma.
00:20:44Con secca speme
00:20:46rinvedia la voglia.
00:20:50Lega di nuovo il cuore
00:20:52quando di scioglia.
00:20:55Segna maggiore la vista
00:20:57tierra ed alma.
00:20:59I'm impressed.
00:21:08You hungry?
00:21:10Why, you gonna take me out?
00:21:13Yeah.
00:21:18All right, then.
00:21:19Okay.
00:21:24Two pastas with the house sauce, please.
00:21:28Red.
00:21:28White or red?
00:21:29Red, please.
00:21:30Uh-huh.
00:21:31Grazie.
00:21:33So you're really not gonna tell me what you do?
00:21:40I write freelance articles
00:21:42about parties and fashion trends
00:21:43in town and country UK.
00:21:46There's something else.
00:21:54I'm writing a book
00:21:55about my grandmother's experiences
00:21:57in rural England
00:21:58living through two world wars.
00:22:01I recorded her for hours and hours.
00:22:04But now,
00:22:05I don't know.
00:22:09What don't you know?
00:22:12You wanna listen?
00:22:13A little?
00:22:15Yeah.
00:22:16Yeah?
00:22:17Yeah, I know it.
00:22:17I love to listen.
00:22:34That's tangled up.
00:22:35Oh, God.
00:22:36Awful as it was,
00:22:43it made you stronger.
00:22:45These days,
00:22:46people whine about all sorts of things.
00:22:49I'm not one of those old people
00:22:50who think my time had the only joy
00:22:52and the only problems.
00:22:52We all have our own private wars
00:22:56every era,
00:22:57but it was nothing like
00:22:59it really brought people together,
00:23:01the war.
00:23:02We helped each other
00:23:04during that time.
00:23:05We had to laugh.
00:23:06We had to smile.
00:23:08Well, if not for ourselves,
00:23:10then for the people we'd lost.
00:23:12I shut that thing off.
00:23:13Would you get it out of my face?
00:23:15That is like,
00:23:20it's like a window in time.
00:23:23The sort of thing
00:23:23which you always did
00:23:25before someone died,
00:23:26you know?
00:23:27My husband thinks
00:23:28I'm never gonna finish it.
00:23:30I shouldn't care
00:23:31what anyone thinks.
00:23:32We met while I was recording her.
00:23:35Bonding over Granny, huh?
00:23:38Make it sound perverse.
00:23:40That's what it was, right?
00:23:43Buongiorno.
00:23:44Buongiorno.
00:23:44I got pregnant,
00:23:54so we got married.
00:24:01I lost the baby.
00:24:05I'm sorry.
00:24:14I didn't go back after that
00:24:30to the States.
00:24:31Did you ever hear that story
00:24:40about the Red Strain?
00:24:43I think I might have.
00:24:44Tell me.
00:24:45It's like this Asian proverb
00:24:51says that anyone you're destined to meet,
00:24:55like your soulmate
00:24:56or your family
00:24:58or, you know,
00:25:01someone you bump into
00:25:02on the street,
00:25:03we're all connected
00:25:04by this red string.
00:25:05It can be tangled or stretched,
00:25:11but it can never be broken.
00:25:12there's this moment
00:25:19in the tape.
00:25:21I'm sitting,
00:25:22waiting
00:25:22in the airport bar
00:25:24for my flight
00:25:24and I'm talking
00:25:27into the recorder,
00:25:28rambling on
00:25:29about how I'm about
00:25:30to embark
00:25:31on this amazing adventure
00:25:32and how I'm going to show
00:25:34World War II
00:25:35from a totally
00:25:36different perspective.
00:25:38But?
00:25:46I don't know
00:25:47if it's that interesting.
00:25:50That's the whole point,
00:25:51isn't it?
00:25:53Keeping it interesting
00:25:54for yourself.
00:25:55Maybe.
00:26:00Maybe I just want
00:26:01to write about nothing.
00:26:03Everything is nothing.
00:26:06All the best.
00:26:07Compliano.
00:26:08Grazie.
00:26:09Grazie.
00:26:13Make a wish.
00:26:16Make it great.
00:26:21Okay.
00:26:25Bravo.
00:26:26Bravo.
00:26:27Hey.
00:26:28Come on.
00:26:28Come on.
00:26:28Come on.
00:26:32What do you mean?
00:26:37What?
00:26:38Grab my hand.
00:26:39Wait.
00:26:40Go, go, go.
00:26:41Oh my God.
00:26:41Oh my gosh.
00:26:43Oh my gosh.
00:26:44Oh no.
00:26:45What?
00:26:46What do you mean?
00:26:50Stronzo.
00:26:53Hey.
00:26:53Hey.
00:26:54Hey.
00:26:54Hey.
00:26:55It's the carabinerary.
00:26:56Hey.
00:26:57Hey, please.
00:26:57No.
00:26:58Hey.
00:26:59Yeah.
00:26:59Yeah.
00:27:00Oh my gosh.
00:27:03Hey.
00:27:04We can't go back.
00:27:05We can't go back.
00:27:06We can't go back.
00:27:07Look.
00:27:09We can't back.
00:27:10We haven't got to go back.
00:27:14Oh my gosh.
00:27:15Hey.
00:27:17Oh my gosh.
00:27:18We can't go back.
00:27:28Yeah.
00:27:28It's because it makes you feel better if I said I said the whole thing up.
00:27:30Yes, it's true.
00:27:33Yes, it's true.
00:27:35I made the check when I went to the bathroom.
00:27:40You're horrible.
00:27:42You're horrible.
00:27:44You're really horrible.
00:27:45Come on, let's go.
00:27:46Come on.
00:27:48Quick.
00:27:49Let's go.
00:27:51Why are we still running?
00:27:53I don't know why we're still running.
00:27:59I don't know why we're still running.
00:28:29If you don't have a phone, you're going to have to give me your number for cheap thrills and future crimes committed.
00:28:37No.
00:28:40Fair enough.
00:28:50I've got to go catch a fairy.
00:28:57Hey.
00:28:59Why do violists keep their viola cases on their dashboards?
00:29:09Why?
00:29:22So they can park in handicapped spots.
00:29:29Oh.
00:29:32Happy birthday.
00:29:52Happy birthday.
00:29:54Happy birthday.
00:29:56Okay.
00:30:27You're awake.
00:30:52Yeah, I've got so much of this stuff to get through.
00:30:55Yeah, I've got so much of this.
00:31:25I've got a bicycle seat.
00:31:27They stay with me too.
00:31:32Jane.
00:31:33Jane.
00:31:34Janey.
00:31:35Got some pastries.
00:31:39You're still asleep?
00:31:40Jane.
00:31:41Janey.
00:31:42Got some pastries.
00:31:46You're still asleep?
00:31:51Jane.
00:31:52Janey.
00:31:53Jane.
00:31:54Jane.
00:31:55Jane.
00:31:56Jane.
00:31:57Jane.
00:31:58Jane.
00:31:59Jane.
00:32:00Jane.
00:32:01Jane.
00:32:02Jane.
00:32:03Jane.
00:32:04Jane.
00:32:05Jane.
00:32:06Jane.
00:32:07Jane.
00:32:08Jane.
00:32:09Jane.
00:32:10Jane.
00:32:11Jane.
00:32:12Jane.
00:32:13Jane.
00:32:14Jane.
00:32:15Jane.
00:32:16Jane.
00:32:17Jane.
00:32:18Jane.
00:32:19Jane.
00:32:20Jane.
00:32:21Jane.
00:32:22Jane.
00:32:23Jane.
00:32:24Jane.
00:32:25Jane.
00:32:26Jane.
00:32:27Jane.
00:32:28Jane.
00:32:29Jane.
00:32:30Jane.
00:32:31Jane.
00:32:32Jane.
00:32:33Jane.
00:32:34Jane.
00:32:35Jane.
00:32:36Jane.
00:32:37Jane.
00:32:38Jane.
00:32:39Jane.
00:32:40Jane.
00:32:41Jane.
00:32:42Jane.
00:32:43Jane.
00:32:44Jane.
00:32:45Jane.
00:32:46Jane.
00:32:47Jane.
00:32:48Jane.
00:32:49I didn't want to leave my mum and dad.
00:32:52I wish I had sometimes.
00:32:54You know when you were 19 and the world just felt so open
00:32:58and carefree and full of possibility?
00:33:02You reminded me of that.
00:33:05At that time.
00:33:06You were 19 when we met?
00:33:07Yeah.
00:33:08I wouldn't have described you as carefree back then. Not at all.
00:33:12Well, I felt nostalgia.
00:33:14Or something for youth.
00:33:16You're not old, Jane.
00:33:18We ran out on the bill.
00:33:21You just ran out? What do you mean you ran out on the bill?
00:33:23Perhaps I'm not explaining it well. It was...
00:33:27It was fun.
00:33:29It was just fun.
00:33:41How was work?
00:33:43The conductor is actually a descendant of Walter Legg, which is fascinating.
00:33:48The three of us were planning dinner before we leave.
00:33:50I'd like that.
00:33:56Jane?
00:33:59Oh, my God.
00:34:01This is Caleb.
00:34:03Hi. No, no, we were just talking about you.
00:34:05We were.
00:34:06We were.
00:34:07That's so weird.
00:34:08Sit.
00:34:09Please.
00:34:10Sit down.
00:34:11Join us.
00:34:12Yeah.
00:34:13What?
00:34:14Oh.
00:34:15I'm watching you when I get back pretty soon.
00:34:21That's okay.
00:34:22I already ate, so I'll just grab a coffee or something.
00:34:25Can I have the check, please?
00:34:26In a cafe, play for play?
00:34:27Oh.
00:34:28No, thank you.
00:34:29Jane.
00:34:30Jane.
00:34:31You don't smoke.
00:34:32Yes, I do.
00:34:33Sometimes.
00:34:34At parties.
00:34:35You didn't know that.
00:34:36Well, I don't do it a lot.
00:34:37Okay.
00:34:38Grazie.
00:34:39Grazie.
00:34:40Grazie.
00:34:41Grazie.
00:34:42Italian food's so overrated.
00:34:43I love it.
00:34:45Oh, no, thank you.
00:34:46Jane.
00:34:48Jane.
00:34:49You don't smoke.
00:34:50Yes, I do.
00:34:51Sometimes.
00:34:52At parties.
00:34:53You didn't know that.
00:34:55Well, I don't do it a lot.
00:34:57Okay.
00:34:58Grazie.
00:34:59Grazie.
00:35:12it's no variety English food on the other hand say what you like about it
00:35:18there's nothing like a good steak and kidney pie I went to this party the
00:35:22other day in this villa owned by this old drunk expat they had like a private
00:35:28chef and everything and they were serving this like loaf of meat covered
00:35:34in sauce with all these other loaves this girl came over to me and said it
00:35:38was a cat no no joke like a roasted mommy cat and her kid why don't you tell
00:35:52Leonard one of your viola jokes come on and come on let's hear one
00:36:06um I have one what is the definition of perfect pitch what when you throw a
00:36:21viola into the dumpster without hitting the rim you didn't just make that up I
00:36:27did it's too good I did well I'm impressed and I'm stealing it you can pretty much
00:36:33have to make that joke about any instrument
00:36:38do you play anything this is that you know
00:36:44shall we what time to go already yeah
00:36:49so what's next new agenda Caleb um I'm thinking Tibet oh it's about really yeah
00:37:07there's just think on the shopping festival yeah I've heard about that it's
00:37:11where the the Buddhist monks unroll all the tapestries on the hill right amongst amongst amongst so pretty
00:37:18how do you support yourself you know it is better that
00:37:23oh all right then I'll walk you does anybody have a pen you got a pen yeah I have a pen
00:37:35I have a piece of paper you guys should definitely come over to the island I'll take you somewhere fun you
00:37:54know don't knock on the front door come on the side I need Regina
00:37:58thank you and thanks again for yesterday
00:38:07oh no problem hey
00:38:13it's out
00:38:21how stoned are you come on it's not a big deal
00:38:27so you're saying you smoke back at home occasionally can we do something fun tonight
00:38:33sure
00:38:35I'm fine from here
00:38:40see you after work
00:38:42I'll be waiting
00:38:43I'm fine
00:38:58you
00:39:02you
00:39:02you
00:39:03you
00:39:05you
00:39:06you
00:39:09You're scaring me.
00:39:11Are you following me?
00:39:14Maybe.
00:39:16Is that weird?
00:39:17Yeah.
00:39:19I couldn't sleep last night.
00:39:23You told me you were staying near the port, so I got the first ferry this morning.
00:39:29I didn't want to sleep last night.
00:39:33You told me you were staying near the port, so I got the first ferry this morning.
00:39:39This morning I came looking for you and I can't believe I found you.
00:40:09What are we doing?
00:40:29I think we'll make it out.
00:40:33So sexy and beautiful.
00:41:03I can't do this.
00:41:08What?
00:41:09What?
00:41:10I can't do this.
00:41:11Why?
00:41:22Do you do this a lot?
00:41:23What?
00:41:24Do you do this a lot?
00:41:25What?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:30You need to be less serious.
00:41:38Don't follow me.
00:41:56What?
00:41:57Can I find you?
00:42:00I don't have to be in the morning, I just want to go.
00:42:03That's good.
00:42:05Come on.
00:42:06Come on.
00:42:07Come on.
00:42:08Come on.
00:42:09Come on.
00:42:10Come on.
00:42:11Come on.
00:42:12Come on.
00:42:13Come on.
00:42:14Come on.
00:42:15Come on.
00:42:16Come on.
00:42:17Come on.
00:42:18There was one boy from Belgium.
00:42:47He was lovely, he had a moustache, my mother hated moustaches, but he was shipped off, I never
00:42:59saw him again.
00:43:04Anyways, I met your grandfather not long after and we got married.
00:43:09Was it love at first sight with grandpa?
00:43:12Love at first sight?
00:43:14Stop that thing.
00:43:15I know.
00:43:16You're home early.
00:43:17I do deserve that.
00:43:18Can I just make my husband?
00:43:22Jenny, I'm sorry, just give me a minute, I have a hell of a mess in my bed, I've got so
00:43:40much stuff to do.
00:43:41Sorry darling.
00:43:42Hey, do you still want to do something fun tonight?
00:43:47Yeah, absolutely.
00:43:48Lots of dinner, I thought we were just staying here, the two of us.
00:43:53I've just got to work this thing out for tomorrow.
00:43:56Okay.
00:43:57Okay.
00:43:58I'm sorry.
00:44:00And I'm sorry, it was okay.
00:44:03I don't know.
00:44:05I'm sorry, but yes.
00:44:07What can I do?
00:44:10Yeah.
00:44:11Yeah, I have to wait.
00:44:12And then the other one, we can leave it.
00:44:14What can we do today?
00:44:15How can we do today?
00:44:47Leonard, can we talk?
00:45:17Say cheese.
00:45:29You should kind of be in the middle.
00:45:35Hold on a second.
00:45:51Everyone's missing.
00:46:08What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:15Oh, yeah.
00:48:46Oh.
00:48:47Hi.
00:48:48Did I wake you?
00:48:49No.
00:48:50I think I need to be less serious.
00:48:56Yeah.
00:48:57Will you put my pants on?
00:48:58Okay.
00:48:59Okay.
00:49:00Okay.
00:49:01Okay.
00:49:02Okay.
00:49:03Okay.
00:49:04I think I need to be less serious.
00:49:10Yeah.
00:49:11Yeah.
00:49:12Will you put my pants on?
00:49:14Okay.
00:49:16Okay.
00:49:17Okay.
00:49:18Okay.
00:49:19Okay.
00:49:20Okay.
00:49:21Okay.
00:49:22Okay.
00:49:23Okay.
00:49:24Hold on.
00:49:26All right.
00:49:27Oh.
00:49:31Okay.
00:49:32Okay.
00:49:33Okay.
00:52:34Leonard thought you were lying about those cats.
00:52:51You said that?
00:52:56Were you?
00:52:58They were delicious.
00:52:59You make me feel nervous.
00:53:19You make me feel calm.
00:53:24You want a drink?
00:53:49You make me feel calm.
00:53:50You make me feel calm.
00:53:57You make me feel calm.
00:53:59You make me feel calm.
00:54:09You make me feel calm.
00:54:10You make me feel calm.
00:54:18You make me feel calm.
00:56:21I'm thinking.
00:56:23You left your phone here. I had to plug it in.
00:56:27We need to talk, Leonard.
00:56:28I have to go to work.
00:56:33Can you be late?
00:56:34No, I can't be late.
00:56:39I know it.
00:56:40Jay, whatever you have to say to me, I want to hear it.
00:56:44I've committed myself.
00:56:46People are depending on me.
00:56:48I have to go to work.
00:56:49I'm going to say, I can't be late.
00:56:52Okay.
00:56:56Okay.
00:56:57Okay.
00:56:57Okay.
00:56:58If it wasn't the war,
00:57:28it would have been something else.
00:57:31There's always something else, isn't there?
00:57:34That's the thing.
00:57:35That's the thing about struggle.
00:57:48I'm going to make some tea.
00:57:50Do you want some?
00:57:52I'm all right.
00:57:58If you go out like that again, just tell me.
00:58:03Don't worry.
00:58:05Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:11Do you think everything we've been through actually does us any good?
00:58:30In the long run?
00:58:31Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:40I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:56I don't know what you want me to say, Jane.
00:59:07One little thing had changed in my grandmother's life, I might not be here.
00:59:32Sometimes I worry I'm not honoring her.
00:59:44With the book?
00:59:48No, with my life.
00:59:55This is it, you know.
00:59:58It ends with me.
00:59:59In the harvest time, we all went to the field where they were cutting the corn.
01:00:11Everyone was chasing rabbits, and then we had our tea in the harvest fields.
01:00:21The horses.
01:00:22Yeah.
01:00:22The horses back then, they were kept beautifully.
01:00:32Dad used to dress them all up.
01:00:34Brass things and little horseshoes.
01:00:38He put braids on them.
01:00:40They used to be gorgeous.
01:00:42What are your plans for tomorrow?
01:00:44There was one, Duke.
01:00:49He was a Clydesdale I used to ride down to the marshes every night when he finished working.
01:01:00They were lovely days, really.
01:01:08They're gone.
01:01:09For me.
01:01:11Jane.
01:01:11But not for you.
01:01:14Jane.
01:01:16You know, it's different for you.
01:01:18In some ways, it's easier.
01:01:20You haven't got the war.
01:01:21People don't die as much as they did back then.
01:01:24But in some ways, it's more disjointed.
01:01:27You've got to make your own life one that you love, and you can't be afraid of the time.
01:01:40Time is shiftable.
01:01:41There are moments in my life that I would trade 60 years to have back again.
01:01:56That's the truth.
01:01:58You'll know the truth when you find it.
01:02:01It'll come to you like something you've known before, rather than something you're learning for the first time.
01:02:06Oh, sorry.
01:02:12What is it?
01:02:17You all right?
01:02:22You okay?
01:02:23Yeah, it's on my toe.
01:02:26It's bleeding.
01:02:28It's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:31It's fine.
01:02:33You losing it?
01:02:35Yes.
01:02:36Fuck.
01:02:37I met these backpackers last night, Frank and Elsa.
01:02:50She's French, he's German.
01:02:52They're going to Tibet, and I'm going with them.
01:02:59I want you to come with me.
01:03:07I want you to come with me.
01:03:37I want you to come with me.
01:04:07How are you?
01:04:11Long day.
01:04:14God, when are they not?
01:04:17I don't think I'd jump to doing another stint like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:32That's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:42Are you listening?
01:04:45You found the key to finishing this project?
01:04:56But the water here tastes so funny.
01:04:58Have you ever cheated on me?
01:05:04Oh, Jane.
01:05:06Have you?
01:05:07Can we not?
01:05:09Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:19Because I'm sick.
01:05:22Of what, Leonard? Of it being so hard?
01:05:26Yes.
01:05:27Tedious?
01:05:34I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:48Like what?
01:05:50Is there anything you want to ask me?
01:05:52Why? Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:00Do you?
01:06:04I love you.
01:06:13I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:27You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:39Say it.
01:06:41Jane.
01:06:42Say it.
01:06:44I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Please, Jane.
01:06:54And again.
01:06:55And again.
01:06:56Please.
01:06:58How does that make you feel?
01:07:04It's not your fault.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:09You will never be a father.
01:07:13We can adopt.
01:07:14That's not what you want.
01:07:16Is it?
01:07:18Is that what you want?
01:07:20Hm?
01:07:22Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:37What are you trying to do, Jane?
01:07:38I just want to know that there's a reason for it all.
01:07:43You're not curious about me, Leonard.
01:07:46Not really.
01:07:47What do you want me to know?
01:07:48You shouldn't have to ask.
01:07:49I feel as if you want me to be someone I'm not.
01:07:55Someone that I've never been.
01:07:56Someone that I've never been.
01:07:57I'm leaving you.
01:07:58I've been seeing someone else.
01:07:59See you.
01:08:00Caleb.
01:08:01That kid.
01:08:02Yes.
01:08:03That kid.
01:08:04That kid?
01:08:05That kid?
01:08:06That kid?
01:08:07That kid?
01:08:08That kid you've known for two days?
01:08:09It's been long for me.
01:08:10I feel as if you want me to be someone I'm not.
01:08:13Someone that I've never been.
01:08:15I'm leaving you.
01:08:17I've been seeing someone else.
01:08:19See you.
01:08:20Caleb.
01:08:21That kid?
01:08:22Yes.
01:08:23That kid?
01:08:24That kid?
01:08:25That kid you've known for two days?
01:08:26It's been longer than that.
01:08:27Please tell me you're joking.
01:08:28Time is shiftable.
01:08:29I don't get it.
01:08:30Leonard.
01:08:31I don't get it.
01:08:32He's asked me to travel with him.
01:08:33Are you sleeping with him?
01:08:34What do you think?
01:08:36I kept waiting for you to see it, to smell it, to sense it!
01:08:38So what?
01:08:39I failed your test?
01:08:40You don't see me!
01:08:41What?
01:08:42You don't see me!
01:08:43What?
01:08:44What?
01:08:45What?
01:08:46What?
01:08:47What's the difference?
01:08:49I don't get it.
01:08:50I don't get it.
01:08:51I don't get it.
01:08:52He's asked me to travel with him.
01:08:54Are you sleeping with him?
01:08:55What do you think?
01:08:56What do you think?
01:08:58I kept waiting for you to see it.
01:08:59To smell it.
01:09:00To sense it!
01:09:01So what?
01:09:02I failed your test?
01:09:03You don't see me!
01:09:06I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:30For losing my temper, I shouldn't have done that.
01:09:32You had every right to lose your temper!
01:09:34No, no, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No, that is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:02We'll go home together.
01:10:07I want you to do what you need to do.
01:10:13And then come back to me.
01:10:17No questions asked.
01:10:19No guilt.
01:10:22This is good.
01:10:23No guilt.
01:10:45No guilt.
01:10:46No guilt.
01:11:17Hi.
01:11:47You want some?
01:12:00Oh, thanks.
01:12:02Oh, thanks.
01:12:32Frank, you know, it's coming over in a couple of hours.
01:12:48Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:12:55I'm thinking of driving through Romania and then Ukraine and down through Russia and through
01:13:10Kazakhstan and then straight to Tibet.
01:13:14Yeah.
01:13:15Yeah.
01:13:16Yeah.
01:13:17Yeah.
01:13:18Yeah.
01:13:19Yeah.
01:13:20Yeah.
01:13:21Yeah.
01:13:22Yeah.
01:13:23Yeah.
01:13:24Yeah.
01:13:25Yeah.
01:13:26Yeah.
01:13:27Yeah.
01:13:28Yeah.
01:13:33Yeah.
01:13:34Yeah.
01:13:35PIANO PLAYS
01:14:05Ciao, buona fortuna
01:14:10Ciao
01:14:35Jase!
01:14:54You've got to come over to this side
01:14:59The train's going to be here in a minute
01:15:01The train's going to be here in a minute
01:15:31I'm riding you now just to see if you're there
01:15:37New York is cold but I like where I'm living
01:15:43There's music on Clinton Street all through the evening
01:15:49I hear that you're building your house deep in the desert
01:16:00Are you living for nothing now?
01:16:07Hope you're keeping some kind of record
01:16:11Yes
01:16:13I wouldn't want to live to be 100
01:16:35Why not?
01:16:37I'm not telling you why not
01:16:39Now shut that thing off
01:16:44All the last
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