📖🦍 Half-man. Half-beast. All terror.
Witness one of Bela Lugosi’s most bizarre roles in The Ape Man (1943), a strange and atmospheric blend of mad science and monster horror from the golden age of B-movie cinema.
🧪 Dr. James Brewster (Lugosi) has transformed himself into a part-ape creature through unholy scientific experiments. Now, desperate for a cure, he must obtain human spinal fluid — and there's only one way to get it. As bodies begin to pile up, reporters and police race to uncover the monstrous truth behind the murders.
🎬 Directed by William Beaudine, this fast-paced public domain thriller mixes horror, mystery, and a touch of pulp science fiction. Featuring shadowy lab scenes, dramatic confrontations, and Lugosi’s signature screen presence, it’s a must-watch for fans of classic creature features and 1940s horror.
________________________________________
📺 Watch More Classic Horror, Sci-Fi & B-Movie Thrills:
👉 https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY
________________________________________
🔖 Hashtags:
#TheApeMan #FullMovie #BelaLugosi #ClassicHorror #MadScientist #1940sMovies #PublicDomainMovies #MonsterMovie #SciFiHorror #OldHollywood #VintageHorror #CultClassic #FreeMovies #WilliamBeaudine #BlackAndWhiteCinema
________________________________________
Witness one of Bela Lugosi’s most bizarre roles in The Ape Man (1943), a strange and atmospheric blend of mad science and monster horror from the golden age of B-movie cinema.
🧪 Dr. James Brewster (Lugosi) has transformed himself into a part-ape creature through unholy scientific experiments. Now, desperate for a cure, he must obtain human spinal fluid — and there's only one way to get it. As bodies begin to pile up, reporters and police race to uncover the monstrous truth behind the murders.
🎬 Directed by William Beaudine, this fast-paced public domain thriller mixes horror, mystery, and a touch of pulp science fiction. Featuring shadowy lab scenes, dramatic confrontations, and Lugosi’s signature screen presence, it’s a must-watch for fans of classic creature features and 1940s horror.
________________________________________
📺 Watch More Classic Horror, Sci-Fi & B-Movie Thrills:
👉 https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY
________________________________________
🔖 Hashtags:
#TheApeMan #FullMovie #BelaLugosi #ClassicHorror #MadScientist #1940sMovies #PublicDomainMovies #MonsterMovie #SciFiHorror #OldHollywood #VintageHorror #CultClassic #FreeMovies #WilliamBeaudine #BlackAndWhiteCinema
________________________________________
Category
🎥
Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00Why do these boats always have to dock in the cold gray door?
00:01:25Yeah, there ought to be a law, make them stay out there, it'll have to breakfast anyway.
00:01:29Don't worry, Bonnie, after the day you'll be shooting that one-eyed monster of yours for Uncle Sam.
00:01:34Yeah, and you'll be seeing plenty of cold gray dawns then, brother.
00:01:37And you'll find out that the signal cord, there's a lot of other things besides cord signals.
00:01:41After ten years in this record, it'll be a vacation.
00:01:45A simple soul, isn't he, boys?
00:01:48Woo!
00:01:48Well, what do you think of that?
00:02:06Sounds facie to me.
00:02:23You're Dr. Randall, no?
00:02:25Yes.
00:02:26You're here to meet Agatha Brewster, aren't you?
00:02:29Well, I...
00:02:29I thought so.
00:02:30You're Carter of the Globe Tribune, aren't you?
00:02:53Uh-huh.
00:02:55Say, there's a woman on that boat with the name of Agatha Brewster.
00:02:58Yeah?
00:02:59What about her?
00:03:00Ghost hunter.
00:03:02She's a sister of that missing Dr. Brewster.
00:03:05Good story.
00:03:07A great story.
00:03:08Hey, what gives, Jeff?
00:03:21Trying to sell your bootleg gas?
00:03:23Well, no, a screwball, I guess.
00:03:32That's her over there with the fur piece.
00:03:36George.
00:03:37Agatha, I'm awfully glad you're here.
00:03:41Come on, Barney.
00:03:44George, it's terrible.
00:03:45What happened?
00:03:45Miss Brewster?
00:03:46Yes?
00:03:46I'm from the Globe Tribune.
00:03:48Well?
00:03:48Miss Brewster's too upset over her brother to give an interview right now.
00:03:51Yes, another time.
00:03:52Oh, well, may we have a picture?
00:03:54Go ahead, Barney.
00:03:55A pretty smile now.
00:03:56Smile?
00:03:57Oh, excuse me.
00:04:00Thanks.
00:04:01How about that interview?
00:04:01When may I see you?
00:04:03Oh, some other day.
00:04:04The next week.
00:04:05Where?
00:04:05Miss Brewster will phone you.
00:04:06Don't let her give you the brush off.
00:04:10It's a great story.
00:04:11Hey, what is this, anyway?
00:04:14Seriously.
00:04:15That's right.
00:04:17If he'd only have listened to me, all this wouldn't have happened.
00:04:20But what about the police?
00:04:21Haven't they been able to trace him?
00:04:22Fortunately, no.
00:04:23Fortunately.
00:04:25Yes, very fortunately.
00:04:27Agatha Jim isn't lost except to this world.
00:04:30He's hidden away at Springdale in the old mansion.
00:04:33He'd be better off in the family cemetery plot.
00:04:36George.
00:04:37I'm sorry, but it's true.
00:04:39But what?
00:04:40Six months ago, we made an astounding discovery.
00:04:43It was so far in advance of anything that's been done to date, but Jim decided to be the guinea pig for this experiment himself.
00:04:53I tried to talk him out of it, but you know how stubborn he is when he gets an idea in his head.
00:04:58We made the experiment, and unfortunately, it was a great success.
00:05:06So great, in fact, that we've been unable to counteract the results.
00:05:12And Jim, he's...
00:05:14He's still alive, isn't he?
00:05:16Yes.
00:05:17And the story of his disappearance was a fake?
00:05:20Yes, I put that out to cover the whole affair up so that if the worst comes to the worst, it'll save him a great deal of unpleasant motorized.
00:05:28George, what does he...
00:05:32Prepare yourself for a great shock, Agatha.
00:05:58I warn you, it's frightful.
00:06:27Where...
00:06:28Where is he?
00:06:28Where is he?
00:06:29Where is he?
00:06:30Where is he?
00:06:31Let's go.
00:07:01Agatha, you shouldn't have brought her here.
00:07:28Stop shaking, Agatha.
00:07:30I won't hurt you.
00:07:31Oh, you poor boy.
00:07:33Open the door.
00:07:37Get back here.
00:07:44Close the door.
00:07:45Close the door.
00:07:52Close the door.
00:07:59Close the door.
00:08:00Close the door.
00:08:02Let's go.
00:08:06What a mess I made of things.
00:08:33Look.
00:08:34Jim.
00:08:36Why is she?
00:08:39No.
00:08:40Come on.
00:08:41Come on.
00:08:43Come on.
00:08:43Let's go.
00:08:44Come on.
00:08:50Look.
00:08:50No, no, no, no, no, no!
00:09:20Yeah, how are you coming with that ghost yarn I couldn't get a thing out of her at the boat now
00:09:41I'm going through the morgue boy is she a screwy dame I don't want that junk
00:09:46I want a personal interview and get me some more pictures good one Barney smell
00:09:50I'm sending someone down to replace him name is Billy Mason
00:09:54Okay, Chiefy now hop to it and don't call me Chiefy
00:10:00Okay, Chiefy
00:10:06Going into the army has sure done something to Barney looks more like a ghost and a ghost hunter to me
00:10:12Now just what could have happened to get such a piece of tripe?
00:10:18Well, it's out of focus
00:10:20It's underexposed and overdeveloped
00:10:22And besides there are two pictures on the same negative
00:10:25Is that all?
00:10:27Yes
00:10:28Yes, sir
00:10:33Take Miss Mason down to Carter. She's taking Barney's place
00:10:36Yes, sir
00:10:37Well, thank you very much, Mr. Martin for giving me the break
00:10:39I'm sure I can
00:10:40Ah, forget it, but remember
00:10:42I'll be satisfied with just one picture on each negative
00:10:45I'll do the very best I can
00:10:47Okay, sit down and take the load off your feet. I'll be with you in a minute
00:11:17Oh
00:11:25Oh, the night
00:11:27What went by when I wasn't looking?
00:11:32I see you know your perfume
00:11:34I know that one
00:11:35In fact, I'll never forget it
00:11:36The first girl I met that used it either
00:11:38Was she nice?
00:11:39Yeah, but she lied to me
00:11:40So?
00:11:41She told me her boyfriend was in boot camp
00:11:43I can't
00:11:52Okay, Mason, let's go
00:11:55Mason
00:11:57I'm Billy Mason
00:11:59Huh?
00:12:00I said I'm Billy Mason
00:12:02I'm taking Barney's place, whoever he is
00:12:07Well, why didn't you say so?
00:12:08Come on, let's go
00:12:13Where are we going, if I may ask?
00:12:28It's Springdale, the old Brewster home
00:12:30When interview a screwy old dame and get some pictures
00:12:34Good pictures, I hope
00:12:35Why the I hope?
00:12:36A good reporter generally gets an interview
00:12:39I'm not worried about the interview
00:12:40It's the pictures I'm worried about
00:12:43Oh, I get it
00:12:45Well, listen, Mr. Brisbane
00:12:46You take care of your end of it and don't worry about mine
00:12:49My pictures will be as good as your interview
00:12:51And maybe a little bit better
00:12:53Cocky little Grinch, aren't you?
00:12:54Well, I've had to hold my own against four brothers all my life
00:12:57I guess I can handle a 4F like you
00:13:004F? And what gives you the idea I'm in 4F?
00:13:03Well, I can't think of any other good reason you're not in uniform
00:13:06Listen, baby, you're looking smack dab at a 14-carat 1A
00:13:10No dependence, physically perfect, with a personal letter in his pocket from the President
00:13:1430 days from now, I'll be Jefferson B. Carter Seaman 3rd class
00:13:18Oh
00:13:19Oh, yes, 30 days half September, April jewel in Jefferson B. Carter
00:13:24Well, I'll take back the part of it about 4F
00:13:26But the rest of it still stands
00:13:28Makes me wish I was in the Navy right now
00:13:30That makes two of us
00:13:32All right, Sailor, shove off
00:14:00I'm sorry
00:14:03Al-Najca
00:14:04I'm sorry
00:14:05I'm sorry
00:14:06You're gonna be able to see a lot of the darkness
00:14:07To the stars
00:14:09I'd be a bit annoyed
00:14:10I'm sorry
00:14:11I'm sorry
00:14:12I'm sorry
00:14:13I'm sorry
00:14:14I'm sorry
00:14:15I'm sorry
00:14:16I'm sorry
00:14:17I'm sorry
00:14:18I'm sorry
00:14:19I'm sorry
00:14:21Oh, my God.
00:14:51You have no idea what I've gone through in the last three months.
00:15:06Sometimes I'm perfectly normal, mentally.
00:15:11I sit for hours and hours, looking in the mirror,
00:15:16hoping and praying for the slightest sign on my physical change.
00:15:25It doesn't come.
00:15:28Then I feel myself going back to the animal instinct.
00:15:34I try to fight it.
00:15:36I try to fight it with all my willpower.
00:15:40And I feel I can't lick it.
00:15:46I lock myself in there with him,
00:15:51fearing that I might do something terrible.
00:15:58Oh, I can't stand it any longer.
00:16:01I can't stand it.
00:16:03Randall must hurt me.
00:16:06He must do what I'm asking him.
00:16:10What did you ask him to do, James, that he refused?
00:16:14I must have human spinal fluids injected into me.
00:16:20It's my only chance.
00:16:23Randall and I both agreed to it.
00:16:24It's the only way to counteract the 8-fluid injection.
00:16:30But he won't do it.
00:16:33He won't do it.
00:16:34Please, James, please.
00:16:36I'll talk to George.
00:16:37I know he'll do anything to save you.
00:16:40I'll ask him.
00:16:42No, he won't.
00:16:43I've pleaded and begged.
00:16:56James tells him you refused to help him any further.
00:16:59Did he tell you why?
00:17:00No.
00:17:00Then I'll tell you.
00:17:01I'd have to commit murder to do it.
00:17:03Murder?
00:17:04Yes, cold-blooded murder.
00:17:06You see, this spinal fluid, it might cure him.
00:17:09And there's a great possibility it wouldn't.
00:17:11It's just a chance, you know.
00:17:12That fluid must be taken from a living person.
00:17:15And the taking of it means instant death.
00:17:25Well, I must say the house matches the old girl who had tea.
00:17:29What do you mean?
00:17:30She's a ghost hunter.
00:17:32Did you say ghost?
00:17:33Yeah.
00:17:34Ever see any?
00:17:35Don't be silly.
00:17:36She has.
00:17:38No kidding.
00:17:39She's written books about him.
00:17:40She's been all over the world, poking around in cemeteries and haunted houses.
00:17:44She just got back from a cook store of haunted castles in Europe.
00:17:49Come on, let's go.
00:17:54Oh, get my can.
00:17:57That's your job.
00:17:58Well, here's a chance for you to photograph a ghost.
00:18:23Very funny.
00:18:24Very funny.
00:18:41Better see who it is.
00:18:43It may lay any suspicions.
00:18:45Those screams aroused.
00:18:47Jim has probably seen who it is in the televisor.
00:18:49He won't give himself away.
00:18:57Hello.
00:18:58Remember me?
00:19:00From the boat?
00:19:01Jeff Carter?
00:19:02Oh, yes.
00:19:02This is Billy Mason.
00:19:04I brought her along to get some more pictures.
00:19:07The others were a lot.
00:19:08They weren't good.
00:19:09Well, I'm afraid it's too dark in here for pictures.
00:19:13Oh, no.
00:19:13It'll be perfectly okay.
00:19:15Oh, sure.
00:19:16It's okay.
00:19:16She makes pictures in tunnels.
00:19:20All right.
00:19:21Come in.
00:19:21I'll be going, Miss Brewster.
00:19:32Just keep on with the prescription I gave you.
00:19:35Oh, I will, Doctor.
00:19:40Won't you come into the library?
00:19:46If you don't mind, Miss Brewster,
00:19:48I'd like to know a little more about your work,
00:19:49your books, etc.
00:19:50I think our readers would be interested.
00:19:52Oh, certainly.
00:19:53Won't you sit down?
00:19:55Thanks.
00:20:00I hope you'll pardon the appearance of this room,
00:20:03but I don't dare change a thing.
00:20:05The entities that haunt this house would not appear.
00:20:09They despise improvements.
00:20:11Cling only to the old, familiar surroundings.
00:20:15Do you mean this house is really haunted?
00:20:18Certainly, child.
00:20:19All houses are haunted.
00:20:21All persons are haunted.
00:20:23Throngs of spirits follow us everywhere.
00:20:27We are never alone.
00:20:30This room is crowded right now.
00:20:32I don't see anything.
00:20:35Oh, you can't see them any more than you can see the wind.
00:20:41But they can destroy you if sufficiently enraged.
00:20:46Most spirits are honest, gentle, and kind,
00:20:50and only want to bring happiness to humans.
00:20:52But a few are evil, and having been wicked in life, are wicked in death,
00:21:01and only haunt the scenes of desperate crimes reveling in murder.
00:21:08That must have been the one we heard when we drove up, huh?
00:21:12Yes.
00:21:13You heard it?
00:21:15Was it here?
00:21:16Right here?
00:21:18Oh, no, that's what I brought from Scotland.
00:21:20On a phonograph record.
00:21:22No kidding.
00:21:23I thought I heard everything.
00:21:25Would you like to hear it?
00:21:26Well, what can we lose?
00:21:29This spirit in Scotland is known as the galloping ghost of Glen Raven.
00:21:59Oh, no, no, no, no, no, no.
00:22:29Does it bother you, child?
00:22:32Oh, no.
00:22:34I just won't sleep all night, that's all.
00:22:36Suppose we get the picture before Miss Mason passes it out, huh?
00:22:38Certainly.
00:22:39Now, listen, Miss Brewster, you stand right over here by the phonograph,
00:22:41and you hold this record.
00:22:43Hold it like that.
00:22:48Beautiful.
00:22:49All right, honey, come on, come on, get yourself together.
00:22:57Thanks very much, Miss Brewster.
00:22:59Oh, just a moment.
00:23:00One more seated, please.
00:23:02Oh, yes.
00:23:02Do you mind?
00:23:03Come on, let me sit down.
00:23:03I'll take the galloping ghost.
00:23:05Now, you sit there and try and give me a pose like you were hunting for a ghost.
00:23:10That's it.
00:23:10Get it.
00:23:14That was very kind of you, Miss Brewster.
00:23:16I'll send you a couple of those pictures of it.
00:23:18You look great.
00:23:18Come on, honey, let's go.
00:23:19I'll send you a copy of the article.
00:23:29I might want to check with you later.
00:23:30May I come out again?
00:23:32I guess so.
00:23:34But please phone me first.
00:23:35Oh, certainly, certainly.
00:23:36Thank you very much.
00:23:37Well, uh, goodbye.
00:23:49Jane, are you mad to come up here?
00:23:52What did Randall say?
00:23:53He will not be a party to a murder.
00:23:57He's going to let me go through life like this.
00:24:06I told you he wouldn't help me.
00:24:09I told you.
00:24:15Hey.
00:24:16Huh?
00:24:16Are you going to town?
00:24:18Yeah.
00:24:19Fine.
00:24:21Go right ahead.
00:24:26That couldn't be the galloping ghost himself, could it?
00:24:29Even if I felt all right, that wouldn't get the laugh out of me.
00:24:32All right, let's go.
00:24:34If you've got any gas.
00:24:38What a lot of hoey.
00:24:40The galloping ghost, huh?
00:24:42I wonder who she thinks she's kidding.
00:24:44Meaning what?
00:24:45Did that record sound like the noise we heard when we drove up?
00:24:49Come to think of it, no.
00:24:52Darn right.
00:24:55Well, there's something screwy about the whole thing.
00:24:57I feel it in my bones.
00:24:59Maybe it's rheumatism.
00:25:01Yeah.
00:25:05I might have known.
00:25:08After all these years of cooperation,
00:25:11leaving me to die like this,
00:25:13that you won't get away with it.
00:25:14Oh, please, James.
00:25:15Something will...
00:25:16Oh, leave me alone.
00:25:18Go on.
00:25:19Get up.
00:25:20Get upstairs.
00:25:20I won't think.
00:25:22Oh.
00:25:23Get out, Oran.
00:25:24All right, James.
00:25:25Oh.
00:25:25All right, James.
00:25:27All right, James.
00:25:40A plair of terror.
00:25:48Oh.
00:25:50Ah.
00:25:50Ah.
00:25:50Ah.
00:25:51Ah.
00:25:52Oh
00:26:22Oh
00:26:52Are you completely insane how did you get here perhaps our experiment has taught me you tricks
00:27:15Are you alone? No my butler is somewhere around why did you take such a chance? I had to George
00:27:21I had to I'm desperate you must help me get me that fluid. Do you realize what you're asking me to do?
00:27:27Murder oh call it what you like call it what you like
00:27:32I must wait that fluid
00:27:34It's my life against somebody else's and I don't want to live the rest of my life this way and I won't
00:27:51Yes, someone who please help for us to see you sir. All right, ask him to wait in the library. I'll be right there very good, sir
00:28:01You suppose anybody saw you come in here? No, I'm sure not stay right here. Don't take a chance on leaving
00:28:07Oh
00:28:16All the captain sent me over to get some more dope on that boosted disappearance case, but I've already told him all I know
00:28:23There's a few things. I'd like to check on
00:28:26Very well
00:28:28When the last time you saw him was Thursday, is that right?
00:28:37Oh
00:29:07Weren't you?
00:29:10Huh?
00:29:11Uh, you were very closely associated with Dr. Booster.
00:29:14Weren't you?
00:29:15Oh, yes, yes.
00:29:16Oh.
00:29:34Hello, Townsend.
00:29:36Dr. Booster.
00:29:38Yes.
00:29:39Dr. Booster.
00:29:40Hmm, I see.
00:29:44Hmm, I see.
00:29:56Hmm, perhaps I could drop in tomorrow sometime and...
00:29:58Oh, there's just a few more things.
00:29:59Uh, where do I get this down?
00:30:00Uh, where do I get this down?
00:30:02Hmm, perhaps I could drop in tomorrow sometime and...
00:30:04Oh, there's just a few more things.
00:30:06Uh, where do I get this down?
00:30:08Uh, where do I get this down?
00:30:09Well, I guess that's all.
00:30:11Well, I guess that's all.
00:30:13Well, I guess that's all.
00:30:15Well, I guess I could drop in tomorrow sometime and...
00:30:17Oh, there's just a few more things.
00:30:19Uh, where do I get this down?
00:30:21Well, I guess that's all.
00:30:22Thanks a lot, Doc.
00:30:23Not at all.
00:30:24Oh, if you think of anything else in connection with Dr. Booster, let us know.
00:30:28Looks like we sure can use a lot of help on this one.
00:30:29All right, I will.
00:30:30Okay.
00:30:31Goodbye.
00:30:32Goodbye.
00:30:33Goodbye.
00:30:34Goodbye.
00:30:35Goodbye.
00:30:36Goodbye.
00:30:37Goodbye.
00:30:38Goodbye.
00:30:59Goodbye.
00:31:29Goodbye.
00:31:30Goodbye.
00:31:31Goodbye.
00:31:32Goodbye.
00:31:33Goodbye.
00:31:34Goodbye.
00:31:35Goodbye.
00:31:36Goodbye.
00:31:37Goodbye.
00:31:38Goodbye.
00:31:39Goodbye.
00:31:40Goodbye.
00:31:41Goodbye.
00:31:42Goodbye.
00:31:43Goodbye.
00:31:44Goodbye.
00:31:45Goodbye.
00:31:46Goodbye.
00:31:47Goodbye.
00:31:48Goodbye.
00:31:49Goodbye.
00:31:50Goodbye.
00:31:51Goodbye.
00:31:52Goodbye.
00:31:53Goodbye.
00:31:54Goodbye.
00:31:55Goodbye.
00:31:56Goodbye.
00:31:57Goodbye.
00:31:58Goodbye.
00:31:59How about that strangulation and by someone with terrific strength or the looks of the marks on his throat
00:32:26Whoever did it sure needed a haircut
00:32:29Sure looked like it
00:32:33Hello
00:32:34Say isn't that the guy we saw at Brewster's?
00:32:38It does look like him doesn't it? Yeah. Here are those pictures. Okay
00:32:43What's happened to him? Just lost his butler by strangulation. Cops are trying to pin it on an eight. Can you tie that? Here
00:32:52Well, I see you got something on the film anyway
00:32:55Now let's no man river. Oh
00:33:00Trying to pull a barney, huh?
00:33:02What do you mean two pictures for the price of one again? Look at that
00:33:06Where right there?
00:33:08Well, I never saw that before. What is it? How did it get there? It's like a gorilla to me. A gorilla? Yeah
00:33:20Don't ever don't. What heading does that come under? Trick photography? Is it a game?
00:33:24No, I didn't do it. If it's in the picture, it was there when I shot it
00:33:33Say, wait a minute. Maybe this is the galloping gossom Glenraven or whatever his name was in the flesh. Remember those sounds?
00:33:39Yeah
00:33:40Is that the way a gorilla sounds?
00:33:41I'm not much of a tar there, but could be
00:33:44So the butler of the guy we saw there was murdered by an ape
00:33:49I wonder
00:33:50What are you gonna do? Try to sell the boss a bill of goods. Don't you want me to go home? You stay right there
00:33:54Say, maybe you're my lucky number
00:34:11Come yet? No, I expecting him. Yes, I
00:34:20Got it again. I got it. What? The fluid the spinal fluid. Does he know you've got it? Yes, that's why I expected him
00:34:30He said he wouldn't he didn't get it I did he is going to make the injection
00:34:39He refuses
00:34:41I kill him James I mean, yes, what I said
00:34:46You're not a bad
00:35:06Randal them tell him he's wanted in surgery
00:35:16sounds kind of wacky to me but go ahead if you want to thank taking Billy Mason with you oh no
00:35:28I might have to do some second-story work and she might get a run in her stocking
00:35:31Jim do you realize what you've done yes yes what about it I've got it I have a chance to be cured
00:35:53that's more important even if it cost a man his life yes it's my life I'm thinking about
00:36:00but we are wasting time look everything is ready for you to make the injection come don't let's argue
00:36:08Jim I lied to the police to save you yesterday and made myself almost as guilty as you are but I
00:36:24won't incriminate myself any further I'm through oh no you're not threats will do you no good if
00:36:32necessary I'll go to the police and tell him the whole story you'll do as James says go on hurry ready doctor
00:36:54so
00:37:01Let's go.
00:37:31Let's go.
00:38:01Let's go.
00:38:31George, it works.
00:38:42Look.
00:38:43I can stand up straight.
00:39:01I can stand up straight.
00:39:31Just an old pest of a newspaper man again, Miss Brewster.
00:39:43I thought you sent your phone before coming back.
00:39:46I did, but your phone seemed to be always busy or out of order, maybe.
00:39:52Have you tried your phone lately?
00:39:54It could be, you know.
00:39:55All those things get out of order.
00:39:57Funny thing, I know a fellow that had a telephone that was always out of order.
00:40:00Well, uh, shall we, uh, go in with the galloping ghosts?
00:40:07You haven't given me much time to go over my notes, Mr. Carter.
00:40:20Oh, I'm not here in that ghost business.
00:40:22No?
00:40:22No.
00:40:23My boss is saving that story for a sunny edition.
00:40:26But he does want me to work on your brother's case.
00:40:28Has the police got anything definite to report?
00:40:31No, he's completely disappeared.
00:40:33I don't understand it myself.
00:40:34It's dreadful.
00:40:36Yeah, suppose work had anything to do with it?
00:40:38Uh, nervous breakdown or amnesia?
00:40:40Anything like that?
00:40:41I don't know.
00:40:42I was in Europe, as you know.
00:40:43I haven't seen him in over a year.
00:40:45But his work was difficult, wasn't it?
00:40:47Seems to me I heard something about his terrific experiments.
00:40:51Yes, he has a very scientific mind.
00:40:53Eh, just like my uncle.
00:40:56His house was always full of guinea pigs and rats, even monkeys.
00:41:00Big ones, too.
00:41:01Scared the delus out of my aunt.
00:41:04So?
00:41:04Well, one day she just up and left them.
00:41:07And I don't blame her.
00:41:09Just imagine that door right now and coming face to face with a gorilla.
00:41:15Oh, but I suppose you're used to that sort of thing.
00:41:18I understand that your brother did a lot of work on gorillas and apes.
00:41:23Didn't he?
00:41:24I wouldn't know.
00:41:25He never discussed those things with me.
00:41:29Well, I guess you can't be any help to me.
00:41:32I'll just have to dig up what I can for myself.
00:41:35Thanks.
00:41:40Oh, by the way, Miss Brewster, did your brother have a laboratory here in the house where he worked?
00:41:45Not that I know of.
00:41:46Okay, I thought maybe I'd find something there that might give me a lead.
00:41:51Well, thanks and goodbye.
00:41:53Goodbye, Mr. Carter.
00:41:54A very clever young man, that.
00:42:03Yes, I heard.
00:42:12George, do you think the fluid will cure James completely and permanently?
00:42:17I don't know, but it's useless for him to look to me for any more help.
00:42:23I warn you, I'll go to the police first.
00:42:30Absolutely.
00:42:31I don't know.
00:42:32Somebody would be able to make it.
00:42:36Come in.
00:42:39I don't know, but I won't be able.
00:42:41I don't know.
00:42:44Amen.
00:42:52Let's do it here.
00:42:52Please may come.
00:42:59I went up.
00:43:00I can't straighten up.
00:43:23It wasn't enough, it wasn't enough, I need more.
00:43:47George, I gather, I must have moved.
00:44:02That's it, I need more.
00:44:17I need more.
00:44:24I need more.
00:44:29I need more.
00:44:36I need more.
00:44:43I need more.
00:44:48I need more.
00:44:53I need more.
00:45:00I need more.
00:45:03I need more.
00:45:08I need more.
00:45:13I need more.
00:45:36I wouldn't go down that way if I were you.
00:45:38What?
00:45:39Well, don't ask questions.
00:45:41Come on.
00:45:42There were three murders committed in this precinct, and not one single suspect brought in.
00:45:48Where did that put us?
00:45:50Right on the spot.
00:45:51They all look like they were committed by the same person, Captain.
00:45:55Outside of that, we haven't got a single thing to go on.
00:45:58Not a thing, Captain.
00:45:59I suppose you expect the killer to come in and give himself up.
00:46:02Huh?
00:46:03Hmm.
00:46:04Now listen.
00:46:05Get out and get that guy.
00:46:07Or I'll transfer you so far back in the sticks, the bears will be chasing you up the trees.
00:46:11Come on now, get out!
00:46:12Get out!
00:46:22Comfortable?
00:46:23Well, hello, stranger.
00:46:25Where have you been all week?
00:46:26I thought your draft board had caught up with you.
00:46:28I've been parked in the bushes outside the Brewster home so long, I nearly took root.
00:46:32Waiting for the galloping ghost to go by?
00:46:34No.
00:46:35I've got a hunch there's something screwier than ghosts in that joint.
00:46:38Well, why didn't you let me in on it?
00:46:40Because if my hunch is correct, there's no place for a babe in the woods like you.
00:46:44Oh, by the way, if you need any more bobby pins, you'll find mine in the second drawer.
00:46:49Thanks.
00:47:19You see what we've got?
00:47:20Plenty of it this time.
00:47:21Plenty!
00:47:22Look, George, it's his only chance to become...
00:47:24Absolutely no.
00:47:25And don't call me again.
00:47:26The police have been here several times this week.
00:47:27They may trace the call.
00:47:28Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:47:32Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:47:42No, no, no.
00:47:43But George, it's his only chance to become...
00:47:45Absolutely no.
00:47:46And don't call me again.
00:47:47The police have been here several times this week.
00:47:49They may trace the call.
00:48:02well what did he say how soon will he be here he's not coming he's not coming
00:48:10that's what he said but he must food is already he won't keep
00:48:16go tell him that quick it won't do any good he won't do it
00:48:21he won't do it
00:48:24he won't do it
00:48:27all right yes it doesn't matter James what are you going to do
00:48:34if he won't come here I'm going to him but you mustn't the police are watching him
00:48:40I don't care I'm going
00:48:42Jane please
00:48:49they'll kill you
00:48:51let me go let me go
00:48:53oh it's you
00:49:19yeah were you expecting someone else no no that is uh come in
00:49:26mm-hmm a little touch up on the hair a new pair of lips and you're as good as new
00:49:33where are you going back to my listening post roosters uh-huh can I go with you
00:49:38uh-huh well why not no place for little girls there's too many snakes frogs and
00:49:43lizards big one big as alligators and besides if I have to run I don't want to
00:49:47wait for you oh uh don't wait up for me
00:49:54uh-huh
00:49:56uh-huh
00:49:58uh-huh
00:50:00uh-huh
00:50:02uh-huh
00:50:04uh-huh
00:50:07uh-huh
00:50:12uh-huh
00:50:14uh-huh
00:50:16uh-huh
00:50:21we're no nearer to the killer than we were before
00:50:23yes all right we're coming in
00:50:30come on
00:50:32good night
00:50:40good night
00:50:41good night gentlemen
00:50:42good night
00:50:43all right let's go
00:50:56now I've got a hunch he's expecting somebody let's wait around and see
00:51:01I could kill you before they got here so be careful it's here George plenty of it look it's enough for half a
00:51:22a thousand injections this time it can't fail come on hurry
00:51:29you're going to do it you hear me all right good here
00:51:37you're going to do it you hear me you're going to do it you hear me all right good good here
00:51:52the
00:51:57and
00:52:01oh
00:52:07Oh, shit.
00:52:37Oh, shit.
00:52:52Neck broken.
00:52:57George, quick, you gotta...
00:53:03Who's going to what?
00:53:06Oh.
00:53:36Oh, shit.
00:53:39Oh, shit.
00:53:43Oh, shit.
00:53:46Oh, shit.
00:53:50Oh, shit.
00:53:52Oh, shit.
00:53:54Oh, shit.
00:53:57Oh, shit.
00:54:01Oh, shit.
00:54:03Oh, shit.
00:54:05Oh, shit.
00:54:09The End
00:54:39The End
00:55:09The End
00:55:39The End
00:56:09The End
00:56:39The End
00:57:09The End
00:57:18Jeff
00:57:19Jeff, honey, I didn't know it was you. Jeff, please wake up. Jeff, talk to me.
00:57:25Dolly, can't you hear me? Talk to me. Jeff, Jeff.
00:57:30Oh, help! Help!
00:57:37Billy!
00:57:42Billy!
00:57:56Billy!
00:57:58Billy!
00:58:08Billy!
00:58:09Let's go!
00:58:14Let's go.
00:58:44Come on, baby. Give me the place.
00:58:58Yeah, yeah, yeah. Hurry up, hurry up.
00:59:08Who came to Randall to warn him about someone?
00:59:11Now, who was it?
00:59:14Brian speaking.
00:59:18What?
00:59:19What?
00:59:21Okay.
00:59:22Okay.
00:59:25Get over to the Brewster home as quick as you can.
00:59:27There's trouble over there.
00:59:28Take her with you.
00:59:29Come on, lady.
00:59:29Come on, hurry up.
00:59:30Come on.
00:59:44Come on.
00:59:46Come on.
00:59:48Billy!
00:59:49Billy!
00:59:50Billy!
00:59:51Billy!
01:00:18Billy!
01:00:21Billy!
01:00:22Ah!
01:00:23Hallow baby!
01:00:25Ah!
01:00:27Help!
01:00:28Now...
01:00:33Hey!
01:00:34Oh!
01:00:45Go back in there!
01:00:46Go back in there!
01:00:48Go back in there!
01:00:50Run!
01:01:16Help!
01:01:18Help!
01:01:20Hey!
01:01:22See there's a button-packed loose panel or something!
01:01:24Jump!
01:01:26Please!
01:01:28Help!
01:01:30Get me out!
01:01:32Help!
01:01:34Help!
01:01:36Help!
01:01:38Help!
01:01:40Help!
01:01:42Help!
01:01:44Help!
01:01:46Help!
01:01:48Help!
01:01:50Help!
01:01:52Help!
01:01:54Help!
01:01:56Help!
01:01:58Help!
01:02:00Help!
01:02:02Help!
01:02:04Help!
01:02:06Stay here!
01:02:08The benefit jump is back!
01:02:10Come on!
01:02:12Be covered back
01:02:18You took her down in there I can't open that thing she knows how it works come on
01:02:42Oh
01:03:12Jim
01:03:21You know I'm gonna put you over my knee and paddle you good don't be a chump
01:03:30Hey, what are you doing in my car?
01:03:34Who are you anyway me? Oh, I'm the author of the story
01:03:39Screw the idea wasn't it
01:03:42You
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