- 5 months ago
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00:00:00Musique
00:00:30Musique
00:00:32Musique
00:00:34Musique
00:00:36Hey Randy, are you ready to get started?
00:00:38I think you are.
00:00:40We gotta make some art here, people!
00:00:42Alright, let's go. Bring that light right here.
00:00:44Down here!
00:00:46Alright, that's not...
00:00:48I need more light than that.
00:00:50You're in the spot.
00:00:52Okay, ready.
00:00:54Good boy.
00:00:56Alright.
00:00:58No, I told you, it's too hot!
00:01:00Turn it over, give me the other flat side, idiot!
00:01:02Come on, let's go, come on!
00:01:04Oh, Jesus Christ!
00:01:06Come on!
00:01:08Oh!
00:01:14Good, back in it, back in it, back in it.
00:01:16That's a good dog.
00:01:18You're such a good dog.
00:01:20Good.
00:01:22Alright, that's fine.
00:01:24Hang on, man.
00:01:26Gotcha.
00:01:28Very much.
00:01:30Good.
00:01:32Good.
00:01:33Alright, that's fine.
00:01:36Hang on, man.
00:01:38Gotcha.
00:01:40Very much.
00:01:50Alright, that is great.
00:01:52I think he looks good, don't you?
00:02:08Yeah, we're out of film.
00:02:09Alright, take five.
00:02:10We're reloading now.
00:02:11This is the dumbest dog in the whole world.
00:02:13Where the hell did you get such a dumb dog?
00:02:15It's my dog.
00:02:16I trained that dog.
00:02:17I love this dog.
00:02:18And you are as dumb as the dog.
00:02:37Alright.
00:02:38Is everybody ready?
00:02:40Is your camera loaded?
00:02:41Yeah.
00:02:42Are we all happy?
00:02:44Then give me the goddamn dog.
00:03:00This program is sponsored by the Women's Press Club of America.
00:03:04Along with the Friends of Public Television.
00:03:07I'm Melissa Kent.
00:03:08And I'm Sandra Davis.
00:03:10In a few minutes, we will switch our control to the Women's Press Club
00:03:14to honor Emmanuel Griffith as Woman of the Year.
00:03:17Some people may not know the name,
00:03:19but they should be able to recognize the face.
00:03:22At age 25, Miss Griffith has appeared on the front cover
00:03:25of some of the most famous fashion magazines in the world.
00:03:29The covers of Vision, Olay, and Velary, just to name a few.
00:03:34Emmanuel, as she is best known, has now become the world's standard of beauty and fashion,
00:03:40and is also a major symbol of the feminist movement.
00:03:43She denies any interest in the job of president of the Women's Press Club.
00:03:48So, Melissa, what about those rumors?
00:03:51Well, Sandra, it's a demanding position, and she's already in great demand.
00:03:56She's been described as the highest paid fashion model in the history of the business.
00:04:01Now we switch our cameras to Washington, D.C.,
00:04:03and Joan Harris, current president of the Women's Press Club.
00:04:13Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:20When I first became president of the Women's Press Club five years ago,
00:04:26I had a problem.
00:04:28No.
00:04:29Yes, I did.
00:04:30I didn't think that I could handle the job.
00:04:33It was too difficult, too hard, and at times it seemed impossible.
00:04:39Women were second-class citizens then, and they still are today.
00:04:45But let me tell you what.
00:04:47Things are changing.
00:04:49Manuel, I would like you to accept this award as it is given.
00:04:59You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Thank you.
00:05:07Oh, God.
00:05:08This is really great stuff.
00:05:09This is great stuff.
00:05:10Good morning, ladies, and welcome to a man's world.
00:05:23Let me tell you a little about men, ladies.
00:05:25They'll tell you anything they want you to hear.
00:05:30They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:36Yes, they will.
00:05:37They will tell you that there is no sexual harassment in the workplace.
00:05:42And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:05:55This is really great stuff.
00:05:57All of this is going to change, ladies.
00:06:00Thank God for that, honey.
00:06:02Thank God for that.
00:06:07I don't want to take this world away from the boys.
00:06:12All I want is for us to have a piece of the pie.
00:06:19And when I'm talking peace, ladies, I don't mean a little one.
00:06:26I am talking 50% right down the middle.
00:06:32Yes!
00:06:41I want to thank you so much for having me here tonight.
00:06:47I will cherish this woman for the rest of my life.
00:06:56Lord, Lord, I can't believe this.
00:06:58I mean, I can't believe it.
00:06:59I mean, God, this is beautiful.
00:07:01I mean, this woman could be the president of the United States.
00:07:03I got to see this again.
00:07:05This is history in the making.
00:07:06I mean, this is tape at its best.
00:07:07I got history right in front of me.
00:07:09I can't believe it.
00:07:10Let me rewind this.
00:07:11Let me see this again.
00:07:12Come on.
00:07:13Let's go, man.
00:07:14Oh, my Lord.
00:07:15You should remain barefoot and pregnant.
00:07:20Well, ladies, all of this is going to change, ladies.
00:07:25Yes!
00:07:2650-50.
00:07:2750%, honey.
00:07:28Come on.
00:07:29Come on.
00:07:30Wake them up.
00:07:31I don't want to take this world away from the boys.
00:07:34No.
00:07:3550-50.
00:07:36All I want is for us to have our piece of the pie.
00:07:41Yes!
00:07:4250% down the middle.
00:07:43Nothing more, nothing less.
00:07:44Come on, baby.
00:07:45Back of course.
00:07:46When I'm talking peace, ladies, I'm not talking a small piece.
00:07:53I am talking 50% right down the middle.
00:07:57The middle.
00:07:58Yes!
00:07:59Yes!
00:08:00Yes!
00:08:01Yes!
00:08:02Let's get the pie.
00:08:03Let's get it, honey.
00:08:04Come on!
00:08:05I want to thank you so very much for having me here today.
00:08:08I will treasure this for the rest of my life.
00:08:10Thank you.
00:08:27Okay.
00:08:28I have a suite set up for you at a lovely Japanese hotel in Beverly Hills.
00:08:45Good.
00:08:46Then you have to be at the location by 4 this afternoon.
00:08:48Fine.
00:08:49What about the deal?
00:08:50Okay.
00:08:51For every day they go over, it's an additional $12,000.
00:08:54Good.
00:08:55Now, we aren't sure about after Paris.
00:08:58Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:02Phil, what do you do when I'm not in town?
00:09:05No, come on, you can tell me.
00:09:08I'm in town three months out of the year.
00:09:10You're on a full salary.
00:09:12Well, I work out.
00:09:14I go to a lot of movies.
00:09:16I hope I haven't created a problem.
00:09:18I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:23Well, I hope, Phil.
00:09:24I hope we'll see you next Saturday.
00:09:26Bye.
00:09:35δΈε¦η±ιε¬
00:19:14Je dois dire que j'aime la ligne barefoot et pregnant.
00:19:44Je dois dire que j'aime la ligne barefoot.
00:20:14Qu'est-ce que vous voulez pour lunch?
00:20:18Nothing.
00:20:20Je ne veux rien de vous.
00:20:22Oh, ok.
00:20:23Je vais vous dire, il y a un buzzer right sur la table en front de la tΓ©lΓ©.
00:20:29Et si vous juste pousser,
00:20:30je vais vous donner quelque chose que vous voulez.
00:20:34Leave a dirt you, Emmanuel.
00:20:36Merci.
00:20:37Merci.
00:20:38Merci.
00:20:39Merci.
00:20:40Merci.
00:20:41Merci.
00:20:42Merci.
00:20:43Merci.
00:20:44Merci.
00:20:45Merci.
00:20:46Merci.
00:20:47Merci.
00:20:48Merci.
00:20:49Merci.
00:20:50Merci.
00:20:51Merci.
00:20:52Merci.
00:20:53Merci.
00:20:54Merci.
00:20:55Merci.
00:20:56Merci.
00:20:57Merci.
00:20:58Merci.
00:20:59Merci.
01:18:04Hello, this is Sergeant Lytel of LAPD.
01:18:13Yes, do you rent limos out of your place?
01:18:17I want to know if you rented out a black limo 18 days ago.
01:18:23That would be the 5th.
01:18:24Yeah.
01:18:25Okay, I'll wait.
01:18:31Yeah?
01:18:33545, you say?
01:18:35A black one?
01:18:37Uh-huh.
01:18:39And do you happen to have the guy's name?
01:18:42Yeah, sure, I got it.
01:18:45You don't have his address, do you?
01:18:47Uh-huh.
01:18:48Yeah, I got it.
01:18:49Thank you, thank you.
01:18:51Yes, if I need anything else, I'll give you a call, okay?
01:18:55Thank you.
01:18:57Let's do lunch.
01:18:59Hey, I got a lead.
01:19:02You got a what?
01:19:03A lead.
01:19:05You know what a lead is, don't you?
01:19:08Talk to me, Jim.
01:19:09I called this guy up in Pacoio.
01:19:12He says that he rented a black limo to this guy at this address at 545 a.m. on the morning of the 5th.
01:19:19He said that he didn't have a phone call, he said that he didn't have a phone call, he said that he didn't have a phone call.
01:19:25I just dialed the next number on the list.
01:19:27What's the problem?
01:19:29No problem.
01:19:30Yeah, but you're acting like there's a problem.
01:19:33Me?
01:19:34I can, like there's a problem?
01:19:37Oh, no.
01:19:38I just spent 27 hours on that telephone calling everybody in the world.
01:19:43He got nothing.
01:19:44Now, you make one phone call, and you got our man.
01:19:49I know exactly what you're doing.
01:19:51What am I doing?
01:19:52You people, how you work?
01:19:56Because I know damn well that since you know you can't go in and arrest him, you want me to do the dirty work for you, don't you?
01:20:03Isn't that how you people work?
01:20:05And what the hell do you mean by you people?
01:20:08I don't tell me the racial innuendos are starting.
01:20:13There was no racial innuendo.
01:20:18I just call him as I see.
01:20:20I call a spade a spade.
01:20:22I was talking about LAPD, the way you people do business.
01:20:28I should have spoken more clearly.
01:20:31I should have been referring to you people as assholes.
01:20:34Real nice.
01:20:36Real good.
01:20:37I'm out of here.
01:20:38Sam.
01:20:41What?
01:20:43Good luck.
01:20:49You owe me 50 cents for that phone call.
01:20:52I'll see you then.
01:21:00Are you okay?
01:21:00Okay.
01:21:01Great.
01:21:02Gets a little rough up in here.
01:21:05Come on, mate.
01:21:06Great.
01:21:09Well, come here.
01:21:09I want you to see something.
01:21:14Look at that view.
01:21:16I don't see much of anything.
01:21:18Well, you will when I cut that tree down.
01:21:22Hey, look at this rope.
01:21:23Here, grab this, okay?
01:21:24Because we're going to have to pull ourselves up the rest of the hill.
01:21:26I'm going to lead the way, okay?
01:21:28Okay, you were behind me?
01:21:29Yeah.
01:21:29Okay, here we go.
01:21:31Hold up.
01:21:38Where are you taking me?
01:21:39You said you wanted to go out.
01:21:40Well, when I said out, I meant out.
01:21:43This is the back of your house.
01:21:45No, out, out.
01:21:46Look up there.
01:21:46You see the sky?
01:21:47That's out.
01:21:49I mean, you're about as far out as I can trust you.
01:21:53Here, come on.
01:21:54Grab my hand.
01:21:55Come on.
01:21:56Swing up in here.
01:21:56That's it.
01:21:57Way to go.
01:21:58Well, here it is.
01:22:06What do you think?
01:22:10It's fantastic.
01:22:13Come on.
01:22:17Really is nice up here, isn't it?
01:22:20Yeah.
01:22:24Oh.
01:22:25All it takes is a little cooperation.
01:22:28I know that now.
01:22:30Do you?
01:22:31Mm-hmm.
01:22:33You know, I'm not going to go to jail for this.
01:22:35I hope you know that.
01:22:37I don't want that.
01:22:41That's a relief.
01:22:42That's a relief for me.
01:22:44So it's, uh, it's you and me against the world from here on in, huh?
01:22:50You have to understand something.
01:22:52What's that?
01:22:53I'm different now from when you met me.
01:22:56You've got to forget that woman.
01:22:58She doesn't exist.
01:23:01I'll tell you something.
01:23:04Let's do it together.
01:23:07You and me.
01:23:09Let's make it happen.
01:23:11I mean, I've got the money.
01:23:13I've got the power.
01:23:14You've got the talent.
01:23:23Let's make it a team play.
01:23:31You really mean that?
01:23:33Yes, I do.
01:23:34Can we do it again?
01:23:43Right now?
01:23:44Let's go, baby.
01:23:45You're moving in with me.
01:23:46Everything's going to be just fine.
01:23:48I know it will.
01:23:49Listen, I'm going to get your clothes, okay?
01:23:51So why don't you go down there and just get in bed.
01:23:53I'll be waiting for you, baby.
01:23:55All right, honey.
01:23:56come on, honey.
01:24:14Come on, honey.
01:24:15Emmanuelle, Emmanuelle, come on honey, we made a deal, don't break a deal, come on open the door, open the goddamn door.
01:24:45Let's go.
01:25:15Hi, Dick. How's it going?
01:25:20Hi. Is that you? How you doing? It's me, Richard. Listen, it was all over, baby. I mean, it was all over. I was letting you go. You're free to go anywhere you want, anytime you want, anyplace you want. I love you, babe.
01:25:35Thanks, Dick.
01:25:36You're welcome. Listen to me. I got us first class tickets to the Bahamas. Just you and me, baby. Just you and me. I mean, all the way. Do you understand that? I mean, are you staying with me?
01:25:49Royal Danish cruise lines, you don't believe me? Well, check it out, okay? Check it out, guys. I got the tickets in my tan coat. I mean, go ahead, you see? Inside breast pocket. Go up there and look. Please for me, okay? Please for me right now. Would you check one for me?
01:26:02God, I miss you. God, I miss you. I miss you, baby. Are you listening to me, honey? You're not thinking of leaving me here, are you?
01:26:12Of course I hear you, sweet cakes. Oh, thank God. Jesus, you made me feel alone.
01:26:25What would you like for dinner? For dinner? For dinner?
01:26:42Yes? Emanuel Griffith? Yes. I'm Sam Weston. I was hired by your mother to find you.
01:27:05Oh. Well, you found me. Hold it.
01:27:12Lady, there are a lot of people worried about you.
01:27:19The thing is, Sam, I just needed a break. I needed some time for myself, okay? So you tell my mom I love her, everything's fine, and I'll send her the money for the rent. You tell the rest of the world I love them, too. You tell them I'll be back.
01:27:39You tell them I'll be back. Thanks a lot, Sam.
01:27:42Yeah.
01:27:53Good morning, ladies, and welcome to a man's world.
01:27:56Good morning, ladies, and welcome to a man's world.
01:27:56Thank you.
01:27:58Good morning, everybody, guys.
01:28:00Bye.
01:28:01Bye.
01:28:02Bye.
01:28:06Bye.
01:28:07Bye.
01:28:12Bye.
01:28:14Bye.
01:28:14Bye.
01:28:15Bye.
01:28:21Bye.
01:28:22Bye-bye.
01:28:24Bye.
01:28:24Bye.
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