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WMC - Season 1 Episode 13 - Never Tell (Series Finale)
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00:00911 emergency. San Francisco 911. 911 emergency. He's trying to kill me. Please hurry. Ma'am,
00:07can you go outside? He's in the living room. Please hurry. Ma'am, listen to me. The police
00:12are on their way right now. He's in the hall. Ma'am, go into another room, lock yourself
00:16in and try to leave out the back door. Oh my God, he's going to kill me. He's breaking
00:22down the door. Ma'am, ma'am. Hey, sorry to interrupt. Pete's going away dinner. He got
00:31me before it started. You hear the 911 call? No woman is here and that was definitely a woman's
00:36voice. That's definitely a man. Fred Ostner, 35. Wallet was in his back pocket. He lived
00:45two houses down. So the caller's a woman. She gives this address. The patrol guards show
00:50up and find only him. The caller identified herself as Corinne Stevens. She lives here.
00:56Neighbor says her husband's away on business. Two head wounds. Blunt object and then he starts
01:01in with a knife. This guy's butchered. 18 stab wounds and counting. Is that a crystal rabbit?
01:10The killer picked it up and smashed it into his skull. That's an enraged killer. Enraged
01:17like a jealous husband. Were there any drag marks around? Any signs she was hurt? No.
01:24So he took Corinne with him. Why am I here?
01:31What is this place? I don't understand. Why are you doing this? Why won't you talk? Please.
01:39Please. Please. Talk to me. Why are you doing this?
01:54She's been missing 10 hours. What is this, kidnapping?
01:58Off the record.
01:59Lenz, it has been so long since we were on the record. I've put the record away.
02:0210 hours and no ransom demand.
02:04Where's the husband?
02:04What happened? He was at a hotel in Colorado Springs. He checked out at midnight, night
02:08before last. If he drives fast enough, he just makes it in time. We tried to reach him
02:13on a cell, but it's not turned on. So, Corinne gets home and turns the alarm system off at
02:188.02 p.m.
02:19The victim, Fred Osner, did he come in with Corinne?
02:21Yeah, it looks that way. Our guest, the killer, is waiting inside. He sees Fred. They struggle.
02:27Corinne runs for the media room and locks the door. That's where the call came from.
02:30The killer drops Fred with his crystal rabbit and then stabs him. Fred's watch is smashed
02:35at 8.11 p.m. 8.12 p.m. Corinne calls 9-1-1 from the media room.
02:39You're supposed to be home recuperating. It was a gunshot, after all. I'm recuperated.
02:42How do you know where Corinne was when she called 9-1-1?
02:45The doorknob. He snapped it when he forced his way in.
02:48So what happened with Pete last night?
02:49I got the page at the restaurant before we even sat down.
02:52That's okay. I got two days before he leaves.
02:54Hey, Lenz. I just brought in the husband.
02:57Are you people nuts?
03:01Why would I kidnap my own wife?
03:03You have a temper. Your wife's having an affair.
03:05With Fred. He's our friend. He checks on Corinne when I'm away. I asked him to.
03:11Look, I stopped in Reno on the way back and I slept.
03:14Talked to the hotel staff. I left my cell phone there.
03:18We're looking into it.
03:19Mr. Stevens, we're checking out the crystal rabbit the killer used to hit Fred if we find one fingerprint.
03:24What did he use?
03:26The killer picked up a crystal rabbit and hit Mr. Osner in the head.
03:29We don't own any crystal rabbit.
03:32Excuse me a moment.
03:38I know what you're thinking.
03:41She's 25, a trophy wife.
03:43I didn't do this.
03:46Can you think of anyone who might have a grudge against you, anyone your wife mentioned?
03:50No. I don't know. No, no one.
03:56You have to find Corinne.
03:58Please.
04:03A minute.
04:07His out of eye checks out. He did sleep in Reno.
04:11Now, forensics found no prints on the rabbit.
04:14Not the husband, the victim, or the missing woman.
04:17The killer must have brought it with him.
04:19Who brings a crystal figurine to a kidnapping?
04:22Maybe it was a, I don't know, a message to the husband.
04:27He was wearing gloves.
04:29There was no fingerprints.
04:31That's not a message to the husband.
04:33That's a message to us.
04:37Hey.
04:37Your victim has two head wounds.
04:41One from the glass rabbit.
04:43The other, I think, came from the killer's right shoe.
04:46He kicked Osner post-mortem.
04:48This is from the second wound.
04:51There's something in the matted hair.
04:53I think it's blue paint.
04:54I sent samples to the lab.
04:57What kind of knife did he use?
04:58Serrated.
04:59And he's strong.
05:00He stabs with tremendous force.
05:01Is there a small indentation at the bottom of every wound?
05:11Like from the base of the knife, slamming against the skin?
05:15Maybe.
05:16But how could you...
05:17You think it's the kiss-me-not killer?
05:29Lindsay, his only victims were women.
05:31And he took Corinne's demons with him.
05:33Lindsay, all three women had their lips sewn together.
05:36Not him.
05:36Osner wasn't his intended victim.
05:38It was Corinne he wanted, and Fred Osner interrupted him.
05:41And the crystal rabbit?
05:42Well, look at all the other crime scenes.
05:44The mouse, the tub, the key, the lilacs.
05:47Old symbols of some sort of ritual.
05:49And the crystal rabbit was another one.
05:51He meant it for Corinne Stevens, but he broke it when he killed Fred Osner.
05:57He's back.
05:59He's killing again, and he's got his next victim.
06:14I'm sorry I didn't come home last night.
06:30Yeah, well, Martha and I spent some quality time.
06:33No, you can't.
06:34Yeah, now that you're here, I mean, we can have some.
06:37Mm-hmm.
06:37I have no idea how good that sounds, but I have to get back to work.
06:44Yeah, sure, no, I understand.
06:47You know, work's work.
06:49Assuming that that's what this is all about.
06:52You think I'm running away because you're leaving?
06:54I think you're running away because I'm leaving.
06:56Babe, believe me, that's not it.
07:00This is something I can ask you about.
07:01Yeah.
07:07I call him the kiss-me-not-killer.
07:14He started five years ago.
07:16He tortures women, sews their lips shut.
07:23Am I totally freaking you out?
07:25No, no.
07:27No, you're not.
07:28Hunting this guy took over my life.
07:31I became obsessed.
07:33I lost my marriage.
07:35I lost perspective on everything.
07:37Why this one?
07:39Why bring this one home?
07:41If I knew why he chose these women,
07:44if I could figure that out,
07:46then I could understand him.
07:49I have to finish this.
07:51It's the only way that I can get him out of my life.
07:53He's taken another woman, Pete,
07:55and I have to find him before he kills her.
08:00You have to go.
08:05Do what you have to do.
08:06Just go.
08:07Crime scene is clean,
08:23except for the paint residue in the hair.
08:26Why in the hair and not on the carpet?
08:28Okay, let me see these threads.
08:30Lab says that they're stitches
08:31that hold the upper to the sole of the shoe.
08:33The paint was held in by the threads.
08:35Lieutenant?
08:36Yeah.
08:36Here you go.
08:40So,
08:41kicked him in the head.
08:44Lost her temper.
08:45That's stupid.
08:47Stay at that board long enough,
08:48you'll see a sailboat.
08:50Hey, Weaver.
08:50Hey,
08:51so the lab says the paint from the killer's shoe
08:53is called Skylar Blue.
08:54It's a specialty paint,
08:55used for restoring old cars and trucks.
08:58How old?
08:59We're talking Elvis and hula hoops.
09:01Five dealers in the Bay Area carry it.
09:03Three of them don't have it in stock.
09:04The fourth one just got his first shipment in six months.
09:07You said five dealers?
09:08No,
09:08the fifth one has it in stock.
09:09His name is,
09:10uh,
09:11John Harris.
09:12Let's go.
09:19Skylar Blue.
09:20Uh,
09:20well,
09:21not much call for it unless you own a 55 pickup.
09:23Was it only used in 1955?
09:25June 55 to April 58.
09:27People got tired of the dark blue.
09:28This one's sort of a turquoise robin's egg,
09:30and people got tired of that.
09:33Americans in their cars were picky.
09:34Have you sold any recently?
09:35Yeah,
09:36I can check.
09:37How good are your records?
09:39Oh,
09:39well,
09:39at 290 gallons,
09:40it's not exactly walking out the door.
09:42We're not talking to a lot of people.
09:43No,
09:43please give us a list
09:44and add,
09:45uh,
09:45your employees and day laborers
09:46for the last five years.
09:48I'll fax it over right away.
09:49No,
09:49we'll wait for it now.
09:51And this is serious.
09:52Where were you last night around 8,
09:53Mr. Harris?
09:54Gee,
09:55I was here.
09:56We're open till 9.
09:56I have the surveillance tapes.
09:58Great.
09:58We'll take those
09:59and the list
09:59of customers and employees.
10:01Right away.
10:06Hey,
10:07still no sign of Corinne Stevens.
10:08We recandled this neighborhood.
10:10What about the paint dealers?
10:11Jacobi and Wheeler
10:12are running the customers
10:12and the employees
10:13through NCIC,
10:14so for nothing.
10:15Hey,
10:15Lynn's,
10:16John Harris,
10:16the paint dealer we saw this morning,
10:19he had a 15-year-old daughter.
10:20She ran away 16 years ago,
10:22disappeared.
10:22A lot of cops worked on the case
10:24on and off,
10:24especially after they found her dead.
10:28One of the cops was your dad.
10:30Where did they find her body?
10:31It was five years ago.
10:33Her remains were dug up
10:34in a park near San Mateo.
10:50Hey.
10:52I need a minute.
10:52It's about a case.
10:54Must be pretty big
10:55for you to come see the old man.
10:58We speak twice
10:59in the last seven years
11:00and suddenly
11:00I'm your new best friend.
11:02Can I come in?
11:03Always welcome here.
11:07You, uh,
11:08want some tea?
11:09I got that
11:09Scottish brunch stuff
11:11you like.
11:12Scottish breakfast
11:13and you hate it.
11:14But I stocked up on it.
11:15I figured
11:16eventually
11:16you'd come to visit.
11:17This isn't a visit.
11:18If that's the way
11:21you want to play it.
11:22What's the case?
11:25It's a serial killer.
11:26I've been working
11:26a few years.
11:27Kiss me not?
11:28Is there a new victim?
11:29I didn't hear.
11:30We were trying
11:31to keep it quiet.
11:33He took a woman last night.
11:35Hopefully she's still alive.
11:36What can I do for you?
11:38John Harris,
11:39auto paint dealer.
11:40His daughter ran away.
11:41Does that ring any bells?
11:42Harris.
11:44Oh, yeah.
11:45My daughter's name
11:47was Rachel, right?
11:49Yeah, I worked that case
11:50a couple of weeks.
11:51You were a homicide,
11:52so why'd you work it
11:53if she was a runaway?
11:54The family said
11:55she was a runaway,
11:55but nobody bought it.
11:57Didn't take any clothes,
11:58didn't tell anybody
11:58she was leaving.
12:00We expected to find
12:00her body any day.
12:02Only about a decade off.
12:05Who were you looking
12:06at for the killer?
12:06A couple of us
12:07like the Harris' son.
12:09Billy.
12:09Yeah.
12:10He was in the file.
12:11Twelve years old.
12:12Strange kid.
12:14Of course,
12:14Harris and his wife
12:15didn't want to hear it.
12:16But could a boy that age
12:17kill a 15-year-old girl
12:18and dispose of the body?
12:19Seen worse.
12:20We kept an eye on him.
12:21He got into some fights
12:22in and out of juvie.
12:24Kid always just seemed
12:26wrong.
12:31Jacoby?
12:32Hey, what do you got
12:33on Billy Harris?
12:34Well, he works
12:35in his father's shop.
12:37You know, Harris didn't have him
12:38on the employees list.
12:40The shift manager says
12:41he's been out sick
12:41for three days.
12:43He works in his father's shop?
12:44Ask Jacoby.
12:45I know what to ask Jacoby.
12:47Where does he...
12:48He lives in his father's house.
12:49Don't get snippy
12:50over the phone.
12:51Get a warrant,
12:52text me the address,
12:53and I'll meet you there.
12:56I gotta go.
12:57Anything else I can do?
12:59No, I just came
13:00for the information.
13:02Thanks.
13:03Sure, kid.
13:04Hey.
13:05Be careful.
13:09I always am.
13:14I don't understand.
13:15Why are you looking
13:15for Billy?
13:16What is this about?
13:16Take Mr. Harris out of here.
13:17This isn't right.
13:18This is my house.
13:19Get him out of here.
13:19Lindsay,
13:20nothing in the basement.
13:22DMV report.
13:23Billy Harris has got
13:23a 1956 F-100 pickup.
13:26Color blue.
13:27Thanks.
13:27The layout of this room
13:34look familiar.
13:35This is the daughter's room
13:36a long time ago.
13:38Just like in the file photos.
13:39Mm-hmm.
13:40No sign of
13:40current Stevens in this house.
13:42No blue pickup truck
13:43in the garage.
13:44Thanks.
13:45It's not here
13:46because he's driving it.
13:47It's not here.
14:17You're going to tell me
14:17about Sarah Rice.
14:19She was laid to rest
14:20in a bed of lilacs.
14:21They were still fresh
14:22when we found her.
14:23Why?
14:24Well, he leaves things
14:26at crime scenes
14:26like a key.
14:28Melissa Pack one
14:29with 48 stab wounds.
14:30He left an old key
14:31in her hand
14:32and a dead mouse
14:32at her feet.
14:34When we saw her lips
14:35we knew it was
14:35the same guy.
14:38Elaine Lewis.
14:39She was eviscerated
14:40and left in a copper bathtub.
14:44Is that a crystal rabbit?
14:46What are you looking at
14:47for the killer?
14:48A couple of us
14:49like to Harris's son.
14:50Strange kid.
14:55Jacobi!
15:00The crystal rabbit,
15:02the lilacs,
15:02the brass tub,
15:03all of these things
15:04belonged to Rachel Harris
15:05when she was 15.
15:08Julia Harris
15:09is a kiss-me-not-killer.
15:10How much longer
15:20do we have
15:21and will he keep
15:21Corinne alive?
15:23He keeps her
15:23rice alive six days.
15:24I know a shrink in juvie
15:25where Billy spent time.
15:27I just talked to him.
15:28I can't tell you anything
15:29doctor-patient privilege,
15:30but he's my friend.
15:31I know this guy.
15:32He'll help us.
15:33Cindy, this isn't your job.
15:34You can get in a lot of trouble.
15:36Let's have the fun.
15:36I don't know
15:41where Billy is.
15:42I do know
15:43that he's a good kid.
15:44Your list of employees,
15:45you didn't put Billy on it.
15:46I don't think of Billy
15:47as an employee.
15:48He's my son.
15:50This is a nightmare.
15:52Lance.
15:57If Harris knew
15:58what Billy was doing,
15:59he didn't do it with him.
16:00We pulled his credit cards.
16:01The night Sarah Rice
16:02disappeared,
16:03he was in Atlanta
16:04at a car shop.
16:06Thanks.
16:07Sure.
16:09If Billy goes hunting
16:10and doesn't tell you where.
16:12Maybe.
16:13I wasn't listening.
16:14He likes to hunt.
16:15I don't even know
16:15how to fire a gun.
16:16Might any of his friends know?
16:19No, he's, uh,
16:21he's sort of a loner.
16:23When your daughter
16:24Rachel disappeared,
16:25we understand
16:25that the police told you
16:26they thought Billy
16:27might have done it.
16:28Yeah.
16:29Yeah.
16:30And when they said that
16:31to my wife,
16:32it killed her.
16:33She died.
16:33Two months later.
16:35Mr. Harris,
16:35we understand the feeling
16:36of needing to protect your son,
16:38but there is a woman's
16:39life at stake.
16:40Please think about
16:41what you're doing.
16:45He knows where Billy is.
16:46I don't know.
16:47He jumped out of his chair
16:49when I brought up Rachel.
16:50You don't think
16:50he's protecting Billy?
16:51No, he's not.
16:52Harris isn't protecting his son.
16:54He's protecting himself.
16:57Rachel Harris
16:58was buried
16:59in a vinyl duffel,
17:00handles on the side,
17:01dried blood on it.
17:02Didn't they test the blood?
17:04Too small a sample.
17:05At the time,
17:06I had them compare
17:07the DNA
17:07from the blood speck
17:09to the DNA
17:10from Billy Harris'
17:12hairbrush.
17:13It's a partial match.
17:14It's his father's blood.
17:16So John Harris
17:17killed and buried
17:18his daughter
17:19and then claimed
17:20she ran away.
17:21We can charge Harris,
17:22offer him a plea
17:22to help us find his son.
17:24Okay, let's get him charged.
17:25But if this guy's
17:26as smart as I think he is,
17:27he isn't going to help
17:27us with anything.
17:39Boxer, homicide.
17:41Hello, Lindsay.
17:42Yeah, who's this?
17:44Let my father go
17:45if you want to keep
17:46Corinne alive.
17:49Billy?
17:51You want to help
17:51Corinne, right?
17:52Yes.
17:56Yes, I do.
17:58Let me talk to her.
17:59No games.
18:00Let my father go.
18:05Damn it.
18:06Not enough time
18:07to trace the call.
18:08What do you say?
18:10Linz?
18:12Uh,
18:13he said that
18:14if we didn't let John go,
18:15he would kill Corinne.
18:16Hey.
18:35Hey.
18:36I got here as fast
18:36as I could.
18:38I'm sorry,
18:38I probably stand a little
18:39freaked out.
18:41I'm a lot cold.
18:42So, you sure
18:42it's Billy Harris?
18:43Yeah.
18:45But you know what,
18:45Claire?
18:46It was partly a relief.
18:48Okay.
18:49Well, Billy Harris
18:50has always been this phantom.
18:51Now I know what he looks like,
18:52I know what he sounds like.
18:55I took Pete up
18:56to the attic this morning
18:57and showed him
18:58Crazy Lindsay's
18:59serial killer exhibit.
19:01What happened?
19:04He had a bunch of questions.
19:06I don't know
19:07if I'll get past it.
19:08Of course he will.
19:09He loves you.
19:12It's a little early
19:13to be talking about love.
19:15Lindsay,
19:15he sleeps at your place
19:16when he's not in a hotel.
19:17He cooks.
19:18He walks your dog.
19:20He puts up with your crazy hours
19:21and never complains.
19:23That's not love.
19:25That would be amazing.
19:28If I wasn't spitting
19:29his last day here
19:30living inside
19:30Billy Harris' head.
19:31Which is what we all
19:32rely on you to do
19:33and I'm sure
19:33Pete understands that.
19:36Cindy called.
19:37She said she has something
19:38we'll want to see.
19:38Hey,
19:41I have Billy's notebooks
19:42from Juvie Hall.
19:43My friend said
19:44he could lose his license
19:44so he keeps them back
19:45when we're done.
19:47Look at this.
19:48It's from 1993.
19:51He was thinking about it
19:52even as a kid.
19:54A serial killer
19:55at age 12.
19:57He wasn't killing anyone.
19:58This was in the back
19:59of his notebook.
20:00Here's the freaky thing.
20:02The first drawing
20:02shows up
20:03two weeks
20:04after Rachel disappeared.
20:05Why would he draw her
20:08like that
20:08if he didn't know
20:09she was dead yet?
20:15Unless he did.
20:17That's what the drawings mean.
20:20John Harris
20:21killed Rachel
20:22and Billy saw it happen.
20:23He knew his sister was dead.
20:26He draws her
20:26with her lips sewn shut.
20:28That's how a 12-year-old
20:29tells us what happened.
20:30It's about keeping the secret.
20:31It's about the silence.
20:33John must have threatened Billy
20:34and told him
20:35to keep quiet about it.
20:39Why are these women,
20:40Billy?
20:41Why do you choose them?
20:50All this time.
20:52All this time
20:53it's been right here
20:53in front of me.
20:54Where?
20:55Look at Corinne Stevens
20:56and her husband
20:57and then look at
20:58the past three victims.
20:59Each victim
21:00is a young woman
21:01with an older man
21:02in her life.
21:03Sarah Rice
21:04had the boyfriend,
21:05Melissa Paquin,
21:05her sick father,
21:06Elaine Lewis
21:07and the older boss.
21:09That's all about Rachel.
21:10With each victim,
21:12Billy is reenacting
21:13his father's crime
21:13and the order
21:15not to tell.
21:16That's Billy's life.
21:18That's the only thing
21:19that's important to him.
21:19quiet!
21:25Quiet!
21:27Quiet!
21:28Quiet!
21:33Boxer, homicide.
21:34Hey, beautiful.
21:36Hi, Pete.
21:37Uh, how's it going?
21:39Uh, well, I'm at the hotel.
21:40I'm gonna see you
21:41before I go, right?
21:42Yeah, yeah,
21:43I, um,
21:44I'd really like that.
21:45Oh, yeah.
21:48I, I'd really,
21:49really like that.
21:49Because we should
21:50finish our conversation.
21:52Uh, uh,
21:54Pete, I gotta go,
21:55okay?
21:55Sure, yeah, okay.
21:56I'll, I'll call you later.
22:02Boxer, homicide.
22:03You didn't do
22:04what I asked, Lindsay.
22:07You still have my father.
22:10Well, Billy,
22:10let's talk about it.
22:12You want to be my friend?
22:13I want to tell you
22:15that I know what happened.
22:17I know what your father
22:18did to you and your sister.
22:19Too late.
22:20We should have listened.
22:22I almost have him.
22:23Billy, I'm listening now.
22:25What, what do you
22:26want to tell me?
22:27You made me do it again.
22:31What are you talking about?
22:35Billy!
22:36Lindsay.
22:37By the way.
22:38Nice dog.
22:39He's calling
22:40from your apartment.
22:43Yeah, that's it.
23:12I don't want that stuff on my desk.
23:15Tom.
23:15Yeah?
23:16Where is she?
23:17Kitchen.
23:18All right.
23:21Are you okay?
23:23Lindsay?
23:26You left Corinne Stevens in my bed.
23:29I get to go tell Richard Stevens that his wife is dead.
23:31No.
23:32Dead because of me.
23:34She's blaming herself.
23:36She's got an endless loop in her head saying it's her fault.
23:38Turn it off because you're wrong.
23:40Corinne Stevens has been in rigor for more than a day.
23:43She was killed six to nine hours after she was abducted and she was already dead when Billy asked for his father's release.
23:50Yeah, stop feeling guilty.
23:51We need you at 100% to catch this guy.
23:54I don't want another woman on my table with her lips sewn shut.
23:58So what are we going to do about it?
24:10Find a sailboat yet?
24:16His sister's death was a single most defining moment in Billy Harris' life.
24:20Not his mother's love.
24:22Not his first home run.
24:23Not his first kiss.
24:25Witnessing his sister's murder obliterated anything and everything that came before her after that.
24:30That's his obsession with his father.
24:31Why did he wait to start killing?
24:34They found Rachel's body and threatened to expose the secret.
24:38That's what provoked him before.
24:39That's how I provoke him now.
24:41You want your father out of police custody?
24:43You want us to keep your secret?
24:46See how you like it when it's plastered all over the news.
24:48Well over decades since the initial trail went cold, new evidence has surfaced that has seemingly broken this case wide open for investigators.
25:00And now, this man, John Harris, has been arrested for the murder of his 15-year-old daughter, Rachel.
25:05The investigation had been...
25:07All the morning shows ran it.
25:11Billy will see it. He'll call back.
25:13And if he doesn't...
25:14Tommy won't let it go.
25:18Espresso, wheat.
25:21You're looking for Billy. You're reupholstering.
25:23Married to a civilian who teaches kindergarten.
25:26What can I say?
25:27She thinks the job turns off when you leave the building.
25:29Well, that's one problem you didn't have with me.
25:32Hey, Lindsay, call for you.
25:33They're sending it up. They think it's him.
25:41Billy?
25:43Why'd you push me?
25:45I don't want to push you. I want to talk to you.
25:46No, Lindsay, no talking.
25:47This time, I'm not forgiving you.
25:50You took something that belongs to me.
25:53Which means I had to do the same.
25:55Four, five, four, three, five...
25:57That's my cell phone. How'd you get that number?
25:59See you soon.
26:02My cell phone's on my desk.
26:05There's anything missing from your apartment?
26:07I haven't been back to the apartment since Claire took the body out.
26:09Okay, he said he took something of yours.
26:12Maybe he doesn't mean an object.
26:13Maybe he is talking about a person.
26:14I saw Cindy and Jill in Jill's office.
26:18I saw Claire at the hall 20 minutes ago.
26:23No messages.
26:24Oh, my God, he means Pete.
26:28No, no, no, no.
26:30It's an IP address.
26:31It's coming.
26:31Can we run a trace on this site?
26:43It'll take days to go through all the servers.
26:45My God, it's your dad.
26:53Bring me my father.
26:55I'll give you yours in exchange.
26:56You have five minutes to decide, Inspector, or I'll blow his brains out.
27:00It's not a rescue, Vince.
27:06It's a suicide mission.
27:07I tell Billy it's possible or he blows Marty's head off.
27:10Think.
27:11It was a secret.
27:12Now it's out.
27:13Game over.
27:13He wants to kill you, Lindsay, and then himself.
27:16If it was your father, what would you do?
27:22Boxer.
27:23What's your answer, Lindsay?
27:24We have a deal.
27:28Where do we meet?
27:2915.7 miles east on Midway Road.
27:31Five o'clock.
27:32Don't bring company.
27:32I want to speak to my father.
27:34You can talk when you get here.
27:39We have an hour to figure out how we do this so you and your dad don't die.
27:43Okay, I got an idea, but we're going to need some help.
27:47Lieutenant Hogan.
27:49Teth or an FBI.
27:50Thanks for coming.
27:51Inspector Lindsay Boxer.
27:52I appreciate your help.
27:54Inspector, you've handled us as well as anyone could.
27:56We're here to help whatever way we can.
27:59This is the house in Solano County where the hostage is being held.
28:03It's an old hunting cabin, only structured within a five-mile radius.
28:06It's cattle country.
28:06You'd see us coming from a mile away.
28:08It's too far for a sniper to get a shot.
28:10Since we can't get a bullet in there, I was thinking of something more up close and personal.
28:14What'd you have in mind?
28:15A small explosive, like a flashbang grenade with a radio signal trigger.
28:19My guys can do that.
28:20How do you get it in his hand?
28:22Put it in something he wants.
28:23Can you get a grade in that?
28:24Sure.
28:25We'll put the bear in a bag.
28:26You bring it to him.
28:27We'll wire your jacket for a mic.
28:29You get him to hold it.
28:30Send us the signal.
28:31Carl can remote detonate the bomb.
28:33How far away do I have to meet?
28:35Six to eight feet.
28:36Six to eight feet at least.
28:38If there are any surprises, you let us know.
28:40We'll be there in 30 seconds.
28:42A lot can happen in 30 seconds.
28:43The D.A. found a cooperative judge.
28:50Billy's dad pleads down to manslaughter on the murder of Rachel, and in exchange, he agrees to go with you.
28:55Let's go.
28:56Hey.
29:04Hi.
29:05We just wanted to ask, because we are taking you to dinner after all this, pizza, Japanese, or Greek?
29:12We want to hear all about the big adventure.
29:13And your goodbye with Pete?
29:15What he said?
29:16What you said?
29:16He's leaving at nine, so I may not make it.
29:18Not if you talk that way, you won't.
29:20Uh, pizza, Japanese, Greek.
29:24You pick to surprise me.
29:35Remember, if I don't make it out of this, I never liked you that much anyway.
29:40Come on, please.
29:50Head down.
30:06These restraints are excessive.
30:08That's what criminals were.
30:10You know the main reason parents kill kids?
30:13Because Daddy wants something a child won't give.
30:16That's what happened, isn't it?
30:17You wanted her, and she fought back, and Billy saw the whole thing.
30:21He saw you try to take her.
30:23He saw you kill her.
30:24How'd you keep him quiet?
30:27What a pretty speech.
30:30You made your son a monster.
30:32He is what he is because of you.
30:35You don't understand anything.
30:36You don't understand anything.
30:47She's got the bear, and it's in the bag.
30:52Are we getting a signal from her, Mike?
30:53The signal is clear.
30:55Everyone's set.
30:56We have sound on Lindsay and Harris now.
30:58I don't see Billy anywhere.
31:00He's here.
31:02This truck's behind the cabin.
31:03Billy?
31:27Billy?
31:27Come on.
31:54Your father's here!
31:57Drop the bag. Hand on your head.
32:09Where's my father?
32:10In a minute.
32:11We had a deal, Billy. Where is he?
32:13He said shut up.
32:16Daddy?
32:19Sorry.
32:21It's falling apart. I can't keep it inside anymore.
32:24What the hell are you talking about? What's falling apart?
32:27I don't like where this is going.
32:29She's okay. She knows what she's doing.
32:32I tried to protect you.
32:36I tried to keep the secret.
32:37Not another word.
32:39I did what you said, Daddy.
32:40I was a good boy when they found Rachel.
32:59I love you, Daddy.
33:03Your turn.
33:07Your turn.
33:18Inside.
33:19What are you doing?
33:23I have some things that you want.
33:25What?
33:26It was things that belonged to Rachel.
33:35Carl, get ready to glow in.
33:38Remember, on her signal.
33:52No.
33:56No, I don't want those.
33:57Billy.
33:57Move.
34:04We've got to get her out of that.
34:05We can't.
34:05She doesn't have a flash bomb.
34:07She's helpless.
34:07If we go in now, Lindsay and her dad are dead before we get in the house.
34:11Go inside.
34:19Hey, kid.
34:20No talking.
34:24You stop right there.
34:26Just stay.
34:40She was beautiful.
34:43Yeah, Billy, she was.
34:44I didn't save her from daddy.
34:46You couldn't.
34:47You were too young.
34:49I was too scared.
34:51I could have saved her.
34:52I could have saved her.
34:53I didn't save her.
34:54I didn't stop.
34:56You shouldn't have come here, Lindsay.
34:58Quiet, old man.
34:59Billy.
34:59Stop!
35:03This has nothing to do with my father.
35:06Okay?
35:06Let him go.
35:07Well, he stays.
35:08What happened to Rachel?
35:14It wasn't your fault.
35:16It was your father's.
35:17So you know what that means?
35:20You can stop with all of this.
35:23Your father's gone.
35:25You don't have to keep the secret anymore.
35:29The secret's out.
35:30You let the secret out.
35:32Tell her she's a bad daughter, and this is all her fault.
35:36Stay right there.
35:37No.
35:38She's a screw-up.
35:39She's a waste of flesh and bone.
35:41She doesn't deserve to live.
35:42Say it.
35:44I love you, baby.
35:48I love you with all my heart.
35:50I love you with all my heart.
36:20Dad!
36:21Dad!
36:26Dad!
36:34Dad!
36:35Dad!
36:37Daddy!
36:37it's okay officer down get the emt's now
36:53the emt said it was a clean in and out i'm gonna be fine
37:05i'll come check on you later tonight you don't have to do that i know
37:10thanks for coming to get me baby i'll see you in a couple hours yeah
37:18you did okay today i may have to treat you with something resembling respect
37:25and don't go overboard press got wind of what happened
37:31pio wants to know if you feel up talking to some reporters no no uh you'll i gotta get to the
37:38airport you'll handle it for me okay what are you doing
37:40excuse me sorry uh passport uh yeah sfpd i need to get to gate 24 sorry ma'am i can't let you do that
37:50there's no problem i just need to get in there only be a minute ma'am i can't let you in without an
37:54okay from my supervisor no i can't wait i need to talk to someone okay he is on the 910 to banan
38:00which is leaving in 18 minutes and look if i don't say goodbye to this man i am going to
38:06regret it for the rest of my life so can you just can you just please let me in you should probably let
38:10her go
38:11hi what are you doing out here waiting for you
38:21but does this mean you're staying no it means there's a flight to taipei in four hours it gets
38:28me to cambodia tomorrow
38:29it also means i couldn't leave without talking to you
38:34okay there's like a thousand things that i want to say right now so
38:41okay for a long time i've been hanging on to a lot of feelings about everything and i finally
38:51finished this nightmare and and the point i'm trying to make is that i think i can be happy
38:59well i i want to be happy and
39:02i'm just really sorry that i didn't realize it until you were about to leave and
39:10i just wanted you to know that that i'm going to miss you more more than i want to think about
39:17it's nice to hear lance
39:20here's the thing this doesn't have to end i mean i don't get a lot of time off but when i do i'd
39:40like i'd like to come back to you what i'm saying is that between my vacations yours
39:45cell phones a little patience we can make it work it's it's only a year
39:49it doesn't sound like much of an offer yes
39:54i would like that yes yes yes yes i would like that i would like that very much
40:04i'll be there
40:08i swear you'll be home this time tomorrow
40:14no way i'll be there
40:19hi i think like moves in line
40:21hi sorry i'm late i had to stop at the bureau and get my stuff back no problem
40:28so uh how was a goodbye it's not so much a goodbye as it was a continuation he's staying
40:36no but he's coming back from time to time
40:39eventually
40:42it's better than it sounds
40:46it is
40:47the long distance thing never works take it from me
40:51hello a little support maybe
40:52she's right he's been pretty great so far
40:55exactly
40:55and i can take some vacation time and go visit him
40:58uh-huh when was um
41:00when was the last time you took a vacation
41:02seventh grade maybe
41:03okay you know what you people have absolutely
41:06no faith in romance or
41:08two people who care about each other
41:09boxer
41:10ten bucks says in half hour from now
41:12we're at a crime scene
41:14i was so looking forward to shrimp
41:16i don't understand i
41:18i thought he was fine i thought it was nothing
41:21never mind yeah i'll i'll be right there
41:25linds
41:30who's my dad
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