- 7 weeks ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30Traffico di Napoli.
00:01:32Di questo e dei due uomini.
00:01:35Questa si chiama al primo posto...
00:01:43Shit.
00:01:45Woah.
00:01:46I can't buy my wallet.
00:01:51There a new C case?
00:01:52No, no, no, no, no, no.
00:01:55Somewhere.
00:01:56Maybe it's in my car.
00:02:00Can you just give her a minute and you see?
00:02:25Okay, okay, okay.
00:02:26Okay, okay, okay.
00:02:27Thank you, Sonny.
00:02:28Come, Mommy.
00:02:33Where did you have it last?
00:02:35Um, the train station, I think?
00:02:38The exchange group?
00:02:42Oh, Jamie.
00:02:43I'm sorry.
00:02:47That bastard at the train station started when you dropped all your stuff.
00:02:50This is 170, not 17.
00:02:55Where do we need to go?
00:02:57We need to, we need, we need 70.
00:03:10Here we go.
00:03:20Is this it?
00:03:22Thank you, Sonny.
00:03:41It's nice.
00:03:43Yes, I have a credit card.
00:03:45The number is on file on my computer.
00:03:48Yes, I have them here.
00:03:51Okay.
00:03:525533
00:03:557645
00:03:588787
00:04:019157
00:04:0357
00:04:06Yeah.
00:04:08Expires 1215.
00:04:09No, she'll definitely need another card sent out immediately.
00:04:13We're here for two weeks.
00:04:16No, I'm working here.
00:04:20Yes, I'll hold.
00:04:23You love how they ask.
00:04:24As if I have a choice.
00:04:26Do you know what I'm gonna try to do while I'm here?
00:04:29Besides learn Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:34I don't at all.
00:04:35I admire you.
00:04:37I just think it's too late for me.
00:04:39That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:44And besides,
00:04:46what's the point?
00:04:47The whole bloody world speaks English.
00:04:49Why?
00:04:51Want to finally transcribe the tapes?
00:04:54Yes.
00:04:56All right.
00:04:58Okay.
00:05:00Well, if you can see it through to the end.
00:05:04I think that's wonderful.
00:05:06What does that mean?
00:05:08Nothing.
00:05:10Nothing?
00:05:12I think it's a fantastic idea, Jen.
00:05:15I always have.
00:05:16You know that?
00:05:17You don't sound very supportive.
00:05:25You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be.
00:05:34It has been for you.
00:05:36I think enough time has passed.
00:05:38Well, that's great.
00:05:42Yeah.
00:05:47Why do you think he killed himself?
00:06:08Who?
00:06:10David Foster Wallace.
00:06:13I don't know.
00:06:15You can't get a sense by his writing?
00:06:19That's what you're doing.
00:06:20I'm done, darling.
00:06:28Do you think he recognized a blank infinity just stretching out?
00:06:34He got to this point maybe where it was just day after day after day?
00:06:38I really don't know, Jen.
00:06:40Just so tedious.
00:06:42And then, of course, he felt guilty.
00:06:46Most people think life is too short and there he was, all the talent in the world, and it wasn't...
00:06:49Jen, can I...
00:06:50Can we not talk about this?
00:06:53Just...
00:06:54Just...
00:06:55Just a bit moment.
00:07:12Love you.
00:07:13Love you.
00:07:14Love you too.
00:07:15Love you too.
00:07:16I love you too.
00:07:34Do you feel alright?
00:07:37You feel OK?
00:07:38Yep.
00:07:40You sure?
00:07:41That's right.
00:08:11I don't know.
00:08:41I don't know.
00:09:11Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:22I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:28True.
00:09:33Then I think I might go out, see what the world has to offer.
00:09:35If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:49I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:09:57Okay.
00:10:20Testing, testing.
00:10:22Okay.
00:10:25Do you have any stories for my book?
00:10:28What kind of stories?
00:10:30Stories that you've prepared.
00:10:32Or I can ask them a list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list.
00:10:36God rest his soul.
00:10:37Let's start with the war.
00:10:40We went into an air raid shelter.
00:10:42My mother, your great-grandmother,
00:10:44she was shaking.
00:10:46Sirens wailed and...
00:10:48And then there was the sound of a bomb
00:10:50and the man next to us
00:10:51he said,
00:10:53I was in a shelter last night
00:10:54with my wife and my little boy
00:10:56and half of it got blown away.
00:10:59There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:08Here we were in this tiny town in England
00:11:10miles from Germany, from Russia,
00:11:12from Italy, from any front lines
00:11:14and this man
00:11:17he had blood in his hair.
00:11:21morning.
00:11:23Good night.
00:11:25Good night.
00:11:27I'm going to check.
00:11:45We had to break.
00:11:46Why, um, his dad?
00:11:48Yeah.
00:11:49Yeah.
00:11:50Is it?
00:11:51Yeah.
00:11:52Yeah.
00:11:53Yeah.
00:11:54We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:09It feels now as if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia, or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day. Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children, not just your father.
00:12:51You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:08All right, then.
00:13:08They'd been shot through the neck.
00:13:31The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side and which was the Allied side.
00:13:43When he came home after something like that,
00:13:47you couldn't really complain to him about anything, now could you?
00:13:50I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:00Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So, come on.
00:14:25My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm.
00:14:40The viola.
00:14:43Any good?
00:14:44Yes.
00:14:45Very.
00:14:49How do you keep your violin from getting stolen?
00:14:51You put it in a viola case, right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming, there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes, and I went to this music-slash-nerd summer camp
00:15:23when I was like 10, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:33You newlywed?
00:15:34No.
00:15:36No.
00:15:46That's it.
00:15:47Stop making me feel like a stalker.
00:15:49Fuck.
00:15:49Stop making me feel like a stalker.
00:15:50Fuck.
00:15:51Yes, you're right.
00:15:52Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:22What brought you out of here today?
00:16:36Fairy.
00:16:36Ha!
00:16:37Fairy.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn to bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In, like, the 1300s, thousands of families lived in this castle.
00:17:03It doesn't smell pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:11I know.
00:17:13I've been coming here every day, and it still gets me.
00:17:17If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization dedicated to studying the relic populations of dolphins and whales in the Gulf of Naples.
00:17:35I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:38No, I just didn't want to go to college, and they paid for me to come over.
00:17:43Four connecting flights was a 72-hour plane ride, but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:49How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:02I stayed on the island because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:06Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second cousin twice removed.
00:18:12The second cousin twice removed, in case you didn't know, is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:20Sorry.
00:18:20Anyway, so this relative gave me the name of this great uncle who lives on the island, so I show up.
00:18:26He answers the door, and he's, like, the oldest fucker I've ever seen, easily pushing a hundred.
00:18:32A hundred?
00:18:33Yeah, if not older.
00:18:34He's, like, deaf and blind and about four feet tall.
00:18:37He mumbles a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine, and leads me to this basement apartment.
00:18:44And, uh, yeah, I never left.
00:18:46And, uh, yeah, I never left.
00:19:14Love teaches me to feed on flames and tears.
00:19:41To turn withered hope green through desire.
00:19:49To re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:57Who is that?
00:19:59Victoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:05You read that in your guidebook this morning, didn't you, Jane?
00:20:09Sneaky.
00:20:09Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17Who thought Michelangelo was gay?
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:25But that didn't stop her from loving him.
00:20:29Let's hear it, then.
00:20:31In Italian.
00:20:33Let's hear the poem.
00:20:35Come on.
00:20:36Okay.
00:20:36Okay.
00:20:36I'm impressed.
00:21:08You hungry?
00:21:10Why, you gonna take me out?
00:21:12Yeah.
00:21:18All right, then.
00:21:19Okay.
00:21:23Two pastas with the house sauce, please.
00:21:27Red. Red, please.
00:21:29Uh-huh.
00:21:30Grazie.
00:21:32So you're really not gonna tell me what you do?
00:21:35I write freelance articles about parties and fashion trends in town and country UK.
00:21:45There's something else.
00:21:48I'm writing a book about my grandmother's experiences in rural England, living through two world wars.
00:22:01I recorded her for hours and hours.
00:22:04But now...
00:22:06I don't know.
00:22:08What don't you know?
00:22:11You wanna listen?
00:22:13A little?
00:22:14Yeah.
00:22:15Yeah.
00:22:16Yeah?
00:22:17Yeah, I know it.
00:22:18I love to listen.
00:22:21That's tangled up.
00:22:22I can't laugh.
00:22:23Okay.
00:22:24Awful as it was, it made you stronger.
00:22:31These days people whine about all sorts of things, and I'm not one of those old people who think my time had the only joy and the only problems.
00:22:44We all have our own private wars every era, but it was nothing like...
00:22:59It really brought people together, the war.
00:23:02We helped each other during that time.
00:23:05We had to laugh.
00:23:06We had to smile.
00:23:07Well, if not for ourselves, then for the people we'd lost.
00:23:11I'll shut that thing off.
00:23:13Would you get it out of my face?
00:23:18That is like...
00:23:19It's like a window in time.
00:23:22The sort of thing you wish you always did before someone died, you know?
00:23:26My husband thinks I'm never gonna finish it.
00:23:29I shouldn't care what anyone thinks.
00:23:32We met while I was recording her.
00:23:34Bonding over Granny, huh?
00:23:37Make it sound perverse.
00:23:39That's what it was, right?
00:23:42Buongiorno.
00:23:43Buongiorno.
00:23:44Signori.
00:23:53I got pregnant, so we got married.
00:24:00I lost the baby.
00:24:05I'm sorry.
00:24:09remorse.
00:24:10It was for your approval.
00:24:13Yes.
00:24:18You can remove it.
00:24:19Yes.
00:24:22I didn't go back after that to the States.
00:24:37Did you, uh, did you ever hear that story about the Red Strain?
00:24:43I think I might have. Tell me.
00:24:45It's like this Asian proverb says that anyone you're destined to meet, like, uh, your soulmate or your family or, you know, someone you bump into on the street, we're all connected by this Red Strain.
00:25:08It can be tangled or stretched, but it can never be broken.
00:25:16There's this moment in the tape. I'm sitting, waiting in the airport bar for my flight.
00:25:26And I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure and how I'm gonna show World War II from a totally different perspective.
00:25:38But...
00:25:45I don't know if it's that interesting.
00:25:49That's the whole point, isn't it?
00:25:52Keeping it interesting for yourself.
00:25:56Maybe.
00:25:59Maybe I just wanna write about nothing.
00:26:01Everything is nothing.
00:26:05All the best.
00:26:07Compliano.
00:26:08Grazie.
00:26:09That's it.
00:26:13Make a wish, huh?
00:26:15Make it great.
00:26:16Make it great.
00:26:21Okay.
00:26:25Bravo.
00:26:26Bravo.
00:26:27Hey.
00:26:28Hey.
00:26:29Hey.
00:26:30Hey.
00:26:31Hey.
00:26:32Hey.
00:26:33Hey.
00:26:34Hey.
00:26:35It's the carabinerary.
00:26:36Hey, please.
00:26:37No.
00:26:38No.
00:26:39No, no, no.
00:26:40Here, go, go, go.
00:26:41Oh, my God.
00:26:42Oh, my gosh.
00:26:43Oh, my gosh.
00:26:44Oh, no.
00:26:45What?
00:26:46What do you mean?
00:26:53Hey.
00:26:54Hey.
00:26:55It's the carabineri.
00:26:56Hey, please.
00:26:57No.
00:26:58Hey.
00:26:59Yeah.
00:27:00Yeah.
00:27:01Yeah.
00:27:02Yeah.
00:27:03Hey.
00:27:05We can't go back.
00:27:06We can't go back.
00:27:07We can't go back.
00:27:08We can't go back.
00:27:10We can't go back.
00:27:11We can't go back.
00:27:12Oh, my God.
00:27:13Oh, my God.
00:27:14Oh, my God.
00:27:15Oh, my God.
00:27:16Oh, my God.
00:27:17Oh, my God.
00:27:18Hey.
00:27:19Yeah.
00:27:20Yeah.
00:27:21Yeah.
00:27:22Hey.
00:27:23Hey.
00:27:24Hey.
00:27:25Hey.
00:27:26Hey.
00:27:27Hey.
00:27:28It make me feel better if I said I said the only app.
00:27:30Yes.
00:27:31It's true.
00:27:32Yes, it's true.
00:27:33I paid the check when I went to the bathroom.
00:27:37You're horrible.
00:27:42You're horrible.
00:27:44You're really horrible.
00:27:45Come on, let's go.
00:27:46Come on.
00:27:48Quick.
00:27:49Let's go.
00:27:51Why are we still running?
00:27:53I don't know where we're still running.
00:27:54Oh, my gosh.
00:28:12It went up my nose.
00:28:15We come back?
00:28:23Maybe.
00:28:24Maybe it's not a no.
00:28:29And since I don't have a phone,
00:28:31you're going to have to give me your number
00:28:33for cheap thrills and future crimes committed.
00:28:37No.
00:28:40Fair enough.
00:28:50I've got to go catch a fairy.
00:28:54Hey.
00:28:58Why do violists keep their viola cases on their dashboards?
00:29:09Why?
00:29:11So they can park in handicapped spots.
00:29:25Happy birthday.
00:29:33Happy birthday.
00:29:35Oh, yes.
00:29:48Oh, yes.
00:29:50Sure.
00:29:50Oh, yes.
00:29:51Oh, yes.
00:30:52Yeah, there's so much of this stuff to get through.
00:30:56That's right.
00:30:58Nice.
00:31:22There's a little collie who wouldn't go on a leash, so she had to sit on a bicycle seat.
00:31:27They stay with me too.
00:31:29Jane.
00:31:41Janey.
00:31:42Got some pastries.
00:31:46You're still asleep?
00:31:52Jane.
00:31:54Janey.
00:31:55Janey.
00:31:56Janey.
00:31:57Janey.
00:31:58Janey.
00:31:59Janey.
00:32:00Janey.
00:32:01Janey.
00:32:02Janey.
00:32:03Janey.
00:32:04Janey.
00:32:05Janey.
00:32:06Janey.
00:32:07Janey.
00:32:08Janey.
00:32:09Janey.
00:32:10Janey.
00:32:11Janey.
00:32:12Janey.
00:32:13Janey.
00:32:14Janey.
00:32:15Janey.
00:32:16Janey.
00:32:17Janey.
00:32:18Janey.
00:32:19Janey.
00:32:20Janey.
00:32:21Janey.
00:32:22Janey.
00:32:23Janey.
00:32:25all sorts of things and we used to go to london and we saw glenn miller one time
00:32:33we used to go all over the place there were wonderful times i never had an american boyfriend
00:32:42i liked some of them they were nice boys but i i didn't i didn't want to leave my mom and dad
00:32:51i wish i had sometimes you know when you were 19 and the world just felt so open and carefree and full
00:32:59of possibility you reminded me of that at that time you were 19 when we met yeah i wouldn't have
00:33:09described you as carefree back then not at all well i felt nostalgia or something for youth you're not
00:33:16oh jane we ran out on the bill you just ran what do you mean you ran out on the bill
00:33:24perhaps i'm not explaining it well it was it was fun it was just fun
00:33:30how's work the conductor's actually a descendant of water leg which is fascinating the three of us
00:33:49what's the planet dinner before we leave i'd like that jane oh my god this is caleb
00:34:03hi no no we were just talking about you we were that's so weird sit please sit down join us
00:34:09i'm not sure i'm gonna get back pretty soon that's okay i i already ate so i'll just grab a coffee
00:34:25i have the check please in a cafe
00:34:43oh no thank you
00:34:47okay you don't smoke yes i do
00:34:52sometimes at parties you know that well i don't do it a lot
00:35:08italian food's so overrated i love it there's no variety english food on the other hand say what
00:35:17you like about it there's nothing like a good steak and kidney pie
00:35:20i went to this party the other day in this villa owned by this old drunk ex-pat they had like a
00:35:28private chef and everything and uh they were serving this like loaf of meat covered in sauce with all
00:35:34these other loaves and this girl came over to me and said it was cat no no joke like a roasted mommy
00:35:42cat and her cat and her kittens that is disgusting true story
00:35:51why don't you tell leonard one of your viola jokes
00:35:55when you throw a viola into the dumpster without hitting the rim
00:36:08I have one.
00:36:12What is the definition of perfect pitch?
00:36:17What?
00:36:20When you throw a viola into the dumpster without hitting the rim.
00:36:26You didn't just make that up.
00:36:27I did.
00:36:28It's too good.
00:36:28I did.
00:36:29Well, I'm impressed and I'm stealing it.
00:36:32You can pretty much make that joke about any instrument.
00:36:38Did you play anything, Caleb?
00:36:40This and that, you know.
00:36:44Shall we?
00:36:46What time to go?
00:36:47Already?
00:36:49Yeah, I'm going to get back to work.
00:37:00So what's next on your agenda, Caleb?
00:37:03I'm thinking Tibet.
00:37:06Oh, Tibet, really?
00:37:07Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:37:10Yeah, I've heard about that.
00:37:11That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:16The monks, the monks, the monks.
00:37:17It's so pretty.
00:37:20How do you support yourself?
00:37:21You know, a bit of this, a bit of that.
00:37:28All right, then.
00:37:30I'll walk you.
00:37:32Does anybody have a pen?
00:37:33You got a pen?
00:37:34Yeah, I have a pen.
00:37:35I don't know.
00:37:37I have a piece of paper.
00:37:50You guys should definitely come over to the island.
00:37:53I'll take you somewhere fun, you know.
00:37:55Don't knock on the front door.
00:37:56Come around the side.
00:37:56And then I need Regina.
00:38:00This hier.
00:38:02Here we go.
00:38:06And thanks again for yesterday.
00:38:08No problem.
00:38:08Okay.
00:38:11Ciao.
00:38:21How stoned are you?
00:38:23Come on, man. We should tell him to pop. It's not a big deal.
00:38:27So you're saying you smoke back at her?
00:38:30Occasionally.
00:38:32Hey, can we do something fun tonight?
00:38:35Sure.
00:38:38I'm fine from here.
00:38:41Okay.
00:38:42See you after work.
00:38:43Yep. I'll be waiting.
00:39:11Hey.
00:39:12God, you scared me. Are you following me?
00:39:15Maybe. Is that weird?
00:39:17Yeah.
00:39:19I couldn't sleep last night.
00:39:20You told me you were staying near the port so I got the first ferry this morning. I came looking for you. And I can't believe I found you.
00:39:29I can't believe I found you.
00:39:31I can't believe I found you.
00:39:32I can't believe I found you.
00:39:33I can't believe I found you.
00:39:34I can't believe I found you.
00:39:35I can't believe I found you.
00:39:36I can't believe I found you.
00:39:40I can't believe I found you.
00:39:41I can't believe I found you.
00:39:42I can't believe I found you.
00:39:47I can't believe I found you.
00:39:50Or you could find her with a hotel erreichen.
00:39:54Amen.
00:39:55Believe your life is better.
00:40:00Okay!
00:40:02Bow to work with a doctor.
00:40:05Yes!
00:40:07Yes!
00:40:08I'm ready.
00:40:10And if you wait with me then, I'll be hungry.
00:40:12What are we doing?
00:40:30I think we're making it out.
00:40:33So sexy.
00:40:35And beautiful.
00:40:42I can't do this.
00:41:09What?
00:41:10I can't do this.
00:41:11Why?
00:41:23Do you do this a lot?
00:41:24What?
00:41:25Do you do this a lot?
00:41:27What?
00:41:28Do you seduce women?
00:41:29Is this what you do?
00:41:31You need to be less serious.
00:41:34Don't follow me.
00:41:36Don't follow me.
00:41:40What about you or do you then?
00:41:42Yes.
00:41:44Do you wait?
00:41:47available.
00:41:48Put them in your seat.
00:41:49Come on.
00:42:51I had a moustache. My mother hated moustaches.
00:42:56But he was shipped off.
00:42:58I never saw him again.
00:43:04Anyways, I met your grandfather not long after, and we got married.
00:43:09Was it love at first sight with Grandpa?
00:43:12Love at first sight?
00:43:14Stop that thing.
00:43:19You're home early.
00:43:27I do deserve that.
00:43:29Can I just move for your husband?
00:43:31I'm sorry.
00:43:36Jane, I'm sorry. Just give me a minute.
00:43:38I have a hell of a rest of my bed.
00:43:40I've got so much stuff to do.
00:43:45Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50I've got some dinner. I thought we'd just stay in here.
00:43:53The two of us.
00:43:53I've just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59I'm sorry.
00:44:29I'm sorry.
00:44:50Leonard.
00:44:55Leonard.
00:44:57Can we talk?
00:44:58Let's go.
00:45:28Say cheese.
00:45:33No, you should kind of be in the middle of mine.
00:45:38Hold on a second.
00:45:50That's what our living room is missing.
00:45:58What did you do?
00:46:10Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:14Let's go.
00:46:15Come on.
00:46:17Come here.
00:46:18Come here.
00:46:19Come here.
00:46:20Come here!
00:46:21Come here.
00:46:29Oh, my God.
00:46:59Go back, go back, go back, go back.
00:47:29Go back, go back, go back.
00:47:59Go back, go back.
00:48:29Go back, go back.
00:48:59Hi.
00:49:01Did I wake you?
00:49:03No.
00:49:06I think I need to be less serious.
00:49:11Yeah.
00:49:13I'm going to put my pants on.
00:49:14Okay.
00:49:17Okay.
00:49:17I'm going to put my pants on.
00:49:22I'm going to put my pants on.
00:49:26I'm going to put my pants on.
00:49:30I'm going to put my pants on.
00:49:39I'm going to put my pants on.
00:49:44I'm going to put my pants on.
00:49:48I'm going to put my pants on.
00:49:57I'm going to put my pants on.
00:50:01I'm going to put my pants on.
00:50:10I'm going to put my pants on.
00:50:16I'm going to put my pants on.
00:53:01You make me feel nervous.
00:53:19You make me feel calm.
00:53:49You want a drink?
00:53:55You make me feel calm.
00:54:03You make me feel calm.
00:54:05You make me feel calm.
00:54:07You make me feel calm.
00:54:09You make me feel calm.
00:54:17It must be lonely.
00:54:47It must be lonely.
00:55:17It must be lonely.
00:55:47It must be lonely.
00:55:49It must be lonely.
00:55:53It must be lonely.
00:55:57It must be lonely.
00:55:59It must be lonely.
00:56:01It must be lonely.
00:56:03It must be lonely.
00:56:07It must be lonely.
00:56:09It must be lonely.
00:56:13It must be lonely.
00:56:15It must be lonely.
00:56:17It must be lonely.
00:56:19It must be lonely.
00:56:23It must be lonely.
00:56:25It must be lonely.
00:56:27It must be lonely.
00:56:29It must be lonely.
00:56:31It must be lonely.
00:56:33Can you be late?
00:56:34No, I can't be late.
00:56:39Leonard.
00:56:40Jay, whatever you have to say to me, I want to hear it.
00:56:43I've committed myself.
00:56:46People are depending on me. I have to go to work.
00:56:52Okay.
00:57:03If it wasn't the war, it would have been something else.
00:57:28There's always something else, isn't there?
00:57:33That's the thing. That's the thing about struggle.
00:57:48I'm going to make some tea. Do you want some?
00:57:51I'm all right.
00:57:58If you go out like that again, just tell me.
00:58:02No worry.
00:58:05Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:11Do you think everything we've been through actually does us any good?
00:58:29In the long run?
00:58:32Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:41I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:57I don't know what you want me to say, Jane.
00:59:27If one little thing had changed in my grandmother's life, I might not be here.
00:59:40Sometimes I worry I'm not honoring her.
00:59:44With the book?
00:59:45No, with my life.
00:59:55This is it, you know.
00:59:58It ends with me.
01:00:04In the harvest time, we all went to the field where they were cutting the corn.
01:00:08Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:21The horses.
01:00:22Yeah.
01:00:28The horses back then, they were kept beautifully.
01:00:31Dad used to dress them all up.
01:00:34Brass things and little horseshoes.
01:00:38He put braids on them.
01:00:40They used to be gorgeous.
01:00:42What are your plans for tomorrow?
01:00:46There was one.
01:00:48Duke.
01:00:50He was a Clydesdale I used to ride down to the marshes.
01:00:53Every night when he finished working.
01:00:55They were lovely days, really.
01:01:08They're gone.
01:01:09For me.
01:01:11Jane.
01:01:13But not for you.
01:01:15Jane.
01:01:17You know, it's different for you.
01:01:18In some ways it's easier.
01:01:20You haven't got the war.
01:01:21People don't die as much as they did back then.
01:01:24But in some ways it's more disjointed.
01:01:30You've got to make your own life.
01:01:33One that you love and you can't be afraid of the...
01:01:37The time.
01:01:40Time is shiftable.
01:01:41There are moments in my life that I would trade 60 years to have back again.
01:01:56That's the truth.
01:01:58You'll know the truth when you find it.
01:02:01It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:06Oh, sorry.
01:02:10What is it?
01:02:12Ah!
01:02:14What is it?
01:02:16Ah!
01:02:18Ah!
01:02:20You all right?
01:02:22Ah!
01:02:23You okay?
01:02:24Yeah, I stung my toe.
01:02:26Ah!
01:02:27It's bleeding.
01:02:28Ah!
01:02:29It's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:32It's fine.
01:02:33It's fine.
01:02:34Are you finishing that?
01:02:35Yes.
01:02:36Ah!
01:02:37Fuck.
01:02:47I met these backpackers last night.
01:02:49Frank and Elsa.
01:02:50She's French.
01:02:51He's German.
01:02:53They're going to Tibet.
01:02:55And I'm going with them.
01:02:59I want you to come with me.
01:03:22The best part of the lodge.
01:03:23You are myches before the lodge.
01:03:27I want you to come to me.
01:03:28Okay?
01:03:29I want you to go.
01:03:31From here.
01:03:35With theモデ shared space.
01:03:37You can cover.
01:03:39In this series, I want you to come down and open up.
01:03:42Even those who have been fed up with the holy balls.
01:03:44You never want you toεις me.
01:03:45Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10I'm back.
01:04:11Long day.
01:04:12I don't think I'm chomped at doing another stint like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:32It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:39Oh.
01:04:42Are you listening?
01:04:45You found the key to finishing this project.
01:04:56But the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:12Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious?
01:05:28I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:05I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:40Say it.
01:06:42Jane.
01:06:42Say it.
01:06:44I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again.
01:06:55Please.
01:06:55And again.
01:06:55How does that make you feel?
01:07:04It's not your fault.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:13We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:18Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:24That the one thing you always wanted, I will never be able to give you.
01:07:41What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:04I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:11I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See him.
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:31That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:48What do you think?
01:08:55I kept waiting for you to see it, to smell it, to sense it!
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03You don't see me!
01:09:09I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:30I'm losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper!
01:09:34No, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44That is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard!
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:50George, this is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:07I want you to do what you need to do.
01:10:14Then come back to me.
01:10:17No questions asked, no guilt.
01:10:20This is good.
01:10:50orge, this is a good news.
01:10:57No waiting.
01:10:57No thanks.
01:10:59This is the Christmasuy.
01:11:03No thanks, everyone.
01:11:07Bye-bye.
01:11:08Bye.
01:11:09Bye.
01:11:10Bye.
01:11:11Bye.
01:11:12Bye.
01:11:16Bye.
01:11:19Bye.
01:11:19Bye.
01:11:19Hi.
01:11:48Hi.
01:11:49You want some?
01:12:03Oh, thanks.
01:12:36Frank and Elsa, coming over in a couple of hours.
01:12:49Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:12:55I'm thinking of driving through Romania and then Ukraine and down through Russia and through Kazakhstan and then straight to Tibet.
01:13:13Frank bought a car, so we're going to head out in a couple of hours.
01:13:43Frank bought a car, so we're going to head out in a couple of weeks.
01:14:13Sarah.
01:14:14Sarah.
01:14:14Sarah.
01:14:14Sarah.
01:14:15Sarah.
01:14:15Sarah.
01:14:16Sarah.
01:14:16Sarah.
01:14:17Sarah.
01:14:18Sarah.
01:14:18Sarah.
01:14:19Sarah.
01:14:19Sarah.
01:14:20Sarah.
01:14:20Sarah.
01:14:21Sarah.
01:14:21Sarah.
01:14:22Sarah.
01:14:23Sarah.
01:14:23Sarah.
01:14:24Sarah.
01:14:25Sarah.
01:14:26Sarah.
01:14:27Sarah.
01:14:28Sarah.
01:14:28Sarah.
01:14:29Sarah.
01:14:29Sarah.
01:14:30Sarah.
01:14:31Sarah.
01:14:31Sarah.
01:14:32Sarah.
01:14:32Sarah.
01:14:33Sarah.
01:14:33Sarah.
01:14:34Sarah.
01:14:35Sarah.
01:14:36Sarah.
01:14:36Sarah.
01:14:37Sarah.
01:14:38Sarah.
01:14:39Sarah.
01:14:39Sarah.
01:14:40Sarah.
01:14:42Sarah.
01:14:42Jay, you've got to come over to this side, the train's going to be here in a minute.
01:15:05It's four in the morning, the end of December, I'm riding you now just to see.
01:15:35New York is cold, but I like where I'm living.
01:15:42There's music on Clinton Street all through the evening.
01:15:50I hear that you're building your house deep in the desert.
01:15:59Are you living for nothing now?
01:16:06Hope you're keeping some kind of record.
01:16:11Yes.
01:16:12And Jane came by with a lock of your hair.
01:16:22She said that you gave it to her that night when you planned to go clear.
01:16:32I wouldn't want to live to be 100.
01:16:35Why not?
01:16:36I'm not telling you why not.
01:16:38Did you ever go clear?
01:16:42Now shut that thing off.
01:16:43Ah, the last thing off.
01:16:44Ah, the last thing.
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