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  • 5 months ago
Transcript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30To the traffic of Napoli.
00:01:32And that's one of those two people.
00:01:35And this one is called The First Post.
00:01:43Shit.
00:01:45Woah.
00:01:46It can't put my wallet.
00:01:51In the SE place?
00:01:52No.
00:01:53No, no, no, some place in the SE.
00:01:55Somewhere?
00:01:56Maybe it's my park.
00:02:00It's the first place.
00:02:01I shouldn't have Knowing you.
00:02:02I shouldn't have done anything, but
00:02:03I shouldn't have seen you, but
00:02:05I don't know.
00:02:06She's taking a break.
00:02:07What's going on?
00:02:08She thought, I have lost her purse, a purse.
00:02:09No, but there's nothing.
00:02:10He killed her.
00:02:11She's just going to sit for an hour later.
00:02:12Can you just give it a minute?
00:02:13I cannot wait for that.
00:02:14One moment, one moment,
00:02:15I cannot wait for her.
00:02:16I cannot wait for her.
00:02:17I can't wait for her.
00:02:18I can't wait for that.
00:02:19No, no, no, no, no, no.
00:02:20Never, no, no, no, no.
00:02:23No, no.
00:02:24No, no, no, no, no.
00:02:25No, no, no, no.
00:02:26Okay, okay, okay.
00:02:26How's it, Sonny?
00:02:27Come on, Mommy.
00:02:33Where did you have it last?
00:02:35Um, the train station, I think.
00:02:38The exchange booth.
00:02:42Oh, Jamie, I'm sorry.
00:02:47That bastard at the train station started
00:02:49when you dropped all your stuff.
00:02:50This is 170, not 70.
00:02:57Where do we need to go?
00:02:58We need to, we need 70.
00:03:10Here we go.
00:03:11Here we go.
00:03:12Here we go.
00:03:13Here we go.
00:03:14Here we go.
00:03:15Here we go.
00:03:16Here we go.
00:03:20Is this it?
00:03:21Thank you, Sonny.
00:03:41It's nice.
00:03:43Yes, I have a credit card.
00:03:45The number's on file on my computer.
00:03:48Yes, I have them here.
00:03:51Okay.
00:03:525533
00:03:557645
00:03:588787
00:04:019157
00:04:0457.
00:04:06Yeah.
00:04:08Expires 12.15.
00:04:09No, she'll definitely need another card sent out immediately.
00:04:13We're here for two weeks.
00:04:16No, I'm working here.
00:04:20Yes, I'll hold.
00:04:23You love how they ask.
00:04:24As if I have a choice.
00:04:27Do you know what I'm gonna try to do while I'm here?
00:04:30Besides learn Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:34I don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:39That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:44And besides,
00:04:46what's the point?
00:04:47The whole bloody world speaks English.
00:04:49Well, I...
00:04:51I'm gonna finally transcribe the tapes.
00:04:55Yes.
00:04:57All right.
00:04:59Okay.
00:05:01Well, if you can see it through to the end.
00:05:04I think that's wonderful.
00:05:06What does that mean?
00:05:08Nothing.
00:05:10Nothing.
00:05:12I think it's a fantastic idea, Jen.
00:05:15I always have. You know that?
00:05:16You know that.
00:05:20She doesn't sound very supportive.
00:05:25You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be.
00:05:34Has been for you.
00:05:35For you.
00:05:36I think enough time has passed.
00:05:38Well, that's great.
00:05:39No.
00:05:40Why do you think he killed himself?
00:06:04What do you think he recognized a blank infinity just stretching out?
00:06:32He got to this point maybe where it was just day after day after day.
00:06:38I really don't know.
00:06:40Just so tedious.
00:06:42And of course he felt guilty.
00:06:45Most people think life is too short and there he was, all the talent in the world and it wasn't...
00:06:49Jane, can I, can we not talk about this?
00:06:53Just, just, just a bit more than that.
00:07:02Love you.
00:07:12Love you too.
00:07:15Do you feel alright?
00:07:16Do you feel okay?
00:07:17Yeah.
00:07:18Are you sure?
00:07:22Do you feel alright?
00:07:23Do you feel okay?
00:07:24Yeah.
00:07:25Are you sure?
00:07:29Mm-hmm.
00:07:30Mm-hmm.
00:07:31Do you feel alright?
00:07:32Do you feel okay?
00:07:33Yeah.
00:07:34Are you sure?
00:07:35Mm-hmm.
00:07:36Do you feel okay?
00:07:37Do you feel okay?
00:07:38Yeah.
00:07:39Do you feel okay?
00:07:40Do you feel okay?
00:07:41Mm-hmm.
00:07:43Mm-hmm.
00:07:45Mm-hmm.
00:07:46Mm-hmm.
00:08:09MMM.
00:08:10Mm-hmm.
00:08:12I don't know.
00:08:42I don't know.
00:09:12Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:22I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:28True.
00:09:33Then I think I might go out, see what the world has to offer.
00:09:35If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:49I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56Yes.
00:09:57testing testing okay do you have any stories for my book
00:10:28what kind of stories stories are you prepared before i can ask them the list of stories that
00:10:33dad told me about go ahead and ask from your father's list god rest his soul let's start with
00:10:38the war we went into an air raid shelter my mother your great-grandmother she was shaking sirens
00:10:46wailed and and then there was the sound of a bomb and the man next to us he said i was in a shelter
00:10:54last night with my wife and my little boy and half of it got blown away there was blood in his
00:11:01hair he was all alone that nearly finished my mother you know here we were in this tiny town
00:11:10in england miles from germany from russia from italy from any front lines and this man he had blood
00:11:19blood in his hair
00:11:25blood in my cappuccino
00:11:38We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:08It feels nice if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Ischia, or, um, Ischia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children, not just your father.
00:12:50You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:55I'm upsetting you.
00:13:01Let's talk about something else.
00:13:03You want to ask me more boring questions about the war?
00:13:06All right, then.
00:13:08Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato anglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oreganese?
00:13:24Andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Grazie.
00:13:26Ah, grazie.
00:13:27They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water, and he couldn't tell which was the
00:13:40German side and which was the Allied side.
00:13:43When he came home after something like that, you couldn't really complain to him about anything.
00:13:50Now could you?
00:13:50I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:00I used to be an old...
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So, come on.
00:14:27My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola?
00:14:39Mm-mm-mm.
00:14:39The viola.
00:14:43Any good?
00:14:44Yes.
00:14:45Very.
00:14:49How do you keep your violin from getting stolen?
00:14:53You put it in a viola case.
00:14:55Right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:04Because viola players are dead?
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming, there's nothing you can do about it.
00:15:17I can't help it, I've got this weird autistic mind for jokes, and I went to this music slash nerd summer camp when I was like 10 and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:29You look too young to be married.
00:15:32Are you newlywed?
00:15:34No.
00:15:36No.
00:15:36Stop making me feel like a stalker.
00:15:48Oh, fuck.
00:15:49Want to give me 10, please?
00:15:50Yes.
00:15:5010.
00:15:5110.
00:15:5110.
00:15:58One?
00:15:58One.
00:15:59Five.
00:15:59All right.
00:16:02Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:18What brought you out of here today?
00:16:34Barry.
00:16:35Ha!
00:16:36Barry.
00:16:37I like it.
00:16:39They have this device down in the basement.
00:16:42It's like a torture cage.
00:16:43They lock you in there until you turn to bones.
00:16:47But can you imagine dying by just sitting there?
00:16:50That would suck.
00:16:57In, like, the 1300s, thousands of families lived in this castle.
00:17:02It must have smelled pretty bad.
00:17:04All those people crammed onto this rock.
00:17:09Wow.
00:17:11I know.
00:17:12I've been coming here every day and it still gets me.
00:17:15If only we could kill off all the tourists.
00:17:19You're a tourist.
00:17:21No, I'm not.
00:17:23I came out here a few months ago with this volunteer organization dedicated to studying the relic populations of dolphins and whales in the Gulf of Naples.
00:17:33I can't tell if you're joking.
00:17:35I'm dead fucking serious.
00:17:36You know, I just didn't want to go to college and they paid for me to come over.
00:17:41Before connecting flights, a 72-hour plane ride, but, you know, it was worth it.
00:17:46My first time out of the U.S.
00:17:47How old are you?
00:17:48I'm 19.
00:17:49It's my birthday today.
00:17:50Is it really?
00:17:51Uh-huh.
00:17:52Happy birthday.
00:17:53Thank you very much.
00:17:54Yeah, so I left the program after, like, a month.
00:17:58Fuck the relic dolphins!
00:18:00I stayed on the island because I have this awesome living situation.
00:18:04I'll tell you the short version.
00:18:06Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second cousin twice removed.
00:18:11The second cousin twice removed, in case you didn't know, is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:17I'd love to hear the long version.
00:18:19Sorry.
00:18:20Anyway, so this relative gave me the name of this great uncle who lives on the island, so I show up, he answers the door, and he's like the oldest fucker I've ever seen, easily pushing a hundred.
00:18:31A hundred?
00:18:32Yeah, if not older, he's like deaf and blind and about four feet tall, and he mumbles a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine, and leads me to this basement apartment, and, uh, yeah, I never left.
00:18:46It's okay, guys.
00:18:47Well...
00:18:49I've been at this basement, but I really have a great keep in mind.
00:18:53I have no idea.
00:18:54I have no idea.
00:18:58I have no idea.
00:19:00Look, it's very well.
00:19:02Okay, it's very well.
00:19:03I have no idea.
00:19:04I have no idea.
00:19:05I have no idea.
00:19:07I have no idea.
00:19:08It's very good.
00:19:09You well, I have no idea.
00:19:11I have no idea.
00:19:12You well, I have no idea.
00:19:13You well...
00:19:14I have no idea.
00:19:15How do you?
00:19:16Love teaches me to feed on flames and tears to turn withered hope green
00:19:46through desire.
00:19:49To re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:55Who is that?
00:19:59Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:04You read that in your guidebook this morning, didn't you, Jane?
00:20:09Sneaky.
00:20:10Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo
00:20:15in English and Italian.
00:20:17I thought Michelangelo was gay.
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes, but that didn't
00:20:26stop her from loving him.
00:20:28Let's hear it then.
00:20:31In Italian.
00:20:32Let's hear the poem.
00:20:35Come on.
00:20:37I'm impressed.
00:20:39I'm impressed.
00:20:53Are you hungry?
00:20:54Why, are you going to take me out?
00:20:55Yeah.
00:20:56All right then.
00:20:57Okay.
00:20:58Two pastas with the house sauce, please.
00:20:59Two pastas with the house sauce, please.
00:21:03Red.
00:21:04Red.
00:21:05Red.
00:21:06Red.
00:21:07Red.
00:21:08Uh-huh.
00:21:11I'm impressed.
00:21:13You hungry?
00:21:14Why, are you going to take me out?
00:21:16Yeah.
00:21:17All right then.
00:21:18Okay.
00:21:19Two pastas with the house sauce, please.
00:21:24Red.
00:21:25Red.
00:21:26Red.
00:21:27Red, please.
00:21:28Uh-huh.
00:21:30Grazie.
00:21:31So you're really not going to tell me what you do?
00:21:36I write freelance articles about parties and fashion trends in town and country UK.
00:21:45There's something else.
00:21:48I'm writing a book about my grandmother's experiences in rural England, living through
00:21:59two world wars.
00:22:01I recorded her for hours and hours.
00:22:04But now, I don't know.
00:22:09What don't you know?
00:22:11You want to listen?
00:22:14A little?
00:22:15Yeah.
00:22:16Yeah?
00:22:17I know it.
00:22:18I love to listen.
00:22:34All tangled up.
00:22:35Oh, God.
00:22:36Okay.
00:22:42Awful as it was, it made you stronger.
00:22:45These days, people whine about all sorts of things.
00:22:48And I'm not one of those old people who think my time had the only joy and the only problems.
00:22:54We all have our own private wars every era, but it was nothing like...
00:23:00It really brought people together, the war.
00:23:02We...
00:23:03We helped each other during that time.
00:23:05We had to laugh.
00:23:06We had to smile.
00:23:07Well, if not for ourselves, then for the people we'd lost.
00:23:12I'll shut that thing off.
00:23:13Would you get it out of my face?
00:23:19That is like...
00:23:20It's like a window in time.
00:23:23The sort of thing you wish you always did before someone died, you know?
00:23:27My husband thinks I'm never going to finish it.
00:23:30I shouldn't care what anyone thinks.
00:23:32We met while I was recording her.
00:23:35Bonding over Granny, huh?
00:23:38Make it sound perverse.
00:23:40That's what it was, right?
00:23:42Buongiorno.
00:23:43Buongiorno.
00:23:44Signori.
00:23:45I got pregnant, so we got married.
00:24:01I lost the baby.
00:24:05I'm sorry.
00:24:06Sorry.
00:24:29I didn't go back after that to the States.
00:24:37Did you, uh, did you ever hear that story about the red string?
00:24:43I think I might have.
00:24:44Tell me.
00:24:49It's like this Asian proverb says that anyone you're destined to meet, like your soulmate or your family or, you know, someone you bump into on the street, we're all connected by this red string.
00:25:05It can be tangled or stretched, but it can never be broken.
00:25:17There's this moment in the tape.
00:25:20I'm sitting, waiting in the airport bar for my flight, and I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure and how I'm going to show World War II from a totally different perspective.
00:25:37But...
00:25:46I don't know if it's that interesting.
00:25:50That's the whole point, isn't it?
00:25:53Keeping it interesting for yourself.
00:25:57Maybe.
00:25:58Maybe I just want to write about nothing.
00:26:03Everything is nothing.
00:26:05All the best.
00:26:07Compliano.
00:26:08Grazie.
00:26:09Grazie.
00:26:13Make a wish, huh?
00:26:15Make it great.
00:26:16Make it great.
00:26:21Okay.
00:26:25Bravo.
00:26:26Bravo.
00:26:27Hey.
00:26:37What do you mean I'm ready to know?
00:26:38What?
00:26:39Oh my god.
00:26:40Oh my god.
00:26:41Oh my god.
00:26:42Oh my god.
00:26:43Oh my god.
00:26:44Oh my god.
00:26:45Oh no.
00:26:46What?
00:26:47What do you mean?
00:26:50Stronzo.
00:26:52Hey.
00:26:53Hey.
00:26:54Hey.
00:26:55It's the carabinerian.
00:26:56Hey, please.
00:26:57No.
00:26:58Hey.
00:26:59Yeah.
00:27:00Yeah.
00:27:01Yeah.
00:27:02Hey.
00:27:03We can't go back.
00:27:05We can't go back.
00:27:06We can't go back.
00:27:07We can't go back.
00:27:08We can't go back.
00:27:09We can't go back.
00:27:10We can't go back.
00:27:11We can't go back.
00:27:12Oh my god.
00:27:14Oh my god.
00:27:15Come here.
00:27:16Oh my god.
00:27:17Oh my god.
00:27:24Hey, hey.
00:27:27It makes me feel better if I said I said no one day.
00:27:30Yes.
00:27:31It's true.
00:27:33Yes, it's true.
00:27:35I made the check when I went to the bathroom.
00:27:40You're horrible.
00:27:42You're horrible.
00:27:44You're really horrible.
00:27:45Come on, let's go.
00:27:46Come on.
00:27:48Quick.
00:27:49Let's go.
00:27:51Why are we still running?
00:27:53I don't know why we're still running.
00:28:05Oh, my gosh.
00:28:14What about my nose?
00:28:21We come back?
00:28:23Maybe.
00:28:26Maybe is not a no.
00:28:29And since I don't have a phone,
00:28:31you're going to have to give me your number.
00:28:33For cheap thrills and future crimes committed.
00:28:37No.
00:28:40Fair enough.
00:28:50I've got to go catch a fairy.
00:28:57Hey.
00:28:58Why do violists keep their viola cases on their dashboards?
00:29:19Why?
00:29:20So they can park in a handicapped spot.
00:29:29Oh.
00:29:32Happy birthday.
00:29:35God bless you.
00:29:56God bless you.
00:30:28You're awake.
00:30:52Yeah, I've got so much of this stuff to get through.
00:30:56That's it.
00:30:58Nice.
00:31:28You're awake with me too.
00:31:40Jane.
00:31:41Tony.
00:31:42You've got some pastries.
00:31:51You're still asleep?
00:31:54Jane.
00:32:02my friends had lots of American boyfriends and they used to bring us nylon stockings and chocolates
00:32:25and all sorts of things and we used to go to London and we saw Glenn Miller one time we used to go all
00:32:34over the place there were wonderful times I never had an American boyfriend I liked some of them
00:32:43they were nice boys but I I didn't I didn't want to leave my mom and dad I wish I had sometimes
00:32:54you know when you were 19 the world just felt so open and carefree and full of possibility
00:33:00you reminded me of that at that time you were 19 when we met yeah I wouldn't have described
00:33:09you as carefree back then not at all well I felt nostalgia or something for youth you're not old
00:33:16Jane we ran out on the bill you just ran what do you mean you ran out on the bill
00:33:23perhaps I'm not explaining it while it was it was fun it was just fun
00:33:41how's work conductors actually a descendant of water leg which is fascinating the three of us
00:33:49we're planning dinner before we leave I'd like that
00:33:51Jane
00:33:56oh my god this is Caleb hi no no we were just talking about you we were that's so weird sit please sit down
00:34:08join us
00:34:16oh
00:34:18I'm obviously going to get back pretty soon that's okay I already ate so I'll just grab a coffee
00:34:25I'll have the check please
00:34:35wow
00:34:37have the check please
00:34:38okay
00:34:39in the cafe put-for-poor
00:34:44okay
00:34:45okay
00:34:46can we get
00:34:49you don't smoke yes i do sometimes at parties you know that well i don't do it a lot
00:35:08italian food is so overrated i love it it's no variety english food on the other hand
00:35:16say what you like about it there's nothing like a good steak and kidney pie i went to this party the
00:35:22other day in this villa owned by this old drunk expat they had like a private chef and everything
00:35:30and uh they were serving this like loaf of meat covered in sauce with all these other
00:35:35loaves and this girl came over to me and said it was cat no no joke like a roasted mommy cat and her
00:35:43kittens it's disgusting true story why don't you tell leonard one of your viola jokes
00:35:58come on selling my aunt come on let's hear one
00:36:04um i have one
00:36:12what is the definition of perfect pitch what
00:36:20when you throw a viola into the dumpster without hitting the rim
00:36:26you didn't just make that up i did it's too good i did well i'm impressed and i'm stealing it
00:36:30you can pretty much make that joke about any instrument
00:36:39do you play anything this and that you know
00:36:44shall we what time to go already yeah i'm gonna get back to work
00:37:00so what's next in your agenda caleb um i'm thinking tibet oh tibet really yeah there's
00:37:08just a thing called the shantan festival at the end of the summer yeah i've heard about that that's
00:37:11where the the buddhist monks unroll all the tapestries on the hill right the monks the monks the monks
00:37:17it's so pretty how do you support yourself you know bit of this bit of that
00:37:28oh all right then i'll walk you does anybody have a pen you got a pen yeah i have a pen
00:37:35i have a piece of paper you guys should definitely come over to the island i'll take you somewhere
00:37:53fun you know don't knock on the front door come around the side and i need regina
00:38:04thank you and thanks again for yesterday
00:38:07oh no problem hey ciao
00:38:21how stoned are you come on it's not a big deal
00:38:27so you're saying you smoke back at her occasionally can we do something fun tonight sure
00:38:37i'm fine from here okay see you after work yep i'll be waiting
00:39:07hey god you scared me are you following me maybe is that weird yeah
00:39:22i couldn't sleep last night
00:39:37you told me you were staying near the port so i got the first ferry this morning
00:39:40i came looking for you and i came looking for you and i can't believe i found you
00:39:57taking a trip so i got the next来 i can see you i'm waiting for you to go out and see you
00:39:59why don't you remember i will be waiting for you guys on my show
00:40:00and tell me to uh you can see me
00:40:01you can see you were i'm not you can see me
00:40:02i'm not you can see me
00:40:04it's not me
00:40:04i mean sometimes you're gone
00:40:06you're waiting for me to separate my eyes
00:40:07it's not me
00:40:09you're not me
00:40:10you're waiting for me to go out
00:40:10because i'm out
00:40:11i don't know
00:40:12i don't know
00:40:12you know
00:40:14i don't know
00:40:15on my mind
00:40:17yeah
00:40:19yeah
00:40:19i don't know
00:40:21i don't know
00:40:22What are we doing?
00:40:29I think we're making it out.
00:40:33So sexy and beautiful.
00:40:52I can't do this.
00:41:08What? Why?
00:41:09I can't do this.
00:41:10Why?
00:41:22Do you do this a lot?
00:41:24What?
00:41:25Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:30You need to be less serious.
00:41:38Don't follow me.
00:41:52We will be less serious, Heather.
00:42:06And will it be more severe?
00:42:10No.
00:42:14No.
00:42:17No.
00:42:21There was one boy from Belgium.
00:42:48He was lovely.
00:42:49He had a moustache.
00:42:52My mother hated moustaches.
00:42:56But he was shipped off.
00:42:58I never saw him again.
00:43:04Anyways, I met your grandfather not long after, and we got married.
00:43:09Was it love at first sight with Grandpa?
00:43:12Love at first sight?
00:43:14Stop that thing.
00:43:15You're home early.
00:43:27I do deserve that.
00:43:29Can I just move for your husband?
00:43:36Jane, I'm sorry.
00:43:37Just give me a minute.
00:43:38I'll have a hell of a rest of my day.
00:43:40I've got so much stuff to do.
00:43:44Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50I've got some dinner.
00:43:51I thought we'd just stay in here.
00:43:53Two of us.
00:43:55I've just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59Okay.
00:43:59I'm sorry.
00:44:05Okay.
00:44:36Leonard, can we talk?
00:45:06Say cheese.
00:45:29Oh, you should kind of be in the middle of mine.
00:45:39Hold on a second.
00:45:39That's what our living room is missing.
00:45:52What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:14Come on.
00:46:44Come on.
00:47:14All right.
00:47:44All right.
00:48:14All right.
00:48:44All right.
00:48:46Oh, hi.
00:49:00Did I wake you?
00:49:03No.
00:49:06I think I need to be less serious.
00:49:08Yeah.
00:49:13I'm going to put my pants on.
00:49:16Okay.
00:49:17I'm going to put my pants on.
00:49:47I'm going to put my pants on.
00:50:17I'm going to put my pants on.
00:50:47I'm going to put my pants on.
00:51:17I'm going to put my pants on.
00:51:47I'm going to put my pants on.
00:52:17I'm going to put my pants on.
00:52:47I'm going to put my pants on.
00:52:48I'm going to put my pants on.
00:52:49I'm going to put my pants on.
00:52:50I'm going to put my pants on.
00:52:51I'm going to put my pants on.
00:52:52I'm going to put my pants on.
00:52:54I'm going to put my pants on.
00:52:55I'm going to put my pants on.
00:52:56Were you?
00:52:58They were delicious.
00:53:17You make me feel nervous.
00:53:23You make me feel calm.
00:53:26.
00:53:27.
00:53:31.
00:53:32.
00:53:33.
00:53:34You want a drink?
00:53:48.
00:53:51.
00:53:54Is that him?
00:54:12Yeah, he just shuffled around all night.
00:54:18Must be lonely.
00:54:24Yeah,..
00:54:27I can't believe in that because you've always lived in a puppy having parents too.
00:54:36Something right now...
00:54:38...esdaf behavior that was first.
00:54:42Yeah, he just like me...
00:55:47I didn't sleep at all last night.
00:56:14Where have you been?
00:56:17Just walking.
00:56:19All night.
00:56:21I've been thinking.
00:56:22You left your phone here. I had to plug it in.
00:56:27We need to talk, Leonard.
00:56:28I have to go to work.
00:56:33Can you be late?
00:56:34No, I can't be late.
00:56:39Leonard.
00:56:40Jay, whatever you have to say to me, I want to hear it.
00:56:44I've committed myself.
00:56:46People are depending on me.
00:56:48I have to go to work.
00:56:49I know.
00:56:52Okay.
00:57:22If it wasn't the war, it would have been something else.
00:57:31There's always something else, isn't there?
00:57:34That's the thing. That's the thing about struggle.
00:57:48I'm going to make some tea. Do you want some?
00:57:50I'm all right.
00:57:59If you go out like that again, just tell me.
00:58:03No worry.
00:58:05Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:11Do you think everything we've been through actually does us any good in the long run?
00:58:31Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:40I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:56I don't know what you want me to say, Jane.
00:59:07If one little thing had changed in my grandmother's life, I might not be here.
00:59:32Sometimes I worry I'm not honoring her.
00:59:44With the book?
00:59:48No, with my life.
00:59:50This is it, you know.
00:59:58It ends with me.
01:00:04In the harvest time, we all went to the field where they were cutting the corn.
01:00:08Everyone was chasing rabbits, and then we had our tea in the harvest fields.
01:00:21The horses.
01:00:22Yeah.
01:00:28The horses back then, they were kept beautifully.
01:00:30Dad used to dress them all up, brass things, and little horseshoes.
01:00:38He put braids on them.
01:00:40They used to be gorgeous.
01:00:42What are your plans for tomorrow?
01:00:46There was one.
01:00:48Duke.
01:00:49He was a Clydesdale I used to ride down to the marshes.
01:00:53Every night when he finished working.
01:00:55They were lovely days, really.
01:01:08They're gone.
01:01:09For me.
01:01:11Jane.
01:01:13But not for you.
01:01:14Jane.
01:01:16You know, it's different for you.
01:01:18In some ways, it's easier.
01:01:20You haven't got the war.
01:01:21People don't die as much as they did back then.
01:01:24But in some ways, it's more disjointed.
01:01:30You've got to make your own life.
01:01:33One that you love, and you can't be afraid of the...
01:01:36of the time.
01:01:40Time is shiftable.
01:01:41There are moments in my life that I would trade 60 years to have back again.
01:01:56That's the truth.
01:01:58You'll know the truth when you find it.
01:02:01It'll come to you like something you've known before,
01:02:03rather than something you're learning for the first time.
01:02:06Oh, sorry.
01:02:13What is it?
01:02:17You all right?
01:02:22You okay?
01:02:23Yeah, I stung my toe.
01:02:26It's bleeding.
01:02:27Oh, it's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:31It's fine.
01:02:33You finishing that?
01:02:35Yes.
01:02:36Oh, fuck.
01:02:38Oh.
01:02:38I met these backpackers last night, Frank and Elsa.
01:02:50She's French, he's German.
01:02:52They're going to Tibet.
01:02:55And I'm going with them.
01:02:59I want you to come with me.
01:03:00I want you to come with me.
01:03:30I want you to come with me.
01:04:00I want you to come with me.
01:04:01I want you to come with me.
01:04:02Hi.
01:04:03Hi.
01:04:04Hi.
01:04:05How are you?
01:04:07I'm not good.
01:04:09Long day.
01:04:11Oh, why did they not?
01:04:12I don't think I jumped on doing another stint like this.
01:04:17How's the writing going?
01:04:19I'm feeling inspired.
01:04:20It's fantastic.
01:04:21I think I've figured out the key to finishing the project.
01:04:26Are you listening?
01:04:27You found the key to finishing this project?
01:04:58Oh.
01:04:59Have you ever cheated on me?
01:05:03Oh, Jane.
01:05:04Have you?
01:05:05Can we not?
01:05:06Have you?
01:05:07Absolutely not.
01:05:12Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard? Of it being so hard?
01:05:26Yes.
01:05:27Tedious?
01:05:34I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:39Normal people talk about sex, Leonard.
01:05:41And we don't...
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:48Like what?
01:05:50Is there anything you want to ask me?
01:05:52Why? Is there anything you want to tell me?
01:05:54I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:00Do you?
01:06:04I love you.
01:06:11I get it, Leonard. I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying. You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:40Say it.
01:06:42Jane...
01:06:43Say it.
01:06:45I can't have children, Leonard.
01:06:47I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Please, Jane.
01:06:54And again.
01:06:55And again.
01:06:56Please.
01:06:58How does that make you feel?
01:07:05It's not your fault.
01:07:06How does it make you feel, Leonard?
01:07:08How does it make you feel?
01:07:10You will never be a father.
01:07:14We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:19Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:42What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:56You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:04I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:19Is he?
01:08:20Caleb.
01:08:21That kid?
01:08:22Yes.
01:08:23That kid?
01:08:24That child?
01:08:25That kid you've known for two days?
01:08:26It's been longer than that.
01:08:27Please tell me you're joking.
01:08:28Time is shiftable.
01:08:29I don't get it.
01:08:30Leonard.
01:08:31I don't get it.
01:08:32I don't get it.
01:08:33I don't get it.
01:08:34He's asked me to travel with him.
01:08:35Are you sleeping with him?
01:08:37What do you think?
01:08:38I don't get it.
01:08:39I don't get it.
01:08:40Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:48What do you think?
01:08:56I kept waiting for you to see it.
01:08:57To smell it.
01:08:58To sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:08I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:29I shouldn't have done that.
01:09:30No.
01:09:31Losing my temper.
01:09:32I shouldn't have done that.
01:09:33You had every right to lose your temper!
01:09:34No, no, no.
01:09:35If you think that this is what's going to make you feel better,
01:09:37then you should go.
01:09:38You should go with him.
01:09:41You've been through a terrible, terrible thing, Jane.
01:09:44No.
01:09:45That is not what this is about.
01:09:46Of course it is.
01:09:47You don't love me anymore, Leonard!
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:53This is your ticket.
01:09:55The day after my performance,
01:09:57meet me at the train station.
01:10:01Our train is at 4.30.
01:10:03We'll go home together.
01:10:04We'll go home together.
01:10:07I want you to do what you need to do.
01:10:14And then come back to me.
01:10:17No questions asked.
01:10:19No guilt.
01:10:23This is good.
01:10:24Just a moment,
01:10:46I can imagine.
01:11:47Hi.
01:11:54You want some?
01:12:00Oh, thanks.
01:12:02Oh, thanks.
01:12:32Frank and Elsa coming over in a couple of hours.
01:12:48Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:12:55I'm thinking of driving through Romania and then Ukraine and down through Russia and through
01:13:10Kazakhstan and then straight to Tibet.
01:13:17Yeah.
01:13:18Yeah.
01:13:19Yeah.
01:13:20Yeah.
01:13:21Yeah.
01:13:22Yeah.
01:13:23Yeah.
01:13:24Yeah.
01:13:25Yeah.
01:13:26Yeah.
01:13:27Yeah.
01:13:28Yeah.
01:13:29Yeah.
01:13:32Right.
01:14:03Ciao, buona fortuna.
01:14:10Ciao.
01:14:12Ciao.
01:14:14Ciao, buona fortuna.
01:14:44Jay!
01:14:54You've got to come over to this side.
01:14:59The train's going to be here in a minute.
01:15:03It's four in the morning, the end of December.
01:15:19I'm riding you now just to see if you're there.
01:15:37New York is cold, but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:49I hear that you're building your house deep in the desert.
01:16:01Are you living for nothing now?
01:16:06Hope you're keeping some kind of record.
01:16:11Yes.
01:16:12And Jane came by with a lock of your hair.
01:16:23She said that you gave it to her.
01:16:29That night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:36Why not?
01:16:37I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:43Shut that thing off.
01:16:44You
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