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  • 2 days ago
Acapulco Season 4 Episode 3
Transcript
00:00EZ! EZ! EZ! EZ!
00:13Aroma! Slow down!
00:16I'm not even going fast.
00:18Who taught you how to drive?
00:19Well, not my dad, so maybe he should show some support.
00:22I'm so proud of you!
00:24Look, I'm sorry for interrupting the audition.
00:31It's just that there's a situation with Gustavo.
00:34First of all, he is very thankful that you hired him to paint a mural for the reopening.
00:38Of course. Painting something that embodies the spirit of Las Colinas seems right up his alley.
00:43Yes, yes. It's just that he has this process that I normally stay out of as his wife.
00:48But as his boss, I'm just hoping you could...
00:52put a foot up his ass.
00:54Paloma, whatever he painted is fine.
00:57I'm an art collector.
00:59I approach things with an open mind.
01:01Um, maybe he is, um, posting a question to the viewer to look within?
01:22That there's nothing there.
01:24What?
01:25I'm so...
01:26He didn't...
01:27Nope.
01:28How is this possible?
01:29He's been out here for weeks!
01:30And we're only four days away from the opening.
01:31Yep.
01:32I'm sorry.
01:33I'm blocked.
01:34This is normally where I get my best ideas, but I'm getting nothing here.
01:41He calls it cocooning.
01:42Nada!
01:43Dios mio.
01:44Maybe you could inspire him with one of your stories?
01:46Oh, Palomita.
01:47Of course.
01:48It was the winter.
01:49Without me.
01:50Um.
01:51You want to um...
01:53Oh?
01:54Oh.
01:55Oh.
01:56Um...
01:57Okay.
01:58Um.
01:59You wanna um...
02:00Oh...
02:01It was the winter...
02:02And not mine?
02:07Say, write us the passage but we gotta go.
02:09That's fine.
02:10Okay, let's fix it.
02:12serious?
02:13But I'm sure.
02:14You gotta progress.
02:15You gotta go, transfer it out here.
02:16Stay home.
02:17Oh.
02:18Do you want to emerge from your chrysalis so we can talk?
02:24Oh, yeah, sure. It just takes me a second to decocoon.
02:29Uh-huh.
02:34Uh, maybe if you flip me.
02:41How did you even get into this thing?
02:46Gustavo.
02:49Come on.
02:50Ah, listen, Gustavo.
02:52Things might seem tough now,
02:54but you'd be surprised at what you're capable of
02:58when your back is against the wall.
03:00Okay?
03:01Just like mine was in 1986.
03:04I could barely sleep after I let the walk out from Las Colinas.
03:08How could I?
03:09We were going on strike.
03:11Why are you waking up so early?
03:13Oh, Rosita was singing to you, sleeping.
03:16You're so scared.
03:17You're so scared.
03:18So, I got to fill me for admission requests for the union.
03:23Is that your contract for the wedding?
03:25Mm-hmm.
03:26You have to wrap up with a lot of scissors,
03:27and you're not going to get out of bed.
03:28How do you know that?
03:29Common sense.
03:30I organized a protest in my school
03:32so that they put Fanta on the refreshes machines.
03:34I'm a revolutionary.
03:35What a mess.
03:36But this is not a refreshes march.
03:39This is the real life.
03:40So, stay with your requests.
03:42What is this for?
03:43No, no, no.
03:44No, no, no.
03:45It's going to be stolen.
03:46Sara was mainly applying to local colleges,
03:49but Aida had picked up an NYU application for her
03:52while she was on her college tour in the States.
03:55But she just couldn't allow herself to dream that big.
03:58Ale, ale, aleluya.
04:01Cristo es el sol de este reino.
04:08Meanwhile, because of the strike,
04:09Alejandro Vera was working with a skeleton crew.
04:12Scabs!
04:13So, he had to take on extra duties
04:15that were way below his pay grade.
04:17Ha!
04:27Hey!
04:29Ha!
04:34Your drink, miss.
04:39Diane?
04:40It is John.
04:41Are you all right?
04:42You look like you've seen a ghost.
04:43Oh, was it the one in room 237?
04:45No, I'm just surprised to see you.
04:48Well, I recently had a financial windfall
04:50after selling my prized hotel
04:52to a chicken with his head cut off,
04:54so I figured I'd cash in on a long overdue vacation.
04:58Okay, we both know you're up to something.
05:01But to show you I'm the bigger person,
05:03while you're here doing whatever it is you're doing,
05:06I will provide a five-star service with a smile.
05:09Oh, wonderful.
05:10I'll have the Caesar salad with exactly nine croutons.
05:13Yeah.
05:14That's one, two, three, four, five, six, seven, eight, nine.
05:16Gracias!
05:19Yeah.
05:25The staff had started to assemble on the picket line,
05:27with one additional soldier I hadn't expected.
05:30Hey, what are you doing out here?
05:32I'm closing my boutique until the strike is over.
05:35In solidarity.
05:36And I already made up my mind,
05:37so don't try to change it.
05:39Julia, did you give Diane my note?
05:41Yes, I did.
05:43I gave it to her before she went to the beach this morning.
05:45Hi.
05:46She also says she misses you very much,
05:47and she mentioned something about your musk on her pillow,
05:50but I turned out after that.
05:51Ugh.
05:52My queen moves back into Las Colinas the moment we go on a strike,
05:55and I can't cross the picket lines to see her.
05:57Ugh!
05:58It's like the gods of love are conspiring against us.
06:01How did she look, by the way?
06:03Were her lips doing that thing?
06:04I'm gonna go with a yes.
06:05Come on, let's go.
06:07Hello, everyone.
06:08Thank you all for being here today.
06:10I'm so excited to be your leader,
06:12and determined to guide you to victory.
06:14Yes?
06:18Good question.
06:20Haven't thought of that.
06:21Since we can't technically go into the hotel,
06:23I think the nearest one is at the gas station,
06:26maybe one kilometer away.
06:28Uh, what's the situation on Shade?
06:33Ooh!
06:34Oh, God.
06:35Uh, yeah.
06:36Uh, we're a little exposed out here.
06:39Uh, maybe tomorrow we wear sunscreen?
06:41You look like that Swiss boy from Kids' Cup
06:43we had to send to the hospital.
06:45Okay.
06:46I guess we should get started.
06:48Uh, Maxi?
06:49Which way should we walk?
06:51Uh...
06:52Another question.
06:54Uh...
06:55I'm gonna go with...
06:57to their right.
06:59Right.
07:00Right.
07:01No, uh, my right.
07:03You go here.
07:04Uh, your right.
07:06Just get in circles.
07:08Circles.
07:09You know what, uh, actually,
07:12an oval, oval.
07:14While we were beginning our long journey
07:16to worker rights,
07:17Nora and Esteban were on their own quest
07:19to find the truth about what happened
07:21to our neighbor, Juan.
07:23Who could write something like this?
07:25It's obvious.
07:26It's obvious.
07:27The assassin was playing with Juan.
07:29It's a psychopath.
07:30The same thing as Freddy Krueger.
07:32Or the people who want to buy tickets
07:34for the truck in the truck.
07:36Oh.
07:37Híjole, no.
07:38You know what?
07:39This is getting too dangerous.
07:40I think we have to call the police.
07:42No.
07:43We're going to be the main suspect.
07:45We're going to be the main suspect.
07:46The police are in the house.
07:47In the kitchen, in the bathroom.
07:48In the bathroom.
07:49Oh.
07:51I put a bit of a solution.
07:52That's right.
07:53That's right.
07:54No.
07:55No.
07:56No.
07:57No.
07:58No.
07:59No.
08:00No.
08:01No.
08:02No.
08:03No.
08:04No.
08:05No.
08:06No.
08:07No.
08:08No.
08:09No.
08:10No.
08:11No.
08:12No.
08:14Now we have to figure out who is this letter.
08:18I'll open.
08:22Good morning. I'm collecting funds for a very important benefit.
08:27If he's signing here, he can help to blind people.
08:30Of course, that's a good idea.
08:33So, do you want to help blind people?
08:35That's right.
08:37The answer to our questions is in front of us.
08:40Are you sure?
08:41Yes.
08:42How are you, Esteban? Well, you're ciego.
08:44What?
08:45No, no, no.
08:46Tenemos que organizar una recolección de firmas
08:48y luego comparamos la letra de nuestros vecinos con la nota.
08:51Ándale.
08:52Ah, sí, ¿verdad? Muy buena idea.
08:53Yo no estoy ciego.
08:55¿Quieren donar o no?
08:57Ah, este, sí, claro, mijo.
08:59Dale algo, dale algo.
09:04¿Estás checándome?
09:06Perdón, me tenía que asegurar.
09:08Gracias, mijo.
09:12Esteban.
09:13The killer is always the person you least suspect.
09:17What are you doing?
09:19I draw a row of sketches before I paint,
09:21so I'm using everything you say as inspiration for our mural.
09:26Wow.
09:27This is an eerily detailed crime scene.
09:31Are those ants on the ground?
09:34Teeth.
09:35Teeth.
09:37You know, like human teeth.
09:43Great.
09:44Mm-hmm.
09:45Now we know what not to do.
09:50Back on the picket line,
09:52things were slowly deteriorating,
09:54like the skin on my hands.
09:56Guys, keep in line and watch out for cars.
10:03We want them to come for us, not at us.
10:06When the nurse called, what did she say?
10:09Any special instructions for our first sonogram?
10:12All she said was to not smoke the day before
10:15and be ready to cry.
10:17Which I will.
10:18We're going to see your baby for the first time.
10:21My adorable little love.
10:23I just want to remember how exciting this moment is
10:26when I make months in and can't even walk.
10:28Which reminds me,
10:29I should probably get my exercise in now while I can.
10:31Okay?
10:32Yeah, okay.
10:33Be safe, please.
10:35You guys are so cute.
10:37And as your big sister, I have to say,
10:39I am very inspired by the both of you.
10:41Oh, thank you, Dulce.
10:44But why?
10:45I mean, you know, with the strike,
10:48if I were you, I would be in full-on panic mode
10:51because there's no telling how long we'll be out here,
10:53and you need to start buying baby clothes now.
10:56We already bought some clothes,
10:58and if we need more, we'll just get some hand-me-downs.
11:00What about formula, diapers, wipes?
11:03You can't hand those down.
11:05Anyway, I need to go plant some booby traps
11:07I made for Vera.
11:09Oh, goto, goto.
11:11What?
11:12What?
11:13What are you paying for?
11:14How do you take care of a homeless man?
11:16You're right, Lupe.
11:17You can't take care of yourself
11:19and pay attention to your workers' people.
11:21My friends,
11:23offer and demand are not agreed.
11:25Water!
11:27Cigarines!
11:29Pobalus!
11:31Paco,
11:32you're fine?
11:33I'm from the bathroom.
11:35It's far too far.
11:37I know. I have to shoot again.
12:07What do we want?
12:11My woman!
12:14What do we want?
12:19I don't know what we want.
12:20And they'll come back to see me to give me answers.
12:22And look at my hands. I'll never be able to applaud again.
12:26I knew you were going to come back.
12:29Let's start?
12:31Venga.
12:34What do we do at the depot of the neighbor?
12:37This is our war room.
12:40Ah.
12:42What is a war room?
12:44It's an abandoned place where revolucionaries
12:47discuss strategy and drink coffee.
12:50And...
12:52I don't know.
12:54It's what happens in all the movies.
12:57Why don't we start with a list of peticions
13:00for Alejandro Vera?
13:05You have a list, right?
13:07100% I have several words in my mind.
13:11I have so much to teach you.
13:16To achieve your goal,
13:18you will have to do several things.
13:27First,
13:28what can be done but they have to pay an energy.
13:34Put grey clothes right out.
13:47First,
13:48اثan me waade.
13:49Unidos venceremos.
13:51¡Losiers!
13:53¡Unidos!
13:55¿Le gustaría firmar la petición para que pongan el topo aquí afuera?
13:58Sí, finalmente algo de justicia.
14:00¿Y una fotito? Es para nuestros registros.
14:03¿Sonría?
14:04Te trajo a mí, amor.
14:06No te vayas de mí.
14:10Te necesito aquí, mi amor.
14:13A la medianoche, pedía más, más...
14:17Proyecten seguridad.
14:19Here's a list of our demands.
14:20Ante la indiferencia.
14:22I'll get back to you.
14:24¿No le parece que pasan los carros muy rápido aquí?
14:27¿No le gustaría que fuches?
14:29Siempre dele seguimiento a su progreso.
14:40Y pase lo que pase, que no se les olvide celebrar sus victorias.
14:44Oh, yes.
14:58Never saw this when I was the owner, I can tell you that.
15:01Oh, thank you so much.
15:03Sure.
15:04I hope it wasn't too complicated of an order.
15:06Oh, not at all.
15:07Turns out it's very easy to infuse tequila with the embers of Palo Santo.
15:10Ha!
15:11Well, not to be a fuss, but other guests need your attention, too.
15:14Cabana Four's still waiting on their drinks,
15:16and I don't think Phyllis here ever got her fries, did you, Phyllis?
15:20Still waiting.
15:21Also, Kids Club is feeling a bit lard of the flies.
15:25Come on!
15:26Oh!
15:27Over here!
15:28Hey, give me that!
15:29Hey, give me that!
15:30Hey!
15:31Hey, over here!
15:32Oh!
15:36Johnny Scoops, a little help!
15:38Help!
15:39Help!
15:41Help!
15:43Hello?
15:45Don't worry, the kid got out.
15:48After a while.
15:49Listen, you and I both know you can't do this forever.
15:51Eventually, the hotel will go down and take you with it.
15:54Unless there was someone to take it off your hands.
15:59Even if I sold it back to you, Diane, the workers would still be on strike.
16:02Not for long.
16:03They love me and I love them.
16:04So sell it back to me and the strike stops immediately.
16:07You can walk away and never think about Las Colinas.
16:10Or me, again.
16:12Vera hated that he was considering her offer.
16:15But the idea of leaving his mess behind was very tempting.
16:21Wow.
16:22Do you want this, Phyllis?
16:25We will fight all your attacks!
16:27Wanna cut our pay?
16:28Rody to the max?
16:30My dearest Diane.
16:31Though I am separated from your love, across enemy lines, I throw John, powered only by the memory of your bosom.
16:44Your heaming bosom.
16:46We're taking this.
16:47It's night.
16:48I don't know if he was there.
16:49It feels good.
16:50Hey, folks!
16:51I know it's been a long week, but you should all be proud because the line is holding strong!
17:05Yeah!
17:06It'll be even stronger once I'm done with this.
17:08Can someone please take that away from Dulce?
17:11There's no need for violence of any kind when the tides are turning.
17:15Speaking of, at the advice of my revolutionary training, we have contacted Red Nacional Siete, who will be sending a reporter to the picket line tomorrow.
17:24This is really gonna put the pressure on Vera.
17:27So it's only a matter of time before he caves!
17:31Wait!
17:32Sorry!
17:33Sorry!
17:34Excuse me!
17:35Wait, wait, wait, wait, wait!
17:36Are we talking like two days matter of time, or like, my baby will be forced to drink agua de horchata because his father won't be able to afford formula matter of time?
17:43Memo, I know you're worried about baby stuff.
17:45Of course I'm worried about baby stuff.
17:47And can you blame me?
17:48Look, I get it.
17:49But I have to do what is best for everyone, which means sticking to our demands.
17:53We want our benefits back.
17:55Yeah!
17:56Along with lunch, overtime.
17:58We aren't just cogs in a wheel.
18:00We are human beings who deserve respect!
18:08I had been on the outs with the staff for so long, it was nice to be back in everyone's good graces.
18:14It felt like they believed in me again.
18:16And no, I don't remember if they actually lifted me in the air, but I'm gonna go with it.
18:21The next day on the picket line, I carried that feeling with me.
18:25FUERA VERA!
18:26FUERA VERA!
18:27FUERA VERA!
18:28FUERA VERA!
18:29FUERA VERA!
18:30FUERA VERA!
18:31FUERA VERA!
18:32FUERA VERA!
18:33FUERA VERA!
18:34FUERA VERA!
18:35FUERA VERA!
18:36FUERA VERA!
18:37FUERA VERA!
18:38FUERA VERA!
18:39FUERA VERA!
18:40FUERA VERA!
18:41OK.
18:42Aunque si no piensas, CDEER es la forma más noble de mostrar fuerza.
18:46Según quién, Memo?
18:47Según yo.
18:48A mí sí me gusta el tang, y también a la gente valente de la NASA.
18:52¡FUERA VERA!
18:53Tres, dos, uno.
18:54BUENAS TARDES.
18:56Soy Minerva Luz Cruz, reportando en vivo desde las colinas, donde los empleados del hotel están en huelga.
19:02They are with me, Máximo Gallardo,
19:04jefe de operaciones del resort.
19:06Señor Gallardo,
19:08¿cómo van los ánimos de los trabajadores?
19:10Nos sentimos bendecidos.
19:12Puede que el sol arda acá afuera,
19:14pero dentro de nosotros arden también
19:16las llamas del cambio.
19:22¡Bien dicho!
19:24Pero se enfrentan ante una corporación poderosa.
19:26¿Están seguros que tienen el temple
19:28para llevar esta lucha hasta sus últimas consecuencias?
19:30¡Claro que tenemos el temple!
19:32Porque nos tenemos los unos a los otros.
19:34¡Vamos!
19:36Y no nos vamos a dejar intimidar
19:38por un dueño
19:40al que no le importan sus empleados.
19:46Ah, no, pues claramente necesito...
19:50Esta es la respuesta del señor Vera
19:52a sus demandas.
19:54¿Considera que cumple con la mayoría de sus peticiones?
19:56¿La mayoría de nuestras peticiones?
19:58Yo no estoy de acuerdo con eso.
20:00¡Woo!
20:01¿Dónde va, Maxi?
20:02¡Qué chingón!
20:03I knew there was only one way to respond to his response.
20:10¿La mayoría de nuestras peticiones?
20:16Yo no estoy de acuerdo con eso.
20:20¡Woo! ¡Where'd you go, Maxi!
20:22¡Qué chingón!
20:24You were like Zapata leading the charge against the government fascists.
20:28Check it out.
20:30Uh...
20:31Well, listen, you're a great artist.
20:36I mean, you got me dead wrong in this picture.
20:39I look nothing like this.
20:42Really?
20:44Not even when you were younger?
20:46Especially when I was younger.
20:48Yeah.
20:50Okay.
20:51Before you go all in on this idea for the mural,
20:55you should know that my colleagues had a less enthusiastic reaction that day.
20:59¿Qué fue eso?
21:02Me rebelé contra el sistema, ¿verdad?
21:06Supongo.
21:07Aunque sea, pudiese haber leído la respuesta de Vera.
21:11Eso es justo lo que él quería que yo hiciera, que accediera a su primera oferta.
21:15Por eso se esperó a que hubiera cámaras.
21:17Las usó para presionarme.
21:18Máximo, sigues diciendo yo, yo, yo.
21:22Pero esto no se trata solo de ti.
21:24Sé que las cosas se están poniendo tensas.
21:26Pero estamos a nada de lograr todo lo que queremos.
21:29Solo hay que mantenernos unidos.
21:31Ah, ¿y tú crees que esta es la mejor forma para que él sea?
21:34Seguro que sí.
21:35Lo tenemos en la palma de la mano.
21:37Para mañana, nos va a rogar que regresemos.
21:39I couldn't have been more wrong.
21:44Because the next day, Vera called my bluff and hired workers to replace us.
21:48Ixtapa's best.
21:50And when I say replace us, I mean literally.
21:52This was a second-rate Hector,
21:56Beto,
21:58Memo,
22:01and even me.
22:01Any other great ideas, Máximo?
22:18Memo didn't even have time to process his anger, since it was time for Lorena's sonogram.
22:23Recuerden que a estas alturas, su bebé es el tamaño de un limón.
22:26Okay.
22:31¿Esa es la cabecita de nuestro hijo?
22:37Oh, hija.
22:38No sabremos el sexo hasta su próxima cita.
22:41No me importa que sea.
22:43Yo adoro nuestro limoncito.
22:52Nuestro bebé va a estar tan orgulloso de nosotros.
22:56O sea, vinimos directo de la huelga,
22:58de pelear por nuestros derechos.
23:00Ay, cuánto drama.
23:04Sí, aunque no nos alcance para comprarle las cosas que necesita, ¿no?
23:09¿Qué importa?
23:11En vez de una cuna, el bebé puede dormir con nosotros en la cama
23:15y podemos conseguir que nos heriden una ropita.
23:18¿Y quién necesita una silla de bebé para el carro?
23:21¿Para eso está el tablero?
23:22No lo había pensado así.
23:25Claro, es una superficie plana en el coche.
23:27Es perfecta para...
23:28No, no, no, no, no.
23:30A lo que me refiero es que no me había dado cuenta que...
23:34...esta huelga...
23:36...pues haga sentir orgulloso al bebé.
23:42Obvio.
23:43No, no estamos marchando por hoy.
23:47Estamos marchando por su futuro.
23:50Su futuro.
23:51Tenemos la firma de todos los vecinos, menos uno.
24:06Pues sí, pero qué tan probable es que el señor Cabrera sea un monstruo.
24:09Sí, sí, sí era un monstruo.
24:12Cuando vivía yo en el otro departamento, siempre lo escuchaba gritarles a los vecinos.
24:18¿Qué sí de la basura?
24:20¿Qué sí de la música muy fuerte?
24:22Y siempre se andaba peleando con un tipo algo como...
24:26...sensación.
24:27¿Con Juan?
24:29¿Nuestro vecino...
24:30...muerto?
24:31Sí, ese mero.
24:33Diario se estaba peleando por un lugar de estacionamiento.
24:37Un día, el señor Cabrera le puso a Juan una sorpresita en su coche.
24:44Sí saben a qué me refiero.
24:46¿Se peleaba con Juan y no quiso firmar la petición?
24:49Es nuestro sospechoso.
24:51Ay, Estevita, sí, pero a ver, el señor Cabrera ya está muy mayor.
24:55O sea, ¿tú crees que va a tener fuerza para pegarle a Juan en...
24:59...en la posada?
25:01Era caca.
25:18No puedo creer que Vera nos reemplazara.
25:34Como si no fuéramos nada.
25:37En serio, perdóname.
25:40Estaba intentando ayudar, pero creo que te llevé por el camino equivocado.
25:43No, Sarape, esto es culpa mía.
25:48Emo tenía razón.
25:50Hice la huelga sobre mí en vez de tomar en cuenta a todos.
25:54Supongo que a una parte de mí le gustó que el staff me volviera a querer.
26:00¿Y qué vamos a hacer?
26:01Lo único que podemos hacer...
26:04...preguntarle a Vera si su oferta sigue en pie.
26:06Trajo empleados de afuera.
26:09Eso debe de costarle mucho dinero.
26:12Tal vez podemos hacerlo entrar en razón.
26:15Aunque tengamos que ceder en ciertas cosas.
26:18Nunca nos vamos a rendir.
26:20Memo.
26:22¿Qué haces aquí?
26:23Hemos sacrificado sangre, sudor, lágrimas.
26:26No nos podemos echar para atrás.
26:29Ni ahora ni nunca.
26:32Porque eso...
26:34...es el futuro para nuestros limoncitos.
26:39Guau.
26:41No lo pude haber dicho mejor.
26:43Por eso tienes que venir conmigo.
26:45Oh, I'm glad you're here.
26:56We'll be doing the talking.
26:59I mean, if you're ready.
27:01Whatever, I'm ready.
27:02So here goes.
27:04I would normally give you a big speech with lots of fancy words.
27:07But instead, I'm gonna shut up.
27:09And let Memo tell you about the kind of people we are at Las Colinas.
27:15Señor Vera, here we lift each other up when we're down.
27:24We stick to what we believe in.
27:30We work until we can't.
27:33And then we work some more.
27:36No matter how tired or beaten down we are,
27:39we always bring joy to what we do.
27:42So you can hire whoever you want to work in this hotel.
27:49Just know they will never be us.
27:52And you will be reminded of that every day
27:54when you see us out there on the picket lines.
28:02Um, do you want me to say it again?
28:03Oh, no, no, no, please.
28:05Harry, I lost years of my life listening to that.
28:09Well, you will get your demands.
28:13All of them.
28:15Oh, wow.
28:15Really?
28:16Can you throw in a 10% raise on top?
28:18Don't push it.
28:19We won't.
28:20I'm gonna go tell everyone.
28:21We won't do it.
28:25We won't!
28:35Not that I'm not extremely happy, but...
28:39What just happened?
28:42This?
28:43For the first time in 10 years,
28:46Las Colinas got knocked off the top spot
28:48on Leisure Magazine's Best Hotels in Acapulco.
28:51That's why I need you and your team back,
28:53because you know this place better than I do.
28:56And turns out that Ixtapa's best
28:59happens to be Las Colinas' worst.
29:02They are rude, they are late,
29:04and they broke into my good tequila.
29:07Hmm?
29:07This was a gift
29:09from Gene Wilder.
29:13I can't believe this.
29:16Alma del Mar is number one?
29:23Oh, sorry.
29:25Don't mind me just doing some late reading.
29:28Ah, you must have seen the list.
29:31Well, it's hard not to
29:33when it's a big, bold print.
29:38Alejandro, my offer still stands.
29:41Diane, no matter how bad it gets,
29:44even if we are the last hotel
29:46in the world on that list,
29:48I promise you,
29:49I will never sell this place back to you.
29:57Mi amor,
29:58the clouds have lifted.
30:01We can be together again.
30:03Though Diane was realizing
30:06that her dreams of owning the hotel
30:08were officially over,
30:13Sarah was beginning to realize
30:15that her dreams were more possible than ever.
30:19Because fighting for people
30:20wasn't just something she was good at.
30:24It was a passion.
30:25A flame.
30:29And it needed to be fanned.
30:34Orale.
30:34That was a really good ending.
30:37Ah.
30:38Nobody wants a pilot
30:39who can't land the plane.
30:45What?
30:46I think I know
30:48what I'm gonna paint for our mural.
30:49Oh!
30:50Oh!
30:50Oh!
30:55I just hope it makes you proud.
31:03Is that what this is about, Gustavo?
31:07Listen, I only gave you this job
31:09because I trust you.
31:11I mean, you...
31:12you married my daughter in secret,
31:14but you make her happy.
31:17And you were there for her
31:19all of those years that I wasn't.
31:21So,
31:22you don't need to impress me.
31:24You've already done that.
31:27In spades.
31:31Thank you, thank you, thank you.
31:33You're gonna love what I'm gonna do.
31:36It's gonna be amazing.
31:38You're gonna love it, Maximo.
31:40Gustavo!
31:42You're not gonna tell me what it is?
31:45Gustavo!
31:47Gustavo!
31:47Gustavo!
31:47Gustavo!
31:54Gustavo!
31:55Gustavo!
31:56Gustavo!
31:57Gustavo!
31:58Gustavo!
31:59Gustavo!
32:00Gustavo!
32:01Gustavo!
32:02Gustavo!
32:03Gustavo!
32:04Gustavo!
32:05Gustavo!
32:06Gustavo!
32:07Gustavo!
32:08Gustavo!
32:09Gustavo!
32:10Gustavo!
32:11Gustavo!
32:12Gustavo!
32:13Gustavo!
32:14Gustavo!
32:15Gustavo!
32:16Gustavo!
32:17Gustavo!
32:18Gustavo!
32:19Gustavo!
32:20Gustavo!
32:21Gustavo!
32:22Gustavo!
32:23I'll see you next time.
32:53I'll see you next time.

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