- il y a 3 mois
Stuck Like Chuck (2009) is an indie coming-of-age comedy about a shy college student who finds himself spending an unexpected day with his crush and his roommate. As awkward moments turn into surprising conversations, the trio navigates youth, connection, and the uncertainty of growing up. With humor and honesty, this film captures the quiet charm of unexpected friendship and personal discovery
Stuck Like Chuck, Stuck Like Chuck (2009), stuck like chuck movie, 2009 indie film, coming of age, college life, indie comedy, character driven story, youth and friendship, awkward moments, personal journey, feel good drama, unexpected connection, quiet humor, heartfelt film, emotional growth, english movie, quirky storytelling, small budget film, friendship and change, modern indie, college story, charming drama, growing up film, honest conversations, youth connection
Stuck Like Chuck, Stuck Like Chuck (2009), stuck like chuck movie, 2009 indie film, coming of age, college life, indie comedy, character driven story, youth and friendship, awkward moments, personal journey, feel good drama, unexpected connection, quiet humor, heartfelt film, emotional growth, english movie, quirky storytelling, small budget film, friendship and change, modern indie, college story, charming drama, growing up film, honest conversations, youth connection
Catégorie
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PersonnesTranscription
00:00:00C'est parti !
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00:01:46les pré-solde franchise flics.
00:01:48Il n'y a pas d'original ideas.
00:01:52Merci pour les Indie-Movies.
00:01:54Je ne sais pas, les Indie-Movies meilleurs.
00:01:56Je ne sais pas, les Indie-Movies meilleurs.
00:02:10Je pense qu'il faut prendre ça à l'heure.
00:02:12A famous director once,
00:02:14his name was Jean-Jean Salsal-Malmont,
00:02:18I believe it was French, French director,
00:02:20once said,
00:02:22don't give them everything you got in one shot.
00:02:24And that's what I like to live by.
00:02:26I don't like to just throw out all my stuff.
00:02:32Sorry I'm late.
00:02:34Oh, hi, welcome.
00:02:36Thank you for joining us.
00:02:38You're welcome.
00:02:39And actually, no, I'm glad you're late.
00:02:40You know why?
00:02:42Because I don't like starting my class
00:02:43unless everybody is here on time.
00:02:44So the later you come,
00:02:46honestly, the better for me
00:02:47because then I don't have to start the class.
00:02:49Good.
00:02:50So we're on the same page again.
00:02:51We're on the same page.
00:02:52What's your name again?
00:02:53Rob.
00:02:54Well, Rob, everybody else,
00:02:56I'd like you to watch the monitors.
00:02:57I've got a little video to show you.
00:02:59Great.
00:03:00I thought I'd missed it.
00:03:04Okay.
00:03:05Enjoy it.
00:03:07Wait a minute, it's over.
00:03:10Greetings.
00:03:11I'm Professor Lloyd Kaufman,
00:03:12and today we're going to talk about a very, very important rule about filmmaking.
00:03:23When you're making your own damn movie,
00:03:25you've got to be sure to adhere to the 180 degree rule,
00:03:30otherwise known as the crossing the line rule.
00:03:33This is a very, very important rule.
00:03:36Let's say you're filming with girl A.
00:03:38Now, girl A is over here on the left.
00:03:40And boy B, boy B is over here on the right.
00:03:44I've drawn these very beautiful illustrations to point out that you must keep them on the same side.
00:03:52They must remain consistent.
00:03:54Once you've set up your frame, once you've set up the ratios within your frame,
00:03:58you must keep girl A constantly on the consistent side of the 180 degree line,
00:04:04and you must keep boy B consistently on his side of the 180 degree line.
00:04:11Perhaps this rule comes into play in an even more important manner when you are dealing with movement.
00:04:17If you've got a character walking from screen right to screen left,
00:04:20and you break the 180 rule, you've filmed the wrong way,
00:04:23he'll suddenly start walking from screen right to screen left, then screen left to screen right.
00:04:28He's walking this way in one shot, and then he's walking that way in the other shot.
00:04:32So it's going to look goofy. He's never going to get anywhere. He won't make any progress.
00:04:36The only time you can break this rule, occasionally you can break it, the only real time you can break this rule,
00:04:42is when you show the audience that the camera is actually crossing the line.
00:04:46If you show that, if the camera shows the viewers that it is changing the line,
00:04:51that it is moving across and crossing the line, then it's acceptable.
00:04:56But otherwise, you must stick, adhere to this.
00:04:59You must put a line right down the noses of the, whoops, erased a little bit,
00:05:04but that's okay, because in the filmmaking world, improvisation is alright.
00:05:08You have to put a line right down their noses, and make sure they don't cross the wrong way.
00:05:14You, remember, when you're making your own damn movie, don't break the rule.
00:05:20Do not break it.
00:05:23All right. That's it. It's over. Hey. That's it. Oh, man. Riveting, huh?
00:05:51All right. Any questions? No? Okay.
00:05:56Yeah. What's your name again?
00:05:58Jerry.
00:05:59Jerry.
00:06:00Yeah.
00:06:01Could you give us a little bit more details about this topic?
00:06:05No, Jerry. I don't think I have to go into any more detail.
00:06:08Were you watching the video? I think all the details were in the video.
00:06:12Yeah, but, like, could you give us, like, some real world examples,
00:06:15or maybe even something from your own personal experience?
00:06:18You know, I could. I could expound for a good hour about my experiences in film and in the industry.
00:06:26I've had quite a few. And that might be very interesting and perhaps helpful, too.
00:06:31But I don't think that's the point of this class. I think the point here is precision.
00:06:35So if you have a precise question you want to ask me, one that is covered in the manual and that you could look up the answer for,
00:06:43why don't we go with that? No? Okay.
00:06:46Any other questions? Any answers? I always use that one.
00:06:50Any questions? Any answers?
00:06:55Yes, Juliet. I can always remember your name.
00:06:59I'm having some trouble with this in my video and I was wondering if somebody could maybe just take a look at it.
00:07:05We cross paths for a reason. The planets align in that particular season. It's clear to me that we'll eventually be inseparable.
00:07:19I love your existence and I can't get enough. I love your existence and I can't get enough.
00:07:34Charlie. Charlie! Charlie? Yeah? Yeah, do you think maybe you could help Juliet out in the editing bay?
00:07:44She's having a little trouble with crossing the line. Um, yeah, sure. Good. Good for you.
00:08:04Alright. Well, okay. I think that about wraps it up for me unless there are any more questions and I don't think there are. I...
00:08:11Oh, Christ. You... you got a problem. You really do. Why don't you take the manual that comes with the video and go into the room and look it up and get your answer.
00:08:20Hi. Let's do a little work on our own. Might be a good lesson.
00:08:25So, what's the problem you're having with your movie and the 180 degree rule?
00:08:30Oh, no. I get the rule. I just couldn't stand staying in that fucking classroom any longer.
00:08:36Oh, okay. He never says anything that isn't explained better in the textbook anyway.
00:08:42Yeah, I completely agree. Yeah, I thought you would. It looked like you could have used a little rescuing over there and I know he always makes you help me out.
00:08:48Thanks, but, I mean, he doesn't make me help you. I mean, if you needed help and he didn't call on me, I'd still help you.
00:08:55Oh, thanks. That's sweet.
00:08:58Actually, I do kind of need help with something. I made some changes and filmed some more since last week when you showed me how to add that effect.
00:09:04And I was wondering if you could maybe take a look at the footage and let me know what you think.
00:09:08Yeah, sure. Okay.
00:09:10Okay.
00:09:15So, she said she wanted to rescue you?
00:09:17Yeah.
00:09:18Those were her exact words.
00:09:19Yeah.
00:09:20She so wants you inside her.
00:09:21Rob.
00:09:22Chuck.
00:09:23When are you going to stop calling me Chuck?
00:09:24Maybe when you stop acting like such a loser, Charlie Brown.
00:09:26I'm not a loser.
00:09:27Says mister, I have to get to class early so I can rearrange the seats so I can get a better view of the girl I've had a hard-on for since the day I met, but I'm still too afraid to talk to her outside of class.
00:09:35Fuck you. I've talked to her outside.
00:09:37When?
00:09:38On the first day, I told you. I helped her move in.
00:09:40Oh, my gosh.
00:09:41Thank you.
00:09:43I'm so sorry.
00:09:46Is that the one?
00:09:47Oh, my God.
00:09:48Oh, my God.
00:09:49Oh, my God.
00:09:50Oh, my God.
00:09:51Oh, that's just my electric toothbrush.
00:09:52Oh, okay.
00:09:53Charlie.
00:09:54Oh, hi.
00:09:55I'm Juliet.
00:09:56My dad's a dentist.
00:09:57Hey, thank you.
00:09:58Oh, give me a break. You helped her with her bag. Nothing came from it. You were like a bellboy to her.
00:10:03I wasn't like a bellboy.
00:10:04Oh, please. Surprised she didn't give you a tip.
00:10:06Well, there was still that other time I told you about.
00:10:07Hey, Charlie.
00:10:08Oh, uh, Juliet. Hi.
00:10:09Hi.
00:10:10Hey, how was your winter vacation?
00:10:11Oh, good. Good.
00:10:12Good.
00:10:13Good.
00:10:14Good.
00:10:15Good.
00:10:16Good.
00:10:17Good.
00:10:18Good.
00:10:19Good.
00:10:20Good.
00:10:21Good.
00:10:22Good.
00:10:23Good.
00:10:24Good.
00:10:25Good.
00:10:26Good.
00:10:27Good.
00:10:28Good.
00:10:29Good.
00:10:30Good.
00:10:31Good.
00:10:32Good.
00:10:33Good.
00:10:34Good.
00:10:35Good.
00:10:36Oh, um, how was yours?
00:10:39It was good.
00:10:40What did you end up getting income 101?
00:10:43Oh, I got an A.
00:10:45Me too.
00:10:46Congratulations.
00:10:47Thanks.
00:10:48You too.
00:10:49Oh, do you have an appointment to get your schedule approved now?
00:10:54Yeah, um, I mean, I would stay and talk.
00:10:57Oh, no, I totally understand. I just finished mine. There's like no one in there right now, so it's like a perfect time to go.
00:11:02Oh, okay. Well, thanks.
00:11:04Yeah.
00:11:05Bye.
00:11:06Bye.
00:11:07Oh, um, hopefully we'll have classes together again sometime.
00:11:12Yeah, that would be nice.
00:11:18Okay, I can't believe you'd even brag about that one. You had a smile on your face when you told me word for word one of the most pathetic exchanges of words I've ever heard.
00:11:27Oh, come on. It wasn't that bad.
00:11:29Are you kidding me? I only called it an exchange of words because I don't think it even qualifies as a conversation. It could have been a conversation if you stayed a little longer, but oh, no, you were in a big rush.
00:11:38I had an important meeting with a student advisor.
00:11:41There is no such thing as an important meeting with our student advisor.
00:11:44A student advisor is a large cocksprout.
00:11:49I know, it's pathetic.
00:11:52Yeah, you are pathetic.
00:11:53I didn't say I'm pathetic. I said it's pathetic.
00:11:55Whatever.
00:11:59So, what'd you do in there the whole time?
00:12:03What?
00:12:04Well, you were in there with her for like half an hour until class ended. What'd you do the whole time?
00:12:09Do you even care?
00:12:11Yeah, I'm bored.
00:12:13Okay, well I didn't tell you the best part.
00:12:15She let me watch her movie, and when it was over she asked me if it was too much like Clerks.
00:12:20Was it?
00:12:21A little, but you're missing the point.
00:12:23Which is?
00:12:24She likes Clerks.
00:12:25And on top of that, she says that she's heavily influenced by Kevin Smith.
00:12:28Isn't he the director you like?
00:12:30Like, he's my idol. I worship him.
00:12:32I hope to be half as good as him one day.
00:12:34I have all of his movies on DVD autographed.
00:12:37I have all of his books autographed.
00:12:39I have his lecture DVDs.
00:12:41I own his in-action figures, his comic books.
00:12:43I've been to three of his Q&As.
00:12:45I met the guy seven times and interviewed him twice.
00:12:48I have this letter from him signed wishing me luck on my filmmaking career.
00:12:53So what is the director you like?
00:12:55Yeah.
00:12:56Why don't you just answer yes or no? You didn't have to go into that big rant.
00:13:00You like the guy. She likes the guy. That's great.
00:13:02No, you don't understand.
00:13:03I've never met a smart, attractive girl my age.
00:13:06Who's interested in the same stuff that I'm into.
00:13:09So she's like your Tina Fey.
00:13:12What?
00:13:13Tina Fey from SNL?
00:13:15Yeah, and 30 Rock. What about her?
00:13:17She's smart, she's funny, and she's hot.
00:13:19You know, not in the traditional way, but...
00:13:21You know, I'd rip that pantsuit right off of her.
00:13:24And, uh, then I'd have sex with her.
00:13:27Okay, and your point is?
00:13:29My point is, is that you're not like most guys.
00:13:32You're not out there looking for cheap, meaningless sex with hot blondes that are all tits and no wits.
00:13:37You're not out there looking for the Britneys or the Jessicas.
00:13:40You are out there looking for the Tina Fays of the world.
00:13:43And you found yours.
00:13:45Okay, so that kind of makes sense.
00:13:48I do like Tina Fey.
00:13:50Who doesn't?
00:13:51Okay, so I've been searching for my Tina Fey, and now that I've finally found her, I can't even talk to her outside that classroom.
00:13:57Thanks, this is really making me feel better.
00:14:00Well, do you want to know what your problem is?
00:14:04Sure, tell me.
00:14:06You're putting the pussy on a pedestal.
00:14:08Ugh, I hate when you quote that movie to me.
00:14:09Listen, I'm just trying to help you out here.
00:14:11Stop making such a big fucking deal about this.
00:14:13Next time you're in the editing bay helping her out because you know he's going to send you in there,
00:14:16talk to her about stuff besides movies.
00:14:18See if she wants to go have a cup of coffee with you after class.
00:14:24You know what?
00:14:25I'm going to try that.
00:14:26No, you won't.
00:14:30Hey, thanks again for all your help.
00:14:33How can I ever repay you?
00:14:35Thank you very much.
00:15:05Oh, you don't have to do anything.
00:15:12Hey, are you doing anything right now, like after class?
00:15:17Um, no, not really. Just going back to my room.
00:15:20Oh, great. Remember before when you said you had that song that would be perfect for the end scene?
00:15:25Yeah.
00:15:26Well, I'm like really anxious to hear it. I don't think I can wait until next week.
00:15:30Do you think I can maybe come back with you to your room and you can grab the CD for me?
00:15:34Yeah, sure. That sounds great.
00:15:36Oh, great.
00:15:38Um, well I'm just going to give my roommate a call and let her know I'm going to be a little bit late.
00:15:41I have to go to the bathroom though. It's like the only place I get service on this floor.
00:15:45Yeah, well I usually walk back with my roommate so I'll just tell him you're coming with us.
00:15:49Okay, cool. I'll meet you too by the elevators.
00:15:51Okay.
00:15:52Okay.
00:16:10Class is over.
00:16:11Jeez.
00:16:16What?
00:16:17Class is over.
00:16:20Oh.
00:16:22Okay.
00:16:25What the fuck are you smiling about?
00:16:27Juliet is coming back to the room with us.
00:16:30What? Why?
00:16:32Because I have a song that would be good in the movie and she wants to hear it now.
00:16:38This is Major.
00:16:41Ah, no, no, no, no. Come on. Out, out. I gotta lock up. Let's go. Come on. Move it.
00:16:47This is Major. She definitely wants some Charlie inside her brown.
00:16:50Oh, shut up.
00:16:51She wants a Chuck fuck.
00:16:53Seriously, stop it.
00:16:54Think about it. She doesn't need it now. You could have brought it in next week.
00:16:57She said she was too anxious to wait until next week.
00:16:59Oh man, she wants it bad.
00:17:02She's substituting the CD to mean sex.
00:17:04No, I think you're the only one doing that.
00:17:06Whatever, dude.
00:17:07I'm gonna get it out of your face so you two can have some alone time.
00:17:11If I'm right, which I am, and you're getting some, which you are,
00:17:14put your jack-off sock on the doorknob so I don't disturb you.
00:17:16I don't have a jack-off sock.
00:17:18Yeah, sure you don't. I've seen it, alright?
00:17:20Rob, where are you going?
00:17:21Where are you going?
00:17:22Thank you later.
00:17:23Rob.
00:17:31Chuck fuck.
00:17:44Chuck fuck.
00:17:46Charlie.
00:17:47Hi.
00:17:48Hey.
00:17:49Where's your mate?
00:17:50Um, he said he had to go do something, so yeah, he had something to go do.
00:18:11Okay.
00:18:12Um, if you don't want to go with me, like just me, I completely understand.
00:18:17No, it's no big deal. It's fine.
00:18:21Okay.
00:18:23You didn't press the elevator button.
00:18:25Oh, um, I don't take elevators.
00:18:28What?
00:18:29I don't take elevators.
00:18:32But it's like ten floors, do you always?
00:18:34I know, it's just, it's a long story. I don't want to waste your time with it.
00:18:37But, um, usually I just take the stairs and my roommate takes the elevator because he's too lazy to walk, so.
00:18:44Well, I'm not too lazy. We'll use the stairs.
00:18:45No, no, no, you don't have to.
00:18:46You can take the elevator and meet me, Ethan.
00:18:49No, it's no big deal. I can use the exercise.
00:18:52Plus, we can talk. I hate being in elevators all alone. It's so quiet. I just want to scream.
00:18:56I'm on my way to better things.
00:19:13And there's something about the way she looks tonight.
00:19:19Oh, this is it.
00:19:37So I'm guessing this is your butt.
00:19:41You'd be wrong.
00:19:42Are you kidding?
00:19:45I just didn't picture you having all these naked pictures of girls on your wall.
00:19:51Oh, no, no, those aren't my pictures.
00:19:54And, uh, that's not my side of the room, that's just my bed.
00:19:56This is my side of the room.
00:19:58I don't get it.
00:20:00Well, I sleep in that bed, but these are my posters and that's my desk.
00:20:06Okay, I get that, but I don't understand why.
00:20:09I know, I guess it's a little weird.
00:20:12Well, you have a roommate, right?
00:20:13Yeah.
00:20:14And you talk a lot?
00:20:15Yeah.
00:20:16And when you're talking, are you usually sitting up in your beds facing each other?
00:20:20Yeah, I guess we are.
00:20:21Okay, so what we did was we switched our beds, so when we talk, I see my movie posters and he sees his.
00:20:29That's so funny.
00:20:32I like that. It's kind of weird, but it totally makes sense.
00:20:35So this is your bed and this is your wall, and that's your dresser.
00:20:40Yep, that's where, um, that's where I keep the other nine of these shirts.
00:20:44Okay, so you have more than one of those.
00:20:47Yeah. Yeah, well, I made a bunch of them to promote my film company.
00:20:51Remember I told you I work as a part-time videographer?
00:20:54Yeah, yeah, yeah. And you also work part-time at the library, right?
00:20:57Yes. But the thing with the shirt is, you know, I figure if I wear them all the time, it's kind of like advertising.
00:21:05Oh, a walking advertisement. So that's why you dress like a cartoon character.
00:21:11A cartoon character.
00:21:13Yeah, cartoon characters, they wear the same thing week after week.
00:21:17Oh, okay. Yeah, as opposed to people in sitcoms who never wear the same thing twice.
00:21:22Right.
00:21:28So, what kind of things do you two talk about?
00:21:34Is your dick lined up with your belly button?
00:21:37Cause mine's a little to the left and I was wondering if I should be concerned.
00:21:42We talk about all kinds of things.
00:21:46Okay.
00:21:47Oh, the CD.
00:21:52Oh, right. I guess I'm lucky you're one of the only people that doesn't have an iPod at college.
00:21:58Oh, I have an iPod. I just prefer to buy a CD rather than download it from iTunes.
00:22:03Oh yeah, that's awesome. It seems like everybody today just downloads them off the school network for free.
00:22:07Think that you were an idiot if you bought it.
00:22:10Oh. Well, I'm not an idiot or else I wouldn't be able to give you this.
00:22:14Right. Thanks.
00:22:19Hey, I didn't mean to call you an idiot.
00:22:22I was just saying that other people would.
00:22:25That came out totally wrong. I mean, um...
00:22:29I buy my music too.
00:22:31That's good.
00:22:32Oh, it's, um, it's track seven.
00:22:44Oh, okay. Seven. Thanks.
00:22:46Hey, listen. I heard about this new club that's opening. It's...
00:22:50Oh, yeah. I'm not much of a club person.
00:22:52Oh, yeah. Yeah, I wasn't going to go either.
00:22:54Oh, wait, what? Were you, like, asking?
00:22:56Oh, no, no, no, no. I was just talking out loud. Just saying I heard about this club.
00:22:59Oh.
00:23:00Oh, no, no, no, no. I was just talking out loud. Just saying I heard about this club.
00:23:03Oh.
00:23:04Oh.
00:23:05Oh.
00:23:06Oh, no.
00:23:07I'm sorry.
00:23:08Yeah, I wasn't going to go either.
00:23:09Oh, wait, what? Were you, like, asking?
00:23:10Oh, no, no, no, no. I was just talking out loud. Just saying I heard about this club.
00:23:14Oh.
00:23:15I heard about this club
00:23:16Oh
00:23:16If this were a TV show
00:23:33This would probably be the moment
00:23:34Where the roommate walks in to break up
00:23:36The awkward silence
00:23:38Yes
00:23:39Guess that's not happening
00:23:43No
00:23:44Well
00:23:48I'm gonna get going
00:23:51Oh, okay
00:23:53Listen, thank you so much
00:23:59For letting me borrow that CD
00:24:00Yeah, sure
00:24:01I'll see you next week
00:24:06See you
00:24:07I am the biggest fucking
00:24:14Idiot ever
00:24:15You really are
00:24:39I really am what?
00:24:41The biggest fucking idiot ever
00:24:43What?
00:24:44How did you hear that?
00:24:45I heard the whole thing
00:24:46She so wanted you and you so blew it
00:24:49I know
00:24:50I don't like clubbing
00:24:51What am I an ass?
00:24:52I love clubbing
00:24:53I go clubbing all the time
00:24:54I go clubbing more than the Geico cavemen
00:24:57No you don't
00:24:58I know but I should have said I do
00:25:02Yeah
00:25:02You should have
00:25:04Wait a minute
00:25:06Where are you?
00:25:08I'm in a closet
00:25:08What?
00:25:10Yeah
00:25:11I was actually thinking of popping out
00:25:13When you said that
00:25:13Roommate shit
00:25:14But I'm locked in
00:25:15I hate this fucking bullshit
00:25:17With the doors
00:25:18They can only be locked
00:25:18Or unlocked from the outside
00:25:20Well
00:25:22Do you want to go let you out?
00:25:24No, I'm in here
00:25:25Minds will make the best of it
00:25:28When I get out though
00:25:34We got some serious planning to do
00:25:37Hey Chuck
00:25:43Oh
00:25:45And second thought
00:25:46Can you just chuck a bag of
00:25:47Can you chuck a bag of Doritos in here
00:25:51Because your name is Chuck
00:25:52I'll eat them
00:25:55And then we'll talk in the morning
00:25:58Okay, so I thought a lot about this last night
00:26:02And I decided I want to help you get the girl
00:26:04Oh, well, uh, thanks, but, um
00:26:08No, just listen, hear me out
00:26:09You know, I've
00:26:10I know I joked around a lot about this in the past
00:26:12But I heard everything last night
00:26:15While you were in the closet
00:26:16Yes, while I was in the closet
00:26:17Are you gonna let me finish, Chuck?
00:26:18Stop calling me Chuck
00:26:19So like I was saying, Chuck
00:26:21I heard what she said to you
00:26:23And for some strange reason
00:26:25She seems to like you
00:26:26You really think so
00:26:29Yeah, I really do
00:26:29At first I thought you just had a crush on her
00:26:32And that she was just leading you on
00:26:33Because you're so desperate and pathetic
00:26:35But after last night
00:26:36And I never heard a girl seem so nervous before
00:26:39She's like
00:26:40You
00:26:41Oh, well, thanks
00:26:42Look, all I'm saying
00:26:44Is that
00:26:45She seems to like you
00:26:46And add that
00:26:47To the fact that she has the same taste
00:26:49In movies and music as you
00:26:50And you got yourself a real winner here
00:26:52So I wanna help you
00:26:54Wow, you actually sound serious
00:26:58I'm not used to this side of you
00:27:00Let's be the weather
00:27:01It's fuckin' freezing for April
00:27:02Yeah, well
00:27:03It was hot up until Christmas, so
00:27:05Fuckin' Al Gore
00:27:06You know, you, um
00:27:11You got some, um
00:27:13Mustard on your
00:27:14Face
00:27:15Do I?
00:27:18Yeah
00:27:18Hold this
00:27:20Take my dog
00:27:24All right, um
00:27:36I think your face is clean
00:27:39It's not
00:27:40All right
00:27:41It's not clean, Chuck
00:27:45Now it's clean
00:27:53Take me out
00:27:57Cause I'm a mess when I'm alone
00:27:59And if anyone can't help
00:28:03I think I'm losing it
00:28:04I grab it
00:28:05Hold on tight
00:28:06But I start to slip
00:28:08Hey
00:28:14Hey, where the hell were you?
00:28:16I thought you were gonna miss class tonight
00:28:17And screw me over
00:28:18I never screw you
00:28:19You're not my type
00:28:20Sorry if I had you worried
00:28:22But I was just in the library
00:28:24Discovering a new type of porn
00:28:25What?
00:28:27It's called poser porn
00:28:28And it's great
00:28:28You create these
00:28:30Character animations
00:28:31And you can
00:28:32Put them in poses
00:28:33And camera angles
00:28:34And I'm talking
00:28:34You can choose
00:28:35Any camera angle
00:28:37It's like watching
00:28:38The Sims do some
00:28:39Hardcore fuckin'
00:28:39Oh, that's sick
00:28:40Now you're jacking off
00:28:41To video games
00:28:42Oh, hey man
00:28:43This is high tech
00:28:43This is a wave of future in porn
00:28:46The graphics are gonna be
00:28:47Pixar quality pretty soon
00:28:48Just imagine
00:28:50Watching Woody and Buzz
00:28:52Double-team Princess Fiona
00:28:54And Little Bo Peep
00:28:55While Shrek and Donkey
00:28:56Do a little experimenting
00:28:57Of their own
00:28:58Okay, please stop degrading
00:28:59My two favorite kids movies
00:29:01Alright
00:29:02I'll tell you more about it tomorrow
00:29:03I'll even show you
00:29:05The lady I created
00:29:06And call her
00:29:06Princess Titty Bags
00:29:08You know
00:29:09So, uh
00:29:12You decided whether or not
00:29:16You're gonna do this?
00:29:17I don't know
00:29:18I'm still thinking about it
00:29:20Okay, make it happen
00:29:35Just make sure you're here
00:29:36By 11.45
00:29:38Don't worry
00:29:39I already wrote a note
00:29:40Earlier today
00:29:40To remind myself
00:29:43Oh, forget it
00:29:44What are we doing?
00:29:45How do we even know
00:29:46He's gonna let us out early?
00:29:47Hey
00:29:48You leave that up to me
00:29:52Teach
00:29:53Ah!
00:29:54What?
00:29:55Who?
00:29:56What?
00:29:57You're tired?
00:29:58I'm tired
00:29:59The class is tired
00:30:01We should just cut it early
00:30:02Today
00:30:03Cut it off
00:30:04What time you got?
00:30:05What time is it?
00:30:06Late?
00:30:07It's late
00:30:08It's late
00:30:09It's late for sure
00:30:10Alright, well you're probably right
00:30:11Uh
00:30:13Okay folks
00:30:14That about wraps it up for today
00:30:15Thank you all for coming
00:30:16I hope you all enjoyed what I had to say
00:30:18And I hope you take it to heart
00:30:20And take what I had to say
00:30:22And apply it
00:30:23And apply it
00:30:24Not only to your filmmaking
00:30:26But
00:30:27But to life
00:30:28Inspiring
00:30:29Whatever
00:30:30Oh
00:30:32Oh Jesus
00:30:34What a dream
00:30:39Hey
00:30:40Um
00:30:41Thanks again for that song
00:30:42I think it was perfect
00:30:43Oh yeah, sure
00:30:44No problem
00:30:45Where'd you find that band?
00:30:46I've never heard of them before
00:30:47Well, actually
00:30:48I have to give credit to Rob on that one
00:30:50He's um
00:30:51He's always making me listen to these songs
00:30:52From these indie bands he finds
00:30:54He kinda wants to make a career
00:30:55On discovering new talent
00:30:57So
00:30:58Well
00:30:59If they're all that good
00:31:00Maybe he should do that
00:31:01Well
00:31:02No, that's the problem
00:31:03Usually they either suck
00:31:05Or they sing comedy songs about sex
00:31:07So
00:31:08This was kind of a rare occurrence
00:31:09But
00:31:10Um
00:31:11Yeah, he actually didn't even like these guys
00:31:12He threw me the CD one night
00:31:13And he said
00:31:14This is that loser rock crap you like
00:31:16So
00:31:17Well
00:31:18You'll have to remind me to thank Rob
00:31:19When I see him
00:31:20Will do
00:31:29Dammit
00:31:31What's wrong?
00:31:39Where are the laptops?
00:31:40Oh my god
00:31:41Are you okay?
00:31:42Yeah, yeah, yeah
00:31:43I'm fine
00:31:44I'm scared
00:31:45Charlie?
00:31:46I think it's locked
00:31:47What time do you have Charlie?
00:31:48Um
00:31:49Um
00:31:50Five two?
00:31:51Yeah
00:31:52So why would he lock up?
00:31:53Um
00:31:54Five two?
00:31:55Yeah
00:31:56So why would he lock up?
00:31:57Yeah
00:31:58Yeah
00:31:59Yeah
00:32:00Yeah, yeah, yeah, I'm fine
00:32:01I'm scared
00:32:02Charlie?
00:32:03Charlie?
00:32:04I think it's locked
00:32:05What time do you have Charlie?
00:32:07Um
00:32:08Five two?
00:32:09Yeah
00:32:10So why would he lock up?
00:32:11Um
00:32:12Five two?
00:32:13Yeah
00:32:14So why would he lock up?
00:32:15Um
00:32:16Five two?
00:32:17Um
00:32:18What's the matter?
00:32:19It's not working?
00:32:20You know
00:32:21The lock is working
00:32:22That's the problem
00:32:23Hello?
00:32:24Hey, is anybody out there?
00:32:25Hello?
00:32:26Fuck
00:32:27Fuck
00:32:28This is like a bad movie
00:32:30When the fuck is this
00:32:31Hey, what's this?
00:32:32Hey, what's it?
00:32:33All right
00:32:34I'm sure
00:32:35I'm sure
00:32:36You know
00:32:37I'm sure
00:32:38That's a pretty good
00:32:39It's not going to die
00:32:40But I knew
00:32:41And and and and and I
00:32:42And but I knew
00:32:43You know
00:32:44I know
00:32:45I'm sure
00:32:46I know
00:32:47I know
00:32:48I know
00:32:49You know
00:32:50What's the deal
00:32:51You know
00:32:52Maybe
00:32:53You know
00:32:54The way
00:32:55I know
00:32:56I know
01:22:05C'est bon.
01:22:10Oh, j'ai aimé.
01:22:11J'ai aimé des songs sur la mythique inter-species et d'erotique.
01:22:16Et je n'ai aimé les unicorns, mais pas en ce que je n'ai aimé.
01:22:19C'est bon que vous avez aimé.
01:22:21Mais je voulais voir ces gens s'envolvent à une major majorité.
01:22:26Vous savez ce que je me suis juste pensé?
01:22:29Un unicorn?
01:22:30Besides, les movie endings.
01:22:34What about them?
01:22:36I think I discovered something I hate more than the Hollywood happy ending where everything turns out for the better.
01:22:43And what's that?
01:22:45The end credits.
01:22:47What about them?
01:22:48I just hate them.
01:22:49Okay.
01:22:50There's no reason for them. Nobody ever reads them.
01:22:53I do.
01:22:54No, you don't.
01:22:55No, no. I lied. I just wanted to be part of the conversation.
01:22:58And I hate how the people just acknowledge that nobody reads them.
01:23:02You know how they put those little windows alongside the credits as they scroll?
01:23:06And they play things like an epilogue or gag reels.
01:23:08Like, come on. If the epilogue was really important, you would have just put it in the movie.
01:23:11And the gag reel is just going to end up on the bonus feature of the DVD anyway.
01:23:15Those little windows are pretty much defeating the purpose of even having end credits because it makes the viewer, if they haven't stopped watching by now, focus on that tiny little window instead of the names that are scrolling on the screen.
01:23:26Exactly. And then at the very end of it, they put a ten second long little scene.
01:23:31Yeah, and no one ever sticks around in the theater to watch it anyway. And when it comes out on DVD, people just fast-forward through the credits just to get to that scene, and it's never worth the effort.
01:23:40What about Ferris Bueller's Day Off, where at the end he's like, get the fuck out of my house? That was awesome.
01:23:45Well, yeah, Ferris Bueller's an exception, but usually they do suck.
01:23:49And you know what else they gotta do? They gotta get rid of that boring-ass white text scrolling on the black background.
01:23:54I mean, every once in a while they add some fucking lame-ass animation or some bullshit like that, but it's basically the same white-on-black motif.
01:24:01Someone should change that shit up!
01:24:03Yeah, you know what would be really cool is that they have the actual cast member or crew member come on the screen and just say their name and what they did.
01:24:12Well, yeah, I mean, that would be cool, but it would probably take too long.
01:24:15Well, yeah, but if nobody cares about the end credits anyways and it's just a legal issue, what's the death?
01:24:22Well, you are forgetting one important thing about the credits.
01:24:25Which is?
01:24:26The music.
01:24:27Bingo.
01:24:28The credits is the last point that the studio can squeeze in a hit song that barely has anything to do with the movie, just so they can put it on the soundtrack and sell more CDs.
01:24:36That's so true. Like, every romantic comedy has to have the new love song.
01:24:40I'm fucking a unicorn!
01:24:41I'm fucking a unicorn!
01:24:42I'm fucking a unicorn!
01:24:43I'm fucking a unicorn!
01:24:44I'm fucking a unicorn!
01:24:45I'm fucking a unicorn!
01:24:46I'm fucking a unicorn!
01:24:47I'm fucking a unicorn!
01:24:48Well, when you make your own movie, you can do whatever you want with the end credits.
01:24:52You can just play them in silence or have your characters talk over them the entire time.
01:24:57Those both sound pretty lame.
01:25:10Two, two or three.
01:25:11Four, three.
01:25:12Three.
01:25:13Oh, man, don't forget.
01:25:14So do you think so?
01:25:15So do you remember exactly if that as you ради you, you don't think so?
01:25:16Well, then so.
01:25:17I'm sarcasm with my right then.
01:25:18Five, six, one, ten, ten, ten, ten!
01:25:20One, ten, ten!
01:25:21One, ten, ten, ten, ten, ten, ten!
01:25:23Four, ten, ten, ten!
01:25:54...
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1:41:18
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