- 9 hours ago
Designed for Desire Full Movie
Category
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Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:25This is insane.
00:29Hi, did anyone order these?
00:31Artless Pervert!
00:32Whoa!
00:35You've got to be kidding me!
00:36Look, you've got it all over me!
00:38Do you have any idea how much this costs?
00:40And if they can't get it out-
00:42That's enough!
00:47You.
00:51In my office.
00:52Now.
00:53What?
00:59What's your name?
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview us a designer dressed like this?
01:16Oh, I think you have the wrong idea, Mr. Mercer.
01:21I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33You'll learn things are very fast-paced here.
01:36I don't have time to ask twice.
01:46Hello?
01:47This is Cecilia.
01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
01:52Until then, we cannot proceed.
01:54Okay, well, one second.
01:57Hello?
01:59Ms. Brooks?
02:00Shit.
02:04Who is this woman?
02:05His girlfriend or something?
02:07I wasn't done with my interview.
02:10We'll touch base soon, okay?
02:14Oh!
02:16Good luck.
02:17I thought you weren't interested.
02:22Take off your clothes.
02:23Right now.
02:41So, Ms. Brooks, what do you see in this room?
02:44Well, it's deliberate, controlled, powerful.
02:52It's impressive, but-
02:54But?
02:56It's not satisfying.
03:00Bold again.
03:04Tell me.
03:05How do you know it's satisfying?
03:07Satisfaction lies somewhere in between.
03:10You think you can give me that?
03:12Think you can take the risk and find out?
03:24All yours.
03:28Hey.
03:30The women out there would do anything to be in the position you're in.
03:35Unless you have other ideas.
03:36Don't make me regret this risk.
03:37I don't plan to.
03:38The position's been filled.
03:39Go home.
03:40Get out!
03:41Damn.
03:42He doesn't have to be so rude.
03:43Pappy, your phone's upside down.
03:44Pappy, your phone's upside down.
03:45Oh my god!
03:55Ugh.
03:56Huh.
03:57Okay, how are you gonna risk?
03:58Pappy, your phone's upside down.
04:14Hi, how are you feeling?
04:15Hey, jubilation?
04:18Not doing too well, honey.
04:20Damn hospital postponed my surgery again.
04:22I'm so sorry, Pappy.
04:24I'm working things out with the hospital.
04:26I have some good news today, though.
04:28I'm sorry.
04:30Uh, I think that's my landlord.
04:31I have to go.
04:32Love you.
04:33Bye-bye.
04:36Oh.
04:37What the hell is he doing here?
04:40What are you doing here?
04:42Oh.
04:43What the hell?
04:45Hey.
04:46Whoa, whoa, whoa.
04:46Guys, whoa.
04:47Hey, don't take that.
04:52I did not agree to this.
04:54Actually, you did.
04:56The signing must reside on Mr. Mercer.
05:00I can't quite hear you.
05:03Must reside with Mr. Mercer for the duration of the project?
05:07Mm-hmm.
05:07How long?
05:09Keep reading.
05:10And definitely without exception?
05:13A gift.
05:17A gift.
05:20What the fuck?
05:22A gift?
05:23In exchange for being kidnapped?
05:25No thanks.
05:29I need to know where you're at.
05:30At all times.
05:33It's a tracker.
05:34What?
05:34Like a dark color?
05:36Do you think you own me now?
05:39I wouldn't do that.
05:40Come on.
05:41Let's go.
05:41This is insane.
05:42Just give me a second to put Crumpet in his carrier and call my grandfather.
05:46No.
05:47There are no animals in the mansion.
05:49You must say goodbye to your little Crumpet.
05:52What?
05:53Absolutely not.
05:55I told you in the contract that I will take care of everything.
05:59I don't care about the contract.
06:01What?
06:01Oh my God.
06:03Goodbyes are always so hard.
06:05Put me down.
06:06What are you doing?
06:07Welcome back, Miss Brooks.
06:12So, I'm not allowed to leave?
06:14If you leave, your contract will be terminated immediately.
06:18And what?
06:18You're just going to leave me all alone here?
06:20Would you like me to join you?
06:21No, no, no, no.
06:33Why is it making that sound?
06:35Damn, if I leave, Pappy dies.
06:38Shit.
06:38I'm trapped with this monster.
06:40Oh my God.
06:41Is this really happening?
06:43I'm stuck.
06:43I'm stuck.
06:44I'm stuck.
06:44I'm stuck.
06:44I'm stuck.
06:44I'm stuck.
06:45I'm stuck.
06:45I'm stuck.
06:46I'm stuck.
06:47I'm stuck.
06:47I'm stuck.
06:48I'm stuck.
06:48I'm stuck.
06:49I'm stuck.
06:50I'm stuck.
06:51This is your uniform.
06:56Work hours have started already.
06:58Tidy yourself up.
07:00Report to Mr. Mercer.
07:04Oh, and chop chop, Miss Brooks.
07:08Mr. Mercer does not like to be kept waiting.
07:11Enjoy the view?
07:20No, I just didn't want to disturb you.
07:39I don't mind if you stare.
07:40I don't mind if you stare.
07:41Sorry, sir.
07:42I was just interested in your build, the building, the build of the mansion that we're building
07:51to work on today.
07:52What time are we leaving for?
07:53What time are we leaving for?
07:54Car leaves in 10 minutes.
07:55Right.
07:56I'll be ready.
07:57How much further?
07:58Patience, Miss Brooks.
08:02How much further?
08:03Patience, Miss Brooks.
08:09How much further?
08:10How much further?
08:11How much further?
08:12Patience, Miss Brooks.
08:16Old Azar.
08:17Abstract and Mr. Mercer.
08:18How much further?
08:19How much further?
08:20Patience, Miss Brooks.
08:21Kim, Chester.
08:22South RICHARD ON I neveráșżps first.
08:23Oh.
08:25Fucking fuckin'.
08:28Hey, Foxy.
08:30I got something that'll keep that jaw clenched.
08:34Wow.
08:35Original.
08:36Father Ervin, police officer.
08:37We didn't know you was coming in today.
08:38Get off my property.
08:39What?
08:40You're fired.
08:41Leave.
08:43Leave.
08:43Oh, what the hell?
08:44I worked on the last nine Mercer mansions,
08:47and now I'm fired because of this bitch?
08:51If I collapse your lung...
08:52Wait, did he just stand up for me?
08:55Sir, how about you?
08:56Continue your work with Miss Brooks,
08:58and I'll handle this.
09:01Come on.
09:04Everything's nearly finished.
09:06I'm gonna have a team come in
09:07and make some final measurements over here,
09:09and I'll ensure they know how to keep their mouth shut.
09:11Uh, is this all marble?
09:19Seeing her in my house gives me a strange feeling.
09:22It's so beautiful.
09:24What is it about her?
09:26Why do I want to...
09:27Follow me.
09:33Wow, an elevator?
09:35By the way, what you did out there, thank you.
09:38I'd dismiss you just as fast.
09:40If I wasn't pleased with your work, Miss Brooks.
09:43Remember that.
09:48Your first task for the client.
09:51I don't know anything about the client.
09:53Who is...
09:54We don't ask about the client.
09:57We only worry about what they desire.
09:59Okay.
09:59Am I allowed to know what the purpose of this room is?
10:04Yes.
10:05Great.
10:06The client would like this room transformed...
10:10Mm-hmm.
10:10...into their BDSM chambers.
10:15I hope she doesn't see right through me.
10:18So, how would you do it?
10:22Uh...
10:23Um...
10:24Paint me a picture.
10:26Right.
10:28Uh, over here, I would put a chaise lounge.
10:34Velvet.
10:35Obviously.
10:36Obviously.
10:36And over here would be a great place to mount a swing.
10:39One of the adjustable heights and handles.
10:44And next to it, we could put a cabinet for whips and toys and things.
10:48You're very well versed.
10:50I read a lot.
10:53Certain genres of certain books have certain details.
10:57Right, right.
10:58Of course.
10:59Yeah, it's perfectly normal.
11:01A lot of women read fantasy and romance and fantasy romance.
11:07Anyway, uh, this would be a great place to mount small cuffs.
11:13I'm drowning in the heat
11:19Afraid of what I need
11:25Your touch is like a flame
11:30But I can turn your way
11:33Hello?
11:40Miss Brooks, I'm sorry.
11:42We need the payment.
11:44Uh, I understand.
11:45Is there anything I could do now to hold him there?
11:47Anything that could be done right now?
11:49We need your payment, Miss Brooks.
11:51By tomorrow morning.
11:52All $200,000.
11:53Okay, I'll get it to you.
11:56I promise.
11:59Sorry.
12:00Your contract explicitly states
12:01that I receive 100% of your attention at work.
12:06Who was that?
12:09It's personal.
12:10There are no personal calls at work.
12:14I'm sorry.
12:20Mr. Mercer, it won't happen again.
12:22I'll get to work right away.
12:24I'll have designs to you by tomorrow morning.
12:29Take it off.
12:32What?
12:35Your jacket.
12:37Mr. Mercer...
12:38I won't ask twice.
12:49Uh...
12:50What's this for?
12:56It's perfect.
12:58Now go get dressed.
12:59No need to pout, Miss Brooks.
13:22You'll be reading some of the top designers.
13:24I don't understand.
13:25How does this take priority over work?
13:28Am I your date or your designer?
13:30You are...
13:33when I say you are.
13:34Ladies and gentlemen,
13:48it is my pleasure to welcome you all to
13:51the annual architectural ball,
13:54proudly hosted by the Mercer Group.
13:56I'd also like to welcome and introduce
14:02our newest interior designer,
14:06Miss Cecilia Brooks.
14:10I thought you said you had the job.
14:13I did everything that I could.
14:15Bitch must have slept with him in the interview.
14:17Fine.
14:17I'll fix it myself.
14:22So without further ado, please,
14:24enjoy your drinks
14:25and have a wonderful night.
14:35Let me have this dance.
14:37Oh.
14:40Sterling!
14:42I was hoping that maybe we could
14:44walk and talk.
14:46Or maybe dance and discuss.
14:50You must be working so hard.
14:53I was thinking
14:53maybe you would benefit
14:56from a designer who
14:57really knows you.
14:59Your past.
15:01I'm not interested in rehashing
15:03our relationships, no.
15:05It was just a flint.
15:07It doesn't mean we can't be close.
15:10Sterling could be a
15:12difficult person to work for.
15:14You know you can come to me
15:19if you need
15:21anything.
15:26Get your hands off of her!
15:31What the hell are you doing here,
15:32Vincent?
15:33Folks,
15:34looks like the jester came to play!
15:36Get him out of here.
15:45It's alright, folks.
15:46Enjoy the party.
15:47It's okay.
15:48Are you okay?
15:50Why don't you go grab a drink?
15:51I'm gonna take care of this.
15:52Crazy night, huh?
16:02Too crazy.
16:04I'm Nora.
16:05A close friend of Sterling's.
16:07So,
16:08tell me,
16:08how's the new position treating you?
16:12It's demanding.
16:14And the client?
16:15What's your feel on them?
16:16Oh,
16:17I'm not at liberty to discuss that.
16:19Come on,
16:19it must be crazy, right?
16:21I really can't.
16:25Oh!
16:27Oh,
16:28how embarrassing.
16:33What are you doing in here?
16:34Cecilia,
16:35I'm sorry.
16:35I'm so done with their whole world.
16:40Yeah,
16:41the head of the board was barking my ear off.
16:44Stop it!
16:45What?
16:46I'm just trying to help.
16:47Help?
16:48Really?
16:49That's rich.
16:50I mean,
16:51I am rich.
16:53You.
16:54You are a lot of things.
16:56From the moment I met you,
16:57you've controlled every aspect of my life,
16:58every movement I make.
17:00You're obsessive,
17:01cryptic,
17:02a perfectionist.
17:03But you're not rich.
17:06Not where it counts.
17:25If you'll excuse me,
17:26I have work to do.
17:33This hand.
17:44What if?
17:46Maybe cuffs?
17:49What if we hang something around here?
17:50In my mind.
17:52Is that me?
18:08Did I say you could come in here?
18:10Uh,
18:11you'll be happy to know that I worked on these
18:13all night.
18:13Okay.
18:13Maybe if you stayed at the gala,
18:24you would have learned something.
18:26Learned what?
18:27You follow through with your obligations,
18:29so you wouldn't waste your time working on garbage.
18:31Garbage?
18:33I'll need five more by tomorrow morning.
18:35That will take me all night.
18:36Even making those two took me all night,
18:38and I barely got them done in time.
18:40You've done it once before.
18:41You can do it again.
18:43Don't you think?
18:44Maybe,
18:45just maybe,
18:46that's an unreasonable amount of time.
18:48Maybe.
18:49I don't care.
18:50Wait.
18:52I should have remembered.
18:53It's not in the contract.
18:54Oh, my God.
19:09Excuse me, miss.
19:10Where's my grandfather?
19:12I'm sorry.
19:13Usually if they're not in the room,
19:14it's because the insurance ran out,
19:15I don't care.
19:28Miss Brooks?
19:30Yes?
19:31I just wanted to inform you
19:32that your grandfather just received
19:33his first round of stem cell treatment.
19:36He's being very well taken care of.
19:37I don't understand.
19:38How is that possible?
19:39I can't afford that.
19:42I told you.
19:44I'll take care of everything.
19:45What?
19:47I can't believe this.
19:54Oh, but,
19:55but why?
19:57Why would you do that?
19:58Well, when I said I needed
19:59your undivided attention,
20:01I meant it.
20:02Now the only thing
20:05you have to worry about
20:06is me.
20:09I'm not your slave.
20:15Five designs
20:15by tomorrow morning.
20:23You're welcome.
20:30I've been expecting you.
20:31I have a feeling
20:32I'll be impressed.
20:34Brushed work
20:35is not work to be proud of.
20:41Is this you?
20:42And my parents.
20:43They must be so proud of you.
20:45They never got to see it.
20:46I inherited this company
20:47before I was old enough
20:48to run it.
20:49I'm so sorry.
20:51It was a long time ago.
20:52What happened?
20:53They vanished.
20:54On a work trip into Europe.
20:56Guess I don't control
20:56everything after all.
20:58I'm going to deliver
20:59these designs to everyone.
21:01I have a surprise for you.
21:06To your first approval.
21:13It's beautiful.
21:13I do have a request, though.
21:19I was wondering if I could
21:20I could have a little freedom.
21:22From what?
21:24Me?
21:24No.
21:25No, not you.
21:28I'm this.
21:29Well,
21:29I need to keep track of you.
21:33I mean,
21:33what if...
21:34Sterling,
21:35I'm not your parents.
21:38I'll be fine.
21:40I just don't know
21:41if I'm ready for that yet.
21:42But you continue to impress me.
21:44I mean,
21:45you'll be free as a bird.
21:46I do have more surprises
22:00to show you.
22:01But, um...
22:03You're gonna have to wait
22:04till tomorrow.
22:05Hmm.
22:06Full of surprises.
22:07Aren't you?
22:07Yeah.
22:12And that's why
22:13I can't let you go.
22:29What are you two doing here?
22:30There's not supposed to be
22:31anyone working today.
22:32We were just swinging by
22:33to assess a minor
22:34electrical concern.
22:35It seems that the circuit...
22:35It's nothing urgent.
22:36We're gonna come back tomorrow
22:37with the rest of the crew
22:38and get it resolved.
22:40Okay.
22:41Thank you for the update.
22:44Thank you, Mr. Mercer.
22:50I've ordered these beautiful pieces.
22:52White marble.
22:54What the hell?
22:59It's kind of beautiful.
23:01No, no.
23:01It's a mistake.
23:02It's not too perfect.
23:07It's bold.
23:08It's not trying hard.
23:09It just...
23:10is.
23:11Well, I like my work
23:12to be intentional.
23:16Well, I would argue
23:18that this elevates
23:19the intention of the space.
23:21The juxtaposition
23:22between control and chaos.
23:24You have good eyes,
23:25Ms. Brooks.
23:27Follow me.
23:28Your second task
23:36for the client.
23:38Master bedroom
23:38and nursery.
23:41Oh.
23:41The client's a family man.
23:43We don't discuss
23:44the client.
23:45Only satisfy their needs.
23:49Would you like
23:50to see your designs?
23:51Yes.
23:51Yes.
23:51Yes.
23:52Yes.
23:52Yes.
23:52Yes.
23:52Yes.
23:53Yes.
23:53Yes.
23:54Yes.
23:54Yes.
23:54Yes.
23:55Yes.
23:55Yes.
23:55Yes.
23:55Yes.
23:55Yes.
23:56Yes.
23:56Yes.
23:56Yes.
23:57Yes.
23:57Yes.
23:57Yes.
23:58Yes.
23:58Yes.
24:08Is it not
24:09what you thought?
24:10No.
24:10It's not that.
24:12It...
24:12The power went up.
24:18There's no signal.
24:19Yeah.
24:19The soundproofing
24:20they put up
24:21cuts signal.
24:23What?
24:24No.
24:24It's not funny.
24:38I'm not laughing.
24:40How long until someone
24:41notices that we're gone?
24:42I don't know.
24:43An hour?
24:45Maybe two?
24:46Is it Nora?
24:48The client?
24:49What?
24:50No.
24:51You're not supposed to ask
24:52about the client.
24:53Just tell me.
24:55No.
24:55It's not.
24:56Is she...
24:57more?
24:59I built this room
25:01because I believed
25:02in your vision.
25:03I cleared your schedule.
25:05I cleared your stressors.
25:07All because...
25:09I wanted you.
25:10I didn't know what I did
25:25for you.
25:27No.
25:30No.
25:31Sir, your seven o'clock is waiting upstairs.
25:58Tuck your shirt in, sir.
26:01I know.
26:08I know.
26:10Who the hell are you?
26:12Calm down, sweetie.
26:14Put Crumpet down.
26:17Listen, sweetie.
26:18I work for Mr. Mercer.
26:20He hired me to take care of your grandpa and Crumpet until you return.
26:24Sweetie, what are you doing home?
26:27What am I doing?
26:29This is Agnes, my nurse.
26:31She's taking care of me.
26:32Oh, I'm sorry.
26:34I'm so embarrassed.
26:39Um, hello?
26:41Why are you in your apartment?
26:43If you're there, there's no need for Agnes to stay employed.
26:46Cece, you're ruining my chances.
26:48Go back, Cece.
26:49Oh, okay, okay.
26:51Everything's all right.
26:52Agnes has taken very good care of me.
26:54Okay, okay, Pappy.
26:55I'll go.
26:56Um, it was nice meeting you, Agnes.
26:59Nice to meet you, dear.
27:00What the hell?
27:12He has a girlfriend?
27:13What?
27:19What was I thinking?
27:20What?
27:24What?
27:25What?
27:26What?
27:28What?
27:29How?
27:32Gotcha now, bitch.
28:02I found her address.
28:21Sterling.
28:24Sterling.
28:25Can we talk?
28:26I don't have the time, Miss Brooks.
28:27Sterling, it's important, please.
28:28Well, I'm dealing with something.
28:29Figure it out yourself.
28:30You might want to ask me why I'm here, you psycho.
28:43I don't give a damn what you have to say.
28:45I don't trust you.
28:46Well, maybe you should start, because I know a dirty little secret about you.
28:51You're about to be broke.
29:00I'm here to offer you a buyout.
29:03Get out.
29:04Hear me out.
29:05Instead of your accounts being compromised facing bankruptcy and becoming the embarrassment
29:12of architecture, we could merge as Hale Mercer.
29:17He has a nice name.
29:18Oh, you're way out of line.
29:20Am I?
29:22Because someone pretty close to you seems to be worried about you.
29:25Besides, if you don't accept this buyout, I'll publish the information and Mercer Designs
29:32will go bye-bye.
29:34Is that a threat?
29:35Think of it more of a bribe.
29:41Get the hell out of my property.
29:45And out of my sight.
29:47Now!
30:00Ms. Brooks, in my office immediately.
30:03Are you sure you want me in there, or not your other woman friend?
30:07What are you talking about?
30:08Hand me your sketches.
30:12I have designs, but they're not the originals.
30:15The originals are missing or lost.
30:18What do you mean lost?
30:19I finished the designs last night and I fell asleep, but when I woke up, they weren't
30:23in my room anymore.
30:24You're lying.
30:25I'm lying?
30:26Why don't you tell that to the next girl you bring over?
30:30Excuse me?
30:31You're so careless.
30:33Careless?
30:34Me?
30:35I'm pretty sure you're the one who's talking about losing sketches.
30:38Something you won't have to deal with anymore.
30:40Marley's going to be taking you to the project mansion.
30:44Hopefully you can figure out your sketches problems there.
30:49You may go.
30:56Take her and her belongings to the project mansion.
30:59Anything I should know, sir.
31:01She can't be trusted.
31:03And check the cameras.
31:05We have a mole.
31:06Yes, sir.
31:07Miss Brooks.
31:08What are you doing here?
31:09Well, um...
31:10I, uh, had to get some artwork for the client.
31:12You don't trust me.
31:13That too.
31:14You're not trusting me?
31:15You're not trusting me?
31:16You were the one with another woman after all that I did this all for you bullshit.
31:19Okay, what woman are you talking about here?
31:20You can't lie to me.
31:21I saw you with her.
31:22I saw you with her.
31:23I saw you...
31:24Okay, okay.
31:25Okay.
31:26Okay.
31:27Okay.
31:28Okay.
31:29If it makes you feel any better, I...
31:30I promise I'm looking into it.
31:31You promise?
31:33I promise.
31:34You promise?
31:35I promise.
31:36Okay.
31:37I promise.
31:38Oh.
31:39Oh!
31:40Oh!
31:41Oh!
31:42What have you done with another woman after all that...
31:43I did this all for you bullshit.
31:44Okay.
31:45What woman are you talking about here?
31:46You can't lie to me.
31:47I saw you with her.
31:48I saw you with her.
31:49I saw you with her.
31:50Okay, okay.
31:51Okay, okay.
31:52If it makes you feel any better, I...
31:55I promise I'm looking into it.
31:58You promise?
31:59I promise.
32:00Okay.
32:01I thought you didn't trust me.
32:15That you were mad at me?
32:16You're too hard to resist.
32:30Let's go inside.
32:31Let's go inside.
33:00Let's go inside.
33:00Let's go inside.
33:02Let's go inside.
33:03Let's go inside.
33:05Let's go inside.
33:06Let's go inside.
33:07Let's go inside.
33:08Let's go inside.
33:10Let's go inside.
33:11Let's go inside.
33:12Let's go inside.
33:13Let's go inside.
33:14Let's go inside.
33:15Let's go inside.
33:16Let's go inside.
33:17Let's go inside.
33:18Let's go inside.
33:19Let's go inside.
33:20Let's go inside.
33:21Let's go inside.
33:22Let's go inside.
33:23Let's go inside.
33:24Let's go inside.
33:25Let's go inside.
33:26Let's go inside.
33:27Let's go inside.
33:28Let's go inside.
33:29Let's go inside.
33:30Let's go inside.
33:31Let's go inside.
33:32Let's go inside.
33:33Let's go inside.
33:34Let's go inside.
33:51iciones.
33:52Hello, Cecilia.
33:54I'll need your full cooperation.
33:57I have something of yours you might want back.
33:59Now that I've got your attention
34:01I need a little favor.
34:03Bring me Mercer's Legacy One design.
34:05You can't do this!
34:06But see, I already have, sweetheart.
34:09Get me the designs.
34:10Tell Sterling, and your sweet old pappy dies.
34:13And your little cat, too. Your choice.
34:16I've been reviewing project management assets.
34:19You're four days late on the Hudson property.
34:21The client is not happy.
34:23Mr. Mercer is not happy.
34:26Pick it up or I'll give your work to her.
34:28She's three days ahead.
34:31Is that a personal email?
34:51Sweetie, you don't have to do this.
34:53Too late, old man.
34:55Who the fuck are you?
34:57Your worst nightmare.
34:59Baby!
35:00I'm so glad you made it.
35:02I set all this up for you.
35:04This better work.
35:09No, no, you won't eat.
35:11It's good enough.
35:12It's good enough.
35:13It's done.
35:14It was fine.
35:15You don't have to.
35:16Everybody's done.
35:17You're like...
35:18I need to...
35:19I'm gonna have to leave.
35:20Forgive me.
35:21I just wanna know that you're coming in the room.
35:23I'm gonna have to leave.
35:25Very well.
35:26I know I'm gonna have to leave.
35:27Show me the video.
35:49Yes, sir.
35:53She knew how to evade the cameras.
35:55I can't identify her, but we knew her enough to let her in.
36:00Keep this video between us.
36:02Yes, sir.
36:16Cecilia.
36:18Sterling, you're not working from home today?
36:20What are you doing here?
36:22Who have you been talking to?
36:24No one.
36:24I just, I needed to pick up some paint samples and this was on the way.
36:28On the way to what?
36:30We're like 20 miles south of home.
36:33I'm getting my necklace cleaned.
36:34So if you can't find me or track me for any reason, that's why.
36:42Why do you need your necklace cleaned?
36:49I've just been working a lot.
36:51The drafting table is super dusty and I don't want to get messed up.
36:56It's a woman thing.
36:57I'm trusting you right now.
37:06I know.
37:07What the hell is going on?
37:22Good girl.
37:42Right on time.
37:43Well, don't hesitate now, sweetheart.
37:47Or they're dead.
37:50Come on, Cecilia.
37:51Do it.
37:52Sterling, you won't even know what hit you.
38:06Now let my grandfather go.
38:08He's all yours.
38:09A deal is a deal, pretty lady.
38:11Cece, don't.
38:18Get out of here.
38:19Look, look.
38:31I've had a change of heart.
38:37Please.
38:38No.
38:40This way.
38:41Wow.
38:52You really know how to tie the room together, darling.
38:54Sterling has my location.
38:56You have no idea what you're in for.
38:58Oh, but I think I do.
39:01You see, when that timer goes off,
39:06you and that little tracker and this entire place will go bye-bye
39:10and then that will pave way for the construction site of all Hale designs.
39:15He'll find me.
39:17And when he does-
39:17That's very unlikely, Cecilia.
39:21Now that Sterling has this video, now that Sterling has this video, no one's coming to save you.
39:26Screw you.
39:28Screw both of you!
39:29Oh, oh, oh.
39:30But I almost have everything I need.
39:38You see, the only thing that is missing, my dear, is the contact for Sterling's project mansion.
39:46What?
39:46Why does that matter?
39:48Well, once I have the contact, I can put in a bid under his.
39:56Therefore, Mercer will no longer have any names attached to any property.
40:02That will never happen.
40:03Who's the client?
40:10How much was the bid offer?
40:13I don't know.
40:16Will you remember?
40:19Trust me.
40:21Even if I did, I wouldn't tell you.
40:24So, tell me, who is the client?
40:38He took care of my family.
40:41I'm never going to sell him out.
40:46Unless you forget, sweetheart.
40:49You already gave me the plans.
40:51So, therefore, you are already a betrayer.
40:56Promise?
40:57I don't know anything.
41:01Well, I can see that you're a lady of your word, which makes it kind of harder to believe you.
41:06So, tell you what.
41:08This is how it's going to go.
41:10You're going to tell me, and then you, Pappy, and little Kitty can go free.
41:17While Mercer Designs burns to the ground.
41:20Or, I could kill you, right here, right now.
41:28And Mercer Designs falls anyway.
41:33Okay.
41:35Decisions, decisions, darling.
41:36Wait, no.
41:37No, I'll tell you.
41:37I'll tell you anything you want to know.
41:38Please, don't touch him.
41:40I'll tell you.
41:41Tell me everything.
41:55I don't...
41:56I don't know a lot.
41:58I just...
41:59I know she's very private.
42:01Very secretive.
42:03She only talks to Sterling.
42:05She's an older, conservative woman.
42:10Liar!
42:11That night that I dosed Sterling with that sleeping elixir,
42:15I found your little project mansion and that newly built BDSM room.
42:21Oh, and then all the plans that I stole from Cecilia's bedroom?
42:25They were for a nursery.
42:26Both rooms that an elderly woman wouldn't need in a new home.
42:31You drugged him?
42:31Yes!
42:32I drugged him!
42:39And then I ransacked his mail.
42:42That's where I found you, your address, and your little cat, too.
42:49Well, then, looks like you chose...
42:56Oh!
42:58Oh, I'm sorry, my sweetness, but our short little affair is over.
43:04Excuse me.
43:06Well, obviously I don't need your services any longer.
43:10Besides, I don't do witnesses.
43:19Sterling, help me, please!
43:23Sterling, wait, it's a trap!
43:24Sterling, please, you have to help me!
43:26Watch out!
43:33Tell me how to farm it!
43:36Now!
43:38Back wire!
43:46You little BDSM!
43:48Nor stop!
43:49Put down the knife!
43:51She kidnapped me!
43:52I've been waiting here for hours for you!
43:54Put down the knife!
43:55Come on, let me at her one last time!
43:57She betrayed you!
43:59She's the one who gave up the Legacy One and the third floor!
44:03Wait, how do you know about the Legacy One project?
44:05That was confidential.
44:06That little bitch.
44:07She told Vincent everything!
44:10No, she's lying!
44:11It's all because of her!
44:16She drugged you!
44:17No, I didn't, you bitch!
44:19When I thought I saw you with that woman?
44:22Then now you lost the designs.
44:24No.
44:24No, that wasn't me!
44:26Okay, Vincent made me do it!
44:28He said he threatened my family!
44:29I had no other choice!
44:32I don't believe you.
44:34Arrest her!
44:35No!
44:39Drop the knife!
44:40Come on here!
44:41Come on here!
44:41Go!
44:42They saved you, please!
44:45You have the right to me, and you're silent!
44:47Anything you say can't move against against you and you're going to fall!
44:50No, get this, my sir!
44:51Wait, no, no, I'm tying first.
44:53I'm so sorry.
44:55It's okay.
44:55It's okay.
44:56But I gave him your designs.
44:57I didn't know what else to do.
44:59I was trying to save them.
45:00I didn't mean to.
45:01You're safe.
45:02You're safe.
45:03Okay?
45:04Vincent will be able to touch the project.
45:06Okay.
45:06I'm so happy you found me.
45:14I thought...
45:15Always find you.
45:19How?
45:23Because I know you.
45:25That moment in the parking lot, I knew from your eyes that you needed me.
45:30I will always keep you safe.
45:39Hey, hey, would you two take it someplace else?
45:45Sorry, Babby.
45:46I'll take you and Crump at home.
45:53Oh, thank goodness you're okay.
45:55I want to tell you something, sweetheart.
46:00I love Agnes.
46:01I really mean it.
46:02Okay, Babby.
46:04Just get to rest.
46:05I mean it, Cece.
46:06When a man knows, he knows.
46:12Agnes, it's been a long time since I've met someone as caring as you.
46:16And I'd like you to be my wife.
46:20Yes!
46:22I love you, Agnes.
46:25Marley, what are you doing here?
46:33Miss Brooks.
46:35Mind coming with me?
46:37Will you give me a second?
46:38I want to change first.
46:39Okay.
46:55This is really beautiful.
47:25for. We work well together. I'm glad you think so, Cecilia. Yes, Sterling? I have something
47:39I need to tell you. About? There isn't a legacy, Kalaya. Well, there is, but it's not who you
47:51think. I don't follow.
47:55It's me. What? This, this is my legacy. Come here. I need to show you something. I made
48:15this for you. Wait one second. I thought if we put them next to each other, it would create
48:33balance. Balance. But then you came in. You're kind. Bold. Intuitive. Sterling.
49:03Place. A soul. Cecilia Brooks. Would you share the love we built together? Yes. Yes, Sterling.
49:15Yes, Sterling.
49:16I said yes to you. To forever too. To every dream we're walking through.
49:37?
49:39?
49:43?
49:45?
49:47?
49:49?
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