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00:00:00Musique
00:00:30Musique
00:00:32Musique
00:00:34Musique
00:00:36Hey Randy, are you ready to get started?
00:00:38I think you are.
00:00:40We gotta make some art here, people.
00:00:42Alright, let's go. Bring that light right here.
00:00:44Down here.
00:00:46Alright, that's not.
00:00:48No, I need more light than that.
00:00:50You're in the spot.
00:00:52Okay.
00:00:54Good boy.
00:00:56Alright.
00:00:58No, I told you. It's too hot.
00:01:00Turn it over. Give me the other flat side, idiot.
00:01:02Come on, let's go.
00:01:04Come on. Oh, Jesus Christ.
00:01:06Come on.
00:01:08Alright.
00:01:14Good. Back in it. Back in it. Back in it.
00:01:16That's a good dog.
00:01:18Such a good dog.
00:01:28Good. Alright, that's fine.
00:01:30That's a good dog.
00:01:32Good. Alright, that's fine.
00:01:34That's a good dog.
00:01:36Hang on, man.
00:01:38Gotcha.
00:01:40Very much.
00:01:50Alright, that is great.
00:01:52I think he looks good, don't you?
00:02:08Yeah, we're out of film. Alright, take five. We're reloading now.
00:02:10This is the dumbest dog in the whole world. Where the hell did you get such a dumb dog?
00:02:14It's my dog. I trained that dog. I love this dog.
00:02:18And you are as dumb as the dog.
00:02:20As dumb as the dog.
00:02:37Alright.
00:02:38Is everybody ready?
00:02:40Is your camera loaded?
00:02:41Yeah.
00:02:42Are we all happy?
00:02:46Then give me the goddamn dog.
00:02:50This program is sponsored by the Women's Press Club of America, along with the Friends of Public Television.
00:03:07I'm Melissa Kent.
00:03:08And I'm Sander Davis.
00:03:10In a few minutes, we will switch our control to the Women's Press Club to honor Emmanuel Griffith as Woman of the Year.
00:03:17Some people may not know the name, but they should be able to recognize the face.
00:03:22At age 25, Miss Griffith has appeared on the front cover of some of the most famous fashion magazines in the world.
00:03:29The covers of Vision, Olay, and Velary, just to name a few.
00:03:34Thank you.
00:03:35Emmanuel, as she is best known, has now become the world's standard of beauty and fashion, and is also a major symbol of the feminist movement.
00:03:44She denies any interest in the job of president of the Women's Press Club.
00:03:48So, Melissa, what about those rumors?
00:03:51Well, Sander, it's a demanding position, and she's already in great demand.
00:03:56She's been described as the highest paid fashion model in the history of the business.
00:04:01Now we switch our cameras to Washington, D.C., and Joan Harris, current president of the Women's Press Club.
00:04:08Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:19When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:28No.
00:04:29Yes, I did.
00:04:30I didn't think that I could handle the job.
00:04:33It was too difficult, too hard, and at times it seemed impossible.
00:04:40Women were second-class citizens then, and they still are today.
00:04:44But let me tell you what.
00:04:47Things are changing.
00:04:50I would like you to accept this award as it is given.
00:05:00You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Oh, God.
00:05:07This is really great stuff.
00:05:09This is great stuff.
00:05:11Jesus.
00:05:13Good morning, ladies, and welcome to a man's world.
00:05:19Let me tell you a little about men, ladies.
00:05:25They'll tell you anything they want you to hear.
00:05:30They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:37They will tell you that there is no sexual harassment in the workplace.
00:05:44And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:05:55This is really great stuff.
00:05:57All of this is going to change, ladies.
00:06:00Thank God for that, honey.
00:06:02Thank God for that.
00:06:04I don't want to take this world away from the boys.
00:06:10All I want is for us to have a piece of the pie.
00:06:19And when I'm talking peace, ladies, I don't mean a little one.
00:06:25I am talking 50% right down the middle.
00:06:32Yes!
00:06:41I want to thank you so much for having me here tonight.
00:06:46I will cherish this woman for the rest of my life.
00:06:56Lord, Lord, I can't believe this.
00:06:58I mean, I can't believe it.
00:06:59I mean, God, this is beautiful.
00:07:01I mean, this woman could be the President of the United States.
00:07:03I've got to see this again.
00:07:05This is history in the making.
00:07:06I mean, this is tape at its best.
00:07:07I've got history right in front of me.
00:07:09I can't believe it.
00:07:10Let me rewind this.
00:07:11Let me see this again.
00:07:12Come on.
00:07:13Let's go, man.
00:07:14Oh, my Lord.
00:07:15I will tell you, you should remain barefoot and pregnant.
00:07:21Well, ladies.
00:07:22All of this is going to change, ladies.
00:07:25Yes!
00:07:2650-50.
00:07:2750%, honey.
00:07:28Come on.
00:07:29Come on.
00:07:30Wake them up.
00:07:31I don't want to take this world away from the boys.
00:07:34No.
00:07:3550-50.
00:07:36All I want is for us to have our piece of the pie.
00:07:41Yes!
00:07:4250% down the middle.
00:07:43Nothing more, nothing less.
00:07:44Come on, baby.
00:07:45Back of course.
00:07:46When I'm talking peace, ladies, I'm not talking a small piece.
00:07:53I am talking 50% right down the middle.
00:07:58Yes!
00:07:59Yes!
00:08:00Yes!
00:08:01Just get them, honey.
00:08:02Come on!
00:08:03I want to thank you so very much for having me here today.
00:08:08I will treasure this for the rest of my life.
00:08:10Thank you.
00:08:33Okay.
00:08:34I have a suite set up for you at a lovely Japanese hotel in Beverly Hills.
00:08:45Good.
00:08:46Then you have to be at the location by 4 this afternoon.
00:08:48Fine.
00:08:49What about the deal?
00:08:50Okay.
00:08:51For every day they go over, it's an additional $12,000.
00:08:54Good.
00:08:55Now, we aren't sure about after Paris.
00:08:58Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:01Phil, what do you do when I'm not in town?
00:09:05No, come on, you can tell me.
00:09:08I'm in town three months out of the year.
00:09:10You're on a full salary.
00:09:11Well, I work out.
00:09:14I go to a lot of movies.
00:09:16I hope I haven't created a problem.
00:09:18I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:23We'll be right back, Phil.
00:09:25We'll be right back, Phil Okay, Phil.
00:14:53What are you doing? What are you doing?
00:14:57Open my window!
00:15:18What are you doing?
00:15:23What are you doing?
00:15:53Don't worry, baby. I'm here to help you. Everything's gonna be just fine.
00:16:00Don't worry, baby. I'm here to help you. Everything's gonna be just fine.
00:16:15Everything's gonna be just fine.
00:16:17I'm here to help you.
00:16:23I just wanna give it to you.
00:16:27You get me here.
00:20:03que vous présentez à l'audience.
00:20:06Mais ne vous inquiétez pas,
00:20:07vous allez être OK.
00:20:08Nous allons faire ça juste fine.
00:20:14Maintenant,
00:20:15ce serait-ce que vous voulez pour lunch?
00:20:18N'importe.
00:20:20Je ne veux rien de vous.
00:20:22Oh, OK.
00:20:23Je vous dis,
00:20:24il y a un buzzer
00:20:25sur la table en front de la TV.
00:20:29Et si vous juste pousser,
00:20:30je vais vous donner quelque chose que vous voulez.
00:20:35Leave a dirt you, Emmanuel.
00:21:00All right.
00:21:14All right.
00:21:28Give it a shot, baby.
00:21:29Help me!
00:21:36Can somebody help me?
00:21:41Save your breath, sweetheart.
00:21:43You'll need it later.
00:21:45You can't get out.
00:21:46No one can hear you.
00:21:47I'm in charge now.
00:21:48The sooner you get that through your head,
00:21:50the better off you'll be.
00:21:52Just push the buzzer
00:21:54if you need an exam.
00:21:56Hey, mister!
00:22:04Hey, mister!
00:22:07Hey, asshole!
00:22:09You know, your fucking TV set isn't working!
00:22:17It ain't working!
00:22:26Aren't there any other assholes
00:22:28that live in this area?
00:22:29Are you deaf?
00:22:34I can hear this fucking buzzer!
00:22:38Where the fuck are you?
00:22:41Fucking jerk!
00:22:44Are you deaf?
00:22:47Hello?
00:22:59Hello?
00:23:03This is your friendly chef.
00:23:05How may I be of service?
00:23:08I'd like something to eat.
00:23:11Mmmmm.
00:23:12Well, I tell you, that sounds like a good one.
00:23:15I'm fine.
00:23:16I'm fine.
00:23:17I'm fine.
00:23:18I'm fine.
00:23:19I'm fine.
00:23:20I'm fine.
00:23:21I'm fine.
00:23:22I'm fine.
00:23:23I'm fine.
00:23:24I'm fine.
00:23:25I'm fine.
00:23:26I'm fine.
00:23:27I'm fine.
00:23:28Well, I tell you, that sounds reasonable.
00:23:31All you have to do is use the word, please.
00:23:35Please.
00:23:37Well, how do you like that, sweetcakes?
00:23:41You're finally making some progress, and it hasn't even been 24 hours.
00:23:47Breakfast is served in 30 minutes.
00:23:58Breakfast in bed.
00:24:00We're the only lady in the house.
00:24:05Not bad, huh?
00:24:06I make my bernet sauce with a little brandy.
00:24:10I'm impressed.
00:24:11I'm impressed.
00:24:14Well, thank you.
00:24:15I studied with a great chef at the Waldorf Astoria in New York.
00:24:18Lovely.
00:24:19Well, thank you once again.
00:24:20My specialty is pastry.
00:24:24Wow.
00:24:25Now, I want to know who you are and why I'm here.
00:24:29Well, my dear, you already know why you're here.
00:24:42That's to give you time and instruction until you get your pretty little head straightened
00:24:46out.
00:24:47As for me, I am your chef and host.
00:24:51And in due time, if you're really nice and kind, I may even be your lover.
00:25:00You should live so fucking long.
00:25:03I told you that I don't like that kind of language from a woman.
00:25:06I don't want to have to say it again.
00:25:14What's your name?
00:25:16My name is Richard.
00:25:18Hello, Richard.
00:25:21What did they call you in school?
00:25:24Did they call you Ricky?
00:25:27Did they call you Dickie?
00:25:31Or did they just call you Dick?
00:25:51Didn't Brad's a suspect?
00:25:57Yeah.
00:25:58No.
00:25:59What?
00:25:59No.
00:26:00No.
00:26:00Where did they call you?
00:26:04We'll see you in credit.
00:26:06?
00:26:07You're gone.
00:26:09I walked.
00:26:09ars
00:42:12Je vais te dire, je ne veux pas ça à l'heure.
00:42:14Je dois faire des golds et je veux des golds.
00:42:16Je veux que le shimmering de ça.
00:42:17Je veux que ça, c'est magnifique.
00:42:20Alors, je vais te dire,
00:42:22pourquoi tu mets tout ça dans la box et...
00:42:25Oh, je vais te dire,
00:42:28un 10% discount
00:42:29semble assez respectueux pour moi.
00:42:34Don't you think?
00:42:42Oh, hell man.
00:42:55Oh, exasperating.
00:43:00Well, look at that.
00:43:03Front page, above the fold,
00:43:06in living color.
00:43:08I really am fantastic.
00:43:12Good morning, Emmanuel.
00:43:37I have something very special for you.
00:43:41Something pink for pink, lady.
00:43:42How are you?
00:43:46Hey you, what's going on here?
00:43:47Plug it back in.
00:43:48There's a little bra for you in black.
00:43:49I've been calling you all day.
00:43:51I don't have any water.
00:43:52And where the hell's my food?
00:43:53Plug it back in
00:43:54and things will be quite beautiful for you.
00:43:56Here's something royal for a royal lady.
00:43:58Oh, yes.
00:43:59Prick.
00:44:00Here's some golden threads for you.
00:44:01Just plug it back in.
00:44:03Another thing for pink, lady.
00:44:04Here's a little thing for purple.
00:44:05I want some goddamn water.
00:44:07I don't know what the hell you're talking about.
00:44:09Well, try running for the goddamn water
00:44:11with these tennis shoes.
00:44:13You bet your life.
00:44:14There they are.
00:44:15Run for it, baby.
00:44:16I'm going to stick these shoes right up your ass.
00:44:18Give me some water.
00:44:19Here's the little undies for the baby.
00:44:21You prick.
00:44:22You turned the water off, didn't you?
00:44:23You got it, sweetheart.
00:44:25And if you want it back on,
00:44:26plug it back in.
00:44:28What the hell are you talking about?
00:44:31Oh, my.
00:44:32Well, Jesus Christ.
00:44:35I got faith in you.
00:44:36I mean, I think you'll figure it out.
00:44:39I'm not taking any calls, sweetheart.
00:45:09And I'm going to get some water, all right?
00:45:11Jeez.
00:45:39God, you are persistent.
00:46:08J'ai dit, c'est difficile pour nous deux, mais je vous le dis, je vais faire ce qu'il est facile à vous possible.
00:46:23Maintenant, tout vous devez faire pour commencer, c'est plug-in back-in.
00:46:29F*** vous !
00:46:31Vous devriez ne pas messer votre room, honey. Vous allez vivre là pour un long terme.
00:46:35J'ai aussi, j'ai turned la buzzer off, pour que vous puissiez votre finger.
00:46:39Tout vous devez faire, c'est venir ici et plug-in back-in.
00:46:43Vous voulez quelque chose à manger ? Plug-in back-in. Vous voulez quelque chose à manger ?
00:46:46Plug-in back-in. C'est très simple. Plug-in back-in.
00:46:49Je ne ferais pas ça si je vous fais.
00:46:51C'est votre seul contact avec le monde extérieur.
00:46:56Qu'est-ce que vous faites pour moi ?
00:47:00J'ai pas fait quelque chose pour vous.
00:47:03J'ai pas fait quelque chose pour vous.
00:47:05Tu fais tout ça pour vous, baby.
00:47:06Tu fais tout ça pour vous.
00:47:12All right, Richard.
00:47:13Je vais faire ça votre route.
00:47:16Je vais faire ça.
00:50:28Non, je représente la vérité.
00:50:34Vous avez une voix très gentile.
00:50:37Merci, j'aime les compliments.
00:50:46C'est à regarder toi, chérie.
00:50:58C'est parti.
00:51:08Oh, je suis retourné maintenant.
00:51:10Donc, après ça, j'ai inventé ce truc qui aide les idiots à programmer les VCRs.
00:51:15Et j'ai fait une fortune.
00:51:18Vous êtes très gentile.
00:51:21Non, c'est juste la chance.
00:51:24Mais quoi pour toi ?
00:51:27C'est parti.
00:51:29C'est parti.
00:51:31C'est parti.
00:51:33Je suis pas à New York pour devenir actrice.
00:51:38Je n'ai pas 19.
00:51:43C'est une blague.
00:51:44Donc, quoi ?
00:51:48Je suis pas une petite femme.
00:51:50C'est parti.
00:51:52Je n'ai pas été une femme.
00:51:56Ma mère a besoin de l'argent. Je ne savais pas comment faire ce qu'il n'y a pas.
00:52:02Je ne suis pas malade. C'était dans tous les papiers.
00:52:09Qu'est-ce que ?
00:52:11J'ai fait une danse à une barrière de Times Square.
00:52:15Je veux dire, comment tu as l'as-tu ?
00:52:21C'était facile.
00:52:25J'ai apprécié.
00:52:31J'ai fait des gens qui me regardent.
00:52:35C'était un turn-on.
00:52:38C'est ce que tous les modèles font.
00:52:42Les gens seuls.
00:52:45C'est pas si tu es malade ou pas.
00:52:48C'est un turn-on.
00:52:50C'est une chose sexiste, donc tu es un sexiste.
00:52:54Je n'ai pas dit ça.
00:52:56Oui, c'est ça.
00:52:59C'est une chose sexiste.
00:53:01C'est une chose sexiste.
00:53:03C'est une chose sexiste.
00:53:05C'est une chose sexiste.
00:53:07C'est une chose sexiste.
00:53:09C'est une chose sexiste.
00:53:11C'est une chose sexiste.
00:53:13Et puis...
00:53:22Pourquoi tu peux me jouer un peu de musique ?
00:53:27Je veux jouer pour toi.
00:53:43Je veux jouer pour toi...
00:54:57I'll be down in the living room. Just come down the stairs and bear to your left.
00:56:51C'est très bon.
00:57:12Oui, c'est mélange avec votre corps.
00:57:18C'est vous tout le temps.
01:19:06Bonjour.
01:19:08Talk to me, Jim.
01:19:10I called this guy up in Pacoima.
01:19:12He says that he rented a black limo
01:19:14to this guy at this address
01:19:16at 5.45 a.m.
01:19:18on the morning of the 5th.
01:19:20Great.
01:19:22Hey.
01:19:24I just dialed the next number
01:19:26on the list.
01:19:28What's the problem?
01:19:30No problem.
01:19:32Yeah, but you're acting like there's a problem.
01:19:34Me? I can, like there's a problem?
01:19:36Oh, no.
01:19:38I just spent 27 hours
01:19:40on that telephone calling everybody
01:19:42in the world. You got nothing.
01:19:44Now you make one phone call
01:19:46and you got our man.
01:19:48I know exactly what you're doing.
01:19:50What am I doing?
01:19:52You, Pete.
01:19:54How you work.
01:19:56Cause I know damn well
01:19:58that since you know you can't go in and arrest him,
01:20:00you want me to do the dirty work for you.
01:20:02Don't you? Isn't that how you people work?
01:20:04And what the hell do you mean by you people?
01:20:06I don't tell me the racial innuendos are starting.
01:20:10There was no racial innuendo.
01:20:16I just call him as I see him.
01:20:20I call a spade a spade.
01:20:22I was talking about LAPD.
01:20:24The way you people do business.
01:20:28I should have spoken more clearly.
01:20:30I should have been referring to you people
01:20:32as assholes.
01:20:34Real nice.
01:20:36Real good. I'm out of here.
01:20:38Sam.
01:20:40What?
01:20:42Good luck.
01:20:48You owe me 50 cents for that phone call.
01:20:52See ya.
01:21:00Are you okay?
01:21:01Great.
01:21:02Gets a little rough up in here.
01:21:04Come on, Meg.
01:21:06Great.
01:21:08Oh, come here.
01:21:10I want you to see something.
01:21:14Look at that view.
01:21:16I don't see much of anything.
01:21:20Well, you will when I cut that tree down.
01:21:22Hey, look at this rope. Here, grab this, okay?
01:21:24Cause we're gonna have to pull ourselves up the rest of the hill.
01:21:26I'm gonna lead the way, okay?
01:21:28Okay, you were behind me?
01:21:29Yeah.
01:21:30Here we go.
01:21:31Hold up.
01:21:38Where are you taking me?
01:21:39You said you wanted to go out.
01:21:41Well, when I said out, I meant out.
01:21:43This is the back of your house.
01:21:44No, out, out.
01:21:45Look up there.
01:21:46You see the sky?
01:21:47That's out.
01:21:48I mean, you're about as far out as I can trust you.
01:21:53Here, come on.
01:21:54Grab my hand.
01:21:55Come on.
01:21:56Swing up in here.
01:21:57That's it.
01:21:58Way to go.
01:22:00Well, here it is.
01:22:05What do you think?
01:22:10It's fantastic.
01:22:11Come on.
01:22:17It really is nice up here, isn't it?
01:22:19Yeah.
01:22:24All it takes is a little cooperation.
01:22:27I know that now.
01:22:29Do you?
01:22:30Mm-hmm.
01:22:31You know, I'm not gonna go to jail for this.
01:22:34I hope you know that.
01:22:36I don't want that.
01:22:37I don't want that.
01:22:41That's a relief.
01:22:42It's a relief for me.
01:22:44So it's, uh, it's you and me against the world from here on in, huh?
01:22:50You have to understand something.
01:22:52What's that?
01:22:53I'm different now from when you met me.
01:22:56You gotta forget that woman.
01:22:57She doesn't exist.
01:23:01I'll tell you something.
01:23:04Let's do it together.
01:23:06You and me.
01:23:08Let's make it happen.
01:23:10I mean, I've got the money.
01:23:11I've got the power.
01:23:20You've got the talent.
01:23:23Let's make it a team play.
01:23:31You really mean that?
01:23:33Yes, I do.
01:23:42Can we do it again?
01:23:43Right now?
01:23:44Let's go, baby.
01:23:45You're moving in with me.
01:23:46Everything's gonna be just fine.
01:23:48I know it will.
01:23:49Listen, I'm gonna get your clothes, okay?
01:23:51So why don't you go down there and just get in bed.
01:23:54I'll be waiting for you, baby.
01:23:55All right, honey.
01:24:02Mwah!
01:24:11Emmanuel.
01:24:14Emmanuel.
01:24:17Emmanuel.
01:24:19Come on, honey.
01:24:20We made a deal.
01:24:21Don't break a deal.
01:24:22Come on, open the door!
01:24:25Open the goddamn door!
01:24:41Open the goddamn door!
01:24:46I know that the heart is coming.
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