- yesterday
Designed for Desire 2025 mydrama
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Heartless pervert!
00:33Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview us a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33Yolanda thinks they're very fast-paced here. I don't have time to ask twice.
01:46Hello? This is Cecilia.
01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery. Until then, we cannot proceed.
01:54Okay, one second.
01:56Hello? Ms. Brooks?
02:00Shit.
02:04Who is this woman? His girlfriend or something?
02:07I wasn't done with my interview.
02:10We'll touch base soon, okay?
02:15Oh!
02:16Good luck.
02:17I thought you weren't interested.
02:22Take off your clothes. Right now.
02:24Good luck.
02:41So, Ms. Brooks, what do you see in this room?
02:45Well...
02:47It's deliberate.
02:50Controlled.
02:51Powerful.
02:53It's impressive.
02:54But...
02:55But?
02:57It's not...
02:59Satisfying.
03:01Bold again.
03:05Tell me.
03:06How do you know it's satisfying?
03:08Satisfaction lies...
03:10Somewhere in between.
03:11You think you can give me that?
03:13Think you can take the risk and find out?
03:23All yours.
03:24All yours.
03:28Hey.
03:31The women out there would do anything to be in the position you're in.
03:35Unless you have other ideas.
03:43Don't make me regret this risk.
03:44I don't plan to.
03:45The position's been filled.
03:46Go home.
03:50Get out!
03:51Damn.
03:52He doesn't have to be so rude.
03:54Damn.
03:55He doesn't have to be so rude.
03:57Peppy.
03:58Your phone's upside down.
04:00Hi.
04:01How are you feeling?
04:02Hey, jubilation?
04:04Not doing too well, honey.
04:05Damn hospital postponed my surgery again.
04:06I'm so sorry, Peppy.
04:07I'm working things out with the hospital.
04:08I have some good news today, though.
04:12I'm sorry.
04:13Uh, I think that's my landlord.
04:14I have to go.
04:15Love you.
04:16Bye-bye.
04:18Bye-bye.
04:19Bye-bye.
04:21Bye-bye.
04:22Bye-bye.
04:23Bye-bye.
04:25Bye-bye.
04:27Bye-bye.
04:28Bye-bye.
04:29Bye-bye.
04:30Bye-bye.
04:31Bye-bye.
04:33Bye-bye.
04:34Bye-bye.
04:36oh what the hell is he doing here what are you doing here oh what the hell hey
04:46whoa whoa guys whoa hey don't take that I did not agree to this actually you did
04:58the signing must reside on this I can't quite hear you must reside with mr.
05:05Mercer for the duration of the project mm-hmm how long keep reading and
05:12definitely without exception a gift what the fuck a gift in exchange for being
05:25kidnapped no thanks I need to know where you're at at all times it's a tracker
05:35what like a dog collar do you think you own me now I wouldn't do that come on
05:42let's go this is insane just give me a second put crumpet in his carrier and
05:46call my grandfather no there are no animals in the mansion you must say
05:51goodbye to your little crumpet what absolutely not I told you in the
05:57contract that I will take care of everything I don't care about the
06:01contract what oh my god goodbyes are always so hard
06:05let me down what are you doing
06:08welcome back miss Brooks so I'm not allowed to leave if you leave your
06:17contract will be terminated immediately and what you're just gonna leave me all
06:20alone in here would you like me to join you
06:32no no no no why is it making that sound damn if I leave pappy dies shit trapped
06:40with this monster oh my god is this really happening I'm stuck
06:55this is your uniform work hours have started already tidy yourself up report to
07:02mr. Mercer oh and uh chop chop miss Brooks mr. Mercer does not like to be kept
07:12waiting
07:20do you know I just didn't want to disturb you I don't mind if you stare
07:42sorry sir I was just interested in your build the building the build of the
07:50mansion that we're building to work on today what time are we leaving for
07:56what car leaves in 10 minutes great I'll be ready
08:03pull up slow base though she know eyes locked in a rear view glow leather hot she's sliding close
08:09talk sleep but her body throws go grill smile how much further
08:12on the wheel she play hard but she know the deal patience miss Brooks
08:16pressure deeper make hearts near
08:18she's like the danger he didn't arrive
08:22can't fake the hunger and the weather high
08:25oh my fucking fucker
08:27hey foxy
08:33I got something that'll keep that jaw clenched
08:36wow original
08:37mr. Mercer we didn't know you was coming in today
08:40get off my property
08:41what
08:42you're fired
08:44leave
08:45oh I worked on the last nine Mercer mansions and now I'm fired because of
08:50this bitch
08:50if I collapse your loan
08:54wait did he just stand up for me
08:56sir how about you continue your work with miss Brooks
09:00and I'll handle this
09:01come on
09:04everything's nearly finished
09:07I'm gonna have a team come in and make some final measurements over here
09:10and I'll ensure they know how to keep their mouth shut
09:13uh
09:14is this
09:15all marble
09:16seeing her in my house gives me a strange feeling
09:24it's so beautiful
09:25what is it about her
09:27why do I want to
09:28follow me
09:29wow an elevator
09:36by the way
09:38what you did out there
09:39thank you
09:40I'd dismiss you just as fast
09:42if I wasn't pleased with your work miss Brooks
09:44remember that
09:45your first task for the client
09:51I don't know anything about the client
09:54who is
09:56we don't ask about the client
09:58we only worry about what they desire
10:00okay
10:01am I allowed to know what the
10:03purpose of this room is
10:05yes
10:06yes
10:06great
10:07the client
10:08would like this room transformed
10:11into their BDSM chambers
10:14I hope she doesn't see right through me
10:19so
10:21how would you do it
10:23uh
10:25um
10:26paint me a picture
10:27right
10:28uh
10:31over here
10:31I would
10:32put a
10:34chaise
10:34lounge
10:36velvet
10:37obviously
10:38obviously
10:38and over here would be a great place to mount a swing
10:41one with adjustable heights
10:43and
10:43handles
10:44and next to it
10:47we could put a cabinet for
10:48whips and toys and
10:49things
10:49you're very well versed
10:51I
10:53read a lot
10:54certain
10:55genres of certain books have certain details
10:58that's
10:59right
10:59right
11:00of course
11:01yeah it's perfectly normal a lot of women read
11:04fantasy and
11:05romance and
11:07fantasy romance
11:08anyway
11:10uh
11:10this would be a great place to
11:13announce
11:14walk us
11:15i'm drowning in the heat
11:21afraid of what i need
11:27your touch is like a flame
11:32but i can't turn your way
11:35hello
11:42miss brooks i'm sorry
11:44we need the payment
11:45uh i i understand
11:47is there anything i could do now
11:49to hold him there
11:50anything that could be done
11:51right now
11:52we need your payment miss brooks
11:53by tomorrow morning
11:54all two hundred thousand dollars
11:56okay
11:57i'll get it to you i promise
11:59sorry
12:02your contract explicitly states that i receive
12:04one hundred percent of your attention
12:06at work
12:07who was that
12:10it's personal
12:12there are no personal calls
12:14at work
12:15i'm sorry
12:17mr mercer it won't happen again
12:25i'll get to work right away
12:26i'll have designs to you by tomorrow morning
12:28take it off
12:33what
12:35your jacket
12:38uh mr mercer
12:41i won't ask twice
12:45what's this for
12:54what's this for
12:54it's perfect
13:00now go get dressed
13:02no need to pout miss brooks
13:24you'll be reading some of the top designers
13:26i don't understand how does this take priority over work
13:29am i your date
13:31or your designer
13:32you are
13:33when i say you are
13:37ladies and gentlemen
13:50it is my pleasure to welcome you all to
13:53the annual architectural ball
13:56proudly hosted
13:57by the mercer group
13:58i'd also like to welcome and introduce
14:04our newest interior designer
14:06miss cecilia brooks
14:08i thought you said you had the job
14:15i did everything that i could
14:16bitch must have slept with him in the interview
14:19fine
14:19i'll fix it myself
14:22so without further ado please enjoy your drinks
14:27and have a wonderful night
14:29may i have this dance
14:38oh
14:39sterling
14:43i was hoping that maybe we could
14:47walk and talk
14:48or maybe
14:49dance and discuss
14:51you must be working so hard
14:54i was thinking
14:56maybe you would benefit from a designer who
14:59really knows you
15:01your past
15:02i'm not interested in rehashing old relationships
15:06no
15:06it was just a flame
15:08doesn't mean we can't be close
15:11sterling could be a
15:14difficult
15:15person to work for
15:16you know you can come to me
15:21if you need
15:23anything
15:24get your hands off of her
15:30what the hell are you doing here vincent
15:35folks looks like the jester came to play
15:38get him out of here
15:43it's all right folks
15:48enjoy the party
15:49it's okay
15:50here you okay
15:51why don't you go grab a drink
15:54i'm gonna take care of this
15:55crazy night huh
16:04too crazy
16:06i'm nora
16:07a close friend of sterling's
16:09so
16:09tell me
16:11how's the new position treating you
16:12it's demanding
16:15the client
16:17what's your feel on them
16:18oh i'm not at liberty to discuss that
16:21come on it must be crazy right
16:23i really can't
16:26oh how embarrassing
16:31what are you doing in here
16:37cecilia i'm sorry
16:38i'm so done with their whole world
16:41the head of the board was
16:45barking my ear off
16:46stop it
16:48what i'm just trying to help
16:49help
16:50really
16:51that's rich
16:52i mean i mean i am rich
16:54you
16:56you are a lot of things
16:58from the moment i met you
17:00you've controlled every aspect of my life
17:01every movement i make
17:02you're obsessive
17:04cryptic
17:04a perfectionist
17:06but you're not rich
17:08not where it counts
17:10phil excuse me
17:29i have work to do
17:31this hand
17:46what if
17:47maybe cuffs
17:50what if we hang something around here
17:53is that me
18:10did i say you could come in here
18:13uh you'll be happy to know that i worked on these all night
18:16maybe if you stayed at the gala you would have learned something
18:28learned what
18:30you follow through with your obligations so you wouldn't waste your time working on garbage
18:34garbage
18:34i'll need five more by tomorrow morning
18:38that will take me all night
18:39even making those two took me all night and i barely got them done in time
18:43you've done it once before
18:44you can do it again
18:46don't you think
18:47maybe just
18:48maybe that's an unreasonable amount of time
18:51maybe
18:52i don't care
18:53wait
18:53i should have remembered
18:56it's not in the contract
18:58oh my god
19:07excuse me miss
19:13where's my grandfather
19:15i'm sorry
19:16usually if they're not in the room
19:17it's because the insurance ran out or
19:19miss brooks
19:32yes
19:34i just wanted to inform you that your grandfather just received his first round of stem cell treatment
19:39he's being very well taken care of
19:41i don't understand how is that possible
19:43i can't afford that
19:45i told you
19:47i'll take care of everything
19:48what
19:49i can't believe this
19:52oh but
19:58but why
19:59why would you do that
20:02well when i said i needed your undivided attention
20:04i meant it
20:05now the only thing you have to worry about
20:10is me
20:11i'm not your slave
20:14five designs
20:19by tomorrow morning
20:21you're welcome
20:27i've been expecting you
20:35i have a feeling i'll be impressed
20:37brushed work is not work to be proud of
20:40is this you
20:46and my parents
20:47they must be so proud of you
20:48they never got to see it
20:49i inherited this company before i was old enough to run it
20:52i'm so sorry
20:54it was a long time ago
20:56what happened
20:56they vanished
20:57on a work trip into europe
20:59guess i don't control everything after all
21:01i'm gonna deliver these designs to everyone
21:04i have a surprise for you
21:07to your first approval
21:12it's beautiful
21:17i
21:20do have a request though
21:22i was wondering if i could
21:24i could have a little freedom
21:26from what
21:27me
21:28no
21:29no
21:29not you
21:30from this
21:32well
21:33i need to keep track of you
21:36i mean
21:37what if
21:38sterling
21:39i'm not your parents
21:42i'll be fine
21:43i just don't know if i'm ready for that yet
21:46but you continue to impress me
21:48i mean
21:48you'll be free as a bird
22:02i do have more surprises to show you
22:04but um
22:06you're gonna have to wait till tomorrow
22:08full of surprises
22:10aren't you
22:12and that's why i can't let you go
22:18thank you
22:32what are you two doing here
22:34there's not supposed to be anyone working today
22:36we were just swinging by to assess a minor electrical concern
22:38it seems that the circuit
22:39it's nothing urgent
22:40we're gonna come back tomorrow with the rest of the crew and get it resolved
22:42okay
22:45thank you for the update
22:48thank you mr mercer
22:49i've ordered these beautiful pieces white marble
22:56what the hell
22:59it's kind of beautiful
23:04no no it's a mistake
23:06it's not too perfect
23:11it's bold
23:12it's not trying hard
23:13it just
23:13is
23:15well i like my work to be
23:17intentional
23:18well i would argue that this
23:22elevates the intention of the space
23:24the juxtaposition between
23:27control and chaos
23:28you have good eyes
23:29you have good eyes
23:29you have good eyes
23:29you have good eyes
23:29you have good eyes
23:30follow me
23:33your second task for the client
23:40master bedroom
23:42and nursery
23:43oh
23:44the client's a family man
23:46we don't discuss the client
23:48only satisfy their needs
23:50would you like to see your designs
23:54is it not what you thought
24:13no it's
24:14it's not that
24:15the power went up
24:21there's no signal
24:22yeah the
24:23soundproofing they put up
24:25cuts signal
24:26what
24:27no
24:28it's not funny
24:41i'm not laughing
24:43how long until someone notices that we're gone
24:45i don't know
24:47an hour
24:47maybe two
24:49is it norah
24:50the client
24:52what
24:53no
24:54you're not supposed to ask about the client
24:56just tell me
24:57no
24:58it's not
24:59is she
25:00more
25:01i built this room because i believed in your vision
25:06i cleared your schedule
25:08i cleared your stressors
25:10all because
25:11i wanted you
25:14so
25:14i
25:29I
25:30I
25:32I
25:35I
25:37Sir, your seven o'clock is waiting upstairs.
26:03Tuck your shirt in, sir.
26:07I know.
26:12I know.
26:14Who the hell are you?
26:17Calm down, sweetie.
26:19Put Crumpet down.
26:22Listen, sweetie.
26:23I work for Mr. Mercer.
26:24He hired me to take care of your grandpa and Crumpet until you return.
26:29Sweetie, what are you doing home?
26:31What am I doing?
26:33This is Agnes, my nurse.
26:35She's taking care of me.
26:36Oh, I'm sorry.
26:39I'm so embarrassed.
26:43Um, hello?
26:45Why are you in your apartment?
26:47If you're there, there's no need for Agnes to stay employed.
26:50Cece, you're ruining my chances.
26:53Go back, Cece.
26:54Oh, okay, okay.
26:56Everything's all right.
26:57Agnes has taken very good care of me.
26:59Okay, okay, Pappy, I'll go.
27:01Um, it was nice meeting you, Agnes.
27:03Nice to meet you, dear.
27:04What the hell?
27:16He has a girlfriend?
27:23What was I thinking?
27:25What was it?
27:50Gotcha now, bitch.
28:09I found her address.
28:20Sterling.
28:29Sterling, can we talk?
28:31I don't have the time, Ms. Brooks.
28:32Sterling, it's important, please.
28:34Well, I'm dealing with something.
28:35Figure it out yourself.
28:45You might want to ask me why I'm here, you psycho.
28:49I don't give a damn what you have to say.
28:51I don't trust you.
28:52Well, maybe you should start.
28:54Because I know a dirty little secret about you.
29:00You're about to be broke.
29:04I'm here to offer you a buyout.
29:07Get out.
29:08Hear me out.
29:10Instead of your accounts being compromised, facing bankruptcy,
29:15and becoming the embarrassment of architecture,
29:17we could merge as Hale Mercer.
29:21Even has a nice name.
29:23Oh, you're way out of line.
29:25Am I?
29:26Because someone pretty close to you seems to be worried about you.
29:29Besides, if you don't accept this buyout,
29:33I'll publish the information,
29:36and Mercer Designs will go bye-bye.
29:39Is that a threat?
29:40Think of it more of a bribe.
29:48Get the hell out of my property.
29:50And out of my sight.
29:52Now!
29:52Miss Brooks,
30:06in my office immediately.
30:08Are you sure you want me in there,
30:10or not your other woman friend?
30:11What are you talking about?
30:13Hand me your sketches.
30:17I have designs, but they're not the originals.
30:19The originals are missing or lost.
30:23What do you mean, lost?
30:24I finished the designs last night,
30:25and I fell asleep,
30:26but when I woke up,
30:28they weren't in my room anymore.
30:29You're lying.
30:30I'm lying?
30:32Why don't you tell that to the next girl you bring over?
30:34Excuse me?
30:36You're so careless.
30:37Careless?
30:38Me?
30:38I'm pretty sure you're the one
30:40who's talking about losing sketches.
30:42Something you won't have to deal with anymore.
30:45Marley's gonna be taking you to the project mansion.
30:48Hopefully you can
30:49figure out your sketches problems there.
30:52You may go.
31:00Take her and her belongings to the project mansion.
31:03Anything I should know, sir.
31:05She can't be trusted.
31:07And check the cameras.
31:09We have a mole.
31:12Yes, sir.
31:16Miss Brooks.
31:19What are you doing here?
31:21Well, um...
31:23I, uh, had to get some artwork for the client.
31:27You don't trust me.
31:31Not too.
31:33You're not trusting me?
31:35You were the one with another woman after all that
31:37I did this all for you bullshit.
31:39Okay, what woman are you talking about here?
31:41You can't lie to me.
31:42I saw you with her.
31:43I saw you...
31:44Okay, okay.
31:45Okay.
31:46If it makes you feel any better, I...
31:47I promise I'm looking into it.
31:51You promise?
31:56I promise.
31:57Okay.
31:58No!
31:58No!
32:01No!
32:17I thought you didn't trust me.
32:18That you were mad at me?
32:19No, you're too hard, Teresa.
32:20No, you're too hard, Teresa.
32:34Let's go inside.
32:34Eyes like knives you cut right through
32:51Every look says what you do
32:55Pull me under soft and deep
32:58You're the secret I can't keep
33:01Breath on glass you trace my name
33:04No one else can play this game
33:07You don't ask, you just take
33:11And I give, and I pray
33:14Well, hello.
33:17I'm here for Mr. Brooks.
33:18I'm sorry, what exactly is this for?
33:20I'm the treatment nurse.
33:22I'll be taking him to his appointment for today.
33:24Oh, Mr. Brooks doesn't have an appointment today.
33:26I can assure you he does.
33:31Well, thank you for coming.
33:33Can I bring Crumpet?
33:35Yes, Mr. Brooks.
33:36Bring the cat.
33:37Hello, Cecilia.
33:58I'll need your full cooperation.
34:00I have something of yours you might want back.
34:02Now that I've got your attention, I need a little favor.
34:07Bring me Mercer's Legacy One design.
34:09You can't do this.
34:10But see, I already have, sweetheart.
34:13Give me the designs.
34:14Tell Sterling and your sweet old pappy dies.
34:17And your little cat, too.
34:19Your choice.
34:19I've been reviewing project management assets four days late on the Hudson property.
34:25The client is not happy.
34:27Mr. Mercer is not happy.
34:30Pick it up or I'll give your work to her.
34:31She's three days ahead.
34:34Is that a personal email?
34:35Sweetie, you don't have to do this.
34:57Too late, old man.
34:58Who the fuck are you?
35:01Your worst nightmare.
35:02Baby.
35:04I'm so glad you made it.
35:05I set all this up for you.
35:08This better work.
35:12No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
35:15I'm so glad you made it.
35:45Show me the video.
35:51Yes, sir.
35:55She knew how to evade the cameras.
35:57I can't identify her, but we knew her enough to let her in.
36:02Keep this video between us.
36:04Yes, sir.
36:15Cecilia.
36:20Sterling.
36:20You're not working from home today?
36:22What are you doing here?
36:23Who have you been talking to?
36:26No one.
36:26I just, I needed to pick up some paint samples and this was on the way.
36:30On the way to what?
36:32We're like 20 miles south of home.
36:35I'm getting my necklace cleaned.
36:38So if you can't find me or track me for any reason, that's why.
36:44Why do you need your necklace cleaned?
36:50I've just been working a lot.
36:52The drafting table is super dusty and I don't want to get messed up.
36:57It's a woman thing.
36:58I'm trusting you right now.
37:07I know.
37:08What the hell is going on?
37:38Good girl.
37:43Right on time.
37:46Well, don't hesitate now, sweetheart.
37:48Or they're dead.
37:51Come on, Cecilia.
37:53Do it.
37:58Sterling Mercer's legacy designs.
38:01Just like I asked.
38:02Oh.
38:04Sterling, you won't even know what hit you.
38:06Now let my grandfather go.
38:08He's all yours.
38:10A deal is a deal, pretty lady.
38:17Cece, don't!
38:18Get out of here!
38:20Look, look!
38:31I've had a change of heart.
38:33Please.
38:33Please.
38:37No.
38:40This way.
38:50Wow.
38:52You really know how to tie the room together, darling.
38:55Sterling has my location.
38:57You have no idea what you're in for.
38:58Oh.
38:59But I think I do.
39:02You see, when that timer goes off, you and that little tracker and this entire place will go bye-bye.
39:10And then that will pave way for the construction site of all Hale designs.
39:15He'll find me.
39:17And when he does-
39:18That's very unlikely, Cecilia.
39:21Now that Sterling has this video, no one's coming to save you.
39:26Screw you.
39:28Screw both of you!
39:29But I almost have everything I need.
39:35Hmm?
39:36His financials, his accounts.
39:38You see, the only thing that is missing, my dear, is the contact for Sterling's project mansion.
39:46What?
39:46Why does that matter?
39:49Well, once I have the contact, I can put in a bid under his.
39:55Therefore, Mercer will no longer have any names attached to any property.
40:02That will never happen.
40:07Who's the client?
40:10How much was the bid offer?
40:13I don't know.
40:16Well, you'll remember.
40:19Trust me.
40:21Even if I did, I wouldn't tell you.
40:32So, tell me.
40:36Who is the client?
40:38He took care of my family.
40:41I'm never going to sell him out.
40:46Unless you forget, sweetheart.
40:49You already gave me the plans.
40:52So, therefore, you are already a betrayer.
40:56Promise?
40:57I don't know anything.
41:00Hmm.
41:01Well, I can see that you're a lady of your word, which makes it kind of harder to believe you.
41:05So, tell you what.
41:08This is how it's going to go.
41:10You're going to tell me, and then you, Pappy, and little Kitty can go free.
41:18While Mercer Designs burns to the ground.
41:21Or, I could kill you.
41:25Right here.
41:27Right now.
41:29And Mercer Designs falls anyway.
41:31Shh.
41:31Okay.
41:35Decisions, decisions, darling.
41:36Wait, no.
41:37No, I'll tell you.
41:38I'll tell you anything you want to know.
41:39Please, just don't touch him.
41:40I'll tell you.
41:41I'll tell you.
41:50Tell me everything.
41:55I don't...
41:56I don't know a lot.
41:58I just...
42:00I know she's very private.
42:02Very secretive.
42:03She only talks to Sterling.
42:06She's an older, conservative woman.
42:10Liar!
42:12That night that I dosed Sterling with that sleeping elixir,
42:16I found your little project mansion.
42:19And that newly built BDSM room.
42:21Oh, and then all the plans that I stole from Cecilia's bedroom?
42:25They were for a nursery.
42:27Both rooms that an elderly woman wouldn't need in a new home.
42:31You drugged him?
42:31Yes!
42:32I drugged him!
42:39And then I ransacked his mail.
42:42That's where I found you,
42:44your address,
42:46and your little cat, too.
42:49Well, then.
42:53Looks like you chose...
42:56Oh!
42:57Oh, I'm sorry, my sweetness,
42:59but our short little affair is over.
43:04Excuse me.
43:05Well,
43:06obviously I don't need your services any longer.
43:10Besides,
43:12I don't
43:13do
43:14witnesses.
43:15Sterling,
43:22help me, please!
43:23Sterling, wait, it's a trap!
43:24Sterling, please, you have to help me!
43:26Watch out!
43:33Tell me how to do thermics!
43:35Now!
43:38Backwire!
43:39You little bitch!
43:48Nora, stop!
43:49Put down the knife!
43:51She kidnapped me!
43:52I've been waiting here for hours for you!
43:54Put down the knife!
43:55Come on, let me at her one last time!
43:57She betrayed you!
43:58She's the one who gave up the Legacy One
44:00and the third floor!
44:03Wait, how do you know about the Legacy One project?
44:05That was confidential.
44:06That little bitch.
44:07She told Vincent everything!
44:09No, she's lying.
44:11It's all because of her!
44:15She drugged you!
44:16No, I didn't, you bitch!
44:18When I thought I saw you with that woman?
44:21Then now you lost the designs.
44:23No.
44:24No, that wasn't me!
44:25Okay, Vincent made me do it!
44:27He said he threatened my family!
44:28I had no other choice!
44:31I don't believe you.
44:33Arrest her!
44:35No!
44:35No!
44:38Drop some knife!
44:39No!
44:39Get right here!
44:40Get right here!
44:40No!
44:42Vincent, you!
44:43Please!
44:44You have the right to know you're silent!
44:46Anything you say in the movie gets against you and you're going to fall!
44:49No!
44:49Get this, my sir!
44:50Wait, no, not on time for us!
44:52I'm so sorry!
44:53It's okay.
44:54It's okay.
44:55But I gave him your designs.
44:56I didn't know what else to do.
44:57I was trying to save them.
44:59I didn't mean to.
45:00You're safe.
45:00You're safe.
45:02Okay?
45:03Vincent, we'll be able to touch the project.
45:04I'm so happy you found me.
45:13I thought...
45:14Always find you.
45:18How?
45:18Because I know you.
45:24That moment in the parking lot, I knew from your eyes that you needed me.
45:33I will always keep you safe.
45:35Hey, hey, would you two take it someplace else?
45:44Sorry, Papi.
45:45I'll take you and Crump at home.
45:46Oh, thank goodness you're okay.
45:54I want to tell you something, sweetheart.
45:58I love Agnes.
45:59I love Agnes.
46:00I really mean it.
46:01Okay, Papi.
46:02Just get some rest.
46:03I mean it, Cece.
46:05When a man knows, he knows.
46:11Agnes, it's been a long time since I've met someone as caring as you.
46:15And I'd like you to be my wife.
46:16I love you, Agnes.
46:30Marley, what are you doing here?
46:31Miss Brooks.
46:33Mind coming with me?
46:35Will you give me a second?
46:36I want to change first.
46:37I want to change first.
47:07Come here.
47:21This is really beautiful.
47:26We work well together.
47:28I'm glad you think so, Cecilia.
47:32Yes, Sterling?
47:33I have something I need to tell you.
47:39About?
47:41There isn't a legacy, Kalai.
47:44Well, there is, but...
47:47It's not who you think.
47:50I don't follow.
47:53It's me.
47:54What?
47:56This.
47:57This is my legacy.
47:58Come here.
48:02I need to show you something.
48:11I made this for you.
48:14Wait one second.
48:15I thought if we put them next to each other, it would create balance.
48:30Balance?
48:30But then you came in.
48:48You're kind.
48:51Old.
48:53Intuitive.
48:54Sterling.
48:55Beautiful.
48:57Beautiful.
48:59You gave this place a soul.
49:04Cecilia Brooks.
49:07Would you share the love we built together?
49:12Yes.
49:13Yes, Sterling.
49:14I said yes to you, to forever, too, to every dream we're walking through.
49:38Red Dragon.
49:40Record by Short Drama Free.
49:42Follow for more.
49:44Dest etme.
49:45Red Dragon.
49:45For more.
49:47One.
49:48ÄŸu...
49:50Ape...
49:51Child music.
49:59...
50:00Wenn.
50:01Man.
50:04Are you the seeking?
50:05German?
50:06Man.
50:07You're the impatience?
50:08ifer.
50:09You mean?
50:09There's the source?
50:10You're the beauty in it.
50:11I, You're theha direct.
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