- 6 months ago
Category
🦄
CreativityTranscript
00:00:00Musique
00:00:30Musique
00:00:32Musique
00:00:34Musique
00:00:36Hey Randy, are you ready to get started?
00:00:38I think you are.
00:00:40We've got to make some art here, people.
00:00:42Alright, let's go. Bring that light right here.
00:00:44Down here.
00:00:46Alright, that's not...
00:00:48I need more light than that.
00:00:50You're in the spot.
00:00:52Okay.
00:00:54Good boy.
00:00:56Alright.
00:00:58No, I told you. It's too hot.
00:01:00Turn it over. Give me the other flat side, idiot.
00:01:02Come on, let's go.
00:01:04Come on. Oh, Jesus Christ.
00:01:06Come on.
00:01:08Alright.
00:01:14Good. Back in it. Back in it. Back in it.
00:01:16That's a good dog.
00:01:18Such a good dog.
00:01:28Good. Alright, that's fine.
00:01:30That's a good dog.
00:01:32Good. Alright, that's fine.
00:01:34That's a good dog.
00:01:36Hang on, man.
00:01:38Gotcha.
00:01:40Very much.
00:01:50Alright, that is great.
00:01:52I think he looks good, don't you?
00:02:08Yeah, we're out of film. Alright, take five. We're reloading now.
00:02:10This is the dumbest dog in the whole world. Where the hell did you get such a dumb dog?
00:02:14It's my dog. I trained that dog. I love this dog.
00:02:18And you are as dumb as the dog.
00:02:20As dumb as the dog.
00:02:37Alright.
00:02:38Is everybody ready?
00:02:40Is your camera loaded?
00:02:41Yeah.
00:02:42Are we all happy?
00:02:46Then give me the goddamn dog.
00:02:50This program is sponsored by the Women's Press Club of America, along with the Friends of Public Television.
00:03:07I'm Melissa Kent.
00:03:08And I'm Sander Davis.
00:03:10In a few minutes, we will switch our control to the Women's Press Club to honor Emmanuel Griffith as Woman of the Year.
00:03:17Some people may not know the name, but they should be able to recognize the face.
00:03:22At age 25, Miss Griffith has appeared on the front cover of some of the most famous fashion magazines in the world.
00:03:29The covers of Vision, Olay, and Velary, just to name a few.
00:03:34Thank you.
00:03:35Emmanuel, as she is best known, has now become the world's standard of beauty and fashion, and is also a major symbol of the feminist movement.
00:03:44She denies any interest in the job of president of the Women's Press Club.
00:03:48So, Melissa, what about those rumors?
00:03:51Well, Sander, it's a demanding position, and she's already in great demand.
00:03:56She's been described as the highest paid fashion model in the history of the business.
00:04:01Now we switch our cameras to Washington, D.C., and Joan Harris, current president of the Women's Press Club.
00:04:08Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:19When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:28No.
00:04:29Yes, I did.
00:04:30I didn't think that I could handle the job.
00:04:33It was too difficult, too hard, and at times it seemed impossible.
00:04:40Women were second-class citizens then, and they still are today.
00:04:44But let me tell you what.
00:04:47Things are changing.
00:04:50I would like you to accept this award as it is given.
00:05:00You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Oh, God.
00:05:07This is really great stuff.
00:05:09This is great stuff.
00:05:11Good morning, ladies, and welcome to a man's world.
00:05:19Welcome to a man's world.
00:05:23Let me tell you a little about men, ladies.
00:05:26They'll tell you anything they want you to hear.
00:05:31They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:36Yes, they will.
00:05:38They will tell you that there is no sexual harassment in the workplace.
00:05:44And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:05:55This is really great stuff.
00:05:57All of this is going to change, ladies.
00:06:00Thank God for that, honey. Thank God for that.
00:06:06I don't want to take this world away from the boys.
00:06:10All I want is for us to have a piece of the pie.
00:06:19And when I'm talking peace, ladies, I don't mean a little one.
00:06:26I am talking 50% right down the middle.
00:06:31I want to thank you so much for having me here tonight.
00:06:46I will cherish this moment for the rest of my life.
00:06:49Lord, Lord, I can't believe this. I mean, I can't believe it.
00:06:59I mean, God, this is beautiful.
00:07:01I mean, this woman could be the president of the United States.
00:07:03I got to see this again.
00:07:05This is history in the making.
00:07:06I mean, this is tape at its best.
00:07:07I got history right in front of me.
00:07:09I can't believe it.
00:07:10Let me rewind this.
00:07:11Let me see this again.
00:07:12Come on. Let's go, man.
00:07:13I will tell you, you should remain barefoot and pregnant.
00:07:20Well, ladies, all of this is going to change, ladies.
00:07:24Yes, 50, 50, 50%, honey.
00:07:27Come on.
00:07:28Come on.
00:07:29Wake them up.
00:07:30I don't want to take this world away from the boys.
00:07:34No, 50, 50.
00:07:35All I want is for us to have our piece of the pie.
00:07:41Yes.
00:07:4250% down the middle.
00:07:43Nothing more.
00:07:44Nothing less.
00:07:45Come on, baby.
00:07:46I'm not talking peace, ladies.
00:07:49I'm not talking a small piece.
00:07:52I am talking 50% right down the middle.
00:07:58Yes.
00:07:59Yes.
00:08:00Yes.
00:08:01Just get them, honey.
00:08:02Come on.
00:08:03I want to thank you so very much for having me here today.
00:08:08I will treasure this for the rest of my life.
00:08:10Thank you.
00:08:33Okay.
00:08:34I have a suite set up for you at a lovely Japanese hotel in Beverly Hills.
00:08:45Good.
00:08:46Then you have to be at the location by 4 this afternoon.
00:08:48Fine.
00:08:49What about the deal?
00:08:50Okay.
00:08:51For every day they go over, it's an additional 12,000.
00:08:54Good.
00:08:55Good.
00:08:56Now, we aren't sure about after Paris.
00:08:58Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:03Phil, what do you do when I'm not in town?
00:09:07No, come on.
00:09:08You can tell me.
00:09:09I'm in town three months out of the year.
00:09:10You're on a full salary.
00:09:12Well, I work out.
00:09:14I go to a lot of movies.
00:09:16I hope I haven't created a problem.
00:09:18I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:23This is this, Montana.
00:09:24I like Kyle one day, Phil, and I love him.
00:09:25Thank you.
00:09:26erving water and water and water and water.
00:09:27I love him.
00:09:28I love him.
00:09:29Theны
00:09:35house worth bus breathing.
00:09:36Thank you, Philževel.
00:09:37Thank you.
00:09:38Oh, manyimi videogames.
00:09:40Thank you, Phil.
00:09:42Thank you, Phil, and I love you
00:09:44Goodnight, Hart Fair.
00:09:46We'll see you next time.
00:09:49I love you.
00:09:52I love you, Ray l.
00:28:20Oh, c'est ce que c'est faux, je l'aime pas ce truc, non ?
00:28:29All right !
00:28:34All right, c'est le gold qu'on a cherché !
00:28:40Oh, oui !
00:28:45Come on, come on, come on, move over a little bit.
00:28:52I see a touch of you, babe.
00:28:54Come on, come on, honey.
00:28:56Come to daddy.
00:28:57That's it, that's better.
00:28:58Oops, not enough.
00:29:00Just get your magi-
00:29:02Oh, come on, get in the view, come on !
00:29:05Let me strike a close-up on your magic spot.
00:29:11What are you doing to me ?
00:29:14Come on.
00:29:16Come on.
00:29:21Yeah, I want to go someplace where I can totally be lost, but at the same time, if I wish to escape into some excitement, it's nearby.
00:29:37Oh, I understand, I think.
00:29:42But I want it to be magnificent.
00:29:44First class all the way.
00:29:45Of course.
00:29:46I like the ocean, but it has to be more than that.
00:29:51I want something that oozes love.
00:29:56Oh, oozes ?
00:29:58I beg your pardon ?
00:30:00Oh, excuse me, oozes.
00:30:02I was just flashing on something.
00:30:04Oh, right.
00:30:05What do you have in mind ?
00:30:07Well, the people in the travel business might call me Mr. T because T stands for travel, of course, so you've come to the right place.
00:30:17Oh.
00:30:18What I'm about to show you, young man, is splendor in the sand.
00:30:24Oh.
00:30:25Hold your breath, you'll be screaming for oxygen.
00:30:28This is Antigua, the island of beaches.
00:30:35Five years ago, very dear, well, close, intimate, a friend of mine and I spent five glorious days there.
00:30:45It was magnificent, I'll never forget it.
00:30:47We lay on the beach and write love poems to each other and put them in a seal.
00:30:55An empty orange juice bottle and hiding under this rock.
00:30:59Look, this is the very rock.
00:31:01And the nights, don't ask, the nights were magical.
00:31:07The wind, the people, the island, the beaches, the love poems.
00:31:16And then when the mood struck us, which was quite often, we would adjourn to our magical suite.
00:31:24Yeah.
00:31:26This is the actual suite.
00:31:30Just between us.
00:31:32We did it everywhere.
00:31:34Upstairs, downstairs, in my lady's chamber, so to speak.
00:31:40It was magnificent.
00:31:43I bet.
00:31:45What a memory.
00:31:47Yes.
00:31:48Oh, excuse me.
00:31:50Now tell me, will you be traveling alone?
00:31:53Uh, no, I'll be traveling with my wife.
00:31:58Your wife?
00:32:00Mm-hmm.
00:32:01Of course.
00:32:02Sorry.
00:32:03No harm done.
00:32:04Now you want me to write that up?
00:32:07Yeah, sure thing, pal.
00:32:12Like I said, I want a first class all the way.
00:32:14I'll take the beach.
00:32:15I'll take the sand.
00:32:16I'll take the nightlife.
00:32:17I definitely do not want that wrong.
00:32:18Oh.
00:32:19Oh.
00:32:20Oh.
00:32:21Hello.
00:32:22This is Dick.
00:32:23What can I do for you?
00:32:26Look, Richard.
00:32:27I have nothing against you.
00:32:28Please let me go.
00:32:29Not until your act is together, my darling.
00:32:30Okay.
00:32:31You're right.
00:32:32I'm sorry.
00:32:33Let me explain something to you, darling.
00:32:34Okay?
00:32:35Okay?
00:32:36I kidnapped you?
00:32:37I kidnapped you.
00:32:38You know what that means?
00:32:39The FBI is involved with this.
00:32:40You know what that means?
00:32:41You deserve.
00:32:42No harm done.
00:32:43All right.
00:32:44All right.
00:32:45All right.
00:32:46Okay.
00:32:47All right.
00:32:48I'll show you.
00:32:49How'd you do that?
00:32:50You know what that means?
00:32:52I'm sorry.
00:32:53You're right, my darling.
00:32:55How'd you do that?
00:32:58How'd you do it?
00:32:59Henry Blockly myself?
00:33:00This is Dick.
00:33:01I'm sorry.
00:33:02I'm sorry.
00:33:03Le F.B.I. est en train de faire ça, comme nous parlons même ici.
00:33:07Et je ne vais pas vous laisser faire pour que vous vous déjeuner.
00:33:11Et ça, mon amour, c'est plutôt à vous.
00:33:15Regardez, Richard. Je n'ai rien contre vous.
00:33:20Por favor, laissez-moi aller.
00:33:22Pas jusqu'à ce que vous déjeuner votre acte ensemble.
00:33:26Je sais. Vous êtes correcte. Je suis désolé.
00:33:28Je suis désolé.
00:33:30Je n'ai rien contre les femmes qui utilisent les mots.
00:33:34Je n'ai rien contre les femmes qui lie.
00:33:36Bonne nuit, mon amour.
00:33:38Oh, non !
00:33:40Richard !
00:33:42Richard, viens de retourner !
00:33:44Oh, non !
00:33:45Oh, non !
00:33:47Oh, non !
00:33:49Oh, non !
00:33:51Richard !
00:33:53Richard, viens de retourner !
00:33:55Oh, God !
00:33:58Oh, God ! Oh, God !
00:33:59Oh, God !
00:34:04Please, Richard.
00:34:08Please.
00:34:11Oui, mon amour.
00:34:13Je peux vous entendre.
00:34:15Je peux vous entendre.
00:34:16C'est bon de voir une face amoureuse ?
00:34:18Regardez, Richard.
00:34:21Je n'ai beaucoup d'argent.
00:34:23Je n'ai beaucoup d'argent.
00:34:25Je n'ai besoin d'argent.
00:34:29Je n'ai besoin d'argent.
00:34:31Je n'ai besoin d'argent.
00:34:33Je veux vous être belle, petite fille.
00:34:35Je veux vous être bien à ces femmes qui soutenir vous.
00:34:37Je veux vous être barefoot et ne pas pédisons.
00:34:40Je n'ai pas d'enfant.
00:34:42Je n'ai pas de jeunes.
00:34:44Je vais faire tout ce que vous voulez.
00:34:50Je dois sortir de là . Je vais y aller dans la maison.
00:34:55Ok.
00:34:57Je vais partir du town.
00:34:59Je veux voir vous.
00:35:05Vous pouvez me voir ?
00:35:08Vous avez regardé moi ?
00:35:10Just relax, baby.
00:35:14Comment j'ai ouvert cette chose ?
00:35:17C'est fermé. Je contrôle de là .
00:35:18Just relax, ok ?
00:35:21C'est quoi ?
00:35:22C'est une personne ?
00:35:23C'est une personne ?
00:35:24C'est une personne ?
00:35:25Oh non !
00:35:26C'est pas une personne !
00:35:27C'est pas pour Dickey Boy !
00:35:28Dickey Boy est beaucoup trop tôt pour ça, n'est-ce pas ?
00:35:31Oh, il doit être quelque chose d'autre, hein ?
00:35:33C'est une caméra télé.
00:35:35C'est comme ça ?
00:35:36Et quand je le trouverai,
00:35:39et je le trouverai,
00:35:42je vais faire de la merde !
00:35:45C'est pas une personne !
00:35:46C'est pas une personne, baby !
00:35:47Tu ne vas jamais trouver !
00:35:48Tu t'es pas d'un mort !
00:35:50Tu t'es pas d'un mort !
00:35:52Qui tu penses que tu es ?
00:35:54Tu me écoute et tu payes attention !
00:35:57Je suis le gars avec la clé de ta tête !
00:35:59Tu t'es pas d'un mort !
00:36:01Tu t'es pas d'un mort !
00:36:02Tu es la plus de la doule !
00:36:04Tu m'écoute à moi, Dickey Boy !
00:36:07Quand je rentre ici,
00:36:09Tu t'es pas d'un mort !
00:36:11Non crée !
00:36:13Ne fais pas !
00:36:15Ne fais pas !
00:36:16Sous-titrage Société Radio-Canada
00:36:46Sous-titrage Société Radio-Canada
00:37:46Sous-titrage Société Radio-Canada
00:38:16Sous-titrage Société Radio-Canada
00:38:45Sous-titrage Société Radio-Canada
00:38:47Sous-titrage Société Radio-Canada
00:38:49Sous-titrage Société Radio-Canada
00:38:51Sous-titrage Société Radio-Canada
00:39:23Sous-titrage Société Radio-Canada
00:39:25Sous-titrage Société Radio-Canada
00:39:27Sous-titrage Société Radio-Canada
00:39:31Sous-titrage Société Radio-Canada
00:39:33Sous-titrage Société Radio-Canada
00:39:35Sous-titrage Société Radio-Canada
00:39:43Sous-titrage Société Radio-Canada
00:39:45Sous-titrage Société Radio-Canada
00:39:47Sous-titrage Société Radio-Canada
00:39:49Sous-titrage Société Radio-Canada
00:39:51Sous-titrage Société Radio-Canada
00:39:53Sous-titrage Société Radio-Canada
00:39:55Sous-titrage Société Radio-Canada
00:39:57Sous-titrage Société Radio-Canada
00:40:27Sous-titrage Société Radio-Canada
00:40:57Sous-titrage Société Radio-Canada
00:41:27Sous-titrage Société Radio-Canada
00:41:29Sous-titrage Société Radio-Canada
00:41:31Sous-titrage Société Radio-Canada
00:41:33Sous-titrage Société Radio-Canada
00:41:35Sous-titrage Société Radio-Canada
00:41:37Sous-titrage Société Radio-Canada
00:41:39Sous-titrage Société Radio-Canada
00:41:41Sous-titrage Société Radio-Canada
00:41:43Sous-titrage Société Radio-Canada
00:41:45Sous-titrage Société Radio-Canada
00:41:47Sous-titrage Société Radio-Canada
00:41:49Sous-titrage Société Radio-Canada
00:42:17Sous-titrage Société Radio-Canada
00:42:19Sous-titrage Société Radio-Canada
00:42:21Sous-titrage Société Radio-Canada
00:42:23Sous-titrage Société Radio-Canada
00:42:25Sous-titrage Société Radio-Canada
00:42:27Sous-titrage Société Radio-Canada
00:42:29Sous-titrage Société Radio-Canada
00:42:31Sous-titrage Société Radio-Canada
00:42:33Sous-titrage Société Radio-Canada
00:42:35Sous-titrage Société Radio-Canada
00:42:37Sous-titrage Société Radio-Canada
00:42:39Sous-titrage Société Radio-Canada
00:42:41Sous-titrage Société Radio-Canada
00:42:43Sous-titrage Société Radio-Canada
00:42:45Sous-titrage Société Radio-Canada
00:42:55Sous-titrage Société Radio-Canada
00:42:57Sous-titrage Société Radio-Canada
00:43:27Sous-titrage Société Radio-Canada
00:43:57Sous-titrage Société Radio-Canada
00:44:27Sous-titrage Société Radio-Canada
00:44:57Sous-titrage Société Radio-Canada
00:45:57Sous-titrage Société Radio-Canada
00:46:27Sous-titrage Société Radio-Canada
00:46:57Sous-titrage Société Radio-Canada
00:47:27Sous-titrage Société Radio-Canada
00:47:59Sous-titrage Société Radio-Canada
00:49:01Sous-titrage Société Radio-Canada
00:49:33Sous-titrage Société Radio-Canada
00:49:35Sous-titrage Société Radio-Canada
00:50:07Sous-titrage Société Radio-Canada
00:50:09Sous-titrage Société Radio-Canada
00:50:11Sous-titrage Société Radio-Canada
00:50:13Sous-titrage Société Radio-Canada
00:50:15Sous-titrage Société Radio-Canada
00:50:17Sous-titrage Société Radio-Canada
00:50:19Sous-titrage Société Radio-Canada
00:50:21Sous-titrage Société Radio-Canada
00:50:23Sous-titrage Société Radio-Canada
00:50:25Sous-titrage Société Radio-Canada
00:50:27Sous-titrage Société Radio-Canada
00:50:29Sous-titrage Société Radio-Canada
00:50:31Sous-titrage Société Radio-Canada
00:50:33Sous-titrage Société Radio-Canada
00:50:35Thank you. I love compliments.
00:50:45Here's looking at you, kid.
00:51:05Oh, I got your back on now.
00:51:09So, after that, I invented this crazy thing that helps idiots program their VCRs and I made a fortune.
00:51:17You're very smart.
00:51:20No, just lucky.
00:51:24What about you? I mean, how'd you get into your crazy business?
00:51:30That was funny.
00:51:34I went to New York to become an actress.
00:51:39I was 19. What a joke.
00:51:45So, what happened?
00:51:48I found out I was no actress.
00:51:52Then what?
00:51:56My mom needed money. I didn't know how to do anything. Cheers.
00:52:03I'm not ashamed. It was in all the papers.
00:52:08What?
00:52:10I did nude dancing at a Times Square bar.
00:52:14Well, I mean, how'd you handle that?
00:52:19It was easy.
00:52:23I actually enjoyed it.
00:52:28I got off on guys watching me. It was a turn on.
00:52:37That's what all models do.
00:52:40Turn guys on. Hmm.
00:52:43Doesn't matter if you're naked or not. It's a turn on.
00:52:47It's a sexist thing, so you're a sexist.
00:52:52I didn't say that.
00:52:54Yes, you did.
00:52:56Well, men just take advantage.
00:53:00Oh.
00:53:01So, when you're stuck naked in front of those good old boys, I mean, who has the advantage then?
00:53:12Why don't you play me some music?
00:53:27I wanna dance for you.
00:53:31No.
00:53:32No.
00:53:33No.
00:53:46No.
00:55:19...
00:55:49...
00:55:51...
00:55:53...
00:55:55...
00:55:57...
00:56:01...
00:56:07...
00:56:09...
00:56:11...
00:56:17...
00:56:19...
00:56:21...
00:56:31...
00:56:33...
00:56:35...
00:56:45...
00:56:47...
00:56:55...
00:56:57...
00:56:59...
00:57:09...
00:57:11...
00:57:13...
00:57:23...
00:57:25...
00:57:35...
00:57:37...
00:57:47...
00:57:49...
00:57:59...
00:58:01...
00:58:03...
00:58:13...
00:58:15...
00:58:25...
00:58:27...
00:58:37...
00:58:39...
00:58:51...
00:58:53...
00:59:03...
00:59:05...
00:59:15...
00:59:49...
00:59:59...
01:00:01...
01:00:11...
01:00:13...
01:00:23...
01:00:25...
01:00:27...
01:00:37...
01:00:41...
01:00:51...
01:00:55...
01:01:05...
01:01:07...
01:01:17...
01:13:19...
01:13:51...
01:14:01...
01:14:03...
01:14:13...
Comments