Demon Slayer: Kimetsu no Yaiba Movie 2025 | Final Trailer | Infinity Castle Arc - video Dailymotion

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00:00Spectacular news from Demon Slayer, Kemetsu no Yaiba.

00:04The first headline is the stunning release of a new and final trailer for Demon Slayer,

00:09Kemetsu no Yaiba.

00:11The anime's official website has unveiled the highly anticipated third and possibly

00:15last promotional video, PV, for the Infinity Castle movie, marking an epic finale to the

00:21promotional campaign ahead of its international debut. Released through the official YouTube

00:26channel, the new preview has left fans speechless with its visual and emotional intensity,

00:32focusing on one of the arc's most awaited battles, the fierce showdown between Tanjiro Kamado and

00:38Giyu Tomioka against Akaza, the fearsome upper rank 3. This final PV reveals never-before-seen moments,

00:47including the perfect synergy of combat techniques, as well as Akaza's breathtaking power display,

00:53his fighting style looking more fluid and lethal than ever. Every shot is charged with tension and

00:59emotion, highlighting the determined faces of Tanjiro and Giyu as they face an enemy beyond

01:05anything they've encountered before. The color palette, cinematic framing, and lighting effects

01:11turn the trailer into a masterpiece in its own right, clearly showing that U-Footable has once

01:16again raised the bar for anime quality. This final trailer not only primes audiences for what promises

01:23to be a monumental trilogy, but also teases an unforgettable audiovisual experience, one filled with

01:32pain, redemption, and colossal battles that will define the fate of the Demon Slayers.

01:37In other news, despite the overwhelming box office success of the Infinity Castle movie,

01:45a major concern has emerged that has somewhat dampened the celebration. The full film was leaked

01:50online just days after its theatrical release in Japan, sparking outrage among both fans and the

01:57production team. The film, one of the most ambitious anime projects ever made, was illegally recorded from a

02:04theater and widely shared on social media, exposing key scenes, crucial battles, and major climaxes that

02:11were meant to be experienced on the big screen. This leak not only jeopardizes the movie's future

02:19earnings in international markets, but also represents a blatant disrespect toward the hard work of the

02:25animation team, artists, and creators. In response to the situation, studio U-Footable has issued a firm

02:33statement strongly condemning piracy and confirming that they've launched formal legal action to

02:38identify those responsible for the illegal recording, as well as anyone who shared or promoted the

02:44unauthorized content. Amid the excitement, an unexpected controversy has sparked heated debates on

02:52social media following comments made by legendary Dragon Ball editor Kazuhiko Torishima, a key figure in

02:59Shonen Jump history. In a recent interview, Torishima stated that the overwhelming success of Demon Slayer,

03:06Kimetsu no Yaiba is due almost entirely to the exceptional quality of its anime adaptation by U-Footable,

03:12downplaying the value of the original manga. Metaphorically, he described Koyoharu Gotuga's manga as

03:19raw coffee beans, full of potential but not particularly remarkable on its own. While the anime served as the

03:26roasting and brewing process that brought out all the flavor, resulting in a final product that

03:31captivated millions around the world. While some praised his comments, acknowledging the anime's

03:37flawless animation, direction, and soundtrack, others viewed them as dismissive, arguing that the manga

03:43was already a solid work with a powerful story, lovable characters, and a heartfelt narrative that drew

03:49readers in well before the anime adaptation. The controversy has split opinions among fans,

03:56critics, and manga creators alike, igniting broad debate about the relationship between manga and anime,

04:02the power of a strong adaptation, and how much a work can transform when moving between mediums.

04:08Torishima didn't stop there. He extended his critique to the manga itself, especially the role of its editors.

04:14According to the veteran Dragon Ball editor, one of Demon Slayer's key weaknesses lies in how its battle

04:23scenes were constructed, which he claims were clearly in need of improvement. Torishima stated that the

04:29manga's editors failed in their fundamental role of guiding and challenging the author, and should have

04:34pushed Koyoharu Gotuga to study what made works like Dragon Ball great, especially in terms of clarity,

04:41emotion, and dynamic fight choreography. He argued that good editing means pushing a mangaka to

04:47elevate their work, and in this case, he believes the editors didn't try hard enough to raise the

04:52technical standard of the manga. In his view, the fight scenes could have reached much greater heights

04:58if editorial staff had encouraged a deeper exploration of the visual storytelling techniques

05:04that made Dragon Ball battles legendary. These statements have stirred controversy, with some agreeing

05:09that the anime vastly improved upon the source material, while others defend the stylistic and

05:15emotional approach that Demon Slayer achieved even without matching the technical prowess of other

05:20series. Torishima didn't hold back, also directing criticism toward Dragon Ball super artist Toyotaro,

05:29the official heir to the Dragon Ball manga legacy. Though historically a key supporter of Akira Toriyama's

05:35success, Torishima didn't hesitate to call out what he sees as a clear shortcoming in Toyotaro's fight

05:41scenes. According to him, the battles in Dragon Ball Super lack the visual variety and cinematic rhythm

05:47that characterized the original Dragon Ball fights. Torishima argued that to create a compelling action

05:53sequence in manga, it's crucial to alternate between various angles, wide shots, medium shots, overhead views,

06:01and close-ups, and to skillfully handle perspective to convey speed, impact, and dramatic tension.

06:08However, in his view, Toyotaro has yet to master these visual storytelling tools, resulting in scenes

06:14that become monotonous and predictable, losing the impact that Dragon Ball fights once had under Toriyama's

06:21hand. This criticism has reignited discussions within the fandom about the current artistic quality of the

06:27manga and highlights the incredibly high standards expected by figures like Torishima, standards that

06:33not even the chosen successor of a legendary mangaka is immune from. Moreover, the marketing strategy proved

06:41to be extremely effective, with sold-out screenings across Japan and predominantly positive critical

06:47reception. With this figure, Infinity Castle is now not only the top-grossing movie of the year in Japan,

06:54but also a strong contender to surpass Mugen Train's historic totals, paving the way for an even more

07:01anticipated and potentially successful second installment. Even more spectacularly, the Demon

07:07Slayer team revealed they collaborated with a genuine legend from Hollywood's visual effects world on

07:13Infinity Castle. They enlisted Matthias Sauvage, renowned for his work on Avengers, Infinity War,

07:20Guardians of the Galaxy Vol. 2, and Game of Thrones. This veteran 3DCG artist is credited as a 3D character

07:28creator for the film, bringing experience in constructing complex worlds and imposing creatures,

07:34perfectly suited to the epic and supernatural tone of the Infinity Castle arc.

07:39The Ufotable Sauvage collaboration represents a unique fusion between Japanese technical precision

07:48and Hollywood visual spectacle, resulting in 3D integrated scenes with a level of detail,

07:54fluidity and atmosphere rarely seen in anime cinema.

Demon Slayer: Kimetsu no Yaiba Movie 2025 | Final Trailer | Infinity Castle Arc

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