- 7/29/2025
Category
🦄
CreativityTranscript
00:00:00Musique
00:00:30Musique
00:00:32Musique
00:00:34Musique
00:00:36Hey Randy, are you ready to get started?
00:00:38I think you are.
00:00:40We've got to make some art here, people!
00:00:42Alright, let's go. Bring that light right here.
00:00:44Down here!
00:00:46Alright, that's not...
00:00:48I need more light than that.
00:00:50You're in the spot.
00:00:52Okay, ready.
00:00:54Good boy.
00:00:56Alright.
00:00:58No, I told you, it's too hot!
00:01:00Turn it over! Give me the other flat side, idiot!
00:01:02Come on, let's go!
00:01:04Oh, Jesus Christ!
00:01:06Come on!
00:01:13Good, back in it, back in it, back in it.
00:01:15That's a good dog.
00:01:17You're such a good dog.
00:01:28Good.
00:01:30Alright, that's fine.
00:01:32Good.
00:01:33Alright, that's fine.
00:01:34Hang on, man.
00:01:36Gotcha.
00:01:38Very much.
00:01:40Alright, that is great.
00:01:42I think he looks good, don't you?
00:01:56We're out of film.
00:01:57Alright, take five. We're reloading now.
00:01:59This is the dumbest dog in the whole world.
00:02:01Where the hell did you get such a dumb dog?
00:02:03It's my dog. I trained that dog. I love this dog.
00:02:05And you are as dumb as the dog.
00:02:07And you are as dumb as the dog.
00:02:37Alright.
00:02:38Is everybody ready?
00:02:40Is your camera loaded?
00:02:41Yeah.
00:02:42Are we all happy?
00:02:46Then give me the goddamn dog.
00:03:00This program is sponsored by the Women's Press Club of America,
00:03:04along with the Friends of Public Television.
00:03:07I'm Melissa Kent.
00:03:08And I'm Sander Davis.
00:03:10In a few minutes, we will switch our control to the Women's Press Club
00:03:13to honor Emmanuel Griffith as Woman of the Year.
00:03:17Some people may not know the name, but they should be able to recognize the face.
00:03:22At age 25, Miss Griffith has appeared on the front cover
00:03:25of some of the most famous fashion magazines in the world.
00:03:29The covers of Vision, Olay, and Velary, just to name a few.
00:03:34Emmanuel, as she is best known, has now become the world's standard of beauty and fashion.
00:03:40And is also a major symbol of the feminist movement.
00:03:43She denies any interest in the job of president of the Women's Press Club.
00:03:48So, Melissa, what about those rumors?
00:03:50Well, Sander, it's a demanding position, and she's already in great demand.
00:03:55She's been described as the highest paid fashion model in the history of the business.
00:04:00Now we switch our cameras to Washington, D.C.
00:04:03and Joan Harris, current president of the Women's Press Club.
00:04:12Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:18When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:27Yes, I did.
00:04:29I didn't think that I could handle the job.
00:04:32It was too difficult, too hard, and at times it seemed impossible.
00:04:38Women were second-class citizens then, and they still are today.
00:04:43But let me tell you what.
00:04:47Things are changing.
00:04:54Manuel, I would like you to accept this award as it is given.
00:04:59You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Oh, God.
00:05:07This is really great stuff.
00:05:09This is great stuff.
00:05:17Good morning, ladies, and welcome to a man's world.
00:05:23Let me tell you a little about men, ladies.
00:05:26They'll tell you anything they want you to hear.
00:05:29They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:36They will tell you that there is no sexual harassment in the workplace.
00:05:42And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:05:54This is really great stuff.
00:05:56All of this is going to change, ladies.
00:06:00Thank God for that, honey.
00:06:01Thank God for that.
00:06:07I don't want to take this world away from the boys.
00:06:12All I want is for us to have a piece of the pie.
00:06:17And when I'm talking peace, ladies, I don't mean a little one.
00:06:26I am talking 50% right down the middle.
00:06:32Yes!
00:06:33I want to thank you so much for having me here tonight.
00:06:47I will cherish this woman for the rest of my life.
00:06:49Lord, Lord, I can't believe this.
00:06:50I mean, I can't believe it.
00:06:51I mean, God, this is beautiful.
00:06:52I mean, this woman could be the president of the United States.
00:06:53I got to see this again.
00:06:54This is history in the making.
00:06:55I mean, this is tape at its best.
00:06:56I got history right in front of me.
00:06:57I can't believe it.
00:06:58Let me rewind this.
00:06:59Let me see this again.
00:07:00Come on.
00:07:01Let's go, man.
00:07:02Oh, my Lord.
00:07:03I will tell you, you should remain barefoot and pregnant.
00:07:05Well, ladies, all of this is going to change, ladies.
00:07:08Yes!
00:07:0950-50.
00:07:1050%, honey.
00:07:11Come on.
00:07:12Come on.
00:07:13Come on.
00:07:14Come on.
00:07:15Wake them up.
00:07:16I don't want to be the president of the United States.
00:07:17You're the president of the United States.
00:07:18I got to see this again.
00:07:19This is history in the making.
00:07:20I mean, this is tape at its best.
00:07:21I got history right in front of me.
00:07:22I can't believe it.
00:07:23Let me rewind this.
00:07:24Let me see this again.
00:07:25Come on.
00:07:26Let's go, man.
00:07:27Oh, my Lord.
00:07:28I will tell you, you should remain barefoot and pregnant.
00:07:31I don't want to take this world away from the boys.
00:07:34No.
00:07:3550-50.
00:07:36I know.
00:07:37All I want is for us to have our piece of the pie.
00:07:41Yes!
00:07:4250% down the middle.
00:07:43Nothing more, nothing less.
00:07:44Come on, baby.
00:07:45Back of the clothes.
00:07:46I'm not talking peace, ladies.
00:07:48I'm not talking a small piece.
00:07:52I am talking 50% right down the middle.
00:07:57Yes!
00:07:58Yes!
00:07:59Yes!
00:08:00Yes!
00:08:01Let's get the pie, please.
00:08:02Just get him, honey!
00:08:03Come on!
00:08:04I want to thank you so very much for having me here today.
00:08:07I will treasure this for the rest of my life.
00:08:10Thank you.
00:08:11Sous-titrage MFP.
00:08:41Okay. I have a suite set up for you at a lovely Japanese hotel in Beverly Hills.
00:08:45Good.
00:08:46Then you have to be at the location by four this afternoon.
00:08:48Fine. What about the deal?
00:08:50Okay. For every day they go over, it's an additional $12,000.
00:08:54Good.
00:08:55Now, we aren't sure about after Paris.
00:08:58Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:03Phil, what do you do when I'm not in town?
00:09:07No, come on, you can tell me. I'm in town three months out of the year.
00:09:10You're on a full salary.
00:09:12Well, I work out. I go to a lot of movies.
00:09:16I hope I haven't created a problem. I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:23Girl, I see you, walk in that certain way.
00:09:43There's something about you that turns heads the other way.
00:09:49They all adore you. That's easy to see.
00:09:53They're all you're loving.
00:09:55But it won't be me.
00:09:57It's something that you just come to my heart.
00:10:00Girl, I don't turn about.
00:10:03It's something that you just come to my heart.
00:10:05Oh, girl, I can't see you with somebody else.
00:10:13I gotta have you, darling, now.
00:10:18Hold me and nobody else.
00:10:23Gonna make you love me.
00:10:26Hold you through the dark.
00:10:28Look what you've just done in my heart.
00:10:40Oh, baby.
00:10:42Look what you've just done in my heart.
00:10:45Yeah.
00:10:46Look what you've just done in my heart.
00:10:49Girl, I don't turn about.
00:10:51Look what you've just done in my heart.
00:10:54Oh, baby, look what you've just done in my heart.
00:11:10Oh, yeah.
00:11:12Good morning, ladies, and welcome to a man's world.
00:11:17Let me tell you a little about men, ladies.
00:11:20They'll tell you anything they want you to hear.
00:11:26They'll tell you that they'll pay you as much as they're earning for doing the same job.
00:11:32God, I hope not.
00:11:35Oh, Lord, woman.
00:11:38We have a problem here, Emmanuel.
00:11:43It's the word they.
00:11:45Now, we all know that they pertains to men.
00:11:48So, why don't you just come out and say,
00:11:52Men, you're blessed with great beauty.
00:11:56You should be satisfied with that advantage.
00:11:58But you're not.
00:12:00I think all you girls should remember the terminology.
00:12:04Manpower.
00:12:05Manipulate.
00:12:06The rights of man.
00:12:09Manhole.
00:12:09I mean, all you girls can climb down,
00:12:11and it's still gonna be a manhole in the eyes of God,
00:12:13in the eyes of everyone.
00:12:14You can't change that.
00:12:15Not even God can change that.
00:12:16Understand that, lady.
00:12:17You have a lot to learn, Emmanuel.
00:12:26And one Richard Tate
00:12:27is gonna teach you, darling.
00:12:30Okora Hotel.
00:12:38Oh, yes, Miss Manuel Griffith, please.
00:12:54May I say who's calling?
00:12:55Uh, yes.
00:12:56Tell her that her studio driver has arrived.
00:12:58One moment, please.
00:13:00Yes?
00:13:01Yes, Miss Griffith?
00:13:02Yes, your limo is here.
00:13:04What time is it?
00:13:05No, I'm an hour from now.
00:13:07Oh, no, but they moved the time up, ma'am.
00:13:09Did they tell you that?
00:13:11No.
00:13:12All right, fine.
00:13:13I'll be down in a minute.
00:13:15Okay, thank you.
00:13:16Okay, thank you.
00:13:45Oh, no, no, no.
00:13:49Okay.
00:13:53Oh, no.
00:13:54Oh, no.
00:13:55Oh, no.
00:13:56Oh, no.
00:13:57Oh, no.
00:13:58C'est parti.
00:14:28Hey, buddy.
00:14:31I smell some gas back here.
00:14:36Hey, guy.
00:14:38You got a leak or something?
00:14:45Can't you get the window down?
00:14:50Hey, mister.
00:14:52Hey, mister, what are you doing?
00:14:54What are you doing?
00:14:58Open my window!
00:15:18What are you doing?
00:15:20Sous-titrage MFP.
00:15:50Sous-titrage MFP.
00:16:20Sous-titrage MFP.
00:16:50Sous-titrage MFP.
00:17:20Sous-titrage MFP.
00:17:50You'll find out, Manny.
00:18:20Sous-titrage MFP.
00:18:50But let's not talk about depressing issues.
00:18:52Let's move ahead into a bright new future.
00:18:55Now, it's lesson time, sweetheart.
00:18:58So pay attention.
00:18:59I think you're going to enjoy this.
00:19:01This is something very close to your heart.
00:19:03They'll tell you that there's no sexual harassment in the workplace.
00:19:08And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:19:17I must tell you, I love the barefoot and pregnant line.
00:19:22I'm going to play for you again and watch the smile that crosses your face just after you say the line.
00:19:28It was great.
00:19:29You were in charge then.
00:19:31And wasn't it one of them?
00:19:37Good morning, ladies, and welcome to a man's world.
00:19:41You know what?
00:19:43I think we're going to have to rethink that dumb speech of yours.
00:19:46But don't worry.
00:19:48I mean, we're going to make it right.
00:19:50You know, I want you to memorize every stupid word you say.
00:19:54I mean, I want you to see the look on your face.
00:19:57But, you know, it's like anything else.
00:20:00I want you to see every arrogant, sarcastic expression that you presented to that audience.
00:20:06But don't worry.
00:20:07It's going to be okay.
00:20:08We're going to make it out just fine.
00:20:14Now, what would you like for lunch?
00:20:18Nothing.
00:20:20I want nothing from you.
00:20:21Oh, okay.
00:20:23Well, I tell you what.
00:20:24There's a buzzer right on that table in front of the TV.
00:20:29And if you just push it, I'll bring you anything you need.
00:20:35Leave it dirt to you, Manuel.
00:20:51Let me just follow you around.
00:21:06Let me just follow you around.
00:21:10All right.
00:21:28Give it a shot, baby.
00:21:29Save your breath, sweetheart.
00:21:43You'll need it later.
00:21:45You can't get out.
00:21:46No one can hear you.
00:21:47I'm in charge now.
00:21:48The sooner you get that through your head, the better off you'll be.
00:21:52Just push the buzzer if you need an exam.
00:21:56Hey, mister!
00:22:04Mister!
00:22:05Mister!
00:22:08Hey, asshole!
00:22:09Hey, asshole!
00:22:14You know your fucking TV set isn't working!
00:22:17Aren't there any other assholes that live in this area?
00:22:32Are you deaf?
00:22:34I didn't hear this fucking buzzer!
00:22:37Where the fuck are you?
00:22:40Fucking deaf!
00:22:43Are you deaf?
00:22:46Hello?
00:22:55Oh, man.
00:23:00Oh, man.
00:23:01Oh, man.
00:23:02Oh, man.
00:23:04I understand.
00:23:05Hello?
00:23:06Hello?
00:23:17This is your friendly chef.
00:23:19How may I be of service?
00:23:20Hello?
00:23:20This is your friendly chef.
00:23:23How may I be of service?
00:23:25I'd like something to eat.
00:23:26Mmm.
00:23:27Well, I tell you, that sounds reasonable.
00:23:30All you have to do is use the word please.
00:23:34Sous-titrage Société Radio-Canada
00:24:04Sous-titrage Société Radio-Canada
00:24:34Wow. Now I want to know who you are and why I'm here.
00:24:40Well, my dear, you already know why you're here. That's to give you time and instruction until you get your pretty little head straightened out.
00:24:47As for me, I am your chef and host. And in due time, if you're really nice and kind, I may even be your lover.
00:24:57You should live so fucking long.
00:25:03I told you that I don't like that kind of language from a woman. I don't have to say it again.
00:25:07What's your name?
00:25:15My name is Richard.
00:25:17Hello, Richard.
00:25:20What did they call you in school?
00:25:24Did they call you Ricky?
00:25:25Did they call you Dicky?
00:25:30Or did they just call you Dick?
00:25:34Did they call youñique?
00:25:59What was your name?
00:42:11I mean, I don't like this at all. I gotta tell you, I don't want that at all.
00:42:14I deal with gold and I love gold. I mean, look at the shimmering of this. I mean, this is beautiful.
00:42:20Well, I'll tell you what. Why don't you throw all this shit in the box and, uh...
00:42:25Oh, let's see, a 10% discount seems, uh, pretty respectable to me. Don't you think?
00:42:34Oh, hell, man!
00:42:55Oh, it's asquerading. Well, look at that. Front page, above the fold, in living color.
00:43:06I really am fantastic.
00:43:11Good morning, Emmanuel. I have something very special for you.
00:43:39Something pink for pink, lady.
00:43:44How are you?
00:43:46Hey, you! What's going on here?
00:43:47Plug it back in. There's a little bra for you in black.
00:43:49I've been calling you all day. I don't have any water. And where the hell's my food?
00:43:53Plug it back in and things will be quite beautiful for you. Here's something royal for a royal lady.
00:43:58Oh, yes!
00:43:59Prick!
00:43:59Here's some golden threads for you. Just plug it back in. Another thing for pink, lady. Here's a little thing for purple.
00:44:05I want some goddamn water. I don't know what the hell you're talking about!
00:44:09Well, try running for the goddamn water with these tennis shoes. You bet your life. There they are. Run for it, baby!
00:44:16I'm gonna stick these shoes right up your ass. Give me some water.
00:44:19Come on, here's the little undies for the baby.
00:44:21You prick! You turned the water off, didn't you?
00:44:24You got it, sweetheart. And if you want it back on, plug it back in.
00:44:28What the hell are you talking about?
00:44:31Oh, my. Well, Jesus Christ.
00:44:35I got faith in you. I mean, I think you'll figure it out.
00:44:39I'm not taking any calls, sweetheart.
00:45:09And I'm going to get some water, all right?
00:45:11Jeez.
00:45:39God, you are persistent.
00:45:59Jesus!
00:46:02Sous-titrage Société Radio-Canada
00:46:32...
00:47:02Je n'ai pas fait rien pour toi.
00:47:04Tu fais tout ça pour toi, bébé.
00:47:06Tu fais tout ça pour toi.
00:47:12All right, Richard.
00:47:14Nous allons faire ça pour toi.
00:47:16C'est parti.
00:47:30Vous voyez là, mon frère ?
00:47:32Vous avez déjà commencé à apprendre quelque chose.
00:47:36Ne pas la main de la main qui vous nourrit.
00:47:39Et ne pas la main de la télé.
00:47:42Je ne sais pas la main de la main de la main.
00:47:46Et maintenant, je vais vous faire un beau steak avec le bernet sauce.
00:47:51Je veux vous, Matty.
00:47:53Je veux vous en moi et je veux vous faire quelque chose pour vous.
00:47:56Mais, vous pouvez me faire une bonne chose pour vous.
00:48:07Pour une pour vous, mon frère.
00:48:09C'est génial.
00:48:12Il est donc mieux.
00:48:14C'est génial.
00:48:16C'est génial.
00:48:17C'est génial.
00:48:24Pourquoi vous allez le voir ?
00:48:25C'est génial.
00:48:26A bien, je veux voir ce que vous pensez.
00:48:37C'est très bon.
00:48:38Ensuite je vais partager la méthode et la réciproque avec vous
00:48:41dès qu'on se connaissons les autres.
00:48:43Le secret est que j'ai utilisé deux egg yolks dans la sauce à l'end.
00:48:48Ça fait que c'est l'air.
00:48:50C'est très l'air.
00:48:52Regardez, Richard, peux-nous parler?
00:48:56Bien sûr, c'est ce que je suis là pour.
00:48:59C'est bon.
00:49:01Je voulais savoir quand je peux sortir.
00:49:03Je veux dire, quand je peux être élevé.
00:49:05C'est assez l'air pour toi.
00:49:08Tu sais ça par maintenant.
00:49:10Pourquoi vous pourrez-vous un peu de wine, ok?
00:49:15Vous savez, ce soir, je vais être le débitant de la voiture.
00:49:19Nous allons sortir?
00:49:22Non, non.
00:49:23Je ne peux pas vous d'y aller à un endroit.
00:49:25Oh, oui, vous pouvez. Je me suis dit.
00:49:28Je m'aime le mot «behave ».
00:49:30Oui, je m'aime.
00:49:31Quand vous appreniez que ça, c'est mieux pour les deux.
00:49:33Je m'aime le mot «behave ».
00:49:35Je m'aime le mot «behave ».
00:49:36Oh, je m'aime.
00:49:38Je m'aime le mot «behave ».
00:49:39OK?
00:49:41Oh, c'est un peu plus.
00:49:42C'est un peu plus.
00:49:47Ah.
00:49:50C'est un peu plus.
00:49:51Tell me ce.
00:49:52What did they call you quand vous étiez un petit peu à l'école?
00:49:55By-my-name.
00:49:59They called me Dick.
00:50:03What did they call you?
00:50:06By-my-name.
00:50:10How about Manny?
00:50:12Did they call you that?
00:50:15No.
00:50:23Kids can be so cruel.
00:50:26You are cruel.
00:50:28No.
00:50:29I represent the truth.
00:50:34You have a very nice voice.
00:50:37Thank you.
00:50:38I love compliments.
00:50:46Here's looking at you, kid.
00:50:47Here's looking at you, kid.
00:50:47Oh, I got you back on now.
00:51:10So, after that, I invented this crazy thing that helps idiots program their VCRs.
00:51:15And I, uh, I made a fortune.
00:51:18You're very smart.
00:51:20Oh.
00:51:21No, just, just lucky.
00:51:25What about you?
00:51:26I mean, how'd you get into your crazy business?
00:51:32That was funny.
00:51:35I went to New York to become an actress.
00:51:41I was 19.
00:51:43What a joke.
00:51:45So, what happened?
00:51:49I found out I was no actress.
00:51:54Then what?
00:51:57My mom needed money.
00:51:59I didn't know how to do anything.
00:52:02Cheers.
00:52:05I'm not ashamed.
00:52:07It was in all the papers.
00:52:09What?
00:52:09I did nude dancing at a Times Square bar.
00:52:17Well, I mean, uh, how'd you handle that?
00:52:20It was easy.
00:52:21I actually enjoyed it.
00:52:28I got off on guys watching me.
00:52:34It was a turn-on.
00:52:36That's what all models do.
00:52:41Turn guys on.
00:52:43Hmm.
00:52:45Doesn't matter if you're naked or not.
00:52:47It's a turn-on.
00:52:48It's a sexist thing, so you're a sexist.
00:52:54I didn't say that.
00:52:56Yes, you did.
00:52:59Well, men just take advantage.
00:53:01Oh.
00:53:01Oh.
00:53:05So, when you're, uh, stuck naked in front of those good old boys, I mean, uh, who has the advantage then?
00:53:13Why don't you play me some music?
00:53:27I want to dance for you.
00:53:33Ah.
00:53:33Ah.
00:53:33Ah.
00:53:34Ah.
00:53:35Ah.
00:53:36Ah.
00:53:37Ah.
00:53:38Ah.
00:53:39Ah.
00:53:40Ah.
00:53:41Ah.
00:53:42Ah.
00:53:43Ah.
00:54:08Ah.
00:54:09Ah.
00:54:12Ah.
00:54:12Ah.
00:54:13Ah.
00:54:13Ah.
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01:19:13Il a un petit déjeuner à ce gars à ce moment-là, à 5.45 a.m. au matin de la 5th.
01:19:21Ray.
01:19:23Hey, j'ai juste appelé le numéro de la list.
01:19:27Qu'est-ce que le problème?
01:19:29Oh, non problème.
01:19:31Mais vous êtes actin' comme il y a un problème.
01:19:34Me ?
01:19:35Actin' comme il y a un problème ?
01:19:37Oh, non.
01:19:38J'ai juste passé 27 heures sur ce téléphone, appelant tout le monde dans le monde.
01:19:43Il n'y a rien.
01:19:45Vous faites un téléphone et vous avez notre homme.
01:19:49Je sais exactement ce que vous faites.
01:19:51Qu'est-ce que je fais ?
01:19:53C'est ce que vous travaillez.
01:19:56Parce que je sais bien que vous savez que vous ne pouvez pas arrêtent,
01:20:01vous voulez-moi faire le travail pour vous, non ?
01:20:03C'est-ce que vous travaillez ?
01:20:05Et ce que tu veux dire par « vous » ?
01:20:07C'est cool, alors les95, c'est áudanie pour vous ?
01:20:09tellement.
01:20:15C'est déranné à quatre.
01:20:16C'est mon fillet possible.
01:20:17Je n'amb rakant delatelifs comme dans un pays.
01:20:20Je n'ai jamais été entendus,
01:20:21mais à moi, j'avais pu vous dire une maladie.
01:20:22C'est la ne de airplane de faire de la布ie.
01:20:23Je me suis dit à des métiers pour celui des gens qui,
01:20:25vous et vosšelons.
01:20:26Je me suis harus bien étudié plus que vous.
01:20:27Je n'ai nett communiqué.
01:20:29Je dois entendre plus que vous êtes envers.
01:20:30Je devais designateds comme vous.
01:20:31Je devais que vous psyches.
01:20:33Je t'ai déjà appelé ce genre.
01:20:35C'est un peu pareil.
01:20:36Je suis de là.
01:20:38Sam ?
01:20:40Quoi ?
01:20:42Bonne chance.
01:20:49Vous avez donné 50 cents pour ce appel.
01:20:52Je t'ai vu.
01:21:00C'est un peu plus difficile ici.
01:21:04C'est un peu plus difficile.
01:21:06C'est un peu plus difficile.
01:21:08Oh, c'est un peu plus difficile.
01:21:10Je veux voir quelque chose.
01:21:12C'est un peu plus difficile.
01:21:14C'est un peu plus difficile.
01:21:16Je ne sais pas si rien.
01:21:18Je ne sais pas si ce que c'est.
01:21:20Vous allez quand je décis que ce bâtiment.
01:21:22Hey, regarde cette rope.
01:21:24Viens de nous prendre un peu plus de la route.
01:21:26Je vais aller en route.
01:21:28Je vais aller en route.
01:21:30Ok ?
01:21:32Where are you taking me ?
01:21:34Oh, you said you wanted to go out.
01:21:36Well, when i said out, I meant out.
01:21:38This is the back of your house.
01:21:39Oh, out, out.
01:21:41Look up there.
01:21:42You see the sky ?
01:21:43That's out.
01:21:45Oh, out, out. Look up there. You see the sky? That's out.
01:21:49I mean, you're about as far out as I can trust you.
01:21:53Here, come on. Grab my hand. Come on.
01:21:56Swing up in here. That's it. Way to go.
01:22:04Well, here it is. What do you think?
01:22:10It's fantastic.
01:22:13Come on.
01:22:15It really is nice up here, isn't it?
01:22:20Yeah.
01:22:24Oh. All it takes is a little cooperation.
01:22:28I know that now.
01:22:30Do you?
01:22:31Mm-hmm.
01:22:33You know, I'm not going to go to jail for this. I hope you know that.
01:22:37I don't want that.
01:22:41That's a relief. It's a relief for me.
01:22:43So it's, uh, it's you and me against the world from here on in, huh?
01:22:48You have to understand something.
01:22:52What's that?
01:22:53I'm different now from when you met me.
01:22:56You've got to forget that woman. She doesn't exist.
01:22:59I'll tell you something.
01:23:02Let's do it together.
01:23:07You and me.
01:23:09Let's make it happen.
01:23:11I mean, I've got the money.
01:23:13I've got the power.
01:23:14You've got the talent.
01:23:23Let's make it a team play.
01:23:31You really mean that?
01:23:32Yes, I do.
01:23:42Can we do it again?
01:23:43Right now?
01:23:44Let's go, baby.
01:23:45You're moving in with me.
01:23:46Everything's going to be just fine.
01:23:48I know it will.
01:23:49Listen, I'm going to get your clothes, okay?
01:23:51So why don't you go down there and just get in bed?
01:23:53I'll be waiting for you, baby.
01:23:55All right, honey.
01:23:56Come on, honey.
01:24:19We made a deal.
01:24:21Don't break a deal.
01:24:22Come on, open the door.
01:24:23Open the goddamn door!
01:24:53Hi, Dick.
01:25:16How's it going?
01:25:17Hi.
01:25:21Is that you?
01:25:22How you doing?
01:25:23It's me, Richard.
01:25:25Listen, it was all over, baby.
01:25:27I mean, it was all over.
01:25:28I was letting you go.
01:25:29You're free to go anywhere you want, anytime you want, any place you want.
01:25:33I love you, baby.
01:25:35Thanks, Dick.
01:25:37You're welcome.
01:25:37Listen to me.
01:25:39I got us first-class tickets to the Bahamas.
01:25:43Just you and me, baby.
01:25:44Just you and me.
01:25:46I mean, all the way.
01:25:47Do you understand that?
01:25:48I mean, are you staying with me?
01:25:50Royal Danish cruise lines, you don't believe me?
01:25:51Well, check it out, okay?
01:25:53Check it out, guys.
01:25:53I got the tickets in my tan coat.
01:25:55I mean, go ahead, you see?
01:25:57Inside breast pocket.
01:25:58Go up there and look.
01:25:58Please, for me, okay?
01:25:59Please, for me right now.
01:26:01Would you check one for me?
01:26:03God, I miss you.
01:26:04I miss you, baby.
01:26:08Are you listening to me, honey?
01:26:09You're not thinking of leaving me here, are you?
01:26:16Of course I hear you, sweet cakes.
01:26:19Oh, thank God.
01:26:21Jesus, you made me feel alone.
01:26:25What would you like for dinner?
01:26:28For dinner?
01:26:32For dinner?
01:26:33For dinner?
01:26:33For dinner?
01:26:53Yes?
01:26:55Emanuel Griffith?
01:26:57Yes.
01:26:59I'm Sam Weston.
01:27:01I was hired by your mother to find you.
01:27:06Oh.
01:27:08Well, you found me.
01:27:10Hold it.
01:27:13Lady, a lot of people worried about you.
01:27:19The thing is, Sam,
01:27:21I just needed a break.
01:27:24I needed some time for myself, okay?
01:27:27So you tell my mom I love her.
01:27:29Everything's fine.
01:27:30And I'll send her the money for the rent.
01:27:34You tell the rest of the world I love him, too.
01:27:37You tell him I'll be back.
01:27:41Thanks a lot, Sam.
01:27:42Yeah.
01:27:43Good morning, ladies.
01:27:54And welcome to a man's world.
01:27:56I'm coming to a man's world.
01:27:57I'm coming to a man's world.
01:27:58I'm coming to a man's world.
01:27:58I'm coming to a man's world.
01:27:59I'm coming to a man's world.
01:27:59I'm coming to a man's world.
01:28:00I'm coming to a man's world.
01:28:00I'm coming to a man's world.
01:28:01I'm coming to a man's world.
01:28:01I'm coming to a man's world.
01:28:02I'm coming to a man's world.
01:28:02I'm coming to a man's world.
01:28:03I'm coming to a man's world.
01:28:03I'm coming to a man's world.
01:28:04I'm coming to a man's world.
01:28:05I'm coming to a man's world.
01:28:06I'm coming to a man's world.
01:28:07I'm coming to a man's world.
01:28:08I'm coming to a man's world.
01:28:09I'm coming to a man's world.
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