- 2 days ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30It's the traffic of Napoli.
00:01:32The most red and the most women, the cazzo.
00:01:35And this is called the first place.
00:01:37Sì.
00:01:43Sì.
00:01:45C'è.
00:01:46C'è.
00:01:47C'è.
00:01:48C'è.
00:01:49C'è.
00:01:50C'è.
00:01:51C'è.
00:01:52C'è.
00:01:53C'è.
00:01:54C'è.
00:01:55C'è.
00:01:56C'è.
00:01:57C'è.
00:01:58her purse
00:02:00the purse
00:02:10no, she spent a try
00:02:12Pokemon
00:02:18she's just giving a minute
00:02:20you just give her a minute
00:02:22Wait a minute, wait a minute.
00:02:24I don't know.
00:02:25I don't know.
00:02:26I don't know.
00:02:27I don't know.
00:02:28I don't know.
00:02:29I don't know.
00:02:30I don't know.
00:02:31I don't know.
00:02:32I don't know.
00:02:33Where did you have it last?
00:02:35No.
00:02:37The train station, I think?
00:02:38The exchange group?
00:02:40Oh, Jamie.
00:02:43I'm sorry.
00:02:45That bastard at the train station started when you dropped all your stuff.
00:02:51This is 170, not 70.
00:02:56Where do we need to go?
00:02:58We need 70.
00:03:10Here we go.
00:03:12Is this it?
00:03:13Thank you, son.
00:03:19Is this it?
00:03:21Thank you, sir.
00:03:41It's nice.
00:03:43Yes, I have a credit card.
00:03:45The number's on file on my computer.
00:03:49Yes, I have them here.
00:03:51Okay.
00:03:535-5-3-3
00:03:557-6
00:03:574-5
00:03:598-7-8-7
00:04:019-1-5-7
00:04:035-7
00:04:05Yeah.
00:04:07Expires 12-15.
00:04:09No, she'll definitely need another card sent out immediately.
00:04:13We're here for two weeks.
00:04:15No, I'm working here.
00:04:17No, I'm working here.
00:04:21Yes, I'll hold.
00:04:23You love how they ask.
00:04:25As if I have a choice.
00:04:27Do you know what I'm gonna try to do while I'm here?
00:04:29Besides learn Italian.
00:04:31I don't know why you think that's so ridiculous.
00:04:33I don't at all.
00:04:35I admire you.
00:04:37I just think it's too late for me.
00:04:39That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:43Besides, what's the point?
00:04:47The whole bloody world speaks English.
00:04:49Well, I...
00:04:51Want to finally transcribe the tapes?
00:04:53Yes.
00:04:55All right.
00:04:57Okay.
00:04:59Well, if you can see it through to the end.
00:05:05I think that's wonderful.
00:05:07What does that mean?
00:05:09Nothing.
00:05:11Nothing?
00:05:13I think it's a fantastic idea, Jane.
00:05:15I always have.
00:05:16You know that?
00:05:21You don't sound very supportive.
00:05:25You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:29I just know how emotional listening to them can be.
00:05:33Has been for you.
00:05:35I think enough time has passed.
00:05:37Well, that's great.
00:05:59Why do you think he killed himself?
00:06:11David Foster Wallace.
00:06:13I don't know.
00:06:17You can't get a sense by his writing?
00:06:19You have to read it when I'm done, don't I?
00:06:23Do you think he recognized a blank infinity just stretching out?
00:06:35He got to this point, maybe, where it was just day after day after day.
00:06:39I really don't know, Jane.
00:06:41Just so tedious.
00:06:43And then, of course, he felt guilty.
00:06:46Most people think life is too short, and there he was, all the talent in the world, and it wasn't enough.
00:06:50Jane, can I... can we not talk about this?
00:06:52Just... just... just a bit more, a bit.
00:07:12Love you.
00:07:14Love you, too.
00:07:22Do you feel alright?
00:07:35Do you feel ok?
00:07:38Ya.
00:07:39Are you sure?
00:07:42Mm-hmm.
00:08:12Mm-hmm.
00:08:42Mm-hmm.
00:09:12Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:22I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:28True.
00:09:33Then I think I might go out, see what the world has to offer.
00:09:35If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:49I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56Have a good day.
00:09:56Have a good day.
00:09:58Testing, testing.
00:10:22Okay.
00:10:25Do you have any stories for my book?
00:10:28What kind of stories?
00:10:30Stories that you've prepared.
00:10:32Or I can ask them a list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list.
00:10:36God rest his soul.
00:10:37Let's start with the war.
00:10:38We went into an air raid shelter.
00:10:42My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb.
00:10:50And the man next to us, he said,
00:10:53I was in a shelter last night with my wife and my little boy.
00:10:56And half of it got blown away.
00:10:59There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:05Here we were in this tiny town in England,
00:11:10miles from Germany, from Russia, from Italy,
00:11:13from any front lines.
00:11:15And this man, he had blood in his hair.
00:11:25Good night.
00:11:26Cappuccino?
00:11:26Okay.
00:11:35We were riding our bikes to school
00:11:59when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards,
00:12:06we couldn't stop laughing.
00:12:08It feels now as if I'm the only one who remembers that.
00:12:12It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia,
00:12:24or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children,
00:12:47not just your father.
00:12:50You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:55I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:08All right, then.
00:13:10Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato inglese?
00:13:18No, no, no.
00:13:19No?
00:13:19Um, Castello Aureganese?
00:13:23Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Sì.
00:13:26Ah, grazie.
00:13:27I'm actually going there now, to the castle.
00:13:52Do you speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So, come on.
00:14:27My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm, mm, mm.
00:14:40The viola.
00:14:42Any good?
00:14:44Yes.
00:14:45Very.
00:14:49How do you keep your violin from getting stolen?
00:14:52You put it in a viola case.
00:14:55Right?
00:14:58That's not funny.
00:14:59Um, what's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07You know, why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming, there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes, and I went to this music slash nerd summer camp
00:15:23when I was like 10, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:33You newlywed?
00:15:34No.
00:15:36No.
00:15:36No.
00:15:46That's it.
00:15:47Stop making me feel like a stalker, fuck.
00:15:49Oh, hey, have you got 50 cents?
00:16:04If you can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:34What brought you out of here today?
00:16:36Barry.
00:16:37Ha!
00:16:38Barry.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn up bones.
00:16:48Can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In like the 1300s, thousands of families lived in this castle.
00:17:03It doesn't smell pretty bad.
00:17:05All those people crammed under this rock.
00:17:10Wow.
00:17:12I know.
00:17:13I've been coming here every day and it still gets me.
00:17:16If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization
00:17:28dedicated to studying the relic populations of dolphins and whales
00:17:32in the Gulf of Naples.
00:17:34I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:40I just didn't want to go to college and they paid for me to come over.
00:17:43Four connecting flights is a 72 hour plane ride, but you know, it was worth it.
00:17:47My first time out of the US.
00:17:48How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:51Is it really?
00:17:52Uh-huh.
00:17:53Happy birthday.
00:17:54Thank you very much.
00:17:55Yeah.
00:17:56So I left the program after like a month.
00:17:59Fuck the relic dolphins.
00:18:01I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:07Basically, I used to have ancestors in Ischia.
00:18:09So when I come over, I Facebook this second cousin twice removed.
00:18:12The second cousin twice removed, in case you didn't know,
00:18:14is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:20Sorry.
00:18:21Anyway.
00:18:22So this relative gave me the name of this great uncle who lives on the island.
00:18:25So I show up.
00:18:27He answers the door and he's like the oldest fucker I've ever seen.
00:18:30Easily pushing a hundred.
00:18:31A hundred?
00:18:32Yeah, if not older.
00:18:34He's like deaf and blind and about four feet tall.
00:18:37He mumbles a couple of things to me in some crazy dialect,
00:18:39ushers me inside, pours me a glass of wine,
00:18:42and leads me to this basement apartment.
00:18:44And, uh, yeah, I never left.
00:19:02For behold?
00:19:04Yeah, I know it was too late.
00:19:06Yeah, I can't believe it.
00:19:08So you hang out, please.
00:19:10iar, I can't believe it for you in the other hand.
00:19:12There's no chance at school.
00:19:15And, uh, yeah.
00:19:17And, uh, yeah.
00:19:19Yeah, yeah, yeah, yeah.
00:19:20I talk about a way.
00:19:22There's no hope band I've missed,
00:19:24and I've lost.
00:19:26There's no hope band I could be done.
00:19:27And I willчив while with the beard.
00:19:28I won'tn't say.
00:19:29Shanee June, you might need hand.
00:19:30Love teaches me to feed on flames and tears, to turn withered hope green through desire,
00:19:49to re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:55Who is that?
00:19:59Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:04You read that in your guidebook this morning, didn't you, Jane?
00:20:08Sneaky.
00:20:09Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo
00:20:14in English and Italian.
00:20:17I thought Michelangelo was gay.
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:24But that didn't stop her from loving him.
00:20:28Let's hear it then.
00:20:29In Italian.
00:20:30Let's hear the poem.
00:20:31Come on.
00:20:32Okay.
00:20:33Okay.
00:20:34Come on.
00:20:35Okay.
00:20:36I'm impressed.
00:20:39Are you hungry?
00:20:40Are you hungry?
00:20:41Yes.
00:20:42I'm impressed.
00:20:47Are you hungry?
00:20:48Are you going to take me out?
00:20:49Yeah.
00:20:50All right then.
00:20:51Okay.
00:20:52Okay.
00:20:53Okay.
00:20:54Okay.
00:20:55Okay.
00:20:56Two pastors with the...
00:20:57house sauce.
00:20:58Two pastors with the house sauce.
00:20:59Two pastors with the house sauce.
00:21:00Two pastors with the house sauce.
00:21:01I'm impressed.
00:21:02I'm impressed.
00:21:04You hungry?
00:21:05I'm impressed.
00:21:06I'm impressed.
00:21:07I'm impressed.
00:21:08I'm impressed.
00:21:09I'm impressed.
00:21:10I'm impressed.
00:21:12Are you hungry?
00:21:13Why?
00:21:14Are you going to take me out?
00:21:15Yeah.
00:21:16All right then.
00:21:17Okay.
00:21:18Two pastors with the house sauce, please.
00:21:19Red.
00:21:20Red.
00:21:21Red.
00:21:22Uh-huh.
00:21:24Grazie.
00:21:25So you're really not going to tell me what you do?
00:21:26I write freelance articles about parties and fashion trends in town and country UK.
00:21:31There's something else.
00:21:33I don't know.
00:21:34I don't know.
00:21:35I don't know.
00:21:36I don't know.
00:21:37I don't know.
00:21:38I don't know.
00:21:39I don't know.
00:21:40I don't know.
00:21:41I don't know.
00:21:42I don't know.
00:21:43I don't know.
00:21:44I don't know.
00:21:45I don't know.
00:21:46There's something else.
00:21:54I'm writing a book about my grandmother's experiences in rural England, living through
00:21:59two world wars.
00:22:01I recorded her for hours and hours.
00:22:04But now, I don't know.
00:22:08What don't you know?
00:22:11You want to listen?
00:22:13A little?
00:22:15Yeah.
00:22:16Yeah?
00:22:17Yeah.
00:22:18I know it.
00:22:19I love to listen.
00:22:20A little tangled up.
00:22:21I don't know.
00:22:22Okay.
00:22:23Awful as it was, it made you stronger.
00:22:24These days people whine about all sorts of things and I'm not one of those old people
00:22:38who think my time had the only joy and the only problems.
00:22:53That is like a window in time.
00:22:54This is no way they're going to die.
00:22:55It's not like a window in time.
00:22:56It's so weird.
00:22:57Why do you think that's not...
00:22:58Well...
00:22:59That's human.
00:23:00it really brought people together, the war.
00:23:02We helped each other during that time.
00:23:05We had to laugh, we had to smile.
00:23:08Well, if not for ourselves,
00:23:10then for the people we'd lost.
00:23:12I shut that thing off, would you get it out of my face?
00:23:19That is like, it's like a window in time.
00:23:23The sort of thing you wish you always did
00:23:25before someone died, you know?
00:23:27My husband thinks I'm never going to finish it.
00:23:30You don't care what anyone thinks.
00:23:32We met while I was recording her.
00:23:35Bonding over Granny, huh?
00:23:38Make it sound perverse.
00:23:40That's what it was, right?
00:23:42Buongiorno. Buongiorno.
00:23:44Signori?
00:23:53I got pregnant, so we got married.
00:23:57I lost the baby.
00:24:00I lost the baby.
00:24:04I'm sorry.
00:24:05I'm sorry.
00:24:13Excuse me.
00:24:15It was your regret.
00:24:16Yes, thank you.
00:24:17You can take it away.
00:24:18Yes, thank you.
00:24:23I didn't go back after that to the States.
00:24:30Did you, uh, did you ever hear that story about the Red Strain?
00:24:40I think I might have. Tell me.
00:24:44It's like this Asian proverb says that anyone you're destined to meet, like, uh, your soulmate or your family or, you know, someone you bump into on the street, we're all connected by this red string.
00:25:05It can be tangled or stretched, but it can never be broken.
00:25:12There's this moment in the tape.
00:25:20I'm sitting, waiting in the airport bar for my flight, and I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure and how I'm gonna show World War II from a totally different perspective.
00:25:37But...
00:25:46I don't know if it's that interesting.
00:25:49That's the whole point, isn't it?
00:25:52Keeping it interesting for yourself.
00:25:56Maybe.
00:25:59Maybe I just wanna write about nothing.
00:26:02Everything is nothing.
00:26:05All the best.
00:26:07You know what, Leandro?
00:26:08Yeah.
00:26:09Grazie.
00:26:13Make a wish, huh.
00:26:15Make it great.
00:26:17Okay.
00:26:25Bravo!
00:26:26Bravo-ey!
00:26:27Hey, come over here.
00:26:36What do you mean I'm gonna go?
00:26:37Ready?
00:26:38What?
00:26:39Grab my hand.
00:26:40Go, go, go!
00:26:41Oh my gosh!
00:26:42Oh my gosh!
00:26:43Oh my gosh!
00:26:44Oh my gosh!
00:26:45Oh no!
00:26:46What?
00:26:47What do you mean?
00:26:50Stronzo!
00:26:53Hey!
00:26:54Hey!
00:26:55It's the carabineri!
00:26:56Hey, please!
00:26:57No!
00:27:04We can't go back!
00:27:05We can go back!
00:27:06We need to rest.
00:27:09We can't be here!
00:27:10Come back!
00:27:23Oh no!
00:27:24Yes, it's true.
00:27:33Yes, it's true.
00:27:35I made the check when I went to the bathroom.
00:27:40You're horrible.
00:27:42You're horrible.
00:27:44You're horrible.
00:27:45Come on, let's go.
00:27:46Come on.
00:27:48Let's go.
00:27:51Why are we still running?
00:27:53I don't know why we're still running.
00:27:54Oh, my gosh.
00:28:14It went up my nose.
00:28:21We come back?
00:28:23Maybe.
00:28:23Okay, maybe is not a no.
00:28:29And since I don't have a phone, you're going to have to give me your number for cheap thrills
00:28:35and future crimes committed.
00:28:37No.
00:28:40You're enough.
00:28:41I've got to go catch a fairy.
00:28:53Hey.
00:28:58Why do violists keep their viola cases on their dashboards?
00:29:09So they can park in handicapped spots.
00:29:25Oh, happy birthday.
00:29:33Happy birthday.
00:29:35Happy birthday.
00:29:50Oh, my gosh.
00:29:51Oh, my gosh.
00:29:51Oh, my gosh.
00:29:53Oh, my gosh.
00:29:53Oh, my gosh.
00:29:53And even though, I'm not sure that anyone's in this room.
00:29:55Oh, my gosh.
00:29:55Oh, my gosh.
00:30:27You're awake.
00:30:52Yeah, there's so much of this stuff to get through.
00:30:55That's it.
00:30:58Nice.
00:31:25I've got a bicycle seat.
00:31:27They stay with me too.
00:31:29Jane.
00:31:31Tony.
00:31:33Got some pastries.
00:31:35You're still asleep?
00:31:36Jane.
00:31:37Tony.
00:31:38Got some pastries.
00:31:42You're still asleep?
00:31:43Jane.
00:31:44Jane.
00:31:45Jane.
00:31:46Jane.
00:31:47Jane.
00:31:48Jane.
00:31:49Jane.
00:31:50Jane.
00:31:51Jane.
00:31:52Jane.
00:31:53Jane.
00:31:54Jane.
00:31:55Jane.
00:31:56Jane.
00:31:57Jane.
00:31:58Jane.
00:31:59Jane.
00:32:00Jane.
00:32:01Jane.
00:32:02Jane.
00:32:03Jane.
00:32:04Jane.
00:32:05Jane.
00:32:06Jane.
00:32:07Jane.
00:32:08Jane.
00:32:09Jane.
00:32:10Jane.
00:32:11Jane.
00:32:12Jane.
00:32:13Jane.
00:32:14Jane.
00:32:15Jane.
00:32:16Jane.
00:32:17Jane.
00:32:18Jane.
00:32:19Jane.
00:32:20Jane.
00:32:21Jane.
00:32:22Jane.
00:32:23Jane.
00:32:24Jane.
00:32:25Jane.
00:32:26Jane.
00:32:27Jane.
00:32:28Jane.
00:32:29Jane.
00:32:30Jane.
00:32:31Jane.
00:32:32Jane.
00:32:33Jane.
00:32:34Jane.
00:32:35Jane.
00:32:36Jane.
00:32:37Jane.
00:32:38Jane.
00:32:39Jane.
00:32:40Jane.
00:32:41Jane.
00:32:42Jane.
00:32:43Jane.
00:32:44They were nice boys, but I didn't want to leave my mom and dad.
00:32:52I wish I had sometimes.
00:32:54You know when you were 19 and the world just felt so open and carefree and full of possibility?
00:33:01You reminded me of that.
00:33:04At that time.
00:33:06You were 19 when we met?
00:33:07Yeah.
00:33:08I wouldn't have described you as carefree back then.
00:33:11Not at all.
00:33:12Well, I felt nostalgia.
00:33:14Or something for youth.
00:33:16You're not old, Jane.
00:33:18We ran out on the bill.
00:33:21You just ran out?
00:33:22What do you mean you ran out on the bill?
00:33:24Perhaps I'm not explaining it well.
00:33:25It was...
00:33:26It was fun.
00:33:29It was just fun.
00:33:41How was work?
00:33:41The conductor's actually a descendant of Walter Leib, which is fascinating.
00:33:48The three of us were planning dinner before we leave.
00:33:51I'd like that.
00:33:56Jane?
00:33:56Oh, my God.
00:34:00This is Caleb.
00:34:03Hi.
00:34:04No, no, we were just talking about you.
00:34:05We were?
00:34:06That's so weird.
00:34:07Sit, please.
00:34:08Sit down.
00:34:09Join us.
00:34:10What?
00:34:11Oh.
00:34:11I'm not sure if you're going to get back pretty soon.
00:34:21That's okay.
00:34:22I already ate, so I'll just grab a coffee or something.
00:34:25Can I have the check, please?
00:34:37In a cafe, put-put-put-put?
00:34:38Oh, no, thank you.
00:34:44Okay.
00:34:48Jane, you don't smoke.
00:34:51Yes, I do.
00:34:53Sometimes, at parties.
00:34:56You didn't know that.
00:34:58Well, I don't do it a lot.
00:34:59Italian food's so overrated.
00:35:11I love it.
00:35:13There's no variety.
00:35:14English food, on the other hand.
00:35:16Tell what you like about it.
00:35:18There's nothing like a good steak and kidney pie.
00:35:21I went to this party the other day in this villa owned by this old, drunk ex-pat.
00:35:27They had, like, a private chef and everything, and they were serving this, like, loaf of
00:35:32meat covered in sauce with all these other loaves, and this girl came over to me and said
00:35:38it was cat.
00:35:38No.
00:35:39No joke.
00:35:40Like, a roasted mommy cat and her kittens.
00:35:44That is disgusting.
00:35:46True story.
00:35:51Why don't you tell Leonard one of your viola jokes?
00:35:57Come on.
00:35:59You're selling my ant.
00:36:02Come on.
00:36:03Let's hear one.
00:36:08Um...
00:36:09I have one.
00:36:12What is the definition of perfect pitch?
00:36:17What?
00:36:17When you throw a viola into the dumpster without hitting the rim.
00:36:26You didn't just make that up.
00:36:27I did.
00:36:28It's too good.
00:36:28I did.
00:36:29Well, I'm impressed and I'm stealing it.
00:36:32You can pretty much make that joke about any instrument.
00:36:35Do you play anything, Caleb?
00:36:40This and that, you know.
00:36:44Shall we?
00:36:46What, time to go?
00:36:47Already?
00:36:48Yeah, I've got to get that to work.
00:36:51Hmm.
00:37:00So what's next on your agenda, Caleb?
00:37:03Um, I'm thinking Tibet.
00:37:05Oh, Tibet, really?
00:37:07Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:37:10Yeah, I've heard about that.
00:37:11That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:16The monks, the monks, the monks.
00:37:17So pretty.
00:37:20How do you support yourself?
00:37:21You know, a bit of this, a bit of that.
00:37:28All right, then.
00:37:30I'll walk you.
00:37:31Does anybody have a pen?
00:37:33You got a pen?
00:37:34Yeah, I have a pen.
00:37:42Okay.
00:37:49I have a piece of paper.
00:37:50You guys should definitely come over to the island.
00:37:53I'll take you somewhere fun, you know.
00:37:55Don't knock on the front door.
00:37:56Come around the side.
00:37:57I need Regina.
00:38:06And thanks again for yesterday.
00:38:08Oh, no problem.
00:38:10Hey.
00:38:13Ciao.
00:38:13Ciao.
00:38:13How stoned are you?
00:38:23Come on, man.
00:38:24We should tell him a pub.
00:38:24It's not a big deal.
00:38:27So you're saying you smoke back at her?
00:38:31Occasionally.
00:38:31Hey, can we do something fun tonight?
00:38:35Sure.
00:38:35I'm fine from here.
00:38:41Okay.
00:38:41See you after work.
00:38:42Yep.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:38:43You may be but.
00:39:07Bye.
00:39:07Bye.
00:39:07Bye.
00:39:08Bye.
00:39:09Bye.
00:39:09Bye.
00:39:09Bye.
00:39:10Bye.
00:39:10Bye.
00:39:11Bye.
00:39:13Hey.
00:39:15God, you scared me.
00:39:17Are you following me?
00:39:19Maybe. Is that weird?
00:39:21Yeah.
00:39:31I couldn't sleep last night.
00:39:37You told me you were staying near the port so I got the first ferry this morning.
00:39:41I came looking for you.
00:39:44And I can't believe I found you.
00:40:11What are we doing?
00:40:13I think we're making it out.
00:40:15So sexy.
00:40:17And beautiful.
00:40:27What are we doing?
00:40:29I think we're making it out.
00:40:33So sexy.
00:40:35And beautiful.
00:40:37I think we're doing the best.
00:40:39Let's see.
00:40:41Let's see.
00:40:43I'm sorry.
00:40:44I'm sorry.
00:40:45I'm sorry.
00:40:46Let's see.
00:40:47I'm sorry.
00:40:48I'm sorry.
00:40:49I'm sorry.
00:40:50I can't do this.
00:41:09What?
00:41:10Why?
00:41:11I can't do this.
00:41:12Why?
00:41:20Do you do this a lot?
00:41:24What?
00:41:25Do you do this a lot?
00:41:27What?
00:41:28Do you seduce women?
00:41:29Is this what you do?
00:41:31You need to be less serious.
00:41:35Don't follow me.
00:41:50I can't do this.
00:42:00I can't do this.
00:42:06I can't do this.
00:42:11I can't do this.
00:42:24You can't do this.
00:42:28There was one boy from Belgium, he was lovely, he had a moustache, my mother hated moustaches,
00:42:55and he was shipped off. I never saw him again. Anyways, I met your grandfather not long after, and we got married.
00:43:08Was it love at first sight with Grandpa?
00:43:11Love at first sight? Stop that thing!
00:43:15I know. You're home early.
00:43:25I do deserve that.
00:43:28You know, it doesn't work for your husband.
00:43:35Jane, I'm sorry, just give me a minute. I have a hell of a rest of my day. I've got so much stuff to do.
00:43:44Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:48Yeah, absolutely. Lots of dinner. I thought we'd just stay in here. The two of us.
00:43:54I've just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:58Okay. I'm sorry.
00:44:24Why not?
00:44:25I've just got to work this year.
00:44:26I'm sorry.
00:44:27I've just got to work this summer.
00:44:30I've got to go now.
00:44:33I think we pasó this area.
00:44:34I mean...
00:44:35You know, all you might as well are people.
00:44:36I think you're probably going.
00:44:37I'm tired.
00:44:39Not I'm tired.
00:44:41You got to go.
00:44:42You're so tired.
00:44:43I'm tired.
00:44:45I can't.
00:44:47Leonard.
00:44:48Leonard.
00:44:49Can we talk?
00:45:17Say cheese.
00:45:18You should kind of be in the middle.
00:45:19Hold it a second.
00:45:20.
00:45:21.
00:45:22.
00:45:23.
00:45:24.
00:45:25.
00:45:26.
00:45:27.
00:45:28.
00:45:29.
00:45:30.
00:45:31.
00:45:32.
00:45:33.
00:45:34.
00:45:35.
00:45:36.
00:45:37.
00:45:38.
00:45:39.
00:45:40.
00:45:41.
00:45:42.
00:45:43.
00:45:44.
00:45:45.
00:45:46.
00:45:47.
00:45:48.
00:45:49.
00:45:50.
00:45:51.
00:45:52.
00:45:53.
00:45:54.
00:45:55.
00:45:56.
00:45:57.
00:45:58.
00:45:59.
00:46:00.
00:46:01.
00:46:02.
00:46:03.
00:46:04.
00:46:05.
00:46:06.
00:46:07.
00:46:08.
00:46:09.
00:46:10.
00:46:11.
00:46:12.
00:46:13.
00:46:14.
00:46:15.
00:53:16You make me feel nervous.
00:53:19You make me feel calm.
00:53:20You make me feel calm.
00:53:24You make me feel calm.
00:53:54I know...
00:54:02You make me feel calm.
00:54:03You make him feel calm.
00:54:04You make me feel calm.
00:54:06You make me feel calm.
00:54:08Is that him?
00:54:12Yeah, he just shuffled around all night.
00:54:16Must be lonely.
00:54:38. . .
00:55:06. . .
00:55:26Again and again and again.
00:55:30. . .
00:55:34Once I was single, my pocket is in.
00:55:38Jingle, I wish I was single again.
00:55:42Again and again and again.
00:55:46. . .
00:55:48Once I was single, my pocket is in.
00:55:50Jingle, I wish I was single again.
00:55:52Once I was single, my pocket is in.
00:55:56Jingle, I wish I was single again.
00:55:58Once I was single again.
00:56:00. . .
00:56:02. . .
00:56:12I didn't sleep at all last night.
00:56:14Where have you been?
00:56:16Just walking.
00:56:18All night.
00:56:20I'm thinking.
00:56:22You left your phone here.
00:56:24I had to plug it in.
00:56:26We need to talk, Leonard.
00:56:28I have to go to work.
00:56:30Can you be late?
00:56:34No, I can't be late.
00:56:36I know.
00:56:38Jay, whatever you have to say to me, I want to hear it.
00:56:42I've committed myself.
00:56:44People are depending on me.
00:56:46I have to go to work.
00:56:48Okay.
00:56:49. . .
00:56:50. . .
00:56:51. . . .
00:56:52Okay.
00:57:22If it wasn't the war, it would have been something else.
00:57:29There's always something else, isn't there?
00:57:34That's the thing.
00:57:35That's the thing about struggle.
00:57:47I'm going to make some tea.
00:57:49Do you want some?
00:57:52I'm alright.
00:57:59If you go out like that again, just tell me.
00:58:02Don't worry.
00:58:05Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:21Do you think everything we've been through actually does us any good in the long run?
00:58:34Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:39I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:56I don't know what you want me to say, Jane.
00:59:10One little thing had changed in my grandmother's life, I might not be here.
00:59:27Sometimes I worry I'm not honoring her.
00:59:28With the book?
00:59:29No, with my life.
00:59:30This is it, you know.
00:59:31It ends with me.
00:59:32This is it, you know.
00:59:33It ends with me.
00:59:34This is it, you know.
00:59:35It ends with me.
00:59:37In the harvest time, we're all waiting for her.
00:59:38No, it ends with me.
00:59:42With the book?
00:59:46No, with my life.
00:59:52This is it, you know.
00:59:54It ends with me.
01:00:02In the harvest time, we all went to the field where they were cutting the corn.
01:00:06Everyone was chasing rabbits, and then we had our tea in the harvest fields.
01:00:18The horses.
01:00:20The horses back then, they were kept beautifully.
01:00:26Dad used to dress them all up, brass things, and...
01:00:30little horseshoes.
01:00:32He put braids on them.
01:00:34They used to be gorgeous.
01:00:36What are your plans for tomorrow?
01:00:38There was one.
01:00:40Duke.
01:00:42He was at Clydesdale.
01:00:44I used to ride down to the marshes.
01:00:46Every night, when he finished working.
01:00:50He was at Clydesdale.
01:00:52I used to ride down to the marshes.
01:00:54Every night, when he finished working.
01:00:56They were lovely days, really.
01:01:08They're gone. For me.
01:01:10Jane.
01:01:12But not for you.
01:01:14Jane.
01:01:16You know, it's different for you.
01:01:18In some ways, it's easier.
01:01:20You haven't got the war. People don't die as much as they did back then.
01:01:24But in some ways, it's more disjointed.
01:01:30You've got to make your own life.
01:01:32One that you love, and you can't be afraid of the...
01:01:36of the time.
01:01:40Time is shiftable.
01:01:42There are moments in my life that I would trade 60 years to have back again.
01:01:56That's the truth.
01:01:58You'll know the truth when you find it.
01:02:00It'll come to you like something you've known before, rather than something you're learning for the first time.
01:02:06Oh, sorry.
01:02:10Ah!
01:02:12Ah!
01:02:13What is it?
01:02:14Ah!
01:02:15Ah!
01:02:16Ah!
01:02:17Ah!
01:02:18You...
01:02:19Ah!
01:02:20You all right?
01:02:21Ah!
01:02:22You okay?
01:02:23Yeah.
01:02:24Stunned my toe.
01:02:25Ah!
01:02:26It's bleeding.
01:02:27It's fine.
01:02:28It's fine.
01:02:29It's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:32It's fine.
01:02:33Are you finishing that?
01:02:34Yes.
01:02:35Oh!
01:02:36Fuck.
01:02:37I met these backpackers last night, Frank and Elsa.
01:02:50She's French.
01:02:51He's German.
01:02:52They're going to Tibet.
01:02:54And I'm going with them.
01:02:58I want you to come with me.
01:03:07It's fine.
01:03:52Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10Long day.
01:04:14God, why didn't they not?
01:04:17I don't think I'd jump to doing another still like this.
01:04:22How's the writing going?
01:04:27I'm feeling inspired.
01:04:32It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:39Are you listening?
01:04:43You found the key to finishing this project?
01:04:56Well, the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious.
01:05:34I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:05I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:39Say it.
01:06:42Jane.
01:06:42Say it.
01:06:44I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again and again.
01:06:55Please.
01:06:55And again.
01:06:58How does that make you feel?
01:07:00It's not your father.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:13We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:18Is that what you want?
01:07:19Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:41What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:04I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:11I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See him.
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:31That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:48What do you think?
01:08:55I kept waiting for you to see it.
01:08:57To smell it.
01:08:58To sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03I don't see me!
01:09:03I don't see me!
01:09:11I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29I shouldn't have done that.
01:09:29No.
01:09:30For losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper!
01:09:34No, no, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44That is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:07I want you to do what you need to do.
01:10:09And then come back to me.
01:10:17No questions asked.
01:10:19No guilt.
01:10:22This is good.
01:10:39No guilt.
01:10:57No guilt.
01:10:58No guilt.
01:10:59No guilt.
01:11:31Hi.
01:11:48Hi.
01:11:59You want some?
01:12:01Oh, thanks.
01:12:35Frank, you know, it's coming over in a couple of hours.
01:12:48Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:12:55I'm thinking of driving through Romania and then Ukraine and down through Russia and through
01:13:10Kazakhstan and then straight to Tibet.
01:13:14And then, we're going to have to go through it.
01:13:57Ciao, buona fortuna.
01:14:27Jace!
01:14:54You've got to come over to this side.
01:15:00Train's going to be here in a minute.
01:15:24It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:37New York is cold, but I like where I'm living.
01:15:44There's music on Clinton Street all through the evening.
01:15:49I hear that you're building your house deep in the desert.
01:16:00Are you living for nothing now?
01:16:07Hope you're keeping some kind of record.
01:16:11Yes.
01:16:13And Jane came by with a lock of your hair.
01:16:22She said that you gave it to her.
01:16:27That night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:36Why not?
01:16:37I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:41No, shut that thing off.
01:16:44Oh, the last...
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