- 2 days ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30It's in Napoli.
00:01:32Three, two, one, the f***.
00:01:35And this one, the first place.
00:01:43Shit.
00:01:45Whoa.
00:01:46Camp on my wallet.
00:01:51Where? The receipt case?
00:01:52No, no, no, no, no.
00:01:54It's not where the receipt case is.
00:01:56Somewhere.
00:01:57Maybe it's in my car.
00:02:00OKAY, she says the best of the bus, the first
00:02:22You just give her a minute, just sit down
00:02:25a minute a minute
00:02:30Where did you have it last?
00:02:34The train station, I think?
00:02:38The exchange booth?
00:02:42Oh, Jamie, I'm sorry.
00:02:46That bastard at the train station started when you dropped all your stuff.
00:02:52This is 170, not 70.
00:02:56Where do we need to go?
00:02:58We need sevens.
00:03:10Here we go.
00:03:20Is this it?
00:03:22Thanks, man.
00:03:28It's nice.
00:03:42Yes, I have a credit card.
00:03:46Numbers on file on my computer.
00:03:48Yes, I have them here.
00:03:52Okay, five, five, three, three, seven, six, four, five, eight, seven, eight, seven, nine, one, five, seven.
00:04:04Five, seven.
00:04:06Yeah.
00:04:08Expires 12.15.
00:04:10No, she'll definitely need another card sent out immediately.
00:04:14We're here for two weeks.
00:04:16No, I'm working here.
00:04:18Yes, I'll hold.
00:04:22You love how they ask, as if I have a choice.
00:04:26Do you know what I'm gonna try to do while I'm here?
00:04:30Besides, learn Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:34You don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:39That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:44And besides, what's the point?
00:04:47The whole bloody world speaks English.
00:04:49Well, I am going to finally transcribe the tapes.
00:04:54Yes.
00:04:56All right.
00:04:58Okay.
00:05:00Well, if you can see it through to the end, I think that's wonderful.
00:05:06What does that mean?
00:05:08Nothing.
00:05:10Nothing?
00:05:11I think it's a fantastic idea, Jen.
00:05:15I always have.
00:05:16You know that?
00:05:17She sounds very supportive.
00:05:22You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:29I just know how emotional listening to them can be.
00:05:34Has been for you.
00:05:35I think enough time has passed.
00:05:37Well, that's great.
00:05:52Why do you think he killed himself?
00:06:08Who?
00:06:11David Foster Wallace.
00:06:13I don't know.
00:06:17You can't get a sense by his writing?
00:06:20You have to read it when I'm done, don't I?
00:06:28Do you think he recognized a blank infinity just stretching out?
00:06:34He got to this point maybe where it was just day after day after day.
00:06:38I really don't know, Jen.
00:06:40Just so tedious.
00:06:43And then, of course, he felt guilty.
00:06:46Most people think life is too short and there he was, all the talent in the world,
00:06:49and it wasn't enough.
00:06:50Jen, can I...
00:06:51Can we not talk about this?
00:06:53Just...
00:06:54Just...
00:06:55Just a bit moment.
00:06:57I love you.
00:07:13I love you too.
00:07:27Do you feel alright?
00:07:28Do you feel okay?
00:07:29Yeah.
00:07:30Are you sure?
00:07:31Mm-hmm.
00:07:32Mm-hmm.
00:07:33Do you feel alright?
00:07:34Do you feel okay?
00:07:35Yeah.
00:07:36Are you sure?
00:07:37Mm-hmm.
00:07:38Do you feel okay?
00:07:39Yeah.
00:07:40Do you feel okay?
00:07:41Mm-hmm.
00:07:46Mm-hmm.
00:08:08I don't know.
00:08:38I don't know.
00:09:08Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:21I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:27True.
00:09:28Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:44I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:10:26I'll see you later.
00:10:28What kind of stories?
00:10:30Stories that you've prepared.
00:10:32Before I can ask them a list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list.
00:10:36God rest his soul.
00:10:37Let's start with the war.
00:10:38We went into an air raid shelter.
00:10:42My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb.
00:10:50And the man next to us, he said,
00:10:52I was in a shelter last night with my wife and my little boy.
00:10:56And half of it got blown away.
00:10:59There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:08Here we were in this tiny town in England,
00:11:10miles from Germany, from Russia, from Italy,
00:11:13from any front lines.
00:11:14And this man,
00:11:17he had blood in his hair.
00:11:19Good night, cappuccino, okay?
00:11:45Good night today.
00:11:46I, um, was terrible.
00:11:50Is it?
00:11:52We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:10It feels now as if I'm the only one who remembers that.
00:12:12It's as vivid to me as if it happened yesterday.
00:12:16Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia, or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:42Sometimes I think I should have had more children, not just your father.
00:12:50You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:55I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:08All right, then.
00:13:08Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato inglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oreganese?
00:13:23Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Grazie.
00:13:26Ah, grazie.
00:13:29They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side and which was the Allied side.
00:13:43When he came home after something like that,
00:13:47you couldn't really complain to him about anything, now could you?
00:13:50I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So, come on.
00:14:26My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:38Mm, mm, mm, mm.
00:14:40The viola.
00:14:42Any good?
00:14:44Yes.
00:14:45Very.
00:14:49How do you keep your violin from getting stolen?
00:14:51You put it in a viola case, right?
00:14:56That's not funny.
00:14:58Um, what's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:04Because viola players are dead.
00:15:04Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming, there's nothing you can do about it.
00:15:17I can't help it, I've got this weird, autistic mind for jokes, and I went to this music slash nerd summer camp when I was like 10 and I played the triangle.
00:15:25Right.
00:15:25And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:33Are you newlywed?
00:15:34No.
00:15:36No.
00:15:46Stop making me feel like a stalker.
00:15:49Fuck.
00:15:49Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:11Grazie.
00:16:19What brought you out of here today?
00:16:36Barry.
00:16:36Ha!
00:16:37Barry.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn to bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In, like, the 1300s, thousands of families lived in this castle.
00:17:03It must have smelled pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:12I know.
00:17:13I've been coming here every day and it still gets me.
00:17:16If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization dedicated to studying
00:17:30the relic populations of dolphins and whales in the Gulf of Naples.
00:17:33I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:40No, I just didn't want to go to college and they paid for me to come over.
00:17:43Before connecting flights, a 72-hour plane ride.
00:17:45But, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:49How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:55Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:02I stayed on the island because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:07Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second
00:18:11cousin twice removed.
00:18:12The second cousin twice removed, in case you didn't know, is when one person's great-grandparent
00:18:16is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:20Sorry.
00:18:20Anyway, so this relative gave me the name of this great-uncle who lives on the island,
00:18:25so I show up, he answers the door, and he's, like, the oldest fucker I've ever seen, easily
00:18:30pushing a hundred.
00:18:32A hundred?
00:18:33Yeah, if not older, he's, like, deaf and blind and about four feet tall, and he mumbles a
00:18:38couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine,
00:18:42and leads me to this basement apartment, and, uh, yeah, I never left.
00:18:49I never left.
00:19:19Love teaches me to feed on flames and tears, to turn withered hope green through desire,
00:19:48to re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:56Who is that?
00:19:58Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:04You read that in your guidebook this morning, didn't you, Jane? Sneaky.
00:20:10Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17I thought Michelangelo was gay.
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:24But that didn't stop her from loving him.
00:20:28Let's hear it then.
00:20:30In Italian.
00:20:32Let's hear the poem.
00:20:34Come on.
00:20:36I'm impressed.
00:20:39Are you hungry?
00:20:40No.
00:20:41No.
00:20:42No.
00:20:43No.
00:20:44No.
00:20:45No.
00:20:46No.
00:20:47I'm impressed.
00:20:49Are you hungry?
00:20:50Why, are you going to take me out?
00:20:51Yeah.
00:20:52All right then.
00:20:53Okay.
00:20:54Okay.
00:20:55Two pastas with the...
00:20:56House of my and...
00:20:58In Italian.
00:20:59You know, I don't know.
00:21:01This is just a little bit of a clue.
00:21:03It's true, but it's still a good one.
00:21:04But...
00:21:05It is a good thing.
00:21:08It's true.
00:21:10And you really enjoyed the story.
00:21:12How did you enjoy it?
00:21:13All right, then.
00:21:19Okay.
00:21:24Two pastas with the house sauce, please?
00:21:27Red.
00:21:28Red, please.
00:21:29Uh-huh.
00:21:31Grazie.
00:21:32So you're really not going to tell me what you do?
00:21:34I write freelance articles about parties and fashion trends in town and country UK.
00:21:45There's something else.
00:21:53I'm writing a book about my grandmother's experiences in rural England living through two world wars.
00:22:00I recorded her for hours and hours.
00:22:03But now, I don't know.
00:22:08What don't you know?
00:22:11You want to listen?
00:22:13A little?
00:22:14Yeah.
00:22:15Yeah?
00:22:16Yeah, no, I love to listen.
00:22:33Well, it's tangled up.
00:22:34I don't know.
00:22:35Okay.
00:22:36Awful as it was, it made you stronger.
00:22:45These days, people whine about all sorts of things.
00:22:48And I'm not one of those old people who think my time had the only joy and the only problems.
00:22:53Why?
00:22:54We all have our own private wars every era, but it was nothing like.
00:22:59It really brought people together, the war.
00:23:02We...
00:23:03We helped each other during that time.
00:23:04We had to laugh.
00:23:05We had to smile.
00:23:06Well, if not for ourselves, then for the people we'd lost.
00:23:10I'll shut that thing off.
00:23:11Would you get it out of my face?
00:23:14That is like...
00:23:15It's like a window in time.
00:23:20The sort of thing you wish you always did before someone died, you know?
00:23:25My husband thinks I'm never going to finish it.
00:23:28I shouldn't care what anyone thinks.
00:23:31We met while I was recording her.
00:23:33Bonding over Granny, huh?
00:23:36Make it sound perverse.
00:23:38That's what it was, right?
00:23:40Buongiorno.
00:23:41Buongiorno.
00:23:42Signori?
00:23:52I got pregnant, so we got married.
00:23:54I lost the baby.
00:24:00I lost the baby.
00:24:04I'm sorry.
00:24:13Excuse me.
00:24:14It was your regret.
00:24:16Yes, thank you.
00:24:17You can take it away.
00:24:19Yes, thank you.
00:24:24I didn't go back after that to the States.
00:24:31Did you, uh, did you ever hear that story about the Red Strain?
00:24:41I think I might have.
00:24:42Tell me.
00:24:43It's like this Asian proverb says that anyone you're destined to meet like, uh, your soulmate,
00:24:56or your family, or, you know, someone you bump into on the street.
00:25:02We're all connected by this red string.
00:25:05It can be tangled or stretched, but it can never be broken.
00:25:12You have to do it.
00:25:13Uh, no.
00:25:14No.
00:25:15So, now, I'm sorry.
00:25:16But...
00:25:17There's this...
00:25:18...moment in the tape.
00:25:20I'm sitting waiting in the airport bar for my flight and I'm talking into the recorder
00:25:28rambling on about how I'm about to embark on this amazing adventure and
00:25:33how I'm going to show World War II from a totally different perspective.
00:25:41But...
00:25:41I don't know if it's that interesting.
00:25:48That's the whole point, isn't it?
00:25:52Keeping it interesting for yourself.
00:25:55Maybe.
00:25:58Maybe I just want to write about nothing.
00:26:02Everything is nothing.
00:26:05All the best.
00:26:07Compliano.
00:26:08Grazie.
00:26:09Grazie.
00:26:12Make a wish.
00:26:14Make it great.
00:26:17Okay.
00:26:25Bravo.
00:26:26Bravo.
00:26:27Hey.
00:26:36What do you mean?
00:26:37What?
00:26:38Oh my god.
00:26:39Oh my god.
00:26:40Oh my god.
00:26:41Oh my god.
00:26:42Oh my god.
00:26:43Oh my god.
00:26:44Oh no.
00:26:45What?
00:26:46What do you mean?
00:26:47Oh my god.
00:26:48Oh my god.
00:26:49Oh my god.
00:26:50Oh my god.
00:26:51Oh no.
00:26:52Oh my god.
00:26:53Oh my god.
00:26:54Oh my god.
00:26:55That's the carabinerary.
00:26:56Please!
00:27:04If we can't go back, if we can't go back, we can't rest it!
00:27:10Get back!
00:27:12Oh, God!
00:27:14Oh, God!
00:27:16Oh, God!
00:27:26Did it make you feel better if I said I said the whole thing up?
00:27:30Yes, it's true.
00:27:32Yes, it's true.
00:27:34I made the check when I went to the bathroom.
00:27:38You're horrible.
00:27:40You're horrible.
00:27:42You're horrible.
00:27:44You're really horrible.
00:27:46Come on, let's go.
00:27:48Quick, let's go.
00:27:52Why are we still running?
00:27:54I don't know why we're still running.
00:28:06Oh, my God.
00:28:10It went up my nose.
00:28:16Can we come back?
00:28:22Maybe.
00:28:24Maybe is not a no.
00:28:28And since I don't have a phone,
00:28:30you're gonna have to give me your number.
00:28:34For cheap thrills and future crimes committed.
00:28:36No.
00:28:40Fair enough.
00:28:42I've got to go.
00:28:52Catch a fairy.
00:28:54Hey.
00:28:56Why do violists keep their viola cases on their dashboards?
00:29:10Why?
00:29:12So they can park in handicapped spots.
00:29:26Oh.
00:29:28Happy birthday.
00:29:32Happy birthday.
00:29:40Yes.
00:29:42Oh.
00:29:44Happy birthday.
00:29:46God bless you.
00:30:16God bless you.
00:30:46God bless you.
00:30:50Are you awake?
00:30:52Yeah, there's so much of this stuff to get through.
00:30:56Got through.
00:30:58Nice.
00:31:04There are the great big events.
00:31:06The things you think you'll always remember, and you do,
00:31:10but there are other smaller.
00:31:12Picking a blackberry that's been in the sun,
00:31:14brushing the fingertip of someone you didn't know you loved until you touched them.
00:31:20Nellie was this little collie who wouldn't go on a leash,
00:31:24so she had to sit on a bicycle seat.
00:31:26They stay with me, too.
00:31:30Jane.
00:31:42Janey.
00:31:44Got some pastries.
00:31:48You still asleep?
00:31:52Jane.
00:31:54Jane.
00:31:56Jane.
00:32:00Jane.
00:32:06Jane.
00:32:08Jane.
00:32:10Jane.
00:32:12Jane.
00:32:14Jane.
00:32:16Jane.
00:32:18Jane.
00:32:20Jane.
00:32:21Jane.
00:32:22Jane.
00:32:23Jane.
00:32:24Jane.
00:32:26And we used to go to London, and we saw Glenn Miller one time.
00:32:32We used to go all over the place.
00:32:35They were wonderful times.
00:32:38I never had an American boyfriend.
00:32:41I liked some of them.
00:32:43They were nice boys, but I...
00:32:47I didn't want to leave my mum and dad.
00:32:51I wish I had sometimes.
00:32:54You know, when you were 19, the world just felt so open.
00:32:58And carefree and full of possibility.
00:33:01You reminded me of that.
00:33:04At that time.
00:33:06You were 19 when we met?
00:33:07Yeah.
00:33:08I wouldn't have described you as carefree back then. Not at all.
00:33:12Well, I felt nostalgia.
00:33:14Or something for youth.
00:33:16You're not old, Jane.
00:33:18We ran out on the bill.
00:33:20You just ran out? What do you mean you ran out on the bill?
00:33:23Perhaps I'm not explaining it well.
00:33:25It was...
00:33:27It was fun.
00:33:29It was just fun.
00:33:31How was work?
00:33:43The conductor's actually a descendant of Walter Lake, which is fascinating.
00:33:48The three of us should plan a dinner before we leave.
00:33:50I'd like that.
00:33:52Jane?
00:33:53Oh, my God.
00:33:54This is Caleb.
00:33:55Hi.
00:33:56No, no.
00:33:57We were just talking about you.
00:33:58We were?
00:33:59That's so weird.
00:34:00That's it.
00:34:01Please, sit down.
00:34:02Join us.
00:34:03What?
00:34:04What?
00:34:05Oh.
00:34:06Oh.
00:34:07Oh.
00:34:08Oh.
00:34:09Oh.
00:34:10Oh.
00:34:11Oh.
00:34:12Oh.
00:34:13Oh.
00:34:14Oh.
00:34:15Oh.
00:34:16Oh.
00:34:17Oh.
00:34:18I'm off to you when I get back pretty soon.
00:34:21That's okay.
00:34:22I already ate, so I'll just grab a coffee or something.
00:34:26Can I have the check, please?
00:34:27In a cafe, pour, pour, pour?
00:34:28Oh.
00:34:29Oh.
00:34:30No, thank you.
00:34:31Okay.
00:34:32Jane.
00:34:33You don't smoke.
00:34:34Yes, I do.
00:34:35Sometimes.
00:34:36At parties.
00:34:37Oh.
00:34:38Oh.
00:34:39Oh.
00:34:40Oh.
00:34:41Oh.
00:34:42Oh.
00:34:43Oh.
00:34:44Oh.
00:34:45Oh.
00:34:46Oh.
00:34:47Oh.
00:34:48Oh.
00:34:49Oh.
00:34:50Oh.
00:34:51Oh.
00:34:52Oh.
00:34:53Oh.
00:34:54Oh.
00:34:55Oh.
00:34:56Oh, I don't do it a lot.
00:34:58Oh, I don't do it.
00:34:59I don't do it a lot.
00:35:04Okay?
00:35:05Grazie.
00:35:06Are we good?
00:35:07Grazie.
00:35:09Good?
00:35:10Italian food is so overrated.
00:35:12I love it.
00:35:13There's no variety.
00:35:14English food, on the other hand.
00:35:16Say what you like about it.
00:35:18There's nothing like a good steak and kidney pie.
00:35:21I went to this party the other day.
00:35:22this party the other day in this villa owned by this old drunk expat they had like a private chef
00:35:28and everything and uh they were serving this like loaf of meat covered in sauce with all these other
00:35:35loaves and this girl came over to me and said it was cat no no joke like a roasted mommy cat and
00:35:43her kittens that is disgusting true story why don't you tell leonard one of your viola jokes
00:35:55come on some of my aunt come on let's hear one
00:36:04um i have one
00:36:09what is the definition of perfect pitch what
00:36:17when you throw a viola into the dumpster without hitting the rim
00:36:24you didn't just make that up i did it's too good i did well i'm impressed and i'm stealing it
00:36:30you can pretty much make that joke about any instrument
00:36:35do you play anything caleb this and that you know
00:36:41shall we what time to go already yeah i'm gonna get back to work
00:37:00so what's next in your agenda caleb um i'm thinking tibet oh tibet really yeah there's
00:37:08this thing called the shantan festival at the end of the summer yeah i've heard about that that's where
00:37:11the the buddhist monks unroll all the tapestries on the hill right the monks the monks the monks
00:37:17it's so pretty how do you support yourself you know a bit of this a bit of that
00:37:23oh all right then i'll walk you does anybody have a pen you got a pen yeah i have a pen
00:37:37i have a piece of paper you guys should definitely come over to the island i'll
00:37:53take you somewhere fun you know don't knock on the front door come around the side
00:37:56i need regina thank you and thanks again for yesterday oh no problem
00:38:10okay ciao
00:38:21how stoned are you come on it's not a big deal
00:38:26so you're saying you smoke back at her occasionally can we do something fun tonight
00:38:35sure
00:38:39i'm fine from here okay see you after work yep i'll be waiting
00:38:56okay
00:39:14hey god you scared me are you following me maybe is that weird yeah
00:39:26i couldn't sleep last night
00:39:37you told me you're staying near the port so i got the first ferry this morning
00:39:41i came looking for you
00:39:44and i can't believe i found you
00:39:53and i can't believe it
00:40:02you said you don't have to be mad about it
00:40:09you said you're doing anything to me
00:40:10i can't believe in me
00:40:12i know i'm not sure i'm going to be alone
00:40:14but i can't believe in you
00:40:16i can't believe in you
00:40:17What are we doing?
00:40:30I think we'll make it out.
00:40:33So sexy and beautiful.
00:40:47I can't do this.
00:41:09What?
00:41:09Why?
00:41:10I can't do this.
00:41:11Why?
00:41:17Do you do this a lot?
00:41:24What?
00:41:25Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:30You need to be less serious.
00:41:39Don't follow me.
00:41:47Don't+, tidy and joy,
00:41:49Please put us into prays,
00:41:53For a moment for us to participate,
00:41:55Be a night out,
00:41:56Be a night with me.
00:41:58So beautiful,
00:42:00You look정을 не Jessar.
00:42:01You hear from being a되는 radio,
00:42:03While it's all I know.
00:42:04You're like a really shy지 incomprehensible
00:42:06Looking for ESPN,
00:42:07Or you be sort of doing happyétait
00:42:38There was one boy from Belgium.
00:42:48He was lovely.
00:42:50He had a moustache.
00:42:52My mother hated moustaches.
00:42:56But he was shipped off.
00:42:58I never saw him again.
00:43:00I did deserve that.
00:43:28And I just left my husband.
00:43:36Jane, I'm sorry.
00:43:37Just give me a minute.
00:43:38I have a hell of a rest of my day.
00:43:40I've got so much stuff to do.
00:43:45Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50Lots of dinner.
00:43:51I thought we'd just stay in here.
00:43:53Two of us.
00:43:53I've just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59Okay.
00:43:59I'm sorry.
00:44:01I'm sorry.
00:44:31Leonard, can we talk?
00:45:01Say cheese.
00:45:28Say cheese.
00:45:35You should kind of be in the middle.
00:45:39Hold on a second.
00:45:51What our living room is missing.
00:45:58What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:20What did you do?
00:46:32What did you do?
00:46:35What did you do?
00:46:50What did you do?
00:46:52What did you do?
00:46:54What did you do?
00:46:55What did you do?
00:46:56What did you do?
00:46:58What did you do?
00:47:01PIANO PLAYS
00:47:31PIANO PLAYS
00:48:01PIANO PLAYS
00:48:31PIANO PLAYS
00:49:01PIANO PLAYS
00:49:02PIANO PLAYS
00:49:03PIANO CONTINUES
00:49:05SIお願いします
00:49:06PIANO CONTINUES
00:49:07PIANO CONTINUES
00:49:09PIANO CONTINUES
00:49:14PIANO CONTINUES
00:49:15Okay.
00:49:45Okay.
00:50:15Okay.
00:50:45Okay.
00:51:15Okay.
00:51:45Okay.
00:52:15Okay.
00:52:45Leonard thought you were lying about those cats.
00:52:51He said that?
00:52:55Were you?
00:52:57They were delicious.
00:53:15You make me feel nervous.
00:53:23You make me feel calm.
00:53:45You want a drink?
00:54:11Is that him?
00:54:13He was around all night.
00:54:17Must be lonely.
00:54:43He was around all night.
00:54:45We're not happy to see you.
00:54:47You would be around all night.
00:54:49And you never can't get out.
00:54:51He would be around all night.
00:54:53You were around all night.
00:54:55I'm gonna drop it.
00:54:57He would be around all night.
00:55:01Again and again and again
00:55:31Once I was single, my pocket is in jingle
00:55:39I wish I was single again
00:55:43Again and again and again
00:55:47Once I was single, my pocket is in jingle
00:55:57I wish I was single again
00:56:01I didn't sleep at all last night. Where have you been?
00:56:17Just walking
00:56:17All night
00:56:20I've been thinking
00:56:22You left your phone here. I had to plug it in
00:56:25We need to talk, Leonard
00:56:28I have to go to work
00:56:30Can you be late?
00:56:34No, I can't be late
00:56:36Leonard
00:56:39Jay
00:56:40Whatever you have to say to me
00:56:42I want to hear it
00:56:43I've committed myself
00:56:45People are depending on me
00:56:48I have to go to work
00:56:49Okay
00:56:52Okay
00:56:52I can't go to work
00:56:58If it wasn't the war,
00:57:27it would have been something else.
00:57:31There's always something else, isn't there?
00:57:34That's the thing. That's the thing about struggle.
00:57:48I'm going to make some tea. Do you want some?
00:57:51I'm all right.
00:57:57If you go out like that again, just tell me.
00:58:02Don't worry.
00:58:04Okay.
00:58:06I can't seem to figure out what's going on in your head.
00:58:11Do you think everything we've been through actually does us any good in the long run?
00:58:30Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:39I tell you, next time we come to Italy, to get a proper kitchen.
00:58:55I know what you want me to say, Jane.
00:59:07One little thing had changed in my grandmother's life, I might not be here.
00:59:28Sometimes I worry I'm not honoring her.
00:59:41With the book?
00:59:47No, with my life.
00:59:54This is it, you know.
00:59:56It ends with me.
00:59:58In the harvest time we all went to the field where they were cutting the corn.
01:00:11Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:16The horses.
01:00:21Yeah.
01:00:27The horses back then, they were kept beautifully.
01:00:31Dad used to dress them all up.
01:00:33Brass things and little horseshoes.
01:00:37He put braids on them.
01:00:39They used to be gorgeous.
01:00:41What are your plans for tomorrow?
01:00:45There was one.
01:00:47Duke.
01:00:49He was a Clydesdale I used to ride down to the marshes.
01:00:52Every night when he finished working.
01:00:59They were lovely days, really.
01:01:08They're gone. For me.
01:01:09Jane.
01:01:13But not for you.
01:01:14Jane.
01:01:16You know it's different for you.
01:01:18In some ways it's easier.
01:01:20You haven't got the war.
01:01:21People don't die as much as they did back then.
01:01:24But in some ways it's more disjointed.
01:01:30You've got to make your own life.
01:01:33One that you love and you can't be afraid of the time.
01:01:39Time is shiftable.
01:01:40Time is shiftable.
01:01:51There are moments in my life that I would trade 60 years to have back again.
01:01:55That's the truth.
01:01:56You know the truth when you find it.
01:02:00It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:05Sorry.
01:02:09What is it?
01:02:11What is it?
01:02:14You all right?
01:02:15You okay?
01:02:16Yeah.
01:02:17I stung my toe.
01:02:19It's bleeding.
01:02:21It's fine.
01:02:22It's fine.
01:02:23It's fine.
01:02:24It's fine.
01:02:25It's fine.
01:02:26It's fine.
01:02:27It's fine.
01:02:28It's fine.
01:02:29It's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:32You losing it?
01:02:33Yes.
01:02:35Fuck.
01:02:36Fuck.
01:02:47I met these backpackers last night.
01:02:49Frank and Elsa.
01:02:50She's French.
01:02:51He's German.
01:02:52They're going to Tibet.
01:02:55And I'm going with them.
01:02:56I want you to come with me.
01:03:26рий
01:03:44He'll be bunching you guys there.
01:03:46He'll be bunching you guys.
01:03:47Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10I'm back.
01:04:11Long day.
01:04:14No, I'm running late now.
01:04:17I don't think I'm chomped at doing another stint like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:32That's fantastic.
01:04:35I think I've figured out the key to finishing the project.
01:04:43Are you listening?
01:04:44You found the key to finishing this project.
01:04:56But the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:09Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious?
01:05:28I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:13I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:39Say it.
01:06:42Jane.
01:06:42Say it.
01:06:45I can't have children, Leonard.
01:06:49I never will.
01:06:49And if we keep trying, they keep dying again and again and again and again.
01:06:55Please, Jane, please.
01:06:58How does that make you feel?
01:07:04It's not your fault.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:13We can adopt.
01:07:14That's not what you want, is it?
01:07:18Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:30What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:56You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:04I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See him.
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:29Yes.
01:08:30That kid.
01:08:31That child.
01:08:32That kid you've known for two days.
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:45What do you think?
01:08:49I kept waiting for you to see it, to smell it, to sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03I'm sorry.
01:09:18I'm sorry.
01:09:19I'm sorry.
01:09:20For what?
01:09:20I shouldn't have done that.
01:09:21For losing my temper, I shouldn't have done that.
01:09:24You had every right to lose your temper.
01:09:24No, no, no, no, no.
01:09:25If you think that this is what's going to make you feel better, then you should go.
01:09:39You should go with him.
01:09:41You've been through a terrible, terrible thing, Jane.
01:09:44No, that is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:07I want you to do what you need to do.
01:10:11I want you to do what you need to do, and then come back to me.
01:10:17No questions asked, no guilt.
01:10:22This is good.
01:10:41I want you to do what you need to do.
01:10:52I want you to do what you need to do.
01:10:53I want you to do what you need to do.
01:11:03I want you to do what you need to do.
01:11:05I want you to do what you need to do.
01:11:15I want you to do what you need to do.
01:11:17I want you to do what you need to do.
01:11:26I want you to do what you need to do.
01:11:28I want you to do what you need to do.
01:11:31Hi.
01:11:46Hi.
01:11:48You want some?
01:12:00Oh, thanks.
01:12:30Frank, you know, it's coming over in a couple hours.
01:12:48Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:13:00I'm thinking of driving through Romania and then Ukraine and down through Russia and through Kazakhstan and then straight to Tibet.
01:14:08Ciao.
01:14:10Buena fortuna.
01:14:12Ciao.
01:14:14Bye.
01:14:16Bye.
01:14:18Bye.
01:14:20Bye.
01:14:22Bye.
01:14:24Bye.
01:14:26Bye.
01:14:36Bye.
01:14:38Bye.
01:14:40Bye.
01:14:42Bye.
01:14:44Bye.
01:14:46Bye.
01:14:48Bye.
01:14:50Bye.
01:14:52Bye.
01:14:54Bye.
01:14:57You've got to come over to this side.
01:14:59The train's going to be here in a minute.
01:15:26The end of December, I'm riding you now just to see if you're there.
01:15:37New York is cold, but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:50I hear that you're building your house deep in the desert.
01:16:02Are you living for nothing now?
01:16:06Hope you're keeping some kind of record.
01:16:12Yes.
01:16:13And Jane came by with a lock of your hair.
01:16:22She said that you gave it to her that night when you planned to go clear.
01:16:32I wouldn't want to live to be 100.
01:16:35Why not?
01:16:36I'm not telling you why not.
01:16:38Did you ever go clear?
01:16:42Now shut that thing off.
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