- 2 days ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30The traffic of Napoli...
00:01:32...and most of the...
00:01:33...move....
00:01:34...cazzoni.
00:01:35In questa settimana, al primo post...
00:01:43Sh**.
00:01:45Whoa.
00:01:46Camp on my wallet.
00:01:51A per il CVC case?
00:01:52No.
00:01:53Non, no, no, no, no, no...
00:01:55It's not where the person is.
00:01:56Somewhere.
00:01:57Maybe it's in my car.
00:02:00What do you think?
00:02:12She's lost her purse, her purse.
00:02:15No, there's nothing. She's not caught her.
00:02:18Nothing!
00:02:20Give her a minute.
00:02:21One moment, one moment!
00:02:23There's nothing, she's lost everything.
00:02:25I don't know anything!
00:02:28Where did you have it last?
00:02:30The train station, I think?
00:02:32The exchange group?
00:02:34Oh, Jamie.
00:02:36I'm sorry.
00:02:38That bastard at the train station started when you dropped all your stuff.
00:02:42This is 170, not 70.
00:02:44Where do we need to go?
00:02:46I don't know.
00:02:48I don't know.
00:02:50I don't know.
00:02:52I don't know.
00:02:54I don't know.
00:02:56Where do we need to go?
00:02:58We need sevens.
00:03:10Here we go.
00:03:20Is this it?
00:03:22I think it's nice.
00:03:26It's nice.
00:03:28Yes, I have a credit card.
00:03:30The number's on file on my computer.
00:03:32Yes, I have them here.
00:03:34Okay.
00:03:365533
00:03:387645
00:03:40It's nice.
00:03:43Yes, I have a credit card.
00:03:45The number's on file on my computer.
00:03:48Yes, I have them here.
00:03:52Okay.
00:03:535533
00:03:547645
00:03:578787
00:04:009157
00:04:0357.
00:04:06Yeah.
00:04:08Expires 12.15.
00:04:11No, she'll definitely need another card sent out immediately.
00:04:14We're here for two weeks.
00:04:17No, I'm working here.
00:04:21Yes, I'll hold.
00:04:23You love how they ask.
00:04:25As if I have a choice.
00:04:27Do you know what I'm going to try to do while I'm here?
00:04:30Besides learn Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:35I don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:40That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:44And besides, what's the point?
00:04:47The whole bloody world speaks English.
00:04:49Well, I...
00:04:50I'm going to finally transcribe the tapes.
00:04:53I think it's a fantastic idea, Jen.
00:04:54I always have.
00:04:55You know that?
00:04:56I think it's a fantastic idea, Jen.
00:04:57I always have.
00:04:58You know that?
00:04:59I think it's a fantastic idea, Jen.
00:05:00I always have.
00:05:00You know that?
00:05:01I think it's a fantastic idea, Jen.
00:05:02I always have.
00:05:03You know that?
00:05:04I think it's a fantastic idea, Jen.
00:05:05I think it's a fantastic idea, Jen.
00:05:06I think it's a fantastic idea, Jen.
00:05:07I always have.
00:05:08You know that?
00:05:09You don't sound very supportive.
00:05:10You have my support.
00:05:11I'm sorry if that came out wrong.
00:05:16I just know how emotional listening to them can be, has been, for you.
00:05:19I think enough time has passed.
00:05:21Well, that's great.
00:05:25Don't me know that.
00:05:26I don't know how emotional listening to them can be.
00:05:27I don't know how emotional listening to them can be, has been, for you.
00:05:31I think enough time has passed.
00:05:32Well, that's great.
00:05:37Yeah.
00:05:42Right.
00:05:43Why do you think he killed himself?
00:06:08David Foster Wallace.
00:06:13Oh, um, I don't know.
00:06:17You can't get a sense by his writing?
00:06:20You have to read it when I'm done, though, right?
00:06:28Do you think he recognized a blank infinity just stretching out?
00:06:34He got to this point maybe where it was just day after day after day.
00:06:38I really don't know.
00:06:40Just so tedious.
00:06:43And then, of course, he felt guilty.
00:06:45Most people think life is too short, and there he was, all the talent in the world, and it wasn't that...
00:06:50Jane, can I... can we not talk about this?
00:06:52Just... just... just a bit more, a bit.
00:06:56I love you.
00:06:58I love you, too.
00:07:02I love you.
00:07:05I love you, too.
00:07:07Love you, too.
00:07:09I love you, too.
00:07:11I love you.
00:07:14I love you too.
00:07:34Do you feel alright?
00:07:36Do you feel okay?
00:07:38Yeah.
00:07:40Do you feel okay?
00:08:10I love you.
00:08:12I love you.
00:08:14I don't know.
00:08:44I don't know.
00:09:14Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:22I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:27True.
00:09:33Then I think I might go out, see what the world has to offer.
00:09:35If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:49I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:09:58Okay.
00:09:59I'll see you later.
00:10:00Do you have any stories?
00:10:01I'll see you later.
00:10:02I'll see you later.
00:10:03Okay.
00:10:04Let's see you later.
00:10:05Let's see you later.
00:10:06Testing, testing.
00:10:22Okay.
00:10:25Do you have any stories for my book?
00:10:26What kind of stories?
00:10:30Stories that you've prepared for?
00:10:32I can ask them the list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list.
00:10:36God rest his soul.
00:10:37Let's start with the war.
00:10:38We went into an air raid shelter.
00:10:42My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb.
00:10:50And the man next to us, he said,
00:10:53I was in a shelter last night with my wife and my little boy.
00:10:56And half of it got blown away.
00:10:59There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:05Here we were in this tiny town in England,
00:11:10miles from Germany, from Russia, from Italy,
00:11:13from any front lines.
00:11:15And this man, he had blood in his hair.
00:11:25Good night, cappuccino.
00:11:35We were riding our bikes to school
00:11:59when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:03We were terrified, but afterwards,
00:12:06we couldn't stop laughing.
00:12:10Feels nice if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:22I decided to take an impromptu trip to Iskia,
00:12:24or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:29Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children,
00:12:47not just your father.
00:12:48You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:03You want to ask me more boring questions about the war?
00:13:06All right, then.
00:13:10Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato anglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oregonese?
00:13:24Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Si.
00:13:26Ah, grazie.
00:13:27Yeah.
00:13:29They'd been shot through the neck.
00:13:31The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side
00:13:41and which was the Allied side.
00:13:43When he came home after something like that,
00:13:46you couldn't really complain to him about anything,
00:13:50now could you?
00:13:50I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:00Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So, come on.
00:14:27My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm.
00:14:40The viola.
00:14:43Any good?
00:14:44Yes.
00:14:45Very.
00:14:45How do you keep your violin from getting stolen?
00:14:53You put it in a viola case.
00:14:55Right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming, there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes, and I went to this music-slash-nerd summer camp
00:15:23when I was like 10, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:33You newlywed?
00:15:34No.
00:15:36No.
00:15:46That's it.
00:15:47Stop making me feel like a stalker.
00:15:49Fuck.
00:15:49Stop making me feel like a stalker.
00:15:50Fuck.
00:15:51Oh, hey, have you got 50 cents?
00:16:06You can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:21What brought you out of here today?
00:16:36Berry.
00:16:36Ha!
00:16:37Berry.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn to bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In, like, the 1300s, thousands of families lived in this castle.
00:17:03It must have smelled pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:12I know.
00:17:13I've been coming here every day, and it still gets me.
00:17:16If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization dedicated to studying
00:17:30the relic populations of dolphins and whales in the Gulf of Naples.
00:17:35I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:40No, I just didn't want to go to college, and they paid for me to come over.
00:17:43Before connecting flights, it's a 72-hour plane ride, but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:49How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:01Because I stayed on the island, because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:07Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second
00:18:11cousin twice removed.
00:18:12The second cousin twice removed, in case you didn't know, is when one person's great-grandparent
00:18:16is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:20Sorry.
00:18:20Anyway, so this relative gave me the name of this great-uncle who lives on the island,
00:18:25so I show up, he answers the door, and he's, like, the oldest fucker I've ever seen, easily
00:18:30pushing a hundred.
00:18:32A hundred?
00:18:33Yeah, if not older, he's, like, deaf and blind and about four feet tall, and he mumbles a
00:18:38couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine,
00:18:42and leads me to this basement apartment, and, uh, yeah, I never left.
00:18:49I never left.
00:19:19Love teaches me to feed on flames and tears, to turn withered hope green through desire,
00:19:48to re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:56Who is that?
00:19:58Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:04You read that in your guidebook this morning, didn't you, Jane? Sneaky.
00:20:10Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17I thought Michelangelo was gay.
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:24But that didn't stop her from loving him.
00:20:28Let's hear it then.
00:20:30In Italian.
00:20:32Let's hear the poem.
00:20:34Come on.
00:20:36I'm impressed.
00:20:39Are you hungry?
00:20:40No.
00:20:41No.
00:20:42No.
00:20:43No.
00:20:44No.
00:20:45No.
00:20:46No.
00:20:47I'm impressed.
00:20:49Are you hungry?
00:20:50Why, are you going to take me out?
00:20:51Yeah.
00:20:52All right then.
00:20:53Okay.
00:20:54Okay.
00:20:55Two pastas with the...
00:20:56.
00:20:57Two pastors with the...
00:20:58.
00:20:59.
00:21:00.
00:21:01.
00:21:08You hungry?
00:21:10Why, you gonna take me out?
00:21:12Yeah.
00:21:18Alright then.
00:21:19Okay.
00:21:23Two pastas with the house sauce, please.
00:21:27Red. Red, please.
00:21:29Uh-huh.
00:21:31Grazie.
00:21:32So you're really not gonna tell me what you do?
00:21:36I write freelance articles about parties and fashion trends in town and country UK.
00:21:45There's something else.
00:21:53I'm writing a book about my grandmother's experiences in rural England, living through two world wars.
00:22:00I recorded her for hours and hours.
00:22:03But now...
00:22:06I don't know.
00:22:08What don't you know?
00:22:12You wanna listen?
00:22:13A little?
00:22:15Yeah.
00:22:16Yeah?
00:22:17I love to listen.
00:22:33All tangled up.
00:22:34Okay.
00:22:35Awful as it was, it made you stronger.
00:22:44These days people whine about all sorts of things.
00:22:47And I'm not one of those old people who think my time had the only joy and the only problems.
00:22:52We all have our own private wars.
00:22:53We all have our own private wars.
00:22:55Every era.
00:22:56But it was nothing like...
00:22:58It really brought people together, the war.
00:23:01We helped each other during that time.
00:23:04We had to laugh.
00:23:05We had to smile.
00:23:06Well, if not for ourselves, then for the people we'd lost.
00:23:11I'll shut that thing off.
00:23:12Would you get it out of my face?
00:23:14That is like...
00:23:15It's like a window in time.
00:23:20The sort of thing you wish you always did before someone died, you know?
00:23:26My husband thinks I'm never gonna finish it.
00:23:29I shouldn't care what anyone thinks.
00:23:31We met while I was recording her.
00:23:34Bonding over granny, huh?
00:23:37Make it sound perverse.
00:23:39That's what it was, right?
00:23:41Buongiorno.
00:23:42Buongiorno.
00:23:43I got pregnant so we got married.
00:24:00I lost the baby.
00:24:04I'm sorry.
00:24:13I'm sorry.
00:24:14It was your regret.
00:24:16Yes, thank you.
00:24:17You can take it away.
00:24:18Yes, thank you.
00:24:19Yes, thank you.
00:24:28I didn't go back after that to the States.
00:24:30Did you, uh, did you ever hear that story about the Red Strain?
00:24:43I think I might have.
00:24:44Tell me.
00:24:45It's like this Asian proverb says that anyone you're destined to meet, like your soulmate or your family or, you know, someone you bump into on the street, we're all connected by this red string.
00:25:04It can be tangled or stretched, but it can never be broken.
00:25:12There's this moment in the tape, I'm sitting waiting in the airport bar for my flight.
00:25:24And I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure and how I'm gonna show World War II from a totally different perspective.
00:25:36But...
00:25:46I don't know if it's that interesting.
00:25:49That's the whole point, isn't it?
00:25:52Keeping it interesting for yourself.
00:25:56Maybe.
00:25:59Maybe I just wanna write about nothing.
00:26:02Everything is nothing.
00:26:03All the best.
00:26:06Compliano.
00:26:08Grazie.
00:26:10Grazie.
00:26:12Make a wish, huh?
00:26:14Make it great.
00:26:20Okay.
00:26:24Bravo!
00:26:26Bravo!
00:26:27Hey!
00:26:34Hey!
00:26:36Hey!
00:26:37Hey!
00:26:38Hey!
00:26:39Hey!
00:26:40Hey!
00:26:41Hey!
00:26:42Hey!
00:26:43Hey!
00:26:44Oh, no!
00:26:45What!
00:26:46What do you mean?
00:26:49Stranzo!
00:26:50Hey!
00:26:52Hey!
00:26:53Hey!
00:26:54Hey!
00:26:55What?
00:26:56It's the carabinieri!
00:26:57It's the police!
00:26:58No!
00:26:59Hey!
00:27:00We can't go back, we can't go back, we can't go back.
00:27:07We can't pay me, I'm getting away!
00:27:11Oh, God!
00:27:14Oh, God!
00:27:23Hey, hey.
00:27:26Would it make you feel better if I said I said the whole thing up?
00:27:30Yes, it's true.
00:27:32Yes, it's true.
00:27:34I made the check when I went to the bathroom.
00:27:39You're horrible.
00:27:41You're horrible.
00:27:43You're horrible.
00:27:44Come on, let's go.
00:27:46Come on.
00:27:47Quick.
00:27:48Let's go.
00:27:50Why are we still running?
00:27:52I don't know why we're still running.
00:27:56I don't know why.
00:28:02Oh, my gosh.
00:28:03I...
00:28:09I...
00:28:10I...
00:28:11I...
00:28:12It went out my nose.
00:28:16I...
00:28:17I...
00:28:18I...
00:28:19Do we come back?
00:28:21Maybe.
00:28:23Maybe is not a no.
00:28:27And since I don't have a phone,
00:28:29you're gonna have to give me your number.
00:28:31For cheap thrills and future crimes committed.
00:28:35No.
00:28:39Fair enough.
00:28:49I've gotta go catch a fairy.
00:28:57Hey.
00:29:02Why do violists
00:29:05keep their viola cases on their dashboards?
00:29:09Why?
00:29:19So they can park
00:29:23in handicapped spots.
00:29:29Oh.
00:29:31Happy birthday.
00:29:39There's a lot more.
00:29:41Yeah .
00:29:53Oh yeah she's ready.
00:29:55What about for your παρα nobody?
00:29:57Okay so many people be like,
00:29:59what's going to me.
00:30:01Oh yeah she played.
00:30:03Damn.
00:30:04Damn.
00:30:07Yeah.
00:30:38You're awake.
00:30:52Yeah, I've got so much of this stuff to get through.
00:30:56Got through. Nice.
00:31:03There are the great big events.
00:31:05The things you think you'll always remember.
00:31:08And you do, but there are other smaller.
00:31:11Picking a blackberry that's been in the sun or brushing the fingertip of someone you didn't know you loved until you touched them.
00:31:20Nellie was this little collie who wouldn't go on a leash, so she had to sit on a bicycle seat.
00:31:27They stay with me, too.
00:31:29Jane.
00:31:41Tony.
00:31:42Got some pastries.
00:31:46You're still asleep?
00:31:52Jane.
00:31:54My friends had lots of American boyfriends.
00:32:22And they used to bring us nylon stockings and chocolates and all sorts of things.
00:32:27And we used to go to London.
00:32:29And we saw Glenn Miller one time.
00:32:33We used to go all over the place.
00:32:36They were wonderful times.
00:32:37I never had an American boyfriend.
00:32:41I liked some of them.
00:32:44They were nice boys, but I didn't want to leave my mom and dad.
00:32:52I wish I had sometimes.
00:32:54You know, when you were 19 and the world just felt so open and carefree and full of possibility, you reminded me of that at that time.
00:33:06You were 19 when we met?
00:33:07Yeah.
00:33:08I wouldn't have described you as carefree back then, not at all.
00:33:12Well, I felt nostalgia or something for youth.
00:33:15You're not old, Jane.
00:33:18We ran out on the bill.
00:33:21You just ran out?
00:33:22What do you mean you ran out on the bill?
00:33:24Perhaps I'm not explaining it well.
00:33:25It was...
00:33:26It was fun.
00:33:29It was just fun.
00:33:30How was work?
00:33:43The conductor's actually a descendant of Walter Lake, which is fascinating.
00:33:48The three of us should plan a dinner before we leave.
00:33:51I'd like that.
00:33:56Jane?
00:33:59Oh, my God.
00:34:00This is Caleb.
00:34:03Hi.
00:34:04No, no, we were just talking about you.
00:34:05We were?
00:34:06That's so weird.
00:34:07Sit, please.
00:34:08Sit down.
00:34:09Join us.
00:34:10What?
00:34:11Oh.
00:34:13I don't have a chance of a wreck.
00:34:14I know, right?
00:34:19I'm off to you when I get back pretty soon.
00:34:21That's okay.
00:34:22I already ate, so I'll just grab a coffee or something.
00:34:30Can I have the check, please?
00:34:36Okay.
00:34:37In the cafe, play, play?
00:34:43Oh, no thank you.
00:34:44Okay.
00:34:48Jane, you don't smoke.
00:34:50Yes, I do.
00:34:53Sometimes, at parties.
00:34:56You know that.
00:34:58Well, I don't do it a lot.
00:35:01Okay.
00:35:02Grazie.
00:35:03Italian food's so overrated.
00:35:11I love it.
00:35:13There's no variety.
00:35:14English food, on the other hand.
00:35:16Say what you like about it.
00:35:18There's nothing like a good steak and kidney pie.
00:35:20I went to this party the other day, in this villa, owned by this old, drunk ex-pat.
00:35:27They had, like, a private chef and everything.
00:35:30And, uh, they were serving this, like, loaf of meat, covered in sauce, with all these other
00:35:35loaves.
00:35:36And this girl came over to me and said it was cat.
00:35:38No.
00:35:39No joke.
00:35:40Like, a roasted mommy cat and her kittens.
00:35:44That is disgusting.
00:35:46True story.
00:35:47Why don't you tell Leonard one of your viola jokes?
00:35:58Come on.
00:35:59I'm selling my ant.
00:36:02Come on.
00:36:03Let's hear one.
00:36:08Um...
00:36:09I have one.
00:36:12What is the definition of perfect pitch?
00:36:17What?
00:36:20When you throw a viola into the dumpster without hitting the rim.
00:36:26You didn't just make that up.
00:36:27I did.
00:36:28It's too good.
00:36:28I did.
00:36:29Well, I'm impressed and I'm stealing it.
00:36:32You can pretty much make that joke about any instrument.
00:36:38Do you play anything, Caleb?
00:36:40This and that, you know.
00:36:44Shall we?
00:36:45What time to go?
00:36:47Already?
00:36:49Yeah.
00:36:49I've got to get back to work.
00:37:00So what's next on your agenda, Caleb?
00:37:02Um, I'm thinking Tibet.
00:37:06Oh, Tibet.
00:37:07Really?
00:37:07Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:37:10Yeah, I've heard about that.
00:37:11That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:16The monks, the monks, the monks.
00:37:17So pretty.
00:37:20How do you support yourself?
00:37:21You know, a bit of this, a bit of that.
00:37:23Oh, all right then.
00:37:30I'll walk you.
00:37:32Does anybody have a pen?
00:37:33You got a pen?
00:37:34Yeah, I have a pen.
00:37:35I have a piece of paper.
00:37:50You guys should definitely come over to the island.
00:37:53I'll take you somewhere fun, you know.
00:37:55Don't knock on the front door.
00:37:56Come around the side.
00:37:57I need Regina.
00:38:06And thanks again for yesterday.
00:38:08No problem.
00:38:10Hey.
00:38:13Ciao.
00:38:13How stoned are you?
00:38:23Come on, man.
00:38:24We should tell him to pop.
00:38:24It's not a big deal.
00:38:25So you're saying you smoke back at her?
00:38:31Occasionally.
00:38:32Hey, can we do something fun tonight?
00:38:35Sure.
00:38:38I'm fine from here.
00:38:40Okay.
00:38:41See you after work.
00:38:42Yep.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:38:55Hey.
00:39:15God, you scared me.
00:39:16Are you following me?
00:39:19Maybe.
00:39:20Is that weird?
00:39:21I can't sleep last night.
00:39:37You told me you were staying near the port, so I got the first ferry this morning.
00:39:41I came looking for you.
00:39:44And I can't believe I found you.
00:39:46I can't believe I found you.
00:40:07What are we doing?
00:40:29I think we'll make it out.
00:40:33So sexy.
00:40:34And beautiful.
00:41:04I can't do this.
00:41:09What?
00:41:09What?
00:41:09I can't do this.
00:41:11Why?
00:41:22Do you do this a lot?
00:41:24What?
00:41:24Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:29You need to be less serious.
00:41:39Don't follow me.
00:41:59I don't think so.
00:42:29There was one boy from Belgium, he was lovely, he had a moustache, my mother hated moustaches,
00:42:54but he was shipped off, I never saw him again, anyways I met your grandfather not long after and we got married,
00:43:08was it love at first sight with grandpa, love at first sight, stop that thing,
00:43:15I know, you're home early, I do deserve that, can I just move for your husband,
00:43:31Jane I'm sorry, just give me a minute, I have a hell of a rest of my bed, there's so much stuff to me,
00:43:41sorry darling, hey, do you still want to do something fun tonight, yeah absolutely,
00:43:49lots of dinner, I thought we'd just stay in here, two of us, I just got to work this thing out before tomorrow,
00:43:56okay, okay, I'm sorry,
00:44:11you're still here, I'm sorry, it's not what it is, I just got to work this way.
00:44:17Okay, I'm sorry, let's do this one, all right, there's a grill,
00:44:29the grill is completely clean to the floor, and I just want to go down to the floor.
00:44:37Leonard, can we talk?
00:45:07Say cheese.
00:45:32You should kind of be in the middle.
00:45:39Hold on a second.
00:45:51That's what our living room is missing.
00:45:57What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:18What did you do?
00:46:30What did you do?
00:46:34What did you do?
00:46:49What did you do?
00:46:51What did you do?
00:46:53What did you do?
00:48:57Oh, hi.
00:49:01Did I wake you?
00:49:03No.
00:49:06I think I need to be less serious.
00:49:11Yeah.
00:49:13I'm going to put my pants on.
00:49:14I'm going to put my pants on.
00:49:19Okay.
00:49:21Oh, I'm going to put my pants on.
00:52:44Leonard thought you were lying about those cats.
00:52:52He said that?
00:52:56Were you?
00:52:57You're delicious.
00:52:59You make me feel nervous.
00:53:19You make me feel calm.
00:53:24You want a drink?
00:53:49You make me feel calm.
00:53:50You make me feel calm.
00:53:54You make me feel calm.
00:53:58You make me feel calm.
00:54:09Is that him?
00:54:11Yeah, he just shuffled around all night.
00:54:17Must be lonely.
00:54:39Satsang with Mooji
00:55:09Again and again and again
00:55:30Again and again and again
00:55:34Once I was single, my pocket is in jingle
00:55:39I wish I was single again
00:55:43Again and again and again
00:55:47Again and again and again
00:55:52Once I was single, my pocket is in jingle
00:55:57I wish I was single again
00:56:00I didn't sleep at all last night. Where have you been?
00:56:15I was walking.
00:56:18All night.
00:56:20I've been thinking.
00:56:22You left your phone here. I had to plug it in.
00:56:25We need to talk, Leonard.
00:56:28I have to go to work.
00:56:33Can you be late?
00:56:34No, I can't be late.
00:56:39Leonard.
00:56:40Jay, whatever you have to say to me, I want to hear it.
00:56:43I've committed myself.
00:56:46People are depending on me. I have to go to work.
00:56:51Okay.
00:56:56Let's go.
00:56:58Let's go.
00:56:59Let's go.
00:57:00Let's go.
00:57:01Let's go.
00:57:02Let's go.
00:57:03Let's go.
00:57:05Let's go.
00:57:07Let's go.
00:57:08Let's go.
00:57:09If it wasn't the war, it would have been something else.
00:57:31There's always something else, isn't there?
00:57:34That's the thing. That's the thing about struggle.
00:57:39I'm going to make some tea. Do you want some?
00:57:51I'm alright.
00:57:56If you go out like that again, just tell me. No worry.
00:58:04Okay.
00:58:07I can't seem to figure out what's going on in your head.
00:58:13Do you think everything we've been through actually does us any good in the long run?
00:58:31Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:41I'll tell you next time we come to Italy to get a proper kitchen.
00:58:57I don't know what you want me to say, Jane.
00:59:09If one little thing had changed in my grandmother's life, I might not be here.
00:59:31Sometimes I worry I'm not honoring her.
00:59:43With the book?
00:59:45No, with my life.
00:59:55This is it, you know.
00:59:57It ends with me.
00:59:59In the harvest time we all went to the field where they were cutting the corn.
01:00:11Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:17The horses.
01:00:21The horses back then they were kept beautifully.
01:00:31Dad used to dress them all up, brass things and little horseshoes.
01:00:37He put braids on them.
01:00:39They used to be gorgeous.
01:00:42What are your plans for tomorrow?
01:00:45There was one.
01:00:47Duke.
01:00:49He was a Clydesdale I used to ride down to the marshes.
01:00:53Every night when he finished working.
01:01:00They were lovely days really.
01:01:07They're gone.
01:01:09For me.
01:01:10Jane.
01:01:13But not for you.
01:01:14Jane.
01:01:16You know it's different for you.
01:01:18In some ways it's easier.
01:01:20You haven't got the war.
01:01:21People don't die as much as they did back then.
01:01:24But in some ways it's more disjointed.
01:01:30You've got to make your own life.
01:01:32One that you love and you can't be afraid of though.
01:01:36The time.
01:01:40Time is shiftable.
01:01:51There are moments in my life that I would trade sixty years to have back again.
01:01:56That's the truth.
01:01:58You'll know the truth when you find it.
01:02:00It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:10Sorry.
01:02:12Ah!
01:02:13Ah!
01:02:14What is it?
01:02:15Ah!
01:02:16Ah!
01:02:17Ah!
01:02:18Ah!
01:02:19Ah!
01:02:20You alright?
01:02:21Ah!
01:02:22You okay?
01:02:23Yeah.
01:02:24Stump my toe.
01:02:26Ah!
01:02:27It's bleeding.
01:02:28Ah!
01:02:29It's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:32It's fine.
01:02:33It's fine.
01:02:34Are you losing that?
01:02:35Yes.
01:02:36Ah!
01:02:37Fucker.
01:02:38Ah!
01:02:39I met these backpackers last night, Frank and Elsa.
01:02:41She's French, he's German.
01:02:42They're going to Tibet.
01:02:43And I'm going with them.
01:02:44I want you to come with me.
01:02:45I want you to come with me.
01:03:12The Jacks Dafür's theme song is in time with Foxxroll.
01:03:17Plans fan.
01:03:18Andy's room with turtle photograph in of Shallow.
01:03:21Peter is with him that song is not tech every time to use the whole room.
01:03:23Allot of the time, Cruelcat.
01:03:25It was bricks and wood.
01:03:28Can you play with progressiveTiffany, to make them allplayed.
01:03:30Luke Christie, Victoria, this is a matter of fact.
01:03:33You just made you stupid in it.
01:03:36He looks very innocent and
01:03:36You must ask for things in the world.
01:03:37We must be better making fun.
01:03:40Hi, how are you?
01:04:10How's the writing going?
01:04:27I'm feeling inspired.
01:04:33It's fantastic.
01:04:35I think I've figured out the key to finishing the project.
01:04:39Are you listening?
01:04:46You found the key to finishing this project.
01:04:57But the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:07Can we not?
01:05:09Have you?
01:05:16Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:23Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:28I hate talking about sex with you.
01:05:35Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:48Like what?
01:05:50Is there anything you want to ask me?
01:05:52Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:56So you don't feel that we're connected?
01:06:00Do you?
01:06:01I don't feel that we're connected.
01:06:02Do you?
01:06:04I love you.
01:06:13I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No.
01:06:27That's not what I'm saying.
01:06:28You just...
01:06:29Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:40Say it.
01:06:42Jane.
01:06:43Say it.
01:06:45I can't have children, Leonard.
01:06:49I never will.
01:06:51And if we keep trying, they keep dying.
01:06:53Please, Jane.
01:06:54And again.
01:06:55And again.
01:06:56How does that make you feel?
01:07:05It's not your father.
01:07:06How does it make you feel, Leonard?
01:07:08How does it make you feel?
01:07:10You will never be a father.
01:07:14We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:19Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:30What are you trying to do, Jane?
01:07:42I just want to know that there's a reason for it all.
01:07:45For it all.
01:07:56You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:03I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:19See him.
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:31That kid?
01:08:32That child?
01:08:33That kid you've known for two days?
01:08:34It's been longer than that.
01:08:35Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:40Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:45Are you sleeping with him?
01:08:48What do you think?
01:08:56I kept waiting for you to see it.
01:08:58To smell it.
01:08:59To sense it!
01:09:00So what?
01:09:01I failed your test?
01:09:02You don't see me!
01:09:14I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:29I shouldn't have done that.
01:09:30No.
01:09:31Losing my temper.
01:09:32I shouldn't have done that.
01:09:33You had every right to lose your temper!
01:09:34No, no, no.
01:09:35If you think that this is what's going to make you feel better then you should go.
01:09:39You should go with him.
01:09:41You've been through a terrible, terrible thing, Jane.
01:09:44No.
01:09:45That is not what this is about.
01:09:46Of course it is.
01:09:47You don't love me anymore, Leonard!
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:53This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our train is at 4.30.
01:10:04We'll go home together.
01:10:05I want you to do what you need to do.
01:10:14Then come back to me.
01:10:17No questions asked.
01:10:19No guilt.
01:10:23This is good.
01:10:35No guilt.
01:10:36Let's do so.
01:10:40Let's leave people in the soup.
01:11:41Hi.
01:11:48Hi.
01:11:59You want some?
01:12:00Oh, thanks.
01:12:30Frank, you know, it's coming over in a couple hours.
01:12:48Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:12:55I'm thinking about driving through Romania and then Ukraine and down through Russia and
01:13:09through Kazakhstan and then straight to Tibet.
01:13:56Ciao, buona fortuna.
01:14:14Ciao.
01:14:26Jace!
01:14:54You've got to come over to this side.
01:15:00Train's going to be here in a minute.
01:15:24It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:38New York is cold, but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:51I hear that you're building your house deep in the desert.
01:16:00Are you living for nothing now?
01:16:07Hope you're keeping some kind of record.
01:16:12Yes.
01:16:13I wouldn't want to live to be 100.
01:16:35Why not?
01:16:37I'm not telling you why not.
01:16:42Now shut that thing off.
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