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#This Chanel Review Movie #review #movie #trailer #love #trend
#This Chanel Review Movie #review #movie #trailer #love #trend
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00:00:00I
00:00:30Hello, Tom. Hello, Harry. Hello. Hello, Jack. Hello. Hello, Dan. How are you? Good. Hello,
00:00:42Maya. Hello, Tom. How are things? Fine, fine. Good. The book is written. It's not. I put
00:00:47it on your desk. Oh, come on. Let's have a look. Ah, now that looks all right. I see
00:00:59say. Well, lovely. Congratulations, Maya. Glad you like it, Tom. And you, Harry. Thanks.
00:01:16I think this calls for a celebration. I got some champagne in the car. I got it for
00:01:21tonight, but if we drink it up, well, my guests can drink beer. Harry, get some glasses.
00:01:25Tom's never been on time for an appointment in his life. He has absolutely no consideration.
00:01:27Tom's never been on time for an appointment in his life. He has absolutely no consideration.
00:01:32for other people. You're not awfully fond of your son, are you, Mr. Collier? Cecilia, if you'd
00:01:34spent the time and money and effort I had with him, I had to take a look at him. You're
00:01:39not awfully fond of your son, are you, Mr. Collier? Cecilia, if you'd spent the time and money
00:01:41and effort I have to make that young man realize who he is and what he ought to be doing in
00:01:48the world, you'd... you haven't known Tom long. No. Oh, and perhaps from longer time,
00:01:53you've never been on time for an appointment in his life. Tom's never been on time for an
00:01:57appointment in his life. He has absolutely no consideration for other people. You're not awfully
00:02:00fond of your son, are you, Mr. Collier? Cecilia, if you'd spent the time and money and effort
00:02:03that young man realize who he is and what he ought to be doing in the world, you'd... you
00:02:07haven't known Tom long? No. Oh, and perhaps from longer experience, who might enlighten her?
00:02:13Well, I presume what Mr. Collier means is that, on ordinary terms, Tom doesn't seem to have
00:02:18got very far. He's wasted his life from the cradle. Ah, it must have been pathetic to see
00:02:24him wasting it at three. I assure you his genius for it showed even then. I send him to Harvard
00:02:29Harvard, and he lasts two years there. I send him to Oxford, and he commutes from Paris. I
00:02:34put him into the bank, and he... the whole world at the feet of that boy, the whole world. And
00:02:39all he's ever done is to run from it. Well, you know, Tom has his own ideas about what he
00:02:44wants to do with his life. Yes, Regan? A radio message came by phone for him. Oh,
00:02:49thanks. You can leave it here. I'll take you out of it. Right. Oh, I... everything
00:02:56satisfactory? Yes, yes, quite, thanks. Comfortable mess? Quite, thank you. Like a drink? Anyone?
00:03:03No, no, nothing. We were talking. That's all right. Go right ahead. Make yourselves at home.
00:03:08He'll be right along. The butler? He's charming. He looks like a prize fighter. He was. There,
00:03:18there, now. Don't worry. Tom will be along any second now. If what I think is true, I
00:03:23hope he never comes along. What? Well, I'll tell you what's in my mind. Heaven
00:03:28knows I don't want it there. That girl he's been living with for the last three years...
00:03:33Oh, dear, just a minute, sir. It's all right. Good Jupiter, it's no secret, is it? Who
00:03:38is she, anyway? What is she? An extremely nice girl. Hard-working, talented. She... she draws
00:03:45for one of the fashion magazines. And very successfully. She left three months ago for her magazine's
00:03:51Paris office for an indefinite stay. Oh, maybe she's coming back. What of it, Mr.
00:03:56Carlio? What of it? Everything of it. It's like him to marry her. I'm surprised he's missed
00:04:00it as long as he has. Well, I've stood for his rowdy friendships. I've put up with his
00:04:05idleness, his ill-mannered insolence. I'm sorry, Mr. Carlio. I'll have to ask you to let
00:04:09it go at that. Hmm? Why so? Because it so happens that I'm why we're here. How's that?
00:04:15It's me Tom's going to marry. And I've heard enough against him to last me quite a while.
00:04:20See, what are you talking about? Marrying. I see, I thought... On June 1st,
00:04:25to be exact. He asked you out here to tell you. And I imagine to receive your good wishes.
00:04:31My dear. My dear, I congratulate Tom. And myself. And I hope it'll work out for you.
00:04:38I hope he won't be utterly impossible as a husband. He has been at everything else I wanted him to do.
00:04:43I don't agree with you. Tom's the most interesting, most attractive man I've ever known.
00:04:48I consider myself shot with luck. Very loyal. Not at all. I simply believe in him.
00:04:54Not in his so-called past, perhaps. I'm not quite a fool. But certainly in what's to be.
00:05:00Well, faith is a beautiful thing. I think so.
00:05:06Well, if you can make a respectable citizen out of Tom Collier at this date, you'll have nothing but praise from me, my dear.
00:05:13It seems not to occur to you. But when Tom has someone who really understands him, to work and care for...
00:05:19Understands him?
00:05:21Yes, completely. Why, he'll make what you call a respectable citizen of himself.
00:05:26Oh, you think so?
00:05:27I know. And if what you laughingly refer to as my faith is a very use to him...
00:05:33Love will conquer all. Yes, yes, of course. But forgive me a few doubts.
00:05:37Oh? How's that, sir?
00:05:39Darling, I'm coming back. Arrive on Paris at eight tonight. Much love, Daisy.
00:05:45Well?
00:05:46I know all about her.
00:05:48Did you know she was returning tonight?
00:05:50No. Neither did Tom.
00:05:52Owen, I'd like a few words with you. If Cecilia will pardon us?
00:05:55Certainly.
00:05:56Owen.
00:05:57I meant to tell you on the way over, Owen. But then I couldn't.
00:06:10See, how did it happen?
00:06:12Very suddenly. Very sweetly. Yesterday.
00:06:16I'm sorry. You asked.
00:06:21If you'll excuse me, I... I think I'll see what Mr. Collier wants.
00:06:50Hello, Ray.
00:06:51Hiya, Tom.
00:06:52Oh, uh, are they here yet?
00:06:53They are.
00:06:54Good.
00:06:56Darling.
00:06:57Tom.
00:06:59Take my hat, will you?
00:07:00Thanks. Now get out.
00:07:01Uh, I just wanted to tell you that later...
00:07:03But there's a...
00:07:04Get, will you, Ray.
00:07:05A radio message come for you.
00:07:07Oh, get out.
00:07:09Hello, darling.
00:07:10No. You're late. I'm furious with you.
00:07:13Late?
00:07:16There. Is that all right?
00:07:17That's terrible.
00:07:18I've taken up with a thrifty spinster.
00:07:20That's all you deserve.
00:07:21Well, where are they, father and Owen?
00:07:23In the other room.
00:07:24Tell me, darling, did you really say you'd marry me?
00:07:26I'm afraid I did.
00:07:27Oh, heaven help us both.
00:07:29Just this one marriage, please.
00:07:31You know, I haven't been very good about marriage.
00:07:33I was exposed to a very bad case of it as a baby.
00:07:35We must make a grand go of it.
00:07:37Oh, we shall. Never you fear.
00:07:39Well, you just do everything I say and it'll be all right.
00:07:42With pleasure, sir.
00:07:43Oh, sea, darling. What a marvelous object you are.
00:07:50Oh, I feel good.
00:07:51So do I.
00:07:52Do you?
00:07:54My lovely sea.
00:07:55Stop it, Tom. You're embarrassing me.
00:07:57Why?
00:07:58I feel quite naked.
00:08:00You look marvelous.
00:08:01I'll have dinner in a couple of minutes, Tom.
00:08:03Yeah, glasses with ice and run all the way.
00:08:04Right. Did you get your radio message?
00:08:06What message?
00:08:12Excuse me.
00:08:25Goodbye.
00:08:26I'll see you later.
00:08:27I'll see you later.
00:08:28I'll see you later.
00:08:29I'll see you later.
00:08:30I'll see you later.
00:08:31You take her, Mr. McClellan.
00:08:32Yeah, Mr. McClellan.
00:08:33I'll see you later.
00:08:34I'll see you later.
00:08:35I'll see you later.
00:08:36You'll see you later.
00:08:37I'll see you later.
00:08:38Don't tell me if you don't want to.
00:08:39But I do.
00:08:40I'd always intended to at the first opportunity, anyway.
00:08:42And suddenly, it seems here it is.
00:08:45Well, see,
00:08:47for a long time, I've known,
00:08:48known intimately,
00:08:51a girl who's been very important to me.
00:08:54Yes?
00:08:55Daisy's done more for me than anyone in this world.
00:08:59She's the best friend I've got. I believe she always will be.
00:09:02I'd hate terribly to lose her.
00:09:05It's been a queer sort of arrangement.
00:09:08Well, no arrangement at all, really.
00:09:09There's never been any idea of marriage between us.
00:09:12Well...
00:09:12Is she attractive, Tom?
00:09:14To me, she is.
00:09:16I don't believe you'd like me half so well
00:09:18if Daisy hadn't knocked some good sense into me.
00:09:21Someone's done a good job of it.
00:09:22I'll tell her that.
00:09:23I sent her a long cable this morning, all about us.
00:09:28Of course, she never got it, because this...
00:09:30This came from the boat.
00:09:32She lands tonight.
00:09:34I see.
00:09:35See, we've...
00:09:39Well, we've been everything possible to each other, of course, but...
00:09:43Yes, Tom.
00:09:43At the same time, as free as air.
00:09:45I mean, there's never been any feeling of conventional responsibility
00:09:48towards each other involved in it.
00:09:51I can understand it.
00:09:52Can you see?
00:09:54Because I never could.
00:09:57Anyhow, that's how it's been.
00:10:00We haven't been what you'd call in love for a long time now.
00:10:05Does she know that?
00:10:07She knew it first.
00:10:08Well, I don't know what more there is to be said about it,
00:10:13except that there's no need for you to worry.
00:10:15You won't, will you?
00:10:17Not if you tell me I needn't.
00:10:18Well, I do.
00:10:20And finally, I think she ought to know the news about us pretty promptly.
00:10:25Yes.
00:10:26Probably.
00:10:27Well, is anything I do about that all right with you?
00:10:32Of course.
00:10:33Thank you, see.
00:10:36Oh, hello, Father.
00:10:37Hello.
00:10:37Evening, Tom.
00:10:38Good evening.
00:10:39You said five o'clock.
00:10:40It's seven, and I think...
00:10:41Oh, did I?
00:10:42Is it?
00:10:43Listen, you know it.
00:10:44I want to tell you what this is all about.
00:10:46We know.
00:10:46We've heard.
00:10:47He was abusing you, sir.
00:10:49I had to tell him.
00:10:50And it didn't discourage you?
00:10:51On the contrary.
00:10:52Oh, stout heart.
00:10:54Why, thanks very much, sir.
00:10:55But I think I'm the one to be congratulated.
00:10:58Yes, indeed we are.
00:11:00Yes, I'm sure we shall be.
00:11:02Hello, Red.
00:11:03There you are.
00:11:03That's the boy.
00:11:04That's my father over there.
00:11:05Oh, glad to meet you, sir.
00:11:07And my fiance, Miss Henry.
00:11:09Your...
00:11:14Good boy.
00:11:16Thanks.
00:11:16Thanks very much.
00:11:17Well, here's how and why and wherefore.
00:11:19And you know where marriages are made.
00:11:27Is it all right?
00:11:29Swell.
00:11:30Well, that's splendid.
00:11:31We're all satisfied, aren't we?
00:11:32Yeah.
00:11:33Yeah, just a moment, Red.
00:11:34Did you put the car away?
00:11:35Say, how many hands have I got?
00:11:37Well, don't.
00:11:37I shall need it.
00:11:38Right.
00:11:40Father.
00:11:42I'm afraid I'll have to ask you to do the honor.
00:11:44as the dinner.
00:11:45Why?
00:11:45How's that?
00:11:47I find I have to go straight back to town.
00:11:49Now, you listen to me.
00:11:50Seems to me extremely important that I should do it at once.
00:11:52In fact, I can't do otherwise.
00:11:54You have the effrontery, the colossal bad taste,
00:11:56on the night of celebrating your engagement
00:11:58to a fine, trusting, loyal girl,
00:12:00to go from her, your fiancé, to your, uh, your, uh...
00:12:04Same old difficulty about words, eh, father?
00:12:07Never mind.
00:12:07None of them apply to Daisy.
00:12:08I suppose you know better.
00:12:10If you leave here tonight...
00:12:11Yes, much.
00:12:13Much better.
00:12:14Until tomorrow, my angel.
00:12:22My poor child.
00:12:24I'm sorry, see.
00:12:26Oh, I think you did exactly right.
00:12:29A beautiful thing, Faith.
00:12:31A beautiful, beautiful thing.
00:12:33Tommy.
00:12:49Tommy.
00:12:52I was looking for you at the dark.
00:12:54I'm so sorry.
00:12:54I didn't get your message in time.
00:12:56Oh, come in.
00:12:57All right.
00:12:57Oh, hello, you dear Tom.
00:13:04Hello, Daisy.
00:13:06Now, it seems though I hadn't been away at all.
00:13:08Does it?
00:13:09Oh, come sit down.
00:13:10I have so much to tell you, it'll take hours.
00:13:12Ah.
00:13:14Tom, two of the most exciting things have happened to me.
00:13:17Not one, two.
00:13:19Really?
00:13:19What were they?
00:13:19Oh, I'm bursting with them.
00:13:22Daisy, I...
00:13:24No, you tell me.
00:13:26Come on.
00:13:27Well, my heavy sledding ought to be over in a few weeks.
00:13:30By the first of June, anyway.
00:13:32What have you got on the fire?
00:13:33Much?
00:13:35Yes, a good deal.
00:13:36The fact is, I...
00:13:37Well, work day and night until the first of June, and then...
00:13:40And then come to Mexico for a month with Daisy.
00:13:42Oh, I'm dying to go, because...
00:13:44Well, first of all...
00:13:46What?
00:13:47I feel like such a fool.
00:13:49Promise you won't be the word of it to anybody.
00:13:52Tom, I think I can paint.
00:13:54Well, that's no surprise.
00:13:55I've always thought you could...
00:13:56Well, then you've always been wrong, because it's new.
00:13:58It's just since the last two months.
00:14:00I believe if I work my eyes out and my fingers to the bone,
00:14:03that someday I may really paint.
00:14:06You must be hard on me now.
00:14:07No parties, no playing around, just work.
00:14:10And you mustn't let me show until you know I'm ready to.
00:14:12Does that agree?
00:14:13All right.
00:14:14You got a funny instinct about those things, and I'm counting on you.
00:14:17That's the first thing.
00:14:20That's the second thing.
00:14:22What?
00:14:22No, I...
00:14:27Suddenly, I feel shy with you.
00:14:34Oh, I don't like it.
00:14:40I don't like it a bit.
00:14:41It's been a long time, Daisy.
00:14:46Too long.
00:14:52Perhaps I'd better wait to tell you the second thing.
00:14:54No.
00:14:55Tell me now.
00:14:58Oh, my dear, what's wrong with us?
00:15:01Come here to me.
00:15:02That's better.
00:15:09I don't feel it so much now.
00:15:11You're a free man, you know, Tommy.
00:15:13Always have been with me.
00:15:14No questions asked.
00:15:15But, oh, please, Mexico and June together, because, listen...
00:15:19No, don't look at me.
00:15:20Look the other way.
00:15:23On the boat coming over,
00:15:25the sweetest small boy, about two,
00:15:27and I got crazy about him, and I want one.
00:15:30I want one badly.
00:15:33So will you please be good enough to marry me?
00:15:35Oh, as you always used to say you wanted to,
00:15:37only I wouldn't let you.
00:15:39Well, you didn't be terribly serious.
00:15:41It's not a life sentence, you know.
00:15:42Just for a little while, if you like.
00:15:44Would be such a dirty trick on him if we didn't.
00:15:47Then after I get my stuff through for the July issue,
00:15:49Mexico for a month together.
00:15:52Oh, I love you so much.
00:15:53I was a fool ever to think I didn't.
00:15:56So, come on, Tommy, be a good sport,
00:15:58and give me a cigarette.
00:16:00Daisy.
00:16:02All right, never mind.
00:16:03Let's forget all about it.
00:16:05That is a foul necktie you've got on the car.
00:16:07Daisy, I...
00:16:08What is it?
00:16:13Oh, you're going to tell me something terrible.
00:16:16What is it?
00:16:20I'm going to be married, Daisy.
00:16:21To be...
00:16:25Listen, listen, my darling.
00:16:26You can't care so much.
00:16:27You can't.
00:16:28It's simply that you and I naturally are...
00:16:29It must have happened pretty quickly.
00:16:30Yes, it did.
00:16:30A month ago, we hadn't even met.
00:16:32It was a...
00:16:33You can spare me the details, please.
00:16:36I don't even want to know who she is.
00:16:51Who is she?
00:16:53Cecilia Henry, her name is.
00:16:57Behold, the bridegroom cometh.
00:17:00And no oil for my lamp, as usual.
00:17:05A foolish virgin, me.
00:17:07Well, foolish, anyway.
00:17:10When is it to be, soon?
00:17:20About the first of June, we planned.
00:17:23June?
00:17:23Oh, yeah.
00:17:24Well, in that case, Mexico would be out.
00:17:26But I never dreamed...
00:17:27I feel so awful.
00:17:31Remember me, Tom.
00:17:34Daisy, there's to be no nonsense about not seeing each other again as friends or any of that, you know.
00:17:38Oh, but there will be that in other sense.
00:17:40Oh, yes, there'll be that, all right.
00:17:42I don't understand.
00:17:43I don't see why we shouldn't.
00:17:45I thought for a long time we'd been out of danger so far as...
00:17:49Well, so far as...
00:17:50Wanting each other goes.
00:17:52Well, haven't we.
00:17:54Speak for yourself, Tom.
00:17:56You too, Daisy.
00:17:57You first, I thought.
00:17:59Well, it's true.
00:18:00That side of it was never so much to us.
00:18:02Not in comparison.
00:18:03Not...
00:18:04Well, not after those first crazy months.
00:18:07Well, I thought that was natural.
00:18:11I was even glad.
00:18:13Glad that it was other needs that held us together.
00:18:17So closely.
00:18:19Not a claim.
00:18:20Never a claim, but so closely.
00:18:27Tom.
00:18:28Tom, do you have to marry her?
00:18:31I want to marry her.
00:18:32I thought maybe you just wanted her.
00:18:35Wanted her most awfully.
00:18:36No, no, no.
00:18:36It's more than that.
00:18:37Much more.
00:18:38Well, I don't see how you can quite tell that.
00:18:41For all our big talk, you know, we do still belong to the animal kingdom.
00:18:44If you knew her, Daisy.
00:18:45Yes, well, I don't, you see.
00:18:47Listen, Daisy.
00:18:48There's no one like you.
00:18:49Never will be.
00:18:50I know that.
00:18:51But this, it...
00:18:52I don't know.
00:18:53I can't tell you.
00:18:54Don't try.
00:18:55Don't try.
00:18:55Don't try.
00:18:56Goodbye, you Tom Cartier.
00:19:05Goodbye?
00:19:07Until when?
00:19:10Doomsday, my darling.
00:19:14What are you talking about?
00:19:16Just that.
00:19:17Now, you listen to me.
00:19:18If you think I'm going to allow two people who mean as much to each other as you and I do
00:19:21to be separated by any such false, ridiculous notion as that you're mistaken,
00:19:24just you try it.
00:19:25Tell me goodbye.
00:19:26I'll do nothing of the kind.
00:19:27Oh, yes, you will.
00:19:28You must.
00:19:29You have to.
00:19:30Sharp, decent and clean.
00:19:31No loose ends between us two.
00:19:33But it's not decent.
00:19:33It's soft.
00:19:34It's sentimental.
00:19:35It's the kind of thing you'd never have any use for.
00:19:36Taught me never to.
00:19:37Goodbye.
00:19:38I will not say.
00:19:39Goodbye.
00:19:39No.
00:19:39You must.
00:19:40Listen to me, Daisy.
00:19:41Please.
00:19:41And some things of yours that are here, I want you to take them along with you, please.
00:19:45Frank got me a new maid just before I landed.
00:19:46I let Harriet go when I left.
00:19:48Well, the new maid had a swell hunch about us, she did.
00:19:51I...
00:19:51Some shirts and things of yours that were here.
00:19:53She wrapped up in a nice little bundle.
00:19:56Well, she gets the gate for it, the big Swede.
00:19:58I don't believe in this.
00:19:59I don't believe in any of it.
00:20:01Go and get them, will you?
00:20:02Fetch, Thomas.
00:20:04There's quite a neat, tidy little bundle.
00:20:06But if it stays around here, well...
00:20:08I don't quite see myself crying into an old shirt, do you?
00:20:12I've worked to do my son a great deal of it.
00:20:16No?
00:20:17Won't fetch?
00:20:19Then kindly permit me to.
00:20:21And you will say goodbye to me.
00:20:34You've said it so many times, so brightly.
00:20:37Say it this time, sadly.
00:20:40You will, won't you?
00:20:42We'll make it an unmarried ceremony.
00:20:45Keep everything quite regular.
00:20:46You must take my hand in yours, one splendid gesture.
00:20:52And murmur goodbye, my Daisy.
00:20:54Thanks very much.
00:20:57A charming association.
00:21:00And may we never, never meet again, so long as we too shall live.
00:21:07Here's the washback.
00:21:09Now do as Daisy says.
00:21:10Isaiah Lockbrook Johnson.
00:21:20Marcus, who doesn't?
00:21:22Let's go, next day.
00:21:22You don't have to love it.
00:21:23Naughty boy, next day.
00:21:27You have to fly with us, thinking you don't have to play.
00:21:31Next day.
00:21:32You don't have to.
00:21:36Now do as Daisy and Mexico,
00:21:38America's Tort даёт skunk.
00:21:38There you are. Thank you.
00:22:01My dear, I'm congealed.
00:22:03I can't say I envy you and your husband the trip into town.
00:22:07It's not my idea.
00:22:08Well, why do you do it, see? It's so grim.
00:22:11Tom wants to.
00:22:12Oh, such loyalty.
00:22:14It's her first showing, and he thinks for some reason we should be there.
00:22:18Who is she, anyway?
00:22:20An artist. Sage, her name is. Tom says she's good.
00:22:26Oh, well. I suppose publishers have to harp now with all sorts of queer people.
00:22:31We see few people of any description anymore.
00:22:34Yes. Don't tell me about the hermit life you live.
00:22:37I think the least you could do would be to come to my Sunday breakfast now and then.
00:22:41Oh, tomorrow's will be such fun, do see.
00:22:44Perhaps we shall.
00:22:45Well, not if you're going tonight.
00:22:47Perhaps we shan't go in tonight.
00:22:50Oh, so that's the way it is.
00:22:53Well, well, well.
00:22:54Oh, with us again.
00:22:56With you again, yes.
00:22:58See, don't you think we'd better be getting underway, dear?
00:23:00Oh, we've got ours.
00:23:02I read the new book you published last week, Tom.
00:23:04Oh, yes?
00:23:05What do you think of it?
00:23:06Superlative, my dear.
00:23:07I was simply ravished.
00:23:09Well, that's something, isn't it?
00:23:11Isn't he beyond words?
00:23:13You're the world's funniest man.
00:23:14You couldn't possibly be funnier.
00:23:16Ah, you don't know me.
00:23:17Oh, yes, I do.
00:23:19Don't you adore it, see?
00:23:20The book, I mean.
00:23:21I like it very much.
00:23:23In fact, I'm afraid it was I who made Tom take it.
00:23:25And I'm afraid I still think it the worst tripe the Bantam ever published.
00:23:28But, my dear, everyone's simply devouring it.
00:23:31Well, there'll be a lot of sickness this winter.
00:23:33You're so foolish about it, Tom.
00:23:36He'll make an up on that one book to bring out ten he really cares for.
00:23:39Yes, I suppose that's the way it works.
00:23:41Oh, Father called today.
00:23:44What'd he want?
00:23:45He wants us to dine with him on Wednesday and spend the night.
00:23:48Oh, come on, darling.
00:23:49Get us out of it, won't you?
00:23:50Again?
00:23:51How can I?
00:23:52I don't know.
00:23:53Tell him I'm up to my eyes in work or anything else he won't believe.
00:23:55Take the old cars, frozen stiff.
00:23:57Oh, well, I could easily send you in in a closed car.
00:24:00Sammy and I might even join you.
00:24:02Oh, thank you.
00:24:02We cannot accept your sacrifice.
00:24:05Really, he's extraordinary.
00:24:07He defeats me.
00:24:09Well, I guess I'd better be barging along, as they say.
00:24:13I'm sure it's getting colder by the minute.
00:24:15Yeah, it's almost cold enough to...
00:24:17You know, I think we'd best bring the brass monkeys in tonight, don't you?
00:24:20The, uh...
00:24:21Good night, C.
00:24:23Good night, Grace.
00:24:26Must you really?
00:24:27Well, uh...
00:24:28Yes, I'm afraid I must.
00:24:30Oh, now, don't forget, you're coming to my Sunday breakfast tomorrow.
00:24:34We're having the most amusing people.
00:24:36Of course, that's just what Sunday breakfast needs, isn't it, C?
00:24:38Mind you, the coffee must be very hot as well.
00:24:41Good night.
00:24:49Good night.
00:24:50I think that...
00:24:54Good evening.
00:25:03My dear, that desperate butler must embarrass you to death.
00:25:06Not much longer.
00:25:08Tom's promised to fire him tonight if he isn't completely insensible.
00:25:24Good evening, Red.
00:25:26Even.
00:25:28Yeah, you better get to bed, haven't you?
00:25:30Just where I'm headed.
00:25:31Here, just a moment, Red.
00:25:33Now.
00:25:36All right.
00:25:37Bring a couple of bottles of beer, will you?
00:25:39Right.
00:25:51What did you say to Regan?
00:25:53Regan?
00:25:54He never drinks on duty.
00:25:56Why shouldn't he have the right to get slightly mellow on his one day out?
00:26:00Slightly mellow?
00:26:01He can hardly stand.
00:26:03When I said good evening to him, he didn't even answer.
00:26:06Maybe he couldn't speak.
00:26:08All he did was to bow, like this, with a foolish grin, so low he nearly fell over.
00:26:12Well, you know, it's pretty hard to gauge a bow under those conditions.
00:26:18Tom.
00:26:19I think it's selfish of us to keep him.
00:26:23Selfish?
00:26:24Well, we're certainly depriving him of any chance he ever had to make anything of himself.
00:26:28Hang it, see, he broke his hand.
00:26:29He'll never fight again.
00:26:31I don't mean fighting.
00:26:32Well, these are hard times.
00:26:34I don't know what else there is for him.
00:26:36I'll leave it to you.
00:26:37Do as you like about him.
00:26:38And you know, I feel somehow...
00:26:40I feel somehow that Red's good luck for me.
00:26:42He's...
00:26:44I don't know, we understand each other.
00:26:45I'm awfully fond of him.
00:26:46Hmm, you must be, to ruin whatever chance in life he might have.
00:26:50I wouldn't do that to Red, you know I wouldn't.
00:26:52You're doing it, though.
00:26:53What possibly could be more degrading to a man than housework?
00:26:57I don't know, I wouldn't like to tell you, darling.
00:26:59Of course, you know, you're making a regular Simon Legree out of me.
00:27:02Where's my whip?
00:27:03No.
00:27:03It's just that in your delightful, casual way, you've never thought of his side of it.
00:27:09I wouldn't do that to Red, I really wouldn't.
00:27:12Ring for him, see.
00:27:14Hmm, not me.
00:27:15I have nothing to do with it.
00:27:21Do you have to change, or are you ready?
00:27:23Seemed to me you were unnecessarily rude to Grace.
00:27:25I have to change.
00:27:27Now we've got to go to her breakfast in the morning.
00:27:29Honestly, see, all my life I've been trying to get away from her kind of people.
00:27:32Takes all kinds to make a world.
00:27:34Yes, and then what have you got?
00:27:37Come on, darling, you go get dressed, yes?
00:27:38I suppose you feel we must go into town tonight.
00:27:44Of course, why?
00:27:46An exhibit lasts several days, doesn't it?
00:27:49Yes, but I want to be there tonight.
00:27:51Tonight's the opening.
00:27:52Besides, they'll all be there tonight.
00:27:56Have you seen any of your old friends lately?
00:27:59Daisy?
00:28:00No.
00:28:02Why not, dearest?
00:28:04Oh, and the girl, Daisy, the one who's exhibiting tonight.
00:28:10Have you seen her?
00:28:13No.
00:28:15Why not?
00:28:16I thought you felt her friendship was important to you.
00:28:19She won't see me.
00:28:22Won't see you?
00:28:23No.
00:28:25Come on, see, be a good girl.
00:28:26You go up and get dressed.
00:28:29Oh, dear.
00:28:30What's the matter?
00:28:31Nothing.
00:28:33But dear, what is it?
00:28:35Oh, just this blasted headache.
00:28:37I've had it all day.
00:28:38Oh, what a shame.
00:28:39The cold air will fix that up.
00:28:41It was that that gave it to me.
00:28:44Honestly, Tom, I don't think I can face it.
00:28:46What?
00:28:47Why not send her a wire?
00:28:48Best wishes.
00:28:50That's enough, isn't it?
00:28:50No, no, no, that wouldn't do.
00:28:52I'm sure she'd be every bit as glad to have a telegram.
00:28:54See, darling, listen, Daisy's been working for years for this.
00:28:56A telegram wouldn't do at all.
00:28:57I've simply got to be there.
00:28:59There's no particular reason why you should go.
00:29:01I can go alone.
00:29:02I'll come.
00:29:03Listen, dear, you...
00:29:04Hmm?
00:29:06Put them down there, Red, will you?
00:29:08There.
00:29:11What?
00:29:12Tell him now.
00:29:13All right.
00:29:14And, uh, wait a minute.
00:29:15What's the rush?
00:29:16Stick around.
00:29:19Certainly.
00:29:21Listen, see, if you're...
00:29:22If you feel tired, you go to bed.
00:29:24No, I'll come.
00:29:25Well, drag out a chair, Red.
00:29:49One more's about all I need.
00:29:51You know, this morning, if all the bad heads in the world were put together in a row,
00:29:58my head would have got up and sneered at the rest of them.
00:30:01Well, here's how.
00:30:04How?
00:30:08That's the stuff.
00:30:09That builds you up, eh?
00:30:11Yo.
00:30:12Oh.
00:30:13Say.
00:30:13Mm-hmm.
00:30:14Have you seen this one?
00:30:18Shouldn't think so, no.
00:30:20Tell me where to stop and remember the card.
00:30:26Right.
00:30:27Got it?
00:30:28I got it.
00:30:38Where is it?
00:30:38It's gone, all right.
00:30:45Feel in your pocket.
00:30:49Not this time.
00:30:50No?
00:30:50No.
00:30:52Is that it?
00:30:55Marvelous.
00:30:56I paid five dollars for that trick.
00:30:58Oh, God.
00:31:01I'll let it go for $2.98.
00:31:04No.
00:31:05Sorry, not interested.
00:31:07Red.
00:31:10Was it cold in town today?
00:31:12I don't envy those guys selling apples on the corners.
00:31:15No.
00:31:15Not much of a job, that, eh?
00:31:17Women's work.
00:31:21Pretty tough times, all right, eh?
00:31:23Say, look here, Tom.
00:31:24What?
00:31:26If I...
00:31:28Nothing.
00:31:30If you're ever hard up, though, you know where to come.
00:31:32That goes both ways.
00:31:35I don't know where to come.
00:31:36Red.
00:31:37I might just as well tell you right off.
00:31:39What?
00:31:42Nothing.
00:31:44Say.
00:31:45What?
00:31:45How's your father these days?
00:31:47Oh, never better, thanks.
00:31:53Red.
00:31:54Do you ever think about your future?
00:31:57I guess where I'll go, it'll be plenty hot.
00:32:00I mean...
00:32:00Oh, you mean here.
00:32:01Now, that's a funny thing, because, listen, Tom, maybe I...
00:32:06I'll let her go.
00:32:08No, but what?
00:32:10Fill her up, will you?
00:32:12Not much of a future in battling, eh, Red?
00:32:15Oh, well...
00:32:16You know, I'm certainly grateful to you for all you've done.
00:32:19Ah, be still, will you?
00:32:21I am, though.
00:32:22That's fine from you.
00:32:25I'll never forget when I was...
00:32:28And you...
00:32:30Well...
00:32:30Well, I'll never forget it.
00:32:32Put it there, old boy.
00:32:34You're the top boy.
00:32:35I don't know what you think of me when I...
00:32:39When you what?
00:32:40When I...
00:32:42Well...
00:32:42Well, what would you say, for instance, if I...
00:32:46Nope, it's no good.
00:32:48Here, you're not in any trouble, are you?
00:32:50Trouble?
00:32:51Me?
00:32:52What trouble?
00:32:53Well, then, look here, Regan.
00:32:54Well, Chief.
00:32:58Tom Cullier for president.
00:33:00The people's choice.
00:33:01Now, now, listen a minute.
00:33:02Wait, wait, Tom.
00:33:02Tom, I just gotta tell you.
00:33:04Now, don't hold it against me, but I'm...
00:33:06I'm quitting you.
00:33:07I've took another job.
00:33:09You what?
00:33:09Oh, I know what you'll say.
00:33:11Holy cats, Regan.
00:33:13I couldn't stand it any longer.
00:33:14She don't like my ways.
00:33:15I mean the missus.
00:33:16I get on the nerves.
00:33:17Yeah.
00:33:18Last week, Mo Winters told me he wanted to open a country gym.
00:33:21And would I run it with him?
00:33:22On the order of Muldoons.
00:33:24But with a little bar attached.
00:33:27Heaven help me.
00:33:28I...
00:33:28I give him a word.
00:33:30I see.
00:33:32Well, what's the end for you, Regan?
00:33:34Ah, don't put it that way, Tom.
00:33:36I really want to know.
00:33:38Two hundred a month and a smell at the gate, if any.
00:33:41That's all right.
00:33:41Sounds like a good deal.
00:33:44Let it go.
00:33:44I'll phone him.
00:33:45No, no, no, no, no.
00:33:46When did you start?
00:33:48He wanted me last Wednesday.
00:33:51I've been trying all week to get up the nerve to tell you, but...
00:33:54Well, but...
00:33:55How long did it take you to pack?
00:33:57Well...
00:33:58Well, there's my hat trunk and my shoe trunk.
00:34:01And the trunk for my fancy dress ball clothes.
00:34:03Listen, you leave by noon tomorrow, you understand?
00:34:06Not a minute later.
00:34:06Okay, Chief.
00:34:10I'm sorry you had to take it that way.
00:34:12Oh, don't be a fool.
00:34:13I'm overjoyed for you.
00:34:15Fact?
00:34:15Absolutely.
00:34:16Here's to the new job.
00:34:18Take it from me, boy.
00:34:20You're the goods.
00:34:22Well, you've got your points, too, you know.
00:34:26Anyhow.
00:34:27Well, you'll explain to the missus?
00:34:38Yes, of course.
00:34:39Tell her I'm sorry.
00:34:42Hope no inconvenience.
00:34:44Yes, I'll explain, Red.
00:34:47So long, Tom.
00:34:49Goodbye, Red.
00:34:51So long, Tom.
00:34:54Goodbye, Red.
00:34:54I'll...
00:34:56I'll give you a ring how it goes.
00:34:58Yes, you do that.
00:34:59That's right.
00:35:00Keep your bib clean.
00:35:02I will, old boy.
00:35:09Good luck, Tom.
00:35:10Good luck, Tom.
00:35:36Oh, hello.
00:35:39Ready?
00:35:40Not quite.
00:35:42Did you tell him?
00:35:44You know, I miss that guy.
00:35:47I miss having him around.
00:35:50Oh, I know, darling.
00:35:51But it's for the best.
00:35:53I'm sure of it.
00:35:55I feel somehow that my luck's going with him.
00:36:00I'm your luck, darling.
00:36:01See, you feel good.
00:36:09Do I, dear?
00:36:11You haven't any clothes on.
00:36:13Go along now.
00:36:14Dress.
00:36:14Dress quickly.
00:36:15We've got to run.
00:36:16Come and help me.
00:36:24No.
00:36:25You'd better not.
00:36:29See.
00:36:29Do you remember this negligee?
00:36:35I came across it in the bottom drawer.
00:36:37My spine simply melted.
00:36:45Quebec?
00:36:46Yes.
00:36:48See, come here.
00:36:49You'll make us late.
00:36:51What of it?
00:36:52We're late already.
00:36:53We'll miss it.
00:36:54Well, what if we do?
00:36:56Oh, darling.
00:36:59You're the limit.
00:37:01Ten minutes ago, you said...
00:37:05Tom.
00:37:06What, dear?
00:37:07You go in alone.
00:37:09I've decided to stay here.
00:37:11You've what?
00:37:12Yes, it's too cold.
00:37:14I will tuck myself in my warm bed and read.
00:37:19Good night, lover.
00:37:20I'll miss you.
00:37:30Look here.
00:37:31I'll stay.
00:37:31No, no.
00:37:33Good night, darling.
00:37:35You'd better take your heavy coat.
00:37:38And keep warm.
00:37:39Good night.
00:37:55Good night.
00:38:25Hello. I want to send a telegram.
00:38:46I would have an exhibition, wouldn't I?
00:38:48Well, if I'm to believe the critics, I ought to be painting signboards.
00:38:51There are no judges of one's work but oneself, Daisy.
00:38:55I wonder who that is.
00:38:57I'll answer.
00:39:03Hello, Frank.
00:39:05Hello, Tom.
00:39:07Is Daisy in?
00:39:09Yes.
00:39:13Hello.
00:39:14I think I'll run along, Daisy.
00:39:16No, don't go, Frank.
00:39:18Yes, I must go.
00:39:18Goodbye, Tom.
00:39:19Well, speak to me, somebody, will you? Am I a leper?
00:39:29What would you like me to say?
00:39:32Oh, take off your coat, Collier, and stay a while, won't you?
00:39:38Thanks. I think I will.
00:39:39Well, it was nice of you to ask me over.
00:39:48Yes, but I didn't, you see.
00:39:50Well, it was nice, anyway.
00:39:51Whatever made you think I wanted to see you?
00:40:00Nothing.
00:40:01Except that I wanted to see you.
00:40:07How's, uh...
00:40:08How's it coming?
00:40:10How's what coming?
00:40:11I mean, the job.
00:40:12Job.
00:40:13Oh, the job.
00:40:14Oh, I gave that up last winter.
00:40:16A trifle, uh, shall we say, quixotic of me.
00:40:19Shall we?
00:40:22How's Joe's book doing?
00:40:23Haven't you seen him?
00:40:25No.
00:40:27Joe's book is doing fine, thank you.
00:40:30Of course, it can't compare with the magnificent volumes being brought out by your Bantam Press.
00:40:34Indian Summer and Young Ecstasy.
00:40:37Ouch.
00:40:38Oh, what on earth made you take those things on, Tom?
00:40:42Oh, I know. Money.
00:40:44But Daisy, I've reformed.
00:40:45You wait till you see the Bantam's new list.
00:40:47I'm waiting.
00:40:57Well, I hear Frank's a hit.
00:40:59She is.
00:41:02I, uh, saw your exhibition today.
00:41:06Oh, did you really? Funny I missed you.
00:41:08What'd you think of it?
00:41:09Well.
00:41:12Oh, tell me.
00:41:12Daisy, I don't think you were ready to show yet.
00:41:17How were the notices?
00:41:18Appalling.
00:41:19I suppose their reasons were all wrong.
00:41:21Yes, of course they were. What were yours?
00:41:24Well, you've been painting less than a year.
00:41:26Yes.
00:41:27And yet you had about 30 canvases to show.
00:41:3032.
00:41:31An awful lot, Daisy.
00:41:33Then you didn't like any of them.
00:41:34Oh, yes.
00:41:35One I love particularly.
00:41:36That one with the milk bottles on the doorstep, you know.
00:41:38I'd like to buy that one.
00:41:40That's number seven.
00:41:42Sorry.
00:41:43Not for sale.
00:41:44Oh.
00:41:45Of course, your drawings are marvel.
00:41:47Only what?
00:41:48Well, it depends on what you want to be.
00:41:50I thought it was a painter.
00:41:51So did I.
00:41:53Goya's drawing was pretty good.
00:41:54He painted rather well, too, I always thought.
00:41:57In the first year, I doubt it.
00:41:59Well, I wasn't aware that it took a definite length of time.
00:42:00I'm living in cities all your life.
00:42:02Oh, I suppose I should hire me to some sylvan dell.
00:42:04I don't think it would hurt a bit.
00:42:05Well, if you can show me a purer cobalt blue,
00:42:07then the winter sky over the East River
00:42:09in the afternoon at four o'clock, I...
00:42:10But now you're just being bullheaded.
00:42:12Bullheaded? Me?
00:42:15Me, bullheaded?
00:42:16Well?
00:42:17Well, what more, teacher?
00:42:18All I've said and all I'm saying
00:42:20is that you can't expect the first crack out of the box.
00:42:22You've got to work, Daisy.
00:42:24Work?
00:42:24Now he's telling me to work.
00:42:26In great heaven, what have I done else but?
00:42:28But differently, with such pains.
00:42:30You're turning out too much, and you know it.
00:42:36Maybe.
00:42:48Maybe anything's too much.
00:42:50Oh, darling.
00:42:52Now, don't soften on me, stay tough.
00:42:54Well, I do believe that's it.
00:42:55I think that's the whole story still hung over from the old job.
00:42:58Pressure, pressure all the time.
00:43:00Still rushing countless sketches through
00:43:02against a magazine's deadline.
00:43:05Anyhow, against some deadline.
00:43:08Daisy, darling.
00:43:08Who but you and strangers, honest with me, ever?
00:43:16Daisy.
00:43:19Have you missed me, Daisy?
00:43:22You?
00:43:24Well, I'll tell you about that.
00:43:25You see, it's this way.
00:43:31Much.
00:43:32Skunk.
00:43:35Skunk.
00:43:38Skunk.
00:43:38Oh, and I, you.
00:43:39It's a lot of nonsense.
00:43:41This is ridiculous.
00:43:42We need each other.
00:43:43We two do.
00:43:45You think?
00:43:46Most terribly.
00:43:46I'm convinced of it.
00:43:47There never were such friends as you and me.
00:43:50You know, it's wicked to give that up.
00:43:52To lose anything so precious for no good reason.
00:43:55Why are you of all people
00:43:56for a shabby, low-down question of convention
00:43:58fit on and to be considered by shabby, low-down...
00:44:01Oh, well, now, wait a minute.
00:44:02A hundred times I'd have given my eyes to see you,
00:44:04just to talk to you.
00:44:05Well, here I am.
00:44:07Daisy.
00:44:08May I come and see you just now and then?
00:44:10If you like.
00:44:11Just now and then.
00:44:11My sweet dear, thanks.
00:44:13But no, sweet dear.
00:44:15That belongs to another life.
00:44:17Years and years and years ago.
00:44:19I see.
00:44:20There are to be rules, are there?
00:44:21One or two.
00:44:23One very definite one.
00:44:24What?
00:44:26Never secrets.
00:44:27Never hidden.
00:44:28Why should a friendship be hidden?
00:44:30What's that I hide?
00:44:31Well, it does get misunderstood.
00:44:34It can't.
00:44:34It won't or the whole world's rotten.
00:44:36It's been pretty ripe for a long time, Tommy.
00:44:39Tommy.
00:44:41Oh, darling, how grand it is.
00:44:43Kiss the boy, Daisy.
00:44:45No, you've got to go.
00:44:47Why, will it take long?
00:44:50There.
00:44:52Oh, magnificent.
00:44:53Listen, all as before.
00:44:55Yes, except for one thing.
00:44:57What?
00:44:58We're not in love anymore.
00:45:00Now run.
00:45:06Oh, listen.
00:45:08How about lunch tomorrow?
00:45:09Lunch?
00:45:09Yeah.
00:45:10The old place?
00:45:11Oh, I'd love it.
00:45:12One o'clock?
00:45:12Fine.
00:45:13And let's dine at John Donovan.
00:45:14Dine?
00:45:14Yes, he's opened a new place on 48th Street.
00:45:16All right.
00:45:16Yes, let's see, Wednesday's the next day.
00:45:18I said I'd drive out and see Pat Atkins.
00:45:20He's been sick again.
00:45:20Oh, poor dear, I didn't know.
00:45:21He's better now.
00:45:22Come with me, Daisy.
00:45:23Oh, Wednesday.
00:45:23Come on, Eddie.
00:45:24If it's a fine day, we'll take a picnic.
00:45:25What do you say?
00:45:26Oh, yeah.
00:45:27Listen, Thursday, Thursday, I'm at the press all day, but Friday...
00:45:29Oh, well, now, wait a minute.
00:45:30You said now...
00:45:31I'll bring Hal Foster in about four o'clock on Friday.
00:45:33Will you be here?
00:45:34Oh, I suppose so.
00:45:35Oh, goodbye then, darling.
00:45:37Till tomorrow?
00:45:38Tomorrow.
00:45:39What about this afternoon?
00:45:40Yes, what about...
00:45:41How about a cocktail at Jean's place at five o'clock?
00:45:43Oh, all right.
00:45:46All right, then.
00:45:47Goodbye, then.
00:45:48Bye.
00:45:51Sweet dear.
00:45:54Five o'clock.
00:45:58Ten minutes to five.
00:46:01Frank.
00:46:18Frank.
00:46:20Frank.
00:46:22Daisy.
00:46:23What is it?
00:46:23You frightened me.
00:46:25Frank, I'm scared.
00:46:26Come here.
00:46:28But, Daisy, wait.
00:46:29Oh, Frank, don't ask any questions.
00:46:30I need your help.
00:46:32I know you can hold your tongue, Frank.
00:46:33Well, what is not my business?
00:46:35It's Tom.
00:46:35I'm going away, a long way away.
00:46:38I love him, Frank.
00:46:40I love him more than I ever did.
00:46:41But think, Daisy, wait.
00:46:42Are you wise?
00:46:43I'm going alone.
00:46:44Yes, that is wise.
00:46:45And nobody's to know where I've gone, either.
00:46:47No, of course not.
00:46:49No mess, Frank, is to avoid while I'm going.
00:46:51But compose yourself, Daisy.
00:46:52Be calm.
00:46:53Oh, I can't.
00:46:54Does he love you?
00:46:55I don't know.
00:46:57I don't think he knows.
00:47:00Oh, Frank, he's so slim and brown and sandy.
00:47:03Now snap out of it, Daisy.
00:47:04He'll always be like that.
00:47:05I know he will.
00:47:06Even when he's old.
00:47:08How funny where he stands, so sort of stiff, with his feet turned out.
00:47:12What they call duck-footed, eh?
00:47:15No, certainly not.
00:47:17It's a perfectly natural way to stand.
00:47:18Of course.
00:47:20It's a fine, strong way to stand.
00:47:22Yes, I know.
00:47:23But don't forget your watercolors.
00:47:24Huh?
00:47:24Oh.
00:47:26Frank.
00:47:28Maybe if I wait.
00:47:29Maybe I'd better see him once more and explain to him.
00:47:31Daisy, if you want to go at all, you must go tonight.
00:47:35Yes, I guess you're right.
00:47:38Come along, come.
00:47:39Yes, now, in here.
00:47:40Help me.
00:47:47Look.
00:47:48Yes?
00:47:49You know that painting with the doorstep?
00:47:50The one with the milk bottles?
00:47:51Number seven.
00:47:52Yes, Lippinia.
00:47:53Well, will you wrap it up and take it to him for me with my love?
00:47:57Take it?
00:47:58Oh, yes.
00:47:59Yes, you're having cocktails with him at Jeans in one hour at five o'clock.
00:48:06Five o'clock?
00:48:08Ten minutes to five.
00:48:12And Frank.
00:48:13Yes, darling.
00:48:14When you see him, kiss him for me.
00:48:17What?
00:48:17Kiss him for me.
00:48:22Kiss him for me.
00:48:27Daisy.
00:48:28Daisy.
00:48:28Oh, you're welcome.
00:48:39Oh, you're welcome.
00:48:40Okay.
00:48:41Bye-bye.
00:48:41Bye-bye.
00:48:42Bye-bye.
00:48:43Bye-bye.
00:48:53Bye-bye.
00:48:53hello
00:49:01hi
00:49:04glad to see you
00:49:08grab yourself a chair
00:49:11I'll tell the missus you're here
00:49:12you're too kind
00:49:13ain't seen you since I've been back
00:49:16been back a month gee it's swell
00:49:18I dare say
00:49:19yeah
00:49:21will you have some tea father
00:49:25no thank you my dear no thank you
00:49:27by the way
00:49:30his birthday is on the 23rd
00:49:32I think it would be well to have it
00:49:34a surprise party
00:49:35have all his old friends
00:49:37give him a chance to realize he's outgunned them
00:49:39and I hope you may be able to persuade him
00:49:41to move into town with me this winter
00:49:43must be uncomfortable
00:49:45for you out here
00:49:46father I'd so love being in town with you
00:49:49but you know how Tom feels
00:49:50I'm very contented here
00:49:56there's something besides contentment
00:49:59of course
00:50:00how did that
00:50:05that desperado
00:50:06Regan
00:50:07get back here
00:50:08oh Tom ran into him somewhere
00:50:10seems a new job didn't pan out
00:50:12Regan was ill
00:50:13so Tom asked if he might bring him back
00:50:15I said he might
00:50:16well why not just give him something
00:50:19anything to get rid of him
00:50:20don't worry about it father
00:50:21I'll work it out somehow
00:50:23I have the greatest confidence in you my dear
00:50:25thank you
00:50:26well I
00:50:28I guess I must be getting back to town
00:50:30goodbye
00:50:32goodbye
00:50:33operator
00:50:35long distance
00:50:37I want to get the number of Miss Daisy Sage
00:50:40in New York
00:50:41yeah
00:50:43just a minute
00:50:45Connecticut calling you
00:50:47oh this is Miss Sage
00:50:54oh yes Miss Sage
00:50:56allow me to introduce myself
00:50:58I am Mrs. Thomas Collier
00:51:00Mrs. Thomas Collier
00:51:02I'm so sorry we haven't met
00:51:06oh isn't it a shame
00:51:07all of Tom's friends hereabouts
00:51:09are so regretted not knowing you
00:51:11I called to tell you
00:51:14his father and I are giving a surprise party
00:51:16for him here on the 23rd
00:51:18you possibly remember
00:51:20it's his birthday
00:51:21why no I
00:51:22we'd so love having you
00:51:25and Miss Schmidt
00:51:25and Mr. Fisk
00:51:27for the party
00:51:27and if possible
00:51:28spend the night
00:51:29the 23rd
00:51:31oh now
00:51:32isn't that too bad
00:51:33oh I'm terribly sorry
00:51:35but I just couldn't possibly
00:51:36make it on the 23rd
00:51:38oh
00:51:39I'm frightfully disappointed
00:51:41we must try again
00:51:42sometime
00:51:43soon
00:51:44yes
00:51:46goodbye
00:51:47now what was that
00:51:55what
00:51:56Mrs. Thomas
00:51:58Thomas mind you
00:51:59Collier
00:51:59wants to know
00:52:02if I won't surprise her
00:52:03surprise Tom on his birthday
00:52:04and spend the night
00:52:05with him in the country
00:52:06she's going to ask you
00:52:07and Frank too
00:52:08and what did you say
00:52:09you heard me didn't you
00:52:10look Daisy
00:52:12ever since your trip
00:52:14to Nova Scotia
00:52:15you've made Tom feel
00:52:15that you don't want to see him
00:52:16and so he's cutting himself
00:52:18off from
00:52:18well from all of us
00:52:20he's only trying to do
00:52:21what he thinks you wish
00:52:22well I don't propose
00:52:24Mrs. Thomas Collier
00:52:27invited me down there
00:52:28for some very good reason
00:52:28of her own
00:52:29well don't take it out
00:52:30on Tom
00:52:30I think it'll do him
00:52:32a lot of good
00:52:32he needs it
00:52:33he needs us
00:52:35well if he's so weak
00:52:36oh he isn't
00:52:37just bewildered
00:52:39if he could get back
00:52:40just now and then
00:52:41with the right people
00:52:42it might help him
00:52:43get a decent point of view
00:52:44again
00:52:44oh Joe
00:52:46I love that boy
00:52:47with all my heart
00:52:50then don't go
00:52:50I would like to find out
00:52:55if something I think
00:52:56is true
00:52:56is true
00:52:57I certainly would
00:53:01may I look up
00:53:08the number for you
00:53:09Miss Sage
00:53:10oh thank you so much
00:53:12Mr. Fisk
00:53:12I think
00:53:13that by making
00:53:14a tremendous effort
00:53:14I may be able
00:53:15to recall it
00:53:17long distance please
00:53:20Brandy ma'am
00:53:26how about some
00:53:32backgammon
00:53:33oh fine
00:53:34grand
00:53:34hi Red
00:53:38no thanks
00:53:39yes thanks
00:53:40the boss has got you
00:53:48reading his new book
00:53:49uh-huh
00:53:50forget it
00:53:51join the party
00:53:52you might get some laughs
00:53:53oh it's a nice party
00:53:55not like we used to have
00:53:56though
00:53:56I don't know hardly
00:53:58anybody here
00:53:59don't you Red
00:54:01oh Red
00:54:03why don't you get Tom
00:54:04to introduce you
00:54:05of course I know
00:54:12very little about music
00:54:13but I know what I like
00:54:15that's for the boss
00:54:16oh sorry
00:54:18we are so anxious
00:54:22to hear you play
00:54:23Miss Schmidt
00:54:23I uh
00:54:24I'm sure you're
00:54:25better than the radio
00:54:26but I didn't bring
00:54:27my cello
00:54:28oh what a pity
00:54:29perhaps we could get one
00:54:30she's used to
00:54:32her own fiddle
00:54:33yes but is there
00:54:36any difference
00:54:36yes I suppose
00:54:38there is
00:54:38yeah
00:54:39look what baby
00:54:41brought you
00:54:41well he is quaint
00:54:47indeed
00:54:48he devastates me
00:54:50he devastates me
00:54:53yeah
00:54:53yeah
00:54:54yeah
00:54:54yeah
00:54:55I've got about
00:54:56for round 4
00:54:564.3% of the ring
00:54:57they stage left jet
00:54:58and broke a really
00:54:58kind of headshot
00:54:59he's on the skin
00:55:00and they reel back
00:55:00in the heels
00:55:01Miller tears back
00:55:02at Morgan
00:55:02they stand
00:55:03told us to
00:55:03ripping right to left
00:55:04to get to the body
00:55:04Morgan backs up
00:55:05he's got an answer
00:55:06right to Morgan's jaw
00:55:07hopes that after
00:55:07he tears down the right
00:55:08to the jaw
00:55:08Morgan reels against
00:55:09the rope
00:55:10she's draggy
00:55:10Morgan comes off
00:55:11the rope
00:55:11fighting like a tiger
00:55:12Morgan's right
00:55:13eyes closed
00:55:14he throws his bleeding
00:55:15Miller tears in
00:55:16bumps a furious
00:55:17running right
00:55:18to the left
00:55:18to Morgan's body
00:55:18they clinch
00:55:19well it's a slow
00:55:21fight time
00:55:21I can't
00:55:22tell you
00:55:22they're out of the clinch
00:55:23Miller rushes Morgan
00:55:25again
00:55:25closer to the left
00:55:25right
00:55:26listen you're a pretty
00:55:30good actor
00:55:31try and act like a
00:55:33butler will you
00:55:33right sir
00:55:34I know his me place
00:55:36sir
00:55:36don't lay it on
00:55:38meadows
00:55:38oh no sir
00:55:40say
00:55:41how does it feel
00:55:43to be 32 baby
00:55:44uh sir
00:55:45I'm bearing up
00:55:47brandy sir
00:55:55thank you sir
00:55:56no thanks
00:55:57try it
00:55:58I did
00:55:59the results
00:55:59were very satisfactory
00:56:00no thank you
00:56:03get out
00:56:04get out
00:56:06very good sir
00:56:08oh Joe
00:56:13hmm
00:56:14this is awful
00:56:17tripe
00:56:17what
00:56:18this um
00:56:20rotten egg
00:56:22about to be laid
00:56:23by the bantam press
00:56:24yeah I know
00:56:27but it'll make money
00:56:29that all he ever
00:56:32thinks about
00:56:33nowadays
00:56:33apparently so
00:56:34I have an idea
00:56:36he thinks he's
00:56:36doing me a favor
00:56:37publishing my book
00:56:38oh he doesn't
00:56:39he couldn't
00:56:39well he kind of
00:56:40gave us a works
00:56:41at dinner
00:56:41well I imagine
00:56:43he rather gathered
00:56:44we didn't approve
00:56:45of him
00:56:45we don't
00:56:46gotta do something
00:56:48about it Joe
00:56:49yeah but
00:56:50he kind of hinted
00:56:53that he might hook up
00:56:54with those pirates
00:56:54Williams and Warren
00:56:55oh no
00:56:56yes
00:56:57why do you suppose
00:57:12she asked us out
00:57:13here anyway
00:57:13just to prove
00:57:15we don't belong
00:57:15oh she isn't
00:57:17a bad sort
00:57:18you know I had
00:57:19quite a long talk
00:57:20with her tonight
00:57:20she seems like
00:57:21a very nice
00:57:21attractive woman
00:57:22hmm
00:57:23so did Delilah
00:57:26yes so did
00:57:27oh Miss Sage
00:57:28we were wondering
00:57:29where you were
00:57:30hello there Mr. Fisk
00:57:32I suppose you've
00:57:34made a good plot
00:57:34tonight
00:57:35a plot
00:57:35did I make
00:57:37any plots
00:57:38tonight
00:57:38oh no
00:57:40not so far
00:57:40as I know
00:57:41well I mean
00:57:42for your new novel
00:57:42oh yes
00:57:44oh I know
00:57:44you writer men
00:57:45I bet you're
00:57:47going to use us
00:57:47all for characters
00:57:48oh that's a very
00:57:49good idea
00:57:50thanks
00:57:50come on
00:57:52everyone's playing
00:57:52games in the dining room
00:57:53oh I'm still
00:57:54reading this
00:57:54thanks
00:57:55isn't it too
00:57:56divine
00:57:56I think it's
00:57:57going to be
00:57:57a sensation
00:57:58I'm practically
00:57:59a collaborator
00:58:00aren't I Tom
00:58:00yes Grace
00:58:01is my reaction
00:58:02agent
00:58:02she submits
00:58:04to tests
00:58:04I love to
00:58:05yes she's
00:58:06my little guinea pig
00:58:07probably go and
00:58:11play backgammon
00:58:11Mr. Fisk
00:58:12oh yes
00:58:13I'd love to
00:58:14well how are you
00:58:18getting on with
00:58:18the book
00:58:18look is this
00:58:20on the
00:58:20bantam's new
00:58:20list you told
00:58:21me to wait
00:58:21for
00:58:22don't you like
00:58:23it
00:58:24well it seems
00:58:25awfully
00:58:25bright
00:58:27bright things
00:58:29seem to sell
00:58:30yes
00:58:30look at those
00:58:32great publishers
00:58:33Williamson Warren
00:58:34they sell millions
00:58:34of copies
00:58:35in drugstores
00:58:37what difference
00:58:39does it make
00:58:40where they sell
00:58:41them
00:58:41none
00:58:42except
00:58:45if you want
00:58:46to keep your
00:58:47integrity
00:58:47you can't go
00:58:50in for mass
00:58:51production
00:58:51can you
00:58:52I mean you
00:58:53can't just
00:58:53become a
00:58:54little cog
00:58:55in the big
00:58:56machinery
00:58:56can you
00:58:58well don't
00:58:59let's argue
00:59:00about that
00:59:00oh why not
00:59:02Daisy listen
00:59:02I won't
00:59:03never mind
00:59:03I just shouldn't
00:59:04have said anything
00:59:05at all until
00:59:06I'd read it
00:59:06through
00:59:06that book
00:59:07will make
00:59:08money
00:59:08money
00:59:08is that so
00:59:10awfully important
00:59:10I haven't got
00:59:12any but you
00:59:13know I feel
00:59:14I feel quite
00:59:15all right
00:59:15well
00:59:18you're not a
00:59:20married man
00:59:20no
00:59:22no I
00:59:25I suppose
00:59:25that does
00:59:26make a
00:59:26difference
00:59:26well Daisy
00:59:28please read
00:59:29the thing
00:59:30through
00:59:30and give
00:59:30me your
00:59:30opinion
00:59:31I
00:59:32I'm not
00:59:34quite sure
00:59:34about it
00:59:35you will
00:59:36won't you
00:59:36oh yes
00:59:37Tom
00:59:38and
00:59:39just bear
00:59:40in mind
00:59:41that
00:59:41well you
00:59:43can't please
00:59:44everybody
00:59:44why did
01:00:04she come
01:00:04who
01:00:05that woman
01:00:07oh I thought
01:00:08you asked
01:00:08first she
01:00:10said she
01:00:10couldn't
01:00:11and then
01:00:11she
01:00:11telephoned
01:00:12back
01:00:12she
01:00:12would
01:00:13well
01:00:14oh
01:00:17I'm not
01:00:18the least bit
01:00:18jealous anymore
01:00:19in fact
01:00:20I'm inclined
01:00:21to like her
01:00:22that's big of
01:00:24you see
01:00:24suppose that
01:00:27Joe's one
01:00:28of hers
01:00:28too
01:00:28how do you
01:00:30mean
01:00:30sweet
01:00:31innocent
01:00:32no how's
01:00:33that
01:00:33I should
01:00:34think you'd
01:00:34know by
01:00:35now that
01:00:35she was
01:00:35just a
01:00:36promiscuous
01:00:37little
01:00:37oh well
01:00:40you're a
01:00:42strange girl
01:00:43see
01:00:43you're a
01:00:45pretty cruel
01:00:45one too
01:00:45not at all
01:00:48in fact
01:00:49I don't see
01:00:51why Tom and
01:00:51she shouldn't be
01:00:52just as good
01:00:52friends as
01:00:53well as you
01:00:55and I
01:00:55are
01:00:56their history
01:00:58is a little
01:00:59different
01:00:59why
01:01:00don't you like
01:01:01our history
01:01:02what the
01:01:03resolved
01:01:04trifle
01:01:06uneventful
01:01:06don't you
01:01:06think
01:01:07or should
01:01:08we simply
01:01:09call it
01:01:09lacking in
01:01:10excitement
01:01:11you've been
01:01:21so strange
01:01:22lately
01:01:22so remote
01:01:24I wasn't
01:01:26aware of
01:01:27refusing to
01:01:29help us
01:01:29sell Tom's
01:01:30press to
01:01:30Williamson
01:01:31Warren
01:01:31but Tom
01:01:34Tom doesn't
01:01:36want to be
01:01:36helped
01:01:37I do
01:01:40good heavens
01:01:47darling
01:01:47I've told you
01:01:47a dozen times
01:01:48I'm counsel
01:01:49for them
01:01:49so they do
01:01:50exactly as
01:01:51you tell
01:01:51them
01:01:52hang it
01:01:53all see
01:01:54Tom doesn't
01:01:55want to
01:01:55sell
01:01:56abandon
01:01:56Tom doesn't
01:01:57know what
01:01:58he wants
01:01:58just one
01:02:00little word
01:02:01from you
01:02:01well you know
01:02:03there's a thing
01:02:03called legal
01:02:04ethics
01:02:05there's a thing
01:02:06called friendship
01:02:07Owen
01:02:11lacking in
01:02:15excitement
01:02:15you said
01:02:16for you
01:02:17for you
01:02:18I meant
01:02:18and I suppose
01:02:21you're the judge
01:02:21of that too
01:02:22well I don't
01:02:23know who else
01:02:24and of course
01:02:26you couldn't
01:02:26possibly be wrong
01:02:27could I
01:02:29and I'm not
01:02:31a human being
01:02:31at all
01:02:32of course
01:02:33see
01:02:34see
01:02:36you will do
01:02:37this one thing
01:02:38for me
01:02:38just one word
01:02:39to Williamson
01:02:40Warren
01:02:40Owen
01:02:46yes
01:02:50you
01:02:52you darling
01:02:53oh Miss Sage
01:03:02Owen and I
01:03:03have been discussing
01:03:04something that might
01:03:04interest you
01:03:05he's promised to use
01:03:06his influence to have
01:03:07Williamson Warren take over
01:03:08the Bantam Press
01:03:09isn't that splendid
01:03:10did Tom
01:03:12well
01:03:14is it all settled
01:03:16Owen's arranged it
01:03:17you see he's their lawyer
01:03:18isn't that nice of him
01:03:20well if there's any credit to you
01:03:22I'm sure it's Cecilia's
01:03:23oh yes I'm sure it is
01:03:26will you excuse me
01:03:28I was just looking for Miss Schmidt
01:03:31Frank
01:03:39Joe
01:03:40look
01:03:46do you mind going in tonight
01:03:48but why Daisy
01:03:49we were supposed to spend the night
01:03:51yes I know we were
01:03:52but I've just got to get out of this house
01:03:54oh but Daisy
01:03:54no
01:03:54we are going
01:03:56get your things together
01:03:57okay
01:03:58okay Jesus
01:03:59when the party's getting good
01:04:00so sorry Mrs. Collier
01:04:19it just can't be helped
01:04:20are you ready Joe
01:04:22yes
01:04:22goodbye
01:04:23thank you very much
01:04:24goodbye Tom
01:04:25goodbye
01:04:26I must say your living
01:04:29seems very strange
01:04:30we've so loved having you
01:04:31you were very kind to ask us
01:04:33goodbye Tom
01:04:33goodbye
01:04:33goodbye Mrs. Collier
01:04:35goodbye
01:04:35come again when you can really stay
01:04:37thank you
01:04:38I'll see you about the car
01:04:39well
01:04:41all so solemn
01:04:43sorry you don't like my friends
01:04:46you're
01:04:46they are however
01:04:47sorry you don't like the book I'm publishing
01:04:50Tom I pity you with all my heart
01:04:54pity me
01:04:55what are you talking about
01:04:57what are you talking about
01:04:57I came to find out
01:05:00and I found out
01:05:01now I'm going
01:05:03found out what
01:05:04pity me why
01:05:05give me mine
01:05:07Daisy I
01:05:10give us a kiss Daisy
01:05:15hey Daisy
01:05:16hurry up or we'll miss the train
01:05:19come on here's your coat
01:05:20get in
01:05:21you must give us a ring sometime Tom
01:05:23right
01:05:23I'll wait for you outside
01:05:25goodbye Tom
01:05:32once I wouldn't say it would I
01:05:37once you wouldn't
01:05:38well
01:05:40goodbye
01:05:42this time you do
01:05:47goodbye
01:05:50good night my dear
01:06:09had a lovely time
01:06:11bless you
01:06:13good night Tom
01:06:14night Father
01:06:14goodbye
01:06:21goodbye Father
01:06:22well
01:06:32oh yes
01:06:34why you decline to spend the winter in town with your father is
01:06:46is what
01:06:47you must simply wish to be disagreeable
01:06:49that isn't true
01:06:50oh come on see now let's forget it
01:06:52as if that were so easy
01:06:53and I suppose you refuse to sell the press
01:06:56even if Williams and Warren are willing to pay twice what it's worth
01:06:59I don't I don't know
01:07:00can't we talk about something else
01:07:02tonight
01:07:03I'm afraid not
01:07:32oh hello see
01:07:40you're frightfully late darling
01:07:42I stopped at the bantam
01:07:44what made you do that silly
01:07:45I don't know I just wanted to think
01:07:48try to clear my mind of the vision of millions and millions of cheap books
01:07:54Williamson's recital of the glories of the machine age
01:07:58so I stopped at the press
01:08:00everything went all right didn't it
01:08:02oh yes perfect
01:08:03in fact it's settled
01:08:04not already
01:08:06yes they've signed
01:08:07all I have to do now is dig up a notary in the village
01:08:10and write my name under theirs
01:08:13oh Tom
01:08:14are you pleased?
01:08:17aren't you?
01:08:19I don't know
01:08:19I think something's happened to my nervous system
01:08:22I feel awfully light
01:08:24of course
01:08:25you're famished darling
01:08:26come and eat
01:08:27would you like to eat in my sitting room?
01:08:32all right
01:08:32I'll call Regan
01:08:35see
01:08:37yes dear
01:08:38I think it's time we had a child or two see
01:08:43we'll talk about that
01:08:47we must
01:08:49you all ready Tom?
01:09:07I thought it would be so cozy us dining here
01:09:10what's the matter?
01:09:17funny
01:09:17you know
01:09:19lighted this way
01:09:20it reminds me of some place
01:09:22what place?
01:09:24I don't know
01:09:25champagne is it?
01:09:28I thought you'd feel like celebrating
01:09:30well well
01:09:31a little wine won't hurt you
01:09:33the little more and how much it is
01:09:36fill them Mr. Regan
01:09:38infinite riches
01:09:47in a little room
01:09:48you've got the quotes badly
01:09:50little lamb who made thee
01:09:52Regan
01:09:53dost thou know who made thee?
01:09:59what is it it reminds me of?
01:10:03and a little more old son
01:10:04the discreet withdrawal
01:10:20I've seen that before too
01:10:23I know the Florentine
01:10:26a private room at the Florentine
01:10:29what's that?
01:10:30it's a sort of hotel
01:10:31run by a woman called Flora Conover
01:10:35sounds wicked
01:10:36yeah it used to be the best place in London
01:10:38place?
01:10:40what sort of place?
01:10:4120 guineas
01:10:4220 guineas?
01:10:44on the mantelpiece
01:10:47what are you talking about?
01:10:50in advance at that
01:10:52rather expensive wasn't it?
01:10:56well one went to Flora's to celebrate
01:10:57and the food was good
01:10:58the waiter discreet
01:10:59the wine excellent
01:11:00the lady
01:11:01most artful
01:11:03I don't care to hear about it
01:11:06thank you
01:11:06see your eyes are so bright
01:11:09eat you
01:11:11you're seeing things
01:11:13see
01:11:15yes dear
01:11:17you know
01:11:17little love is no love
01:11:20meaning what precisely?
01:11:23it wasn't necessary
01:11:24to lock your door
01:11:25against me last night
01:11:26but I didn't
01:11:27I mean
01:11:28not against
01:11:29then why?
01:11:30tell me instantly
01:11:31why it was
01:11:32is that an order?
01:11:33tell me
01:11:33you mean
01:11:35why I didn't want you near me?
01:11:37yes
01:11:37you've been so consistently
01:11:39disagreeable
01:11:40that's all
01:11:41about what?
01:11:41wanting Regan back?
01:11:42that's one thing
01:11:43well what else then?
01:11:44your father chiefly
01:11:45ah
01:11:46what are you going to do
01:11:53about your birthday check Tom?
01:11:57what?
01:11:58oh that
01:11:59well I
01:12:00I don't know whether to send it back
01:12:03or just not to cash it
01:12:05of course you simply can't allow yourself
01:12:06to show any graciousness toward him
01:12:08no
01:12:09as a way of telling you
01:12:11how pleased with you he is
01:12:13he gives you a small check
01:12:14and you have the extraordinary bad taste
01:12:16what?
01:12:19good heavens
01:12:20I can't believe it
01:12:22there it is
01:12:23there isn't that much money in the world
01:12:26in father's world there is
01:12:28in father's world there is
01:12:28he feels he can afford it
01:12:30to get us to come and live with him
01:12:31of course I can't understand
01:12:32your attitude about that either
01:12:33can't you see?
01:12:35no
01:12:35he knows how inconvenient it is
01:12:38here in the winter
01:12:38and having that great huge
01:12:40lovely house in town
01:12:41is perfectly sweet and natural
01:12:42of him to ask
01:12:43well
01:12:44to ask
01:12:45yes you
01:12:46to preside night after night
01:12:47at his deadly dinners
01:12:48me to listen eternally
01:12:50to his Delphic advice
01:12:51on what to do
01:12:52and how to live
01:12:52to give up what little integrity
01:12:54I have left
01:12:55in short to allow him to own us
01:12:57of course he is willing to pay
01:12:59he always is
01:13:01how you can be so hard about him
01:13:10I don't know
01:13:11my way of thinking
01:13:12of a person
01:13:12oh let's drop it see
01:13:13very well
01:13:15we shall
01:13:15now you've gone from me again
01:13:25lot you care
01:13:27oh see my lovely see
01:13:29where are you
01:13:30what's become of you
01:13:31the thing you call
01:13:32your integrity
01:13:33that's the word
01:13:34see it's no use talking
01:13:39this is what you call
01:13:43being disagreeable
01:13:44I suppose
01:13:44yes very
01:13:45but how to be otherwise
01:13:46when
01:13:47possibly by being the fine
01:13:48kind generous man
01:13:49you ought to be
01:13:50accept the check with thanks
01:13:52and go and live with him
01:13:54it's only for a few months
01:13:55I think to refuse his present
01:13:57would be extremely bad manners
01:13:59just about in a class
01:14:00with those of your little
01:14:00ex-sweetheart
01:14:01oh I'm sorry
01:14:07I didn't mean
01:14:08never mind
01:14:09see
01:14:14suppose I should do
01:14:18as you say
01:14:18about father
01:14:19oh Tom
01:14:21do be the darling
01:14:24I know you are
01:14:25would you like me better
01:14:27much
01:14:28how much
01:14:30oh very much
01:14:31no
01:14:33locked doors anymore
01:14:35not one
01:14:37ever
01:14:37sounds most inviting
01:14:40does it
01:14:41and suddenly
01:14:43I'm beginning to see
01:14:45with an awful
01:14:45clearness
01:14:46what
01:14:48how stupid
01:14:50you've been
01:14:50and what I am
01:14:52to you
01:14:53yes
01:14:55so you are going
01:14:58to be nice again
01:14:59you'll see
01:15:00oh I want
01:15:03so to feel
01:15:03I don't know
01:15:05together again
01:15:07as we used to
01:15:08you're very
01:15:11pretty you know
01:15:12oh thank you sir
01:15:14very exciting too
01:15:15I don't know
01:15:17whether it's you
01:15:17or the wine speaking
01:15:18oh me
01:15:19through the wine
01:15:20shall we have a little more
01:15:22I think so
01:15:23it's a party then
01:15:24it's a party
01:15:26we'll have another
01:15:27small bottle
01:15:27there's some here
01:15:30sometimes you're so
01:15:36thrilling Tom
01:15:37you think
01:15:38we shouldn't
01:15:40you know we shouldn't
01:15:41but
01:15:41we seem to be
01:15:43all at once
01:15:46I feel
01:15:48terribly naughty
01:15:49somehow
01:15:50you know
01:15:51I suppose
01:15:52you're one of the most
01:15:52the prettiest girls
01:15:54I've ever seen
01:15:54so nice of you
01:15:56to think so sir
01:15:57so very attractive
01:15:58I like to be attractive
01:16:00so very
01:16:01alluring
01:16:03there that's enough
01:16:05you're a strange woman
01:16:06your lips drop honeycomb
01:16:09your mouth is smoother
01:16:11than oil
01:16:11now what are you quoting
01:16:13ah the discreet waiter
01:16:16returns
01:16:17come in
01:16:19give the lady some
01:16:24waiter
01:16:24you can leave the bottle
01:16:34on the table
01:16:35that'll be all
01:16:38to the pleasant ways
01:16:46of life
01:16:46such pleasant ways
01:16:48it's good isn't it
01:16:53so good
01:16:55I'm beginning to feel it a little
01:16:58well that's what it's for
01:17:00eh
01:17:00it must be
01:17:01champagne
01:17:03the friend of lovers
01:17:05no
01:17:08not yet
01:17:10artful child
01:17:12you think
01:17:14lovely alluring thing
01:17:16I like you too now
01:17:20it's pleasant here
01:17:22isn't it
01:17:23so pleasant
01:17:24but you're not taking any
01:17:28no
01:17:29it makes me see
01:17:31almost too clearly
01:17:32oh
01:17:33take a little more
01:17:35and everything will get so
01:17:37so lovely
01:17:38and vague
01:17:39in the way I feel now
01:17:42a good feeling is it
01:17:45delicious
01:17:47oh
01:17:48oh Tom
01:17:51one last toast
01:17:55do we dare
01:17:58come on
01:18:01but to what
01:18:06what to
01:18:08you name it
01:18:11to love
01:18:13and darling
01:18:25yes
01:18:27you are going to be an angel
01:18:29about things aren't you
01:18:31you'll see
01:18:34I knew you would
01:18:36I'm so happy
01:18:38I want you
01:18:43close to me
01:18:45don't be long
01:19:08come in
01:19:35see here Red
01:19:39I
01:19:39never mind
01:19:40all I mean is
01:19:42well I'm out for good
01:19:43this time
01:19:44why
01:19:45I just don't like it here
01:19:47that's all
01:19:48when you want to go
01:19:50as soon as I can
01:19:51tonight then
01:19:53that's alright with me
01:19:55I'm packed
01:19:56wait downstairs
01:19:59oh Red
01:20:02have you got a fountain pen
01:20:05thanks
01:20:10don't let me forget
01:20:12to return it
01:20:32like
01:20:33I
01:20:52see
01:20:54if
01:20:55I
01:20:56if
01:20:57I
01:21:01on the mantelpiece.
01:21:25Oh, here you are, Red.
01:21:31Thanks.
01:21:35Well, goodbye.
01:21:39Go and get in the car.
01:21:40I can walk to the train, all right?
01:21:43Bring my hat and coat.
01:21:47Will you bring my hat and coat, please?
01:22:01What's the idea?
01:22:12Light, please.
01:22:13Light, please.
01:22:28Now, then.
01:22:30I can walk, I tell you.
01:22:31Not at all.
01:22:32We'll drive in.
01:22:33We will.
01:22:35I'm going back to my wife, Red.
01:22:38To your...
01:22:39My wife, I said.
01:22:44My wife, I said.
01:23:09My wife, I said.
01:23:15Let's go.
01:23:16You
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