Skip to playerSkip to main contentSkip to footer
  • yesterday
Transcript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30La Flaffita di Napoli...
00:01:32degli amici...
00:01:33dei sottotitoli...
00:01:35ma questo si si va al primo posto...
00:01:43Shit.
00:01:45What?
00:01:46Camp on my wallet.
00:01:51Rarito la cera?
00:01:52No...
00:01:53Nessun sito, nessun sito.
00:01:54Nessun sito.
00:01:55Nessun sito?
00:01:56Nessun sito.
00:01:57Nessun sito.
00:02:00And how did they get home?
00:02:09What do you think?
00:02:12She's lost for pass, for pass.
00:02:14No, no.
00:02:15Nothing, he can't hide.
00:02:18There's nothing.
00:02:19You'd just give her a minute.
00:02:20You'd have been sitting here alone.
00:02:23I don't know anything, no matter what you do.
00:02:26I don't know anything.
00:02:28Where did you have it last?
00:02:30The train station, I think?
00:02:32The exchange group?
00:02:34Oh, Jamie.
00:02:36I'm sorry.
00:02:38That bastard at the train station started when you dropped all your stuff.
00:02:42This is 170, not 70.
00:02:44Where do we need to go?
00:02:46I don't know.
00:02:48I don't know.
00:02:50I don't know.
00:02:52I don't know.
00:02:54I don't know.
00:02:56Where do we need to go?
00:02:58We need sevens.
00:03:10Here we go.
00:03:20Is this it?
00:03:22I think it's nice.
00:03:26It's nice.
00:03:28Yes, I have a credit card.
00:03:30The number's on file on my computer.
00:03:32Yes, I have them here.
00:03:34Okay, five, five, three, three, seven, six, four, five, eight, seven, eight, seven, nine, one, five, seven.
00:03:38Five, seven.
00:03:40Yeah.
00:03:42Yeah.
00:03:44Expires 12.
00:03:46Expires 12.15.
00:03:48No, she'll definitely need another card sent out immediately.
00:03:50Okay.
00:03:52Okay.
00:03:53Yes, I have a credit card.
00:03:54Yes, I have a credit card.
00:03:55The number's on file on my computer.
00:03:56Yes, I have them here.
00:03:57Okay.
00:03:58Five, five, three, three.
00:03:59Seven, six, four, five.
00:04:01Eight, seven, eight, seven.
00:04:03Nine, one, five, seven.
00:04:04Five, seven.
00:04:05Yeah.
00:04:06Expires 12.15.
00:04:07No, she'll definitely need another card sent out immediately.
00:04:08We're here for two weeks.
00:04:09No, I'm working here.
00:04:10Yes, I'll hold.
00:04:11You love how they ask.
00:04:12As if I have a choice.
00:04:13Do you know what I'm gonna try to do while I'm here?
00:04:14Besides learn Italian.
00:04:15I don't know why you think that's so ridiculous.
00:04:16You don't at all.
00:04:17I admire you.
00:04:18I admire you.
00:04:19I admire you.
00:04:20It just does.
00:04:21You just enjoy you.
00:04:22Well, I'll try my science to test.
00:04:24Yeah.
00:04:25Is there a plan for me?
00:04:26Probably not.
00:04:27Do you know what I'm gonna try to do while I'm here?
00:04:30Besides learn Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:34Well, my profession looks so difficult.
00:04:35I don't at all.
00:04:37I admire you.
00:04:38I just think it's too late for me.
00:04:40That's not true.
00:04:42You can't teach an old dog new tricks.
00:04:45Besides, what's the point?
00:04:47The whole bloody world speaks English.
00:04:49Well, I...
00:04:51Want to finally transcribe the tapes?
00:04:55Yes.
00:04:57All right.
00:04:59Okay.
00:05:01Well, if you can see it through to the end,
00:05:04I think that's wonderful.
00:05:07What does that mean?
00:05:09Nothing.
00:05:11Nothing?
00:05:13I think it's a fantastic idea, Jane.
00:05:15I always have. You know that?
00:05:21You don't sound very supportive.
00:05:25You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be.
00:05:34Has been for you.
00:05:36I think enough time has passed.
00:05:38Well, that's great.
00:05:43Yeah.
00:06:03Why do you think he killed himself?
00:06:05David Foster Wallace.
00:06:07I don't know.
00:06:09You can't get a sense by his writing?
00:06:11You have to read it when I'm done, though.
00:06:15I don't know.
00:06:17You can't get a sense by his writing?
00:06:19You have to read it when I'm done, though.
00:06:27Do you think he recognized a blank infinity just stretching out?
00:06:31He got to this point, maybe, where it was just day after day after day?
00:06:37I really don't know.
00:06:39Do you know?
00:06:41Just so tedious.
00:06:43And then, of course, he felt guilty.
00:06:45Most people think life is too short, and there he was, all the talent in the world, and it wasn't at night.
00:06:49Jane, can I, can we not talk about this?
00:06:51Just, just, just a bit more, then.
00:06:55Just a bit more, then.
00:07:13Love you.
00:07:15Love you, too.
00:07:17Love you, too.
00:07:35Do you feel alright?
00:07:37Do you feel okay?
00:07:39Yeah.
00:07:41Are you sure?
00:07:43Mm-hmm.
00:07:45Mm-hmm.
00:07:47Mm-hmm.
00:07:49Mm-hmm.
00:08:07Mm-hmm.
00:08:11I don't know.
00:08:41I don't know.
00:09:11Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:22I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:28True.
00:09:33Then I think I might go out, see what the world has to offer.
00:09:35If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:49I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56Do you have any stories for me?
00:10:16What?
00:10:22Okay. Do you have any stories for my book?
00:10:28What kind of stories?
00:10:30Stories that you've prepared for. I can ask them a list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list. God rest his soul.
00:10:37Let's start with the war.
00:10:40We went into an air raid shelter. My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and... and then there was the sound of a bomb.
00:10:50And the man next to us, he said,
00:10:53I was in a shelter last night with my wife and my little boy, and half of it got blown away.
00:10:59There was blood in his hair.
00:11:02He was all alone. That nearly finished my mother, you know.
00:11:08Here we were in this tiny town in England, miles from Germany, from Russia, from Italy, from any front lines.
00:11:15And this man, he had blood in his hair.
00:11:20And a cappuccino.
00:11:38We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:08It feels now as if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia, or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children, not just your father.
00:12:50You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:55I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:08All right, then.
00:13:08They'd been shot through the neck.
00:13:22The bullet went in one side and came out the other.
00:13:25And there were all these bomb holes filled with water, and he couldn't tell which was the German side and which was the Allied side.
00:13:42But when he came home after something like that, you couldn't really complain to him about anything, now could you?
00:13:50I'm actually going there now.
00:13:52To the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So, come on.
00:14:27My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm.
00:14:40The viola.
00:14:42Any good?
00:14:44Yes.
00:14:45Very.
00:14:49How do you keep your violin from getting stolen?
00:14:53You put it in a viola case.
00:14:55Right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:04Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming, there's nothing you can do about it.
00:15:17I can't help it, I've got this weird autistic mind for jokes and I went to this music slash nerd summer camp when I was like 10 and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:32Are you newlywed?
00:15:34No.
00:15:36No.
00:15:36You're making me feel like a stalker, fuck.
00:15:49You're making me feel like a stalker, fuck.
00:15:51You're making me feel like a stalker, fuck.
00:15:52Yeah, I can't help.
00:15:53No.
00:15:54No.
00:15:55No.
00:15:56No.
00:15:56No?
00:15:57No.
00:15:58No.
00:15:59No.
00:16:00No.
00:16:01No.
00:16:02Oh, hey, have you got 50 cents?
00:16:04If you can catch it.
00:16:05No.
00:16:06No.
00:16:07No.
00:16:08No.
00:16:09No.
00:16:10No.
00:16:11No.
00:16:12No.
00:16:13No.
00:16:14No.
00:16:15No.
00:16:16No.
00:16:17No.
00:16:18No.
00:16:19No.
00:16:20What brought you out of here today?
00:16:36Fairy.
00:16:36Ha!
00:16:37Fairy.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn up bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In like the 1300s, thousands of families lived in this castle.
00:17:03It must have smelled pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:12I know.
00:17:13I've been coming here every day and it still gets me.
00:17:16If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization dedicated to studying the relic populations of dolphins and whales in the Gulf of Naples.
00:17:35I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:38You know, I just didn't want to go to college and they paid for me to come over.
00:17:43Four connecting flights was a 72-hour plane ride, but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:49How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:55Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:02I stayed on the island because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:07Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second cousin twice removed.
00:18:12The second cousin twice removed, in case you didn't know, is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:19Sorry, anyway, so this relative gave me the name of this great-uncle who lives on the island, so I show up, he answers the door, and he's, like, the oldest fucker I've ever seen, easily pushing a hundred.
00:18:32A hundred?
00:18:33Yeah, if not older, he's, like, deaf and blind and about four feet tall, and he mumbles a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine, and leads me to this basement apartment, and, uh, yeah, I never left.
00:18:49I never left.
00:19:19Love teaches me to feed on flames and tears, to turn withered hope green through desire,
00:19:48to re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:56Who is that?
00:19:58Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:04You read that in your guidebook this morning, didn't you, Jane? Sneaky.
00:20:10Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17I thought Michelangelo was gay.
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:24But that didn't stop her from loving him.
00:20:28Let's hear it then.
00:20:30In Italian.
00:20:32Let's hear the poem.
00:20:34Come on.
00:20:36I'm impressed.
00:20:39Are you hungry?
00:20:40No.
00:20:41No.
00:20:42No.
00:20:43No.
00:20:44No.
00:20:45No.
00:20:46No.
00:20:47I'm impressed.
00:20:49Are you hungry?
00:20:50Why, are you going to take me out?
00:20:51Yeah.
00:20:52All right then.
00:20:53Okay.
00:20:54Okay.
00:20:55Two pastas with the...
00:20:56house and the house.
00:20:57To the house, with the house.
00:20:58I'm going to go.
00:20:59No.
00:21:00No.
00:21:01No.
00:21:02No.
00:21:03No.
00:21:04It's not that easy.
00:21:05No.
00:21:06No.
00:21:07No.
00:21:08No.
00:21:09No.
00:21:10No.
00:21:11No.
00:21:12No.
00:21:13No.
00:21:14No.
00:21:15No.
00:21:16No.
00:21:17No.
00:21:18All right, then.
00:21:19Okay.
00:21:24Two pastas with the house sauce, please?
00:21:28Red.
00:21:29Red, please.
00:21:30Uh-huh.
00:21:31Grazie.
00:21:33So you're really not going to tell me what you do?
00:21:40I write freelance articles about parties
00:21:43and fashion trends in town and country UK.
00:21:46There's something else.
00:21:54I'm writing a book about my grandmother's experiences
00:21:57in rural England, living through two world wars.
00:22:01I recorded her for hours and hours.
00:22:04But now, I don't know.
00:22:09What don't you know?
00:22:12You wanna listen, a little?
00:22:14Yeah.
00:22:16Yeah?
00:22:16Yeah, I know it.
00:22:17I love to listen.
00:22:34All tangled up.
00:22:35Oh, God.
00:22:36Okay.
00:22:42Awful as it was, it made you stronger.
00:22:46These days, people whine about all sorts of things.
00:22:49I'm not one of those old people who think my time had the only joy
00:22:52and the only problems.
00:22:54We all have our own private wars every era, but it was nothing like it.
00:23:00It really brought people together, the war.
00:23:02We helped each other during that time.
00:23:05We had to laugh.
00:23:06We had to smile.
00:23:08Well, if not for ourselves, then for the people we'd lost.
00:23:12I'll shut that thing off.
00:23:13Would you get it out of my face?
00:23:15That is like, it's like a window in time, the sort of thing you wish you always did
00:23:25before someone died, you know?
00:23:27My husband thinks I'm never going to finish it.
00:23:29I shouldn't care what anyone thinks.
00:23:32We met while I was recording her.
00:23:34Bonding over granny, huh?
00:23:37Make it sound perverse.
00:23:39That's what it was, right?
00:23:41Buongiorno.
00:23:42Buongiorno.
00:23:43Buongiorno.
00:23:44Signori.
00:23:53I got pregnant, so we got married.
00:24:01I lost the baby.
00:24:05I'm sorry.
00:24:09I didn't go back after that to the States.
00:24:28Did you, uh, did you ever, uh,
00:24:38hear that story about the red string?
00:24:43I think I might have.
00:24:44Tell me.
00:24:48It's like this Asian proverb says that anyone you're destined to meet, like, uh, your soulmate
00:24:56or your family or, you know, someone you bump into on the street, we're all connected by this red string.
00:25:08It can be tangled or stretched, but it can never be broken.
00:25:12There's this moment in the tape, I'm sitting, waiting in the airport bar for my flight, and I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure and how I'm going to show World War II from a totally different perspective.
00:25:24But...
00:25:36I don't know if it's that interesting.
00:25:37That's the whole point, isn't it?
00:25:38Keeping it interesting for yourself.
00:25:42Maybe.
00:25:43Maybe.
00:25:44Maybe.
00:25:45Maybe I just want to write about nothing.
00:25:47Everything is nothing.
00:25:48All the best.
00:25:49All the best.
00:25:50Compliano.
00:25:51Grazie.
00:25:52Grazie.
00:25:53Make a wish.
00:25:54Make a wish, huh?
00:25:55Make it great.
00:25:56Okay.
00:25:57Bravo.
00:25:58Bravo.
00:25:59Bravo.
00:26:00Bravo.
00:26:01Bravo.
00:26:02Bravo.
00:26:04You're welcome.
00:26:05You're welcome.
00:26:06You're welcome.
00:26:07Maybe.
00:26:08Maybe.
00:26:09Maybe I just want to write about nothing.
00:26:10Everything is nothing.
00:26:11You're welcome.
00:26:12Just kidding.
00:26:13You're welcome.
00:26:14Just kidding.
00:26:15水 balloon moron, no fickle, no fickle.
00:26:16What are you doing?
00:26:17Make your wish.
00:26:18Make a wish, huh?
00:26:20Make it great.
00:26:22You're good.
00:26:23Bravo.
00:26:24Bravo.
00:26:25Hey.
00:26:26Keep me ready.
00:26:27Make it great.
00:26:28Okay.
00:26:30Ooh.
00:26:31Awesome.
00:26:33We have a great вместе.
00:26:35Unbelievable.
00:26:36twists.
00:26:37What are you doing?
00:26:38Hey look.
00:26:39No.
00:26:40Here, go, go, go. Oh, my God.
00:26:42Oh, my gosh.
00:26:44Oh, no. What? What do you mean?
00:26:53Hey, hey, hey.
00:26:55It's the carabinerie.
00:26:56Hey, please.
00:26:57No.
00:26:58Hey.
00:26:59Yeah, yeah, yeah.
00:27:04We can't go back. We can't go back.
00:27:06We can't go back.
00:27:10We can't go back.
00:27:12Oh, my God.
00:27:14Oh, my God.
00:27:15Oh, my God.
00:27:17Oh, my God.
00:27:23Yeah, yeah.
00:27:25Yeah, yeah.
00:27:27Did it make you feel better if I said I said the whole thing up?
00:27:30Yes, it's true.
00:27:32Yes, it's true.
00:27:34I made the check when I went to the bathroom.
00:27:38You're horrible.
00:27:40You're horrible.
00:27:42You're horrible.
00:27:43You're horrible.
00:27:44Come on.
00:27:45Let's go.
00:27:46Come on.
00:27:47Quick.
00:27:48Let's go.
00:27:51Why are we still running?
00:27:52I don't know where we're still running.
00:27:54I don't know where it's...
00:27:55I don't know where it's...
00:28:05Oh, my God.
00:28:15Went up my nose.
00:28:16Do we come back?
00:28:23Maybe.
00:28:26Maybe is not a no.
00:28:29And since I don't have a phone,
00:28:31you're going to have to give me your number.
00:28:34For cheap thrills and future crimes committed.
00:28:37No.
00:28:40Fair enough.
00:28:46I've got to go catch a fairy.
00:28:57Hey.
00:29:02Why do violists
00:29:04keep their viola cases on their dashboards?
00:29:16Why?
00:29:22So they can park in handicapped spots.
00:29:29Oh.
00:29:32Happy birthday.
00:29:46Wow.
00:29:47Oh sure.
00:30:57Nice.
00:31:28Jane.
00:31:29Tony.
00:31:30Got some pastries.
00:31:34Still asleep?
00:31:35Jane.
00:31:36Tony.
00:31:37Got some pastries.
00:31:41Still asleep?
00:31:42Jane.
00:31:43Jane.
00:31:44Jane.
00:31:45Jane.
00:31:46Jane.
00:31:47Jane.
00:31:48Jane.
00:31:50Jane.
00:31:51Jane.
00:31:53Jane.
00:31:54Jane.
00:31:55Jane.
00:31:56Jane.
00:31:57Jane.
00:31:58Jane.
00:31:59Jane.
00:32:00Jane.
00:32:01Jane.
00:32:02Jane.
00:32:03Jane.
00:32:04Jane.
00:32:05Jane.
00:32:06Jane.
00:32:07Jane.
00:32:08Jane.
00:32:09Jane.
00:32:10Jane.
00:32:11Jane.
00:32:12Jane.
00:32:15Jane.
00:32:16Jane.
00:32:17Jane.
00:32:18Jane.
00:32:19my friends had lots of american boyfriends and they used to bring us nylon stockings and chocolates
00:32:25and all sorts of things and we used to go to london and we saw glenn miller one time
00:32:33we used to go all over the place there were wonderful times i never had an american boyfriend
00:32:42i liked some of them they were nice boys but i i didn't i didn't want to leave my mom and dad
00:32:52i wish i had sometimes you know when you were 19 and the world just felt so open and carefree and
00:32:59full of possibility you reminded me of that at that time you were 19 when we met yeah i wouldn't
00:33:09have described this carefree back then not at all well i felt nostalgia or something for youth you're
00:33:16not old hey we ran out on the bill you just ran what do you mean you ran out on the bill perhaps
00:33:24i'm not explaining it well it was it was fun it was just fun
00:33:39how's work the conductor's actually a descendant of water leg which is fascinating the three of us
00:33:49were planning dinner before we leave i'd like that jane oh my god this is caleb hi no no we were just
00:34:04talking about you we were that's so weird that's it please sit down join us oh
00:34:19i'm obviously gonna get back pretty soon that's okay i i already ate so i'll just grab a coffee
00:34:34have the check please in the cafe before oh no thank you okay jane you don't smoke yes i do
00:34:53sometimes at parties didn't know that well i don't do it a lot
00:34:59i love it it's no variety english food on the other hand say what you like about it there's nothing
00:35:18like a good steak and kidney pie i went to this party the other day in this villa owned by this
00:35:25old drunk expat they had like a private chef and everything and uh they were serving this like
00:35:32loaf of meat covered in sauce with all these other loaves and this girl came over to me and said it
00:35:38was cat no no joke like a roasted mommy cat and her kittens that is disgusting true story
00:35:47why don't you tell leonard one of your viola jokes
00:35:58come on come on let's hear one
00:36:07um i have one
00:36:09what is the definition of perfect pitch what
00:36:20when you throw a viola into the dumpster without hitting the rim
00:36:26you didn't just make that up it's too good i did well i'm impressed and i'm stealing it
00:36:30you can pretty much make that joke about any instrument
00:36:38do you play anything this and that you know
00:36:44shall we what time to go already yeah i'm gonna get back to work
00:36:51so what's next new agenda caleb um i'm thinking tibet oh tibet really yeah then just think
00:37:08on the shopping festival at the end of the summer yeah i've heard about that that's where the the
00:37:12buddhist monks unroll all the tapestries on the hill right the monks the monks the monks
00:37:17it's so pretty how do you support yourself you know a bit of this bit of that
00:37:28oh all right then i'll walk you does anybody have a pen you got a pen yeah i have a pen
00:37:42okay
00:37:47i have a piece of paper you guys should definitely come over to the island i'll take you somewhere
00:37:53fun you know don't knock on the front door come around the side i need regina
00:38:04thank you and thanks again for yesterday oh no problem
00:38:10okay
00:38:11how stoned are you come on man we should tell him pop it's not a big deal
00:38:28so you're saying you smoke back at her occasionally can we do something fun tonight sure
00:38:35i'm fine from here okay i'll see you after work i'll be waiting
00:38:56okay
00:39:14hey god you scared me are you following me maybe is that weird yeah
00:39:26i couldn't sleep last night
00:39:37you told me you're staying near the port so i got the first ferry this morning
00:39:41i came looking for you
00:39:44and i can't believe i found you
00:39:56you
00:40:01you
00:40:06it's
00:40:09you
00:40:10it's
00:40:11you
00:40:11you
00:40:14you
00:40:16you
00:40:17What are we doing?
00:40:30I think we'll make it out.
00:40:33So sexy and beautiful.
00:40:47I can't do this.
00:41:09What?
00:41:09What?
00:41:10I can't do this.
00:41:11Why?
00:41:17Do you do this a lot?
00:41:24What?
00:41:25Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:31You need to be less serious.
00:41:39Don't follow me.
00:41:47Tell me.
00:41:49solar
00:41:54we
00:42:02water
00:42:05no
00:42:38There was one boy from Belgium. He was lovely. He had a moustache. My mother hated moustaches. But he was shipped off. I never saw him again.
00:43:00Anyways, I met your grandfather not long after, and we got married.
00:43:08Was it love at first sight with grandpa?
00:43:11Love at first sight? Stop that thing.
00:43:15I know. You're home early.
00:43:27I do deserve that.
00:43:29And I just left my husband.
00:43:35Jane, I'm sorry. Just give me a minute. I have a hell of a rest of my day. I've got so much stuff to do.
00:43:44Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:48Yeah, absolutely.
00:43:50Lots of dinner. I thought we were just staying here.
00:43:52The two of us.
00:43:54I've just got to work this thing out for tomorrow.
00:43:56Okay.
00:43:57Okay.
00:43:58I'm sorry.
00:44:00I'm sorry.
00:44:16Okay.
00:44:18I'm sorry.
00:44:20I'm sorry.
00:44:22Let's go.
00:44:52Leonard, can we talk?
00:45:22Say cheese.
00:45:29You should kind of be in the middle of mine.
00:45:36Hold on a second.
00:45:41That's what our living rooms mean.
00:45:48What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just waved.
00:46:18I don't know.
00:46:22I lost my hand.
00:46:23I lost my hand.
00:46:28I lost my hands.
00:46:33I lost my hand.
00:46:39CHOIR SINGS
00:48:49Oh.
00:48:51Hi.
00:48:53Did I wake you?
00:49:03No.
00:49:05I think I need to be less serious.
00:49:09Yeah.
00:49:11Will you put my pants on?
00:49:15Okay.
00:52:45Leonard thought you were lying about those cats.
00:52:52He said that?
00:52:56Were you?
00:52:57You're delicious.
00:52:59You make me feel nervous.
00:53:19You make me feel calm.
00:53:24You want a drink?
00:53:49Is that him?
00:54:12Yeah, I just shuffled around all night.
00:54:17Must be lonely.
00:54:18You're good, you're good.
00:54:23Okay.
00:54:25Okay?
00:55:57I wish I wish...
00:55:59I wish I wish...
00:56:01I didn't sleep at all last night. Where have you been?
00:56:17Just walking.
00:56:17All night.
00:56:21I'm thinking.
00:56:22You left your phone here. I had to plug it in.
00:56:27We need to talk, Leonard.
00:56:28I have to go to work.
00:56:33Can you be late?
00:56:34No. I can't be late.
00:56:39Leonard.
00:56:40Jay, whatever you have to say to me, I want to hear it.
00:56:44I've committed myself.
00:56:46People are depending on me.
00:56:48I have to go to work.
00:56:49I can't be late.
00:56:50I can't be late.
00:56:51I can't be late.
00:56:52I can't be late.
00:56:53Okay?
00:56:54I can't be late.
00:56:56I can't be late.
00:56:57I can't be late.
00:56:58I can't be late.
00:56:59I can't be late.
00:57:00I can't be late.
00:57:01I can't be late.
00:57:02I can't be late.
00:57:03I can't be late.
00:57:04I can't be late.
00:57:05I can't be late.
00:57:06I can't be late.
00:57:07I can't be late.
00:57:08I can't be late.
00:57:09I can't be late.
00:57:10I can't be late.
00:57:11I can't be late.
00:57:12I can't be late.
00:57:13I can't be late.
00:57:14I can't be late.
00:57:15If it wasn't the war, it would have been something else.
00:57:31There's always something else, isn't there?
00:57:34That's the thing. That's the thing about struggle.
00:57:45I'm going to make some tea. Do you want some?
00:57:51I'm alright.
00:57:59If you go out like that again, just tell me. Don't worry.
00:58:05Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:15Do you think everything we've been through actually does us any good?
00:58:30In the long run?
00:58:35Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:45I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:57I don't know what you want me to say, Jane.
00:58:58I don't know what you want me to say, Jane.
00:59:03One little thing had changed in my grandmother's life. I might not be here.
00:59:05I don't know what you want me to say, Jane.
00:59:07I don't know what you want me to say, Jane.
00:59:08What's wrong with your grandmother?
00:59:09I don't know what you want me to say.
00:59:10I don't know what you want me to say.
00:59:11One little thing had changed in my grandmother's life. I might not be here.
00:59:12One little thing had changed in my grandmother's life, I might not be here.
00:59:33Sometimes I worry I'm not honoring her.
00:59:40With the book?
00:59:45No, with my life.
00:59:51This is it, you know. It ends with me.
01:00:00In the harvest time, we all went to the field where they were cutting the corn.
01:00:08Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:20The horses back then, they were kept beautifully. Dad used to dress them all up, brass things and little horseshoes. He put braids on them. They used to be gorgeous.
01:00:42What are your plans for tomorrow?
01:00:45There was one. Duke. He was a Clydesdale I used to ride down to the marshes every night when he finished working.
01:00:57They were lovely days really.
01:01:04They're gone. For me.
01:01:10Jane.
01:01:12Jane.
01:01:14Jane.
01:01:16You know, it's different for you. In some ways it's easier. You haven't got the war – people don't die as much as they did back then.
01:01:35You can't be afraid of the time.
01:01:40Time is shiftable.
01:01:51There are moments in my life that I would trade 60 years to have back again.
01:01:56That's the truth.
01:01:58You'll know the truth when you find it.
01:02:00It'll come to you like something you've known before, rather than something you're learning for the first time.
01:02:09Oh, sorry.
01:02:12What is it?
01:02:14Oh, you...
01:02:18Are you all right?
01:02:22You okay?
01:02:23Yeah, I stung my toe.
01:02:26It's bleeding.
01:02:28It's fine.
01:02:30It's fine, it's fine, it's fine.
01:02:33Are you finishing there?
01:02:35Yes.
01:02:36Oh, fucker.
01:02:37I met these backpackers last night, Frank and Elsa.
01:02:50She's French, he's German.
01:02:52They're going to Tibet.
01:02:55And I'm going with them.
01:02:56I want you to come with me.
01:03:00I want you to come with me.
01:03:00I want you to come with me.
01:03:01I want you to come with me.
01:03:09I want you to come with me again.
01:03:49Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10I'm back in the...
01:04:11Long day?
01:04:14No, I'm running late now.
01:04:15I don't think I'm chomped at doing another stint like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:32It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:38Are you listening?
01:04:45You found the key to finishing this project?
01:04:48Well, the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:09Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious?
01:05:28I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't...
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:49Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:13I get it, Leonard.
01:06:15I get it.
01:06:16It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:40Say it.
01:06:42Jane.
01:06:42Say it.
01:06:43I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again and again.
01:06:55Please.
01:06:58How does that make you feel?
01:07:04It's not your fault.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:11We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:18Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:27That the one thing you always wanted,
01:07:29I will never be able to give you.
01:07:30What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:04I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:11I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See him.
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:31That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:36Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:48What do you think?
01:08:55I kept waiting for you to see it.
01:08:57To smell it.
01:08:58To sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03You don't see me!
01:09:06I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:30I'm losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper!
01:09:34No.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No.
01:09:44That is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:53This is your ticket.
01:09:54The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:05I want you to do what you need to do, and then come back to me.
01:10:16No questions asked, no guilt.
01:10:22This is good.
01:10:23No doubt.
01:10:36I will do.
01:10:38I want you to do.
01:10:39I want you to do.
01:10:40I want you to do.
01:11:42Hi.
01:11:46Hi.
01:11:48You want some?
01:12:02Oh, thanks.
01:12:33Frank and Elsa coming over in a couple of hours.
01:12:48Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:13:00We're thinking of driving through Romania and then Ukraine and down through Russia and through Kazakhstan and then straight to Tibet.
01:14:35Jase!
01:14:54You've got to come over to this side.
01:15:00The train's going to be here in a minute.
01:15:05It's four in the morning, the end of December, I'm riding you now just to see.
01:15:34New York is cold, but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:49I hear that you're building your house deep in the desert.
01:16:01Are you living for nothing now?
01:16:06Hope you're keeping some kind of record.
01:16:10Yes.
01:16:11And Jane came by with a lock of your hair.
01:16:19She said that you gave it to her that night when you planned to go clear.
01:16:32I wouldn't want to live to be 100.
01:16:35Why not?
01:16:36I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:42Now shut that thing off.
01:16:44Oh, there you are.
01:16:45All right.
01:16:46That's our cool weather.
01:16:47Yeah.
01:16:48I'm not telling you.
01:16:49Come see.
01:16:50Let's go.
01:16:51Let's go.
01:16:52Let's get in.

Recommended