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  • 2 days ago
Transcript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30In the traffic of Napoli.
00:01:32In questo minuto.
00:01:34Che cazzo.
00:01:35In questo minuto.
00:01:36Alla prossima.
00:01:37Che cazzo.
00:01:43Shit.
00:01:45Whoa.
00:01:46I campi in mia wallet.
00:01:51Is there a Lucey case?
00:01:52No.
00:01:53Is there a Lucey case?
00:01:55Is there somewhere?
00:01:56Yeah, it's in my car.
00:02:00What have you thought?
00:02:11What have you thought?
00:02:13She's lost for pus, for pus.
00:02:16No, nothing! Didn't have hattest any of that table.
00:02:19Did you just give her a minute?
00:02:22One moment, one moment!
00:02:24Okay, okay, okay, okay.
00:02:26Okay, okay, okay.
00:02:27Okay, okay, okay, okay.
00:02:33Where did you have it last?
00:02:35Um, the train station, I think?
00:02:38The exchange group?
00:02:42Oh, Jamie, I'm sorry.
00:02:47That bastard at the train station started
00:02:49when you dropped all your stuff.
00:02:54This is 170, not 70.
00:02:57Where do we need to go?
00:02:58We need to, we need, we need 70.
00:03:10Here we go.
00:03:20Is this it?
00:03:22Thanks, Ash.
00:03:42It's nice.
00:03:44Yes, I have a credit card.
00:03:45The number is on file on my computer.
00:03:49Yes, I have them here.
00:03:52Okay.
00:03:53Five, five, three, three.
00:03:56Seven, six, four, five.
00:03:59Eight, seven, eight, seven.
00:04:01Nine, one, five, seven.
00:04:04Five, seven.
00:04:07Yeah.
00:04:08Expires 12.15.
00:04:11No, she'll definitely need another card sent out immediately.
00:04:13We're here for two weeks.
00:04:14No, I'm working here.
00:04:17Yes, I'll hold.
00:04:20You love how they ask.
00:04:21As if I have a choice.
00:04:23Do you know what I'm gonna try to do while I'm here?
00:04:25Besides learn Italian.
00:04:26I don't know why you think that's so ridiculous.
00:04:28I don't at all.
00:04:29I admire you.
00:04:30I just think it's too late for me.
00:04:32That's not true.
00:04:33You can't teach an old dog new tricks.
00:04:35And besides, what's the point?
00:04:36The whole bloody world speaks English.
00:04:38Well, I...
00:04:39I'm going to finally transcribe the tapes.
00:04:43Yes.
00:04:44All right.
00:04:47Okay.
00:04:49Well, if you can see it through to the end,
00:04:50I think that's wonderful.
00:04:52I think that's wonderful.
00:04:54Thank you, sir.
00:04:56Thank you, sir.
00:04:58Thank you, sir.
00:05:00Thank you, sir.
00:05:03Thank you, sir.
00:05:04Thank you, sir.
00:05:05I think that's wonderful.
00:05:07What does that mean?
00:05:10Nothing.
00:05:11Nothing?
00:05:13I think it's a fantastic idea, Jen. I always have, you know that.
00:05:21You shouldn't sound very supportive.
00:05:25You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be.
00:05:34Has been for you.
00:05:36I think enough time has passed.
00:05:38Well, that's great.
00:05:39I don't know.
00:05:41I don't know.
00:05:42I don't know.
00:05:43Yeah.
00:06:03Why do you think he killed himself?
00:06:08Who?
00:06:11David Foster Wallace.
00:06:13I don't know.
00:06:17You can't get a sense by his writing?
00:06:20You have to read it when I'm done, don't I?
00:06:28Do you think he recognized a blank infinity just stretching out?
00:06:34He got to this point maybe where it was just day after day after day.
00:06:38I really don't know.
00:06:40Just so tedious.
00:06:43And then of course he felt guilty.
00:06:46Most people think life is too short and there he was, all the talent in the world, and it wasn't...
00:06:49Jane, can I, can we not talk about this?
00:06:51Can we not talk about this?
00:06:54Just, just, just a bit wounded.
00:06:56Love you.
00:06:57Love you.
00:06:58Love you too.
00:07:02Love you.
00:07:03Love you too.
00:07:04Love you too.
00:07:09Do you feel alright?
00:07:10You feel okay?
00:07:11Yeah.
00:07:12Yeah.
00:07:13You feel okay?
00:07:14Yeah.
00:07:15Yeah.
00:07:16You sure?
00:07:17Mm-hmm.
00:07:18Mm-hmm.
00:07:19Mm-hmm.
00:07:20Mm-hmm.
00:07:21Mm-hmm.
00:07:22Mm-hmm.
00:07:23Mm-hmm.
00:07:24Mm-hmm.
00:07:25Mm-hmm.
00:07:26Mm-hmm.
00:07:27Mm-hmm.
00:07:28Mm-hmm.
00:07:29Mm-hmm.
00:07:30Mm-hmm.
00:07:31Mm-hmm.
00:07:32Mm-hmm.
00:07:33Mm-hmm.
00:07:37You feel alright?
00:07:38You feel okay?
00:07:38Mm-hmm.
00:07:39Yeah.
00:07:40You sure?
00:07:41Mm-hmm.
00:07:46Mm-hmm.
00:07:48Mm-hmm.
00:07:52Mm-hmm.
00:08:56Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:19I think you're boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:28True.
00:09:33Then I think I might go out, see what the world has to offer.
00:09:35If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:49I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56Here we go.
00:10:26book what kind of stories stories are you prepared before i can ask them a list of stories that dad
00:10:33told me about go ahead and ask from your father's list god rest his soul let's start with the war
00:10:40we went into an air raid shelter my mother your great-grandmother she was shaking sirens wailed
00:10:47and and then there was the sound of a bomb and the man next to us he said i was in a shelter
00:10:54last night with my wife and my little boy and half of it got blown away there was blood in his hair
00:11:02he was all alone that nearly finished my mother you know
00:11:08here we were in this tiny town in england miles from germany from russia from italy from any front lines
00:11:16and this man he had blood in his hair
00:11:25goodnight cappuccino
00:11:45goodnight today
00:11:54We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:09It feels now as if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia, or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day. Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children, not just your father.
00:12:51You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:08All right, then.
00:13:08They'd been shot through the neck.
00:13:31The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side and which was the Allied side.
00:13:43When he came home after something like that,
00:13:47you couldn't really complain to him about anything, now could you?
00:13:50I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:00Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So, come on.
00:14:25My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm.
00:14:40The viola.
00:14:43Any good?
00:14:44Yes.
00:14:45Very.
00:14:49How do you keep your violin from getting stolen?
00:14:51You put it in a viola case, right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming, there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes, and I went to this music-slash-nerd summer camp
00:15:23when I was like 10, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:33You newlywed?
00:15:34No.
00:15:36No.
00:15:46That's it.
00:15:47Stop making me feel like a stalker.
00:15:49Fuck.
00:15:49Stop making me feel like a stalker.
00:15:50Fuck.
00:15:51Yes, you're right.
00:15:52Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:22What brought you out of here today?
00:16:36Fairy.
00:16:36Ha!
00:16:37Fairy.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn to bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In, like, the 1300s, thousands of families lived in this castle.
00:17:03It doesn't smell pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:11I know.
00:17:13I've been coming here every day, and it still gets me.
00:17:17If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization dedicated to studying the relic populations of dolphins and whales in the Gulf of Naples.
00:17:35I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:38No, I just didn't want to go to college, and they paid for me to come over.
00:17:43Four connecting flights was a 72-hour plane ride, but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:49How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:02I stayed on the island because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:06Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second cousin twice removed.
00:18:12The second cousin twice removed, in case you didn't know, is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:20Sorry.
00:18:20Anyway, so this relative gave me the name of this great uncle who lives on the island, so I show up.
00:18:26He answers the door, and he's, like, the oldest fucker I've ever seen, easily pushing a hundred.
00:18:32A hundred?
00:18:33Yeah, if not older.
00:18:34He's, like, deaf and blind and about four feet tall.
00:18:37He mumbles a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine, and leads me to this basement apartment.
00:18:44And, uh, yeah, I never left.
00:18:46And, uh, yeah, I never left.
00:19:14Love teaches me to feed on flames and tears.
00:19:41To turn withered hope green through desire.
00:19:49To re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:57Who is that?
00:19:59Victoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:05You read that in your guidebook this morning, didn't you, Jane?
00:20:09Sneaky.
00:20:09Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17Who thought Michelangelo was gay?
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:25But that didn't stop her from loving him.
00:20:29Let's hear it, then.
00:20:31In Italian.
00:20:33Let's hear the poem.
00:20:35Come on.
00:20:36Okay.
00:20:36Okay.
00:20:36I'm impressed.
00:21:08You hungry?
00:21:10Why, you gonna take me out?
00:21:12Yeah.
00:21:18Alright then.
00:21:24Two pastas with the house sauce, please.
00:21:28Red. Red, please.
00:21:30Uh-huh. Grazie.
00:21:32So you're really not gonna tell me what you do?
00:21:35I write freelance articles about parties and fashion trends in town and country UK.
00:21:45There's something else.
00:21:47I'm writing a book about my grandmother's experiences in rural England, living through
00:21:59two world wars.
00:22:01I recorded her for hours and hours.
00:22:03But now, I don't know.
00:22:09What don't you know?
00:22:11You wanna listen?
00:22:13A little?
00:22:15Yeah.
00:22:16Yeah?
00:22:17Yeah, I know it.
00:22:18I love to listen.
00:22:19I love you.
00:22:20I love you.
00:22:21I love you.
00:22:23I love you.
00:22:25I love you.
00:22:26I love you.
00:22:27I love you.
00:22:28I love you.
00:22:30Well, it's tangled up.
00:22:35I won't learn.
00:22:36Okay.
00:22:42Awful as it was, it made you stronger.
00:22:45These days people whine about all sorts of things.
00:22:49I'm not one of those old people who think my time had the only joy and the only problems.
00:22:54We all have our own private wars every era, but it was nothing like...
00:22:59It really brought people together, the war.
00:23:02We helped each other during that time.
00:23:05We had to laugh.
00:23:06We had to smile.
00:23:08Well, if not for ourselves, then for the people we'd lost.
00:23:12I'll shut that thing off.
00:23:13Would you get it out of my face?
00:23:18That is like...
00:23:20It's like a window in time.
00:23:22The sort of thing which you always did before someone died, you know?
00:23:27My husband thinks I'm never going to finish it.
00:23:29I shouldn't care what anyone thinks.
00:23:32We met while I was recording her.
00:23:35Bonding over Granny, huh?
00:23:38Make it sound perverse.
00:23:40That's what it was, right?
00:23:43Buongiorno.
00:23:43Buongiorno.
00:23:44Signori.
00:23:45I got pregnant, so we got married.
00:24:01I lost the baby.
00:24:05I'm sorry.
00:24:06I didn't go back after that to the States.
00:24:31Did you, uh, did you ever hear that story about the Red Strain?
00:24:43I think I might have.
00:24:44Tell me.
00:24:45It's like this Asian proverb says that anyone you're destined to meet, like, uh, your soulmate
00:24:57or your family or, you know, someone you bump into on the street, we're all connected by
00:25:04by this Red Strain.
00:25:08It can be tangled or stretched, but it can never be broken.
00:25:12There's this moment in the tape.
00:25:21I'm sitting, waiting in the airport bar for my flight, and I'm talking into the recorder,
00:25:28rambling on about how I'm about to embark on this amazing adventure and how I'm going to
00:25:34show World War II from a totally different perspective.
00:25:38But?
00:25:46I don't know if it's that interesting.
00:25:50That's the whole point, isn't it?
00:25:53Keeping it interesting for yourself.
00:25:57Maybe.
00:26:00Maybe I just want to write about nothing.
00:26:02Everything is nothing.
00:26:06All the best.
00:26:07Compliano.
00:26:08Grazie.
00:26:09Grazie.
00:26:09Make a wish, huh?
00:26:14Make it great.
00:26:21Okay.
00:26:25Bravo.
00:26:26Bravo.
00:26:27Hey.
00:26:28Bravo.
00:26:32It's the carabinerary.
00:26:33Please.
00:26:37Yeah.
00:26:38Yeah.
00:26:38Yeah.
00:26:38Yeah.
00:26:39Yeah.
00:26:39Yeah.
00:26:39Yeah.
00:26:39Yeah.
00:26:39Yeah.
00:26:40Yeah.
00:26:41Yeah.
00:26:42Yeah.
00:26:42Yeah.
00:26:42Yeah.
00:26:42Oh my God.
00:26:43Oh no.
00:26:44What?
00:26:46What do you mean?
00:26:55Hey, hey, hey.
00:26:56It's the carabinerary.
00:26:56It's the police.
00:26:57Hey, no.
00:26:58Hey.
00:26:59Yeah! Yeah! Yeah!
00:27:05We can't go back! We can't go back!
00:27:06We can't go back! We can't go back!
00:27:10We can't pay! We haven't got any money!
00:27:14Oh, God!
00:27:17Oh, God!
00:27:24Hang on!
00:27:25It would make you feel better if I said I said the whole thing up.
00:27:31Yes, it's true.
00:27:33Yes, it's true.
00:27:35I made the check when I went to the bathroom.
00:27:40You're horrible.
00:27:42You're horrible.
00:27:44You're horrible.
00:27:45Come on, let's go. Come on.
00:27:48Quick. Let's go.
00:27:52Why are we still running?
00:27:53I don't know why we're still running.
00:27:55No.
00:28:07Oh, my gosh.
00:28:14It went up my nose.
00:28:15nose we come back maybe maybe it's not a no and since I don't have a phone you're
00:28:32gonna have to give me your number for cheap thrills and future crimes committed
00:28:37no enough I've got to go catch a fairy
00:28:57hey
00:29:03why the violists
00:29:04keep their viola cases on their dashboards
00:29:19why
00:29:23so they can park in handicapped spots
00:29:25happy birthday thank you
00:29:35thank you
00:29:44so
00:29:53so
00:29:55so
00:30:05so
00:30:07so
00:30:16so
00:30:18so
00:30:24so
00:30:28so
00:30:30so
00:30:39so
00:30:41so
00:30:43so
00:30:53so
00:30:55so
00:30:57nice
00:30:58there are the great big events the things you think you'll always remember and you do but
00:31:09there are other smaller picking a blackberry that's been in the sun or
00:31:14brushing the fingertip of someone you didn't know you loved until you touched them
00:31:18Nellie was this little collie who wouldn't go on a leash so she had to sit on a bicycle seat
00:31:27they stay with me too
00:31:29so
00:31:30so
00:31:30so
00:31:31so
00:31:31so
00:31:31so
00:31:32so
00:31:32so
00:31:32so
00:31:34so
00:31:34so
00:31:36we'll be
00:31:38so
00:31:39so
00:31:40so
00:31:41so
00:31:43so
00:31:45we've got some pastries
00:31:51still asleep
00:31:54Jane
00:31:55My friends had lots of American boyfriends, and they used to bring us nylon stockings
00:32:24and chocolates and all sorts of things, and we used to go to London, and we saw Glen Miller
00:32:31one time.
00:32:32We used to go all over the place.
00:32:35They were wonderful times.
00:32:39I never had an American boyfriend.
00:32:42I liked some of them.
00:32:44They were nice boys, but I didn't want to leave my mum and dad.
00:32:51I wish I had sometimes.
00:32:53You know, when you were 19, the world just felt so open and carefree and full of possibility.
00:33:02You reminded me of that.
00:33:03At that time.
00:33:04You were 19 when we met?
00:33:05Yeah.
00:33:06I wouldn't have described you as carefree back then.
00:33:07Not at all.
00:33:08Well, I felt nostalgia.
00:33:09Or something for youth.
00:33:10You're not old, Jane.
00:33:11We ran out on the bill.
00:33:12You just ran out?
00:33:13What do you mean you ran out on the bill?
00:33:15Perhaps I'm not explaining it well.
00:33:28It was fun.
00:33:29It was just fun.
00:33:32How was work?
00:33:36The conductor's actually a descendant of Walter Lake, which is fascinating.
00:33:42The three of us should plan a dinner before we leave.
00:33:45I'd like that.
00:33:46Jane?
00:33:47Oh, my God.
00:33:48This is Caleb.
00:33:49Hi.
00:33:50No, no, we were just talking about you.
00:33:51We were?
00:33:52That's so weird.
00:33:53That's it.
00:33:54Please, sit down.
00:33:55Join us.
00:33:56What?
00:33:57What?
00:33:58What?
00:33:59What?
00:34:00Oh, my God.
00:34:01This is Caleb.
00:34:02Hi.
00:34:03No, no, we were just talking about you.
00:34:04We were?
00:34:05That's so weird.
00:34:06That's it.
00:34:07Please, sit down.
00:34:08Join us.
00:34:09Yeah.
00:34:10What?
00:34:11Oh.
00:34:12I don't have a chance of that.
00:34:13I know, right?
00:34:14I'm obviously going to get back pretty soon.
00:34:20That's okay.
00:34:21I already ate, so I'll just grab a coffee.
00:34:24Can I have the check, please?
00:34:37In a cafe, pour, pour, pour?
00:34:42Oh, no, thank you.
00:34:47Jane, you don't smoke.
00:34:50Yes, I do.
00:34:53Sometimes, at parties.
00:34:56You didn't know that.
00:34:57Well, I don't do it a lot.
00:35:00Okay.
00:35:01Grazie.
00:35:02Grazie.
00:35:03You're good?
00:35:04Grazie.
00:35:05Good.
00:35:06Italian food's so overrated.
00:35:10I love it.
00:35:12There's no variety.
00:35:13English food, on the other hand.
00:35:16Say what you like about it.
00:35:17There's nothing like a good steak and kidney pie.
00:35:20I went to this party the other day in this villa owned by this old, drunk ex-pat.
00:35:26They had, like, a private chef and everything.
00:35:29And they were serving this, like, loaf of meat covered in sauce with all these other loaves.
00:35:35And this girl came over to me and said it was cat.
00:35:38No.
00:35:39No joke.
00:35:40Like, a roasted mommy cat and her kittens.
00:35:43That is disgusting.
00:35:45True story.
00:35:46Why don't you tell Leonard one of your viola jokes?
00:35:54Come on.
00:35:55You're selling my ant.
00:35:57Come on.
00:35:58Let's hear one.
00:35:59Um.
00:36:00I have one.
00:36:01What is the definition of perfect pitch?
00:36:03What?
00:36:04When you throw a viola into the dumpster without hitting the rim.
00:36:08You didn't just make that up.
00:36:09I did.
00:36:10It's too good.
00:36:11I did.
00:36:12Well, I'm impressed and I'm stealing it.
00:36:13You can pretty much make that joke about any instrument.
00:36:14Hmm.
00:36:15Hmm.
00:36:16Hmm.
00:36:17Hmm.
00:36:18Hmm.
00:36:19Hmm.
00:36:20Hmm.
00:36:21Hmm.
00:36:22Hmm.
00:36:23Hmm.
00:36:24Hmm.
00:36:25Hmm.
00:36:26Hmm.
00:36:27Hmm.
00:36:28Hmm.
00:36:29Hmm.
00:36:30Hmm.
00:36:31Hmm.
00:36:32Hmm.
00:36:33Hmm.
00:36:34Hmm.
00:36:35Hmm.
00:36:36Hmm.
00:36:37Hmm.
00:36:38Hmm.
00:36:39Well, you played anything, Caleb.
00:36:40This and that, you know.
00:36:41Shall we?
00:36:42Uh-huh.
00:36:45Uh-huh.
00:36:46Time to go?
00:36:47Already?
00:36:48Yeah.
00:36:49I'm gonna get back to work.
00:36:50Hmm.
00:36:51Hmm.
00:36:52Hmm.
00:36:53Hmm.
00:36:57.
00:36:58So, what's next in your agenda, Caleb?
00:37:02Umm, I'm thinking Tibet.
00:37:03Oh, Tibet.
00:37:04Really?
00:37:05Yeah, there was just-
00:37:06Huh.
00:37:07Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:37:10Yeah, I've heard about that.
00:37:11That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:16The monks, the monks, the monks.
00:37:17It's so pretty.
00:37:20How do you support yourself?
00:37:21You know, a bit of this, a bit of that.
00:37:28All right, then.
00:37:30I'll walk you.
00:37:32Does anybody have a pen? You got a pen?
00:37:34Yeah, I have a pen.
00:37:37I have a piece of paper.
00:37:50You guys should definitely come over to the island.
00:37:53I'll take you somewhere fun, you know.
00:37:55Don't knock on the front door. Come around the side.
00:37:57I need Regina.
00:38:00There you go.
00:38:05And thanks again for yesterday.
00:38:08Oh, no problem.
00:38:10Hey.
00:38:13Ciao.
00:38:13How stoned are you?
00:38:23Come on, man.
00:38:24We should tell him to pop.
00:38:24It's not a big deal.
00:38:27So you're saying you smoke back at her?
00:38:31Occasionally.
00:38:32Hey, can we do something fun tonight?
00:38:35Sure.
00:38:35I'm fine from here.
00:38:41Okay.
00:38:41See you after work.
00:38:42Yep.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:38:43Hey.
00:38:44See you after.
00:38:52Bye.
00:38:53Bye.
00:38:54Hey.
00:38:59God, you scared me.
00:39:04Are you following me?
00:39:08Maybe?
00:39:10Is that weird?
00:39:13Yeah.
00:39:15Oh, I'm sorry.
00:39:18What do you mean?
00:39:22Yeah.
00:39:31I couldn't sleep last night.
00:39:36You told me you were staying near the port,
00:39:38so I got the first ferry this morning.
00:39:41I came looking for you.
00:39:44And I can't believe I found you.
00:39:51That you will be pigs.
00:39:52That you don't have to sit here.
00:39:55You want to sit here?
00:39:59Do it.
00:40:03Yeah, all the time to do that.
00:40:09Yes, I can't sleep next morning.
00:40:11I did not see you.
00:40:15Please do.
00:40:18It is the hospital business in the morning.
00:40:19What are we doing?
00:40:30I think we'll make it out.
00:40:33So sexy.
00:40:35And beautiful.
00:40:49I can't do this.
00:41:09What?
00:41:10Why?
00:41:11I can't do this.
00:41:12Why?
00:41:19Do you do this a lot?
00:41:24What?
00:41:25Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:30You need to be less serious.
00:41:39Don't follow me.
00:41:49Don't follow me.
00:42:08Don't follow me.
00:42:18There was one boy from Belgium.
00:42:48He was lovely, he had a moustache, my mother hated moustaches, but he was shipped off, I never saw him again.
00:43:04Anyways, I met your grandfather not long after and we got married.
00:43:09Was it love at first sight with grandpa?
00:43:12Love at first sight?
00:43:14Stop that thing.
00:43:16I know.
00:43:18You're home early.
00:43:22I do deserve that.
00:43:23Can I do some off my husband?
00:43:24Jane, I'm sorry, just give me a minute.
00:43:25I have a hell of a mess in my bed.
00:43:27I've got so much stuff to do.
00:43:29Sorry, darling.
00:43:30Hey, do you still want to do something fun tonight?
00:43:31Yeah, absolutely.
00:43:32I've got some dinner, I thought we'd just stay in here, the two of us.
00:43:37I've just got to work this thing out for tomorrow.
00:43:38Okay.
00:43:39I'm sorry.
00:43:40I'm sorry.
00:43:41I'm sorry.
00:43:42I'm sorry.
00:43:43You're okay.
00:43:45I'm sorry?
00:43:47Yeah, I'm sorry.
00:43:49I've got some dinner, I thought we'd just stay in here.
00:43:54Two of us.
00:43:55Just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:58I'm sorry.
00:44:29Leonard, can we talk?
00:44:59Say cheese.
00:45:29No, you should kind of be in the middle of mine.
00:45:39Hold on a second.
00:45:39That's what our living room is missing.
00:45:52What did you do?
00:46:09Do you want me to hand over my mouth?
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:14Oh, no.
00:46:15I'm going to get me.
00:46:17I'm going to get me.
00:46:22I'm going to get me.
00:46:27Oh, my God.
00:48:57Oh, hi.
00:49:01Did I wake you?
00:49:03No.
00:49:06I think I need to be less serious.
00:49:08Yeah.
00:49:12I'm going to put my pants on.
00:49:16Okay.
00:49:38I'm going to put my pants on.
00:50:08I'm going to put my pants on.
00:50:38I'm going to put my pants on.
00:51:08I'm going to put my pants on.
00:51:38I'm going to put my pants on.
00:52:08I'm going to put my pants on.
00:52:38I'm going to put my pants on.
00:52:48Leonard thought you were lying about those cats.
00:52:51I'm going to put my pants on.
00:52:53I'm going to put my pants on.
00:52:57I'm going to put my pants on.
00:53:01You make me feel nervous.
00:53:02You make me feel nervous.
00:53:16You make me feel nervous.
00:53:18You make me feel calm.
00:53:22You make me feel calm.
00:53:24You make me feel happy.
00:53:27I'm going to have a while.
00:53:46Want a drink?
00:54:10Is that him?
00:54:12Yeah, he just shuffled around all night.
00:54:16Must be lonely.
00:54:46Or is that him?
00:54:50Yeah, he just shuffled around all day.
00:54:52I don't think he'd beạiing.
00:54:54I just don't think he'd been there forever.
00:54:56I'm sad.
00:55:58I didn't sleep at all last night.
00:56:14Where have you been?
00:56:17Just walking.
00:56:19All night.
00:56:21I've been thinking.
00:56:22You left your phone here.
00:56:24I had to plug it in.
00:56:27We need to talk, Leonard.
00:56:28I have to go to work.
00:56:33Can you be late?
00:56:34No, I can't be late.
00:56:39Leonard.
00:56:40Jay, whatever you have to say to me, I want to hear it.
00:56:44I've committed myself.
00:56:46People are depending on me.
00:56:48I have to go to work.
00:56:52Okay.
00:56:52Okay.
00:56:53I can't be late.
00:56:54I can't be late.
00:56:55I can't be late.
00:57:25If it wasn't the war, it would have been something else.
00:57:31There's always something else, isn't there?
00:57:34That's the thing. That's the thing about struggle.
00:57:48I'm going to make some tea. Do you want some?
00:57:52I'm all right.
00:57:55If you go out like that again, just tell me.
00:58:02Don't worry.
00:58:05Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:25Do you think everything we've been through actually does us any good in the long run?
00:58:31Or do we just make our struggle to be something meaningful because that's all most of us have?
00:58:39I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:54I don't know what you want me to say, Jane.
00:59:04I don't know what you want me to say, Jane.
00:59:06I don't know what you want me to say, Jane.
00:59:08One little thing had changed in my grandmother's life. I might not be here.
00:59:30Sometimes I worry I'm not honoring her.
00:59:42I don't know what you want me to say.
00:59:43I don't know what you want me to say.
00:59:44You're all right.
00:59:44You're all right.
00:59:45No, I don't know what you want me to say, Jane.
00:59:46You're all right.
00:59:47You're right.
00:59:48The book?
00:59:49No, with my life.
00:59:50No, with my life.
00:59:51This is it, you know. It ends with me.
01:00:04In the harvest time, we all went to the field where they were cutting the corn.
01:00:09Everyone was chasing rabbits, and then we had our tea in the harvest fields.
01:00:16The horses.
01:00:27The horses back then, they were kept beautifully.
01:00:31Dad used to dress them all up, brass things and little horseshoes.
01:00:37He put braids on them. They used to be gorgeous.
01:00:42What are your plans for tomorrow?
01:00:45There was one Duke. He was a Clydesdale I used to ride down to the marshes every night when he finished working.
01:00:59They were lovely days, really.
01:01:02They're gone. For me.
01:01:10Jane.
01:01:12But not for you.
01:01:14Jane.
01:01:16You know, it's different for you. In some ways, it's easier.
01:01:20You haven't got the war. People don't die as much as they did back then.
01:01:24But in some ways, it's more disjointed.
01:01:28You've got to make your own life. One that you love, and you can't be afraid of the... of the time.
01:01:40Time is shiftable.
01:01:42There are moments in my life that I would trade sixty years to have back again.
01:01:54That's the truth.
01:01:56You'll know the truth when you find it.
01:01:59It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:09Oh, sorry.
01:02:10It's okay.
01:02:11Ah!
01:02:12Ah!
01:02:13What is it?
01:02:14Ah!
01:02:15Ah!
01:02:16Ah!
01:02:17You...
01:02:18Ah!
01:02:19You alright?
01:02:20Ah!
01:02:21You okay?
01:02:22Yeah, I stung my toe.
01:02:24Ah!
01:02:25It's bleeding.
01:02:26Ah!
01:02:27It's fine.
01:02:28It's fine.
01:02:29It's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:32It's fine.
01:02:33You finishing that?
01:02:34Yes.
01:02:35Ah!
01:02:36Fuck.
01:02:47I met these backpackers last night, Frank and Elsa.
01:02:50She's French, he's German.
01:02:52They're going to Tibet.
01:02:54And I'm going with them.
01:02:58I want you to come with me.
01:03:03And I want you to notice a little piece by Cola, but I don't know if I have compared to
01:03:07the palace when it was Santa Rosa.
01:03:09Amen.
01:03:10When it was биг helped me, it was weird.
01:03:12We should clip on lui.
01:03:13I don't know if he said he was the last one in the sincer hai.
01:03:15And we can't see, it's done wonders in his garage.
01:03:16When the Nobody left me, we can see his protector on a약пира.
01:03:18Built on his back and found why I don't author fue examна.
01:03:19It would happen if...
01:03:20Hopefully, give me a 600 euro.
01:03:21With his brother's head would get lost, formulas down andothecわか
01:03:54Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10Long day.
01:04:14God, why don't they not?
01:04:17I don't think I'm a chump at doing another still like this.
01:04:20How's the writing going?
01:04:27I'm feeling inspired.
01:04:32It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:40Are you listening?
01:04:43You found the key to finishing this project?
01:04:56Well, the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:07Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:26Yes.
01:05:27Tedious?
01:05:28I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:13I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:38Say it.
01:06:42Jane.
01:06:42Say it.
01:06:45I can't have children, Leonard.
01:06:46I never will.
01:06:49And if we keep trying, they keep dying.
01:06:53Please, Jane.
01:06:54Again and again and again.
01:06:55Please.
01:06:58How does that make you feel?
01:07:04It's not your fault.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:11We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:18Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:27The one thing you always wanted, I will never be able to give you.
01:07:30What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:56You're not curious about me, Leonard.
01:07:59Not really.
01:08:00What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:04I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See him.
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:29Yes.
01:08:30That kid.
01:08:31That child.
01:08:32That kid you've known for two days.
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:45What do you think?
01:08:47I kept waiting for you to see it, to smell it, to sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03I'm sorry.
01:09:18I'm sorry.
01:09:19I'm sorry.
01:09:20I shouldn't have done that.
01:09:20I shouldn't have done that.
01:09:22I shouldn't have done that.
01:09:23I shouldn't have done that.
01:09:24I shouldn't have done that.
01:09:25No.
01:09:26You had every right to lose your temper.
01:09:27No, no, no, no, no, no.
01:09:29If you think that this is what's going to make you feel better, then you should go.
01:09:35You should go with him.
01:09:35You've been through a terrible, terrible thing, Jane.
01:09:36No.
01:09:37That is not what this is about.
01:09:38Of course it is.
01:09:39You don't love me anymore, Leonard.
01:09:40You don't love me.
01:09:41That's rubbish.
01:09:42This is your ticket.
01:09:43The day after my performance, meet me at the train station.
01:09:47Our train is at 4.30.
01:09:48We'll go home together.
01:09:50No.
01:09:51No.
01:09:52No.
01:09:53No.
01:09:54No.
01:09:55No.
01:09:56No.
01:09:57No.
01:09:58No.
01:09:59No.
01:10:00No.
01:10:01No.
01:10:02No.
01:10:03No.
01:10:04No.
01:10:05No.
01:10:06No way we'll go home together.
01:10:07I want you to do what you need to do.
01:10:12And then come back to me.
01:10:15No questions asked.
01:10:16No guilt.
01:10:19This is good.
01:11:53You want some?
01:12:01Oh, thanks.
01:12:33Frank and Elsa coming over in a couple of hours.
01:12:48Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:12:55I'm thinking of driving through Romania and then Ukraine and down through Russia and through
01:13:10Kazakhstan and then straight to Tibet.
01:14:09Bye-bye.
01:14:10Bye-bye.
01:14:11Bye-bye.
01:14:12Bye-bye.
01:14:13Bye-bye.
01:14:14Bye-bye.
01:14:15Bye-bye.
01:14:16Bye-bye.
01:14:17Bye-bye.
01:14:18Bye-bye.
01:14:19Bye-bye.
01:14:20Bye-bye.
01:14:21Bye-bye.
01:14:22Bye-bye.
01:14:23Bye-bye.
01:14:24Bye-bye.
01:14:25Bye-bye.
01:14:26Bye-bye.
01:14:27Bye-bye.
01:14:28Bye-bye.
01:14:29Bye-bye.
01:14:30Bye-bye.
01:14:31Bye-bye.
01:14:32Bye-bye.
01:14:33Jase, you've got to come over to this side, the train's going to be here in a minute.
01:15:03It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:38New York is cold, but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:51I hear that you're building your house deep in the desert.
01:16:00Are you living for nothing now?
01:16:07Hope you're keeping some kind of record.
01:16:11Yes.
01:16:14And Jane came by with a lock of your hair.
01:16:22She said that you gave it to her.
01:16:27That night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:36Why not?
01:16:37I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:41Now shut that thing off.

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