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Full Episode The Last Will
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🎥
Short filmTranscript
00:00:00You're cordially invited to the reading of Eleanor Winters' will.
00:00:05Come in before the storm swallows you whole.
00:00:08I guess we are all here for the same reason?
00:00:12Danger doesn't always come from outside, Miss Winters.
00:00:18She's dead and we're stuck here. I just want my share in to leave.
00:00:22I don't think it's a ghost.
00:00:29It's best to stay in your room at night.
00:00:36Okay. Definitely not creepy at all.
00:00:40Help! Who's there?
00:00:45You have been saying cryptic shit all this time. What do you know?
00:00:49Don't go!
00:00:50I will always be with you.
00:00:52This place, it's alive.
00:01:08You're cordially invited to the reading of Eleanor Winters' will.
00:01:12Attendance is required for consideration of inheritance.
00:01:17Frostwood Inn.
00:01:18Why would Eleanor choose me?
00:01:24A free trip to the middle of nowhere.
00:01:27Must be my lucky day.
00:01:32Frostwood Inn invitation?
00:01:35Hmm. Interesting.
00:01:38Maybe I'll find some inspiration there.
00:01:41Oh, Aunt Eleanor.
00:01:42You never stop chasing ghosts.
00:01:43You're the first to arrive.
00:01:44Come in before the storm swallows you whole.
00:01:47What a charming little icebox.
00:01:48You're the first to arrive.
00:01:49Come in before the storm swallows you whole.
00:01:50What a charming little icebox.
00:01:51Miss Monroe.
00:01:52You're the first to arrive.
00:01:53Come in before the storm swallows you whole.
00:01:57Miss Monroe.
00:01:58Miss Monroe.
00:01:59Miss Monroe.
00:02:00Miss Monroe.
00:02:01Miss Monroe.
00:02:02Just in time.
00:02:03Miss Monroe.
00:02:04Of course she invited the mysterious bookworm.
00:02:06Miss Monroe.
00:02:07Miss Monroe.
00:02:08Mm-hmm.
00:02:09Sue.
00:02:10Miss Monroe.
00:02:11Miss Monroe.
00:02:12Miss Monroe.
00:02:14Miss Monroe.
00:02:16Ms. Monroe, just in time.
00:02:23Of course, she invited the mysterious bookworm.
00:02:27Um, nice to meet you, Ms. Nina.
00:02:30Call me Nina.
00:02:41Oh!
00:02:42Did I just sign up for Arctic Expedition?
00:02:54I'm Alex, and you must be...
00:02:57Laila, nice to meet you.
00:03:00I love your podcast, by the way.
00:03:03Thanks.
00:03:08I guess we are all here for the same reason?
00:03:10Unless you're here to critique the architecture.
00:03:15I'm Jules, by the way.
00:03:16Nice to meet you all.
00:03:28Welcome to Frostwood Inn.
00:03:30The will shall be read tomorrow.
00:03:32Settling upstairs, we have the male and female board.
00:03:36Sweet.
00:03:36I guess I got the whole wing by myself.
00:03:58It's best to stay in your room at night.
00:04:01This inn has quirks.
00:04:03Fantastic.
00:04:23Quarks.
00:04:24My foot.
00:04:25My foot.
00:04:25Miss Grayson?
00:04:53Miss Grayson?
00:04:54Is that you?
00:04:56Is that you?
00:04:56Is that you?
00:05:15Okay.
00:05:16Definitely not creepy at all.
00:05:18Room's shift, shadows move.
00:05:33The inn hides its truth behind wheels.
00:05:39This place doesn't feel alive.
00:05:41It feels watchful.
00:05:47Let's hope that morning brings us the answers.
00:05:53Eleanor Winters leaves Frostwood Inn to the four of you.
00:05:58Provides you reside here together for three weeks.
00:06:04Three weeks in this old place with strangers.
00:06:07It's a small price to pay for an inn like this.
00:06:11Right, says the woman who probably brought a Wi-Fi router.
00:06:15And if you live before them, you shall forfeit the inheritance.
00:06:21Three weeks isn't that long.
00:06:28If we can work together, we could change our lives.
00:06:33Change our lives how?
00:06:35Like, what's the catch?
00:06:37The catch is, we're here because Eleanor wanted to watch us squirm.
00:06:42I'm sure this is some reality TV show or prank or something.
00:06:47Maybe.
00:06:48But why us?
00:06:50It all has to be for a reason.
00:06:54Maybe she wanted us to find something?
00:07:00The inn has secrets, some of which are better left undisturbed.
00:07:05What was Eleanor hiding?
00:07:27Did you say something?
00:07:29Um, no.
00:07:31No, nothing.
00:07:31Um, let's go downstairs, Eleanor to use the fireplace as warm.
00:07:37Sure.
00:07:38Coming, Nina?
00:07:40Uh, you guys go ahead.
00:07:41I'll come by later.
00:07:45Okay.
00:07:51Let's vault this place up.
00:08:01You don't just leave it into a stranger's, unless there's something you want them to find.
00:08:21What do we have here?
00:08:22The veil binds us all, time twists and the voices echo, where the light cannot reach.
00:08:38This is Eleanor's.
00:08:40It has to be.
00:08:42But what does any of it mean?
00:08:43We don't need to like each other, we just need to survive for three weeks.
00:09:08What do you mean, survive?
00:09:09What do you mean, survive?
00:09:10What do you mean, survive?
00:09:11You make it sound like we're in danger.
00:09:13She's not wrong.
00:09:15There is something off about this place.
00:09:17The way the air feels.
00:09:20Don't pretend like you haven't noticed.
00:09:23People did disappear here sometimes in the past.
00:09:26Come on, Alex.
00:09:27Don't let the atmosphere get to you.
00:09:30Oh, maybe.
00:09:31Or maybe we should be paying attention to the things that feels weird before it's too late.
00:09:38Danger doesn't always come from outside, Miss Winters.
00:09:46Are you saying the danger's inside?
00:09:49What kind of games are you playing here, Mrs. Grayson?
00:09:53Games have rules, Miss Carter.
00:09:56This house does not.
00:10:01The walls speak if you listen.
00:10:08Truth lies in silence.
00:10:15Let's face it.
00:10:17Eleanor chose us for a reason.
00:10:20What's everyone hiding?
00:10:22Why does it matter?
00:10:23She's dead and we're stuck here.
00:10:24I just want my share and to leave.
00:10:26Well, actually, I found something.
00:10:29And there is written something about listening to the walls.
00:10:33So, maybe we can see if there is something more that we can realize.
00:10:39You think she left clues for us? Why?
00:10:47The inn doesn't take kindly to curiosity.
00:10:51Remember, it killed the cat.
00:10:53She's dead.
00:10:59The cat.
00:11:01The cat.
00:11:02The cat.
00:13:04She just wanted us to drive each other crazy.
00:13:34Where is that room?
00:13:47I'm sure it was that way.
00:13:58Do you hear sounds at night like whispers?
00:14:01Maybe.
00:14:04Why?
00:14:05Because I think the inn is trying to tell us something.
00:14:10Some whispers are best ignored.
00:14:17They are but figments of your imagination.
00:14:26I'm starting to not like her.
00:14:28Oh, you and me?
00:14:30You and me?
00:14:30Both.
00:14:41I'm sure I wasn't dreaming.
00:14:44I trotted the whole place and I still can't find the painting.
00:14:48Good afternoon.
00:14:48Can I help you with something?
00:14:53I'm looking for a room with a painting, a large painting.
00:14:57I tried looking for it, but I can't seem to find it.
00:15:02This inn tends to shift about.
00:15:06It only lets you see what it wants you to see.
00:15:08What do you mean?
00:15:10Like, it switches space?
00:15:14Maybe.
00:15:15Oh, here comes the loner.
00:15:29I haven't seen you all day.
00:15:30What have you been up to?
00:15:31You look worn out.
00:15:32You sleep much?
00:15:34I, uh, um, it, it must be the weather.
00:15:45Who's there?
00:16:08Was this place always like this?
00:16:11Strange.
00:16:15Strange.
00:16:45Strange.
00:17:08Strange.
00:17:09Strange.
00:17:11Good morning.
00:17:13You're up early.
00:17:14I couldn't sleep much last night.
00:17:19Yeah, me neither.
00:17:22I don't know how you feel, but this place, it gives me creeps.
00:17:27If I could, I would have left long ago.
00:17:30Say no more.
00:17:31I have the same feeling.
00:17:33This house is so strange.
00:17:34It's giving me creeps.
00:17:36And actually, Eleanor was too much loony towards the end.
00:17:42Check this out.
00:17:44Can you keep secrets?
00:17:52So last night, I stumbled upon this random room.
00:17:57It was like much bigger than my room.
00:17:59But in the room, there was a huge prostitute of Eleanor.
00:18:06And in that room, there was a huge trunk.
00:18:10And I think maybe there's some of Eleanor's stuff inside.
00:18:13Do you want to check it out with me?
00:18:23Sorry to disturb you, lovebirds.
00:18:25What's for breakfast?
00:18:25Damn the storm.
00:18:29Killing all the lights just like that.
00:18:32I wonder how long this blackout will last.
00:18:35What's wrong?
00:18:36Have you noticed anything strange about this inn?
00:18:42I mean, besides all the usual creepy things that are happening.
00:18:46Um, you'll have to be a bit more specific.
00:18:49This place is practically a shrine to strange.
00:18:54Eleanor's room.
00:18:56I think it's moving.
00:18:58Eleanor's room?
00:19:00This inn doesn't have a master's bedroom?
00:19:02I used to come up here for holidays and I've never heard of a master's bedroom.
00:19:06It does.
00:19:07I found it earlier and when I went back, it was gone.
00:19:11Like, completely.
00:19:13The house, the room doesn't want to be found.
00:19:18It moves?
00:19:20Like, shifts around the house?
00:19:22That's ridiculous.
00:19:23Where exactly did you find this room?
00:19:25Down the halfway, at the end.
00:19:27This inn always had a left and right wings upstairs, but there is no middle wing.
00:19:37What?
00:19:38May I?
00:19:42Rooms that don't stay in place.
00:19:44Scary sounds that echo the spaces.
00:19:47The house rearranges itself to guard its secrets.
00:19:51Exactly.
00:19:52Eleanor's bedroom isn't just a bedroom.
00:19:55It's hiding something.
00:19:57And I'm sure it's tied up to the heart of all those creepy things that are happening.
00:20:12I found this there.
00:20:17Let's see what else we can find.
00:20:23Are you ready?
00:20:25Yes.
00:20:26Where's the room?
00:20:27It's there around the hallway.
00:20:30Something about it feels off.
00:20:33Off?
00:20:34Like, hunt it off?
00:20:36Or we're losing it off?
00:20:39I don't know.
00:20:43Come on.
00:20:44Well, let's poke around in some creepy room with the ominous trunk.
00:20:56That's such a good idea.
00:20:58If there's anything, any answer, that's what's happening in here.
00:21:03It has to be in that room.
00:21:05Are you in?
00:21:05I'm in.
00:21:07I'm in.
00:21:08Let's go before I change my mind.
00:21:16There it is.
00:21:21Okay.
00:21:21After you, brave explorer.
00:21:23This portrait is really creepy, right?
00:21:51Why does it feel she's watching us?
00:21:55Maybe she is.
00:22:00Do you feel that?
00:22:02It's a temperature drop?
00:22:05Yeah.
00:22:06Something's wrong.
00:22:08Tell me that's not moving.
00:22:12It wasn't like that before.
00:22:15Should we try opening it?
00:22:21We've come this far.
00:22:22It's not safe here.
00:22:43Go!
00:22:43Okay.
00:22:51Next time, remind me not to volunteer for creepy room day.
00:22:55That trunk.
00:22:56It's hiding something.
00:22:58We're going to have to go back there.
00:23:05The space shifts.
00:23:07What was a hallway is now a staircase.
00:23:09What was my room yesterday is a parlor today.
00:23:11But the whispers lead the way.
00:23:17This has to be it.
00:23:18At the nurse's room.
00:23:21If the space shifts, maybe we can predict where it goes next.
00:23:25But how do we track something that doesn't stay still?
00:23:28The entry says follow the whispers.
00:23:31Maybe that's the clue.
00:23:33Okay.
00:23:34Okay.
00:23:34Okay.
00:23:34Okay.
00:23:34Okay.
00:23:35Okay.
00:23:35Okay.
00:23:35Okay.
00:23:35Okay.
00:23:35Okay.
00:23:35Okay.
00:23:35Okay.
00:23:35Okay.
00:23:35Okay.
00:23:35Okay.
00:23:36Okay.
00:23:36Okay.
00:23:36Okay.
00:23:36Okay.
00:23:36Okay.
00:23:37Okay.
00:23:38Okay.
00:23:38Okay.
00:23:38Okay.
00:23:39Okay.
00:23:39Okay.
00:23:40Okay.
00:23:40Okay.
00:23:41Okay.
00:23:41There should be somewhere around here.
00:23:43Maybe you...
00:23:44Wait.
00:23:44Do you hear that?
00:23:46The whispers.
00:23:46Just like the guestbook said.
00:23:49Jules?
00:23:49Nina?
00:23:50What are you doing here?
00:23:52What are you doing here?
00:23:57Well, I guess we're all in this together now.
00:24:11...
00:24:16Oh, boy!
00:24:17...
00:24:17...
00:24:18...
00:24:19...
00:24:19...
00:24:19...
00:24:21...
00:24:22...
00:24:23Check.
00:24:25the whispers they were louder this time like they wanted us to hear them the cycle must end
00:24:48what does that even mean and why do we keep hearing it
00:24:51everything is tied up to the trunk the box the diary everything is elinor's room so the answers
00:25:00must be there we just need to figure out how to open this box and risk waking up whatever that's
00:25:05inside this box we're already knowing too much the house doesn't want us to know this much
00:25:10look at the symbols they match the diagrams from the dialogue this box needs a key to open
00:25:18a key Jules the key the key you found earlier
00:25:22this is odd
00:25:43what's look at these photographs
00:25:48there must be a mistake no it's authentic all right
00:25:59guys you're not gonna believe this
00:26:02authorities are baffled as four individuals mysteriously disappeared from frostwood inn
00:26:11curses were last seen entering the primes but no signs of struggle of departure has been found
00:26:18local whispers of the inn's dark reputation fueling fears of an unexplainable curse
00:26:24this was from 50 years ago
00:26:27well i'll be damned the date matches the disappearance but that doesn't explain anything
00:26:32do you think that's why elinor brought us here together
00:26:39we're barely getting the surface crash and i'm supposed to believe there's some grand mystery here
00:26:44there is a mystery nina elinor didn't just pick up us by accident the picture says it all
00:26:50i mean we're not just some random strangers it proves proves nothing 50 years ago i wasn't even
00:26:57born and somehow i ended up in a photograph with my aunt we can't deny the photograph nina
00:27:03we're also confused but i agree with lila we are not chosen at random we all have our own role to play
00:27:13and it's our duty to find out which ones time is in the straight line we thought it was
00:27:20i mean elinor somehow chose us to be here at this moment elinor never said she knew us before we were
00:27:28born this is all confusing but at least we found something why don't we just start here
00:27:35my my the past doesn't like to be disturbed enough with this cryptic nonsense what does this mean
00:27:49it means you've walked into a time trap
00:27:54guys this is incredible they're not just journal entries they're more like research
00:28:00like she was piecing the secrets of the house together can anyone make sense of this
00:28:07i'm hitting the wall with these symbols and diagrams they're not exactly on floor
00:28:17the symbols they're references to alchemy and ancient sealing rituals and look here
00:28:25this diagram matches the layout of the inn
00:28:27why is she write all this and left it behind maybe she wanted somebody to find this
00:28:34somebody who could end what she started the veil must hold or the shadows will consume
00:28:41the heart of the house is key found by time and intent the heart of the house
00:28:49she means the source of all of this the thing we need to destroy
00:28:53the symbol is repeated everywhere it has to mean something maybe it's the anchor of the whale
00:29:04this man
00:29:08he's in the locket we found earlier
00:29:11who is he the man elinor feared i think or the man who betrayed her betrayal
00:29:17but for me elinor didn't seem someone who would trust anyone that much
00:29:23what if she did trust him maybe that's why we're here wait
00:29:29he will come back for what i took his revenge is inevitable he was terrified we're not just dealing
00:29:40with an inheritance this is personal this man he's why we're here elinor thought someone would return
00:29:51the journal it mentioned betrayal what if the man is still watching us
00:29:59nice sir if this turns into a ghost story i'm not staying here
00:30:03i don't think it's a ghost you've already awakened what was meant to stay buried
00:30:20these letters they are signed by jay
00:30:38the man in the photo these letters of jay's he wasn't just angry he was planning something
00:30:46why would she keep these hidden was she scared he'd come back maybe she was the man jay maybe he's
00:30:56the one who is watching us
00:31:01these are not just random thoughts written in the journal it's warnings warnings for what the journal
00:31:08mentioned betrayal she warned about the in itself about someone returning to take something she had taken
00:31:15a betrayal maybe he's the one who betrayed her listen to this one the light will reveal the truth
00:31:26but whispers in the dark will always remain what was that
00:31:34okay can we for one moment not die of a heart attack while we're trying to solve this
00:31:38why are we here it doesn't feel random maybe we're the loose ends that elinor wanted to tie up
00:32:01or whoever that jay guy is this is just like elinor she likes toying with people this could be
00:32:08nothing what if it's not what if she was trying to protect us
00:32:15perhaps elinor was trying to protect herself but you've already disturbed that which should remain
00:32:23undisturbed what does that mean it means you've brought the past closer than you think
00:32:31he watches from the rail the one who betrayed me seeks to undo what i've built
00:32:37who's he what's his name it cannot be just jay elinor wouldn't leave these hints to us if it was that
00:32:45simple she probably wants to find him or what he has left for us and we're all just blindly playing
00:32:54along for all we know this jay could still be around then why all these warnings she must have been terrified
00:33:07if elinor wants us to find something it's not just her words it's somewhere over here
00:33:13is it just me or did elinor keep all her life hidden in puzzles that's probably cheaper than a
00:33:22therapy what was their connection
00:33:25he was her greatest love and her greatest disappointment oh so you knew him then why
00:33:36don't you try to mention it even once some stories are better left untold
00:33:41but elinor didn't leave you that choice did she
00:33:50i gave him my trust my heart and he took everything but i will ensure he never gets what he truly wants
00:33:56what did he wants the inn her fortune or her silence open it already wait what if it's another
00:34:07warning elinor didn't just give us this clues for fun right well we've already ignored the other ones
00:34:15let's see how bad this can get
00:34:23to the one i run i knew my betrayal would lead us both here the truth lies where the heart was broken
00:34:31that's it another cryptic line typical elinor that's not just it she's committing guilt
00:34:38where the heart remembers it's a clue another scavenger game great
00:34:53so what she cheated someone out of money broke their heart why drag us into it because we're
00:34:59connected she said the truth lies where the heart was broken it should mean something yeah let's all
00:35:05take turns and we guess who's next to get haunted
00:35:13you found what elinor feared most be careful where you look next why what's left to find the truth
00:35:23and the one she betrayed the truth lies beneath the veil of memory
00:35:32who's there
00:35:35what was that
00:35:48to understand the past you must face the future look to where memory fades and you will see one
00:36:11where memory fades
00:36:12oh alex what's wrong you look like you've seen a ghost
00:36:20not a ghost just a message
00:36:30this is more than just elinor's riddles where memories fade this could be obvious we're looking for
00:36:37something hidden i know but where
00:36:45this they're from elinor's younger age but there is something off about these pictures
00:36:52that's odd why is the guy's face hidden there is more so it's addressed to elinor but it's signed j
00:37:02i promised i'd return for what you stop from me you can run but you can't hide the truth will find you j
00:37:12so j is the one elinor betrayed but then why is he threatening us now
00:37:19you found the door to the past but should it be unlocked some doors are better left closed
00:37:33you have been saying cryptic shit all this time what do you know mrs grayson the truth
00:37:39is more dangerous than you think you better be careful what you awaken
00:37:56this this feels wrong guys i've seen this symbol
00:38:02in her diaries and it's already it means we need to leave
00:38:11we're not leaving not until we find what we want someone's coming quickly hide
00:38:27what's this
00:38:41why were you hidden here
00:38:42okay definitely not creepy at all
00:39:04shh stay quiet whoever it is we don't want them to know we're here
00:39:12you're not ready for this none of you are
00:39:31too long i have waited for this
00:39:40what was that what does she know it seemed like she was talking to someone but
00:39:49oh there was nobody before we entered the room she's definitely hiding something i don't know what
00:39:57but it's more than just a housekeeper's secrets any of you feel like you're being watched let's get
00:40:03back to her rooms we'll discuss this in the morning remember to lock your rooms
00:40:07that was really dangerous me all the stuff huh oh jules how good for you to join us
00:40:16where were you last night why okay enough we've been here long enough we're all on edge nina
00:40:25this place is trying to divide us how about we just get back on track and we we can figure out what's in
00:40:31that drawer um here i found this in the female boarding room thought it might might help us to unlock something they're missing
00:40:46i guess we'll find out soon enough wait what if eleanor didn't want us to find out
00:40:53what's in that drawer or i guess i hope you're missing you
00:40:54it's okay
00:40:59The truth will be
00:41:29We are undoing. The past cannot be erased, nor can it be undone. Beware the one who waits.
00:41:36Who's the one who waits?
00:41:42You shouldn't have done this.
00:41:44We are going to uncover everything. After this, there is no turning back.
00:42:01Damn, these cheap batteries.
00:42:03What is this? Why is it so cold?
00:42:06Something is wrong. We shouldn't be here.
00:42:09Shut up. With you, nothing is ever right. The sooner we lose this mystery, the better.
00:42:14Guys, this must be Eleanor's private journal.
00:42:18Look at those notes.
00:42:20Look! It's another one of hers. Eleanor's handwriting.
00:42:23I knew the veil would break one day. He waits for what I took. And he won't stop until it's his again.
00:42:31Who's he? And what's the veil?
00:42:35Fantastic. So we've hit the ghost jackpot now?
00:42:40Some truths are better left buried.
00:42:43Heavens! Would it kill you to announce yourself once in a while?
00:42:46Why should it be hidden? What was Eleanor so scared of?
00:42:50You are not ready for the truth.
00:43:01Great. More puzzles.
00:43:03Does Eleanor think we're detectives or something?
00:43:06Well, she did invite us here to clean up her mess.
00:43:09To those who follow, beware what you're uncovered.
00:43:13The past holds more than memories. It holds him.
00:43:18It's Eleanor. And him again.
00:43:24This guy. Jay.
00:43:27Whoever he is, he must be the key to all of this.
00:43:34Who is he? And why did Eleanor keep this hidden?
00:43:38Because she knew what he was capable of.
00:43:40She knew he would not stop.
00:43:43Why not tell us?
00:43:45Why leave us all the breadcrumbs?
00:43:47Because she knew you were the only ones who could stop him.
00:43:52You know what?
00:43:53It's late.
00:43:55And I'm tired.
00:43:56I'm fucking tired.
00:43:58I don't know about you guys, but...
00:43:59I'm going to go back and take a warm bath to wash out all the soreness and the dust.
00:44:05Good night.
00:44:08Um...
00:44:08Excuse me.
00:44:11Good night.
00:44:11The veil isn't just a metaphor.
00:44:20It's the barrier that keeps him out.
00:44:31Help!
00:44:33Who's there?
00:44:34What happened?
00:44:47Are you okay?
00:44:48It-it talked to me.
00:44:51It said we've gone too far.
00:44:53He lives between what was and what is.
00:45:01The veil is his prison, but he's breaking free.
00:45:04What is it even supposed to mean?
00:45:07It means he's waking up.
00:45:10Eleanor used to keep him locked away.
00:45:13But you're breaking down these walls.
00:45:16Who?
00:45:17Who's tearing down the walls?
00:45:24Mrs. Grayson, I think you owe us answers at this point.
00:45:28What do you wish to know?
00:45:30If this guy is real, why hasn't he shown himself?
00:45:33He doesn't exist in this plane.
00:45:39But I assure you, he's as real as you and me.
00:45:43Uh, you mentioned someone is waking him up?
00:45:45Who and how?
00:45:48The four of you are waking him up.
00:45:52He feeds on fear.
00:45:55The more you dig,
00:45:58the more strong he becomes.
00:46:03Then why leave us all these clues?
00:46:05Why lead us to him?
00:46:08Eleanor didn't want you to free him.
00:46:12She wanted you to stop him.
00:46:14Great.
00:46:16No pressure.
00:46:17No pressure.
00:46:18There's nothing concrete there.
00:46:42It's all cryptic warnings.
00:46:45Or maybe that's all Eleanor had.
00:46:48Warnings.
00:46:49Here it is.
00:46:51This is the heart of the house.
00:46:54This is where we can find him.
00:46:56Or stop him.
00:46:57Okay, this is insane.
00:47:07We're walking straight into his trap.
00:47:10Do you have a better idea?
00:47:12Because reading these letters or the notes is not great either.
00:47:17If Eleanor marked this as the heart,
00:47:19it means she meant for us to go.
00:47:21Or where she was trying to warn us not to go.
00:47:28Can we stop it with the dramatics already?
00:47:33You found it.
00:47:35Eleanor's final clue.
00:47:37You mean the creepy heart room?
00:47:41Care to explain what's waiting for us there?
00:47:43This house was built around it.
00:47:46It's where he resides.
00:47:49Eleanor trapped him there.
00:47:52But the veil is breaking.
00:47:54Wonderful.
00:47:55So yeah, we're just going to walk in and fix our mistakes, right?
00:48:00Eleanor chose you for a reason.
00:48:03You're all connected to him somehow.
00:48:06How are we connected?
00:48:08Think of how you know Eleanor.
00:48:12And then you'll be able to figure out what he wants
00:48:16and why he's interested in the four of you.
00:48:32You seem drawn to this one.
00:48:35It's called transition.
00:48:37It's more than a painting.
00:48:39It's the story.
00:48:41An incomplete one.
00:48:43You think so?
00:48:46Most people just see shadows.
00:48:49Most people are not paying attention.
00:48:52But you are.
00:48:54That's what's make your work so different.
00:48:57Do I know you?
00:49:00You seem familiar.
00:49:02Perhaps.
00:49:04In another time.
00:49:07Well, congratulations on your opening.
00:49:10I'll keep an eye on your work.
00:49:12Art doesn't just reflect the soul.
00:49:25It reveals the unseen.
00:49:28Your studio deserves to stand the test of time.
00:49:31Consider this my contribution.
00:49:33So, Mrs. Jules,
00:49:40your studio has gotten a lot of attention since its opening.
00:49:44Tell me, what inspired this exhibit?
00:49:47Honestly,
00:49:48I don't think I fully understand it myself.
00:49:52These pieces,
00:49:53they just come to me.
00:49:55Like,
00:49:56they are meant to be created.
00:49:59Rumor has it that this was impossible
00:50:01without an anonymous contributor.
00:50:04Any idea of who they are?
00:50:06Fits me.
00:50:07Whoever they are,
00:50:08they believed in myself
00:50:09more than I believed in myself.
00:50:13I wonder if they see the same story in the shadows.
00:50:16Sorry, what was that?
00:50:18No, nothing.
00:50:19I was just thinking out loud.
00:50:27Who are you really,
00:50:30Elioner?
00:50:31That's a charming place.
00:50:41It has an air of curiosity about it.
00:50:44That's what I aim for.
00:50:46Welcome to the Curious Bookworm.
00:50:48Can I help you find anything?
00:50:50Well,
00:50:50I'm actually here to help you.
00:50:53I hear you are quite an investigator
00:50:55of various strange phenomena.
00:50:58What is this?
00:50:59That's a family estate.
00:51:03Has a reputation about it.
00:51:05I think you'll find it interesting.
00:51:08That's
00:51:08incredible, but...
00:51:11And
00:51:11I leave you for a few minutes
00:51:13and you wander off like that.
00:51:15Sorry to bother you.
00:51:16We're leaving.
00:51:18I trust you'll make a good use of it.
00:51:20Just be careful
00:51:21and where your curiosity leaves you.
00:51:27Today we are diving into
00:51:28the enigmatic history
00:51:30of Frostwood Inn.
00:51:32Known for its hunting atmosphere
00:51:34and unexplained events.
00:51:36This estate has been the subject
00:51:38for local legends
00:51:39for decades.
00:51:40Hey, do you have a minute?
00:51:47Sure, what's on your mind?
00:51:49Uh, I wanted to apologize
00:51:50to you for the other day.
00:51:52My aunt can be
00:51:53not so okay, so to speak.
00:51:55She may have spoken things
00:51:56to seem odd to you,
00:51:57but she's not a bad person.
00:51:58She's just...
00:51:59You don't believe in her,
00:52:01don't you?
00:52:02I don't.
00:52:03But
00:52:03Frostwood Inn
00:52:05has had strange happenings.
00:52:07But they can all be
00:52:08explained rationally,
00:52:08that's all.
00:52:09You've been running
00:52:28your whole life, Nina.
00:52:30You can't just keep running.
00:52:33I'm not running.
00:52:35I'm just not interested
00:52:36in chasing shadows.
00:52:37These are not shadows.
00:52:40This is our family legacy.
00:52:44An old, creepy inn?
00:52:47Sounds more like a burden,
00:52:48not a legacy.
00:52:50You have no idea
00:52:51what Frostwood Inn is holding.
00:52:54This is not just an inn.
00:52:56This is about who we are,
00:52:58and one day you will understand.
00:53:01If it's so important to you,
00:53:03why don't you deal with it yourself?
00:53:04Why drag me into it?
00:53:05Because I won't always be here.
00:53:09What do you want me to do?
00:53:11For now, just listen.
00:53:13And when the time comes,
00:53:14you will know what to do.
00:53:15You should know better
00:53:20than to wander off, Ant.
00:53:21Library had nothing much
00:53:23about Frostwood Inn.
00:53:24Well, sometimes you need
00:53:25to go elsewhere
00:53:25to find out the truth.
00:53:27You know, you have to be
00:53:28more curious.
00:53:30Because that's how we find out
00:53:31who we are.
00:53:32Or how we waste time
00:53:34chasing ghosts.
00:53:34Legends of Frostwood Inn
00:53:44speak of a mysterious veil
00:53:46that protects its secrets,
00:53:47but also finds those
00:53:49who inherit its legacy.
00:53:51Is it a place of power
00:53:52or a curse
00:53:53waiting to claim
00:53:54its next victim?
00:54:02Hey!
00:54:03I've been listening
00:54:04to your podcast.
00:54:05Wow.
00:54:06I'm flattered.
00:54:07Don't tell me I've converted
00:54:08you into a believer.
00:54:10Honestly,
00:54:11I thought it was just stories,
00:54:13but I'm not so sure.
00:54:15My aunt, Eleanor,
00:54:16she's obsessed
00:54:18with Frostwood Inn.
00:54:19Yeah.
00:54:20Eleanor mentioned you.
00:54:21She thinks that you might
00:54:22be a part of something bigger.
00:54:25She's good at being cryptic.
00:54:27Do you think
00:54:27there's anything real
00:54:28behind all this?
00:54:29I think it's worth
00:54:31looking to it.
00:54:32I mean, if she's right,
00:54:34you might be a key
00:54:35to understanding it.
00:54:37I'm not so sure
00:54:38I want to understand this.
00:54:46The Frostwood Inn
00:54:59is more than just
00:55:00an old building.
00:55:01It's a mystery
00:55:02woven into the fabric
00:55:04of our town,
00:55:05a place where stories
00:55:06seem to go to hide
00:55:07and people sometimes
00:55:09vanish altogether.
00:55:12Some call it cursed,
00:55:13others a masterpiece
00:55:15of misfortune,
00:55:15but the question remains,
00:55:18what is Frostwood
00:55:19really hiding?
00:55:30Yeah?
00:55:31What the hell is this, Alex?
00:55:34I told you to stick
00:55:35to the mayoral campaign.
00:55:36This is bigger
00:55:37than politics, Marcus.
00:55:40Four people disappeared
00:55:41near that inn
00:55:4150 years ago.
00:55:43There was not a trace
00:55:44and nobody was connecting
00:55:45the dots.
00:55:46Until now.
00:55:47There are no dots
00:55:48to connect.
00:55:49You are pushing
00:55:50a ghost story.
00:55:51We are not running this.
00:55:52The public deserves
00:55:53to know the truth.
00:56:00The truth about Frostwood
00:56:02may never fully be uncovered,
00:56:04but for those brave
00:56:06or foolish,
00:56:07enough to try,
00:56:08it's a path
00:56:09you can walk back from.
00:56:12Looks like
00:56:12I'm moving back
00:56:13to the story.
00:56:14I'm moving back to the story.
00:56:19Jay,
00:56:20where are you,
00:56:21Mr. Jay?
00:56:24Hmm?
00:56:24The faint whisper of Jay,
00:56:26the one who holds
00:56:27the key to all of this.
00:56:29I fear I have failed him,
00:56:31but he will come
00:56:32when it is time.
00:56:33I only hope
00:56:35it is not too late.
00:56:37Wait,
00:56:38she said
00:56:39that he would come
00:56:40whenever is the time.
00:56:42what if he's not
00:56:44just someone
00:56:44from her past?
00:56:46What if he's been here
00:56:47all along?
00:56:48Or
00:56:48what if
00:56:50he's the one
00:56:52that we've been
00:56:53interacting
00:56:54the whole time,
00:56:56but
00:56:56we didn't even realize?
00:56:59I see you're
00:57:01trying to find
00:57:01the identity of Jay.
00:57:02Why don't you
00:57:05tell us more about him?
00:57:07Was he
00:57:07an enemy
00:57:08of a friend?
00:57:09Eleanor trusted Jay
00:57:11because she knew
00:57:12him better
00:57:12than anyone else,
00:57:14but he was also
00:57:15the reason
00:57:15why she was trapped
00:57:16here.
00:57:17Why?
00:57:18What's his connection
00:57:19to all of this?
00:57:22Jay wasn't
00:57:22a stranger.
00:57:23He was
00:57:23or is
00:57:25one of you.
00:57:30What do you mean
00:57:31one of us?
00:57:31he vanished
00:57:33or rather
00:57:35part of him
00:57:35vanished
00:57:3650 years ago.
00:57:39One of us?
00:57:40So
00:57:41he's
00:57:42been here
00:57:42all along?
00:57:44Jay was
00:57:44your connection
00:57:45to the veil,
00:57:46but he became
00:57:47part of the shadow.
00:57:50He was
00:57:50trapped
00:57:50in the
00:57:51earthreal plane
00:57:52with Eleanor.
00:57:55His identity
00:57:56was lost,
00:57:57his memory
00:57:57wiped
00:57:58until all
00:57:59of you
00:58:00returned.
00:58:02So
00:58:03Jay
00:58:04has been
00:58:04here
00:58:05all the
00:58:05time?
00:58:07Yes.
00:58:09Jay
00:58:09is the
00:58:10missing piece,
00:58:11the key
00:58:11to the cycle.
00:58:13He was
00:58:14tied to the
00:58:14veil,
00:58:16just like
00:58:18you all
00:58:19were.
00:58:21He wasn't
00:58:21fortunate enough
00:58:22to come
00:58:24out
00:58:24whole
00:58:26like you
00:58:27back then.
00:58:29Whole?
00:58:30What do you
00:58:31mean,
00:58:31whole?
00:58:34Jay was
00:58:35none other
00:58:36than James,
00:58:36your brother,
00:58:37Nina.
00:58:42James?
00:58:43My
00:58:43brother?
00:58:44But he's
00:58:46been in a
00:58:46wheelchair
00:58:47for as long
00:58:47as I can
00:58:48remember.
00:58:49The last
00:58:50time you
00:58:50were together,
00:58:51he got
00:58:52lost in
00:58:53the veil
00:58:53and he
00:58:54sacrificed
00:58:54part of
00:58:55himself
00:58:55so that
00:58:56you could
00:58:56all get
00:58:57out.
00:58:59Eleanor
00:59:00went back
00:59:01to try
00:59:01to get
00:59:02the piece
00:59:02that he
00:59:03had left
00:59:03behind
00:59:04so that
00:59:06he could
00:59:06be whole
00:59:07again.
00:59:08But she
00:59:08discovered
00:59:09the shadow
00:59:10merged with
00:59:10him.
00:59:11in
00:59:14essence
00:59:15he
00:59:16became
00:59:17that
00:59:17which
00:59:17you
00:59:18were
00:59:18trying
00:59:18to
00:59:18escape.
00:59:24This
00:59:25map
00:59:25was
00:59:26Eleanor's
00:59:26last
00:59:27attempt
00:59:27to
00:59:27escape
00:59:28the
00:59:28veil.
00:59:29She
00:59:29believes
00:59:29the
00:59:30in-spaces
00:59:31shift
00:59:31mirroring
00:59:32their
00:59:32counterparts
00:59:33in
00:59:34the
00:59:34veil.
00:59:35The
00:59:35foyer
00:59:36for
00:59:37instance
00:59:38becomes
00:59:39a
00:59:39heart.
00:59:41How
00:59:42about
00:59:42other
00:59:42rooms?
00:59:44Like
00:59:44boarding
00:59:45rooms?
00:59:46They
00:59:47become
00:59:47manifestations
00:59:48of the
00:59:48veil's
00:59:49power.
00:59:50Each
00:59:50one
00:59:50feeding
00:59:51evil.
00:59:53So
00:59:53how do
00:59:54we get
00:59:54in?
00:59:55Are we
00:59:55supposed
00:59:55to just
00:59:56walk
00:59:56into
00:59:56some
00:59:56other
00:59:56dimension?
00:59:59This
00:59:59will help
01:00:00you cross
01:00:01over.
01:00:01This
01:00:02is how
01:00:02Eleanor
01:00:02went
01:00:03in
01:00:03and
01:00:03how
01:00:04you
01:00:04will
01:00:04follow
01:00:05her.
01:00:06So
01:00:06what
01:00:07if we
01:00:07can't
01:00:07come
01:00:07back?
01:00:09Then
01:00:09the
01:00:09veil
01:00:09will
01:00:09claim
01:00:10you.
01:00:11Then
01:00:11let's
01:00:12do
01:00:12this.
01:00:12We've
01:00:13come
01:00:13too
01:00:13far
01:00:13to
01:00:13back
01:00:14out
01:00:14now.
01:00:19Worlds
01:00:20align and
01:00:21worlds
01:00:21collide.
01:00:22Worlds
01:00:23arrive and
01:00:24worlds
01:00:24collide.
01:00:25Let
01:00:26them
01:00:26all
01:00:26come
01:00:27inside!
01:00:32This
01:00:32doesn't
01:00:34feel
01:00:34right.
01:00:36It's
01:00:36too
01:00:37late
01:00:37to
01:00:37back
01:00:37out
01:00:37now.
01:00:41step
01:00:44through
01:00:45together.
01:00:46Step
01:00:46through
01:00:47together.
01:00:48Step
01:00:48through
01:00:49together.
01:00:50Step
01:00:50through
01:00:51together.
01:00:55Don't
01:00:59let us
01:01:00get lost.
01:01:00You
01:01:01are
01:01:01stronger
01:01:02than
01:01:02the
01:01:02evil.
01:01:03Trust
01:01:04each
01:01:04other.
01:01:04here.
01:01:17This...
01:01:18This is the veil?
01:01:20It looks...
01:01:22warped.
01:01:23It's not
01:01:24just warped.
01:01:25It's
01:01:25wrong.
01:01:26Look at the
01:01:27walls.
01:01:28They're
01:01:28breathing.
01:01:30Look at
01:01:30this place.
01:01:32Stick
01:01:32together.
01:01:33We don't
01:01:33know
01:01:33what's
01:01:34real
01:01:34here.
01:01:36You've
01:01:36come
01:01:36back.
01:01:37The
01:01:37cycle
01:01:38begins
01:01:38in
01:01:38your
01:01:38home.
01:01:40This
01:01:40place.
01:01:41It's
01:01:42alive.
01:01:43Alive
01:01:44and
01:01:44watching
01:01:45this.
01:01:46Careful.
01:01:47Please
01:01:48don't go
01:01:48anywhere and
01:01:49don't go
01:01:49separated.
01:01:50Because
01:01:50if this
01:01:51place
01:01:51shifts
01:01:52we can
01:01:53lose
01:01:53each
01:01:53other.
01:01:54Right.
01:01:55We
01:01:55stick
01:01:56together
01:01:56no
01:01:56matter
01:01:57what.
01:02:15It's
01:02:15a
01:02:15marking.
01:02:17Eleanor
01:02:17must have
01:02:17left it
01:02:18behind.
01:02:19What
01:02:19does it
01:02:19mean?
01:02:20is it
01:02:20part
01:02:20of the
01:02:21map?
01:02:22It's
01:02:22like a
01:02:23sigil.
01:02:24She
01:02:24probably
01:02:25tried to
01:02:25contain
01:02:26something
01:02:27here or
01:02:27come
01:02:29back
01:02:29here.
01:02:30Or
01:02:30maybe
01:02:30it's
01:02:32protecting
01:02:32us.
01:02:33Or
01:02:33maybe
01:02:34it's
01:02:34protecting
01:02:35something
01:02:35else.
01:02:36Could
01:02:36you
01:02:37please
01:02:37see
01:02:38if
01:02:38there
01:02:38is
01:02:38anything
01:02:39under
01:02:39it?
01:02:40Wait,
01:02:41what is
01:02:42that?
01:02:44It's
01:02:45like a
01:02:45compass.
01:02:47It's
01:02:48pointing
01:02:48somewhere.
01:02:48looks
01:02:50like
01:02:50that's
01:02:51where
01:02:51we're
01:02:51going
01:02:51to.
01:02:52Wait,
01:02:53what if
01:02:53it's
01:02:53leading
01:02:53us
01:02:53into
01:02:54a
01:02:54trap?
01:02:55Doesn't
01:02:55matter.
01:02:56If we
01:02:56want to
01:02:57find
01:02:57Eleanor,
01:02:58we're
01:02:58going to
01:02:58take the
01:02:59risk.
01:03:00Let's
01:03:00go before
01:03:00this place
01:03:01starts
01:03:01changing.
01:03:16This
01:03:17place
01:03:17feels
01:03:18worse
01:03:18than
01:03:18the
01:03:18foyer
01:03:18like
01:03:19it's
01:03:19breathing.
01:03:20The
01:03:20compass
01:03:21brought
01:03:21us
01:03:21here,
01:03:22so
01:03:22there
01:03:23has
01:03:23to
01:03:23be
01:03:23something
01:03:23we
01:03:23can
01:03:23find.
01:03:24this
01:03:25markings,
01:03:26it's
01:03:27similar
01:03:27to
01:03:27those
01:03:28in
01:03:28Eleanor's
01:03:28diary.
01:03:29In
01:03:29her
01:03:30journal,
01:03:30she
01:03:30said
01:03:31the
01:03:31veil
01:03:31imprints
01:03:32itself
01:03:32on
01:03:32the
01:03:32space
01:03:33it
01:03:33consumes.
01:03:35Great,
01:03:36so are we
01:03:37walking in
01:03:37that
01:03:37whale's
01:03:38stomach?
01:03:40Stay
01:03:40close!
01:03:41Don't let
01:03:41the voice
01:03:42mess your
01:03:42mind.
01:03:44The
01:03:44compass,
01:03:45the
01:03:45compass,
01:03:46it's
01:03:46pointing
01:03:46there.
01:03:47It
01:03:47means
01:03:47that
01:03:47evil
01:03:48doesn't
01:03:48want
01:03:48us
01:03:48near
01:03:49it.
01:03:50To
01:03:50hell
01:03:50with
01:03:50that!
01:03:51Let's
01:03:51find out
01:03:51what's
01:03:51inside!
01:03:52Flashlights!
01:03:54Use
01:03:54your
01:03:54lights!
01:03:56It
01:03:56keeps
01:03:56the
01:03:56darkness
01:03:56away!
01:03:59Got it!
01:04:03Rust!
01:04:04Rust
01:04:04is
01:04:04clear!
01:04:20Let's
01:04:20see what
01:04:21we're
01:04:21supposed to
01:04:21find in
01:04:22this
01:04:22room.
01:04:24Whatever
01:04:25we need
01:04:25must
01:04:26be
01:04:26in
01:04:26that
01:04:26wall.
01:04:28Do
01:04:28you
01:04:29really
01:04:29think
01:04:29with
01:04:30it
01:04:30moving
01:04:30like
01:04:30this
01:04:31we'll
01:04:31just
01:04:31easily
01:04:32give
01:04:32up?
01:04:34Wait,
01:04:35there
01:04:35is
01:04:35something
01:04:36written
01:04:36about
01:04:36this
01:04:37wall
01:04:37in
01:04:38this
01:04:38diary.
01:04:40Speak
01:04:41softly
01:04:41your
01:04:42desires
01:04:42and
01:04:43tap
01:04:43twice
01:04:44to
01:04:44reveal
01:04:44that
01:04:45witch
01:04:45is
01:04:45hidden.
01:04:47Right,
01:04:47as
01:04:48if
01:04:48that'll
01:04:48work.
01:04:49you can
01:04:51go far
01:04:52without
01:04:52some
01:04:52fight
01:04:53little
01:04:53bird.
01:04:55James?
01:04:56I am,
01:04:57but I
01:04:58am not.
01:04:59Yes,
01:05:00yes,
01:05:01that was
01:05:03what they
01:05:03used to
01:05:04call me.
01:05:05Oh god,
01:05:05James,
01:05:06is that
01:05:06you?
01:05:07I am
01:05:08here,
01:05:09there,
01:05:10everywhere,
01:05:11but it's
01:05:11not important.
01:05:12You have
01:05:13to end
01:05:13and
01:05:14free
01:05:14us.
01:05:18Go on,
01:05:22I will
01:05:22hold it
01:05:23for as
01:05:23long
01:05:24as I
01:05:24can.
01:05:25Quickly,
01:05:26we're
01:05:26here!
01:05:38So,
01:05:39we have
01:05:39the fragments
01:05:40now.
01:05:41What
01:05:41now?
01:05:42How
01:05:42do
01:05:43we
01:05:43use
01:05:43this
01:05:43to
01:05:43end
01:05:44the
01:05:44veil?
01:05:45Well,
01:05:45Eleanor
01:05:46said that
01:05:46fragments
01:05:47must be
01:05:47combined
01:05:48at the
01:05:48heart
01:05:48of
01:05:48the
01:05:49veil.
01:05:49That's
01:05:50this
01:05:50room,
01:05:51but it
01:05:51requires...
01:05:52What?
01:05:52It requires
01:05:53what?
01:05:54It requires
01:05:55a strong
01:05:55bond,
01:05:56strong
01:05:56connection
01:05:57between
01:05:57the
01:05:57people
01:05:58who
01:05:58are
01:05:58involved
01:05:59because
01:06:00the
01:06:01veil
01:06:01fits
01:06:01on
01:06:02division
01:06:02and
01:06:02fear,
01:06:03so
01:06:03we
01:06:03have
01:06:04to
01:06:04connect,
01:06:04like
01:06:04we
01:06:05have
01:06:05to
01:06:05have
01:06:05connection,
01:06:06we
01:06:06have
01:06:07to
01:06:07have
01:06:07trust
01:06:08and
01:06:10focus.
01:06:11Great,
01:06:11trust and
01:06:12focus,
01:06:13no pressure.
01:06:15Can't do
01:06:16battle on
01:06:17an empty
01:06:17stomach and
01:06:18no rest.
01:06:19Well,
01:06:20aim into
01:06:20that.
01:06:22Fighting
01:06:23and running
01:06:23away from
01:06:24the devils
01:06:24is surely
01:06:25a hungry
01:06:25war.
01:06:27Jules,
01:06:27what are you
01:06:28thinking?
01:06:28you said
01:06:31Jay James,
01:06:33he lost
01:06:35a part
01:06:35of himself
01:06:35in the
01:06:36whale
01:06:36and then
01:06:37Elianer
01:06:37went there
01:06:38by herself
01:06:39to claim
01:06:39it back
01:06:40and got
01:06:40stuck
01:06:41there?
01:06:42Jules,
01:06:42what are
01:06:43you getting
01:06:43at?
01:06:45Perhaps
01:06:45there is
01:06:45a way
01:06:46how we
01:06:46can save
01:06:46them
01:06:47both.
01:06:48There
01:06:48was just
01:06:49one room
01:06:49that wasn't
01:06:50available
01:06:50and yet
01:06:52it got
01:06:52shifted
01:06:53back
01:06:53to our
01:06:54reality,
01:06:55Elianer's
01:06:56room.
01:06:58Yes,
01:06:59and what
01:06:59about it?
01:07:00Let's go
01:07:00back to
01:07:01the whale.
01:07:02I think
01:07:02I know
01:07:03where we
01:07:03can find
01:07:03Elianer
01:07:04and we
01:07:04can save
01:07:05your brother.
01:07:06First,
01:07:07you all
01:07:07have to
01:07:08take some
01:07:08rest
01:07:08and freshen
01:07:10up.
01:07:11The rest
01:07:11you can
01:07:11wait.
01:07:12They are
01:07:12not going
01:07:13anywhere.
01:07:17James
01:07:17is tied
01:07:19to the
01:07:19whale.
01:07:20His body
01:07:20remains
01:07:21here,
01:07:22but part
01:07:23of him
01:07:23has merged
01:07:24with evil.
01:07:26If you
01:07:26want to
01:07:27bring him
01:07:27back,
01:07:27you'll
01:07:27have to
01:07:28sever
01:07:28that
01:07:28connection.
01:07:30Which
01:07:30means
01:07:30going
01:07:30back.
01:07:31How
01:07:32do
01:07:32you
01:07:32even
01:07:32find
01:07:32him
01:07:32in
01:07:33that
01:07:33place?
01:07:35The
01:07:35veil
01:07:35shifts,
01:07:36but its
01:07:37heart
01:07:37remains
01:07:38constant.
01:07:40You'll
01:07:40find
01:07:41James
01:07:41there.
01:07:44This
01:07:45will
01:07:46guide
01:07:46you
01:07:46to
01:07:46him,
01:07:47but
01:07:48be
01:07:48warned,
01:07:49the
01:07:49veil
01:07:50will
01:07:50fight
01:07:50harder
01:07:51this
01:07:51time,
01:07:52because
01:07:52it
01:07:52knows
01:07:53you're
01:07:53coming
01:07:53to
01:07:53undo
01:07:54its
01:07:54grip.
01:07:55I'm
01:07:56not
01:07:56afraid.
01:07:57I'm
01:07:57getting
01:07:57my
01:07:57brother
01:07:58back.
01:08:00Together.
01:08:07Eleanor
01:08:07wrote about
01:08:08James.
01:08:09She said
01:08:09part of
01:08:10him
01:08:10was left
01:08:10behind
01:08:11when the
01:08:11evil
01:08:12first
01:08:12took him.
01:08:13His
01:08:13memories,
01:08:14his
01:08:15essence,
01:08:16it's
01:08:16still there.
01:08:18If
01:08:19he's
01:08:19connected
01:08:19to the
01:08:20veil,
01:08:20then
01:08:21shouldn't
01:08:21destroying
01:08:22it
01:08:22free
01:08:22him?
01:08:23Not
01:08:24if
01:08:24the
01:08:25evil
01:08:25bound
01:08:25him
01:08:26willingly.
01:08:26His
01:08:27essence
01:08:27feeds
01:08:28it.
01:08:28That's
01:08:29why
01:08:29he's
01:08:29the
01:08:30key
01:08:30to
01:08:32breaking
01:08:32the
01:08:32cycle.
01:08:33Then
01:08:34we
01:08:34find
01:08:34him.
01:08:35If
01:08:35there's
01:08:35a way
01:08:36to
01:08:36bring
01:08:36him
01:08:36back,
01:08:37we'll
01:08:37figure
01:08:37it
01:08:37out.
01:08:39James
01:08:39waiting,
01:08:40but
01:08:40so
01:08:41am
01:08:42I.
01:08:42this
01:08:51place
01:08:51is
01:08:52worse
01:08:52than
01:08:52I
01:08:52remember.
01:08:54It's
01:08:54like
01:08:54it's
01:08:54waiting
01:08:55for
01:08:55us.
01:08:57Or
01:08:58for
01:08:58Nina.
01:08:59James
01:08:59is
01:09:00here.
01:09:00I
01:09:00can
01:09:01feel
01:09:01it.
01:09:03Nina.
01:09:05Did
01:09:05you
01:09:05hear
01:09:05that?
01:09:11James?
01:09:11James!
01:09:12It's
01:09:13me!
01:09:13Can
01:09:13you
01:09:13hear
01:09:14me?
01:09:14Nina,
01:09:15you
01:09:15shouldn't
01:09:15be here.
01:09:16It's
01:09:16not
01:09:17safe.
01:09:20What?
01:09:21He's
01:09:21coming for
01:09:21you.
01:09:21Wait,
01:09:22James,
01:09:22don't
01:09:22go!
01:09:23He's
01:09:23coming
01:09:23for
01:09:23you.
01:09:24What?
01:09:26Find
01:09:26him
01:09:26in
01:09:26the
01:09:27heart.
01:09:31The
01:09:31heart?
01:09:32That's
01:09:33where
01:09:33he
01:09:33is.
01:09:38The
01:09:38heart
01:09:39is
01:09:39at
01:09:39the
01:09:39core
01:09:40of
01:09:40the
01:09:40veil.
01:09:40If
01:09:41James
01:09:42is
01:09:42tied
01:09:42to
01:09:43it,
01:09:44separating
01:09:45him
01:09:45won't
01:09:45be
01:09:45easy.
01:09:46Nothing
01:09:47about
01:09:47this
01:09:48has
01:09:48ever
01:09:48been
01:09:48easy.
01:09:49Guys,
01:09:50we need
01:09:50to figure
01:09:51out a
01:09:51plan
01:09:51before
01:09:52taking
01:09:52him
01:09:52out.
01:09:53That
01:09:53thing
01:09:54in
01:09:54the
01:09:54shadow
01:09:54wouldn't
01:09:54let us
01:09:55just
01:09:55take
01:09:55him
01:09:55like
01:09:55that.
01:10:05James,
01:10:05stay
01:10:05with
01:10:06me.
01:10:06Don't
01:10:06let it
01:10:06take
01:10:07you.
01:10:07I'm
01:10:07trying,
01:10:08but
01:10:08the
01:10:08veil is
01:10:08too
01:10:08strong.
01:10:09Nina,
01:10:10you have
01:10:10to do
01:10:10something.
01:10:11Pull
01:10:11him
01:10:11out.
01:10:12We
01:10:12can't
01:10:13just
01:10:13hold
01:10:13the
01:10:13devil
01:10:13back
01:10:13forever.
01:10:14She
01:10:15can't
01:10:15do
01:10:15it
01:10:16alone.
01:10:17You
01:10:17all
01:10:18must
01:10:18focus.
01:10:19The
01:10:20veil
01:10:20feeds
01:10:21on
01:10:21division.
01:10:22Only
01:10:22unity
01:10:23can
01:10:24break
01:10:24and
01:10:25separate
01:10:26them.
01:10:26out.
01:10:27I
01:10:38don't
01:10:38know if
01:10:39I
01:10:39can.
01:10:40The
01:10:40veil is
01:10:41part of
01:10:41me now.
01:10:46It's not
01:10:46enough.
01:10:47Part of
01:10:48me is
01:10:48still
01:10:48here.
01:10:50You
01:10:50have
01:10:51done
01:10:51enough
01:10:51for me.
01:10:52No,
01:10:53we can
01:10:53figure this
01:10:54out.
01:10:54We just
01:10:55need more
01:10:55time.
01:10:57There has
01:10:57to be
01:10:58another way
01:10:58to fix
01:10:59this.
01:10:59I am
01:10:59not
01:11:00leaving
01:11:00you
01:11:00here
01:11:00like
01:11:00this.
01:11:02It's
01:11:02too
01:11:03late.
01:11:03If I
01:11:04leave,
01:11:04I will
01:11:05die.
01:11:07There's
01:11:07no way
01:11:07that's
01:11:08it.
01:11:09Everything
01:11:09has a
01:11:09solution.
01:11:11We've
01:11:11been through
01:11:11so much
01:11:12before.
01:11:13The
01:11:13veil is
01:11:13unyielding.
01:11:15To
01:11:15exist
01:11:16outside of
01:11:17it,
01:11:17James
01:11:18would need
01:11:18to sever
01:11:19himself
01:11:19completely.
01:11:22But he
01:11:22feeds
01:11:23on the
01:11:23energy.
01:11:25Without
01:11:26it,
01:11:27he won't
01:11:28survive.
01:11:29I don't
01:11:30care what
01:11:30it takes
01:11:31to fix
01:11:31this.
01:11:31You
01:11:32deserve
01:11:32to come
01:11:32home.
01:11:33I can
01:11:33feel
01:11:34your
01:11:34love.
01:11:35That's
01:11:35enough
01:11:35for
01:11:35me.
01:11:38If we
01:11:39stay here
01:11:40any longer,
01:11:41the veil
01:11:41might trap
01:11:42all of
01:11:42us.
01:11:43We
01:11:43have
01:11:44to
01:11:44go,
01:11:44Nina.
01:11:45She's
01:11:45right.
01:11:46James
01:11:46wouldn't
01:11:47want us
01:11:47to risk
01:11:47our
01:11:48lives.
01:11:48That's
01:11:48not what
01:11:49he'd
01:11:49want
01:11:49for
01:11:49us.
01:11:50No,
01:11:50James,
01:11:51I can't
01:11:51leave you
01:11:51again.
01:11:52Not
01:11:52like
01:11:52this.
01:11:54You
01:11:54are not
01:11:54losing me.
01:11:56I will
01:11:56always be
01:11:57with you
01:11:58in here.
01:11:59Nina,
01:12:00we have
01:12:00to go.
01:12:01The veil
01:12:01is not
01:12:02going to
01:12:02wait.
01:12:03And I
01:12:04will never
01:12:04stop
01:12:05watching
01:12:05you,
01:12:07little
01:12:07bird.
01:12:11Move!
01:12:13The veil
01:12:13is closing
01:12:14in!
01:12:15we
01:12:27We made
01:12:27it out.
01:12:29Barely.
01:12:30He's
01:12:31safe now
01:12:32in his
01:12:32own way.
01:12:33He's
01:12:34still
01:12:34gone
01:12:35and
01:12:35I
01:12:36couldn't
01:12:36save
01:12:36him.
01:12:37You
01:12:41gave him
01:12:42peace,
01:12:42Nina,
01:12:43which is
01:12:44more than
01:12:44the veil
01:12:45ever offered
01:12:46him.
01:12:48Good-bye,
01:12:49James.
01:12:49I'll never
01:12:51forget you.
01:12:51Open the
01:13:00portal!
01:13:08It's
01:13:09starting.
01:13:09We have
01:13:10to do
01:13:10this
01:13:11now.
01:13:12Well,
01:13:13I just
01:13:13hope it
01:13:14works.
01:13:15Focus.
01:13:16Think
01:13:16about
01:13:17why we're
01:13:18here.
01:13:19What are
01:13:19we fighting
01:13:19for?
01:13:21You
01:13:24think
01:13:24the
01:13:25field
01:13:25success
01:13:25will
01:13:25help
01:13:26you
01:13:26defeat
01:13:26me?
01:13:27You
01:13:28cannot
01:13:28end
01:13:28me.
01:13:29You
01:13:29belong
01:13:30to
01:13:30me.
01:13:32We
01:13:33belong
01:13:33to
01:13:33no
01:13:34one.
01:13:34This
01:13:35ends
01:13:35now.
01:13:39Don't
01:13:39stop.
01:13:40Keep
01:13:40going.
01:13:51that's
01:13:57it.
01:13:58The
01:13:58heart
01:13:58of
01:13:59the
01:13:59veil.
01:14:07They've
01:14:07done
01:14:07it.
01:14:10But
01:14:11the
01:14:11veil
01:14:11won't
01:14:11give
01:14:11up
01:14:12without
01:14:12a
01:14:12fight.
01:14:12guys,
01:14:29we
01:14:29can't
01:14:30hold
01:14:30off
01:14:30the
01:14:30evil
01:14:30forever.
01:14:32The
01:14:33veil's
01:14:33core
01:14:34is
01:14:34weakening.
01:14:35Its
01:14:36heart
01:14:36is
01:14:37its
01:14:37anchor.
01:14:38If
01:14:38you
01:14:38destroy
01:14:38it,
01:14:39it
01:14:39will
01:14:39collapse.
01:14:40You
01:14:40have
01:14:40to
01:14:40act
01:14:40fast.
01:14:41What
01:14:42happens
01:14:42to
01:14:42Eleanor
01:14:42and
01:14:43James
01:14:43if
01:14:43we
01:14:43do?
01:14:44She
01:14:44will
01:14:44be
01:14:44freed
01:14:45from
01:14:46this
01:14:46evil.
01:14:48As
01:14:48will
01:14:48James.
01:14:50Let's
01:14:50finish
01:14:51this.
01:14:53You
01:14:53cannot
01:14:53escape.
01:14:54You
01:14:54cannot
01:14:55bring
01:14:55the
01:14:55cycle.
01:14:56Yes,
01:14:57we
01:14:57can!
01:15:01Run!
01:15:02Get to
01:15:02Eleanor's
01:15:03room,
01:15:03it's
01:15:03the only
01:15:04safe
01:15:04place.
01:15:06Let's
01:15:07go!
01:15:11and
01:15:20Eleanor?
01:15:22Nina
01:15:22sweetheart,
01:15:23you're
01:15:23here.
01:15:27You've
01:15:28done so
01:15:28much.
01:15:29And the
01:15:30strength
01:15:30of the
01:15:31veil
01:15:31is
01:15:32weakening.
01:15:33Wait,
01:15:34we need
01:15:34to get
01:15:35you out
01:15:35of
01:15:35here.
01:15:35The
01:15:36veil
01:15:36is
01:15:36collapsing.
01:15:37I
01:15:37can't
01:15:38leave.
01:15:39I
01:15:39cannot
01:15:39leave
01:15:40just
01:15:40yet
01:15:40I'm
01:15:41still
01:15:41held
01:15:41back
01:15:42by
01:15:42the
01:15:42darkness
01:15:42of
01:15:43the
01:15:43veil.
01:15:43Then
01:15:43how
01:15:44do
01:15:44we
01:15:44break
01:15:45it
01:15:45for
01:15:45good?
01:15:46The
01:15:46anchor
01:15:47must
01:15:47be
01:15:47severed
01:15:48completely.
01:15:49But
01:15:49for
01:15:50that
01:15:50we
01:15:50must
01:15:51come
01:15:51together.
01:15:52We'll
01:15:52do
01:15:52it
01:15:52together.
01:15:55Let's
01:15:55end
01:15:55this.
01:16:03You
01:16:03cannot
01:16:04destroy
01:16:04me.
01:16:05I
01:16:05am.
01:16:08Not
01:16:09anymore!
01:16:10it's
01:16:14gone.
01:16:18The
01:16:18veil
01:16:19is
01:16:19gone.
01:16:31You've
01:16:32done
01:16:32it!
01:16:33You've
01:16:33broken
01:16:33the
01:16:33cycle!
01:16:34The
01:16:35veil
01:16:35is
01:16:35no
01:16:36more!
01:16:36The
01:16:37past
01:16:37has
01:16:37been
01:16:37severed.
01:16:38you
01:16:39are
01:16:39free.
01:16:40We
01:16:41couldn't
01:16:41have
01:16:41done
01:16:42it
01:16:42without
01:16:42you
01:16:42Aunt
01:16:43Eleanor!
01:16:44Aunt
01:16:45Eleanor!
01:16:45we
01:16:46did
01:16:50it.
01:16:50It's
01:16:51finally
01:16:52over.
01:16:55It's
01:16:55peaceful
01:16:57but it's
01:16:57a little
01:16:58bit empty
01:16:58somehow.
01:16:59We've
01:17:00done so
01:17:00much
01:17:01and now?
01:17:03Now
01:17:04what?
01:17:04now we
01:17:06just move
01:17:07on and
01:17:08leave all
01:17:09this
01:17:09behind.
01:17:10Now
01:17:10we
01:17:10rebuild.
01:17:11We
01:17:12take
01:17:12what
01:17:12we've
01:17:12learned
01:17:12and
01:17:13we
01:17:13move
01:17:13forward.
01:17:15For
01:17:15Eleanor's
01:17:16sake
01:17:16there's
01:17:16nothing
01:17:17else.
01:17:19What
01:17:19about
01:17:19you?
01:17:20What
01:17:21happens
01:17:21to
01:17:21you?
01:17:22My
01:17:23time
01:17:23here
01:17:24is
01:17:24done.
01:17:25Eleanor's
01:17:26legacy
01:17:26is
01:17:26complete.
01:17:28This
01:17:28house
01:17:29is no
01:17:29longer
01:17:30prison.
01:17:30It's
01:17:30free
01:17:31as
01:17:32are
01:17:32all
01:17:33of
01:17:33you.
01:17:34But
01:17:35remember
01:17:35Eleanor's
01:17:37legacy
01:17:37was
01:17:38never
01:17:38about
01:17:39ending
01:17:40the
01:17:40cycle.
01:17:41It
01:17:41was
01:17:41about
01:17:42giving
01:17:42you
01:17:43the
01:17:44chance
01:17:44to
01:17:44live
01:17:44beyond
01:17:45it.
01:17:46We'll
01:17:46live.
01:17:47We'll
01:17:47make
01:17:47sure
01:17:47it
01:17:47wasn't
01:17:48all
01:17:48for
01:17:48nothing.
01:17:49You
01:17:50freed
01:17:50this
01:17:51place
01:17:51and
01:17:52yourselves.
01:17:53Eleanor
01:17:53would
01:17:53be
01:17:54proud.
01:17:54She
01:18:00was
01:18:00so
01:18:01close.
01:18:02If
01:18:02she
01:18:02just
01:18:03had
01:18:03more
01:18:03time.
01:18:07She
01:18:08left
01:18:08us
01:18:08a
01:18:09legacy.
01:18:10She
01:18:10left
01:18:11the
01:18:11tools
01:18:11to
01:18:12finish
01:18:12what
01:18:12she
01:18:12started.
01:18:15I
01:18:16know,
01:18:17but
01:18:17if
01:18:18we've
01:18:18been
01:18:19here
01:18:19sooner,
01:18:20maybe
01:18:20we'll
01:18:20just
01:18:20save
01:18:21her
01:18:21from
01:18:21She
01:18:22made
01:18:22her
01:18:22choice,
01:18:24Lila.
01:18:24Just
01:18:25like
01:18:25we
01:18:25made
01:18:25ours.
01:18:27We
01:18:27cannot
01:18:27change
01:18:28the
01:18:28past,
01:18:29but
01:18:30we
01:18:30can
01:18:30live
01:18:30our
01:18:30honor
01:18:31from
01:18:31now.
01:18:33You're
01:18:34right.
01:18:35We
01:18:35have
01:18:35our
01:18:36own
01:18:36papers
01:18:36now.
01:18:45We
01:18:46made
01:18:46it
01:18:46through.
01:18:48But
01:18:48what
01:18:49comes
01:18:49next?
01:18:49let's
01:19:15see
01:19:16where
01:19:16it
01:19:16takes
01:19:16us.
01:19:22Everything
01:19:22is
01:19:22different
01:19:22now.
01:19:23No
01:19:23more
01:19:24shifting
01:19:24spaces.
01:19:26And
01:19:27no
01:19:27more
01:19:27feelings
01:19:27like
01:19:28we're
01:19:28in
01:19:28some
01:19:28endless
01:19:29nightmare.
01:19:29It
01:19:30feels
01:19:30like
01:19:31the
01:19:31weight
01:19:32of
01:19:32the
01:19:32world
01:19:32has
01:19:33lifted
01:19:33off
01:19:33our
01:19:33shoulders.
01:19:35You've
01:19:35broken
01:19:35the
01:19:35cycle,
01:19:36but
01:19:36at
01:19:37great
01:19:37expense.
01:19:39Eleanor
01:19:39gave
01:19:40everything
01:19:40she
01:19:40had
01:19:41to
01:19:41try
01:19:41to
01:19:41set
01:19:41you
01:19:42free.
01:19:42And
01:19:43in
01:19:43the
01:19:43end,
01:19:44you
01:19:44did
01:19:44what
01:19:44she
01:19:44couldn't.
01:19:45you
01:19:46ended
01:19:46the
01:19:46whale
01:19:47reign
01:19:47over
01:19:48this
01:19:48place.
01:19:49We
01:19:50found
01:19:50peace.
01:19:51It
01:19:51wasn't
01:19:52easy,
01:19:52but
01:19:53we
01:19:53did
01:19:53it.
01:19:54So
01:19:54we
01:19:55can
01:19:55just
01:19:55continue
01:19:56the
01:19:56way
01:19:57with
01:19:57the
01:19:58knowledge
01:19:58that
01:19:58we
01:19:58gained.
01:20:00Rest
01:20:00is
01:20:01up
01:20:01to
01:20:01us.
01:20:06This
01:20:07is
01:20:07where
01:20:08we
01:20:08part
01:20:08ways,
01:20:09I
01:20:09guess.
01:20:10It
01:20:11doesn't
01:20:11have
01:20:11to
01:20:12be.
01:20:13We
01:20:13can
01:20:13visit.
01:20:15We'll
01:20:16always
01:20:17have
01:20:17this
01:20:17place
01:20:18as
01:20:19a
01:20:19part
01:20:19of
01:20:19our
01:20:19story.
01:20:21In
01:20:21the
01:20:21mystery
01:20:21of
01:20:22the
01:20:22end,
01:20:22we'll
01:20:22live
01:20:23with
01:20:23our
01:20:23memories
01:20:23forever.
01:20:25Maybe
01:20:25it's
01:20:26time
01:20:27to
01:20:27make
01:20:27new
01:20:27stories.
01:20:41Maybe
01:20:42this
01:20:42will
01:20:42always
01:20:43be
01:20:43a
01:20:43reminder
01:20:43even
01:20:44when
01:20:44shadows
01:20:45envelop
01:20:45us
01:20:46there
01:20:46is
01:20:46always
01:20:47light
01:20:47to
01:20:47dispel
01:20:48the
01:20:48shadows.
01:20:54It
01:20:55was
01:20:55about
01:20:55truth,
01:20:56not
01:20:57the
01:20:57kind
01:20:57that
01:20:57gets
01:20:57published
01:20:58or
01:20:58reported,
01:20:58but
01:20:59the
01:20:59kind
01:21:00that
01:21:00sets
01:21:00you
01:21:00free.
01:21:06She
01:21:07gave
01:21:07me
01:21:07the
01:21:07keys
01:21:07to
01:21:08understanding,
01:21:08and in
01:21:10return,
01:21:10I'll
01:21:11live
01:21:11with
01:21:11her
01:21:12sacrifice
01:21:13and
01:21:13live
01:21:14well.
01:21:20I
01:21:21spent
01:21:21years
01:21:22trying to
01:21:22make sense
01:21:23of the
01:21:23darkness,
01:21:23but I've
01:21:24learned
01:21:25the darkness
01:21:26isn't always
01:21:27evil.
01:21:28Sometimes
01:21:29they're
01:21:30reflections.
01:21:32It's
01:21:32easier to
01:21:33create
01:21:33when you
01:21:34understand
01:21:34the light,
01:21:35and now
01:21:36I
01:21:37can.
01:21:42This
01:21:43place
01:21:43gave me
01:21:44the
01:21:44strength
01:21:44to
01:21:45find
01:21:45myself
01:21:45again.
01:21:46The
01:21:46veil
01:21:47is
01:21:47no
01:21:47more.
01:21:48Time
01:21:48for
01:21:48new
01:21:49beginnings.
01:21:50This
01:21:51is more
01:21:51than a
01:21:51hotel.
01:21:53It's
01:21:53a home,
01:21:54a safe
01:21:54place.
01:22:05A
01:22:06refuge
01:22:07THATG
01:22:11n
01:22:19knows
01:22:21what
01:22:21you
01:22:21know
01:22:21that
01:22:22it's
01:22:23a
01:22:23place
01:22:23in
01:22:24Miami
01:22:24and
01:22:24there
01:22:25are
01:22:26tents
01:22:26up
01:22:26them
01:22:27and
01:22:28together
01:22:30the
01:22:31dust
01:22:32they
01:22:33are
01:22:33φο
01:22:34them
01:22:34do
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