- 2 days ago
"Crossing Campus Lines" is a classic college comedy where identity, ambition, and hilarity collide. When a male student enters an all-girls college under disguise to help win a publicity contest, he unintentionally sparks chaos, romance, and unexpected friendships. Set in the golden age of campus life, this film mixes clever satire with gender-swapping mischief, spotlighting the blurry lines of tradition and transformation in academia.
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Short filmTranscript
00:00THE END
03:04Hey, Tiger, you're out of step.
03:12Hey, Tiger, you're out of step.
03:24Hey, Tiger, you're out of step.
03:26Hey, Tiger, you're out of step.
03:34I'm the chap with a chip on my shoulder
03:38When anyone looks at you
03:46I'm the chap with a chip on my shoulder
03:50When anyone looks at you
03:54How my muscles swell in the throes of jealousy
03:58I'm the chap with a chip on my shoulder
04:00How my muscles swell in the throes of jealousy
04:04I may not be six feet two
04:07Having Samson's hair is true
04:10But I'm a chap with a chip on my shoulder
04:13When anyone looks at you
04:18That's it, ma'am. And the audience gave him a great big hand, too.
04:21Of course, for the boys, it was just another show.
04:23But for Christian, it was great publicity.
04:25How'd that... empty.
04:27That's very interesting, Mr. Holden.
04:29Pardon?
04:30Coming from a newspaper man
04:32But I'll have no cheap, undignified publicity at Marbury
04:36But it isn't undignified, Auntie
04:38I can't understand why we don't have more students
04:42Well, it's because our girls are...
04:44Well, men won't even come to our proms
04:46Sure, you need regular girls
04:48Not a lot of petunia putters
04:49Girls with zip
04:50Let me remind you both
04:52That through the study of nature
04:54My girls develop well-rounded minds
04:57Minds
04:58Minds they can live with the rest of their lives
05:00But, Auntie, a girl doesn't want to live with a mind
05:03She wants to live with a husband
05:05Virginia
05:06Uh, listen
05:07Would you be willing to give away twelve scholarships?
05:10To twelve unusual girls?
05:12Well...
05:13If it would help my school?
05:15Yes
05:18It will
05:19I hope so
05:20But I wonder...
05:21You don't have to wonder any longer
05:23There they are
05:24You need girls like that
05:25Look them over
05:26There's the Watermelon Queen
05:27The Pumpkin Queen
05:28The Orange Queen
05:29The Lemon Queen
05:30The Strawberry Queen
05:31Millions of them
05:32What lovely tomatoes
05:34Why is she called the Tomato Queen?
05:36Because she grew them herself
05:38That's how she won the title
05:39Really?
05:40Hmm
05:41She's a very pretty girl too
05:44Empty
05:45Sure
05:46There's queens like her all over this country
05:48We could pick twelve
05:49And give them memberships
05:50And scholarships to Mar Bryn
05:51Yes, Auntie
05:52And they'll all be so outstanding
05:54Well
05:55It doesn't seem beneath the dignity of Mar Bryn
05:58We could call them
06:02The girls
06:04Most likely to succeed
06:05That's swell
06:06Now all we need is some quick notoriety
06:07Enough to get...
06:08Quiety?
06:09But dripping with dignity
06:10Like a public announcement
06:11You know
06:12The way Harvard lampooned Hollywood
06:14Let me think
06:16Let me think
06:20I've got it
06:23We'll pick on the men
06:24Least likely to succeed
06:25Do you mean
06:26Those mentally undernourished males
06:28At Quinston
06:29Cavorting as girls?
06:30The Zeta Boys
06:31Great Auntie
06:32I mean
06:33Pardon me
06:34Write an article for your paper about them
06:35And spread it on thick
06:36Call them dumbbells
06:37Call them anything you like
06:38And I'll see if the press picks it up
06:40Now make them look ridiculous
06:41And we'll head the article
06:43Men least likely to succeed
06:45But do you think we should?
06:46Perhaps they will succeed
06:48Oh, don't be silly
06:49Everybody knows that Quinston men don't succeed
06:52They inherit
06:53Hey fellas
06:54Get a load of this
07:03Can you imagine that?
07:04Some hick girls college is putting us on the pan
07:06Where's Henry?
07:07I'm coming mother
07:08Some heck girls' college is putting us on the pan.
07:11Where's Henry?
07:13I'm coming, Mother.
07:17Now, look, we know you're the world's greatest dramatic actor,
07:19but this is serious. Quit hamming, will you?
07:21Listen, girls, are you interested in horticulture?
07:24Perhaps you will be one of this season's festival queens
07:26to win a scholarship to Marbrin.
07:28Send us your pictures and credentials.
07:30They're just taking a crack at us to advertise their scholarship award.
07:33We've got to do something about it.
07:35That's right.
07:35Yeah.
07:35Well, I know what Gary Cooper would say.
07:39He'd, uh, he'd say, uh, I, uh, I don't know how you people do things here,
07:45but, well, uh, well, back where I come from, we act.
07:51Yeah.
07:52Now, uh, now, wouldn't it be too bad if this scheme up there
07:54should backfire some way?
07:56Yeah, backfire.
07:59What's on your mind?
08:00Why, uh, why, some way to turn the tables
08:04on account of we won't let ourselves be treated that-a-way.
08:08That's it.
08:09And we've had plenty of experience.
08:11We all just finished impersonating girls.
08:13Suppose one of the Marbrin candidates
08:15turns out to be a boy.
08:18Then one of us would go to Marbrin
08:20as a contest winner.
08:22And you, Henry, are great at invitations.
08:28Oh, no, not me.
08:29I only impersonate men.
08:31Well, get a pack of cards and we'll cut for it.
08:38That was a great idea, Bob.
08:41Do you think it's possible?
08:42Oh, wouldn't that be something?
08:44Gee, can you imagine being in a girl school?
08:50I don't want to go.
08:58I'll frame him.
08:59You will think of something dirty, Mr. Bergen.
09:02You always do.
09:03Yes, but what?
09:05He's the one to go.
09:06Well, give him the business.
09:07Give him the business.
09:09Now, if I were in your place, I'd certainly-
09:11Charlie, nothing crooked.
09:13Why, Mr. Bergen, I'm a man of high honor.
09:16How could you even-
09:16Charlie, answer my question.
09:18Yes, but you don't, Charlie.
09:19Charlie, oh, well, Charlie, oh, well.
09:23Uh, yes, Darcy.
09:26And besides, you've got a deck of cards, haven't you?
09:34Charlie McCarty.
09:37We'll fake a swell picture of a girl with her arms full of flowers.
09:40Which, naturally, she grew herself.
09:42You know, the beauty type-
09:43Well, uh, we're willing to take our chances.
09:47And, uh, Bob, as president of the fraternity, I think it's only right that you take the first card.
09:52Oh, well, there's no-
09:53Yeah, and one who gets the first ace goes.
09:56First ace?
09:57Yeah.
09:57Agreed?
09:58Right.
09:59First ace.
09:59Go.
09:59Take your pick.
10:02Well.
10:02You're afraid.
10:03Yeah.
10:04It's kind of important, you know.
10:10Oh, of course I had that.
10:11Well, uh, let's make it two out of three.
10:13Oh, no, no, no.
10:14You won and you go.
10:15As queen of the flowers.
10:17I see.
10:18Madame.
10:19And Marbrand expects you to do a good job.
10:21And we know you won't let us down.
10:23Oh, I'm hooked.
10:23Well, that's all right, Bob.
10:26After all, it should be right up your alley.
10:28Ah.
10:29Hey.
10:30Hey, look.
10:31Ace, ace, ace, ace, ace, ace, ace, ace, ace, ace, ace, ace, ace, ace, ace, ace, ace.
10:36Hey, hey, hey.
10:37Hey, look.
10:37They're alive.
10:44Here's another lovely tomato, queen.
10:47Mm-hmm.
10:47Nice.
10:48I see.
10:49There's watermelon, strawberry, pickle, potato, carrot, orange,
10:53lemon, and all queens.
10:56Spinach.
10:57The tobacco queen.
10:59Just to be an all-American girl.
11:01Isn't she beautiful?
11:03What a lovely turkey.
11:05Give me the girl, and I'll give you the bird.
11:08Well, that's satisfactory.
11:10I never realized there were so many lovely girls
11:13with such amazing talents.
11:15Listen, there's only, uh, only 11 here.
11:17We need one more.
11:18Well, we have fruits and vegetables.
11:21Flowers must be represented.
11:23I'll take this one.
11:27Queen of the flowers.
11:29Bobby DuBois.
11:31That's a very interesting face.
11:33That's fine, Auntie.
11:34Don't call me Auntie.
11:36Oh, I'm sorry.
11:37But what I was going to say, uh, was, uh,
11:39with all these pretty girls,
11:40you'll have to relax a little and let some boys on the campus.
11:43Never.
11:44No men on the campus during school hours.
11:46Not while I'm president of Marbury.
11:48Well, I'm a man.
11:50You're safe.
12:02Hey, what's new guys?
12:03Come here.
12:04Come here.
12:04I want to show you something.
12:05Hey, shh, fellas.
12:06Here he comes.
12:07He's coming.
12:08Is he in a good mood?
12:09Oh, I don't know.
12:10But it sure wasn't when we were helping him into her clothes.
12:12Let go of me, will you?
12:16I'm not going to run away.
12:18The fraternity will never forget this.
12:20It was your idea, and you're the only one that could do it.
12:23Make Marbury look like a sucker.
12:24Yeah, sucker is right, and I'm it.
12:26And I'm not going to go through it.
12:27Oh, yes, you will.
12:28Oh.
12:29Don't trip again there, dearie, or we'll give you the words.
12:42Watch your little temper.
12:43Oh, you can't back out now.
12:45Besides, you look like Ginger Rogers.
12:47More or less.
12:48And think of all the fun you'll have.
12:49Yeah, fun.
12:50I'll probably land in jail.
12:51Oh, now, wouldn't that be too bad?
12:54Now, remember, you're doing this for Zeta.
12:56We'll all be rooting for you.
12:57We know you can do it, so don't let us down.
13:01And don't forget the rights.
13:05Bobby, look, look.
13:14That must be she there.
13:16Yes, sir.
13:17And a honey.
13:20Miss Bobby DeWolf from Quiston Community.
13:23Queen of the flowers.
13:25Welcome to Marbury's special.
13:27Oh, huh?
13:28Now, don't forget.
13:29Keep that bare-tone trap of yours shut.
13:31Pretend like you've got a sore throat or something.
13:33Come, come, Mr. Wolfe.
13:34Got to be going.
13:36Oh, maybe you'd better kiss your friends goodbye, huh?
13:38Yeah.
13:41Goodbye, dear.
13:43There we go.
13:44Now we're off.
13:46My goodness, but you do have a lot of boyfriends.
13:49Just brothers.
13:50Just brothers.
13:51Come on, my, my.
13:58All aboard.
14:00Oh, hello, honey.
14:01Hello.
14:02Here you are, right up here at number two.
14:04Now, listen.
14:05I want you to get a good night's rest and take care of that throat, Bobby.
14:09If I may call you that.
14:10Uh, honey, you know you're different than these other girls around here.
14:16Oh, you go up.
14:19Let me help you up.
14:20Oh, no, you don't.
14:22I'll get a letter.
14:23Yes, sir.
14:40Oh, early to bed and early to rise.
14:59That surely applies to me.
15:01Don't have to count sheep to put me to sleep.
15:05It's easy as ABC.
15:06When I rise and open my eyes, don't need an alarm clock's chime.
15:14Believe it or not, I'm up like a shot when it's past my dreamin' time.
15:24I'm up at the crack of dawn whistlin', singin'.
15:30Have, have, thoon, thoon, thoon, thoon, thoon, thoon, thoon.
15:45Never saw the sky look quite so blue after dreamin' all night of you.
15:49When I wake with your kiss on my lips
15:54All my cares are in a total eclipse
16:00I'm up with a cheery yarn
16:03Whistling
16:04Singing
16:06All your sweet erasers linger on
16:10So whistle and sing
16:12Cause there is nothing that I lack at the crack of dawn
16:15I'm up at the crack of dawn
16:18Whistling
16:19Singing
16:22Da-dee-da-da-da-da
16:24Cheerful as the sunbeams seeping through
16:26After dreaming all night of you
16:28I'm up at the crack of dawn
16:31Whistling
16:32Singing
16:34Da-da-da-da-da-da
16:36Never saw the sky look quite so blue
16:38After dreaming all night of you
16:40When I wake
16:42Eyes are waking with your kiss on my lips
16:46On my kiss
16:47Awful gatherin' a total eclipse
16:51I'm up with a cheery yarn
16:54Whistling
16:55Singin'
16:57Oh daddy
16:59All your sweet embraces linger on
17:02Whistling
17:02Sing
17:03There is nothing that I lack at the crack of dawn
17:06There is nothing that I lack at the crack of dawn
17:06We're up at the crack of dawn
17:09Whistling
17:10Singin'
17:12Singin'
17:13Da-da-da-da-da
17:14Cheerful as the sunbeams seeping through
17:17After dreaming all night of you
17:19We're up at the crack of dawn
17:22Whistling
17:22Singin'
17:25Da-da-da-da-da
17:27Never saw the sky look quite so blue
17:29After dreaming all night of you
17:31When I wake
17:33Whistling
17:35On my lips
17:36All my hands
17:38Are in a total eclipse
17:40Oh we're up with a hurry
17:43On whistling
17:45Singin'
17:46Singin'
17:47Singin'
17:48Singin'
17:49All your embraces linger on
17:51Whistling
17:52Whistling
17:53Sing
17:54Da-da-da-da
17:55Whistling
17:56And relaxin'
17:57And the crack of dawn
17:59Oh
18:00Oh
18:01Great
18:02Come
18:12Come come dearly
18:13We're here now
18:13Coming
18:14Coming
18:15Coming
18:32And now girls to your dormitory assignments
18:53And I hope you'll all be very happy at Marbury
18:56Well I'll be seeing you all
18:58Or will I
18:59Now Bobby dear come with me
19:01We're very much concerned about this throat of yours
19:04Oh
19:05Oh
19:06Oh not that door my dear
19:07That leads to the basement
19:08The one opposite
19:09Do we feel like sharing a room
19:11Or would we rather be alone
19:12Alone
19:13Please
19:14It's a very nice little room
19:15Right next to mine
19:16Do we feel well enough to stay up
19:18Or would we rather go right to bed
19:20Oh to bed
19:21Of course if you'd rather
19:22We can send you up to the infirmary
19:24For a complete examination
19:26Oh no no
19:27I uh
19:28I'm just a little hoarse
19:29Of course
19:30We do sound more like a mule
19:32Or
19:33Feel more like a jackass
19:38Gosh
19:39Boy I'm gonna get out of here
19:41Ah
19:42Oh
19:43Oh
19:44Oh
19:45Goodness me Bobby
19:46What are you doing
19:47Well
19:48My throat is cold
19:49I'm
19:50I'm just keeping it warm
19:51Oh is that all
19:52Well look
19:53Do something for me will you
19:55I just can't seem to do anything
19:56With these
19:57Fix them for me please
19:58Well
19:59What do you want me to do with this
20:00Well just fix my hair silly
20:03Say you know what
20:04I met a Zeta at Midwest over the phone
20:05Gee he sounded grand
20:06He asked me for a date Saturday night
20:07He has a friend
20:08Wanna come
20:09Well we could sneak out of here I betcha
20:10Well I know how those Zetas work
20:12Well you do have to be quick but oh boy it sure is fun
20:14Well goodbye now
20:16Goodbye
20:17Goodbye
20:18You never know what
20:19I met a Zeta at Midwest over the phone
20:21Gee he sounded grand
20:22He asked me for a date Saturday night
20:24He has a friend
20:25Wanna come
20:26Mm-mm
20:27Well we could sneak out of here I betcha
20:28Mm-hmm
20:29Well I know how those Zetas work
20:30Well you do have to be quick but oh boy it sure is fun
20:33Well, I know how those seders work.
20:36Well, you do have to be quick, but, old boy, it sure is fun.
20:40Well, goodbye now. Goodbye.
20:43You look very lovely.
20:46Goodbye.
20:53I'm Virginia Collins. Welcome to Marvren.
20:57Is there anything I can do for you?
21:00I hear you have a pretty sore throat.
21:02Yes, very pretty.
21:04I mean, yes, it's very sore.
21:07Have you garbled?
21:09What on earth do you have here?
21:11It's just sort of, well, just laundry.
21:15Oh.
21:16Well, I came to tell you about the staying over by the bell tower.
21:19Too bad you can't come because of your throat.
21:21Oh, it feels much better.
21:23Well, if you do come, be quiet.
21:24It's against the rules, and Andy doesn't like it.
21:27Well, I'm awfully sorry about your throat,
21:30and I can understand why you want to be alone.
21:32But it's too bad because we were supposed to be roommates.
21:34Uh-huh.
21:55What the earth are you doing?
21:57Oh, just, just breaking in a new pair of pajamas.
22:00Oh, naughty, naughty, with your throat.
22:03To bed with you. Come.
22:04Oh, no.
22:05Oh, yes, yes.
22:06Oh, yes, yes.
22:07You have a very serious condition.
22:09Oh.
22:10Now, let me tuck you in.
22:13Oh.
22:14Shall I rub your chest?
22:16Oh, no.
22:17Oh, no.
22:18Oh, no.
22:19Oh, my.
22:20Oh, my.
22:21Everything is so messy.
22:24Don't you dare get out of that bed, young lady!
22:26Come on, lady.
22:50Get your clothes around here.
22:52What is this?
22:54Well, these is men's pants. What they doing here?
22:56They ain't got no business here.
22:58And a man's coat?
23:00Well, where'd these things come from?
23:03Uh-oh, here's his shoes.
23:04I'm gonna call Miss Matilda and tell her all about this.
23:11Hello?
23:12Uh, Miss Matilda?
23:14There's a man's clothes done come down this chute.
23:17Uh, what, ma'am?
23:19Uh-uh, no, no, ma'am.
23:23I'm sure, of course I'm sure.
23:25These here clothes ain't made out of no organdy.
23:28Uh-uh, no, ma'am.
23:33Uh, excuse me, Miss Matilda.
23:35I must have left the washing machine going.
23:37At least I hope so, I did.
23:39Uh-uh, Miss Matilda, as I was saying, there was a man's shoes.
23:55There was shoes, but they must have walked off by the set.
23:58Uh, listen, Miss Matilda, there's something going on here that ain't the way I lights it.
24:03Now the ironers are going.
24:05My, my, Miss Matilda, it must be my nerves.
24:10Uh, hold a while while I turns off the ironer.
24:14No, ma'am, I ain't crazy.
24:29Miss Matilda, did y'all ever find your hoodie or the collar?
24:33I think he's here or somebody's here.
24:35Yes, ma'am.
24:36I'm going to get some.
24:37I goes to cut the, the ironer off and the shirt and the shoes is gone.
24:40Yes, ma'am.
24:41It was just like this.
24:42See?
24:43I goes over to the ironers and cut it off and the shirt's gone.
24:46And then I goes to the washing machine and the shoes is gone.
24:50Ah, this place is haunted.
24:52Listen, Miss Matilda, before your ex-washed lady leaves here,
24:55y'all better come down here and get these pants.
24:57I just can't stay in this place no longer.
25:00I go crazy.
25:01I just can't stay here.
25:03Ah, this is awful.
25:05My neck, all the washing machine is going.
25:11I never see them break like this.
25:13Miss Matilda, it's my Miss Jasper.
25:15Oh, yeah, I told they cut me.
25:17Ah, Miss Matilda, come and get me please.
25:19Miss Matilda, it's...
25:21What is going on in here?
25:22Are you crazy?
25:23Come on.
25:24Earth is wrong.
25:25Now, what's all this talk about pants?
25:27Where are they?
25:28I don't know where they is, but I sure know where they ain't.
25:31What is the matter with you?
25:32It ain't nothing a matter with me.
25:34First the shirt and the shoes goes by itself,
25:36then the washing machine and the iron goes by itself,
25:38then the pants go by itself.
25:40Now I'm going by myself.
25:42Goodbye, Miss Matilda.
25:44Out of the silence, come and cling to me.
25:54Out of the silence, come and cling to me.
26:02To feel that feeling of resentment when you're near,
26:16and that feeling of resentment will disappear.
26:30Out of the silence, come and cling to me.
26:38Out of the silence, come and bring to me.
26:46That feeling of contentment when you're near,
26:54and that feeling of resentment will disappear.
27:00When out of the silence, comes the sound of your voice.
27:14My heart goes leaping.
27:18I can't help but rejoice.
27:24I'm up in heaven from the bottom of the sea.
27:34My heart goes leaping.
27:36My heart goes leaping.
27:38I can't help but rejoice.
27:40My heart goes leaping.
27:42My heart goes leaping.
27:44My heart goes leaping.
27:46My heart goes leaping.
27:48My heart goes leaping.
27:50My heart goes leaping.
27:52I can't help but rejoice.
27:54I love you all
27:59And I know the day that I am now the day gone
28:07I'm off in heaven
28:10From the bottom of the sea
28:18When are all the silence
28:23You come to me
28:32Above the silence
28:36Comes the sound of your voice
28:41My heart goes leaping
28:45I can't help but rejoice
28:51I'm off in heaven
28:55From the bottom of the sea
29:02When are all the silence
29:08You come to me
29:11When are all the silence
29:17You come to me
29:21When are all the silence
29:23When are all the silence
29:24You come to me
29:26When are all the silence
29:28You come to me
29:30When are all the silence
29:32You come to me
29:34Miss Latilla's coming
29:35Back to the dormitories girls
29:36Hurry back to the dormitories
29:37Shhh
29:43What are you doing here
29:45I came to see you
29:46But right now I'm holding the bell cord
29:48Quiet or she'll hear you
29:51I never saw you in my life before
29:53Well I've seen you
29:55I've seen you
29:56I want to help you with this presentation
29:58My name's Bob Shepard
29:59You see I'm interested in a way
30:01Through Bobby DeWolf
30:02Oh
30:04Oh that is just professional
30:06I taught her to sing and dance
30:07Confidentially though I don't like her much
30:10Not after I saw you Virginia
30:12How did you know my name?
30:14Oh I know a lot of things
30:16Say say would you mind holding this just for a minute
30:20Careful now it's heavy
30:24Now you know you can't let go of that
30:27Or the bell will ring and wake up the whole town
30:29And the old girl will hear it
30:30And come and find us here together
30:33What's the matter with you?
30:34You aren't going are you?
30:35No no no no no
30:36Just trying to resist temptation
30:38You see there's a little red man with horns behind me
30:40Aging me on
30:41Pushing me with his pitchfork
30:43Showing me forward forward
30:45Like this
30:47I don't see him
30:49Well he's there
30:58Now was that nice?
30:59Elegant
31:01Well wait
31:03I mean
31:04Perhaps I'd like to get in on this myself
31:08Oh lady
31:10Now you can hold it for the rest of the night
31:13What a dirty trick
31:16Well good bye Bob
31:17Listen if you leave so help me
31:19I'll let go of this rope
31:20You can let go any time
31:21That bell hasn't worked in 14 years
31:23Boy how do you like that huh?
31:37It's terrific
31:38Gee
31:39Glamorous addition to more Brim's fall festival
31:44Get a load of that guy
31:46He's doing all right
31:48Good morning
31:50Good morning
31:51Well looks like all our little girls are as busy as be
31:54Good morning Mr Holden
31:55Good morning honey
31:56You know we're going to rehearse our presentation in here
31:58Is that so?
31:59Well girls are we all ready?
32:01Oh Mr Holden do you really think these spots mean anything?
32:06I don't know but I called the doctor
32:09You wouldn't get spots at a time like this
32:12Has anybody seen Bobby?
32:14I'm worried about her she was out all night
32:16Well don't say anything keep it quiet
32:18Hello fellas
32:19Look fellas be reasonable can't you?
32:22I know I promise but I've fallen in love with the girl
32:25She's like orchids covered with dew like oh like moonlight and violin she's
32:31Hey now wait a minute Bob
32:33Hey fellas looks like love has crossed us up
32:37Hey we can't let them quit now
32:39Now look you took an oath in love or no love we can't let you get out of it
32:43We'll send some of the local Zeta boys over to keep him from walking out
32:46Right
32:47Now listen Bob
32:50Wait a minute
32:52It's only me Virginia
32:55I'll be there in a minute
32:56I gotta quit I'm caught in the hothouse spent the night here
32:59Wait a minute Virginia
33:08I thought Bobby was
33:10Oh look Virginia I know it looks bad but
33:13Well just trust me huh
33:15And I believed you last night
33:17Oh now
33:18For Bobby's sake you better get out of here right now
33:20Virginia
33:24Are you sure those spots mean what you said?
33:26You can't quarantine the whole school you know
33:28What about our presentation?
33:29There's nothing I can do
33:31Miss Bunny has measles
33:32Must be put to bed at once
33:34And the school is under quarantine
33:36Sorry
33:37Too bad
33:39Just too bad
33:41Poor kid
33:50Oh it just wrecks all of our plans
33:52That's a pity
33:53It's an awful pity
33:54The very first time we try something like this
33:57Well couldn't we postpone the presentation?
34:00No no you can't do that
34:01We spawned a publicity angle
34:02We'll just have to make the best of it
34:04I just knew something like this would happen
34:07I'm sorry Andy
34:09There must be something we can do
34:11There it is
34:12You can have your presentation
34:14Have it in here
34:15You know you can't catch measles from behind glass
34:18Who are you young man?
34:19I'm qualified to stage your presentation
34:21I figured a presentation to my own
34:22I know what to do and how to do it
34:24Now we can move all these ferns and plants out of one end
34:28And have sort of a stage
34:29Or we might even make costumes out of the plants
34:31Yeah this is the place alright
34:34Well what do we do now?
34:36Oh now look
34:37Our Zeta brothers at Quinston say the guy's here disguised as a girl
34:41We just keep our eyes peeled
34:43And when we find him we give him the work
34:45See?
34:47Get a load of that over there
34:49Yeah?
34:54Well how do we get in?
34:56Huh?
34:57Oh ho get in
34:59Well dear I got it
35:00We'll grab one of these
35:01Come on you get one
35:02Oh
35:06Go on
35:10Wait a minute
35:11I can't get in that way
35:29Hey we should quit playing around
35:36Well
35:37Say we've been here three days and we haven't found that phony dame yet
35:39I know I know
35:40I've been trying though ain't I?
35:41Yeah
35:42Trying to make dates with them
35:43Goodbye now
35:44Goodbye Bobby
35:45Hey wait a minute
35:46I got an idea
35:47Ahem
35:49Ahem
35:50How are you beautiful?
35:51Oh hello
35:52Go on get out of here will ya?
35:55Um
35:56Bobby
35:57Yes?
35:58Why don't you like me?
35:59Oh I like you
36:00But I've seen you with the other girls
36:01Oh
36:02You play too rough
36:03Uh
36:04Bobby
36:05Yes?
36:06Can you keep a secret?
36:07Uh huh
36:08Uh huh
36:09Can you keep a secret?
36:10Uh huh
36:11Uh huh
36:12Bobby
36:13Yes?
36:14Can you keep a secret?
36:15Uh huh
36:16Well uh
36:17I had to do that you know be a little rough with the girls
36:18Oh
36:19You should learn to control yourself
36:20No no no no
36:21It's nothing like that but Bobby
36:22Yes?
36:23You know there's a man here disguised as a girl
36:25Oh
36:26You should learn to control yourself
36:28Oh no no no
36:29It's nothing like that but Bobby
36:30Yes?
36:31You know there's a man here disguised as a girl
36:32Oh no no no no
36:34Oh
36:35Oh
36:36Oh
36:37Oh
36:38Oh
36:39Oh
36:40Oh
36:41Will you please get out of here?
36:42Go on scram
36:43Oh
36:44Oh
36:45Where am I?
36:46Well
36:47Kill with me
36:48Uh huh
36:49Uh huh
36:50Uh huh
36:51Uh huh
36:52Uh huh
36:53Uh huh
36:54Uh huh
36:55Uh huh
36:56Uh huh
36:57Uh huh
36:58Uh huh
36:59Uh huh
37:00Uh huh
37:01Uh huh
37:02Uh huh
37:03Uh huh
37:04Hey baby
37:05Oh
37:06Oh dear
37:07Oh
37:13What's the matter Bobby?
37:14I won't hurt you
37:15That's what I'm afraid of
37:17Will you scram your cramp in my style?
37:20Yeah
37:21I get it
37:22Oh Bobby
37:23You're such a lovely girl
37:24Oh Bobby
37:26Oh
37:27Oh Bobby
37:28Oh
37:29Oh Bobby
37:30Oh
37:31No you don't
37:32Oh no Bobby
37:33Oh
37:34Oh
37:35Oh
37:36Oh
37:37Oh
37:38Oh
37:39Bobby
37:40Oh
37:41Hey
37:42Bobby
37:43Oh
37:44Bobby
37:45Oh
37:46Oh
37:47Oh
37:48That'll teach you not to play fast and loose with me
37:50Oh Bobby
37:51Let me up
37:52Please let me up
37:53Oh
37:54I don't see why you have to be so rough
37:56No rough
38:04Ticky
38:05Ow
38:06Bobby
38:07Ticky Ticky
38:08Ow
38:09Oh
38:10Ticky Ticky Ticky
38:11Oh
38:12Please let me up won't you Bobby
38:13Will you promise to be a gentleman?
38:14Oh yeah
38:15Bobby I'll promise anything
38:16All right now but remember your promise
38:18Oh
38:19Oh
38:20Oh
38:21Oh
38:22Oh
38:23Oh
38:24Oh
38:25Oh
38:26You little dickens
38:27Now I got you
38:28Oh no no no no
38:29Oh
38:30Hey hey hey hey hey
38:31What's the matter with you?
38:32What do you always keep coming around for?
38:33Just when I get going good didn't I?
38:35Ah
38:36Oh
38:45We're slaying them auntie
38:46We'll knock them cold
38:47Oh auntie
38:49What's this?
38:50Don't touch it
38:51That's a Dianea mascapula
38:52My my
38:53Do tell
38:54Venus trap
38:55Meat eating plant to you
38:56Mm
38:57Poor darling
38:58It's hungry
38:59I've been so busy I haven't had time to feed it
39:05Oh, thank you.
39:26Virginia, please. I want to explain.
39:29Explanations are not necessary.
39:31But Bob Shepard is...
39:32Please, you're only making matters worse.
39:34I am grateful to Bob Shepard for what he's done for Marbrin, but it ends there.
39:38Get into your costume. There's the overture.
39:40Virginia.
39:52Hurry up, operator, will you please?
39:56Hello, Quinston? Zeta House?
39:58Hello, you lugs. Thanks to you, I lost a girl.
40:02Yeah.
40:04Yeah, yeah.
40:06Yeah, I know.
40:08Am I? Of course I'm going through with it. I'll get revenge and plenty.
40:11Wait till you see the papers.
40:13Where's Bobby?
40:14Probably in there with her boyfriend.
40:16Well, you better get on the stage or follow this first number.
40:19Quick, quick, quick, quick, quick.
40:22Come on, we're ready.
40:23Yeah, all right.
40:24Okay.
40:32Great start.
40:33But what a finish.
40:34Mm-hmm.
40:35Tell your best photographers to get up overhead.
40:36It'll make a sensational finale shot.
40:37Now go ahead.
40:39Virginia, listen.
40:40I want to explain.
40:41I was going to repeat you.
40:42But a moment later, the show's on the stage.
40:43He got a bit of a great work.
40:44Max, you're a beautiful t-tailed actor.
40:45You'd have to come out of the stage.
40:47Yeah.
40:48But what a finish.
40:49Tell your best photographers to get up overhead.
40:50You'll make a sensational finale shot.
40:51Now go ahead.
40:52Virginia, listen. I want to explain.
40:54I was going to forgive you, but a moment after she...
40:56Well, you were with her.
40:58What are you planning to do to this show?
41:00Nothing, Virginia. It's just a...
41:02Oh, that's my music.
41:04Our peaceful countryside
41:06Is lonely as can be
41:08Someone I shall mention
41:10Merrits the attention
41:12Of the men
41:14Who write our history
41:16The poor farmer's daughter
41:18She's wasting her glamour and she's not alone
41:20I'm not alone
41:22I'm not alone
41:24I'm not alone
41:26I'm not alone
41:28I'm not alone
41:30I'm not alone
41:32I'm not alone
41:34I'm not alone
41:36She's wasting her glamour and charm
41:38Oh, Dobbin and a plow
41:40And a piggy and a cow
41:41Are the only ones left on the farm
41:43Oh, the poor farmer's daughter
41:46She once had a bow on each arm
41:48They took it on the lam
41:50Went to train for Uncle Sam
41:51And they left her alone on the farm
41:53Her papa says the crop of the year is the top
41:56But that doesn't ease her slumber
41:59What good is a crop
42:00When you beat one a hop
42:01You get rumba
42:03With an old cucumber
42:06Oh, the poor farmer's daughter
42:09She really has cause for alarm
42:11Old Dobbin and a plow
42:13And a piggy and a cow
42:14Are the only ones left on the farm
42:16The poor farmer's daughter
42:18She's wasting her glamour and charm
42:32Oh, what a job
42:34I've never get myself in a mess like this again
42:36Corsets, garters
42:38Oh, the poor farmer's daughter
42:39She once had a four on each arm
42:41She once had a four on each arm
42:42They took it on the lammer's paper
42:44I never get home
42:45I never get home
42:50Why, auntie
42:51It's going great, isn't it?
42:53Yeah
42:54But I better tell you
42:55Bunny got out
42:56Who?
42:57Bunny
42:58What's out?
42:59Bunny
43:00Where?
43:01Where?
43:02What?
43:03What?
43:04Oh, darn
43:06Did you see that?
43:10Canned bananas
43:11It's a double cross
43:12Bobby
43:13Bobby
43:14He's she
43:15She's he?
43:16There's a man loose in my school
43:17Can the photographer see him?
43:18We're sunk
43:19Yes
43:23What?
43:24Bunny
43:25Well, catch her
43:26Catch her
43:27When your feet wanna hop
43:28You can't rumble
43:30With an old cucumber
43:33Oh, poor farmer's daughter
43:35She really has thought for a lawn
43:38Old Dobbin and a plow
43:39And a piggy
43:40And a cow
43:41Are the only ones left on the farm
43:53Grab a toe stool and park it
43:55See the models from the farmer's market
43:58You'll find the price within reason
44:00Get a load of what's cookin' this season
44:03Number one on the style parade shops
44:09Will soon be sellin'
44:11Folk has named it
44:13The more the watermelon
44:15hi Bobby
44:16Well Bobby I wanted to tell ya some
44:17Ah
44:21Go jump in the lake
44:22Hi, Bobby.
44:32Oh, Bobby, I wanted to tell you something.
44:35Ah, go jump in the lake.
44:41Tiny! Tiny, I found him!
44:43That's him! That's him with those dresses on!
44:46Number two on the stop parade, not by Schiaparelli.
44:50Get that cabbage around my lady's shoulder.
45:13Come here, Tracy, come for a party in this lonely garret.
45:17Say, don't care, with our sheep's shoulder to the carrot.
45:24Come with me. I got a great idea.
45:27Now we offer a symphony, every note staccato.
45:32Our creation, temptation of the mothos.
45:38Now here's one, they will rave a cock name to California.
45:43Get that rhythm, it's in the groove, it's a corny.
45:49Remember, my kids, the sitting down zeta trick on the last note of music.
45:52Now don't let me down.
45:53Okay.
45:54Okay.
45:55Oh, my kids.
45:56Let me down.
45:57Hey, let me down.
45:58I'm gonna let you.
45:59Kill me.
46:00Oh, sorry.
46:01Awful sorry.
46:02Get out of here.
46:03Let's go.
46:06Sorry!
46:06Awful sorry!
46:08Get out of here.
46:09You realize now there never has been a Bobby DeWolf.
46:10And honey, don't worry about your show.
46:15Oh, sorry. Awful sorry. Get out of here.
46:18You realize now there never has been a Bobby DeWool.
46:21And, honey, don't worry about your show.
46:27The poor farmer's daughter.
46:29We got you now. We got you now, Bobby.
46:31Old Dobby and a flower and a piggy and a cow
46:34Are the only ones left on the farm.
46:36For the poor farmer's daughter.
46:39She once had a four-water tour.
46:42But they took it on the lam.
46:43Come on, Bobby. We got you now.
46:45Bobby, you shouldn't be here. You've got the measles.
46:49Bunny?
46:51Measles?
46:53What good is it when you just wanna hop?
46:55You get from the farm.
46:57What kind of gum?
46:58With that old cucumber.
47:00The poor farmer's daughter.
47:03We really had fun for a long.
47:05Old Dobby and a flower and a piggy and a cow.
47:09Are the only ones left on the farm.
47:12Are you happy with the show?
47:13Yes.
47:14But there's something I wanna say to you.
47:15Yes.
47:16But there's something I wanna say to you.
47:29You did marvelous.
47:30You did very good.
47:31Annie.
47:32Cut it down.
47:33I'm sorry you lost your revenge because of me.
47:44But you should have a public apology for Zeta.
47:47Oh, getting you is enough for me.
47:50But don't you think your friends will be angry when they see those publicity pictures?
47:54Oh, they'll understand.
48:01Boy, oh boy, how do you like that, huh?
48:03It's terrific.
48:05Gee.
48:24Gee.
48:25Gee.
48:26Gee.
48:27Gee.
48:28Gee.
48:29Gee.
48:30Gee.
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