- 7/24/2025
Full Episode Of Designed For Desire
Category
🎥
Short filmTranscript
00:00Coffee delivery girl trying to make ends meet.
00:02Little did I know, I'm about to land my dream job
00:05and meet the love of my life.
00:12Okay.
00:19This is insane.
00:24Hi, did anyone order these?
00:26Artless Pervert!
00:28You've got to be kidding me!
00:32Look, you've got it all over me!
00:34Do you have any idea how much this costs?
00:36And if they can't get it out...
00:37That's enough!
00:42You.
00:46In my office. Now.
00:48What?
00:57What's your name?
01:04Cecilia Brooks?
01:05Ms. Brooks.
01:06Ms. Brooks.
01:07Is there a reason why you came here to interview you as a designer dressed like this?
01:11Oh.
01:12I think you have the wrong idea, Mr.
01:14Um...
01:15Mercer.
01:17I'm not here for-
01:18I don't want to hear excuses.
01:26Change into this.
01:27Excuse me?
01:28Yolid thinks they're very fast-paced here.
01:29Excuse me?
01:30Yolid thinks they're very fast-paced here.
01:32I don't have time to ask twice.
01:34I don't have time to ask twice.
01:56I don't have time to ask twice.
02:22Hello? This is Cecilia.
02:24Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
02:28Until then, we cannot proceed.
02:30Okay, w-one second.
02:33Hello?
02:34Ms. Brooks?
02:35Shit.
02:40Who is this woman?
02:41His girlfriend or something?
02:43I wasn't done with my interview.
02:45We'll touch base soon, okay?
02:50Oh!
02:52Good luck.
02:55I thought you weren't interested.
02:57Take off your clothes.
02:58Right now.
02:59So, Ms. Brooks, what do you see in this room?
03:04So, Ms. Brooks, what do you see in this room?
03:21Well, it's deliberate, controlled, powerful. It's impressive, but...
03:25What?
03:26It's not... satisfying.
03:28Bold again.
03:29Tell me.
03:30How do you know it's satisfying?
03:31How do you know it's satisfying?
03:32Satisfaction lies somewhere in between.
03:34You think you can give me that?
03:36Think you can take the risk and find out?
03:37All yours.
03:38Hey.
03:39Hey.
03:40The women out there would do anything.
03:41The women out there would do anything.
03:42What?
03:43What?
03:44What?
03:45What?
03:46What?
03:47What?
03:48What?
03:49What?
03:50What?
03:51What?
03:52What?
03:53What?
03:54What?
03:55What?
03:56What?
03:57What?
03:58What?
03:59What?
04:00What?
04:01What?
04:02What?
04:03What?
04:04What?
04:05What?
04:06What?
04:07What's this?
04:08How are the daughters?
04:11Whatever?
04:13What's this?
04:17What's...
04:18What?
04:19What's this?
04:20How are you talking about?
04:21How are you talking about hyper talk?
04:22What?
04:23You don't know, you can't believe it through, too.
04:25The position's been filled. Go home.
04:30Get out!
04:31Damn. He doesn't have to be so rude.
04:47Pappy, your phone's upside down.
04:51Hi, how are you feeling?
04:53Hey, jubilation?
04:55I'm not doing too well, honey.
04:57Damn hospital postponed my surgery again.
05:00I'm so sorry, Pappy.
05:02I'm working things out with the hospital.
05:04I have some good news today, though.
05:07I'm sorry. I think that's my landlord. We have to go.
05:10Love you.
05:10Bye-bye.
05:13Oh.
05:15What the hell is he doing here?
05:18What are you doing here?
05:20Oh. What the hell?
05:22Hey. Whoa, whoa, whoa. Guys, whoa. Hey, don't take that.
05:31I did not agree to this.
05:33Actually, you did.
05:34The signing must reside on Mr. Mercer.
05:38I can't quite hear you.
05:41Must reside with Mr. Mercer for the duration of the project?
05:45Mm-hmm.
05:46How long?
05:47Keep reading.
05:49And definitely without exception?
05:57A gift.
05:59What the fuck?
05:59A gift in exchange for being kidnapped?
06:04No, thanks.
06:08I need to know where you're at at all times.
06:12It's a tracker.
06:13What? Like a dog collar?
06:16Do you think you own me now?
06:18I wouldn't do that.
06:20Come on. Let's go.
06:21This is insane. Just...
06:21Give me a second to put Crumpet in his carrier and call my grandfather.
06:25No.
06:26There are no animals in the mansion.
06:29You must say goodbye to your little...
06:31Crumpet.
06:32What?
06:33Absolutely not.
06:34I told you in the contract that I will take care of everything.
06:39I don't care about the contract.
06:40What? Oh, my God.
06:42Goodbyes are always so hard.
06:44Put me down.
06:45What are you doing?
06:46Welcome back, Miss Brooks.
06:52So, I'm not allowed to leave?
06:54If you leave, your contract will be terminated immediately.
06:58And what? You're just going to leave me all alone in here?
07:00Would you like me to join you?
07:12No, no, no, no.
07:13Why is it making that sound?
07:15Damn, if I leave, Pappy dies.
07:18Shit.
07:18I'm trapped with this monster.
07:21Oh, my God.
07:21Is this really happening?
07:23I'm stuck.
07:34This is your uniform.
07:36Work hours have started already.
07:38Tidy yourself up.
07:40Report to Mr. Mercer.
07:41Oh, and, uh, chop-chop, Miss Brooks.
07:48Mr. Mercer does not like to be kept waiting.
07:51Enjoy the view?
08:14No, I, um, just didn't want to disturb you.
08:20I don't mind if you stare.
08:22Sorry, sir.
08:23I was just interested in your build.
08:26The building.
08:27The build of the mansion that we're building to work on today.
08:33What time are we leaving for?
08:36Car leave's in ten minutes.
08:38Great.
08:39I'll be ready.
08:50How much further?
08:54Patience, Miss Brooks.
08:55Oh, my fucking fucking.
09:11Hey, Foxy!
09:13I got something that'll keep that jaw clenched.
09:15Wow.
09:16Original.
09:17Mr. Mercer!
09:18We didn't know you was coming in today.
09:20Get off my property.
09:21What?
09:22You're fired.
09:23Leave.
09:24Oh, what the hell?
09:25I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
09:31If I collapse your loan...
09:33Wait, did he just stand up for me?
09:36Sir, how about you?
09:38Continue your work with Miss Brooks, and I'll handle this.
09:43Come on.
09:46Everything's nearly finished.
09:47I'm gonna have a team come in and make some final measurements over here,
09:50and I'll ensure they know how to keep their mouth shut.
09:53Uh, is this all marble?
10:01Seeing her in my house gives me a strange feeling.
10:04It's so beautiful.
10:05What is it about her?
10:07Why do I want to...
10:08Follow me.
10:09I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
10:24Remember that.
10:30Your first task for the client.
10:31I don't know anything about the client.
10:35Who is...
10:36We don't ask about the client.
10:38We only worry about what they desire.
10:41Okay.
10:41Am I allowed to know what the purpose of this room is?
10:45Yes.
10:46Great.
10:47The client would like this room transformed into their BDSM chambers.
10:54I hope she doesn't see right through me.
11:01So, how would you do it?
11:04Uh, um...
11:07Paint me a picture.
11:08Right.
11:09Uh, over here, I would put a chaise lounge.
11:17Velvet.
11:18Obviously.
11:18Obviously.
11:19And over here would be a great place to mount a swing.
11:22One with adjustable heights and...
11:24Handles.
11:26And next to it, we could put a cabinet for whips and toys and things.
11:30You're very well versed.
11:33I read a lot.
11:35Certain genres of certain books have certain details.
11:39Right, right.
11:40Of course.
11:42Yeah, it's perfectly normal.
11:43A lot of women read fantasy and romance and fantasy romance.
11:49Anyway, uh, this would be a great place to mount wall cuffs.
11:56I'm drowning in the heat
12:01Afraid of what I need
12:07Your touch is like a flame
12:13But I can't turn your way
12:16Hello?
12:24Miss Brooks, I'm sorry.
12:25We need the payment.
12:27Uh, I understand.
12:29Is there anything I could do now to hold him there?
12:31Anything that could be done right now?
12:33We need your payment, Miss Brooks.
12:34By tomorrow morning.
12:36All $200,000.
12:38Okay, I'll get it to you.
12:40I promise.
12:43Sorry.
12:44Your contract explicitly states that I receive 100% of your attention at work.
12:50Who was that?
12:53It's personal.
12:53There are no personal calls at work.
12:57I'm sorry.
13:04Mr. Mercer, it won't happen again.
13:06I'll get to work right away.
13:08I'll have designs to you by tomorrow morning.
13:09Take it off.
13:15What?
13:19Your jacket.
13:22Mr. Mercer.
13:25I won't ask twice.
13:26Uh, what's this for?
13:40It's perfect.
13:43Now go get dressed.
13:43No need to pout, Miss Brooks.
14:06You'll be reading some of the top designers.
14:08I don't understand.
14:09How does this take priority over work?
14:12Am I your date or your designer?
14:14You are.
14:17When I say you are.
14:19Ladies and gentlemen,
14:32it is my pleasure to welcome you all to the annual architectural ball,
14:38proudly hosted by the Mercer Group.
14:40I'd also like to welcome and introduce our newest interior designer,
14:50Miss Cecilia Brooks.
14:55I thought you said you had the job.
14:57I did everything that I could.
14:59Bitch must have slept with him in the interview.
15:01Fine.
15:02I'll fix it myself.
15:08So without further ado,
15:09please enjoy your drinks
15:10and have a wonderful night.
15:20We have this dance.
15:22Okay.
15:26Sterling.
15:28I was hoping that maybe we could
15:30walk and talk.
15:32Or maybe
15:32dance and discuss.
15:35You must be working so hard.
15:38I was thinking
15:39maybe you would benefit
15:41from a designer who
15:42really knows you.
15:45Your past.
15:47I'm not interested in rehashing
15:48old relationships, no.
15:51It was just a flight.
15:52It doesn't mean we can't be close.
15:56Sterling could be a
15:57difficult person to work for.
15:59You know you can come to me
16:05if you need
16:06anything.
16:11Get your hands off of her!
16:13What the hell are you doing here, Vincent?
16:20Folks, looks like the jester came to play!
16:23Get him out of here.
16:26It's all right, folks.
16:32Enjoy the party.
16:33It's okay.
16:35You're okay.
16:37Why don't you go grab a drink
16:38and move to Carol's.
16:39crazy night, huh?
16:48Too crazy.
16:50I'm Nora,
16:51a close friend of Sterling's.
16:53So,
16:54tell me,
16:55how's the new position treating you?
16:58It's demanding.
16:59the client.
17:02What's your feel on them?
17:03Oh, I'm not at liberty
17:04to discuss that.
17:05Come on,
17:06it must be crazy, right?
17:08I really can't.
17:11Oh!
17:12Oh!
17:14Oh, how embarrassing.
17:17Oh, f***.
17:18What are you doing in here?
17:21Cecilia, I'm sorry.
17:23I'm so done
17:24with their whole world.
17:27Yeah,
17:28the head of the board
17:29was barking my ear off.
17:31Stop it!
17:32What?
17:33I'm just trying to help.
17:34Help?
17:35Really?
17:36That's rich.
17:37I mean,
17:38I am rich.
17:40You.
17:41You are a lot of things.
17:43From the moment I met you,
17:44you've controlled
17:44every aspect of my life,
17:45every movement I make.
17:47You're obsessive,
17:48cryptic,
17:49a perfectionist.
17:51But you're not rich.
17:53Not where it counts.
18:13Feel excuse me.
18:14I have work to do.
18:15Time is lost.
18:31What if?
18:34Maybe cuffs?
18:36What if we hang
18:37something around here?
18:38Time is lost.
18:40Is that me?
18:57Did I say you could come in here?
18:59Uh, you'll be happy to know that I worked on these all night.
19:10Maybe if you stayed at the gala, you would have learned something.
19:15Learned what?
19:16You follow through with your obligations so you wouldn't waste your time working on garbage.
19:20Garbage?
19:22I'll need five more by tomorrow morning.
19:24That will take me all night.
19:25Even making those two took me all night and I barely got them done in time.
19:29You've done it once before.
19:31You can do it again.
19:32Don't you think maybe, just maybe, that's an unreasonable amount of time?
19:37Maybe. I don't care.
19:39Wait, I should have remembered.
19:42It's not in the contract.
19:52Oh my god.
19:59Excuse me miss, where's my grandfather?
20:02I'm sorry, usually if they're not in the room it's because the insurance ran out or...
20:06Miss Brooks?
20:20Yes?
20:21I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
20:26He's being very well taken care of.
20:28I don't understand. How is that possible?
20:29I can't afford that.
20:32I told you.
20:34I'll take care of everything.
20:35What?
20:37I can't believe this.
20:45Oh, but...
20:46But why?
20:48Why would you do that?
20:49Well when I said I needed your undivided attention...
20:52I meant it.
20:53Now the only thing you have to worry about is me.
21:00I'm not your slave.
21:06Five designs.
21:08By tomorrow morning.
21:14You're welcome.
21:14I've been expecting you.
21:23I have a feeling I'll be impressed.
21:25Brushed work is not work to be proud of.
21:32Is this you?
21:34And my parents.
21:34They must be so proud of you.
21:36They never got to see it.
21:37I inherited this company before I was old enough to run it.
21:41I'm so sorry.
21:42It was a long time ago.
21:43What happened?
21:44They vanished.
21:45On a work trip into Europe.
21:47Guess I don't control everything after all.
21:49I'm going to deliver these designs to everyone.
21:52I have a surprise for you.
21:59To your first approval.
22:05It's beautiful.
22:08I do have a request though.
22:11I was wondering if I could...
22:13I could have a little freedom.
22:15From what?
22:16Me?
22:17No.
22:17No, not you.
22:20From this.
22:21Well...
22:22I need to keep track of you.
22:25I mean...
22:25What if...
22:27Sterling...
22:27I'm not your parents.
22:31I'll be fine.
22:32I just don't know if I'm ready for that yet.
22:34But you continue to impress me.
22:36I mean...
22:37You'll be free as a bird.
22:39I do have more surprises to show you.
22:54But, um...
22:55You're going to have to wait until tomorrow.
22:58Hmm.
22:59Full of surprises.
23:00Aren't you?
23:06And that's why I can't let you go.
23:22What are you two doing here?
23:24There's not supposed to be anyone working today.
23:25We were just swinging by to assess a minor electrical concern.
23:28It seems that the circuit...
23:29It's nothing urgent.
23:29We're going to come back tomorrow with the rest of the crew and get it resolved.
23:32Okay.
23:36Thank you for the update.
23:38Thank you, Mr. Mercer.
23:43I've ordered these beautiful pieces.
23:45White marble.
23:48What the hell?
23:54It's kind of beautiful.
23:56No, no.
23:56It's a mistake.
24:00It's not too perfect.
24:02It's bold.
24:03It's not trying hard.
24:03It just...
24:05is...
24:06Well, I like my work to be...
24:08Intentional.
24:11Well, I would argue that this...
24:13elevates the intention of the space.
24:16The juxtaposition between...
24:18control and chaos.
24:19You have good eyes, Ms. Brooks.
24:22Follow me.
24:29Your second task for the client.
24:32Master bedroom.
24:33Master bedroom.
24:34And nursery.
24:35Oh.
24:36The client's a family man.
24:37We don't discuss the client.
24:39Only satisfy their needs.
24:43Would you like to see your designs?
24:45Is it not what you thought?
25:06No, it's...
25:07It's not that.
25:07It...
25:08The power went up.
25:13There's no signal.
25:15Yeah, the...
25:15soundproofing they put up, uh...
25:17cuts signal.
25:19What?
25:20No.
25:20No.
25:20It's not funny.
25:34I'm not laughing.
25:36How long until someone notices that we're gone?
25:38I don't know.
25:39An hour?
25:41Maybe two?
25:42Is it Nora?
25:44The client?
25:45What?
25:45No, you're not supposed to ask about the client.
25:49Just tell me.
25:50No.
25:51It's not.
25:52Is she...
25:53more?
25:55I built this room because I believed in your vision.
25:59I cleared your schedule.
26:01I cleared your stressors.
26:03All because...
26:05I wanted you.
26:06I didn't know.
26:36Sir, your seven o'clock is waiting upstairs.
26:56Tuck your shirt in, sir.
27:04I know.
27:07Who the hell are you?
27:10Calm down, sweetie. Put Crumpet down.
27:15Listen, sweetie, I work for Mr. Mercer. He hired me to take care of your grandpa and Crumpet until you return.
27:22Sweetie, what are you doing home?
27:24What am I doing?
27:27This is Agnes, my nurse. She's taking care of me.
27:30Oh, I'm sorry. I'm so embarrassed.
27:34Hello?
27:38Why are you in your apartment? If you're there, there's no need for Agnes to stay employed.
27:43Cece, you're ruining my chances.
27:46Go back, Cece.
27:47Oh, okay, okay.
27:49Everything's all right. Agnes has taken very good care of me.
27:52Okay, okay, Pappy. I'll go.
27:55It was nice meeting you, Agnes.
27:57Nice to meet you, dear.
27:58What the hell? He has a girlfriend?
28:11What was I thinking?
28:15What was I thinking?
28:18What was I thinking?
28:20How was I thinking?
28:47Gotcha now, bitch.
29:03I found her address.
29:17Sterling.
29:24Sterling, can we talk?
29:25I don't have the time, Ms. Brooks.
29:27Sterling, it's important, please.
29:28Well, I'm dealing with something.
29:29Figure it out yourself.
29:40You might want to ask me why I'm here, you psycho.
29:43I don't give a damn what you have to say.
29:46I don't trust you.
29:47Well, maybe you should start.
29:49Because I know a dirty little secret about you.
29:55You're about to be broke.
29:59I'm here to offer you a buyout.
30:02Get out.
30:03Hear me out.
30:05Instead of your accounts being compromised, facing bankruptcy,
30:10and becoming the embarrassment of architecture,
30:12we could merge as Hale Mercer.
30:15Even has a nice name.
30:18Well, you're way out of line.
30:19Am I?
30:21Because someone pretty close to you seems to be worried about you.
30:24Besides, if you don't accept this buyout,
30:29I'll publish the information,
30:31and Mercer Designs will go bye-bye.
30:34Is that a threat?
30:35Think of it more of a bribe.
30:43Get the hell out of my property.
30:45And out of my sight.
30:47Now!
30:48Miss Brooks,
31:02in my office immediately.
31:04Are you sure you want me in there,
31:05or not your other woman friend?
31:07What are you talking about?
31:08Hand me your sketches.
31:09I have designs,
31:13but they're not the originals.
31:14The originals are missing or lost.
31:18What do you mean, lost?
31:19I finished the designs last night,
31:21and I fell asleep,
31:22but when I woke up,
31:23they weren't in my room anymore.
31:24You're lying.
31:25I'm lying?
31:27Why don't you tell that to the next girl you bring over?
31:31Excuse me?
31:32You're so careless.
31:33Careless?
31:34Me?
31:35I'm pretty sure you're the one
31:36who's talking about losing sketches.
31:38Something you won't have to deal with anymore.
31:42Marley's going to be taking you
31:43to the project mansion.
31:45Hopefully you can
31:46figure out your sketches problems there.
31:49You may go.
31:56Take her and her belongings
31:57to the project mansion.
31:59Anything I should know, sir?
32:01She can't be trusted.
32:03And check the cameras.
32:06We have a mole.
32:08Yes, sir.
32:13Miss Brooks.
32:16What are you doing here?
32:18Well, um...
32:20I, uh, had to get some artwork
32:23for the client.
32:26You don't trust me.
32:28Not to.
32:30You not trusting me?
32:31You were the one with another woman
32:33after all that
32:34I did this all for you bullshit.
32:36Okay, what woman
32:36are you talking about here?
32:38You can't lie to me.
32:39I saw you with her.
32:40I saw you...
32:41Okay, okay.
32:42Okay.
32:43If it makes you feel any better,
32:44I...
32:44I promise I'm looking into it.
32:50You promise?
32:53I promise.
32:54I promise.
32:54I thought you didn't trust me.
33:15That you were mad at me?
33:16No, you're too hard to resist.
33:17I promise.
33:18You...
33:19Touch me where the light won't glow
33:22Love me deep, love me slow
33:26Oh, kiss me in the dark take
33:29Or I hide
33:31Let's go inside.
33:32It's a fire on the inside
33:37Eyes like knives you cut right through
33:49Every look says what you do
33:52Pull me under soft and deep
33:55You're the secret I can't keep
33:59Breath on glass you trace my name
34:02No one else can play this game
34:05You don't ask you just take
34:09And I give and I pray
34:11Well hello I'm here for Mr. Brooks
34:16I'm sorry what exactly is this for?
34:18I'm the treatment nurse
34:19I'll be taking him to his appointment for today
34:22Oh Mr. Brooks doesn't have an appointment today
34:24I can assure you he does
34:25Well thank you for coming
34:31Can I bring Crumpet?
34:33Yes Mr. Brooks
34:34Bring the cat
34:35Hello Cecilia
34:56I'll need your full cooperation
34:58I have something of yours you might want back
35:01Now that I've got your attention
35:03I need a little favor
35:05Bring me Mercer's Legacy One design
35:07You can't do this
35:08But see I already have sweetheart
35:11Give me the designs
35:12Tell Sterling and your sweet old pappy dies
35:15And your little cat too
35:17Your choice
35:18I've been reviewing project management assets
35:21You're four days late on the Hudson property
35:24The client is not happy
35:25Mr. Mercer is not happy
35:28Pick it up or I'll give your work to her
35:30She's three days ahead
35:31Is that a personal email?
35:34Sweetie you don't have to do this
35:55Too late old man
35:56Who the fuck are you?
35:59Your worst nightmare
36:01Baby
36:02I'm glad I'm so glad you made it
36:04I set all this up for you
36:06This better work
36:09No
36:11No you won't
36:12That's a personal email
36:13No you won't
36:25No you won't
36:34You won't
36:36show me the video yes sir
36:51she knew how to invade the cameras i can't identify her but
36:58you knew her enough to let her in
37:00keep this video between us
37:04yes sir
37:05cecilia
37:19sterling you're not working from home today what are you doing here
37:23who have you been talking to no one i uh just i needed to pick up some paint
37:28samples and this was on the way on the way to what
37:31we're like 20 miles south of home i'm getting my necklace cleaned
37:37so if you can't find me or track me for any reason
37:42that's why
37:44why do you need your necklace cleaned i've just been working a lot the drafting table is super dusty
37:54and i i don't want to get messed up
37:56i'm trusting you right now i know
38:09what the hell is going on
38:23good girl right on time well don't hesitate now sweetheart or they're dead
38:37good girl right on time well don't hesitate now sweetheart or they're dead
38:51good girl right on time well don't hesitate now don't hesitate now don't hesitate now
38:56come on cecilia do it
38:58sterling mercer's legacy designs
39:03just like i asked
39:05oh sterling you won't even know what hit you
39:08now let my grandfather go
39:10he's all yours
39:12a deal is a deal pretty lady
39:14oh my head
39:17oh
39:19cecilia don't
39:21get out of here
39:22look look
39:23i've had a change of heart
39:37please
39:42no
39:43this way
39:45wow
39:55you really know how to tie the room together darling
39:58sterling has my location
40:00you have no idea what you're in for
40:02oh
40:03but i think i do
40:04you see
40:06when that timer goes off
40:09you
40:10and that little tracker
40:12and this entire place will go bye-bye
40:14and then that will pave way for the construction site
40:17of all hail designs
40:19he'll find me
40:21and when he does
40:22that's
40:22very
40:23unlikely cecilia
40:25now that sterling has this video
40:27no one's coming to save you
40:30screw you
40:31screw both of you
40:33oh
40:33oh
40:34oh
40:34but i
40:36almost
40:37have everything i need
40:38his financials
40:41his accounts
40:42you see
40:43the only thing that is missing
40:45my dear
40:46is the contact for sterling's project mansion
40:50what
40:51why does that matter
40:53well
40:53once i have the contact
40:56i can put in a bid
40:58under his
40:59therefore mercer will no longer have any names
41:02attached to any property
41:05that will never happen
41:08who's the client
41:13how much was the bid offer
41:16i don't know
41:19or you'll remember
41:22trust me
41:25even if i did
41:27i wouldn't tell you
41:29i wouldn't tell you
41:30so
41:37tell me
41:40who is the client
41:43he took care of my family
41:45i'm never going to sell him out
41:47unless you forget sweetheart
41:53you already gave me
41:55the plans
41:56so therefore
41:57you are already a betrayer
42:00promise
42:01i don't
42:02know anything
42:03well i can see
42:07that you're a lady of your word
42:08which makes it kind of hard
42:09to believe you
42:10so
42:11tell you what
42:12this is how it's gonna go
42:14you're gonna tell me
42:17and then you
42:18pappy
42:19and little kitty
42:20can go free
42:22while mercer designs
42:24burns to the ground
42:25or
42:27i could kill you
42:30right here
42:31right now
42:33and mercer designs
42:35falls anyway
42:36okay
42:39decisions decisions
42:41wait no
42:42no i'll tell you
42:43i'll tell you anything
42:43you want to know
42:44please
42:44don't touch him
42:45i'll tell you
42:47tell me
42:57everything
42:59i don't
43:02i don't know a lot
43:04i just
43:05i know she's very private
43:07very secretive
43:09she only talks to serling
43:11she's an older
43:13conservative
43:14woman
43:15liar
43:16that night
43:19that i dosed
43:19sterling
43:20with that sleeping elixir
43:21i found your little
43:24project mansion
43:25and that newly built
43:26bdsm room
43:27oh and then
43:28all the plans
43:29that i stole
43:29from cecilia's bedroom
43:30they were for a nursery
43:32both rooms
43:34that an elderly woman
43:35wouldn't need in a new home
43:36you drugged him
43:38yes
43:38yes i drugged him
43:40and then i ransacked his mail
43:48that's where i found you
43:49your address
43:51and your little cat too
43:55well then
43:59looks like you chose
44:02oh
44:03oh i'm sorry my sweetness
44:06but
44:06our short little affair
44:08is over
44:10excuse me
44:11well
44:12obviously i don't need your services
44:15any longer
44:16besides
44:17i don't
44:19do
44:20witnesses
44:21sterling help me please
44:29sterling wait it's a trap
44:31sterling please you have to help me
44:33watch out
44:33tell me how to disarm it
44:42now
44:43crack wire
44:47you little bitch
44:55norah stop
44:56put down the knife
44:57she kidnapped me
44:59i've been waiting here for hours for you
45:01put down the knife
45:03come on let me at her one last time
45:04she betrayed you
45:06she's the one who gave up the legacy one
45:08in the third floor
45:09wait how do you know about the legacy one project
45:12that was confidential
45:13that little bitch
45:14she told vincent
45:16everything
45:16no
45:17she's lying
45:18it's all because of her
45:20she drugged you
45:24no i didn't you bitch
45:25when i thought i saw you with that woman
45:27then how you lost the designs
45:30no
45:31no that wasn't me
45:33okay vincent made me do it
45:35he said he threatened my family
45:36i had no other choice
45:38i don't believe you
45:40arrest her
45:42no
45:43no
45:44no
45:44no
45:46stop the knife
45:47stop
45:49no
45:50baby jim please
45:52you have the right
45:53you're silent
45:54anything you say
45:56i can't move against you
45:57i don't get this
45:58but i'm sorry
45:58wait no no i'm hindsverse
46:00i'm so sorry
46:02it's okay
46:02it's okay
46:03but i gave him your designs
46:05i didn't know what else to do
46:06i was trying to save them
46:07i didn't mean to
46:08you're safe
46:09you're safe
46:09okay
46:10vincent won't be able to touch the project
46:13i'm so happy you found me
46:21i thought
46:22i'll always
46:23find you
46:24how
46:27because i know you
46:32that moment in the parking lot
46:35i knew
46:35from your eyes
46:37that you needed me
46:39i will always keep you safe
46:44hey
46:48hey
46:49would you two take it someplace else
46:51sorry babby
46:54i'll take you and crump at home
46:56oh thank goodness you're okay
47:04i want to tell you something sweetheart
47:07i love agnes
47:09i really mean it
47:10okay babby
47:11just get some rest
47:13i
47:13i mean it cc
47:15when a man knows
47:16he knows
47:17agnes
47:21it's been a long time since i've met someone as caring as you
47:24and i'd like you to be my wife
47:26yes
47:29i love you agnes
47:32marley
47:40what are you doing here
47:41miss brooks
47:42mind coming with me
47:44will you give me a second
47:46i want to change first
47:47i mean it's
48:02this
48:05was
48:09like
48:10Tastes like sugar, dreams
48:12Traffic sounds like melody
48:14It's so sweet that I know
48:17Everything feels brand new
48:19Sunlight dancing in my
48:22Come on
48:22This is really beautiful
48:35We work well together
48:40I'm glad you think so, Cecilia
48:41Um
48:44Yes, Sterling
48:45I have something I need to tell you
48:49About?
48:53There isn't a legacy, Kalai
48:55Well, there is, but
48:57It's not who you think
49:00I don't follow
49:03It's me
49:07What?
49:08This, this is my legacy
49:10Come here
49:14I need to show you something
49:16I made this for you
49:25Wait, one second
49:28I thought
49:39If we put them next to each other
49:41It would create balance
49:43Bounce
49:43But then you came in
50:00You're kind
50:03Bold
50:04Intuitive
50:07Sterling
50:08Beautiful
50:10Beautiful
50:10You gave this place
50:13A soul
50:14Cecilia Brooks
50:18Would you share the love
50:22We built together?
50:26Yes
50:27Yes, Sterling
50:28I said yes to you
50:39To forever
50:41To
50:42To every dream
50:44We're walking through
50:47You're
51:05You're
51:05You're
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